Samantha" (1998) – Venevisión
🔥 Amor, traición y venganza en un drama apasionante.
Samantha, una humilde campesina, rescata a Luis Alberto, un millonario con amnesia, y nace entre ellos un amor puro. Pero cuando él recupera la memoria y regresa a su vida de lujo, el engaño, la ambición y el asesinato los separarán.
⚠️ Tres mujeres harán todo para destruirlos… ¿Podrá su amor sobrevivir?
Protagonizada por Alicia Machado y Alejandro Martínez, con un elenco estelar lleno de intriga y pasión.
#Samantha
#TelenovelaVenezolana
#AliciaMachado
#AmorYTraición
#DramaRomántico
#Venevisión
#ClásicosDeLos90
#LuchaPorElAmor
#TelenovelaDeSiempre
#PasíonYDrama
🔥 Amor, traición y venganza en un drama apasionante.
Samantha, una humilde campesina, rescata a Luis Alberto, un millonario con amnesia, y nace entre ellos un amor puro. Pero cuando él recupera la memoria y regresa a su vida de lujo, el engaño, la ambición y el asesinato los separarán.
⚠️ Tres mujeres harán todo para destruirlos… ¿Podrá su amor sobrevivir?
Protagonizada por Alicia Machado y Alejandro Martínez, con un elenco estelar lleno de intriga y pasión.
#Samantha
#TelenovelaVenezolana
#AliciaMachado
#AmorYTraición
#DramaRomántico
#Venevisión
#ClásicosDeLos90
#LuchaPorElAmor
#TelenovelaDeSiempre
#PasíonYDrama
Categoría
🎥
CortometrajesTranscripción
00:00Pour him another one.
00:02Sir, don't you think it's better for you to go home?
00:05If you want, I'll call you a taxi.
00:10I don't want a taxi, nor do I want to go home.
00:12I want another drink.
00:15Good job, Firifiri, you didn't listen to the gentleman.
00:18Pour him another one.
00:19Even if there are two of them.
00:21Look, look, I want to be alone here.
00:22I don't want anyone.
00:23I want to be alone.
00:26Hello, Luis Alberto.
00:28What a surprise.
00:30Well, and this, what a coincidence.
00:31What are you doing here?
00:32Can I sit down?
00:33Of course, of course.
00:35Do you want a drink?
00:36I can't get enough of my drink.
00:38Well, you know I'm just scratching the surface, but Aranguren is inviting.
00:41How odd.
00:49Since you two met by chance,
00:54Why don't you just go away and leave me alone?
00:59Come, yes.
01:00Go away.
01:06And your husband hasn't arrived yet?
01:09Oh no.
01:11Ramoncito, do you think Luis Alberto is still at work?
01:15Ah, well, where will it be?
01:17Because every man, when he marries,
01:21What he wants is to go to work, to Canarreal,
01:23and carry around the house, and then be with the woman.
01:26I would do that, then.
01:28No?
01:29Listen.
01:30That?
01:31Listen, the crickets, Ramon.
01:34Don't they remind you of the promise?
01:37No?
01:40Of course they remember me.
01:43And you know that at night, I dream,
01:47and I imagine the dusty, dry street.
01:53And then, I remember myself and I need it.
01:56And I also imagine, I remember my little horse, my horse itself.
02:02And he would take me everywhere I told him to, do you remember?
02:08But, you know that I need it.
02:14That?
02:15Those starry nights.
02:19Although those nights there at the Promise Estate are not like those here,
02:24to those here, to the capital here, no.
02:26They don't look alike.
02:28And I have to tell you something.
02:31That?
02:34You know what I need most.
02:40Miss Bella Bella.
02:42Oh, Ramon, don't mention her to me!
02:44And why?
02:46Look, Ramon.
02:47That guinea pig Bella doesn't have a single hair.
02:50It's really ugly inside.
02:51And that soul is very black.
02:54She's very deceitful.
02:55And a real liar.
02:57And bad people.
02:59Alright.
03:01Let's make a deal.
03:04I don't know if I misname Miss Bella Bella,
03:07But, you fool, don't call her that because I don't like her.
03:12But hey, Ramon, you're stupid.
03:14He treats you really badly, you heard.
03:16And he despises you quite a bit.
03:17And you're still there defending her.
03:19But I have to defend her.
03:23Because, Samantha, I feel like something here in my stomach.
03:29And my heart starts racing.
03:32And I feel that is love.
03:37And when I feel that it is love, I have to defend it.
03:41Because you always defend Luis Alberto.
03:46I avoid you defending Luis Alberto.
03:49Sorry for the inconvenience.
03:51Yes sir.
03:53I've come to inform you that dinner is served.
03:56How now?
03:57Oh, Luis Alberto has arrived!
04:06Hear me.
04:08Elena.
04:11Elena shouldn't have died.
04:13His time has come.
04:15Law of life, my love.
04:17Some die and others are born.
04:20But...
04:23Me because...
04:24Because I had to fall there on that farm.
04:28Right on promise.
04:31Because when I woke up, I didn't see Raisa.
04:38Instead of her.
04:40Raisa?
04:41Raisa?
04:43Raisa, I...
04:45I don't think I would have fallen in love the way I am, Betsy.
04:50Because Raisa is a woman to fall in love with little by little.
04:55Not even I would have gotten married in three days.
04:58Not a chance.
05:00Little by little, little by little.
05:02So much so, my son.
05:05Do you want me to tell you something, Betsy?
05:07When I first saw Samantha...
05:13It was like opening a door.
05:16A door that crossed and entered the earthly paradise.
05:23And the snake caught you.
05:29But...
05:32That door closed and...
05:35That door is closed, Bethsaida.
05:40That door closed, never to open again.
05:43Because this love that I feel...
05:46This love is so great, Bethsaida.
05:51The thing is...
05:53I feel trapped in a maze from which I will never escape.
05:58You understand me?
06:00Never.
06:05Excuse me.
06:12What about food?
06:13I'm hungry.
06:15The college food was awful, my daughter.
06:18I don't know, since I left, I didn't have time to talk to Rosendo.
06:21What's for dinner today, Rosendo?
06:23Is he rich?
06:24The lady ordered something special for the gentleman.
06:28But what a waste of time.
06:29But what a waste of time.
06:31Because apparently Mr. Invisible Man isn't very hungry today, is he?
06:36Luis Alberto called us to let us know he wasn't coming for lunch.
06:40Yes, Mrs. Samantha's plate is coming.
06:43Oh yes, with a special recipe from Doña Teo, you know?
06:47Very tasty.
06:48And I'm sure that when they try it, look, they're going to lick their fingers.
06:51Don't tell me.
06:57Here's the tripe.
07:00That?
07:01Disgust!
07:03Little girl, don't you despise food that much?
07:07My hunger has gone, Grandma.
07:09Excuse me.
07:10But Anabela, look, try it, it's delicious.
07:13Mrs. Alba, may I serve you?
07:15Of course, Rosendo.
07:17What a question.
07:18Try it, Mrs. Alba, look.
07:20I'm sure that once you try it, you won't forget anything else.
07:23No, of course, your choice is one you won't forget.
07:26Oh, thank you, Mrs. Alba.
07:29Sarita, take me to my room.
07:31But, madam, is there your food?
07:33No.
07:34I'd rather Samantha enjoy it, because judging by her face, even three plates won't be enough for her.
07:40But, Mrs. Alba, look, there's something for everyone.
07:43Sarita, take me to my room, look, my daughter Samantha.
07:46No, no, no, no, no.
07:48Doña Alba, look, there's something for everyone.
07:51Sarita, take me to my room, look, my daughter.
07:53Do you know what happens?
07:54This meal is a bit heavy for the night, you see?
07:59Sarita, take me to my room.
08:01Ma'am, but don't go to bed without eating, okay?
08:03Please take me to my room.
08:08Come this way.
08:11Careful.
08:19Why didn't they like my food?
08:29Divine, Marilín, divine.
08:33Marilyn.
08:36Please serve this troglodyte more.
08:39No, doctor.
08:40Dr. Hidalgo is on a diet.
08:42No, no, no, no, no.
08:44No, doctor.
08:45Dr. Hidalgo is on a diet.
08:47Just a moment.
08:48I'm the doctor here, right?
08:50Precisely.
08:51That night he asked me to serve him just a small cup of broth.
08:55Well, but it's your fault.
08:57You prepare such a delicious meal for him, Salvador,
08:59that frankly the smell tempted me.
09:01Dad, please listen to Marilín.
09:03Also, tomorrow we're going to do it at Doña Alba's house.
09:06Nice diet.
09:08But you're ready.
09:09Well.
09:11She takes care of you like a wife, doesn't she?
09:14No, no, no, no, no, no.
09:15Please stop with these weird inventions.
09:18Don't make up weird things.
09:21You know that...
09:23that my candidate has already been elected for many years.
09:28Yeah.
09:29Yes it's true.
09:30And when do you plan to tell Doña Alba?
09:33Well, actually, I haven't had a chance to tell him.
09:39You're going to wait until the year 3000 to decide.
09:42My poor Alba, how she must be suffering with Luis Alberto's new wife?
09:47Things really aren't easy, Dad.
09:51My poor Alba, so classist that she is.
09:54Can you imagine what he must be suffering with that little peasant girl?
09:58And Luis Alberto too, eh?
10:00Because passion is one thing and reason is quite another.
10:05When he realizes he can't take her to a restaurant to eat
10:08because it will make him look ridiculous,
10:10then he's going to start regretting it.
10:14And poor Anabel is the one who bears the brunt of all this.
10:18And to top it all off, no one takes it into account.
10:20And poor Anabel is the one who bears the brunt of all this.
10:24And to top it all off, no one takes it into account.
10:27Mondongo, Rina. I mean, you can believe it.
10:30Tripe in this house.
10:32And what does that taste like?
10:34Oh, I don't know. Besides, do you think I dared to try it?
10:38And your dad?
10:40Rina, can I ask you a favor?
10:42That?
10:44I don't even want to talk about the invisible man, okay?
10:47The invisible man?
10:49Yeah.
10:54Who's there?
11:00Someone said hunger.
11:01Alexander! What are you doing here?
11:14Haven't I ordered to serve the lady yet?
11:16No, I pray.
11:19I'm going to wait for my husband.
11:27You see? This is what's called being connected.
11:30Why's that?
11:31Because I'm starving.
11:33Ah, but how romantic.
11:35I don't know, I was hoping you were going to tell me...
11:37I don't know, I was thinking about you. I just missed you.
11:40Well, now you don't eat anything because you're bad.
11:43Give it to me, okay, give it to me.
11:46OK that's fine.
11:48But first, your spiritual food.
11:52Which?
11:54A kiss.
11:56Oh, okay.
11:58But only one.
11:59No, two.
12:00One.
12:01Look, the smell of the hamburger saved my mouth.
12:17Anavela!
12:20It's me, my love. I want to talk to you.
12:31Oh, Doña Alba, you must be feeling ill from dinner.
12:34Do you know what Anavela is like when she sulks?
12:36He doesn't hear anyone.
12:38But she went to bed without dinner, the poor thing.
12:41And starting his studies at the university.
12:45That girl is not even 18 years old.
12:48Look, maybe he'll hear it tomorrow.
12:50Because as Anavela is,
12:52If you start talking to him about treating his father's wife well
12:55and all those things,
12:57Well, what will be achieved is that he will turn against poor Mrs. Samanta.
13:02And who told you that I was going to advise him that?
13:05Yeah, yeah, he's gone, he's gone.
13:07How do you know?
13:09From the noise of the wheel, it is unmistakable.
13:13What is unmistakable is your smell.
13:17Oh, divine.
13:20Even when I'm asleep, your perfume haunts me.
13:24Well, well, well, carefully.
13:26What happened?
13:28What happened?
13:30What happened?
13:32Well, well, well, carefully, carefully.
13:34Help me, help me, this guy is heavy.
13:37Okay, okay, okay, Alberto, cooperate.
13:39Collaborate, you weigh what you are worth, brother, what you are worth.
13:45Where am I?
13:47Where am I?
13:49Here with me.
13:51Samantha?
13:53Samantha?
13:55No, no Samantha, I am no Samantha.
13:57Kirike, are you planning on staying with this guy tonight?
14:00Now I don't lack it.
14:03So pretty.
14:05But that's not the idea.
14:07So what's your plan?
14:25Luis Alberto, why didn't you notice me first?
14:29Why didn't you notice me first?
14:59Don't you think that's enough joking for today?
15:01No.
15:03Well, yes, to me.
15:05Go away, it's over.
15:07Go away.
15:09Go away.
15:11Go away.
15:13Go away.
15:15Go away.
15:17Go away.
15:19Go away.
15:21Go away.
15:23Go away.
15:25Go away.
15:27Go away.
15:30You're tiring me out, girl.
15:33You're tiring me out.
15:39See you tomorrow, because we're going to see each other tomorrow, right?
16:00Murderer of the father-in-law of the potentate Branguren,
16:04trapped in Mautehuanipa,
16:07they caught him.
16:29Where?
16:33Oh, Luis Alberto.
16:36He didn't come to sleep.
16:45The gentleman called me this morning.
16:47And he told me that he had spent the night here, in this hotel.
16:50What happened, brother?
16:54I don't know, I swear I don't know how I got here.
16:57Tremendous mouse, huh?
16:59She was the one who told me she found you drunk at the bar.
17:03Yes, laugh.
17:05Laugh, because I hope what he told me isn't true.
17:08What happened?
17:10What happened?
17:12What happened?
17:14What happened?
17:16What happened?
17:17I hope what he told me else isn't true.
17:20What did he say to you?
17:22That you wanted to talk to me today so I could prepare everything.
17:26What are you going to prepare?
17:32Your divorce with Samantha.
17:37What did I want?
17:40Get a divorce?
17:42Should I divorce Samantha?
17:44But, Salvador, where did you get that from?
17:45No, no, no, look, wait a minute, I didn't take it out.
17:48That you are drunk and don't remember what you said is another thing.
17:51Well, okay, I had a few drinks, but that's why I said such a terrible thing.
17:56Well, it turns out that in the middle of your drunken stupor, you spoke to Bexaida.
18:00You remember that, right?
18:02Yes, yes, yes I remember that.
18:04Ok.
18:05She told me that you yourself had asked her to bring you here, to this hotel.
18:09Why didn't you want to go to the house?
18:10Because you were, you were hurt, you were hurt by what you had seen between Samantha and the maute.
18:16And then with what Raiza told you about Mr. Rincón.
18:21What me?
18:23No, I think I really had too many drinks.
18:26And it turns out, brother, that it has always been said that when people have too much to drink,
18:32They tell the truth about what they feel, from deep inside, from the depths.
18:37Oh, Salvador, please.
18:39Now you're going to talk to me about that, then.
18:42Okay, okay.
18:44Not that I believe it, then.
18:46That's what people say.
18:48But here between us, between brothers,
18:51Tell me the truth, Luis Alberto.
18:54Don't you care about your marriage anymore?
18:57Do you really want to divorce Samantha?
19:04Alberto didn't come to sleep.
19:07It's not in the bathroom.
19:10Virgin, did something bad happen to you?
19:14Could it be that Luis Alberto doesn't love me anymore?
19:18Oh, my dear Virgin, you know that if Luis Alberto leaves me, I'll die.
19:28Divorce is final.
19:32Are you getting divorced?
19:37No.
19:40Despite everything that is happening,
19:43I should not and do not want to think about that possibility.
19:45I was saying it.
19:47What's more, I support you.
19:49No, thanks.
19:51Look, I was impulsive for the first time in my life when I married her.
19:55But despite everything that is happening,
19:58Of all these problems, I have to think things through very carefully.
20:02I still have to clarify many things.
20:03Of course.
20:05You're going to talk to Samantha, right?
20:08I guess I have to talk to her, right?
20:11Of course, look, she deserves the chance to explain herself.
20:15Good, good.
20:17Now I'm going to ask you a question, Luis Alberto,
20:20But I take the other side, then, as the devil's advocate.
20:23Tell me.
20:25Brother, I know you very well.
20:27I know what you're like, don't I?
20:29How are you going to accept all this?
20:31Because he is strong, Luis Alberto.
20:33It's strong.
20:35How are you going to react when the images come to your mind?
20:38about that peasant with Samantha?
20:41How are you going to react when the image comes to your mind?
20:44What did Raisa tell you about what happened between your wife and Valdemar Rincón?
20:49Do you think you can handle that, brother?
20:52Or better yet,
20:54Do you think you can accept it?
21:02The Maute prisoner.
21:05Luis Alberto Aranjuez himself caught him.
21:08He got ahead of me.
21:10Curse.
21:12I wanted to be the first to lay my hands on my father's eyeless one.
21:19But you can't escape me.
21:24Be that as it may,
21:27you pay me.
21:28You pay me.
21:41Cicada, what are you doing there?
21:43Oh, my friend, don't think I was telling you about your life or anything like that.
21:48Come on then, cousin, come in.
21:50But you would have knocked on my door.
21:52Are you crazy? How could I possibly touch you, running around in there?
21:55No, I wonder if your husband gets angry and then scolds me.
21:56No, no, what's up?
21:58Cousin, you look weird.
22:00Man, what a strange thing.
22:02The thing is, I was upset because I wanted to escape to come and say hello to you.
22:07I really needed this hug.
22:12Oh well,
22:14you are the strange one.
22:16You're kind of sad, cousin.
22:18What's wrong with you? Why do you have that face?
22:22Cicada, Luis Alberto didn't come to sleep last night.
22:26Last night, after so long, I told Samuel and some friends that we should go have fun.
22:31They don't know who I saw.
22:33To Luis Alberto, drunk.
22:36My dad is drunk.
22:38But he doesn't even drink.
22:40But what was he with and where?
22:43At the bar of a restaurant in El Rosal.
22:45But that's not the worst of it, Alba.
22:47He was completely alone and completely drunk.
22:51Please leave them alone for a moment, okay?
22:53If we need anything, we'll give you a call. Thank you very much.
23:00How could my son have gone to such extremes with alcohol, no matter where?
23:06The Aranguren cannot put on shows.
23:09Newly married, alone and drunk.
23:12Oh, I have to talk to my dad about this.
23:14Where is?
23:15That's the bad thing.
23:17I told him that we should come home immediately,
23:20but he didn't want to and no, and no, and no.
23:22That pulse is impertinent.
23:25And then?
23:27Well, I told Samuel to help me.
23:29and even then I could not convince him to return home.
23:32Can you believe that?
23:34No, it's just that he was crazy, he didn't want to come home.
23:37And where did you spend the night?
23:40Well, as best we could, we carried him to a hotel.
23:43Ah, my son carrying a load into a hotel.
23:46Oh no, man, what a horror that happened to you in church.
23:49And Mrs. Teo was so secretive that she didn't say anything to him.
23:52Let me see it and I'll complain.
23:54Oh no, cicada, don't complain about anything to Mrs. Teo.
23:57Look, maybe she didn't tell you anything,
23:59you know, so that there wouldn't be a scandal.
24:01You know how people are with their tongues, girl.
24:03And here in this house, cicada, that is very delicate.
24:07Mana, and then the maute fell on you
24:11and kissed you on the mouth.
24:12Oh, disgusting.
24:14Oh, cousin, don't remind me.
24:16Look, I wanted to go and rip my mouth off, you know?
24:18But you know what the worst part was.
24:20How Luisito got.
24:22Oh, my, how husbands get when they cheat.
24:25Cicada, I didn't hit him any horns.
24:27Well, I mean, since he saw you there with that squeeze,
24:31Well, that's bad, then.
24:33That's the worst, cousin, the worst.
24:36Imagine, he doesn't want to see me, cicada.
24:38And he doesn't even want to be with me, then.
24:42No wonder he didn't even show up here.
24:46Premium?
24:49What if he went off with someone else to get even?
24:53Oh, Hail Mary most pure.
24:55No, no, no, no.
24:58And couldn't it be that he went home with that root?
25:03No, no, no, no.
25:04What went with that root to your house?
25:08Good morning.
25:10I have an appointment with Dr. Hidalgo.
25:13Could you announce me, please?
25:15I would be happy to do so, but Dr. Hidalgo is in a meeting with Mr. Aranguren.
25:19and asked me not to bother him.
25:22I'll wait for him.
25:24Of course.
25:27Well, can I offer you a coffee?
25:30Yes that's fine.
25:32Don't you have any tea?
25:34No, coffee and not hot.
25:36Sugar-free.
25:41So with Miguel Verde.
25:44Two birds with one stone.
25:47Arcadio.
25:49Arcadio Guanipas, you called him by title.
25:52I don't know why they call him the maute.
25:55I have no idea.
25:57At the hacienda everyone called him that.
26:01So Raiza has to sign this.
26:02Yeah.
26:04Because of the fire at the Promise, because of the cattle theft, and because of the disappearance of his father.
26:09As she is his only daughter.
26:11And well, Samantha also has to sign about the death of her father, your father-in-law.
26:15Yeah.
26:17If this root is here, it must be arriving soon.
26:20I want you to read it and sign it.
26:22And well, and regarding Samantha, I don't know what you prefer.
26:25Should she come here or should I take her home?
26:28If you don't mind, I'd rather you go home tonight.
26:30OK.
26:32And are you going to be there or are you going to stay at the hotel?
26:37No, I'm going home.
26:41How do you think I'm going to keep sleeping outside on the street?
26:44I was thinking yesterday, that was stupid.
26:47And Samantha?
26:49How are you going to face it?
26:51I don't know, I don't know.
26:53I don't know what to do with this love that pulls me towards her.
26:56And with this doubt that makes me reject it.
26:58And with this doubt that makes me reject it.
27:11Is this the building they told you about?
27:14Yes, Polito, this is the building where my father's daughter lives.
27:17Why do you call it that?
27:19My father.
27:21Isn't that what they call your parents in the country?
27:24Yes, Polito, what happens is that my old lady when I was little, well,
27:26She taught me to call her that and I imagine it's because she was my godmother.
27:32And what did you call your dad?
27:35My old man.
27:37That's right, old, handsome old man, dad.
27:42Oh my God, I can't get used to the idea that I'm not going to see him again.
27:47Don't cry, don't cry.
27:49I'm sorry I made you so sad with so many questions.
27:51Don't worry, Polito, that...
27:54That this does me good, you know, remembering it.
27:56So my heart breaks.
27:58Look, ma'am, are you going to be here long?
28:01No!
28:03No.
28:05I imagine that...
28:07the time it takes to give the cuay maiza what it deserves.
28:17The door, cherub.
28:19I'm coming.
28:22Yes, who is it?
28:24Excuse me, Raisa Rincón lives here, right?
28:27Who is it, cherub?
28:29Samantha Bellano from Alhanguren.
28:35Samantica, long time no see.
28:38You look very pretty, girl.
28:41Look, dressed like that,
28:43You look like the lady of Alhanguren herself.
28:46You did it perfectly.
28:47Although I'm going to tell you one thing,
28:49With this magazine you can achieve it better.
28:52Excuse me, ma'am, and Raisa?
28:54Raisita, my daughter.
28:57Yes, it is not.
28:59I need to talk to her about something very important.
29:01Well, you'll have to wait for it, girl.
29:03Because Raisa left.
29:05And you don't know when he's coming back?
29:07Because I really have to talk to her.
29:09Ah!
29:11Look, Raisa is in an interview,
29:13precisely with the lord of Alhanguren.
29:17Savior.
29:19Your husband's lawyer.
29:24Good morning.
29:26Good morning.
29:28Raisa.
29:30Good morning.
29:32What a surprise!
29:34I didn't expect to see you here, but I love it.
29:36You're here about the complaint, right?
29:38Yeah.
29:40Dr. Hidalgo, your friend Salvador, summoned me.
29:42And you? How are you feeling? How have you been?
29:44Good, good. Working very hard.
29:45Fortunately.
29:47I want to talk to you, not now, but in a little while.
29:49I don't think it's possible, because I'm too busy.
29:52Come on, Alberto, come here.
29:54Please, I need five minutes.
29:56Five minutes of your time, please.
29:58Look, I swear I'm not going to mention anything about the night, okay?
30:01I'm not going to tell you about that night.
30:05When you get free with Salvador,
30:07come by the office and we'll see.
30:09Seem to you?
30:11Of course I think so.
30:13Thank you. Go ahead.
30:15Miss, you may come in.
30:17Miss!
30:19Yeah?
30:21What can happen?
30:23Dr. Hidalgo is waiting for you.
30:25Oh, yes, of course. Thank you.
30:28And then they call me clueless.
30:35Tamaris.
30:37Tamaris.
30:39Tamaris, you're over the moon. Here.
30:41Oh, sorry, Gertrudis. I was thinking.
30:43This is not the time to think.
30:45They arrive in exactly fourteen minutes
30:47representatives of the German company.
30:49Tell me which report Mr. Aranguren has to read.
30:51Well, the...
30:53Which is it?
30:55Mr. Aranguren, they called from New York.
30:57They received the proposal on Friday and are very interested.
31:00Mr. Aranguren, this is the report for the Germans.
31:02Here you go.
31:04I confirm the afternoon appointment with the petrochemical managers.
31:07Mr. Aranguren.
31:09Mister.
31:11Gertrude.
31:13Tell me.
31:15Yes, the aunt has been...
31:17Bring it here, please.
31:19Yeah.
31:24But wait for it.
31:26Look, that interview is going to be very quick.
31:28And look, leave the jealousy behind, you're trembling.
31:32Look, the interview was with the lawyer,
31:34not with your husband.
31:36Look, ma'am, I really have to clear something up with your daughter.
31:39and I don't like waiting, then.
31:41Just like your mom.
31:43Stuck.
31:45Ma'am, did you know my mom well?
31:48Yes, quite a lot.
31:50But come on, don't be ashamed.
31:52Sit down.
31:54I met your mom.
31:56Rosa and Valdecito had a great friendship.
32:01You know what, ma'am?
32:03I remember my mom Rosa a lot.
32:05The thing is that she was very little, well.
32:07But I would have liked to know what it was like,
32:09what he did,
32:11what their dreams were.
32:13She was very little.
32:15I was aware of those things, then.
32:17And today,
32:19I would give my life, you know?
32:21to know more about her.
32:23Well, yes.
32:25I can give you some light
32:27about Rosa the peasant.
32:32Oh, Samantica,
32:34your mom and her tastes.
32:39This isn't where I wanted to find you, you bastard.
32:43It wasn't here.
32:45But in an open field
32:47where I could kill you.
32:50I just called her a toad.
32:55But he is my very own boss.
32:58And he even came to visit me.
33:04You fell into the classrooms, animal.
33:10And you played with fire and didn't get burned?
33:16That's how things are, right?
33:21Bad grass never dies.
33:31Oh, corner!
33:40Here, Salvador.
33:42I formally hand you the statement
33:44against...
33:46against that man.
33:48Arcadio Guanipa,
33:50alias El Maute.
33:53I'm going to get it to Fatura today.
33:56I appreciate all you're doing, really.
34:00I hope they give him the maximum penalty.
34:03Although he alone is not to blame for all this.
34:07What do you mean?
34:09That El Maute is a very elemental man.
34:11What more could you ask for?
34:14Samanta is the real culprit of all this tragedy.
34:17Samantha.
34:20And why Samanta?
34:22For abandoning that animal to go after Luis Alberto.
34:25Samanta left El Maute.
34:28They were lovers.
34:30You didn't know?
34:32Yes, I had heard something, but...
34:34I find it hard to believe.
34:36Oh, please.
34:38Don't tell me you're another victim of that peasant's innocence.
34:41Alright.
34:43Let's assume that's the case.
34:45That Samanta and El Maute were lovers.
34:48That.
34:49Were.
34:50Past.
34:52But Samanta's present is now Luis Alberto.
34:55And she is very much in love.
34:58Sure, of course.
35:00And what not?
35:02Do you want a coffee?
35:04Yes, thanks.
35:07Between that animal
35:09and Luis Alberto
35:11there could be no competition.
35:13There wasn't even one with my poor dad.
35:17With Valdemar Rincon?
35:20Samanta was also my dad's lover.
35:23Your best friend didn't tell you?
35:26He told me that you should have told him that.
35:29But how is Tite?
35:30Yes, I know.
35:32And let me tell you something, Salvador.
35:34Don't be fooled.
35:36Because she is not the pure and virgin of the peasant
35:38that he wants us all to believe.
35:40So who is it?
35:41A little woman
35:43that the only thing that interests him is money.
35:45Men rhyme with power
35:47and then, when he doesn't need it, he rejects it.
35:50I have a hard time imagining her on that little piece of paper.
35:52But don't imagine it.
35:54Just look at what happened
35:56on my father's farm.
35:57All that misfortune
35:59It was Samanta's fault.
36:01For catching the naive Luis Alberto.
36:06You were very fond of Valdecito.
36:08Sorry, to Valdemar.
36:09My ex-husband.
36:11Yes, ma'am.
36:13And not only did I want it,
36:15but I love him very much, you know?
36:18Then you must be very worried.
36:20for that disappearance
36:22since you appreciated him so much.
36:24Sorry, what's wrong with you?
36:26Look, ma'am.
36:28I will not allow you or him
36:30nor to anyone who continues with the insinuation.
36:32Yes it's true.
36:34I love Don Valdemar very much.
36:36But as my godfather, did he understand me?
36:37And I'm not going to keep waiting for Raisa.
36:39because it seems that she is not going to come to bed.
36:41Oh, how rude.
36:44You can tell what the aggressiveness is, my dear.
36:47Look, madam, what's happening
36:49I'm fed up with it, you know?
36:51Up to the crown.
36:53And to make it sound more refined,
36:55I'm fed up with people constantly insinuating me
36:57that if this one, that if so-and-so,
36:59that I was with Menganito and Pensejo.
37:01Oh yeah?
37:03Look, I think for you
37:05This is all very, very annoying, isn't it?
37:07This whole situation.
37:09But I also think you are safe.
37:11that this whole situation is your fault.
37:13Ah, just because of you.
37:15Look at everything that's happening.
37:17Valdemarcito is missing.
37:19And appeared or disappeared,
37:21the poor are even landless.
37:23And why did the maute do it?
37:25Ah, because of you, because of you.
37:27The maute is taking revenge
37:29because you left it understanding
37:31and you came like a crazy girl to the capital.
37:33Of course, behind a better match.
37:34I understand perfectly, Samantica,
37:36that Mr. Aranguren is,
37:38but very, very well.
37:41Between the Maute and Valdecito,
37:43look, it's worthless.
37:45It's worthless.
37:47The one who matters there is Mr. Aranguren.
37:53Tell me something, boss.
37:56Let him feel like everyone else.
38:00He goes through life like this,
38:01without real, without house, without cattle,
38:03without land, without anything,
38:05without a dog barking at you, then.
38:07Thief!
38:10We are now both equals.
38:13We are both worth the same.
38:15My fatso is the same, murderer!
38:18And that wasn't enough for your Samanta?
38:21Now you are not either.
38:23because I took everything from you.
38:25I left you with nothing, rich.
38:26With nothing.
38:28And I'm right here, right?
38:31For murderer and thief.
38:34And what are you going to do to me?
38:38That's what you don't know.
38:40That's what you don't know.
38:43But for now,
38:46I came so you could give me back what you stole from me.
38:49Give me what's mine, Juanito.
38:51Give me what's mine, Juanito.
38:52I came so you could give me back what you stole from me.
38:54Give me what's mine, Juanita.
38:56Yours? Which one is yours?
38:58You sold my cattle.
39:00Give me my money.
39:02Your money burned.
39:04It burned like the lands burned,
39:06as the cattle were burned,
39:08how the crops were burned.
39:10I don't believe you.
39:12And what does that matter to me?
39:14And what does it matter to me whether you believe me or not?
39:16Where are my royals?
39:18I already told you, friend.
39:20I told you.
39:22You and I are equals.
39:27Even Samantha herself left us.
39:29to go live with Aranguren.
39:31No, no, no, no, no, no, no.
39:33It's that if I weren't here,
39:35Corner,
39:37Look, I offered you some whiskey
39:39and we hugged each other and we got angry at each other
39:41for your daughter.
39:43For your daughter.
39:46Speaking of your daughter,
39:50What hurts you the most, Rincón?
39:53Be left with nothing
39:57or be left without your daughter.
40:01What hurts you the most, Rincón?
40:11What hurts you the most, then?
40:13What hurts you the most?
40:15What hurts you the most?
40:21Did you sign the complaint against that Guanipa?
40:24Yeah.
40:26It was the least I could do for my dad, Luis Alberto.
40:28No news?
40:30Nothing.
40:34Well, but I don't think you came.
40:36just to talk about him.
40:38Or is it?
40:42It's so good to see you smile.
40:44Because I was already getting worried.
40:47Worried about what?
40:50Because I was feeling responsible
40:52that such beautiful eyes
40:54they would look with such sadness.
41:05Well yes, Guanipa.
41:08I can call Samanta my daughter.
41:10because you left her an orphan
41:12and I am his godfather.
41:15Well, as the godfather explained to me,
41:18The godfather is the substitute for the father, right?
41:21That's what my godfather told me the catechism said.
41:23There in Sabanepiedras.
41:25But the other way around.
41:29The substitute father to the godfather.
41:33No, no, no.
41:35You murdered Lorenzo, Rosa's husband,
41:37Samantha's mother.
41:39And?
41:41That doesn't necessarily make it
41:42in Samanta's dad
41:44in her skin and blood.
41:46And you know it.
41:48You killed a human being of skin and blood
41:50and that necessarily makes you a murderer.
41:52Why did he want to kill me first?
41:54Lie.
41:56You know very well that that is a lie.
41:58He saved my life
42:00because you were going to shoot me in the back, coward.
42:03Everyone deserves to die as what they are.
42:06And you, Rincón,
42:08you have been a coward.
42:10A coward with women.
42:12I don't.
42:14You were a coward
42:16that you couldn't face reality
42:18and you ruined your life
42:20and that of many people
42:22spurned by a woman
42:24that will never be yours, Juanita.
42:27Samanta is going to be mine.
42:34It's wrong, Juanita.
42:37It's very bad.
42:43How could you destroy
42:45what you and I built
42:47drop by drop,
42:49inch by inch,
42:51on the back of a horse?
42:53What you yourself, with your own hands,
42:55you helped me sow,
42:57to water,
43:00to remove the worms,
43:02to remove the ringworm.
43:06How can a man from the countryside,
43:08a man of earth and mountains,
43:10turn against one's own entrails
43:12and set fire to his fleet?
43:15Degenerate!
43:22What was it worth anymore, boss?
43:28Why do you answer me then?
43:35What was anything worth?
43:36if Samanta stomped
43:39the only little piece of heart
43:41who was born in this maute?
43:47You answer me!
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