- 3 months ago
A hilarious 1940s college comedy full of charm and vintage humor. All-American Co-Ed (1941) is a classic public domain film featuring lighthearted fun, mistaken identities, and old-school musical moments. Perfect for fans of vintage cinema!
Category
π₯
Short filmTranscript
00:00THE END
03:04Hey, Tiger, you're out of step.
03:12Hey, Tiger, you're out of step.
03:24Hey, Tiger, you're out of step.
03:26I'm the chap with a chip on my shoulder.
03:35When anyone will see you.
03:41I'm a chap with a chip on my shoulder, when anyone looks at you, how my muscles swell
04:01in the throes of jealousy.
04:05I may not be six feet two, having Samson's hair is true, but I'm a chap with a chip on
04:11my shoulder, when anyone looks at you, that's it ma'am, and the audience gave him a great
04:20big hand too, of course for the boys it was just another show, but for Christian it was
04:24great publicity, how the, empty, that's very interesting Mr Holden, pardon, coming from
04:30a newspaper man, but I'll have no cheap undignified publicity at Marbury, but it isn't undignified
04:38I can't understand why we don't have more students, it's because our girls are, well,
04:45men won't even come to our proms, sure you need regular girls, not a lot of petunia putters,
04:49girls with zip, let me remind you both, that through the study of nature, my girls develop
04:55well rounded minds, minds they can live with the rest of their lives, but Andy, a girl doesn't
05:02deliver the mine, she wants to deliver the husband, Virginia, listen, would you be willing
05:08to give away twelve scholarships, to twelve unusual girls, well, if it would help my school,
05:14yes, it will, I hope so, but I wonder, you don't have to wonder any longer, there they are,
05:23you need girls like that, look them over, there's the watermelon queen, the pumpkin queen, the orange
05:27queen, the lemon queen, the strawberry queen, millions of them, what lovely tomatoes, why
05:34is she called the tomato queen, because she grew them herself, that's how she won the title,
05:39really, she's a very pretty girl too, empty, sure, there's queens like her all over this
05:46country, we could pick twelve and give them memberships and scholarships to Marbury, yes
05:51Andy, and they'll all be so outstanding, well, it doesn't seem beneath the dignity of the
05:56Marbury, we could call them the girls most likely to succeed, that's swell, now all we need
06:06is some quick notoriety, enough to get, but dripping with dignity, like a public announcement, you know,
06:11the way Harvard lampooned Hollywood, let me think, let me think, I've got it, we'll pick on the men least
06:23likely to succeed, do you mean those mentally undernourished males at Quinston, cavorting
06:28as girls, the Zeta boys, great auntie, I mean, pardon me, write an article for your paper about them, and
06:34spread it on thick, call them dumbbells, call them anything you like, and I'll see if the press
06:38picks it up, now make them look ridiculous, and we'll head the article, men least likely to succeed,
06:44but do you think we should, perhaps they will succeed, oh don't be silly, everybody knows that
06:50Quinston men don't succeed, they inherit, hey fellas, get a load of this, can you imagine that, some
07:07heck girls college is putting us on the pan, where's Henry, I'm coming mother, now look we know
07:16you're the world's greatest dramatic actor, but this is serious, quit hamming will you, listen, girls
07:21are you interested in horticulture, perhaps you will be one of this season's festival queens
07:25to win a scholarship to Marbury, send us your pictures and credentials, they're just taking a crack at us
07:30to advertise their scholarship award, we got to do something about it, that's right, yeah, well I know what Gary
07:36Cooper would say, he'd say, I don't know how you people do things here, but, well back where I come from, we act, yeah, now wouldn't it be too bad if this scheme of theirs should backfire some way, yeah, backfire, what's on your mind, why some way to turn the tables, on account of we won't let ourselves
08:05be treated that a way, that's it, and we've had plenty of experience, we all just finished impersonating girls, suppose one of the Marbury candidates turns out to be a boy, then one of us would go to Marbury as a contest winner, and you Henry, are great at invitations, oh no, not me, I only impersonate men, well get a pack of cards and we'll cut for it,
08:33that was a great idea Bob, do you think it's possible, oh wouldn't that be something, gee, can you imagine being in a girl school, huh, I don't want to go, I'll frame him, you will think of something dirty Mr. Bergen, you always do,
09:02yes, but what, he's the one to go, well give him the business, give him the business, now if I were in your place, I'd certainly, Charlie, nothing crooked, why Mr. Bergen, I'm a man of high honor, how could you even, Charlie answer my question, yes, but you don't Charlie, oh well, Charlie, oh well,
09:20well, Charlie, hi Missy, Charlie, what would you do, what you mean, Charlie, hello, Charlie, we could only do this for me, oh, we could only do it, yep, can't you, and Charlie, we could only do it well,
09:30oh yes, Inspector, can't you, yes, darling, yes, course, again besides, you got a deck of cards, haven't you,
09:34We'll fake a swell picture of a girl with her arms full of flowers,
09:39which naturally she grew herself.
09:41You know, the beauty type...
09:42Well, uh, we're willing to take our chances.
09:46And, uh, Bob, as president of the fraternity,
09:49I think it's only right that you take the first card.
09:51Oh, well, there's no...
09:52Yeah, and Ulu gets the first ace goes.
09:55First ace?
09:56Yeah.
09:57Agreed?
09:58Right.
09:59First ace.
10:00Take your pick.
10:01Well, I'm afraid.
10:03Yeah.
10:04It's kind of important, you know.
10:09Oh, of course I had that.
10:11Well, uh, let's make it two out of three.
10:12Oh, no, no, no.
10:13You won and you go.
10:15As queen of the flowers.
10:17Gee.
10:18Madame.
10:19And Mar Brent expects you to do a good job.
10:21And we know you won't let us down.
10:22Oh, I'm hooked.
10:24Well, that's all right, Bob.
10:26After all, it should be right up your alley.
10:28Ah.
10:29Hey!
10:30Hey, look!
10:31They're all right.
10:32Here's another lovely tomato queen.
10:46Mm-hmm.
10:47Nice.
10:48I see.
10:49There's watermelon, strawberry, pickle, potato, carrot, orange, lemon, and all queens.
10:54Spinach.
10:55The tobacco queen.
10:56Chesterfield, all-American girl.
10:57Isn't she beautiful?
10:58What a lovely turkey.
10:59Give me the girl and I'll give you the bird.
11:01Well, that's satisfactory.
11:02I never realized there were so many lovely girls with such amazing talents.
11:05Listen, there's only, uh, only 11 here.
11:06We need one more.
11:07Well, we have fruits and vegetables.
11:08Flowers must be represented.
11:09I'll take this one.
11:10I'll take this one.
11:11Queen of the flowers.
11:12Bobby Dubois.
11:13That's a very interesting face.
11:14That's fine, Auntie.
11:15Don't call me Auntie.
11:16Oh, I'm sorry.
11:17But what I was going to say, uh, was, uh, uh, with all these people, uh, uh, uh, uh,
11:18uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh.
11:22With all these pretty girls, you'll have to relax a little and let some boys on the campus.
11:26Never.
11:27No men on the campus during school hours.
11:29Not while I'm president of Marbury.
11:31Well, I'm a man.
11:32You're safe.
11:33Oh, I'm a man.
11:34I'll take this one.
11:35The queen of the flowers.
11:36Bobby Dubois.
11:37That's a very interesting face.
11:38That's fine, Auntie.
11:39Don't call me Auntie.
11:40I'm sorry.
11:41But what I was going to say, uh, was, uh, uh, with all these pretty girls,
11:44you'll have to relax a little and let some boys on the campus.
11:46Never.
11:47No men on the campus during school hours.
11:49Not while I'm president of Marbury.
11:50Well, I'm a man.
11:51You're safe.
12:02Hey, what's new guys? Come here. Come here. I want to show you something.
12:05Hey, shh, fellas. Here he comes.
12:07He's coming. Is he in a good mood?
12:09Oh, I don't know. But it sure wasn't when we were helping him into her clothes.
12:15Let go of me, will you? I'm not going to run away.
12:18The fraternity will never forget this.
12:20It was your idea, and you're the only one that could do it.
12:23Make Mar-Bryn look like a sucker.
12:24Yeah, sucker is right, and I'm it. And I'm not going to go through it.
12:27Oh, yes, you will.
12:37Don't trip again there, dearie.
12:39Or we'll give you the words.
12:42Watch your little temper.
12:43Oh, you can't back out now. Besides, you look like Ginger Rogers.
12:47More or less.
12:48And think of all the fun you'll have.
12:49Yeah, fun.
12:50I'll probably land in jail.
12:52Oh, now wouldn't that be too bad?
12:54Now remember, you're doing this for Zeta.
12:56We'll all be rooting for you.
12:58Come here, sir.
12:59We know you can do it, so don't let us down.
13:01Don't forget the rights.
13:03Here's the nightgown.
13:05Bobby, look, look.
13:06That must be she there.
13:16Yes, sir.
13:17And a honey.
13:18Miss Bobby DeWolf from Quiston Community.
13:23Queen of the flowers.
13:25Welcome to Mar-Bryn's special.
13:27Oh, huh?
13:28Now don't forget.
13:29Keep that bare-tone trap of yours shut.
13:31Pretend like you've got a sore throat or something.
13:33Come, come, Mr. Wolfe.
13:34Gotta be going.
13:36Oh, maybe you'd better kiss your friends goodbye, huh?
13:38Yeah.
13:41Goodbye, dear.
13:43There we go.
13:44Now we're off.
13:46My goodness, but you do have a lot of boyfriends.
13:48Yeah.
13:49Just brothers.
13:50Just brothers.
13:51My, my.
13:58All aboard.
14:00Oh, hello, honey.
14:01Hello.
14:02Here you are, right up here at number two.
14:04Now listen.
14:05I want you to get a good night's rest and take care of that throat, Bobby.
14:09If I may call you that.
14:11Uh, honey.
14:13You know you're different than these other girls around here.
14:16Good, good, good, good, good, good, good.
14:16Oh, are you?
14:17Go up.
14:19Let me help you up.
14:20Oh, no, you don't.
14:22Uh, I'll get a letter.
14:23Yes, sir.
14:50Oh, early to bed and early to rise.
14:59That surely applies to me.
15:01Don't have to count sheep to put me to sleep.
15:05It's easy as A, B, C.
15:08When I rise and open my eyes, don't need an alarm clock's chime.
15:13Believe it or not, believe it or not, I'm up like a shot when it's past my dreamin' time.
15:23I'm up at the crack of dawn whistling.
15:24I'm up at the crack of dawn whistling, singing.
15:30Hef, hef, hef, hef, hef, hef, hef, hef.
15:32Never saw the sky look quite so blue after dreamin' all night of you.
15:36When I wake with your kiss on my lips, all my cares are in a total eclipse.
15:44I'm up with a cheery yawn, whistling, whistling, singing, ba-da-ba-ba, all your sweet erases in your arms.
16:10So a whistle and sing, cause there isn't a thing that I lack at the crack of dawn.
16:16I'm up at the crack of dawn whistling, singing, da-dee-da-da-da-da, cheerful as the sunbeams seepin' through.
16:26After dreamin' all night of you, I'm up at the crack of dawn whistling, singing, da-da-da-da-da-da.
16:36I never saw the sky look quite so blue after dreamin' all night of you.
16:40When I wake with your kiss on my lips, all my cares are in a total eclipse.
16:52I'm up with a cheery yawn, whistling, singing, ba-da-da-da-da-da-da-da.
16:58I'm up with a cheery yawn, whistling, whistling, singing, a whistling, sing, there isn't a thing that I lack at the crack of dawn.
17:07I'm up at the crack of dawn whistling, singing, da-da-da-da-da-da, cheerful as the sunbeams peepin' through.
17:17After dreamin' all night of you, I'm up at the crack of dawn whistling, singing, da-da-da-da-da-da.
17:26Never saw the sky look quite so blue after dreaming all night of you.
17:31When I wake, all my days are in a total eclipse.
17:41Oh, we're not whistling, we're not whistling, singing.
17:49All your great whistling girls, all the whistle and sing.
17:52All great.
17:56All great.
17:59All great.
18:03All great.
18:11Come, come, dearly.
18:12We're here now.
18:13Coming.
18:14Coming.
18:22Come, dearly.
18:27Oh.
18:28Oh, God.
18:29I want to come.
18:31And are we stuck?
18:32I have never planned my circumstances.
18:34You wish I had ever planned my work before you something ever before you are too greasy.
18:37All right.
18:38Come, dearly.
18:40Hi!
18:41Oh, how are you?
18:42We've never talked a little secret about a letter?
18:44Oh, hi!
18:45How are you?
18:46Hey!
18:47Myller's piano, I'm just talking.
18:48I'm doing aΧ play.
18:49Oh, oh, my goodness!
18:51And now, girls, to your dormitory assignment.
18:54And I hope you'll all be very happy at Marbury's.
18:57Well, I'll be seeing you all.
18:58Or will I?
19:00Now, Bobby dear, come with me.
19:01We're very much concerned about this throat of yours.
19:05Oh, not that door, my dear.
19:07That leads to the basement.
19:08The one opposite.
19:10Do we feel like sharing a room, or would we rather be alone?
19:13Alone, please.
19:14It's a very nice little room right next to mine.
19:17Do we feel well enough to stay up, or would we rather go right to bed?
19:20Oh, to bed.
19:21Of course, if you'd rather, we can send you up to the infirmary for a complete examination.
19:26Oh, no, no.
19:27I, uh, I'm just a little hoarse.
19:30We do sound more like a mule.
19:33I feel more like a jackass.
19:38Gosh.
19:40Boy, I'm going to get out of here.
19:42Ah.
19:43All right.
19:45Hold on.
19:46Oh, goodness me, Bobby, what are you doing?
19:56Well, I'm, my throat is cold.
19:58I'm, I'm just keeping it warm.
20:00Oh, is that all?
20:02Well, look, do something for me, will you?
20:03I just can't seem to do anything with these.
20:05Fix them for me, please.
20:06Well, what do you want me to do with this?
20:09We'll just fix my hair, silly.
20:18Say, you know what?
20:19I met a Zeta at Midwest over the phone.
20:22Gee, he sounded grand.
20:23He asked me for a date Saturday night.
20:25He has a friend.
20:26Want to come?
20:27Mm-hmm.
20:27Well, we could sneak out of here, I bet you.
20:31Mm-hmm.
20:33I know how those Zetas work.
20:36Well, you do have to be quick, but, oh, boy, it sure is fun.
20:41Well, goodbye now.
20:42Goodbye.
20:44You look very lovely.
20:46Goodbye.
20:54I'm Virginia Collins.
20:55Welcome to Marvrin.
20:57Is there anything I can do for you?
21:00I hear you have a pretty sore throat.
21:02Yes, very pretty.
21:04I mean, yes, it's very sore.
21:07Have you gargled?
21:09What on earth do you have here?
21:11It's just sort of, well, just laundry.
21:15Oh, well, I came to tell you about the staying over by the bell tower.
21:19Too bad you can't come because of your throat.
21:21Oh, it feels much better.
21:23Well, if you do come, be quiet.
21:24It's against the rules, and Andy doesn't like it.
21:27Well, I'm awfully sorry about your throat, and I can understand why you want to be alone.
21:32But it's too bad, because we were supposed to be roommates.
21:34Uh-huh.
21:35What on earth are you doing?
21:56Oh, just breaking in a new pair of pajamas.
22:01Oh, naughty, naughty, with your throat.
22:03To bed with you.
22:04Come.
22:05Oh, no.
22:06Oh, yes, yes.
22:07You have a very serious condition.
22:09Oh, come on.
22:10Now, let me tuck you in.
22:15Shall I rub your chest?
22:16Oh, no, no.
22:17Oh, no.
22:18Oh, no.
22:18Oh, no.
22:18Oh, no.
22:18Oh, no.
22:18Oh, no.
22:19Oh, no.
22:19Oh, no.
22:19Oh, no.
22:20Oh, no.
22:21Oh, no.
22:21Oh, no.
22:22Oh, no.
22:22Oh, no.
22:23Oh, no.
22:23Oh, no.
22:24Well, don't you dare get out of that bed, young lady.
22:48Just close.
22:49Just close.
22:50Just close, ma'am.
22:52Look.
22:53What is this?
22:54Well, these is men's pants.
22:55What they doing here?
22:56They ain't got no business here.
22:58And a man's coat.
23:00Well, where'd these things come from?
23:03Uh-oh.
23:04Here's his shoes.
23:05I'm going to call Miss Matilda and tell her all about this.
23:11Hello?
23:12Uh, Miss Matilda?
23:14There's a man's clothes done come down this chute.
23:17Uh, a what, ma'am?
23:18Mm-mm.
23:20Uh-uh, no, no, no, ma'am.
23:23I'm sure.
23:24Of course I'm sure.
23:25These here clothes ain't made out of no organdy.
23:28Mm-mm.
23:29No, ma'am.
23:33Uh, excuse me, Miss Matilda.
23:34I must have left the washing machine going.
23:37At least I hope so, dear.
23:39Uh, Miss Matilda, as I was saying, there was a man's shoes.
23:56There was shoes, but they must have walked off by the set.
23:59Uh, listen, Miss Matilda, there's something going on here
24:01that ain't the way I lights it.
24:03Now the ironers are going.
24:05My, my, Miss Matilda, it must be my nerves.
24:10Uh, hold a while while I turns off the ironer.
24:14No, ma'am, I ain't crazy.
24:30Miss Matilda, did y'all ever find your hoodie or the collar?
24:33I think he's here or somebody's here.
24:35Yes, ma'am.
24:36I goes to cut the ironer off and the shirt and the shoes is gone.
24:40Yes, ma'am, it was just like this, see?
24:42I goes over to the ironers and cut it off and the shirt's gone.
24:46And then I goes to the washing machine and the shoes is gone.
24:50Ah, this place is haunted.
24:52Listen, Miss Matilda, before your ex-washed lady leaves here,
24:55y'all better come down here and get these pants.
24:57Miss Matilda, I just can't stay in this place no longer.
25:00I go crazy.
25:01I just can't stay here.
25:03Ah, this is awful.
25:05Now, yeah, go to the washing machine and go into...
25:07Ah, I've never seen a break like this with Mrs. Matilda, it's my Miss Matilda.
25:13Oh, yeah, I told they got me.
25:14Ah, Mrs. Matilda, come get me, please.
25:16Mrs. Matilda!
25:17What is going on in here?
25:18Are you crazy?
25:19Come on.
25:20Earth is wrong.
25:21Now, what's all this talk about pants?
25:22Where are they?
25:23I don't know where they is, but I sure know where they ain't.
25:25What is the matter with you?
25:26Ain't nothin' the matter with me, Dizzy.
25:27Your place is haunted.
25:28First they're shuttin' their shoes.
25:29What is the matter with you?
25:31Ain't nothin' the matter with me, Dizzy.
25:32Your place is haunted.
25:33First they're shuttin' their shoes.
25:34Then the washing machine and the iron goes by itself.
25:36Then the pants go by itself.
25:37Now, I'm goin' by myself.
25:38Goodbye, Mrs. Matilda.
25:39Out of the silence, come and cling to me.
25:41Out of the silence, come and cling to me.
25:44Out of the silence, come and cling to me.
25:49Out of the silence, come and cling to me.
26:00Out of the silence, come and bring to me.
26:06that feeling of resentment when you're near,
26:16and that feeling of resentment will disappear.
26:31Out of the silence, come and cling to me.
26:39Out of the silence, come and bring to me
26:48that feeling of contentment when you're near,
26:55and that feeling of resentment will disappear.
27:05When out of the silence comes the sound of your voice,
27:15my heart goes leaping, I can't help but rejoice.
27:23I'm up in heaven from the bottom of the sea,
27:34when out of the silence comes the sound of your voice,
27:44my heart goes leaping, I can't help but rejoice.
27:49Out of the silence comes the sound of your voice,
27:55my heart goes leaping, I can't help but rejoice.
28:07I'm up in heaven from the bottom of the sea,
28:17when out of the silence comes the sound of your voice,
28:29my heart goes leaping, I can't help but rejoice.
28:34Out of the silence comes the sound of your voice,
28:44my heart goes leaping, I can't help but rejoice.
28:51I'm up in heaven from the bottom of the sea,
29:02when out of the silence you come to me.
29:12When out of the silence you come to me.
29:18When out of the silence you come to me.
29:32Girls, we'd better hurry. Miss Latilla's coming.
29:35Back to the dormitories, girls. Hurry, back to the dormitories.
29:42Shh. What are you doing here?
29:45I came to see you, but right now I'm holding the bell cord.
29:48Quiet or she'll hear you.
29:51I never saw you in my life before.
29:54Well, I've seen you.
29:56I want to help you with this presentation.
29:58My name's Bob Shepherd.
30:00You see, I'm interested, in a way, through Bobby DeWolf.
30:04Oh.
30:05Oh, that is just professional. I taught her to sing and dance.
30:08Confidentially, though, I don't like her much.
30:10Not after I saw you, Virginia.
30:13How did you know my name?
30:14Oh, I know a lot of things.
30:18Say, say, would you mind holding this just for a minute?
30:21Be careful now. It's heavy.
30:25Now, you know, you can't let go of that,
30:27or the bell will ring and wake up the whole town.
30:29And the old girl will hear it and come and find us here together.
30:33What's the matter with you? You aren't going, are you?
30:35No, no, no, no, no. Just trying to resist temptation.
30:38You see, there's a little red man with horns behind me,
30:41egging me on, pushing me with his pitchfork,
30:43shoving me forward, forward.
30:46Like this.
30:48I don't see him.
30:50Well, he's there.
30:51Now, was that nice?
30:52Elegant.
30:53Well, wait.
30:54I mean, uh, perhaps I'd like to get in on this myself.
30:57Oh, lady.
30:59Now, you can hold it for the rest of the night.
31:00What a dirty trick.
31:01Well, goodbye, Bob.
31:02Listen, if you leave, so help me.
31:03I'll let go of this rope.
31:04You can let go any time.
31:05That bell hasn't worked in 14 years.
31:08let go any time.
31:09That bell hasn't worked in 14 years.
31:36Boy, how do you like that, huh?
31:37Glamorous addition to more Brim's Fall Festival.
31:42Get a load of that guy. He's doing all right.
31:46Good morning.
31:47Good morning.
31:48Well, it looks like all our little girls are as busy as be...
31:51Good morning, Mr. Holden.
31:52Good morning, honey.
31:53You know, we're going to rehearse our presentation in here.
31:55Is that so? Well, girls, are we all ready?
31:59Oh, Mr. Holden, do you really think these spots mean anything?
32:04I don't know, but I called a doctor.
32:07You wouldn't get spots at a time like this.
32:10Has anybody seen Bobby?
32:11I'm worried about her. She was out all night.
32:13Well, don't say anything. Keep it quiet.
32:15Hello, fellas.
32:17Look, fellas, be reasonable, can't you?
32:19I know I promise, but I've fallen in love with a girl.
32:22She's like orchids covered with dew, like...
32:25Oh, like moonlight and violin. She's...
32:27Hey, now, wait a minute, Bob.
32:29I know I promise, but I've fallen in love with a girl.
32:31She's like orchids covered with dew.
32:33Wait a minute, Bob.
32:35Hey, fellas, looks like love has crossed us up.
32:37Hey, we can't let them quit now.
32:39Now, look, you took an oath in love or no love,
32:42we can't let you get out of it.
32:44We'll send some of the local Zeta boys over
32:46to keep him from walking out.
32:47Right.
32:48Now, listen, Bob.
32:51Wait a minute.
32:53It's only me, Virginia.
32:55I'll be there in a minute.
32:56I've got to quit.
32:57I'm caught in the hothouse, spent the night here.
32:59It's only me, Bob.
33:01Wait a minute, Virginia.
33:04I thought Bobby was...
33:10Oh, look, Virginia, I know it looks bad, but...
33:14Well, just trust me, huh?
33:15And I believed you last night.
33:17Oh, now.
33:18For Bobby's sake, you'd better get out of here right now.
33:20Virginia.
33:21Are you sure those spots mean what you said?
33:23You can't quarantine the whole school, you know.
33:24What about our presentation?
33:25There's nothing I can do.
33:26Miss Bunny has measles.
33:27Must be put to bed at once.
33:28And the school is under quarantine.
33:29Sorry.
33:30Too bad.
33:31It's just too bad.
33:32Poor kid.
33:33Oh, it's just too bad.
33:34Oh, it's just too bad.
33:36Poor kid.
33:38Oh, it's just too bad.
33:40It's too bad.
33:41It's too bad.
33:42Poor kid.
33:43Oh, it's too bad.
33:44It's too bad.
33:45It's too bad.
33:46It's too bad.
33:47It's too bad.
33:48It's too bad.
33:49Oh, it just wrecks all of our plans.
33:52That's a pity.
33:53It's an awful pity.
33:54The very first time we try something like this.
33:57Well, couldn't we postpone the presentation?
34:00No, no.
34:01You can't do that.
34:02We spawned a publicity angle.
34:03We'll just have to make the best of it.
34:05I just knew something like this would happen.
34:08I'm sorry, Andy.
34:09There must be something we can do.
34:11There it is.
34:12You can have your presentation.
34:14Have it in here.
34:15You know, you can't catch measles from behind glass.
34:18Who are you, young man?
34:19I'm qualified to stage your presentation.
34:21I figured a presentation to my own.
34:22I know what to do and how to do it.
34:25Now, we could move all these ferns and plants out of one end and have sort of a stage.
34:29Why, we might even make costumes out of the plants.
34:31Yeah, this is the place, all right.
34:34Well, what do we do now?
34:36Oh, now, look.
34:37Our Zeta brothers at Quinston say the guys here disguised as a girl.
34:41We just keep our eyes peeled and when we find him, we give him the work.
34:45See?
34:46Get a load of that over there.
34:49Yeah.
34:54Well, how do we get in?
34:56Huh?
34:57Oh, oh, get in.
34:59Well, here, I got it.
35:00We'll grab one of these.
35:01Come on, you get one.
35:02Come on, you get one.
35:07Go on.
35:11Wait a minute.
35:12I can't get in that way.
35:29Hey, we should quit playing around.
35:32Come on.
35:40Say, we've been here three days and we haven't found that phony dame yet.
35:43I know.
35:44I know.
35:45I've been trying though, ain't I?
35:46Yeah.
35:47Trying to make dates with them.
35:50Goodbye, now.
35:51Goodbye, Bobby.
35:56Hey, wait a minute.
35:58I got an idea.
36:03Ahem.
36:07How are you, beautiful?
36:08Oh, hello.
36:10Go on, get out of here, will ya?
36:13Bobby.
36:14Yes?
36:15Why don't you like me?
36:17Oh, I like you.
36:18But I've seen you with the other girls.
36:21You play too rough.
36:22Uh, Bobby.
36:23Yes?
36:24Can you keep a secret?
36:25Uh-huh.
36:26Well, uh, I...
36:27I had to do that.
36:28You know, be a little rough with the girls.
36:29Oh.
36:30You should learn to control yourself.
36:31Oh, no, no.
36:32It's nothing like that.
36:33But, Bobby.
36:34Yes?
36:35You know, there's a man here disguised as a girl.
36:37And I gotta find him.
36:38A man?
36:39Yeah.
36:40Oh!
36:41Oh!
36:42Will you please get out of here?
36:43Go on, scram.
36:45Oh!
36:46Oh!
36:47Oh!
36:48Where am I?
36:49Well, you killed with me, baby.
36:50Oh, dear.
36:51Oh, dear.
36:52Oh, dear.
36:53Oh, dear.
36:54Oh, dear.
36:55Oh, dear.
36:56Oh, dear.
36:57Oh, dear.
36:58Oh, dear.
36:59Oh, dear.
37:00Oh, dear.
37:01Oh, dear.
37:02Oh, dear.
37:03Oh, dear.
37:04Oh, dear.
37:05Oh.
37:06Oh.
37:07Oh.
37:08Oh.
37:09Oh.
37:10Oh.
37:11Oh.
37:12Oh.
37:13What's the matter, Bobby?
37:14I won't hurt you.
37:15That's what I'm afraid of.
37:17Will you scram your cramp in my style?
37:20Yeah.
37:21I get it.
37:22Oh, Bobby.
37:23You're such a lovely girl.
37:24Oh, Bobby.
37:25Oh, Bobby.
37:26Oh.
37:27Oh, Bobby.
37:28Oh, Bobby.
37:29You played so right.
37:30Oh, no, you don't.
37:31Oh, no, Bobby.
37:32Now, cut it out.
37:33Oh, I know you're tired.
37:35Oh.
37:36Bobby.
37:37Now, wait a minute.
37:38Oh, Bobby.
37:39Oh.
37:40Hey.
37:41Bobby.
37:42Oh, Bobby.
37:43Oh, Bobby.
37:46Oh.
37:47That'll teach you not to play fast and loose with me.
37:50Oh, Bobby.
37:51Let me up.
37:52Please, let me up.
37:53Oh.
37:54I don't see why you have to be so rough.
38:03Tiki.
38:04Ow.
38:05Bobby.
38:06Tiki, Tiki.
38:07Ow.
38:08Tiki, Tiki, Tiki.
38:09Oh.
38:10Please, let me up.
38:11Won't you, Bobby?
38:12Will you promise to be a gentleman?
38:13Oh, yeah.
38:14Bobby, I'll promise anything.
38:16All right now, but remember your promise.
38:18Oh.
38:25You little dickens.
38:27Now I got you.
38:28Oh, no, no, no.
38:29Hey.
38:30Hey, hey, hey.
38:31What's the matter with you?
38:32What do you always keep coming around for just when I get going good?
38:35Didn't I?
38:36Yes.
38:46We're slaying them, Auntie.
38:47We'll knock them cold.
38:48Oh, Auntie.
38:49What's this?
38:50Don't touch it.
38:51That's a Dionea mascapula.
38:52My, my.
38:53Do tell.
38:54Venus trap.
38:55Meat-eating plant to you.
38:56Mm.
38:57Poor darling.
38:58It's hungry.
38:59I've been so busy, I haven't had time to feed it.
39:01Heh heh heh.
39:22Sorry.
39:23Introductions.
39:24Yeah.
39:25No.
39:26Virginia, please.
39:27I, I want to explain.
39:29Explanations are not necessary.
39:30Oh, but Bob Shepard is.
39:31Please, you're only making matters worse.
39:33I am grateful to Bob Shepard for what he's done for our friend.
39:36But it ends there.
39:37Get into your costume.
39:38There's the overture.
39:39Virginia.
39:40Virginia.
39:41Virginia.
39:52Hurry up, operator.
39:53Will you please?
39:54Hello, Quinston.
39:55Zeta House.
39:56Hello, you lugs.
39:57Thanks to you.
39:58I lost a girl.
39:59Yeah.
40:00Yeah, yeah.
40:01Yeah, I know.
40:02Am I?
40:03Of course I'm going through with this.
40:04I'm going through with you.
40:05I'm going through with you.
40:06Where do you see the papers?
40:07Where's Bobby?
40:08Probably in there with her boyfriend.
40:09Well, you better get on the stage or follow this first number.
40:13Quick, quick, quick, quick, quick.
40:14Come on, we're ready.
40:15Yeah, all right.
40:16Okay.
40:17Okay.
40:18Great start.
40:19What a finish.
40:20Tell your best photographers to get up over here.
40:21It'll make a sensational finale shot.
40:22Now, go ahead.
40:23You know what?
40:24Just go ahead.
40:25Okay.
40:26Yeah.
40:27Good job.
40:28Good job.
40:29Oh.
40:30Oh.
40:31Yes.
40:32Here's a good job.
40:33He, oh, yes.
40:34Well, yes, it's real.
40:35Good job.
40:36Come on.
40:37Well, yes, Mr. Garry.
40:38Good job.
40:39Well, you better get on the stage or follow this first number.
40:40Quick, quick, quick, quick, quick, quick.
40:42Come on.
40:43We're ready.
40:44Yeah.
40:45All right.
40:46it's over here.
40:47Oh, no, no.
40:50Virginia, listen.
40:51I want to explain.
40:52I was going to forgive you.
40:54But a moment after she, while you were with her,
40:56what are you planning to do to this show?
40:57Nothing, Virginia.
40:59It's just a-
41:00Well, watch my music.
41:16Our peaceful countryside is lonely as can be.
41:22Someone I shall mention merits the attention of the men who write our history.
41:33The poor farmer's daughter, she's wasting her glamour and charm.
41:39Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
41:44Oh, the poor farmer's daughter, she once had a bow on each arm.
41:49They took it on the lam, went to train for Uncle Sam and they left her alone on the farm.
41:54Her papa says the crop of the year is the top but that doesn't ease her slumber.
42:00What good is a crop when you beat one a hop you get rumba.
42:04With an old cucumber, oh, the poor farmer's daughter, she really has cause for alarm.
42:12Oh, Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
42:27The poor farmer's daughter, she's wasting her glamour and charm.
42:32Oh, boy, what a job.
42:34I'm gonna get myself in a mess like this again.
42:37Corsets, garters.
42:38Corsets, garters.
42:45I have her get home.
42:50Why, auntie.
42:52It's going great, isn't it?
42:53Yeah.
42:54But I better tell you, Bunny got out.
42:56Who?
42:57Bunny.
42:58What's out?
42:59Bunny.
43:00Where?
43:01Where?
43:02By, by...
43:05Oh, darn.
43:06Did you see that?
43:07Canned bananas.
43:08It's a double cross.
43:09Bobby.
43:10Bob.
43:11He's she.
43:12She's he?
43:13There's a man loose in my school.
43:14If the photographers see him, we're sunk.
43:15Yes.
43:16Bobby.
43:17Well, catch her.
43:18Catch her.
43:19Catch her.
43:20Catch her.
43:21When your feet wanna hop, you can't rumble.
43:22With an old cute con plow, old poor farmer's daughter.
43:26She really had thought for alarm.
43:28Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
43:34Grab a toadstool and park it.
43:36See the models from the farmer's market.
43:37You'll find the price within reason.
43:38Get a load of what's cookin' this season.
43:39Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
43:41And a cow are the only ones left on the farm.
43:53Grab a toadstool and park it.
43:56See the models from the farmer's market.
43:58You'll find the price within reason.
44:01Get a load of what's cookin' this season.
44:06Number one on the sell parade shops will soon be set.
44:10The watermelons will soon be selling.
44:13Folk has named it the more the watermelon.
44:33Hi, Bobby.
44:34Oh, Bobby, I wanted to tell you something.
44:36Ah, go jump in the lake.
44:40Hey, Tiny, Tiny, I found him.
44:43That's him.
44:44That's him with those dresses on.
44:46Number two on the stop parade, not by Schiaparelli.
44:51Get that cabbage around my lady's shoulder.
45:10Come with me. I got a great idea.
45:25Come with me. I got a great idea.
45:28Now we offer a symphony, every note staccato.
45:33Our creation, temptation of tomato.
45:38Now here's one, they will rave a pop name to California.
45:43Get that rhythm.
45:46It's in the groove. It's a corny.
45:49Remember, my kids, the sitting down zeta trick on the last note of music.
45:53Now don't let me down.
45:54I'll get it.
45:55I'll get it.
45:56I'll get it.
46:15What?
46:16I'm sorry.
46:17Awful sorry.
46:18Get out of here.
46:19You realize now there never has been a Bobby DeWolf.
46:22And, honey, don't worry about your show.
46:25Come on, Bobby.
46:26We've got you now.
46:27Bobby, we've got you now.
46:28You shouldn't be here. You've got the measles.
46:29Bunny?
46:30Measles?
46:31No!
46:32No!
46:33No!
46:34No!
46:35No!
46:36No!
46:37No!
46:38No!
46:39No!
46:40No!
46:41No!
46:42No!
46:43No!
46:44No!
46:45No!
46:46No!
46:47No!
46:48No!
46:49No!
46:50No!
46:51No!
46:53No!
46:54No!
46:55No!
46:56I was amiant.
46:59Nope.
47:00You can't run the blood with an oldα»cucumber.
47:02What is my word come to donors?
47:04He really Large!
47:05Ob Probably and a flower, and a Election day and a CiΔ
.
47:09Me.
47:10Onella depends.
47:11Are you happy with the show?
47:14Yes, but there's something I want to say to you.
47:25You did marvelous. You did very good.
47:28Vinnie, cut it down.
47:34I'm sorry you lost your revenge because of me.
47:37But you should have a public apology for Zeta.
47:40Oh, getting you is enough for me.
47:43But don't you think your friends will be angry
47:46when they see those publicity pictures?
47:49Oh, no.
47:52Oh, they'll understand.
47:59Boy, oh, boy, how do you like that, huh?
48:01It's terrific.
48:02Gee.
48:23I'm God.
48:25I'll see you again later.
48:26Oh, good boy.
48:27See you later.
48:28There are realments.
48:29I hope they did.
48:31I'll see you later.
48:32Bye.
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