Gran capítulo de la serie, " La dimensión desconocida ", titulado " La llamada ", del año 1985. Serie de misterio y suspense creada por el gran guionista y productor, " Rod Serling ", en el año 1959.
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01:00Norman Blaine, whose greatest fear is that if he were to vanish from the earth tomorrow, no one would notice, or mourn, or question.
01:08And whose greatest sadness is the realization that he is probably right.
01:14Sofa, coffee table, chair, and pet.
01:30Solitary decorations in a life noted chiefly for its isolation.
01:35Point of origin and point of destination for Norman Blaine, whose days and nights are routinely swallowed into unhappy silence.
01:44Hi, Bob.
01:52Hi, Linda.
01:54You going out tonight?
01:55No, I'm going to court tomorrow.
01:57Oh, great, Bob.
01:58They're going to let you practice again.
02:00No, it's alimony court.
02:01My boy wife's suing me for a thousand bucks because she says a cat needs daycare.
02:04Oh, alimony.
02:05You see, Linda, I hadn't even thought about alimony.
02:09Ludwig van Beethoven, Claude Debussy, Tchaikovsky, and Ravel.
02:14Finally, a collection of your all-time favorite classical hits.
02:18Remember this one?
02:19Or this haunting melody.
02:22Music whose beauty never fades.
02:25All on one album in a unique offer.
02:28Only a limited number of these special edition sets will be made available to the public.
02:32So, call 555-4221 and order Classic Edition Volume 1 while supplies last.
02:41For your album, cassette, or CD, call 555-4221.
02:48Operators standing by 24 hours a day.
02:52Moments to remember for all time.
02:54Share this album with your loved ones.
02:57Rachmaninoff, Haydn, Strauss's Blue Danube, Pasha Bell's Canon, indeed.
03:02You'll be glad.
03:08Hello?
03:10Uh, yeah, hi.
03:13Uh, I'm sorry, I think I dialed the wrong number.
03:16Excuse me?
03:18Listen, I'm really sorry.
03:20It's just the wrong number.
03:22I probably woke you up.
03:23No.
03:24It's, uh, okay.
03:27I was just sitting here, and I heard the phone ring.
03:31For a minute, I was afraid whoever was calling would hang up before I got here.
03:35Yeah?
03:36I know what you mean.
03:38I hate it when that happens.
03:40Really, uh, annoying.
03:41What's your name?
03:46Norman.
03:46Norman Blaine.
03:48You have a very nice voice.
03:52Thank you.
03:54So do you.
03:56What, what's your name?
03:58Marianne.
04:00Marianne.
04:01That's a good name.
04:02Listen, would you like to talk a bit?
04:09I mean, if you're not busy, or...
04:11That would be nice.
04:12So, where was I?
04:21Um, uh, talking to some strange woman for an hour.
04:25Hour and a half.
04:26That's the amazing thing about it.
04:28It wasn't like she was a stranger at all.
04:31It was, I don't know, special somehow.
04:34She was a little nervous at first, but...
04:37After a while, she started talking, and I started talking.
04:40Like we were old friends.
04:42Next thing I knew, it was...
04:44It was an hour and a half later.
04:45Exactly.
04:46She was friendly, and fun.
04:49God.
04:50I hadn't had that much fun in ages.
04:52Now, I don't know what to do next.
04:54I mean, she said I could call her back tonight, after seven.
04:59I guess she works late.
05:00But I'd really like to meet her.
05:02I just don't know.
05:03Look, uh, Norman, a year and two months, you and I have been sharing this office.
05:09For a year and two months, I've been able to come in here and sit at my desk and pretend that I'm all alone.
05:18Because from your side of the room, came a blissful silence.
05:24I mean, I really like silence.
05:27I have five kids.
05:33Look, um, you want my advice?
05:37Ask her out.
05:38Okay?
05:40You know, so just, uh, lunch, or dinner, or ice cream, a trip to the zoo, whatever.
05:48Just go crazy.
05:49You know, the fact is that she wouldn't spend all that time talking to you if she didn't want to meet you.
05:53All right?
05:55Simple problem, simple solution, okay?
05:58Now, Norman, you're a nice guy.
06:02But for the next hour, I would really like to have no noise.
06:09That would make me a really happy man.
06:12Okay?
06:20Well, thanks for listening anyway.
06:22That was a noise.
06:25That was a noise.
06:52I didn't realize we've been talking for over three hours.
07:06I probably should let you go.
07:08All right.
07:09But one more thing.
07:11I just want you to know, Norman, I really enjoyed our talk last night, and tonight.
07:19I wanted to thank you.
07:21Well, same here.
07:23In fact, listen, I was thinking and wondering if you'd like to get together sometime.
07:28Maybe lunch, dinner, a movie, anything you want.
07:32Uh, Norman...
07:33No rush.
07:35I mean, anytime, it's okay.
07:37No, I really can't.
07:38We have so much fun just talking.
07:44Why do we have to change it?
07:47Can't we just leave it at this?
07:49Well, sure.
07:50I guess so.
07:53I've heard you, haven't I?
07:55No, no.
07:55Really, it's okay.
07:57Like I said, I just enjoy talking to you.
08:01Honest.
08:04Promise you'll call me tomorrow?
08:06I promise.
08:08Bye, Norman.
08:28Okay, Norman, give.
08:30What?
08:33For five days now, you've been absolutely quiet, not a sound.
08:38You know, it's the strangest thing.
08:39We've talked for hours and hours over the phone, but she won't come out on a date.
08:44So let me give you some advice.
08:47Okay.
08:47Look, you say you want to meet this woman, right?
08:53But you don't know who she is, and you don't know where she lives.
08:57All you've got is a phone number.
09:00Have I got it surrounded here?
09:01Yes.
09:02Okay, well, you've heard of reverse listings.
09:06Like, you phone the operator, you tell her you've got this number, you think it's the right one, you know, you say it's an emergency or something, and you get the operator to tell you the address that goes with that number.
09:14And once you've got the address, you cruise by and you just run into her by accident.
09:19Okay, after that, you're on your own.
09:23All right, now, can we have some quiet around here?
09:44Excuse me, do you know if a Marianne works here?
09:47Marianne, would you know her last name?
09:51I'm sorry, I don't.
09:52She could be one of our interns.
09:55Interns?
09:56Volunteer workers.
09:58Who would I check with?
09:59You could ask the director, but she's out for lunch.
10:02Why don't you come back in an hour?
10:03Thank you very much.
10:05May I look around?
10:06Of course.
10:17I can't have everything.
10:42No, no, no.
11:12No, no, no.
11:42She killed herself.
11:44Oh, yes. There were the usual rumors, of course.
11:48Lovers quarrels and all that.
11:50What a waste.
11:52It breaks my heart to think we'll never see anything else from Mary Ann Lindaby.
12:12Hello, Norman.
12:25Hello, Norman.
12:40Hello, Mary Ann.
12:42I didn't think you were going to call.
12:47I saw you today, Norman.
12:50You came by.
12:52You were standing in front of me talking to that woman.
12:55That's impossible.
12:57I can't deal with this.
12:58This can't be happening.
12:59I can't deal with this.
13:01Shortly after this, I'm starting to change her.
13:06Hello, Norman.
13:08¿Qué pasa?
13:38me
13:40it's me
13:40I'm the one
13:42who should be
13:42sorry
13:43I never should
13:46have
13:46answered
13:46the phone
13:46but
13:48it's been
13:51so long
13:51so long
13:55since
13:55I've
13:55thought
13:55to anyone
13:56it was
13:59dark
14:00and
14:02I
14:04was so
14:04alone
14:05i know
14:08so was i
14:10i have to go now
14:11no wait please
14:12you can't go away like that
14:14please
14:33i'm going to lunch
14:34now i'll be back in an hour
15:04so
15:06i'll be back in an hour
15:07so
15:08i'll be back in an hour
15:09so
15:10i'll be back in an hour
15:11so
15:12i'll be back in an hour
15:17so
15:18i'll be back in an hour
15:19so
15:20i'll be back in an hour
15:21so
15:22i'll be back in an hour
15:28so
15:30i'll be back in an hour
15:31so
15:32i'll be back in an hour
15:33so
15:34i'll be back in an hour
15:43so
15:44i can't wait
15:44so
15:44ma
15:46so
15:47i'll be back in an hour
15:49¡Gracias!
16:19¡Gracias!
16:49¡Gracias!
17:19¡Gracias!
17:29Excuse me, I'm going to have to ask you not to touch the exhibit, sir.
17:34Goodbye.
17:49Hello?
17:53Norman?
17:55Marianne.
17:57It was so hard to call you.
18:01It's dark here.
18:05So dark.
18:09I heard what you said.
18:13About there being nothing left for you.
18:21It scares me.
18:23It's what I said when...
18:25I was so lonely and hurt.
18:31And I couldn't make the pain go away.
18:35It just stayed with me so long.
18:39And so hard.
18:45And I couldn't take it anymore.
18:49I love you, Marianne.
18:51No.
18:52Please.
18:53I do.
18:54And I'm sorry.
18:56I didn't think it would happen.
18:58I didn't expect it.
19:00Ever.
19:02And I can't help it.
19:05I love you.
19:08Come to me, Norman.
19:13Come to me now.
19:15Tonight.
19:16But the museum, it'll be closed.
19:21Don't worry.
19:22I'll take care of it.
19:24But come now.
19:25Before I change my mind.
19:26Hurry.
19:27Okay.
19:29Okay.
19:30Gracias.
20:00Mary Ann?
20:18It's been so long since anyone's told me they love me.
20:30I don't want to be alone anymore.
20:43Stay with me.
20:46Please.
20:51Forever.
20:56On display, a very special exhibit cast in bronze and loneliness.
21:15A tender symmetry of line and form, suggestive of love finally found in the Twilight Zone.
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