- 2 days ago
Love, Rooms, and Romantic Chaos – Classic Comedy Film is a delightful story of tangled relationships, unexpected encounters, and humorous misunderstandings set within the lively atmosphere of a bustling household. As romance collides with confusion, the characters find themselves caught in a whirlwind of comedic situations filled with charm, wit, and classic slapstick moments. A timeless piece of vintage cinema that captures the playful spirit of early Hollywood comedy.
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Short filmTranscript
00:00:04The End
00:00:32The End
00:01:00Oh, help!
00:01:02Help!
00:01:07Hey, Ginny.
00:01:09What do you say we get married right away?
00:01:11Oh, Jess, don't start that again.
00:01:12I told you a thousand times I'll never marry until Angie's married.
00:01:16See, Angie had better get on to herself.
00:01:17She's not getting any younger.
00:01:18That's just it. She's four years older than I am.
00:01:21If I get married, first people are going to call her an old maid.
00:01:23Then nobody will marry her.
00:01:25Yes. But in the meantime, we have to wait and...
00:01:34Hey, watch her with Bertie.
00:01:36I'm sorry, Bertie, but I decided that I can't marry you.
00:01:40Oh, but why?
00:01:42Why the sudden change?
00:01:43I mean to say, dash it.
00:01:45You don't come up with specifications.
00:01:48Specifications?
00:01:49What am I? A horse or a silly ass?
00:01:52Well, I wouldn't say that you were silly.
00:01:54But, my dear, you know, you can't judge a husband in a bathing suit.
00:01:57No, but you can get a rough idea.
00:02:01Oh.
00:02:05Looks like another plot.
00:02:06Oh, let her alone, dear.
00:02:07She'll find the right man someday.
00:02:09Yeah, we won't live that long.
00:02:11Why did she turn down Jack Peters?
00:02:13Oh, she said he had no romance, no excitement.
00:02:16She wants a man that she'll never be sure of.
00:02:18Hmm, is that so?
00:02:20Well, what about, what about George Waters?
00:02:22He looked like he'd never been kissed.
00:02:23Oh, rot.
00:02:25I'll tell you one thing.
00:02:25I'm not going to let your sister interfere with our happiness.
00:02:28Oh, Jeff.
00:02:29I mean it.
00:02:29You're going to marry me next week.
00:02:31Nothing's going to stop her.
00:02:31But how can I?
00:02:32I'll do what I'll do.
00:02:33I'll marry Angie myself.
00:02:34What?
00:02:34Yeah, and then I'll poison her and marry you.
00:02:36Where are you going?
00:02:37Where am I going?
00:02:38To get the poison.
00:02:41Well, I must leave and take that train to town, honey.
00:02:44Oh, Fred.
00:02:45You think of nothing but business.
00:02:48Your wife likes to have her husband at least one night a week.
00:02:52Hey, you.
00:02:53Cut that out.
00:02:53That's my wife.
00:02:54Sorry.
00:02:55Thought it was mine.
00:02:56Can you beat that?
00:03:01Honey, when I'm away nights, I hope you won't...
00:03:02You hope I never look at another man.
00:03:04Well, you just better not leave me alone so much.
00:03:07Take a little white face tip.
00:03:08Nita, why do you always start pulling that stuff?
00:03:10You know how I hate it.
00:03:12Oh, you two love birds.
00:03:13At it again.
00:03:16Well, Angie, how would you like your husband leaving you every night for business?
00:03:20Are you sure it's business?
00:03:22No, I'm not.
00:03:23Then I'd love it.
00:03:24Oh, if I only had a husband that could make me jealous.
00:03:27Why, I'd send him out nights just to get a thrill when he came home.
00:03:30Angie, you talk like a fool.
00:03:31How would Fred like it if I started going out nights?
00:03:34Well, you wouldn't mind, Fred, would you not if the man was good looking?
00:03:37Oh, no, I wouldn't mind because I'd have the extreme pleasure of twisting his neck.
00:03:42Bye, honey.
00:03:44Goodbye, Fred.
00:03:47Bye.
00:03:49Oh, Nita, the more I see of men, the more I love my dog.
00:04:14Don't wait for me.
00:04:15You go off and have your luncheon.
00:04:16Bye.
00:04:17Bye.
00:04:19Bye.
00:04:20Bye.
00:04:35Bye.
00:04:35Bye.
00:04:54Wait.
00:05:05Are you hurt? Say, answer me! Are you hurt?
00:05:17Help! Help somebody! Get a doctor!
00:05:21Help there! Help!
00:05:23Get a doctor! Get a doctor!
00:05:25I wish he's dead!
00:05:34The poor dear.
00:05:37He has such a soulful, sad face.
00:05:41How could you be so careless?
00:05:44Suppose he dies.
00:05:46That's right, that's right. Be as cheerful as possible.
00:05:49Hello, watch this.
00:05:54Carpet tax.
00:05:55Let's see if there's any more.
00:06:00Easy, easy, easy.
00:06:14Well, there's a pretty bad scalp wound, but no apparent fracture.
00:06:19Probably some brain concussion.
00:06:20He must have perfect rest and quiet.
00:06:23I advise he have a nurse.
00:06:24Won't I do, Doctor? I'll give him the best possible care.
00:06:28The poor thing.
00:06:31Well, all right, Miss Emery, if you want to.
00:06:33I'll go down and write out some instructions for you.
00:06:41I wonder who he is.
00:06:44He looks like one who has loved and suffered.
00:06:48Oh!
00:06:49Oh, oh, this is coming too.
00:06:53Oh, there was an accident, my poor man.
00:06:56And you're in my home.
00:06:58Don't worry.
00:07:00Everything will be all right.
00:07:02I'm going to take care of you.
00:07:04I won't be gone long.
00:07:05I'm just going down to see what the doctor tells me to do for you.
00:07:08Come on, Ginny.
00:07:09I may need you.
00:07:11Jeff, dear now, there's a dear.
00:07:12You stay here and take care of him, won't you?
00:07:13You watch over him carefully.
00:07:14Come on, Ginny.
00:07:15We'll see what the doctor has to say.
00:07:16Hurry up.
00:07:27I'm not sorry, old man.
00:07:29I'm the fellow who hit you.
00:07:30But you weren't looking where you were going.
00:07:33Oh, I was looking at her.
00:07:36Huh, I...
00:07:36I don't blame you.
00:07:40And, uh...
00:07:41What do you think of her now that you've met her?
00:07:43Oh, she's beautiful.
00:07:45Hmm.
00:07:47Hey, what's your name?
00:07:50Reginal Irving.
00:07:52What business are you in?
00:07:54I'm a sign tacker.
00:07:56A what?
00:07:57Sign tacker.
00:07:59You're not putting signs on telegraph posts and fences and things.
00:08:03Oh, I see.
00:08:04In the advertising business, huh?
00:08:07Yeah.
00:08:09Are you, uh...
00:08:11Married?
00:08:12Oh, no.
00:08:13Oh.
00:08:15Have you ever had anything to do with women?
00:08:18Oh, I used to sell vacuum cleaners.
00:08:21Oh, no, no.
00:08:22I mean...
00:08:23Have you ever had a love affair with a woman?
00:08:25Oh, gosh, no.
00:08:27Well, you're going to have.
00:08:29Oh, I can't.
00:08:30I don't get paid until Saturday.
00:08:33That's why this won't cost you anything.
00:08:36You like Miss Emory, don't you?
00:08:39Is that the lady that was just here?
00:08:43Mm-hmm.
00:08:43Oh, she's marvelous.
00:08:46How would you like to know her real well?
00:08:51I might fix it so that she could be the mother of your children.
00:09:04Keep them continually up.
00:09:06Make the scalpel show up very well in the future.
00:09:08Thank you, Doctor.
00:09:09Goodbye, lady.
00:09:10Goodbye, Doctor.
00:09:11I'll take good care of the patient.
00:09:12Goodbye.
00:09:15Well, I found out who our patient is.
00:09:18Really?
00:09:19Mm-hmm.
00:09:20You'd never guess.
00:09:21Oh, darling, don't be so mysterious.
00:09:24Reggie Irving.
00:09:26Reggie Irving?
00:09:27Uh-huh.
00:09:28THE Reggie Irving.
00:09:29Well, I don't know him.
00:09:31What?
00:09:31You don't know Reggie Irving, the great outdoors man?
00:09:33Does he run with our staff?
00:09:35Oh, no, no, hardly.
00:09:36No.
00:09:37He's better known in London than Paris.
00:09:39Well, I'm surprised you never heard of the name.
00:09:41I never heard of him either.
00:09:43Oh, listen.
00:09:44He's figured in so many divorce cases
00:09:46that all the lawyers in France wept when he left.
00:09:50Not really.
00:09:51Ha, ha.
00:09:52Tell it.
00:09:57Not.
00:09:57Mm-hmm.
00:09:58Reggie Irving.
00:10:00The little devil.
00:10:02And he has such a soulful, innocent look in his eyes.
00:10:06Innocent?
00:10:06Ha, ha, ha.
00:10:07Oh, that's just the way he works.
00:10:09Why, the very clothes he had on today were a disguise.
00:10:11He's probably on his way to a rendezvous
00:10:13at the home of one of your neighbors.
00:10:14I wonder who it can be.
00:10:16Yes.
00:10:16Why, he's the worst boudoir snake in captivity.
00:10:19Pardon me.
00:10:20What are you going to do?
00:10:21What am I going to do?
00:10:22Phone for an ambulance.
00:10:23Not on your life.
00:10:24The doctor says he mustn't be moved.
00:10:26But he can't stay here.
00:10:27What would people say?
00:10:28Oh, don't be absurd.
00:10:29I can manage him perfectly.
00:10:31Well, how about Ginny?
00:10:31She'd probably fall for him too.
00:10:32And I couldn't stand that.
00:10:33I'll take care of Ginny.
00:10:35All right.
00:10:36Have it your own way.
00:10:36But remember, I warned you.
00:10:38Warned me?
00:10:41You've intrigued me.
00:10:52Come in.
00:11:04Come in.
00:11:08Come in.
00:11:11A lady to see Mr. Herbie.
00:11:13Tell her that he can't see anyone.
00:11:16Yes, ma'am.
00:11:17Oh, I'm sure he'll see me.
00:11:21Reggie!
00:11:22My poor darling, Reggie.
00:11:26To think of you lying here like this.
00:11:31Heaven.
00:11:32What's this?
00:11:36Porridge.
00:11:38Here.
00:11:39Take this away.
00:11:40He detests porridge.
00:11:42Really?
00:11:43I must say.
00:11:43Don't you suppose I know what he likes for breakfast?
00:11:47Reggie!
00:11:49Reggie!
00:11:50Don't you know me?
00:11:52It's your little Gwernie.
00:11:54Your little Gwernie.
00:11:56Then it's true.
00:11:57What they told me downstairs.
00:11:59He's lost his memory.
00:12:01Oh, Reggie!
00:12:03Reggie!
00:12:03Don't you know me?
00:12:04Reggie!
00:12:05Reggie!
00:12:06My poor...
00:12:06Really, really.
00:12:06I must ask you to leave.
00:12:08You're disturbing him.
00:12:09All right.
00:12:09Nurse.
00:12:12When you get on your feet again, sweetheart, remember, my arms will be waiting.
00:12:33And we'll thread them so early on!
00:12:39Yes!
00:12:39Two ladies to see Mr. Herring!
00:12:43Reggie!
00:12:44Radgie!
00:12:44Oh, Reggie my darling!
00:12:46I came back over...
00:12:47What would you do as soon as I put...
00:12:48Get your hands off of him...
00:12:51Listen, Gra byłypeakey.
00:12:51How do you use my Circum Heather.
00:12:52Will you please take your hands off of him, Reggie?
00:12:54Oh, Reggie!
00:12:54And I left you two Ta��는.
00:12:57Will you please take your hands off of him?
00:12:59Listen, Reggie darling...
00:13:00That hurt!
00:13:01Did you feel that...
00:13:01Did you call it over?
00:13:02Now, Ms. Shiro couldn't have done any better.
00:13:05Good girl.
00:13:06Here's 50 extra.
00:13:15I can't have this a minute longer.
00:13:17As long as Mr. Irving is in my health and my charge,
00:13:19I can't have his temperature going up like this.
00:13:20You'll have to go.
00:13:28And as far as your concern,
00:13:29I'm going to sue you for breach of promise
00:13:31and have you thrown in jail.
00:14:09Stop him!
00:14:10$50 to the man who stops him!
00:14:37Stop him! Stop him!
00:14:39Stop him!
00:14:44Come on, boys!
00:14:45I've got him!
00:14:53Get up!
00:14:54Here!
00:14:55That's it!
00:15:02Hey!
00:15:02Never mind that!
00:15:03Quit!
00:15:04I want him alive!
00:15:05Come along, give him to me!
00:15:06Give him to me!
00:15:07Oh, has he killed him?
00:15:08Well, I think he's all right.
00:15:11All right.
00:15:11I'll fix up with you, lady.
00:15:12Well, I'll see you later.
00:15:14Shhh!
00:15:15He must have absolute rest and quiet, Marie.
00:15:17No one must enter or disturb him in any way.
00:15:21Yes.
00:15:21Yes.
00:15:36Hello, sweet!
00:15:37How are you?
00:15:38Hello.
00:15:39Darling.
00:15:39Hey, darling, I've got some good news for you.
00:15:41Really?
00:15:41Yes, I think Angie's just mad about that little shrimp upstairs.
00:15:44Is that so?
00:15:45Yes.
00:15:45Well, you know...
00:15:46She won't let...
00:15:48She won't let...
00:15:48She won't...
00:15:49She won't let anybody come near the room.
00:15:50No, I didn't think she would.
00:15:52Oh, she's going to have a devil of a time with that little brute.
00:15:54I know!
00:16:01What's the matter, darling?
00:16:02What's the matter?
00:16:03Why, just fixing the curtains, sweetheart.
00:16:05Oh, I see.
00:16:05Yes, they're badly hung.
00:16:06Well, I'm going out to care, darling.
00:16:07Yes, darling.
00:16:07I'll have the curtains fixed.
00:16:09All right, sweet.
00:16:09When the wind blows, they have no resistance.
00:16:12All right, darling.
00:16:13Well, you've got them changing now.
00:16:14Fix the curtains.
00:16:20Hey, hey, hey.
00:16:21What did I tell you?
00:16:22Don't do that.
00:16:22I want him alive.
00:16:24Come on.
00:16:24Give him a little bit.
00:16:25Well, come on.
00:16:26Come on.
00:16:26Come on.
00:16:27Come on.
00:16:27Make this one of me.
00:16:28That's all right.
00:16:29Now, beat him.
00:16:29You get your fist, please.
00:16:30I'll give it to you the end of the day.
00:16:31All right.
00:16:32Come on.
00:16:32Come on, boys.
00:16:40Don't forget to put those glasses away, Bridget.
00:16:43And be very careful of them.
00:16:52Hello, Horace.
00:16:53How are you?
00:16:54Quite nicely, thank you, sir.
00:16:56I'm glad to see you.
00:16:57Yes, sir.
00:16:57Can I do anything for you, sir?
00:16:59No, nothing, thank you.
00:17:03Nice pantry you have, Horace.
00:17:05Thank you, sir.
00:17:06I'm glad you like it.
00:17:07Thank you, sir.
00:17:08Yes, sir.
00:17:17Hello, Horace.
00:17:18Glad to see you.
00:17:19Very glad to see you.
00:17:20Glad you're still with us.
00:17:21I'm still fine, but you're still the same.
00:17:23Bring it here and sit away with you.
00:17:26Goodbye, Horace.
00:17:27Uh-oh!
00:17:28Whoo, whew!
00:17:49What on earth's the matter?
00:17:53Caravania sat on the terrace of the Hotel de Paris, dazing out au vieux jour.
00:17:58I was afraid those screams might have wakened him.
00:18:01No, it's quite all right. I'm just reading him to sleep.
00:18:05An attentive waiter saw her, went to her, and hovered over her.
00:18:08Is there anything that Madame desires?
00:18:10Yes.
00:18:10Oh, he's perspiring dreadfully.
00:18:13Is he? Oh, that's splendid, yes.
00:18:14The fever has probably broken up.
00:18:16Being a waiter, he waited.
00:18:17But, being...
00:18:21Being an intelligent waiter, he...
00:18:25Just a little, uh, irritation somewhere.
00:18:28Being an intelligent waiter, he didn't wait very long.
00:18:31And also be...
00:18:33No, he didn't do it, did he?
00:18:36So, she sat off the terrace.
00:18:40Lovely gown, Leila.
00:18:42I bet you'll be down soon.
00:18:44Yes, I want to see you, Angie.
00:18:47Have you seen this issue of the, uh, social gossip?
00:18:50No.
00:18:51Don't tell me there's more about her and Reggie Irving.
00:18:53Of course, we knew there'd be lots of broken hearts when Reggie Irving's engagement to Angelica Embry was announced.
00:18:59But we hardly expected that the prospective bridegroom's various explanations would necessitate a midnight supper last Monday in a private
00:19:06room at the Seaside Hotel,
00:19:07for the certain lovely, blonde, divorcee of Long Island.
00:19:11Oh, Leila, that's awful!
00:19:12And a week before the wedding.
00:19:15Angie already thinks that I have been making, uh, eyes and side glances at that impossible shrimp of hers.
00:19:21And this atrocious paper accuses me of being his companion.
00:19:25And you weren't there at all, were you, darling?
00:19:28Thank goodness I have a perfect alibi.
00:19:30Oh, Jess!
00:19:31Oh, that's all right, darling.
00:19:32I'll go and see Reggie and demand an explanation.
00:19:34You do that, dear.
00:19:35Maybe it isn't true.
00:19:36I hope so, for Angie's sake.
00:19:40Uh, excuse me.
00:20:05Well, and how's everything?
00:20:07Oh, it's terrible.
00:20:09Terrible?
00:20:09What's happened?
00:20:10She's worth eight million dollars.
00:20:13Oh, and what's so terrible about that?
00:20:16Oh, I could never marry a woman for her money.
00:20:20Say, what's the matter with you?
00:20:22You're managing her estate, and in another week she'll be your wife.
00:20:25And I ought to tell her that I'm not the kind of man she thinks I am.
00:20:29Say, you do that, and I'll...
00:20:37Oh, there you are, darling.
00:20:47Really, darling, you mustn't work so hard.
00:20:50We're having tea on the terrace.
00:20:52You must come out.
00:20:54Wait a minute, Angelica.
00:20:55I want to talk to you.
00:20:56Why, of course, dear.
00:20:57What is it?
00:20:59I've got something I want to say to you.
00:21:02Alone.
00:21:03Oh, I know what it is, dear.
00:21:06You want to tell me how much you love me, and how happy you are.
00:21:12But suppose I told you that I'm not the man you think I am.
00:21:17And, uh, that I don't know these other women.
00:21:20I've never been out with them at all.
00:21:23You naughty, naughty boy.
00:21:25As if I'd believe it.
00:21:27No, darling.
00:21:28It's not your past I'm worried about.
00:21:30It's your future and your present.
00:21:34Bye-bye, dear.
00:21:41It's no use.
00:21:43You won't believe me.
00:21:46A sap.
00:21:49A sap.
00:21:50Do you want to spoil everything?
00:21:52Think of all I've done for you.
00:21:53Think of what this means to me.
00:21:54You're not going to weaken until Jillian and I are married.
00:21:56And then, if you're determined to go ahead and wreck two lives, one of them human, go as far as
00:22:00you like.
00:22:01But until then, you'll stick.
00:22:03You'll stick.
00:22:05And as for that insignificant little knicker poop that you're so crazy about, I wouldn't give him a thought.
00:22:10Indeed.
00:22:11Well, many very attractive women have, my dear.
00:22:15And besides, he is not an income poop.
00:22:17Oh, Angie, my dear.
00:22:19If he were ever left alone in a dark room with a beautiful woman, he'd drop dead.
00:22:30Why, he's begging.
00:22:33Hello, Brad.
00:22:35Oh, I'm so glad to see you.
00:22:37How did you know I was here?
00:22:38I telephoned over.
00:22:39Hello.
00:22:39How are you, Angie?
00:22:40Hello, Jenny.
00:22:41Hello, Fred.
00:22:41You're going to stay to tea, of course, Fred.
00:22:43No, thanks.
00:22:43I can't stop.
00:22:45Oh, Fred.
00:22:47I'm sorry, Anita.
00:22:48I've got to go out of town at once.
00:22:49I really dropped in to say goodbye.
00:22:51Oh, Fred, take me with you.
00:22:53I can't, dear.
00:22:54This is...
00:22:55This is business.
00:22:57Business again.
00:22:59Oh, perhaps you, too, would like to say your tender goodbyes in private.
00:23:03Come on, Jenny.
00:23:05I told you it was business, dear.
00:23:08Business.
00:23:12Mr. Irving, did you have this scandalous article put in here?
00:23:16Oh, no.
00:23:18Did you explain to Angie the story isn't true?
00:23:21There's no use explaining.
00:23:24She insists on believing that I'm bad.
00:23:27And I'm not.
00:23:27Honest, I'm not.
00:23:28Well, I should think she'd be able to take one look at you and realize that if you were
00:23:32left alone in the room with a woman, why...
00:23:34We'd both be safe.
00:23:37I...
00:23:38I was in a house one time all alone with the most beautiful French maid.
00:23:44And she tried to kiss me.
00:23:45She was baking a pie.
00:23:47And what did you do?
00:23:49I ate the pie.
00:23:51Oh, this is perfectly dreadful.
00:23:54I'll wager everybody thinks I was there and that you held me in your arms and kissed me.
00:23:59Oh, I...
00:24:00I wouldn't know how.
00:24:02Why, you'll never get such thoughts, do you?
00:24:05Oh, I get the thoughts, but I'm as scared to carry them out.
00:24:13Oh, Leela.
00:24:15Why, I apologize for even thinking that story was true.
00:24:19Why, you have too much sense to even be seen with this poor little nitwit.
00:24:23Oh, you heard.
00:24:24Yes, and I'm happy I did.
00:24:26Say, Angie, what's happened?
00:24:28Oh, nothing's happened.
00:24:29That's just it.
00:24:29Why, nothing's ever happened to Reggie.
00:24:31Why...
00:24:32Well, he's not even a man.
00:24:34Oh, I am too.
00:24:36Even Professor Einstein couldn't make me believe that.
00:24:52Now, see what you've done.
00:24:54You sap.
00:24:55Oh, it's all I can do to keep my hands off you.
00:24:57I didn't know she was listening.
00:24:59Oh, you idiot.
00:25:00You've gummed up the whole works.
00:25:02Now we've got to do something at once, or else it's all off.
00:25:04I wish it was.
00:25:06I'm tired of being a villain.
00:25:08Wait, I've got it.
00:25:10I've got it.
00:25:12You're going to be caught with the goods.
00:25:14I'm going to be a crook?
00:25:16A crook?
00:25:16No.
00:25:18You're going to have an affair with a woman tonight.
00:25:21Oh, I'm a little nervous.
00:25:24Can't you make it tomorrow night?
00:25:25No, tonight.
00:25:29What woman?
00:25:30Oh, never mind any woman.
00:25:31I'll attend to that.
00:25:32Now listen.
00:25:33You will go to the Seaside Hotel.
00:25:35You may have my rooms there.
00:25:36You will register as Mr. and Mrs. John Smith,
00:25:38and Angelica will catch you.
00:25:40Do you think that'll help me with Angelica?
00:25:42Help you?
00:25:43Huh.
00:25:44Why, it'll marry you to her.
00:25:49Oh, supposing Angelica is delayed.
00:25:52Oh, she won't be delayed.
00:25:53I'll attend to that.
00:25:56Well, what'll I do with this woman while I'm waiting?
00:25:59Gee, I'm not much of talking.
00:26:02Oh, well, I'll tell you.
00:26:04Here.
00:26:04Here.
00:26:05I'll draw a diagram for you.
00:26:06Now come along.
00:26:07Write this down.
00:26:10Now, first of all, you register as Mr. and Mrs. John Smith.
00:26:15Mr. and Mrs. John Smith.
00:26:17Right.
00:26:18Right.
00:26:20Now, when you first get to your room, order some champagne and broiled lobster.
00:26:26Champ?
00:26:30Can't you make it beer?
00:26:32Beer?
00:26:32Certainly not.
00:26:33Champagne.
00:26:33C-H-A-M-P-A.
00:26:37Oh, well, make it wine.
00:26:39W-I-N-E.
00:26:42Well, what'll I call her?
00:26:45Oh, call her kid, sweetheart, baby.
00:26:50Kid, sweetheart, baby.
00:26:53Uh-huh.
00:26:54And then when you're helping her to take off her, uh...
00:26:57Take off her what?
00:26:59Rat.
00:27:01R-A-P.
00:27:02No, rat.
00:27:04W-R-A-P.
00:27:06Wap?
00:27:07Wap.
00:27:08What?
00:27:09Make it coat.
00:27:11K-O-T-E.
00:27:15Then, slip your arm around her.
00:27:17Give her a little kiss.
00:27:19Kiss.
00:27:20Then, pull her down onto your knee.
00:27:25Must I do that?
00:27:26Of course you must.
00:27:29Well, I'll put it down.
00:27:33After the knee what happens.
00:27:35Haven't you any imagination?
00:27:37Yeah, but I'm afraid to depend on it.
00:27:40Oh, well, you've got enough there anyhow.
00:27:41Now, come along.
00:27:42Run after your room and pack your bag.
00:27:43I'll attend to everything else.
00:27:44Go ahead.
00:27:45Have a good time.
00:27:46I'll have a good time if it kills me.
00:27:50Make it simple.
00:27:51Whatever you do, don't weaken.
00:27:52As quick as you can.
00:27:53Go ahead, boy.
00:27:57Hurry up!
00:28:11Is Jefferson Hayward in?
00:28:13I'll see, madam.
00:28:14Who shall I say is calling?
00:28:15Well, I have an appointment.
00:28:17What is the name, please?
00:28:18He expects me.
00:28:20What is the name, please?
00:28:21Say, what if I don't want to tell you?
00:28:23Well, then I shan't know who to say is here, madam.
00:28:26Well, good.
00:28:26Go tell him.
00:28:27I'm here.
00:28:27Yes, but...
00:28:47What is it all about?
00:28:48I wasn't going to give my name after the article you made me put in my column.
00:28:52I'm so glad you came.
00:28:53I rushed the moment I got your note.
00:28:55Come along.
00:28:55Sit down.
00:29:00Well, what is it?
00:29:02You've got me all goose pimples.
00:29:04Polly, you know how anxious I am to get married.
00:29:07Well, not half as anxious as I am, and look how calm I act.
00:29:10Yeah, but I want to get married next week.
00:29:11And you're the one that's going to do it for me.
00:29:13Do it for you, great Scott.
00:29:14When a man gets married, that's one thing he must do for himself.
00:29:17Oh, don't you understand?
00:29:19Tell me something.
00:29:20I'll understand it.
00:29:21All right.
00:29:22I want you to meet this Reggie Irving.
00:29:24You mean the man that I've been scandalizing in my column?
00:29:27Mm-hmm.
00:29:27I want you to meet him alone.
00:29:30No, it's all right.
00:29:32It's all right.
00:29:32This is just a trick.
00:29:33Yeah, well, you don't want me.
00:29:35You want a magician.
00:29:36No, but he's quite harmless.
00:29:38Why, if he were to find himself in a room alone with a woman, he'd probably faint.
00:29:41Yeah.
00:29:41Well, sometimes they come to life.
00:29:44Mm-hmm.
00:29:44I'll be seeing you.
00:29:45Oh, Sarah!
00:29:46Great Scott, don't scare me.
00:29:48Now, little.
00:29:49I only want you to have supper with him.
00:29:51Will you?
00:29:53Well, will he give me a good supper?
00:29:54Oh, sure.
00:29:55In my rooms at the Seaside Hotel.
00:29:57And then, Miss Embry, his fiancée, will catch you there.
00:30:00That's all.
00:30:01That's enough.
00:30:01The last time I was caught by a fiancée, she had more hair in her hand than I had in
00:30:05my head.
00:30:06I'm not worrying about your hair.
00:30:07Well, I am.
00:30:08It's darn hard to match.
00:30:09Oh.
00:30:10Now, Jeff, you act so.
00:30:12Why, you ought to see a doctor.
00:30:13Goodbye.
00:30:14Now, come here.
00:30:17Listen, Polly.
00:30:18We've always been good friends, haven't we?
00:30:20Yes, but you're scaring the friendship out of me.
00:30:23Now, come along.
00:30:24And let's get organized.
00:30:25I told you over the telephone what a terrible fix I was in, didn't I?
00:30:29Now then, if we can only get Angelica to find her Reggie with another woman.
00:30:33Oh, I see.
00:30:35Looks don't mean anything.
00:30:36Anyone will do.
00:30:38Oh, so you picked me.
00:30:40Thanks.
00:30:40Oh, no.
00:30:41You're such a great scout.
00:30:42Yes.
00:30:43I'm Buffalo Bill.
00:30:44Now, listen.
00:30:45You will register as Mr. and Mrs. John Smith.
00:30:48Mr. and Mrs. John Smith?
00:30:51Now I'm Pocahontas.
00:30:52No, but that's just to get in.
00:30:54You're supposed to be Reggie's wife, Mrs. John Smith, pro tem.
00:30:57Oh, I'd love to be a wife pro tem.
00:31:00You can have all the fun and none of the housework.
00:31:03You'd better see another architect.
00:31:05Oh, maybe you're right.
00:31:06I'd better find someone who can put a little pep into a man.
00:31:12Someone with enough it to teach a man how to act with a woman.
00:31:15Oh, yeah?
00:31:19What is the address of this Seaside Hotel?
00:31:22Nita, won't you listen to reason?
00:31:24If you don't take me, you'll be sorry.
00:31:26I told you I can't.
00:31:28Then go.
00:31:29And I don't care if you never come back.
00:31:32Nita, you don't mean that.
00:31:33Yes, I do.
00:31:34Every word of it.
00:31:37Leave me alone.
00:31:39Oh, very well.
00:31:41I'll wire you when I arrive.
00:31:42Take my excuses to Miss Embry.
00:31:44You make them yourself.
00:31:46Bye, dear.
00:31:49Oh, Fred.
00:32:05Yes, you have.
00:32:06Here it is now.
00:32:07Seaside Hotel.
00:32:08Seven o'clock.
00:32:08Crouch Reggie and Suffer.
00:32:09Gee, I love Suffer.
00:32:10I hope to have me.
00:32:11So long, Jeff.
00:32:12I'll see you Thursday.
00:32:12Bye-bye, Polly.
00:32:13I know what I'll do.
00:32:15I'll raise the devil.
00:32:18I'm going out with the worst man I know to a terrible place.
00:32:22And I'm going to let Freddy know about it.
00:32:24Then he'll have to come back.
00:32:27Well, after all, dear, it's your own affair.
00:32:30But don't do anything foolish.
00:32:34Alimony may be easy money, but it don't make up for a lot of lonesome nights.
00:32:39Let's go.
00:32:48Hurry up!
00:33:11Hey, what's the idea of the golf clubs?
00:33:14Oh, I thought maybe if Angelica was late, I could practice putting.
00:33:17Oh, go ahead.
00:33:18Beat it.
00:33:19Beat it.
00:33:19Go by the garden.
00:33:20Go ahead.
00:33:21Everything's all set.
00:33:31Reggie!
00:33:32Oh, hello.
00:33:34Why, Reggie, you wicked boy, where are you going?
00:33:36Oh, no place in particular.
00:33:41Oh, yes you are.
00:33:43You're going to take me to supper to the worst place you know.
00:33:47Huh?
00:33:50Oh, I'm so glad it's you.
00:33:54Why, Reggie!
00:33:56Who ever would have thought you were so wicked?
00:33:58Where shall we go?
00:34:00Oh, that's all arranged.
00:34:01Arranged?
00:34:02Seaside Hotel.
00:34:04Supper for two.
00:34:05Oh, Reggie, you darling.
00:34:07Uh, not yet.
00:34:14Reggie, I'm beginning to feel so wicked.
00:34:17So am I.
00:34:19Oh, Reggie.
00:34:21You understand this, uh, doesn't really...
00:34:24Oh, I know.
00:34:25I know we're just playing.
00:34:26My car's out the garden gate.
00:34:28Let's take that.
00:34:30All right.
00:34:32Won't some people be surprised?
00:34:35I hope so.
00:34:38I overheard him making a date for this very evening.
00:34:43You wait and see.
00:34:44Well, listen, darling.
00:34:45I have some rather important business.
00:34:46So I'll run along.
00:34:48I'll call you later.
00:34:49Goodbye, sweetheart.
00:34:50Goodbye, darling.
00:34:54Oh, there you are.
00:34:55Where's that little wretch, Reggie?
00:34:57I'm going to send him packing out of my life.
00:34:58Now, Angie.
00:34:59Where are you?
00:34:59I'm done with him.
00:35:00He's made me a laughing stock.
00:35:03Oh, there he is.
00:35:05Really?
00:35:05He's getting into a car.
00:35:07Alone?
00:35:08No.
00:35:08There's a woman in it.
00:35:09A woman?
00:35:23Why, it's Nita Leslie.
00:35:25The little hussy.
00:35:28Oh, Reggie.
00:35:29How I've wronged you.
00:35:32I beg your pardon.
00:35:33Where's Nita?
00:35:35You're starving.
00:35:35They're going away together.
00:35:36Oh, Reggie.
00:35:38How I misjudged you.
00:35:40What is it?
00:35:40What's the matter?
00:35:41The matter.
00:35:42Nothing's the matter.
00:35:43Oh, everything's perfect.
00:35:44My Reggie has jumped a note with your Nita.
00:35:49What?
00:35:50Oh, isn't it grand?
00:36:00Oh, and they're taking a few cases.
00:36:02I'll murder him.
00:36:03I'll do it again.
00:36:04Oh, he 不是.
00:36:05Oh, my brother.
00:36:12Oh.
00:36:18Oh, no.
00:38:36Can you take us to the seaside hotel?
00:38:38What?
00:38:39The seaside...
00:38:41The seaside...
00:38:42The seaside...
00:38:42The hotel down here.
00:38:56Hey!
00:38:57The seaside hotel!
00:39:24How much do I owe you?
00:39:26Hey!
00:39:27How much do I owe you?
00:39:29Do you think two dollars would be too much?
00:39:32Yes.
00:39:34Well, give me a dollar.
00:40:03I'm Mr. John Smith and wife.
00:40:06Oh.
00:40:07Would you like two rooms?
00:40:10Oh, no.
00:40:10I'll only be here one night.
00:40:13Do you prefer single or twin beds?
00:40:16Which is best?
00:40:18How do you generally sleep?
00:40:20On my back.
00:40:22On your...
00:40:24Then I'll give you a double bed.
00:40:27I'm Mr. Hayward's Mr. John Smith and wife.
00:40:30Oh, you're that Mr. and Mrs. John Smith.
00:40:33Well, why didn't you say so before, sir?
00:40:36Now, if you'll kindly register, we'll take care of you immediately.
00:40:40Well, Mr. Smith, you'll take care of me instead.
00:40:41Come on, Mr. Smith.
00:40:41Come on, Mr. Smith.
00:40:44Come on.
00:40:46So, Mr. Smith, you'll take care of me immediately.
00:40:57Maybe I'd better sign it again.
00:40:59Uh, yes.
00:40:59I think you'd better.
00:41:00Uh, uh, just...
00:41:02It must be raining out, isn't it?
00:41:09Uh, boy, uh, will you take care of these people, please?
00:41:12Where do I take them? To the laundry?
00:41:13No, uh, room, uh, 636.
00:41:15Oh.
00:41:47Uh, that's my hat, don't hurt my hat.
00:41:53Hey, you got any mail from Mr. Giddens, boys?
00:41:56Hey, you got any mail from Mr. Giddens, boy?
00:42:09I'm all right now.
00:42:11I'm all right now.
00:42:12You're all right, Mr. Smith?
00:42:34Come on.
00:42:58Anything else, sir?
00:42:59No, thanks.
00:43:00No supper?
00:43:01Nothing to eat?
00:43:02Oh, yeah.
00:43:07Hey, what are you going to eat?
00:43:08Bring wine.
00:43:11Not so loud.
00:43:12What's the matter?
00:43:13Why?
00:43:14I'll get ten years if I'm caught selling that stuff.
00:43:17Well, if you don't get caught, how much will it cost?
00:43:20Fifteen dollars a quart.
00:43:24Bring champagne.
00:43:25That's twenty dollars a quart.
00:43:27Bring wine.
00:43:28Should have been beer.
00:43:29I told him.
00:43:30Hey, what are you going to eat?
00:43:33Lobster.
00:43:34Yeah?
00:43:35The lady, too?
00:43:36Yes.
00:43:36That's three lobsters.
00:43:39No.
00:43:40One for me and the lady, too.
00:43:42The lady, too.
00:43:43That's three lobsters.
00:43:46I guess you'll have to eat two lobsters.
00:44:03Sure you can spare this.
00:44:09Say, do you favor your father or your mother?
00:44:12Oh, my mother?
00:44:13Yeah.
00:44:14My father left town the day before I was born.
00:44:18Probably knew what was coming.
00:44:35Oh, Reggie, get me a hand key.
00:44:42Oh, Reggie, get me a hand key.
00:44:51Aren't you afraid of thunder and lightning?
00:44:54I don't care for it either.
00:44:57Oh, Reggie, I'm so wet.
00:45:00Maybe you'd better take that coat off.
00:45:07Reggie.
00:45:09I wish I had something dry to put on.
00:45:13Maybe there's something in the grip.
00:45:24Why, Reggie, how did you happen to have these in your suitcase?
00:45:28Oh, I always carry those things.
00:45:31Reggie, you wicked, wicked man.
00:45:36Where will I change?
00:45:45It looks like a bed.
00:45:50There's a bed.
00:45:52Oh, Reggie, I feel so wicked.
00:45:58Reggie, help me unhook my dress.
00:46:00Huh?
00:46:01Help me unhook my dress.
00:46:15Reggie, behave.
00:46:28Don't look. Go into the other room and shut the doors.
00:46:47Headache?
00:46:48Oh, no. I was just playing with the wife.
00:46:55I bet you two have a lot of fun together.
00:46:59Here's your wine and your lobster.
00:47:04That lobster's only got one big claw.
00:47:07They lose one sometimes in a fight, you know.
00:47:10Why didn't you bring me the winner?
00:47:14Anything else, sir?
00:47:16Yeah. I want you to take the missus' clothes out and have them dried.
00:47:22Okay.
00:47:23Don't you dare come in!
00:47:26Give me your clothes so I can send them down to have them dried.
00:47:29I'll give you the clothes, but don't you dare come in!
00:47:36She doesn't want me to come in. I noticed that.
00:47:45How about you? You better change, too.
00:47:53Don't you dare come out here!
00:47:55Don't you dare come out here!
00:47:58Still playing, huh?
00:47:59You better come in, huh?
00:48:13Don't you dare come in!
00:48:14You better come out here!
00:48:24You better come in, huh?
00:48:25You better come out here!
00:48:26You better come out here!
00:48:29I'm not sure.
00:48:29I don't know.
00:48:30I don't know.
00:48:31I don't know.
00:48:32I don't know.
00:48:35Would you leave me there?
00:48:36I don't know.
00:48:45Robster.
00:48:46Kiss.
00:48:58Oh, Ricky.
00:48:59You know, you said you wouldn't really do that.
00:49:02It's in the book.
00:49:04The book?
00:49:08Hello, kid, sweetheart, baby.
00:49:12Reggie, you shouldn't say such things.
00:49:17There's something here about your knee.
00:49:20My knee?
00:49:27Well, maybe it's my knee.
00:49:30Oh, I know what it is.
00:49:31You stand up.
00:49:37Oh, Reggie, you mustn't.
00:49:38It's all right.
00:49:38It's in the book.
00:49:41Oh, Reggie, you mustn't.
00:49:42Oh, look, you have to because she's probably be here now any minute.
00:49:46Oh, Reggie, let me go.
00:49:46Come here now, darling.
00:49:47Don't run around like that.
00:49:49Oh, Reggie, let me go.
00:49:51Let me go.
00:49:52Let me go out there.
00:49:53Reggie, don't you dare.
00:49:55Don't you dare to get any of your people.
00:49:56You can't go out there.
00:49:58I'm ready.
00:49:58She's not going to be here.
00:50:01She's not going to be here any minute.
00:50:02Reggie, come here now.
00:50:03I'm ready on you.
00:50:04Don't do that.
00:50:05I'm ready on you.
00:50:06Don't do that.
00:50:07Oh, Reggie.
00:50:08Oh.
00:50:12Oh, Reggie.
00:50:12Reggie, don't you dare come in here.
00:50:13Oh, you can't do that.
00:50:14You've got to come out here.
00:50:15You've got to be here when she arrives.
00:50:31Reggie, you are Reggie, aren't you? Yes, ma'am. This is going to be easy. Now, come here now. Don't
00:50:41be scared. I'm not going to kidnap you or give you the needle. You're just as safe as me as
00:50:45you would be in jail.
00:50:45Jeff Haywood said. Jeff Haywood? Yes. Jeff Haywood? Mm-hmm. He sends you here? Yes. What about? What about what?
00:50:58Nothing. You know, when Jeff warned me about you, I didn't believe that it could be true, but he was
00:51:04right. He was right. Now, he's explained everything to me, and I'm going to coach you. Coach me? Yes. We're
00:51:11going to have a little rehearsal. Rehearsal? A little practice. Practice.
00:51:16Oh. Do you know what we're here for? Do something to deceive Vangelica? Huh? Huh? Oh, what you're supposed to
00:51:29do now is to make love to me. Where do I begin?
00:51:34Up in Minnie's room. First, you seize me. Oh, one arm around my neck. Come see. Come south.
00:51:44Well, come and get this. Are you anchored?
00:51:52I am here for a quiet evening. You know, you're dead, and you won't lay down. I'm not here to
00:51:59give you dancing lessons. Come here. Oh, try that now.
00:52:14Your rough work is funny. I didn't mean to hurt you.
00:52:20Clinch. Will you clinch? Get a half, Nelson?
00:52:24What's the matter with this thing? Hasn't it ever been used?
00:52:32Please.
00:52:34Now say something like this.
00:52:36Darling, I love you madly.
00:52:38I cannot live without you.
00:52:40You must never leave me.
00:52:44Now you do that.
00:52:51Darling, I love you madly.
00:52:53I cannot live without you.
00:52:54You must never leave me.
00:53:03You have all the passion of an infuriated clam.
00:53:09Get out there!
00:53:11What do you think you're doing?
00:53:12This is a love scene.
00:53:14Oh, say it as if you really meant it.
00:53:17Say, darling, I love you madly.
00:53:19I cannot live without you.
00:53:21You must never leave me.
00:53:27I'll get you a piece of meat.
00:53:33Send up the hip of a horse.
00:53:38Oh, come on, now you know what to say.
00:53:40Say it.
00:53:41Come on, say it.
00:53:43You'll never leave me.
00:53:44Oh, my darling, I love you madly.
00:53:46I cannot live without you.
00:53:48You must never leave me.
00:53:55He's moved in on me.
00:53:57Say, don't go to sleep here.
00:53:59This is not all home week, you know.
00:54:02Now you must kiss me.
00:54:03Huh?
00:54:05Not her.
00:54:06Kiss me.
00:54:33Kiss me.
00:54:38Kiss me.
00:54:40Now you hide.
00:54:435, 10, 21, 16, 49, 52, 68, 71.
00:54:49Here I come, ready on top.
00:54:57I'm not supposed to be your maiden aunt.
00:54:59I'm supposed to be the party of the second part in a regular orgy.
00:55:02in a regular orgy, in a kiss.
00:55:05Let me show you a kiss.
00:55:43Come on, now, once more, straight through this time, and I'll be flirting with you.
00:55:48You lament for me.
00:55:50Kiss me.
00:55:51Kiss me.
00:55:52Oh, my darling, I love you madly.
00:55:56You must never leave me.
00:55:57I cannot live without you.
00:56:02I beg your pardon.
00:56:42You've been holding out on me.
00:56:48Mama, do you want to play?
00:57:11Oh, my darling, I love you madly.
00:57:14I cannot live without you.
00:57:16You must never leave me.
00:57:24I beg your pardon.
00:57:34Well, I...
00:57:41Just a moment.
00:57:43What on earth do you think you're doing?
00:57:46I'm practicing.
00:57:47Practicing?
00:57:48I'm doing pretty good, too.
00:57:50But...
00:57:50No, no, Nita, that's the wrong girl.
00:57:53Didn't you fix it with her?
00:57:55No, no, no.
00:57:56That was another girl.
00:57:57A friend of mine.
00:57:58Oh, that other woman.
00:57:59Oh, yes, she told me what to do.
00:58:01I love you madly.
00:58:02I cannot live without you.
00:58:03You must never leave me.
00:58:04Oh, never mind that.
00:58:05Tell me.
00:58:06Where is Polly?
00:58:07Polly?
00:58:08Yes, Polly.
00:58:09Polly.
00:58:09Mrs. John Smith.
00:58:11Mrs. John Smith?
00:58:13The woman I sent here for you.
00:58:15Oh, oh, oh.
00:58:16She went down the hall to another room to change her clothes.
00:58:18I'll go get her.
00:58:20Now, listen.
00:58:20Get Nita out of here.
00:58:22Her husband's found out all about it.
00:58:23He's out to get her and you.
00:58:25You think he'll be mad?
00:58:27Mad?
00:58:28He'll kill you.
00:58:29Now, listen.
00:58:30We're fast.
00:58:31Angelica's on her way.
00:58:32She'll be here any moment.
00:58:38Don't you dare come in here.
00:58:40Oh, Nita, you got to come out.
00:58:45Everything, everything, everything's been changed.
00:58:56Reggie Irving, is Nita in that room?
00:58:59You wretch.
00:59:06Nita.
00:59:06Oh, Nita, you came just in time.
00:59:08Well, that's something.
00:59:10You don't know what a terrible person that Reggie is.
00:59:14I'm afraid I've done him an injustice.
00:59:16Why?
00:59:17He held me on his knee and he tried to kiss me and everything.
00:59:21I can't believe it.
00:59:23But look, come on now, quick, get dressed.
00:59:25Your husband may be here any time.
00:59:26But it can't go without my clothes.
00:59:28They're drying them.
00:59:29Oh, phone for them quickly, Nita.
00:59:31Hurry.
00:59:33I'll take care of Reggie.
00:59:35Oh, you better be careful.
00:59:36He's a terrible, terrible man.
00:59:45Reggie Irving, do you realize you had that little girl scared sick?
00:59:49I thought she acted a little nervous.
00:59:51What on earth is the matter with you?
00:59:53Why don't you pick on a grown-up woman?
00:59:54Somebody who knows how to play the game.
01:00:02Oh, my darling.
01:00:04I love you madly.
01:00:05I cannot live without you.
01:00:07You must never leave me.
01:00:21Reggie Irving, are you losing your mind?
01:00:33Reggie Irving, are you losing your mind?
01:00:43Reggie Irving, let go of me.
01:00:52Reggie Irving, let go of me.
01:01:00Reggie Irving, let go of me.
01:01:04Reggie Irving, let go of me.
01:01:18Reggie Irving, let go of me.
01:01:19Reggie Irving, let go of me.
01:01:25So, I was right about you, Leela, all the time.
01:01:30What have you done with Nita?
01:01:32Nita?
01:01:33Yes, Nita.
01:01:34Where is she?
01:01:35Oh, Nita came with me, but she didn't know how to play the game, and Leela volunteered.
01:01:42Why, you little shrimp.
01:01:44If you'll only listen to me, I came here to save Nita from this monster.
01:01:48And the only way you could save Nita was to take Nita's place on Reggie's lap.
01:01:52Oh, don't be a fool, Angie.
01:02:00I didn't know you had company.
01:02:02Reggie!
01:02:03How could you, Reggie?
01:02:06You promised me, cross your heart, that you were going to cut out all these society dolls.
01:02:10Why did you lie to me, darling?
01:02:12Why did you lie to me?
01:02:13Why?
01:02:13Why?
01:02:14Why?
01:02:16What is Reggie to you?
01:02:17Nothing much.
01:02:18We're going to be married next week.
01:02:25Oh, darling, how could you?
01:02:27You can't do this to me.
01:02:29Don't you realize that it isn't what you do, it's what you're saying.
01:02:32It's absolutely breaking my heart.
01:02:34You can't, Reggie, go on like this.
01:02:36Don't you realize how much...
01:02:37I have known her.
01:02:37You really know that I...
01:02:40You can't do it from me.
01:02:41Do it from Minnie.
01:02:43Don't you know?
01:02:44I mean, really, we can't.
01:02:45I'm only a poor working girl, and you've deceived me.
01:02:47You said that I was the only one, your only little Tootles.
01:02:51No.
01:02:52This is Tootles.
01:03:09Where are you going?
01:03:14Get away from me!
01:03:16Where is Nita?
01:03:17Where's Nita, I say?
01:03:19She's not here.
01:03:22Where's my wife?
01:03:23Answer me.
01:03:24I can't keep track of everybody's wife.
01:03:31She's not here.
01:03:32She's not here, huh?
01:03:33No.
01:03:34No.
01:03:34No?
01:03:38Well, it's a good thing for you she's not here.
01:03:41What will I do with Mrs. Smith's clothes, Mr. Smith?
01:03:45Nita.
01:03:45Nita thinks.
01:03:46And she is here.
01:03:54Nita!
01:03:54Are you in there?
01:03:55No!
01:03:57See?
01:03:58She's not in there.
01:03:59Come out or I'll break down that door.
01:04:04That guy's got a harem.
01:04:06So, here you are.
01:04:08Oh, Freddy, save me!
01:04:09Get away from me.
01:04:10Look at her, all of you.
01:04:11What do you think of her?
01:04:12I think she's cute.
01:04:14What did you say?
01:04:15Oh, Fred, I can explain everything.
01:04:17Yeah?
01:04:18Well, explain what you're doing here in these clothes.
01:04:20We got caught the rain and we had to change our clothes.
01:04:22Yeah?
01:04:23Well, then explain what you're doing registered here as Mr. and Mrs. John Smith.
01:04:27Try and explain that.
01:04:29Yeah, try and explain that.
01:04:31Oh, Fred, he's a dreadful man.
01:04:32He said it was only a supper party and then he registered as Mr. and Mrs. Smith.
01:04:36And he unhooked my address and...
01:04:37Don't tell me any more.
01:04:39No, don't tell him any more.
01:04:41No, don't tell him any more.
01:04:43And he held me on his lap and he kissed me and everything.
01:04:47Everything?
01:04:48Why, you?
01:04:48Fred, don't be a fool.
01:04:56Gee gods, they got me.
01:05:00Hey, the box just sent for the police.
01:05:02It's murder.
01:05:03Murder!
01:05:04Murder!
01:05:05Get me out of here!
01:05:07Get out of here!
01:05:07Get out of here!
01:05:10Get out of here!
01:05:10Get out of the hotel!
01:05:18Fly and explain that to the police!
01:05:23Oh, you're ready!
01:05:24Get out of here!
01:05:25Get out of here!
01:05:38Mary!
01:06:56I was just upstairs
01:07:51You said it, all right, out of the way
01:08:05Come on, come on open it open it
01:08:51What body anybody anybody here
01:09:01I never saw for my life
01:09:13Who are you I'm the body
01:09:17What's the matter with you
01:09:32Get away from me I don't want to get shot
01:09:34Help
01:09:35Help
01:09:43Turn the stairs
01:09:46Let's put him down there
01:09:47Let's put him down there
01:09:57Freddy
01:09:57Freddy
01:09:58Freddy come down
01:10:01Freddy
01:10:02Stop that
01:10:04Freddy
01:10:05Let's go
01:10:15Let's go
01:10:16Get out of this boy
01:10:17He's been after him
01:10:36After him men they went down there
01:10:40Freddy
01:10:42Freddy
01:10:42Freddy
01:10:43Get up men
01:10:54Can't
01:11:08That
01:11:09Freddy
01:11:13See ya
01:11:26Please speak as if it was all my fault.
01:11:28Come on, now, hurry.
01:11:30I'm tired of this whole thing.
01:11:32I came here for a quiet little supper, and what do I get?
01:11:34A shot in the pajamas.
01:11:36But...
01:11:36Don't talk so much.
01:11:37I've told you how to treat a woman.
01:11:39Now go in there and do it.
01:11:40Go on in there and do it.
01:11:42I wouldn't marry that Reggie Irving if he was the last man on earth.
01:11:49Say, now listen.
01:11:59Oh, I love you madly.
01:12:02You must never leave me.
01:12:04I cannot live without you.
01:12:15Well, I'm going to let him get you.
01:12:22I love you.
01:12:24I love you.