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  • 2 months ago
Zoom at the Top is a 1962 Merrie Melodies cartoon directed by Chuck Jones and designer Maurice Noble. The short was released on June 30, 1962, and stars Wile E. Coyote and the Road Runner.
Transcript
00:00Okay, so this is Chuck Jones, War and Pieces. This is a Warner Bros. cartoon from, I believe, 1963, but it was actually probably made in 1962 when Chuck Jones left the studio.
00:16Okay, this is War and Pieces, and you're going to notice that the designs for the Roadrunner and Coyote are just a little bit different.
00:23That may be because of Maurice Noble, I'm not sure. You'll notice the backgrounds are by Phil Degarde as well. He kind of did some avant-garde backgrounds.
00:34And look at this. Okay, they're going to chase each other here. And a throwback that he hadn't done in a while, the Latin names.
00:41Burn them up as Asphaltus. He kind of poses for that. He kind of starts running slowly. Kind of an homage to the first Roadrunner cartoons.
00:52I guess that would be Beep Beep, which was the second one, and Fast and Furious, which was the first one.
00:59Okay, here comes the Coyote. He's got a grenade. Okay, that becomes clear right here.
01:04The Roadrunner is so fast. Zip! You notice kind of the Roy Lichtenstein kind of, you know.
01:11Oh, oh, here we go. It's going to freeze again, just for a minute.
01:16And then it blows up on him. Pow! You know. It kind of reminds you of the old Batman show as well.
01:23Things coming up on screen. He puts his tail out with his spit, you know, of course.
01:29Okay.
01:34And one thing you're going to notice here is Bill Lava's music.
01:38It's much different from Carl Stalling or Milt Franklin in that it's very dark.
01:44It's very, you know, bass heavy, and there's a lot of brass in it, and it's just kind of creepy.
01:51It's almost like Roadrunner in a horror movie.
01:54And for some reason in this cartoon, it really, really works. I'm not sure why.
01:58In some of the ones, it doesn't really work. It just kind of makes it creepy.
02:03But in this one, for some reason, just the way Jones designed it, it works.
02:07Now here's kind of what happens if Roadrunner meets Star Wars.
02:19This is probably Maurice Noble right here, his idea.
02:23You'll notice that in a lot of Looney Tunes, the classics especially, you'll see, you know, Daffy Duck in space,
02:30or Bugs Bunny in space, and Maurice Noble loved lasers.
02:34He just absolutely loved space-age kind of stuff for design.
02:38This is kind of like the Duck Dodgers or, you know, all that kind of stuff right here.
02:45So, you know, he crosses the laser and the thing clamps.
02:49And of course, Wiley gets stuck in it.
02:52And he's flat. Ouch.
02:55Now notice how flat the invisible paint can right here is.
02:59And how, you know, well-designed the Coyote is.
03:03It's kind of like Chuck Jones couldn't quite break free of his U.P.A. influence here.
03:08You know, you make the backgrounds and anything in the background very stylized,
03:12but then your characters are very, you know, fluid.
03:16They're very solid, you know, very Chuck Jones style.
03:19But he's got this kind of U.P.A. influence going here.
03:22You know, he knows the mirror so he can see himself.
03:28You need to see footprints across the desert here.
03:32That was a cloud of dust.
03:37But it's a truck! It's not the Road Runner.
03:40And where'd he go?
03:42Well, you can't see him.
03:44But that had to hurt.
03:47He goes off a cliff.
03:49There's little prints in the clouds. Isn't that brilliant?
03:53And then he splashes.
03:55Now, I believe Sylvester actually did this in some Freeling cartoons a couple times.
04:06He winds up underwater and he tells the fish to get lost.
04:09I know Jones did it with Pepe Le Pew one time.
04:12You know, the fish comes up to him kind of like,
04:14what the heck are you doing?
04:15And then he just smells Pepe and he just faints.
04:18Secrets of the Harem.
04:25Okay.
04:26Meep, meep, meep, meep.
04:30Meep, meep, meep.
04:31Meep, meep, meep, meep.
04:33You'll just notice that every time Wile E. Coyote gets blown up in this cartoon,
04:42it just makes him even crazier looking.
04:45It's like they really just wanted to exaggerate his explosions, you know?
04:49Make him explode.
04:50And when he does, just make the face more exaggerated every time.
04:58You'd think Wile E. Coyote would learn his lesson, you know?
05:01Don't lasso anything and pull on it.
05:03You've seen that happen a million times in a Roadrunner cartoon
05:06and he just knows what's going to happen.
05:08So this is really bizarre here.
05:10He lassoes a cloud and it zaps him with lightning.
05:14Once again he gets blown up and look at this bizarre pose here.
05:21His eyes turn red.
05:23How weird.
05:24He's going to try the rocket.
05:29Of course.
05:30Now this is really, really cool right here.
05:37This is, he burrows through the earth and he ends up going to China.
05:42But what's interesting is, as far as I know, there aren't any deserts in China.
05:46But Chuck Jones and Maurice Noble design it as if there were deserts in China.
05:50Kind of like, what would it look like if there was a desert in China?
05:53You see kind of the mountains sticking up.
05:55And it's all in a Chinese brush painting style, the background.
05:59And here's the Chinese Roadrunner.
06:01He goes beep beep.
06:02He goes beep beep.
06:03I'm not sure if the Chinese writing there was actually beep beep in Chinese.
06:06Maybe somebody who knows Chinese could tell me that.
06:09Oh!
06:10And he goes back.
06:11The center of the earth.
06:12That's got to hurt.
06:13And then he's back in America or wherever he is.
06:17And the Chinese Roadrunner comes back to say beep beep in Chinese.
06:28And that's it.
06:29Old Chinese proverb.
06:31That's all folks.

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