Skip to playerSkip to main content
bojan.petrovic42
  • 2 days ago
Transcript
09:11Thanks.
09:15You're right.
09:17Of course.
09:21You have to go to the station again that you don't have to hit the station again.
09:28Then you will be able to take some of the most useful things.
09:32I'll write it here.
09:40I'll write it here.
09:42We are with you.
09:48How did you do this job?
09:52How did you do this job?
09:55No, nevermind.
09:57You know me.
09:59I remember the job is with my job.
10:01I've found out by the 7th,
10:02and I'll be on the 8th.
10:04I could have to write the jury...
10:07Why you weird?
10:09Why are you kidding me? I have more schools than you and ICCA together.
10:12I can legitimize myself with six of the semester at the Filozofsky faculty.
10:16Well, what do you want to see, ICCA? He's a good man.
10:19It's so good that he has to turn around and not stay in one example.
10:23Listen, I've learned so much to be the best director in Yugoslavia.
10:29What do you mean?
10:31I don't have political charm.
10:39Baccio, tell me with whom you're selling.
10:49What do you mean with whom you're selling?
10:52As far as I know, you're not married or married.
10:55Let's go.
10:57Let's go.
10:59Baccio, tell me with whom you're selling.
11:02How do you say with whom you're selling?
11:04As far as I know, you're not married or married.
11:07Let me just put it.
11:09Let me just get it to the end and then I'll put it.
11:11You're doing skill to get married in these days.
11:13I'm asking for what to do with you.
11:14You're asking for what to do with us.
11:17Your illness is pain.
11:19Yes?
11:20Who's a boy when he's a baby?
11:22Who's a boy who's a boy?
11:24Who's a boy?
11:25What do you mean when he's a baby?
11:29No, no, no.
11:30Where do you think of that?
11:31Because of this he didn't get to work.
11:33He can't even stay with his wife.
11:35He can't stand alone with his wife.
11:37What am I going to do here?
11:39Put it inside, I got a stand.
11:41No.
11:42No.
11:43I'm going to get the car.
11:50Hey, come on.
11:53Come on.
11:54Come on.
11:55Come on.
11:56Come on.
11:57Come on.
11:58Come on.
11:59Who is coming?
12:00Come on.
12:01Come on.
12:02Come on.
12:03This is our car.
12:05Good.
12:06Good.
12:07Come on.
12:08Come on.
12:09Come on.
12:11We're going to get the car.
12:13We need to put things in place.
12:15What are you doing?
12:16All my things.
12:26Wait, wait.
12:27Come on.
12:28Go, come on.
12:29Come on.
12:30Come on.
12:31Here we go.
12:32Let's go.
12:33Let's go.
12:34Let's go.
12:35Let's go.
12:36Come on.
12:37What's up?
12:38Come on.
12:39Do you want to go before the day?
12:41Yes.
12:42Do you want to go?
12:42What?
12:43Do you want to go?
12:44Yes, there is a place to go. Let's go.
12:47Let's go.
12:49Hey, what?
12:49Hey, it doesn't hurt you.
12:51Oh, thank you.
12:53I'm good.
12:54Let's go.
13:01What's going on?
13:03Who's going on this water?
13:04And then he won't go back.
13:06If you do it, let's go again.
13:08Let's go.
13:09Take care.
13:20We'll see you again.
13:23I'm going on.
13:23I saw you, too.
13:24I'm coming back a few times after him.
13:25I'm getting it.
13:26He was a boy boy.
13:29He didn't want me to get it there.
13:32He didn't invite me.
13:33Where did you get up?
13:36Can I go?
13:37There we go, mate.
14:02Come on, that's the suspension.
14:07Come on, that's the suspension.
14:09Let's go.
14:15This is the suspension.
14:17This is the suspension.
14:19We're going to go.
14:22Come on, come on.
14:27Come on, come on, come on.
14:30Come on.
14:31Let's go.
15:01I'm going to get you.
15:03I'm going to get you again.
15:05I'm going to get you again.
15:07Hello?
15:09I'm going to get you.
15:11Okay.
15:13Okay.
15:15Okay.
15:17Okay.
15:19What does it mean?
15:21What does it mean?
15:23I don't know if any of the people here are coming.
15:25Okay.
15:26I'm going to get you.
15:28I'm going to get you.
15:29I'm going to get you.
15:31I'm going to get you.
15:33I'm going to get you.
15:59I'll see you.
16:01I don't know.
16:31I don't know.
17:01I don't know.
17:03I don't know.
17:05I don't know.
17:07I don't know.
17:09I don't know.
17:11I don't know.
17:13I don't know.
17:15I don't know.
17:17I don't know.
17:19I don't know.
17:21I don't know.
17:23I don't know.
17:25I don't know.
17:27I don't know.
17:29I don't know.
17:31I don't know.
17:33I don't know.
17:35I don't know.
17:37I don't know.
17:39I don't know.
17:41I don't know.
17:43I don't know.
17:45I don't know.
17:47I don't know.
17:49I don't know.
17:51I don't know.
17:53I don't know.
17:55I don't know.
17:57I don't know.
17:59I don't know.
18:01I don't know.
18:03I don't know.
18:05I don't know.
18:07I don't know.
18:09I don't know.
18:11I don't know.
18:13I don't know.
18:15You see this, no point?
18:17You've got aальs.
18:19Oh wonderful brother.
18:21You're getting a little reincarnating everything.
18:23No, don't you know?
18:25quite all in my life,
18:27you're not getting tired.
18:29Just watching him live here.
18:31Yeah.
18:34How about you?
18:35I go!
18:35Let's go to the kitchen.
18:39Let's drink something for us.
18:41I don't have a drink.
18:43Let's go.
18:47Do you think you're going to sleep in the morning?
18:49I don't know.
18:53You can be free from me.
18:55No, I don't want to stay in the room.
18:57I don't want to stay in the room.
19:01Let's help me to remove my armada.
19:05Do you think you're going to sleep in the room?
19:07I don't want to sleep in the room.
19:09I don't want to sleep in the room.
19:11I don't want to sleep in the room.
19:13Let's go.
19:35Let's get up.
19:37Let's go.
19:39Let's go.
19:41Let's get up.
19:43Good evening, Gazdjak.
19:45I don't want to sleep, him.
19:47What are you doing?
19:49I didn't want to sleep.
19:51I didn't want to sleep in the room.
19:53What are you doing now?
19:55This is my job, I have no idea what to do.
19:59It's not a job of export protein.
20:01Yes, but what?
20:03You know how to do it, you can do it.
20:09Oh, this is bad.
20:11This is not bad, this is bad.
20:13Where are those other people?
20:15This is bad.
20:25Here's the good one.
20:27Here's the good one.
20:29My God, my God.
20:31Here's the good one...
20:33Here's the good one.
20:39You're right, this is me.
20:43Here's the other director.
20:55I don't want to go home.
20:57I don't want to go home.
20:59I don't want to go home.
21:03I don't want to go home.
21:05What's that?
21:07It's not true.
21:25Do you want me to go?
21:55No, no, no, no, no, no, no.
22:25No, no, no, no, no.
22:55No, no, no, no, no, no.
23:25No, no, no, no, no, no, no.
23:43What are you doing?
23:50What are you doing?
23:51We are going to move!
23:54What are you doing?
23:56What are you doing?
23:58Do you think you're a little bit better?
24:05You have to lose your grief, then you are on peace!
24:11Do you want us to do something?
24:13I don't want to, but I didn't expect the job.
24:15I have that rack, but I don't have a cup.
24:17He said to me, Mr. Djuk, and I won't.
24:20See, that's the right house.
24:23Come on.
24:24Come on, come on.
24:25Come on, come on.
24:26Come on, come on.
24:27Come on, come on.
24:28Come on, come on, come on.
24:30Come on, come on.
24:35Come on, come on, come on.
24:37Come on, come on.
24:41Come on, come on.
24:43Come on, come on.
24:45Now we're going to play a battle.
24:48Wow, how much is it?
24:51Look for a good home.
24:53Live.
25:00What's this?
25:02This is the one from Ljuč.
25:04It's a good taste.
25:06It's my own.
25:08I'm going to get a cup.
25:11I'm going to get a cup.
25:14I don't hear anything.
25:16Who is it?
25:17I don't hear anything.
25:20What is it?
25:21A, I've got a cup.
25:22What do you think?
25:23A cup.
25:24What is that?
25:25A cup.
25:26A cup.
25:27A cup.
25:28A cup.
25:29A cup.
25:30A cup.
25:31A cup.
25:32A cup.
25:33A cup.
25:34You're the help.
25:35We're not going to get mad at all.
25:37We're not going to get mad at all.
25:39We're not going to get mad at all.
25:41Get mad at all!
25:43Get mad at all!
25:45What is this?
25:47We're not going to go there.
25:49What is this?
25:51We'll go there and talk.
25:55Hey, come on!
25:57Hey, come on!
25:59Did you get caught?
26:01I got caught two days.
26:03I got caught.
26:05What are you doing?
26:07It's a big mess.
26:09I'm thinking about some club.
26:11What's your name?
26:13He's a member of the Poljotrionis.
26:15He's a member of the Poljotrionis.
26:17He's a member of the Poljotrionis.
26:19He's a member of the Poljotrionis.
26:21He's a member of the Poljotrionis.
26:23I didn't say that.
26:25He says he's buying two balls.
26:27He's a bag for him.
26:29It's important to him.
26:31My friend!
26:33Baccio!
26:35Don't tell us how much you got from the Stancug.
26:39I'm not sure what I know.
26:41I'll tell you my boss.
26:43I'll fall from the Stancug.
26:45He's a financial loss.
26:47I'm just happy.
26:49How happy?
26:51How much I'm going to get a dog and bite a dog?
26:53I'm just happy.
26:55Baccio is deserved it.
26:57Good.
27:03I've got a bag.
27:05I'm going to get a bag.
27:07This is my sister.
27:09This is a bag.
27:10I'm a bag.
27:12I'm a bag.
27:13I'm a bag.
27:14I have a bag.
27:16I'll give you a bag.
27:18I'll give you a bag.
27:19I'll give you a bag.
27:20You don't need it.
27:21I'll give you a bag.
27:22I'll give you a bag.
27:23I'll give you a bag.
27:26Good!
27:27You're great!
27:28You're great!
27:29Here's what I've got.
27:30This one you've got a bag.
27:32You're a company.
27:33You're a police officer.
27:34You are a police officer.
27:35Try it.
27:36You keep this to your Stancug.
27:39Just route this one later.
27:41It's not fun.
27:42That's why I'll show you it.
27:44You pay for this renovation?
27:48You pay for everything.
27:51No, no.
27:52It's just water.
27:56This is not water.
28:01Listen.
28:03He pays everything here for the white millions of dollars on his hands.
28:07What are you talking about?
28:09No, I don't talk about it. I told him to work here.
28:12Where are the money?
28:14I know.
28:1512 dollars on our house on the table.
28:18Yes.
28:19A million, I know.
28:23I'm afraid he didn't get it.
28:25I don't know.
28:27I know that he's going.
28:28I thought he knew.
28:30He's not sure how to do it.
28:32How many women are doing?
28:34That's right.
28:35I'd have to get the money from the other side.
28:37Nothing.
28:38I'm not sure how to do it.
28:40You can't change.
28:41There's no money.
28:47No, there's no money.
28:53You are served here.
28:54You serve here.
28:55You serve here.
28:56You serve here.
28:57I don't think so.
29:27Upozluši mi neki moleri, farbari i instalateri.
29:30Sad li znate nešto o tome? Ko će to da plati?
29:32Ne znam, velujte.
29:34Ispraše da sam ih ja zvao da mi radim.
29:36Dobro, ja ću da zaključem vrate i nikog ne puštam unutra.
29:39Bačo, sad čekajte, pa nemojte da ste nerozni.
29:41Pa sve ćemo to rešiti. Smirite se malo.
29:43Sad će joj njega da pozovem telefonom da ga pitam.
29:46Izvolite, sedite.
29:47Hvala, veliko.
29:49Samo vi sedite.
29:50Jeste za neko piće?
29:52Neko, neko, hvala.
29:54Hvala.
29:56Hvala.
29:57Hvala.
29:58Hvala.
29:59Me je spiktu Mr. Dimitrijević.
30:01Room number 45.
30:03Zvoni.
30:05Ako imamo sreće da ga uhvatimo još na spavanju.
30:08Halo?
30:09Ja sam.
30:11Jao, izvijeni molim te što sam te probudila.
30:14Ma, ništa se nije desilo sve u najboljem redu.
30:17Bače je stigao.
30:19Kaže da su mu neki majstori upali u stan.
30:24I je li je li to neko ko tebe u sobi?
30:27Sve mi se čini da se taj radio proteže.
30:31Je li je li plavu šelj crnka?
30:33Znaš da sam na plavu šelju glumodna.
30:37Kad dolazi?
30:40Ajde, zdravo.
30:42Šta kažete?
30:43Kaže da je sve u najboljem redu.
30:45Samo vi treba da se nađete majstorima pri ruci.
30:48Ne morate da dolazite na posao.
30:50On stiže u ponedeljak pa će sve da vam objasni.
30:53Eto.
30:55Pogirajte.
30:56Pogirajte.
30:57Pogirajte.
30:58Pogirajte.
30:59Pogirajte.
31:00Pogirajte.
31:01Pogirajte.
31:02Malo je prljavo.
31:03Pripazite.
31:04Saradnici.
31:05Tako.
31:06Samo tako.
31:07Molim vas.
31:08Obratite pažlju.
31:09Pogirajte.
31:10Pogirajte.
31:11Pogirajte.
31:13Pazite, malo je prljavo.
31:15Pripazite.
31:16Saradnici.
31:17Tako.
31:18Samo tako.
31:20Molim vas obratite pažlju...
31:22Ka Apple.
31:23superstar!
31:26Hello, this is my best friend.
31:28This is the best friend.
31:30This is the best friend.
31:32Oh, pardon, young boy.
31:36I'm going to put a cream with a red-shy one,
31:40and across the whole side,
31:42which will have something light and light.
31:44I'll solve the whole thing only with a new one.
31:46And you'll see it in direct light.
31:48It'll be sexy.
31:50It'll be fantastic.
31:52Super.
31:54Who is this?
31:55It's Jovica.
31:56The best designer in Beograd.
31:58He's doctorate in inner architecture.
32:00And what is he doing here?
32:01He's the director of the work to design a bunch of walls and walls.
32:04He has a phenomenal taste.
32:05Jovica, just a moment.
32:07Jovica is a real monster.
32:09One of my friends is so close to the stage,
32:12like from a thousand one night.
32:14It's true, but it's good.
32:18Who is it?
32:20I don't know how many of you are.
32:22It's not something like that.
32:24It's not something like that.
32:25It's not something like that.
32:26It's not something like that.
32:27It's not something like that.
32:28Excuse me if I don't know you.
32:30These are my friends,
32:31and this is my friend of mine.
32:33This is our secretary.
32:34Dezi.
32:35What?
32:36Check this out.
32:38I'm not asking you,
33:04I am a bar of a bar, and I will be plenty of it.
33:08I want to make an entire environment, where I won't have to think about every dinner.
33:15Is it a man or a woman?
33:17It's our sister.
33:19When you have an art form, you must have to be an art form.
33:23It's an art form.
33:25What's that?
33:26I play in night clubs.
33:28What clubs?
33:29In night.
33:30I don't know what the hell is going on, so you can understand the world.
33:33But it's a nice thing, and a small thing.
33:36You're all going on with this thing, and you're all going on.
33:39Well, that's what you told me.
33:42I'll tell you, I'll give you a chance to give you a chance to give you a chance to give you a chance for this thing.
34:00What's your name?
34:05Good morning.
34:07What a pleasure, Mr. Barč.
34:09Will you come to a courtovazan visit or go to your work place?
34:14If someone is looking for me, tell me that I'm going to be on the next year.
34:26Who is the Fijoko?
34:28Where is this Fijoko?
34:30Where is this Fijoko?
34:31It's not a problem.
34:32It's not a problem.
34:34It's not a problem.
34:36It's not a problem.
34:38She took the key from Fijoko.
34:40If she had it, she would have a record of it.
34:43That's right.
34:55Hello, Mace.
34:58I'm a brother.
35:00I'm a brother.
35:04Can I go to the director?
35:08I'm coming.
35:09I can't forgive myself that I'm entitled to this model.
35:25I see everything, I'm looking at me and I'm waiting for a second.
35:29Why not?
35:31I had three ribs to take it.
35:34And it's cold, it's cold, and I'm going to hit it.
35:38I believe it.
35:41It's true.
35:43It's true.
35:45It's true.
35:46You're free?
35:47Yes.
35:48You're welcome.
35:50Why do you care?
35:51You're welcome.
35:53Yes.
35:54Sit down.
35:56There's no problem.
35:58I'll explain it.
35:59Yes.
36:00I'm a director.
36:01No.
36:02Yes.
36:03Yes.
36:04Yes.
36:05Yes.
36:06Yes.
36:07Yes.
36:08Yes.
36:09Yes.
36:10Yes.
36:11Yes.
36:12Yes.
36:13Yes.
36:14Yes.
36:15Yes.
36:16Yes.
36:18Yes.
36:19Yes.
36:20Yes.
36:21Yes.
36:22Yes.
36:23Yes.
36:24Yes.
36:25Yes.
36:26Yes.
36:27Yes.
36:28Yes.
36:29Yes.
36:30Yes.
36:31Yes.
36:32Yes.
36:33Yes.
36:34Yes.
36:35Yes.
36:36Yes.
36:37Yes.
36:38Yes.
36:39Yes.
36:40Yes.
36:41Yes.
36:42Yes.
36:43Yes.
36:44Yes.
36:45Yes.
36:46Yes.
36:47Yes.
36:48Yes.
36:49Yes.
36:50Yes.
36:51that you are a good man.
36:53You are ashamed.
36:55Why are you ashamed?
36:57Dezi says that they are the most famous shvaleri
36:59who are the ones who lie.
37:01And they are not a tactic.
37:03Because women are starting to use them.
37:07When she's drinking,
37:09it looks like she's eyes.
37:15Good morning.
37:17Excuse me what you want.
37:19Sorry, I'm sorry.
37:21The mother is coming from the house.
37:23Where are you from?
37:25Tell me a story.
37:27Over here.
37:29Over here.
37:31Tell me a story.
37:33Tell me a story.
37:35Do you hear me?
37:41It's funny.
37:43Who is this?
37:45Who is this?
37:47Where is the director?
37:49He will go for a few days.
37:55See you soon.
37:57Where are you from?
37:59Where are you now?
38:03Where is the director?
38:05Where is the director?
38:07The director is a message that he is going to store.
38:09Where is the director?
38:11Until he is here.
38:13How did you sign to us?
38:15Where is the director?
38:16Not a place.
38:17There is a place.
38:18I was going to store things.
38:19But I was pretty worried about something.
38:21What is it?
38:51If there's a good fight, I'll jump in a little bit.
38:56As I can see, you thought it was really nice.
39:11Good day.
39:13Who is this Caracondula?
39:15No, everyone knows who you are.
39:21What is this?
39:29What is this?
39:31Who is this?
39:32Who is this?
39:37Is someone hearing me? Who is this?
39:39Pardon, pardon, pardon.
39:41These are my friends.
39:43Are you still here?
39:45Yes.
39:46This is my family.
39:48We've got to meet up tomorrow when the captain is here.
39:53Don't put the stuff in the bag.
39:55Let's go.
40:00Good day.
40:01You love Momak.
40:03Get out of here.
40:04Just introduce yourself.
40:08To be sure.
40:09What are you doing?
40:10Here I am.
40:11I don't know where I sleep.
40:13Please come back till I find out this one.
40:16I'll go to the guy when you go.
40:17Then you go.
40:18I'll go up and see him.
40:19I'll get here.
40:20Pardon, pardon, pardon, about how I understand you.
40:22I don't understand that my mom doesn't have to be where to be.
40:24I don't have to be the first and the only one.
40:26It can be with me.
40:27When I finish the job, I'll start together.
40:29I don't have to be the same.
40:31If there is a problem, please give me my visit card.
40:35There is also the phone.
40:37The home of my house is at every time.
40:40I'm young.
40:44I don't want to be the same.
40:45I don't want to be the same.
40:47I don't want to be the same.
40:49If you do it, you don't have to be the same.
40:51I don't want to be the same.
40:53I'll call my husband for the first time, but I'm sorry.
40:55I'm sorry.
40:56I have to call my husband.
40:57I don't think so.
40:58I don't think so.
41:00What?
41:01I'll call my friend.
41:03I'll call my friend.
41:05I'll call my friend.
41:07I'll call him to my friend.
41:10I'll call him to the taxi.
41:12I'll call him to the autobus station.
41:15Let me go.
41:17Let him go.
41:19Let him go.
41:20The Mace did not have the library, so I came.
41:26The Mace is still in London.
41:32Tomorrow.
41:35The Mace has no longer in the council so I have come.
41:42The Mace is still in London.
41:46Mace wasn't in the hospital, so I came to...
41:48Mace was still in London,
41:50there was a lot to do,
41:52and she became a woman.
41:54Look at that,
41:56you're telepathy.
41:58What?
42:00I'm calling you,
42:02and you're coming.
42:04Come on, come on, come on.
42:06He's a social partner,
42:08but we're all friends.
42:10He told me, Mace,
42:12he told me everything.
42:14I'm going to take two cups of whiskey,
42:16take two cups of whiskey.
42:22Come on, what have you been drinking?
42:24I'll drink again.
42:28I didn't get to explain to you.
42:30I'll put it in my head.
42:32Come on.
42:34Sit down.
42:40You know what?
42:42What?
42:44What?
42:46What?
42:48What?
42:50What?
42:51What?
42:52What?
42:53What?
42:54What?
42:55What?
42:56What the hell?
42:57What?
42:58What?
43:00What?
43:02What?
43:03What?
43:04You understand?
43:05And I?
43:06What?
43:07Where am I going to stand?
43:10What do you think I'm thinking about this?
43:13I'm going to stop you, right?
43:15You're going to replace the house with Maca
43:20and the house will go to her house.
43:22And Maca?
43:24And Maca will go to your house.
43:26She will be like a club club.
43:29She will help her another.
43:31We have to find ourselves.
43:33We have to go to the world.
43:35Where is Maca, Garsonier?
43:37It's the third street from Arde.
43:39It's a great room for sleeping.
43:42Tea kitchen.
43:44The front door.
43:46The dining room.
43:48The dining room.
43:50It's the most important thing.
43:52Let me forget.
43:54We decided to leave you all a gift.
43:57Everything.
43:58The kitchen.
43:59The chairs.
44:00The chairs.
44:01The chairs.
44:02Everything.
44:03Everything.
44:04Everything.
44:05Everything.
44:06You're going to be like a man.
44:10When?
44:11Whose master is finished?
44:13You know what?
44:14I'm just looking at you.
44:17I'm just looking at you.
44:18And the face of Maca is like a cat.
44:22Come on.
44:23Come on.
44:24Good.
44:25Good.
44:26Good.
44:27Good.
44:28Good.
44:29Good.
44:31Good.
44:32Good.
44:33Good.
44:34Good.
44:35Good.
44:36Good.
44:37Good.
44:38Good.
44:39I'm going to be fine.
44:40He doesn't care.
44:41Not only people.
44:43Did you hear me?
44:44No.
44:45Not bad.
44:46Good.
44:47Not bad.
44:48Oh
45:18Oh
45:48Oh
46:13Oh
Be the first to comment
Add your comment