- 4 weeks ago
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00:00:00Edith, Edith, you really didn't have to come, you know.
00:00:30You look as though you haven't slept a week. I don't suppose you've had any breakfast, have you?
00:00:36No. I felt a bit sick.
00:00:39I'm not surprised. I think young women trying to drown themselves must be a bit of an upset.
00:00:46How is she?
00:00:48She'll be fine. Physically. They're just keeping her in for observations.
00:00:52Right.
00:00:58When are you seeing him?
00:01:01Two hours, 53 minutes.
00:01:05Well, you have no option, don't you? Just tell him you've changed your mind.
00:01:08I am not.
00:01:09Anyway, I can't.
00:01:11I'm not. It's just a job. You're not putting your life in danger.
00:01:15Oh, what?
00:01:17I persuaded you to do it. You wouldn't be in this situation.
00:01:19That is a load of rubbish.
00:01:21Can I have two capiteers, please? What do you want to eat?
00:01:23Nothing, thank you.
00:01:24And two Danish pastures, please.
00:01:26I knew what I was taking on.
00:01:28I could have turned it down and I didn't.
00:01:29Anyway, I'm not backing out now.
00:01:31Why would you like me for that, then?
00:01:34I didn't.
00:01:38For reassurance.
00:01:39It was late. I didn't have anyone else to talk to.
00:01:44I can't reassure you, can I?
00:01:46When the woman who's employing you isn't a slightest bit bothered about your safety.
00:01:50She's dangling you like bait in front of her husband.
00:01:54And from the sound of it, he's about to take a bite.
00:01:56I'm coming back to the hotel with you.
00:01:58No, I insist.
00:01:59Edith, I feel much better, do you?
00:02:02There is something very nasty going on there.
00:02:04Heaven knows what.
00:02:05But young men are trying to kill each other.
00:02:07Young women are trying to commit suicide.
00:02:09Edith, there is absolutely no need.
00:02:11Need? What do you mean, need?
00:02:13And besides, am I your personal assistant or am I not?
00:02:16Of course you are.
00:02:20All right.
00:02:21Why don't you go to the hospital and talk to Erica?
00:02:24And then, if you want, you can find out whether Philip Hampson and Peter Forbes have criminal records, all right?
00:02:29With pleasure.
00:02:32Fine.
00:02:33And what are you going to do about your date?
00:02:36I'll ring you.
00:02:38Tell you where we've gone.
00:02:40I'll be fine, honestly.
00:02:49Hiya.
00:02:51How was your sick friend in London?
00:02:54He was fine.
00:02:54Look, I've got to go.
00:02:56Ordelia!
00:03:00Look, I'm in a bit of a rush.
00:03:01So, Philip, help me with these books, will you?
00:03:03Oh.
00:03:14All right.
00:03:15I'm really sorry.
00:03:16I'll follow you.
00:03:16I'll see you later.
00:03:17Okay.
00:03:19Here we go.
00:03:19See you later.
00:03:27They've got to go to the Disraeli suite.
00:03:29No one will read them, mind you, but it makes the guests think how uncultured they are.
00:03:35How long have you and Philip been together?
00:03:38Sorry.
00:03:39It's just that I haven't realized.
00:03:41Why do you want to know?
00:03:42I shouldn't have mentioned it.
00:03:46Sorry.
00:03:48It's just I get a little protective about him.
00:03:51Why?
00:03:52Because he needs someone to protect him.
00:03:55I mean, he's the sweetest man in the world, but he's completely useless at his job.
00:04:00As soon as his mother sells the hotel, he'll be out on his ear.
00:04:04Is she going to sell it?
00:04:05I'd say so.
00:04:06I'm sorry to bother you.
00:04:21I'm looking for Erica Goodwin.
00:04:23She was admitted yesterday evening.
00:04:25Yeah, she was in Austin Ward.
00:04:26What?
00:04:27Yeah, she's discharged herself a couple of hours ago.
00:04:29She's in no fit state to go anywhere, but what can you do?
00:04:36She's gone already.
00:05:06Yeah, just a few minutes ago.
00:05:08I see.
00:05:09Could you take a message?
00:05:11Mm-hmm.
00:05:12Would you tell her?
00:05:13Her friend has had no joy and is going back to London.
00:05:16Her friend?
00:05:17Yes.
00:05:18Can I give her name?
00:05:20That won't be necessary, thank you.
00:05:24Love is like a never-ending melody
00:05:29Poets have compared it to a symphony
00:05:34Do you like the countryside?
00:05:40I don't know it around here.
00:05:43Not really.
00:05:47What countryside do you like?
00:05:51In Italy, mainly.
00:05:53Sienna.
00:05:55That's my favourite.
00:05:56Why?
00:05:56Family holidays.
00:05:59Happy memories.
00:06:04Sorry, none of my business.
00:06:09Where are we going?
00:06:18You'll see.
00:06:19Come on.
00:06:35Here we are.
00:06:45Where are we?
00:06:47It's a trout farm.
00:06:48I've just bought it.
00:06:50It's great, isn't it?
00:06:52Yes.
00:06:53I'm going to have the farm shop here
00:06:56make this into a children's pool.
00:07:00There's some old tanks over there
00:07:01but I'm building new ones
00:07:02just here.
00:07:08It's going to cost a fortune, isn't it?
00:07:11So unlike my wife.
00:07:13Come on, I've got something else to show you.
00:07:16Come on.
00:07:16Careful here.
00:07:38This is the real reason I bought the place.
00:07:41What do you think?
00:07:42It's beautiful, yes.
00:07:47Fished here for years, all on my own.
00:07:50And when it came up for sale
00:07:51I could hardly believe it.
00:07:53To have all this
00:07:55away from the madness and the noise.
00:07:59Certainly very quiet.
00:08:01Yes.
00:08:10So you've got your own
00:08:12private escape route.
00:08:14That's really
00:08:15great.
00:08:17Yes.
00:08:18Of course at times
00:08:19I'll have to open it to the public.
00:08:21Corporate entertainment mainly.
00:08:23I have to recoup my investment somehow.
00:08:31What about a spot of lunch?
00:08:33Andrew, I'd really rather you drove me back.
00:08:36Why?
00:08:37How are we going to get to know each other?
00:08:39Much better over a bite to eat, surely.
00:08:42Fine.
00:08:46Where?
00:08:46Somewhere near?
00:08:48Very.
00:08:53That's lovely.
00:08:58Look, um, is there a toilet there?
00:09:00First one along.
00:09:02Great.
00:09:03Won't be a minute.
00:09:03Mrs. Gray's Detective Agent 3.
00:09:33Everyone here is busy at the moment, but we pride ourselves on offering a discreet, prompt and comprehensive service.
00:09:40So if you'll please leave your name and telephone number, one of our staff will get back to you as soon as possible.
00:09:45Please speak after the beep.
00:09:48Edith, take down this address now.
00:09:50Shut up.
00:09:55I said the first one along.
00:09:57Yes, I realise now.
00:10:03Careful, that plank there.
00:10:12There we are.
00:10:13Here you go.
00:10:16That's it.
00:10:19Just take that.
00:10:20I'll tell you what.
00:10:37While we're having lunch, why don't you tell me all about it?
00:10:42About what?
00:10:43About what it entails, being a private detective.
00:10:54You know, I'm delighted that Julia's employed you.
00:10:59Why?
00:11:02Because she's smart.
00:11:05And clever.
00:11:06Clever enough to know the difference between truth and paranoid fiction.
00:11:12You know Julia's unwell, don't you?
00:11:15Unfortunately, she refuses to accept it.
00:11:19Part of the battle, I'm told, with mentally ill.
00:11:22You're seriously saying that she's...
00:11:25Well, what else would you call these persistent, obsessive fantasies?
00:11:30What did she tell you?
00:11:32That I've been sexually harassing the female staff?
00:11:36Yes.
00:11:39Why, isn't it true?
00:11:43Have you found any evidence that I have?
00:11:46Any at all?
00:11:47Well, there may be a grain of truth.
00:12:06If...
00:12:07Occasionally straying from the straight and narrow.
00:12:11Looking for a bit of...
00:12:12I don't know.
00:12:14Warmth and comfort.
00:12:15If that's the same as committing an act of sexual violence.
00:12:21Do you think it is?
00:12:39How often does occasionally mean?
00:12:43Once or twice.
00:12:45Three times.
00:12:52In almost 30 years.
00:12:55Lower than the national average, don't you think?
00:13:05He didn't take down this address now.
00:13:07Oh, shit.
00:13:08Clarecorp Park Hotel, can I help you?
00:13:24Oh, hello.
00:13:25Is Cordelia Gray there?
00:13:27No, I'm sorry.
00:13:28Is that the friend?
00:13:31Has she been back?
00:13:32No.
00:13:34Has she left any messages?
00:13:36Nothing.
00:13:37Afraid not, no.
00:13:39Why?
00:13:39Is there a problem?
00:13:42I don't know.
00:13:43I hope not.
00:13:44It was one of the three Erica Goodwin.
00:13:49Erica?
00:13:50Erica?
00:13:51No.
00:13:52She certainly wasn't.
00:13:56Cheers.
00:13:57Well, then, where did she go to the hotel to try and kill herself?
00:14:03I don't know.
00:14:05I know she found it very stressful working at Clarecourt.
00:14:12She...
00:14:13Well, she just couldn't cope.
00:14:17Now she's got two kids and no money.
00:14:21Perhaps she blames us for it.
00:14:23You know, she was harboring some sort of secret resentment against us all this time.
00:14:33Why?
00:14:35She's not on Julia's list of victims, is she?
00:14:38What about Sandra White?
00:14:41Yeah.
00:14:43Yeah, Sandra.
00:14:44Sandra was very good to me.
00:14:53Do you regret the affairs?
00:14:59I loved Julia very much.
00:15:04Very much indeed.
00:15:08I never even dreamed it could go wrong.
00:15:14But when it did, I was lonely.
00:15:18And weak and pathetic, you'll probably say.
00:15:23But then people often are, aren't they?
00:15:28Haven't you ever been?
00:15:31Cordelia?
00:15:33I try not to be.
00:15:36Why?
00:15:42Being weak and...
00:15:45needy never seemed to help.
00:15:48People kept falling apart when I wasn't there to support them.
00:15:51What people?
00:15:56I thought we were talking about you.
00:16:01Okay.
00:16:06How did you know when your marriage was going wrong?
00:16:11They say it's either sex or money, don't they?
00:16:14It wasn't money.
00:16:19I see.
00:16:20Do you?
00:16:21Running a hotel makes infidelity alarmingly easy.
00:16:28She hardly even bothered to try and hide it after a time.
00:16:33You're saying that she was the promiscuous one, not you.
00:16:36Well, then why is she trying to prove the exact opposite?
00:16:41Well, you know that, surely.
00:16:43She's trying to embarrass me
00:16:45into giving her more than a fair share when we divorce.
00:16:50Is it because of Peter Forbes?
00:16:51Because she thinks he won't marry her?
00:16:53Otherwise.
00:16:55She's probably right.
00:16:56She's trying to make her more than a fair share when she comes to her.
00:17:01I wish her well with him.
00:17:04I do.
00:17:06I hope she finds some happiness and peace.
00:17:10And there are things in my life that make me happy, too.
00:17:13Things that make it eminently worth continuing.
00:17:20You understand that, don't you?
00:17:22All that smoke and condescending.
00:17:32I'm so cultured and sensitive stuff.
00:17:35I'd have throttled him years ago.
00:17:38I dare say you would.
00:17:39I see you think I'm missing
00:17:42some of the old man's finer points, do you?
00:17:46Everyone has finer points, even Andrew.
00:17:49Yeah, yeah.
00:17:50I don't see why you don't want to stay with him there
00:17:52if he's so wonderful.
00:17:54I mean, I don't see why you don't all stay together.
00:17:57It's just you and him and those two useless kids.
00:18:01My big happy family.
00:18:03Except they all treat you like shit, don't they?
00:18:06All three of them.
00:18:07Don't, please.
00:18:08Why not?
00:18:11Oh, come on.
00:18:12It's all a bit late for this sudden motherly feeling, isn't it?
00:18:16About 30 years, too late.
00:18:22Come over later, shall we?
00:18:24Be nice, will it?
00:18:26Would it?
00:18:29I know you love humiliating me.
00:18:32Well, it makes you feel happy, fine.
00:18:36If I was a glorified carpenter,
00:18:37whose only asset was his cock,
00:18:39maybe I'd feel bitter and frustrated, too.
00:18:41And I just wish you had an ounce of compassion in you,
00:18:44just one spark of human decency.
00:18:47And that I didn't still love you in spite of it.
00:18:50So is this as good as Sienna?
00:19:03In its way.
00:19:04I lived there with my father.
00:19:18He was ill.
00:19:22Is he the one who wouldn't let you be weak and needy?
00:19:24It wasn't his fault.
00:19:29He was dying.
00:19:32Oh, I'm sorry.
00:19:38So you went to live with him?
00:19:42Well, living in Italy isn't such a hardship.
00:19:46About your friends.
00:19:49Old were you when you got the call?
00:19:50It wasn't a call.
00:19:57I was 17, 22 when he died.
00:20:01It made me grow up.
00:20:05It certainly made you serious, Cordelia.
00:20:09I think it's a pity there wasn't a bit more time for you
00:20:11to be careful and be responsible.
00:20:19About boyfriends.
00:20:21What about them?
00:20:23All those handsome Italians.
00:20:32Oh, he used to get jealous.
00:20:33In the end, it was just easier to say no.
00:20:45Look, can we go, please?
00:20:47Yes, of course.
00:20:49The last thing I want to do is make you unhappy.
00:20:52I'm sorry.
00:20:54Come on, I'll write you back.
00:21:01Come on.
00:21:02All right, if I drop you, dear.
00:21:19I want to say thank you, Cordelia.
00:21:23Isn't it me who's supposed to say that?
00:21:25I hope this won't be our last outing.
00:21:39No.
00:21:40No.
00:21:40Cordelia, are you all right?
00:22:04Where have you been?
00:22:05I'm fine.
00:22:06Someone keeps phoning for you.
00:22:07She says she was a friend.
00:22:11Do you know where Mrs. Hampson is?
00:22:13Where she usually is this time of day, probably, with Peter Forbes.
00:22:16Why?
00:22:18I know why you cannot do it tonight.
00:22:30You really think that I don't know.
00:22:32This is Forbes, isn't it?
00:22:34Well, if you know so much, why ask?
00:22:36I need to speak to Daddy.
00:22:37He's the urgent.
00:22:37Where is it?
00:22:38He just came in.
00:22:39He went to...
00:22:39Hillary.
00:22:41I need to speak to you.
00:22:43Yes, of course.
00:22:45Come in.
00:23:13I need to speak to you.
00:23:43Not scared to come here, then?
00:23:48Where's Mrs. Hampson?
00:23:50Probably back at the hotel.
00:23:52She likes to let them know she exists occasionally.
00:23:54She wasn't there when I left.
00:23:56Well, then, you'll have to make do with me.
00:23:59Sorry.
00:24:00What can I do for you?
00:24:01Not a lot, probably.
00:24:02You fancy a drink?
00:24:10Does this primitive routine usually work?
00:24:13Always, 100%.
00:24:15Not for me.
00:24:18You should.
00:24:18You need it.
00:24:19So whose idea was it, yours or Julia's, to try and destroy Andrew Hampson?
00:24:28Pardon?
00:24:29Well, what do you earn more from?
00:24:32Carpentry or living off women who are richer than you?
00:24:34I can see this isn't going to end up quite how I'd hoped.
00:24:39Don't you feel sorry for her?
00:24:41I mean that she's so desperate to hold on to you that she'll make up dreadful lies about her husband.
00:24:45You think I'm the only reason she wants to get rid of me?
00:24:48I'm not stupid.
00:24:50I've been set up by you and Julia.
00:24:52You thought you could use me just to dig up dirt on Andrew Hampson.
00:24:55God, the only thing you care about is getting your hands on Julia's money while I'm not being used as a pawn by you or anyone.
00:25:02You just leave off Andrew Hampson.
00:25:04Tell Julia that too.
00:25:06I am now going back to London.
00:25:08You tell her that from me.
00:25:24Hello?
00:25:24The bell?
00:25:25Just a minute.
00:25:29Was it called for you?
00:25:32Yeah.
00:25:43Hello?
00:25:45Hello, yes?
00:25:49Yes, of course.
00:25:50You all right?
00:26:09Oh, Cordelia. What happened? Are you all right? I'm fine.
00:26:18We went for a picnic.
00:26:22And it was very nice.
00:26:28Well, I kept ringing and ringing the hotel. You were gone for ages.
00:26:34And then they said you'd left.
00:26:36Well, I had no idea where you'd be, so I came round and did some tidying up.
00:26:43That's really kind of you. Thank you.
00:26:48I went to see Erica Goodwin, but she discharged herself. Really?
00:26:53You want me to find her? Not now, no.
00:27:00Cordelia, you can't go to sleep. I want to know about you and Andrew Hampson.
00:27:06All right.
00:27:13I was wrong about him.
00:27:19He's all right.
00:27:23How can you be so sure?
00:27:25Nothing happened.
00:27:32I accept that I've packed it in.
00:27:37I've been employed under false pretenses.
00:27:40All right, well. I'm delighted.
00:27:47Anyway, there is no job.
00:27:49Not unless I want to fabricate evidence for Mrs Hampson to use.
00:27:53Which I don't.
00:27:55No, of course not.
00:27:57So...
00:27:58So...
00:27:59You won't be seeing Andrew Hampson again, then?
00:28:04Presumably not.
00:28:07And that's all right, is it?
00:28:12Yes, I shall do.
00:28:13Oh.
00:28:14I was just wondering.
00:28:15By the way, I found out Peter Forbes doesn't have a criminal record.
00:28:19But Philip Hampson does.
00:28:20A suspended sentence.
00:28:21He was charged with causing grievous bodily harm seven years ago.
00:28:26Two young men in a bar were making fun of him and he lost control.
00:28:33Thank you, Edith.
00:28:34Thank you, Edith.
00:28:35I see myself out.
00:29:03The phone call!
00:29:08Hello.
00:29:13Hey.
00:29:14Cordelia?
00:29:15Yes.
00:29:20Andrew Hampson.
00:29:21I'm sorry to ring so late.
00:29:25It's just...
00:29:27Something terrible has happened.
00:29:31Something terrible has happened.
00:29:34I thought you should know.
00:29:35What is it?
00:29:39Peter Forbes has been murdered.
00:29:43What time did you see Mr. Forbes?
00:29:45About half past five.
00:29:49And how long did you stay with her?
00:29:51Not long.
00:29:52How long?
00:29:53Five minutes or so.
00:29:55What happened?
00:29:56We just talked.
00:29:58Did he try to have sex with you?
00:30:01Not seriously, no.
00:30:04What do you mean, not seriously?
00:30:06You mean he wanted to and you stopped him?
00:30:08He didn't need stopping.
00:30:12Did he attack you, Miss Gray?
00:30:14No.
00:30:15Are you sure?
00:30:16I mean, if he attacked you and you were forced to defend yourself...
00:30:19What do you mean I'm not sure? Of course I'm sure.
00:30:21I'm trying to help you.
00:30:24If you killed him in self-defence...
00:30:26What?
00:30:27Nothing happened.
00:30:31Why did you drive straight to London after that?
00:30:34Because I'd already decided that I was going to pack in the case.
00:30:37Really?
00:30:38So why did you pop in on Mr. Forbes if it wasn't as part of your investigation?
00:30:42I was trying to find Mrs. Hampson.
00:30:44I was angry and fed up.
00:30:47She and Peter Forbes had been using me to get to Mr. Hampson.
00:30:50Well, maybe Mr. Hampson was trying to use you too.
00:30:56Who knows?
00:30:58Maybe he was, yes.
00:31:02Who found the body?
00:31:03The Hampson's daughter, Hillary.
00:31:06She says she was looking for her mother.
00:31:10It's funny, you were looking for her too.
00:31:12You know Mrs. Hampson's missing.
00:31:14Is she?
00:31:16Have you seen her since the murder?
00:31:17No.
00:31:18What do your forensic people say?
00:31:20Nothing.
00:31:22Yet.
00:31:23Hello.
00:31:24Hello, reception.
00:31:25Yes, that's quite a right now.
00:31:26You're welcome.
00:31:27Bye.
00:31:28Hello, Joanna.
00:31:29Hello.
00:31:30Hello.
00:31:31Hello.
00:31:32Hello.
00:31:33Hello.
00:31:34Hello.
00:31:35Hello.
00:31:36Hello.
00:31:37Hello.
00:31:38Hello.
00:31:39Hello.
00:31:40Hello.
00:31:42Hello.
00:31:43Hello.
00:31:44Hello.
00:31:53Don't you feel bad getting people to trust you and then using them?
00:31:58I'm sorry.
00:32:02Where's Mr. Hampson?
00:32:11He went to the kitchen.
00:32:23Oh, careful.
00:32:27It's Cordelia Gray, special agent.
00:32:54What are you doing back here?
00:32:56There's no point anymore, is there?
00:32:58Not now your cover's blown.
00:33:01Your father asked to see me.
00:33:04Why can't you just leave us alone?
00:33:07He's had enough to put up with recently.
00:33:09Don't you think we all have?
00:33:11Well, perhaps he can tell me that himself.
00:33:13Perhaps he's not up to it, not at the moment.
00:33:19You're very protective towards him, aren't you?
00:33:21You and Philip.
00:33:22We want him to be happy.
00:33:25He's had a shitty time.
00:33:28I'm not criticising you.
00:33:31I'd like to try and help her be happy too, if she wasn't so impossible.
00:33:39You said to the police that you went to see Peter Forbes because you wanted to find her.
00:33:43That's right.
00:33:44Not because you were having an affair with him.
00:33:47No.
00:33:49Your brother obviously thinks you were.
00:33:51Philip's a little overprotective.
00:33:53Surely even you've noticed that by now.
00:33:58So why did you want to find her?
00:34:01For Daddy.
00:34:03He couldn't find her in the hotel.
00:34:05And he's not very keen on seeing Peter himself, so I thought I'd try and save him the embarrassment.
00:34:11It's very loyal and caring of you.
00:34:14If it's the real reason.
00:34:16What other reason do you suggest?
00:34:18Perhaps you wanted to confront them both.
00:34:20Because you were jealous of Peter Forbes' relationship with your mother because you were in love with him.
00:34:27You've no idea, have you?
00:34:29None at all.
00:34:30None at all.
00:34:53Life goes on, doesn't it?
00:34:55It does when you're running a hotel anyway.
00:34:58Perhaps it shouldn't, but I'd be a hypocrite to pretend that Peter's death was a personal loss.
00:35:06Well, let's talk outside, shall we?
00:35:07It's a bit cooler.
00:35:10Oh, but you're right.
00:35:12Life goes on.
00:35:16Rather better than before.
00:35:19Possibly, yes.
00:35:20But not better for your wife?
00:35:25Not in the short term, no.
00:35:28What about the longer term?
00:35:30We've been married for 30 years, Cordelia.
00:35:35Maybe most of it was a nightmare.
00:35:38Still counts for something.
00:35:42Can't help feeling for her.
00:35:44Of course.
00:35:46The police have asked me to stay around here for a while.
00:35:53I'll be gone as soon as I can.
00:35:55I'll get a room in the village.
00:35:57Don't be ridiculous.
00:35:59You'll have your old room back here.
00:36:01No, really.
00:36:03Anyway, I'm not very popular around here at the moment.
00:36:06I need you here, Cordelia.
00:36:11I need you to find Julia.
00:36:16I'm sure the police will do that.
00:36:19Maybe.
00:36:21I'd like to find her this year, not next.
00:36:26I'm really very worried about her.
00:36:29Do you think that she killed him?
00:36:35No, of course not.
00:36:39Well, who did then?
00:36:41God knows.
00:36:43It's big enough choice, isn't it?
00:36:46Like who?
00:36:48One or two betrayed husbands, for a start.
00:36:51What can I get you?
00:36:52I'm looking for Julia Hampson.
00:36:56She's regular here.
00:36:58Short, lightish hair.
00:37:00Yeah, yeah, yeah.
00:37:02I'm looking for Julia Hampson.
00:37:05What can I get you?
00:37:07I'm looking for Julia Hampson.
00:37:10Yeah, yeah.
00:37:12She's regular here.
00:37:14Short, lightish hair.
00:37:17I'm looking for Julia Hampson.
00:37:18Short, lightish hair.
00:37:23Who are you?
00:37:24Police.
00:37:26No.
00:37:28I'm a perfect detective.
00:37:30She's employing me.
00:37:32Just before her boyfriend copped in.
00:37:35Have you seen her?
00:37:37Not today.
00:37:39All right, love?
00:37:41She was here yesterday.
00:37:44She stayed overnight.
00:37:45Left first thing this morning.
00:37:47Right.
00:37:49Can I have a look at her room?
00:37:59She stayed here often.
00:38:03When did she get here yesterday?
00:38:05She came in the bar at lunch time.
00:38:07And was her boyfriend with her?
00:38:09Yeah, but not for long.
00:38:10They had a round when he stormed out,
00:38:11and she stayed and got pissed.
00:38:13So he wasn't here at all last night?
00:38:15Just her.
00:38:16Just sitting there drinking.
00:38:18She looked terrible.
00:38:19Personally, I felt sorry for the poor Cale.
00:38:22What time did she go to bed?
00:38:24A bit while after she got back.
00:38:28What do you mean after she got back?
00:38:30I'm trying to say.
00:38:31Somebody phoned her.
00:38:33When?
00:38:34Seven.
00:38:35A bit later, maybe.
00:38:36Anyway, she seemed to cheer her up.
00:38:37She rushed out without even finishing her glass.
00:38:38Not like her.
00:38:40Who would have found her here?
00:38:42You're the detective.
00:38:44Anyone who knew her, I would have thought.
00:38:45Spends half her life here.
00:38:47Thanks.
00:39:07Seven.
00:39:09Whoa.
00:39:36Oh, God.
00:40:07Oh, God.
00:40:19Oh, God.
00:40:21Julia?
00:40:23This is starting to become a habit.
00:40:28Leave me. Just leave me alone.
00:40:31No.
00:40:33Come in with me. Get up.
00:40:35Get up.
00:40:37Stand up.
00:40:41Oh, my God.
00:40:48I'm taking you.
00:40:56Oh, why didn't you leave me?
00:41:00Oh, Jesus.
00:41:05Jesus.
00:41:06Jesus.
00:41:10Oh, my God.
00:41:11I'm gonna do something. She obviously needs help.
00:41:41Mrs. Hampson?
00:41:47Yes?
00:41:49I'm arresting you on suspicion of the murder of Peter Forbes.
00:41:54Good. I'm glad.
00:41:59You don't have to say anything, but it may harm your defense if you don't mention them questions, something you later rely on in court.
00:42:07Anything you do say, may be used as a...
00:42:28Still need your help, Cordelia. You know that, don't you?
00:42:32Ladies and gentlemen, if you could put any of your belongings in the lockers provided, please, and then take the key with you through into visits. Thank you.
00:42:51Excuse me. I've bought some clothes for Mrs. Hampson. What do I do with them?
00:42:57The officer will take them just after you know that.
00:43:00OK.
00:43:01What are you doing here?
00:43:10It's payment. I haven't got my checkbook with me. Sorry.
00:43:16I brought you some things. They're with the officer. Out there.
00:43:25I brought you some things. They're with the officer. Out there.
00:43:43I came to tell you that I'm sorry about Peter Forbes' death. It must be terrible for you.
00:43:49The police don't seem to think so.
00:43:52Well, they wouldn't, would they? They're just delighted they've got a culprit.
00:44:00Why did you sign a confession, Julia?
00:44:05Why do people normally sign confessions?
00:44:12So you did kill him then?
00:44:15The evidence is pretty damning. My fingerprints are on everything. Why deny it?
00:44:25Someone phoned you at the bell the night he was murdered. Who was it?
00:44:30It was Peter.
00:44:33And what did he say?
00:44:36He said he wanted to see me.
00:44:39Weren't you surprised by that?
00:44:42No. Why should I be?
00:44:45I'm talking about the row you had earlier.
00:44:51Did he apologise at all?
00:44:53Peter, apologise.
00:45:00But you're still sure it was him?
00:45:04What do you mean?
00:45:06Well, was the pub noisy?
00:45:09It's always noisy in the evening.
00:45:12So how was he when you went to see him?
00:45:15Angry. Fed up with you for a start. Christ knows what you said to him.
00:45:20Did he mention the phone call?
00:45:21No, he just wanted to get rid of me. It wasn't a very calm or reasonable conversation.
00:45:26And at the end of it, you grabbed a screwdriver and you stabbed him with it.
00:45:36Well, your fingerprints are all over it.
00:45:40I threatened him with it, yes.
00:45:42And did you kill him with it?
00:45:47I didn't realise how much I've missed.
00:45:51Julia, did you kill him with it?
00:45:53Leave me alone.
00:46:18It's ridiculous. Julia could have hired me for a fortnight for this.
00:46:21Well, you've obviously been underselling yourself then.
00:46:25Anyway.
00:46:27I wanted to express my appreciation.
00:46:30Please.
00:46:32What for? What have I done?
00:46:35You've been a great support to me through a very difficult time.
00:46:38And I hope you'll continue to be.
00:46:41I mean, we can still meet, can't we?
00:46:44I've not been much of a support to Julia, though, have I?
00:46:48And she's the one that employed me.
00:46:52How could you have supported her?
00:46:54More than you did to me.
00:46:56How could you have supported her?
00:46:59More than you did to me.
00:47:01I don't think that Julia killed Peter Forbes.
00:47:05I've been to see her and...
00:47:06I don't believe that she did it.
00:47:09I see.
00:47:11So who did?
00:47:12I don't know, sorry.
00:47:14But...
00:47:16I thought that I should tell you.
00:47:18Yes.
00:47:20Yes.
00:47:22Yes, of course.
00:47:24You'll stay here till you find out.
00:47:26If I find out.
00:47:28Well, your old room's there for as long as you need it.
00:47:29And if there's anything I can do...
00:47:30anything at all...
00:47:32I mean, if you're right...
00:47:34well, it's wonderful, isn't it?
00:47:36What was it?
00:47:37Well, I thought that I should tell you.
00:47:39Yes.
00:47:41Yes, of course.
00:47:43You'll stay here till you find out.
00:47:44If I find out.
00:47:46Well, your old room's there for as long as you need it.
00:47:48And if there's anything I can do, anything at all...
00:47:52I mean, if you're right...
00:47:55Well...
00:47:57it's wonderful isn't it is it what if Philip killed him or Hillary they're
00:48:03obvious suspects so am I exactly listen whatever my feelings for Julia you can't
00:48:13really think that I want to stuck in prison if she's innocent
00:48:17I've got to go back to London am I allowed to drive you I've got a meeting in the city
00:48:29you could always drop me off you know I didn't mean to take you out of your way
00:48:35after the amount you gave me it's the least I can do well that's true
00:48:39so what's this meeting of yours then
00:48:44Andrew you said you'd tell me everything it's with my new accountant a long and
00:48:52probably extremely tedious meeting why do you need a new accountant because I've
00:48:58been with my old one in Bath for too long anyway what are you doing this evening
00:49:09why what are you suggesting I've got to stay overnight I've got another meeting
00:49:13tomorrow morning I just wondered if we could have dinner at the hotel
00:49:22I'm not sure I'm not sure about what I don't know what I'm doing
00:49:29Andrew
00:49:31okay
00:49:34can I call you later
00:49:37all right
00:49:41thank you Cordelia
00:50:08it's all right
00:50:09you do understand Julia and I are getting divorced whatever happens
00:50:14I'll be free then
00:50:17just wanted to tell you that
00:50:20I'm not sure if I did
00:50:21don't know what happened to me
00:50:21I don't know where you're going at all
00:50:23I don't know where you're going and I will get up
00:50:25I don't know where you're going
00:50:27you're not sure yet
00:50:28I'll be fine
00:50:29to know
00:50:30you're working on the right
00:50:31but now you're going to have to be a big tower
00:50:33and I'll be free then
00:50:33to be part of my heart
00:50:35and to be a big tower
00:50:36and to be a big tower
00:50:38so that I can just get you
00:50:39really do
00:50:40what's going on
00:50:41and to be part of my house
00:50:43I don't know.
00:51:13Excuse me, madam. Madam.
00:51:28Sorry, I was just sharing a taxi with Mr. Hampson, and he's just been dropped off for a meeting.
00:51:35He left this. I thought I'd just pop it up to him.
00:51:37Taxi's outside. Lone's take five seconds.
00:51:40Third floor, turn right. Landbridge Associates.
00:51:44Remove your helmet, please, and report to the desk.
00:51:50Sorry.
00:51:54Doors closing.
00:52:08Third floor.
00:52:09Doors closing.
00:52:18Doors closing.
00:52:19Doors closing.
00:52:20Doors closing.
00:52:25So he was telling the truth. They are accountants.
00:52:38Yes, but why did he change to them?
00:52:54From what you said, it sounds as though his old accountant was past it.
00:52:58I mean them in particular.
00:53:00It's a free country, Cordelia.
00:53:04Perhaps it's litigation.
00:53:06Maybe Julia's threatening legal action so that she can make sure she gets her part of the money.
00:53:10It sounds as though Andrew Hampson is becoming an obsession.
00:53:15I thought you'd come back to talk about the murder.
00:53:18You're right.
00:53:19You're right. I'm sorry.
00:53:20Before I forget.
00:53:21Why does he think you're worth so much?
00:53:25Cordelia?
00:53:26You're not being foolish.
00:53:27I've got to get back to that house to check on those builders.
00:53:42And I'm coming with you.
00:53:43What makes you so sure Julia Hampson didn't kill Peter Forbes? After all, he humiliated her,
00:53:52he mocked her son. The whole world knew he was only attracted to her money.
00:53:57I think she was framed.
00:54:04He's not telling me everything. I know it.
00:54:08I think that someone phoned her at the bell pretending to be Peter Forbes and got her to go to his workshop and when she left went in and killed him.
00:54:16There.
00:54:17But why?
00:54:18Who would hate her so much that they would do a thing like that?
00:54:21Philip?
00:54:22He hates his mother.
00:54:24He lost control and nearly killed Peter Forbes in the gym.
00:54:28And he's got a violent record.
00:54:30Or, and who has it?
00:54:33Because she's desperate to sell that hotel and he's equally desperate to hang on to it.
00:54:38Maybe.
00:54:39Well, who's to say it was just one person?
00:54:42After all, Hillary found the body and she and Philip are so close, perhaps they both got rid of him.
00:54:47Honestly.
00:54:48While he's being rem insisting...
00:54:50or, distraction, he steps away.
00:54:51Linked red мне...
00:54:52Yes?
00:54:56Yes, you did.
00:55:05Of course I haven't forgotten.
00:55:06I'm afraid I can't.
00:55:08Yes you did. Now of course I hadn't forgotten. I'm afraid I can't because I've got something else that I've got to do.
00:55:22No, I'm not going to tell you what it is.
00:55:26All right. Yes, I like that. Bye.
00:55:43That was Andrew Hampson. Talk with the devil.
00:55:47He's in London overnight and I'm going to go for a drink with him.
00:55:52Is that wise?
00:55:54It's just a quick drink. What's the harm in that?
00:56:05It was a really lovely meal.
00:56:08Thank you. Oh, my pleasure.
00:56:12I'm glad you could come.
00:56:15What?
00:56:19You will stay, won't you?
00:56:24I can't.
00:56:29Why can't you?
00:56:33There's something I've got to do, I told you.
00:56:37You sure?
00:56:40Yes.
00:56:41All right. Good night.
00:56:58Good night.
00:57:06Alright. Good night.
00:57:38Oh, Christ, that's all we need.
00:57:50Two very large brandies.
00:57:53I said I'd get you a drink.
00:57:54Stop making that bloody noise.
00:57:56Barry, she's had enough.
00:57:57Hello.
00:57:58Hi.
00:58:01I'm tired of bed.
00:58:03I've got a guest.
00:58:05I've got a guest.
00:58:06You've got to let me go.
00:58:09You're trying to get off.
00:58:11Get off me.
00:58:12Now, now.
00:58:13Not to receive my guest.
00:58:15Come on, come on.
00:58:15Don't want Daddy to help me.
00:58:17Okay, okay.
00:58:18Just try not to be completely pathetic and undignified,
00:58:21if that's not too much to ask.
00:58:22I don't know why you're getting so upset.
00:58:25Don't you?
00:58:26If you insist on picking up the guests,
00:58:28at least try and do it with a little bit more discretion.
00:58:30Well, let me pass on the time.
00:58:44Daddy's not here,
00:58:45so you won't have anyone to talk to, will you?
00:58:47Poor little thing.
00:58:48I don't know why you're going to talk to me.
00:59:18Come on.
00:59:30Okay.
00:59:32Tell me.
00:59:33Hey!
00:59:34How old is this?
00:59:36I won't be
00:59:37good.
00:59:38I don't know why you're getting so upset.
00:59:40I know why you're getting now.
00:59:41But you have to meet for kids.
00:59:43So when you have to attend,
00:59:45I don't know.
01:00:15I don't know.
01:00:45I don't know.
01:01:15Oh, yeah, Mummy's not here.
01:01:17No, Mummy's not here.
01:01:19Not unless she's escaped.
01:01:21Daddy's off in London.
01:01:25Now, musica.
01:01:27Do you like it?
01:01:38You want to do it?
01:01:39I don't do it anymore.
01:01:43I don't do it anymore.
01:01:43I don't do it anymore.
01:01:45I'm so sexy.
01:01:53What?
01:01:53Should we go upstairs?
01:01:56I don't know.
01:01:58I don't know.
01:01:59I don't know.
01:01:59I don't know.
01:02:00I don't know.
01:02:00I don't know.
01:02:00Oh, for God's sake!
01:02:02Get up! Get up!
01:02:04Quick!
01:02:06I've got a mic, but you haven't got a mic.
01:02:10Throw your hands on. Yes.
01:02:16Hey, do you like fun and games?
01:02:18I like it when it hurts.
01:02:20See this?
01:02:22Follow me. Come on.
01:02:24I've changed my mind. I want to go in Daddy's room.
01:02:26Are you coming?
01:02:28I don't know.
01:02:30I thought you were in.
01:02:32What do you want to see?
01:02:36Oh!
01:02:38On that bed!
01:02:48You're not going to whip me, are you?
01:02:58I don't even know Richard!
01:03:02Look at her, liar.
01:03:04wus and knew.
01:03:06Thanks.
01:03:08Meanwhile!
01:03:10What a bummer!
01:03:12Jesus is recovering.
01:03:14I'm going to move them
01:03:17Yeah!
01:03:18...but we're going to walk?
01:03:20Please, please, please.
01:03:24We love our world.
01:03:27I love you.
01:03:43I just want to say one thing, one little thing.
01:03:47This is your hands off me.
01:03:51I don't want you to bother Hilary.
01:03:54You have seen how disturbed she is.
01:03:57And I want you to leave her alone.
01:03:59You're telling me I can't even talk to her.
01:04:01I'm not telling you I'm asking you because I would be so unhappy if you upset her.
01:04:05Surely you can understand that.
01:04:07I didn't see you being so sensitive with her yourself earlier.
01:04:10She trusts me and she knows that anything I do is because I love her and care about her.
01:04:15She is not.
01:04:17Well, I want you to leave her alone.
01:04:19All this wonderful brotherly sisterly love.
01:04:23What about your mother, Philip? Don't you care that she's in prison?
01:04:26Of course I care.
01:04:27You don't care about it.
01:04:28And you don't care that Peter Forbes is dead either, do you?
01:04:30Not surprisingly, your sister's having an affair with him.
01:04:32If she was, it doesn't mean that she killed him.
01:04:37No.
01:04:38What about you?
01:04:39I know about your criminal record and I know that you'll be out in this cushy job if your parents ever get divorced.
01:04:44I really, I thought you were different. I really didn't think you were like the others.
01:04:54What do you mean all the others?
01:04:56Like all the others, all the other tarts, all the other scummy little tarts.
01:05:01I presume that's why he came back, isn't it? Just to be another one for his collection.
01:05:08I mean that's what, that's what mummy said anyway.
01:05:11Collection? You mean like Erica and Sandra White?
01:05:13Well, I assume, I mean it sounded as if she sort of set you up as a kind of parting gift.
01:05:18It's rather touching I thought.
01:05:21Did she have photos of them?
01:05:23What?
01:05:24Did she keep photos of his favourites?
01:05:26What are you talking about?
01:05:27Are they all still alive or has anything happened to them?
01:05:31What about her?
01:05:36What about her?
01:05:38Who is she?
01:05:43She was?
01:06:13Oh, my God.
01:06:43Oh, my God.
01:07:13Oh, well, I look forward to that.
01:07:21Goodbye.
01:07:22Come this way, Miss...
01:07:23Gray.
01:07:24Now, don't tell me you're having trouble with your self-assessment.
01:07:28Everybody does. It's quite absurd.
01:07:29I'm a private detective, Mr. Brightwater.
01:07:32Oh, don't worry. Nothing is beyond us here.
01:07:34I'll give you a little form, Miss Gray.
01:07:36No, I don't want you to help me with my tax.
01:07:37I've been employed by Julia Hampson.
01:07:41Oh.
01:07:43Well, I see.
01:07:43Well, I'm not sure that I can help you.
01:07:45All I want to find out is why Andrew Hampson left you.
01:07:48Oh.
01:07:49I don't know if it's unethical for you to tell me or not, but...
01:07:52Unethical?
01:07:53Oh, please, come.
01:08:00Er, please, do, er, do sit down.
01:08:03I found this.
01:08:08She's selling the hotel.
01:08:10I know that she's divorcing him and doesn't approve of his expansion plans.
01:08:14She detested them, but then who in their right minds wouldn't?
01:08:19How far do you think he would have gone to make sure that she didn't stop him?
01:08:22You mean, could he have murdered Julia's awful boyfriend?
01:08:26More than likely, I'd say.
01:08:28But then my opinion of Andrew Hampson isn't high.
01:08:31He left me after 26 years.
01:08:34He ditched me to go off to some flash new firm up in London.
01:08:38It's not quite the same as being a murderer, though, is it?
01:08:41A firm of slick, smooth-talking little yuppies.
01:08:45Is that the word still?
01:08:46Experts in producing snappy little business plans in smart plastic covers
01:08:51so that the banks in the city will lend you anything you ask for.
01:08:56I thought that it was normal business practice borrowing money to help you expand.
01:08:59So long as the sums add up.
01:09:02But once the banks realise that out of every 10,000 trout produced,
01:09:06only 7,000 are ever sellable,
01:09:08they get twitchy and they start asking for their money back
01:09:11and suddenly your flash new accountant doesn't have all the answers anymore.
01:09:16So you're saying that he had financial difficulties that went beyond his divorce?
01:09:22They were to do with him not living in the real world, my dear.
01:09:26Then he never has done.
01:09:28What do you mean?
01:09:29Trout farms, golf courses.
01:09:31You can't live in fantasy land forever.
01:09:34At least when Julia was there, she could control him.
01:09:36My guess is the banks will foreclose within a year
01:09:40and then that will be the end of him.
01:09:41No hotel, no nothing
01:09:43and good riddance.
01:09:45Do you recognise her?
01:10:08No.
01:10:09No, I can't place her.
01:10:11Have you heard of someone called Sandra White?
01:10:13No.
01:10:13What about Erica Goodwin?
01:10:19Why, yes, yes, of course.
01:10:24How?
01:10:25She, um...
01:10:27She was my secretary.
01:10:30When?
01:10:33When did you take her on, Mr Brightwater?
01:10:35Straight after she came from the hotel.
01:10:38Why?
01:10:39Because Andrew asked me to, why else?
01:10:41Seriously misplaced loyalty, I now realise.
01:10:44Why did he ask you?
01:10:46She became too hysterical for him to have her at the hotel anymore.
01:10:52Go on.
01:10:53Well, he'd asked me to take on one or two before, but I wouldn't.
01:10:56But she was so pathetic.
01:10:59She was hopelessly in love with him.
01:11:01He didn't care a jot for her.
01:11:03He could usually shut them up with threats.
01:11:05He'd laugh about it.
01:11:07After all, I mean, who believed them against him?
01:11:11They were always young.
01:11:13The younger, the better.
01:11:14One or two of them did call his bluff.
01:11:17They made demands.
01:11:19And what happened then?
01:11:20Did he try and get them new jobs?
01:11:23Oh, he'd give them money so they'd disappear.
01:11:29So what happened to Erica Goodwin?
01:11:32Why did she leave here?
01:11:33You sacked her, didn't you?
01:11:40She became pregnant.
01:11:41I had no choice.
01:11:44Oh, right.
01:11:46Well, I'm not surprised you were such good friends.
01:11:49You were obviously soulmates.
01:11:51You do realise that she came to the hotel the other night
01:11:53to try and kill herself.
01:11:55She's obviously still in love with him.
01:11:57Some drastic way of trying to get his attention, I suppose.
01:11:59Of course, it failed.
01:12:00No, but please, please, don't go.
01:12:04You've forgotten your photo.
01:12:10Who is it?
01:12:16You know, don't you?
01:12:20Yes.
01:12:30No, no, not thanks.
01:12:55I told you, I'm exhausted.
01:13:00I want to know what happened.
01:13:01I want to know what's going on.
01:13:03Why did Cordelia have that photo?
01:13:07What?
01:13:08She asked me if I recognised it.
01:13:10Why?
01:13:11I'd have thought you might have the answer to that yourself,
01:13:13Philip.
01:13:15What?
01:13:16What?
01:13:16All I know is Cordelia's an extremely intelligent young woman,
01:13:20and she's convinced your mother did not kill Forbes.
01:13:23What the hell has any of this got to do with a picture of Hillary
01:13:25as a teenager?
01:13:26Your voice down, please.
01:13:29You and Hillary have always been very close.
01:13:32Maybe Cordelia
01:13:33suspects something about your relationship.
01:13:36What did you say?
01:13:40Oh, I'm completely mad,
01:13:42if you say so, Philip.
01:13:45What I don't understand
01:13:46is what any of this,
01:13:48any of this,
01:13:49has got to do with Forbes' murder.
01:13:50Are you actually trying to say?
01:13:52I'm not.
01:13:52Hillary and I killed him.
01:13:54I'm not trying to say anything.
01:13:54It sounds as if you are.
01:13:56If you'll excuse me,
01:13:57I've got an awful lot to do.
01:13:59Not now, Hillary.
01:14:00Yes, now.
01:14:01Not now, Hillary.
01:14:03You won't.
01:14:03Hillary, get off.
01:14:05Get off me.
01:14:06You ridiculous, drunken bitch.
01:14:10Christ.
01:14:11You disgust me.
01:14:14Can't you just see yourself?
01:14:20Donnie, wait.
01:14:22Where are you going?
01:14:24Wait.
01:14:25Don't walk away from me.
01:14:28Wait.
01:14:36I need to talk to you.
01:14:51Fine.
01:14:52But not here.
01:14:53What is the time of business,
01:15:14can't you?
01:15:14All I want to know is,
01:15:38is what's wrong.
01:15:41I thought we always used to tell each other everything.
01:15:54Hillary?
01:15:58I mean, it can't be that bad.
01:16:04Get it?
01:16:04I'm not going to.
01:16:05I've been talking to you.
01:16:07I'm sorry.
01:16:07I'm sorry.
01:16:07I'm scared.
01:16:08I want to know.
01:16:20I have a bad word.
01:16:22I need to see you.
01:16:23I'm scared.
01:16:23I'm scared.
01:16:24I can't.
01:16:25I'm scared.
01:16:25I'm scared.
01:16:25I'm sorry.
01:16:26I'm scared I'm scared.
01:16:27I'm scared.
01:16:27I'm scared.
01:16:28Andrew?
01:16:29Andrew?
01:16:30Andrew?
01:16:31Andrew?
01:16:58Andrew?
01:17:14So what have you got to tell me?
01:17:17Sorry?
01:17:19You've lied to me.
01:17:22You've treated me like a stupid child.
01:17:24I've never lied to you.
01:17:26I never would.
01:17:27You know I love you too much for that.
01:17:30Like you loved Erica Goodwin?
01:17:33Lawrence Brightwater is a sad, bitter little man.
01:17:37You know he'd say anything to get at me.
01:17:39I assume that you paid her to leave the area.
01:17:42No.
01:17:43She made up her own mind.
01:17:45Does your wife know that Erica's children are yours?
01:17:49Does she?
01:17:52No.
01:17:53That she knew about Hillary, didn't she?
01:17:57That's what she couldn't bear.
01:17:58That's why she came to me.
01:18:00But she didn't dare tell me about it.
01:18:01I mean, how do you tell a complete stranger that your husband's sleeping with his stepdaughter?
01:18:06I'm glad you found out.
01:18:08I was going to tell you.
01:18:09When Julia found out she was desperate to protect Hillary.
01:18:13She told me it was for revenge for all the others that you'd had sex with, but it wasn't at all.
01:18:18After all, she'd put up with that for years.
01:18:19She was hardly perfect herself.
01:18:21How old was she when it started, Andrew?
01:18:24She was old enough.
01:18:26Really?
01:18:28Or was she young enough to be too scared to say no?
01:18:30That's not true.
01:18:33You know, I haven't wanted Hillary in that way for years.
01:18:37That's the awful irony.
01:18:40Unfortunately, she wouldn't let go.
01:18:43Oh, I know I've got to accept some responsibility.
01:18:46Some?
01:18:47The girl I loved was young and pretty.
01:18:51Not the drunken mess she's become.
01:18:54Can you tell me how young?
01:18:57Fourteen?
01:19:00Thirteen?
01:19:04Tell me, Andrew, how old was she?
01:19:06It's my own fault.
01:19:10I shouldn't have used his bed.
01:19:12I only did it to get my own back.
01:19:19To get your own back for what?
01:19:25Mm-hmm.
01:19:26Because he's...
01:19:41Because he...
01:19:42He finished it.
01:19:43He finished it.
01:19:47And, um...
01:19:49What did he finish?
01:19:56What...
01:19:58Has he been doing to you?
01:19:59Philip!
01:20:13Philip!
01:20:15No!
01:20:17Philip, don't!
01:20:18What are you doing?
01:20:20Leave it!
01:20:21I don't want you to!
01:20:22I don't want you to!
01:20:36And what about the others?
01:20:38Are they all right and beautiful too?
01:20:39Look...
01:20:41I'm not a philanderer.
01:20:43I was...
01:20:45Searching for something.
01:20:47For someone...
01:20:49As pure...
01:20:51And as perfect as Hillary was.
01:20:53The moment I met you, I...
01:20:56You felt something too.
01:20:59I mean, when we came here that first time...
01:21:02There was something...
01:21:04Between us.
01:21:07I'm not imagining that.
01:21:09Am I?
01:21:13Am I, Cordelia?
01:21:16What about your wife?
01:21:18What about my wife?
01:21:20We both made mistakes, but everything can be sorted out now.
01:21:24Everything's possible now.
01:21:25Andrew!
01:21:28Your wife is in prison, accused of murder.
01:21:33One that you committed.
01:21:36How on earth are you going to sort that out?
01:21:39I told you I'd never lie to you.
01:21:41I did not kill Peter Forbes.
01:21:44Well then who did?
01:21:46Hillary?
01:21:47Hillary?
01:21:53What is your fantasy about me?
01:21:55Huh?
01:21:57Young, innocent girl.
01:21:59Pliant.
01:22:00Adoring.
01:22:01Like Hillary.
01:22:03Well, Andrew, you've got it all wrong.
01:22:06It's not me.
01:22:08I'm not a girl.
01:22:10And I'm not weak and dependent on you.
01:22:13Stop it.
01:22:15God, how could I ever have been impressed by you?
01:22:18You're just some sad, pathetic man who's probably threatened by women his own age.
01:22:24God, I even had feelings for you or thought I did.
01:22:28Don't spoil it, Cordelia. Not now.
01:22:30There's nothing to spoil!
01:22:32Don't say that.
01:22:34After everything I've done...
01:22:36What do you mean?
01:22:38What have you done?
01:22:40I've risked everything for you.
01:22:45You did kill Peter Forbes.
01:22:48I really hoped it wasn't you.
01:22:50Cordelia. Cordelia.
01:22:52I did it for you.
01:22:54I did it for us so that we could be together.
01:22:56Really, we're both to blame.
01:22:58Andrew, you don't live in the real world.
01:23:01You live in some sick parallel universe.
01:23:04You didn't kill him for me.
01:23:05You killed him because you were desperate to keep your bloody hotel.
01:23:11And because he was having an affair with Hillary and your wife.
01:23:15He wasn't having an affair with Hillary.
01:23:17He was blackmailing her into having sex with him.
01:23:20He found out about Hillary and me and threatened to tell everybody.
01:23:26Give me the keys.
01:23:27No.
01:23:29Not yet.
01:23:39I said, give me the keys, please.
01:23:41Cordelia, please.
01:23:43No.
01:23:45Please.
01:23:47Please try and understand.
01:23:49Please.
01:23:51Look.
01:23:52I know it's difficult.
01:23:54No.
01:23:55It's difficult for me.
01:23:57Cordelia, please.
01:23:59Please, Cordelia.
01:24:01Us against them.
01:24:02It was always just us against them.
01:24:04It never, never changed, did it?
01:24:06It never changed.
01:24:09Let me explain.
01:24:11Get off!
01:24:12Explain!
01:24:13What are you doing?
01:24:14Let's go.
01:24:15Let's go.
01:24:16I'll take it.
01:24:20Let's go.
01:24:23Oh!
01:24:24Oh, my God!
01:24:25Oh!
01:24:28Oh!
01:24:29Oh.
01:24:31Oh, my God!
01:24:33Oh, my God!
01:24:35Ooh.
01:24:37Oh, my God.
01:24:39Oh, my God!
01:24:40I don't know.
01:25:10I don't know.
01:25:40I don't know.
01:26:10I don't know.
01:26:40I don't know.
01:26:41I think she confessed to protect her children.
01:26:58She was afraid that one of them had killed Peter Forbes.
01:27:05That's terrible.
01:27:08In books, people do it all the time.
01:27:11Do what?
01:27:12Give up everything for love.
01:27:14Oh, in books they do.
01:27:19Anyway, at least they're safe from Andrew Hudson for a few years.
01:27:23It's complete madness putting yourself at risk like that.
01:27:26We were very lucky something serious didn't happen to you.
01:27:34Edith, would you like to go for a drink?
01:27:38I'd love to, but I'm meeting a friend.
01:27:45Oh, never mind.
01:27:47Another time.
01:27:50Absolutely.
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