- 11 months ago
Yayo Pinto, un programa especializado en entrevistas a grandes figuras dominicanas. Transmitido todos los domingos por Telesistema Canal 11 a las 7:00 pm.
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00:00This week, I had the unfortunate coincidence of having to go to S谩nchez, near Saman谩, to give a kiss.
00:18And when I came back, I had the beautiful experience of walking a little through S谩nchez, through Saman谩,
00:26to see the bay of Saman谩, to see the weather with which we have been blessed.
00:30And I realized how important our environment is.
00:35How important it is to preserve that environment.
00:38How important it is that we ourselves collect our garbage, that we ourselves try to recycle,
00:43that we ourselves try to use products that are as biodiverse as possible.
00:49That if we can, instead of using a plastic bottle of water, use one that is not plastic.
00:54Let's do those things. That has a fundamental importance for the children of our children.
00:59I know that maybe the environment is not a topic that is in vogue right now,
01:03because we are in the middle of a development process in our country that requires foreign investment,
01:09and requires the great eye of tourism, which requires this hotel investment.
01:13But I believe that, as Pedro Mir said, we are a country that is so blessed to be located on the same path as the sun,
01:21and that we have such a rich, incredible biodiversity.
01:25I wanted to stop before this episode of Yayo Pinto, to ask all of you,
01:32what can we do? I want you to leave it to me on social media, leave it to me in the comments of this podcast.
01:38What can we all do to try to take care of the environment with a particular action of ours?
01:44For example, from today on, I do not buy anything that has plastic.
01:49I will try to remove plastic from my daily use in all my activities.
01:53What can you do?
01:55Today I have a person who is a film actor, who is a comedian, who is an entertainment businessman,
02:02who is a stand-up comedian, or as we say, a comedian who does solos.
02:08The truth is that he is a very entertaining person, who is a great friend.
02:11With you soon, here I am.
02:20The End
02:32Well, as I was saying, with a great friend, with a brother,
02:35the dear Aquiles, who is known all over the world and in every possible way.
02:40I think there are many things to talk about with you, and the truth is that we talked off camera.
02:45We are grateful that we are now in this podcast phenomenon, which is a new facet of the year.
02:50Of the good things that the pandemic left.
02:52That's right, of the good things.
02:54I think the first thing is, Aquiles you, Aquiles cinema, Aquiles comments, Aquiles comedy.
03:03Aquiles is an artist who has many exceptions.
03:06How do you fall into the world of cinema, in the world of comedy?
03:12I always like people to understand the process of arriving out of nowhere,
03:16or wherever we come from, to success.
03:19Why is that? How do you get restless?
03:22It was fortuitous, I didn't look for it, I didn't go for it,
03:26as happens with many people who break arms, try to enter the media.
03:31I didn't do any of that.
03:32I was the buffoon of the course at school, since I was a boy,
03:35in the Boy Scouts, in the baseball league, since I was a child.
03:39I, as an ugly conscience, understood that I had to be loved in other ways.
03:44That it wasn't because I was smart, pretty, good at sports,
03:49I practiced a lot of sports, but I was bad at everything.
03:51But I got to the teams because I entertained.
03:54Take Aquiles, my nickname is Kill in the neighborhood,
03:57take Aquiles, that he, in the bathroom, he used to warm up the Reiffel,
04:01he made the most beautiful kitchen in the world.
04:04I made myself important wherever I was,
04:08no matter how ugly I was.
04:10And I was the buffoon of the group. I read a lot.
04:13What part did culture play in that?
04:15Now that you say you read a lot.
04:16Incredible.
04:17Now I realize that life was preparing me for when I got to the media.
04:22I read a lot since I was a child, since I was 10, 12 years old.
04:26Even my friends relaxed that if we were in a desert
04:29and they offered me a bottle of water and the three newspapers in the afternoon,
04:33at that moment, I would read the newspapers.
04:35I remember that at one time I bought the three newspapers,
04:38Despertino, Nacional, 脷ltima Hora and La Noticia,
04:42when they were at 30 cents.
04:44I was earning 25 pesos a week.
04:46I spent 15.
04:48Of course, I spent my little bit in the clinic where I worked,
04:51but I spent 15, 12 or 15 weekly in the press.
04:55And when I called Don Dehocha,
04:57throwing the punch on November 16, 2000,
05:01that I asked him for a gift,
05:03Luis铆n Jim茅nez gave it to Don Dehocha,
05:05and he won it.
05:06The guy did the job.
05:07The next day I went, and Don Dehocha told me to come back,
05:10Luis铆n told me to come back.
05:12And all that culture that I was acquiring
05:15over the years,
05:17has helped me to be in the media.
05:20A lot of people tell me, you have a lot of culture.
05:22I was not a voracious reader,
05:24but I read more than the average.
05:27And Kile, what was the first opportunity,
05:29or what was the first moment where you said,
05:32yes, I can do this.
05:34This thing can be done.
05:35When Luis铆n Jim茅nez,
05:36two weeks after I threw the punch,
05:39told Boruga,
05:40I'm leaving the show in January,
05:42I'm going to leave this kid,
05:44he has, he knows sports,
05:46he knows parando, he knows politics,
05:48he's going to help him.
05:49I can't stay up late, he's staying.
05:52A guy who met me two or three weeks ago,
05:54trust me, let me work with Boruga,
05:57my favorite comedian.
05:59What was the relationship of the comedy
06:00between my grandmother and my grandfather?
06:02Fifty years in this.
06:03Yes, yes.
06:04My favorite comedian.
06:05And there I said, but it can be done.
06:07I was looking for a job
06:08in the insurance area of the medical centers,
06:11which was where I worked.
06:13And a job appeared in a center,
06:15but I'm not going to leave before five.
06:17And I took a risk and I preferred to go to the radio,
06:20making less money without insurance.
06:22But a lot of people told me,
06:24you're good for this, stay there.
06:26And there in January 2001,
06:28it was that I said,
06:30this is mine from now on.
06:32And you're 24, 25 years old.
06:34That's right.
06:35I joined in November 2000.
06:39And your relationship with Joachim Santo,
06:41that formation of Votando el Golpe,
06:44then the division of Votando el Golpe,
06:46what role do you play in that?
06:48I had a theme, I had a serious problem
06:53because I was Tim Luis铆n Jim茅nez.
06:56In the group of Votando el Golpe,
06:59there were groups.
07:00The Luis铆n group, we were Canita.
07:03People think that's just in political parties.
07:05No.
07:06There were trends.
07:07Everywhere.
07:08There were trends.
07:09Everywhere.
07:10I gave the trend to Luis铆n Jim茅nez,
07:12Canita, Luis铆n and me.
07:14We were a group.
07:15Then there was the Jochi group,
07:17which was Michael Lora,
07:18Jochi Santos,
07:20Maurice Aybar,
07:23and there was Tim Raimundo,
07:25who was Michael Lora,
07:27sorry, Patricio Lora,
07:29among others.
07:30When I came to the division,
07:32I have the theme that I'm very close to Luis铆n.
07:35But when Luis铆n stayed in my group,
07:37Luis铆n told me, stay with me.
07:39He told me, we started on April 1,
07:42Jochi Santos, or April 8, I don't remember.
07:45Jochi Santos, I stayed with Jochi.
07:47And there, Jochi gave the fight
07:50with a group of crazy people,
07:52because none of us had met.
07:54There was the team that was secondary,
07:56giving the blow.
07:57He stayed with the same blow
07:59and we survived.
08:01Not only did they survive,
08:02but they made history
08:04and kept and helped
08:06the relaunch of that figure,
08:07which for me is my great brother Jochi Santos.
08:10Like Luis铆n too.
08:11I even made a...
08:13I still laugh a lot with Luis铆n.
08:17But I'm going to ask you a question.
08:1920 years,
08:20that resilience in the media,
08:22the search for advertising,
08:23one project with the other.
08:25And the truth is, Kile,
08:27as your friends tell you,
08:29that I don't remember
08:32a single negative news from you,
08:33a single controversy.
08:36How to maintain,
08:3920 and something years,
08:40with important levels of efficiency
08:42in the media,
08:43with important levels of efficiency
08:44in the public,
08:45and maintain decency,
08:47maintain good behavior,
08:50maintain a kind of connection
08:53with your audience,
08:55without extravagance,
08:56without big bad words.
08:57Because now,
08:58anyone could think
08:59that for a comedian
09:00or an influencer,
09:02which is what you are,
09:03to have penetration,
09:04he has to be insulting you,
09:05he has to be with the Alcarab铆a,
09:06he has to be fighting with the government.
09:07Fighting with people,
09:08looking for their lives.
09:09Explain to me how you stay on the mat
09:11without an extraordinary wave of controversies.
09:16I think that,
09:17being from the school of Jochi Santos,
09:19that he always told us
09:20that it's not good to collide with anyone.
09:23You don't know,
09:24even a tramway in this country
09:25had a good advertising contract.
09:27Even,
09:28I say tramway
09:29because a person who is supposed
09:30to have no influence
09:31in the advertising area,
09:32is not denouncing.
09:35Because you don't know
09:36who they are listening to.
09:38And Jochi taught me that,
09:40not to collide.
09:41And Cacharr谩,
09:42that I found him throwing the punch
09:44when I arrived,
09:45he always told me
09:46that there are three people
09:47who have zero rate of rejection.
09:51And he did well.
09:52They are Cuqu铆n Victoria,
09:53Don Cuco Baloy
09:55and Luisito Mart铆.
09:57They have a whole life in this
09:58and they haven't collided with anyone.
10:00It's not necessary to collide with people.
10:02The times I've had situations,
10:03I've tried,
10:06not that I've tried,
10:07I've tried to handle it
10:08without making a lot of noise
10:10because I have four daughters,
10:12four granddaughters
10:13and a grandson who come after me.
10:15I don't want,
10:16when they say Correa,
10:17they say,
10:18ah, that one had a discussion
10:19with the bully.
10:20Ah, Correa,
10:21that was the one who said
10:22three things to Dari.
10:24That was the one who did such a thing.
10:26No, I want them to say Correa,
10:27the one from Jochi,
10:28Correa the one from Sankipanqui,
10:29Correa the one from El Ma帽anero,
10:30ah, Correa the one who did such a show.
10:32That, positive thing.
10:34And my way,
10:35I'm not conflictive,
10:37I'm,
10:38I don't know if I can say the word,
10:39I'm an asshole.
10:40So, I don't like to collide with people
10:42because...
10:43I think the asshole thing
10:44is an exaggeration,
10:45I think it's an exaggeration,
10:46I don't know if you're an asshole or not,
10:47but,
10:48but I understand,
10:49I understand the analogy.
10:51You mentioned Sankipanqui,
10:52I remember,
10:53eh,
10:55I remember the movie,
10:56I even remember the term
10:58when I was a boy,
11:00I went to Puerto Plata on Easter,
11:02and I remember that
11:04that's where I learned
11:05what a Sankipanqui was,
11:06or what they called a Sankipanqui.
11:08But,
11:09first,
11:10tell me a little bit
11:11about the Sankipanqui movie,
11:12but before the Sankipanqui movie,
11:14which I think
11:15is one of the references we have,
11:17as a comedy,
11:18and as,
11:19and I was,
11:20we were watching now,
11:21eh,
11:22before starting
11:23the promo,
11:24the promos,
11:25etc.
11:26How do you go from the radio,
11:28from the comedy,
11:29then to the movies?
11:30Tell me about that evolution
11:31towards the movies.
11:32To me,
11:33I have to admit
11:34that I always wanted to be
11:35a movie actor,
11:36it seemed like...
11:37You could be a galant.
11:38They told me I had the condition
11:39of a galant.
11:40You could be a galant,
11:41you could be a galant.
11:42But it's not,
11:43maybe I'm not late,
11:44maybe I'm not late.
11:45Now,
11:46it's not the thing
11:47of,
11:48you know,
11:49maybe...
11:50The 28th.
11:51Maybe,
11:52maybe it's not out there,
11:53when you come to see me,
11:54they call me from Hollywood.
11:55I say,
11:56I'm already...
11:57Who knows?
11:58I'm already Saldana Bars贸.
11:59They didn't give Ronald Reagan
12:00a role in the movies,
12:01a presidential role,
12:02because he didn't have,
12:03because he didn't have
12:04the role of president.
12:05And then he was president
12:06of the United States.
12:07In real life, yes.
12:08And they're already giving
12:09Oscar to the Dominicans,
12:10so we can take it there.
12:11Who takes it?
12:12I'm very punctual.
12:13You have to be patient
12:14with the dates.
12:15December,
12:16I think it was December
12:17of 2002,
12:18we got together
12:19at the Christmas party,
12:20there in La Privada,
12:21Privada Bajano.
12:22I know the Christmas party.
12:23C茅sar Medina.
12:24An institution...
12:25C茅sar Medina,
12:26Dios lo Tenga en Gloria,
12:27Cristian Jim茅nez,
12:28Luis铆n Mej铆a,
12:29a group,
12:30and 脕ngel Mu帽iz came.
12:31I was with Jochi Santos.
12:32A great film producer.
12:33The one who opened...
12:34Maybe,
12:35maybe he's the father
12:36of the film producers here.
12:37Without a doubt.
12:38He's the father
12:39of the film producers here.
12:40Without a doubt.
12:41Without 脕ngel Mu帽iz,
12:42I wouldn't have...
12:43I wouldn't have spoken
12:44about Sanky Panky.
12:46And he was saying
12:47that he was going to make a film
12:48with all the actors
12:49in this country.
12:50With all of them.
12:51Look, I'm going to include
12:52Margaro,
12:53I'm going to include Raymond,
12:54Miguel,
12:55Kenny Grull贸n,
12:56Philly Rodr铆guez,
12:57Pachuli,
12:58it was the debut
12:59of Boquepiano,
13:00I mean,
13:01all the actors.
13:02And Jochi says,
13:03put Correa in.
13:04From there,
13:05he put Lepinita in.
13:06He didn't put me in,
13:07but...
13:08it seems
13:09that he commented
13:10something to Kaki Mart铆,
13:11son of Luisito.
13:12I say it in glory.
13:13And they called me
13:14for...
13:15the crazy people also think.
13:16A scene,
13:17a day of filming,
13:18a full Sunday,
13:19I go to sleep
13:20next to Balbuena
13:21in La Guagua.
13:22500 pesos
13:23was the payment
13:24for the whole day
13:25of work.
13:26It happened.
13:27Those are the stories
13:28that people have to hear.
13:29It happened.
13:30Because here,
13:31anyone offers you anything
13:32and no,
13:33but it's very little.
13:34We drank beer
13:35when I got to the neighborhood.
13:36Everyone waiting for me
13:37in El Pedazo,
13:38the compadres,
13:39the first movie scene,
13:40a camera,
13:41and makeup.
13:42No, you're crazy.
13:43Robert Redford and you.
13:44I was like,
13:45do you have clothes?
13:46I had like 6 changes of clothes
13:47for a scene.
13:48The girl said,
13:49and all that clothes?
13:50You're in La Guagua,
13:51give me that green brooch.
13:53My dad used to say,
13:54whoever is hungry, eats.
13:57Whoever is hungry.
13:59Already?
14:00Like Luis铆n says,
14:01you want a stick,
14:02you have to walk with the stick.
14:03Sure.
14:04You can't get to the place
14:05without the stick.
14:06If you don't stop in the hall,
14:07you won't get a hit.
14:08If I'm a monkey,
14:09I'll be a male.
14:10If my name is Hochi,
14:11I'll be a female male.
14:13Sanky Panky was already set up.
14:15That was February 2006.
14:18Sanky Panky was set up.
14:19I'll be a female male.
14:21A scene also,
14:22walking down the street,
14:24500 pesos paid by the payers
14:26for a day of work
14:28here in El Vergel.
14:30Sanky Panky was already set up.
14:32For Chuli,
14:33Boca de Piano,
14:34and Paco Vargas,
14:35for Kirri.
14:36It was the three Sanky Panky.
14:37The pinkies told him,
14:38put in a darker one.
14:40When you have a darker one,
14:41like Fausto,
14:42you have a white one,
14:43which doesn't look like Sanky Panky,
14:44which is for Chuli,
14:45but it gives you the grace.
14:46You have to put in a darker one.
14:47They went to see the movie,
14:48a male and a female,
14:49and I go out
14:50in that scene, walking.
14:52And they told me,
14:53this is the man.
14:54That was February 16th,
14:57and they called me the next day.
14:58Pass me the micro,
14:59and they showed me the script.
15:01And the story of Sanky Panky began.
15:04We started shooting in March
15:06of 2006.
15:08The truth is that
15:10I love listening to you,
15:11because people sometimes don't understand
15:13that one opportunity opens the door
15:15to another opportunity,
15:16and so on and so forth.
15:18And one,
15:20how do you see the future
15:22of Dominican cinema?
15:23Tell me about that.
15:24Do you think,
15:25now with this controversy
15:26that we just experienced
15:27about the law of cinema,
15:28that, well,
15:29there were very obvious manifestations
15:31on both sides.
15:33Do you think that Dominican cinema
15:34has the potential
15:36to become a world-class cinema?
15:39It has a lot,
15:40and Dominican cinema
15:41has a very interesting duality,
15:43that humor movies,
15:45comedies,
15:46are very successful
15:47at the level of the public
15:48in the Dominican Republic.
15:49But outside the Dominican Republic,
15:51the dramas that are not so successful here
15:53are the references
15:55of Dominican cinema.
15:57We have the case of La Gunguna,
15:59for example.
16:00Passage de Ida.
16:01Passage de Ida,
16:02by Viverto Mel茅ndez,
16:03from the 80s.
16:05The dramas are...
16:06The same Valbuena,
16:08Carpinteros,
16:09the same Valbuena,
16:10which was comedy
16:11and was also a social drama,
16:13also had a penetration
16:14as a movie
16:15that you have to get rid of.
16:28There is a lot of future in cinema here.
16:30The law of cinema has flaws,
16:32like everything.
16:33It's perfectible.
16:35What you have to do
16:36is tighten...
16:38I've always said
16:39that the brother Jochi Vicente,
16:40who worked on the law of cinema,
16:42and made cinema with the law...
16:43He has been on both sides of the law.
16:45He knows.
16:46Defending the law, and now...
16:47He knows where the flaws are.
16:49It has always been said
16:50that there is no worse brother-in-law
16:51than the same father.
16:52He knows where the flaws are.
16:53I think you have to tighten
16:54with those flaws
16:55so that there are no escapes,
16:57that we all know
16:58what we work on.
17:00And improve the law
17:01so that it stays.
17:04And if it is going to be dismantled,
17:05I am the one who understands
17:06that it would be good
17:07to dismantle it gradually.
17:09A 25,
17:10we are going to lower it to a 18,
17:12then we lower it to a 10,
17:14and after that,
17:15we lower it to a 5,
17:16and then, gentlemen,
17:17take care.
17:18In Puerto Rico,
17:19we, the Dominican,
17:20it was the last movie
17:22with the law of cinema
17:23that they made
17:24in 2021.
17:26It's perfectible.
17:27It's perfectible.
17:28What needs to be done is to improve it.
17:29Quile, I am a fan of cinema.
17:30I believe that cinema
17:31will end up being
17:34the way to describe
17:35the soul of the people,
17:36the culture of the people,
17:37and I believe that we,
17:38in Dominican cinema,
17:39we have to see
17:40how we turn it around.
17:41And now,
17:42I see that you
17:44enter and leave the cinema,
17:45you enter and leave
17:46communication
17:47in different aspects,
17:48and you are half
17:49a political commentator
17:50now too.
17:51I see that you...
17:52I like more political commentary.
17:53I think you are throwing
17:54that away
17:55in a definitive way.
17:56Tell me then
17:57about your social concern
17:58in the middle of all this.
17:59I mean,
18:00you are a comedian,
18:01you are an actor,
18:02you are an influencer,
18:03but I also see you
18:04in social criticism,
18:05in political criticism.
18:06Tell me why that is.
18:08I was a communist.
18:10You disguise it
18:11better than the fuck.
18:12Yes, because when I saw
18:13that communism
18:14in real life doesn't work.
18:15Ah, ok.
18:16I lived in Cuba for two years.
18:17Ah, look,
18:18I didn't know that story
18:19and I went to Cuba.
18:20I lived in Cuba
18:21in 1989 or 1991.
18:22And I realized
18:23that this is a joke
18:24of a bigger brand,
18:25because in the papers
18:26it looks very nice,
18:27but in real life
18:28it is a very,
18:29very,
18:30very,
18:31very,
18:32very real issue,
18:33worth the contradiction.
18:35So,
18:36I feel that
18:37we can do more.
18:39It is unfortunate
18:40that we live
18:41in a society
18:42where people
18:43don't want to have
18:44their kid
18:45in public school,
18:47that people
18:48go to a hospital,
18:49people go with
18:50a concern
18:51about health
18:52and what
18:53I'm going to find
18:54in the hospital.
18:55It is a shame
18:56that
18:58a congressman,
18:59a regent of the neighborhood
19:00has to look for
19:01a death box for someone.
19:02How good
19:03that you say it.
19:04People believe
19:05that congressmen
19:06and regents,
19:07in this world
19:08of truth,
19:09where sometimes
19:10politics and political
19:11concern
19:12is a bad word.
19:13But look,
19:14my brother,
19:15the work that those
19:16regents and those
19:17congressmen do,
19:18and more than
19:19in the neighborhood,
19:20also in the countryside.
19:21No, the countryside
19:22I imagine is worse.
19:23Social issues
19:24that people
19:25don't understand.
19:26In the capital,
19:27I'm sure in the neighborhood,
19:28apart from the three
19:29congressmen,
19:30four that
19:31touch the circumscription,
19:32there are the regents
19:33and there are
19:34some bank owners
19:35who have become
19:36political leaders
19:37with the passage of time.
19:38But I think
19:39that I have left
19:40communism,
19:41that desire
19:42that there are
19:43better conditions
19:44for the one
19:45who has the least.
19:46I am the one
19:47who understands
19:48that you can...
19:49So at any time
19:50we can go to a
19:51congressman poster
19:52and tell him
19:53that he is
19:54the one who
19:55has the least.
19:56No, no, no.
19:57When they told me
19:58how much to look for
19:59for a campaign.
20:00That's not like that.
20:01Don't get carried away
20:02by that, no.
20:03There is and there isn't.
20:04You have to look
20:05and you don't have to look
20:06because, look,
20:07you in the world
20:08of influence,
20:09and I think
20:10there are a lot of people
20:11in the world of
20:12influencers,
20:13as they call it now,
20:14who have done
20:15the crossover successfully
20:16because you have
20:17the most difficult
20:18in political activity
20:19is that they know you.
20:20That they know you.
20:21And you are
20:22more than 50%
20:23of the population.
20:24I remember
20:25that I laughed my ass
20:26off a lot
20:27the first time
20:28I aspired in political
20:29activities
20:30was in 2006
20:31and I did everything,
20:32I jumped,
20:33I put,
20:34oh,
20:35of everything
20:36you can imagine,
20:37and the first survey
20:38I do to see
20:39how many know me
20:40was 0.
20:41Oh my God,
20:42because people
20:43don't pay attention
20:44to...
20:45Oh,
20:46now you guys
20:47are every day
20:48in people's hearts
20:49so you don't...
20:50madre de lo que a ustedes les cuesta. Y yo tuve ayuda cuando yo intent茅 en
20:542019, yo habl茅 mucho con nuestra amiga Francisca Jaques. Claro que s铆, que es mi hermana m铆a.
20:59Madre de Linza, de mi amigo Linza de toda la vida, de Rizela, somos amigos de
21:04siempre y ella, le decimos madre en el grupo de los amigos de su hijo, dijo, no s茅 si usted va a ir a m铆.
21:09Que es diputada ahora, por cierto, y se hizo diputada en dos semanas. La hicimos diputada en once d铆as.
21:14Ah, para que t煤 sepas. Ella cuando ella me llam贸. Que bueno que yo te hicimos, que yo tengo aunque sea un dedo me帽ique de ese cuerpo.
21:18Y yo le dije, hijo m铆o, me tienes que ayudar. Dije, no, vamos a meter mano. En once d铆as la hicimos,
21:25voceamos, s铆, y lo logramos. Me ayud贸 el amigo Linares, que era del PRD, es del PRD, y estaba
21:36nuestro amigo, yo ten铆a, y Gustavo S谩nchez, todo el mundo estaba tratando. Pero al final, t煤 puedes, o sea, eso puede entrar y salir, porque t煤 tienes la vena.
21:45Me pidieron cinco millones para arrancar, y yo le dije, a lo que me lo pidi贸, le dije, pero yo con cinco millones, mis guapos dos mil nueve, yo no hubiese uno guapo dos mil nueve.
21:53Pero mira, y tu papel en El Ma帽anero, ahora en este mismo proceso, 驴t煤 lo sientes que es m谩s entretenimiento, m谩s pol铆tica, m谩s...?
22:01M谩s entretenimiento. Yo trato incluso, en la secci贸n de lo bueno, lo malo y lo feo, que es nuestra hora de pol铆tica, trato de no, de no decir mucho.
22:09De no hablar mucho, porque yo soy un poquito incisivo. El otro d铆a yo dije que, yo sent铆a que, la dije a Seth, le tiene miedo a los motoristas y choferes de carro p煤blico.
22:21Y alguien de ese dijo, no, se oye feo, t煤 le dices que uno tiene miedo, uno es militar, uno es esto, t煤 no entiendes las cosas, y sent铆 que se dio un poquito...
22:30驴Y c贸mo t煤 llegas, c贸mo te unes al Boli y al Ma帽anero? 驴Por qu茅?
22:33Boli y yo somos amigos de toda la vida. Desde cuando yo entr茅, 茅l llamaba abotando el golpe como,
22:39隆What's up! Le dec铆an, 驴What's up? 驴What's up? No de la red social, no de What's up, sino de...
22:46驴De What's up? Aj谩. 驴De qu茅 es lo qu茅? De saludos. Exacto.
22:49De saludos y nos conocimos. 驴Porque todav铆a no hab铆a WhatsApp, exacto?
22:51No, nos conocimos. 驴Porque el Boli dice qu茅 d铆a es ahora? Pero Boli tiene casi 65, 66 a帽os.
22:56No, yo soy un chimal, no, yo soy m谩s viejo que 茅l. Yo soy el m谩s viejo de...
23:00El Boli se ha hecho varias cirug铆as. 驴A qui茅n vaya ante el Boli? El Boli es m谩s viejo que todos nosotros.
23:04Y la paz, 茅l est谩 muy tranquilo. Y lo hicimos pana. Entonces, yo entr茅 por el Boli al ritmo de la ma帽ana.
23:13脡l me llam贸, me dijo, no metas manos, t煤 eres el hombre que tiene que estar ah铆, resuelve.
23:17En una ocasi贸n iba a hacer una gira con 茅l para Estados Unidos, no se pudo porque se me venci贸 la visa de trabajo.
23:22Siempre hemos intentado trabajar y hacer cosas, siempre.
23:26Y en el 2023, cuando yo cerr茅 mi programa de radio de su cuenta, que era en las tardes, por un tema de horario,
23:35y yo gan贸 muy buen sueldo en el Canal 4, y no pod铆a dejar el Canal 4 para empujar mi proyecto que no estaba dejando beneficios econ贸micos,
23:43茅l me llam贸 y me dijo, no, esta es la oportunidad que t煤 entras a trabajar junto conmigo porque Boli entiende que dos programas de radio
23:51quitan mucha vigencia a una persona como yo. Y al no estar en radio, me dijo, qu茅date aqu铆 en el ma帽anero y metes manos.
23:57Y ah铆 entr茅 hace ya un a帽o y medio.
23:59Y yo creo que eso va muy bien. Y una pregunta, yo veo que t煤 tambi茅n, en medio de toda esta cosa, como si fuera poco,
24:07tambi茅n t煤 eres discotequero, empresario de discoteques.
24:09Era, era, era.
24:10Ah, ya t煤 dejaste eso.
24:11S铆, ya. La pandemia da帽贸 el ambiente.
24:15Pero ah铆 tambi茅n eso fue parte de...
24:1715 a帽os.
24:1715 a帽os.
24:18O sea, que ah铆 tambi茅n sacamos, sacamos punta ah铆, por ese lado.
24:22S铆, yo dur茅 el primer negocio de Villa Consuelo, que puso Villa Consuelo en el mapa de la diversi贸n.
24:27Fue a Bebed贸n de Correa en el 2008, septiembre del 2008.
24:31Luego en el 2013, naci贸 el otro Correa, tuve que salir porque me fueron arropando los grandes capitales.
24:39Llegaron al barrio haciendo fuerza, haciendo discoteca de cientos de miles de d贸lares.
24:45Y yo, vendiendo peque帽itas y litros de whisky, no pod铆a competir con esa gente, me alej茅.
24:50Y para all谩 me cayeron atr谩s.
24:52Y eso.
24:53Pero t煤 tienes tu esp铆ritu de emprendedor, 驴no?
24:58S铆, puse una peluquer铆a tambi茅n, tuve un tema.
25:01Mi esposa ten铆a un sal贸n.
25:03La pandemia se lo llev贸, ahora tiene una tiendecita.
25:05驴Berejando para echar para adelante?
25:07S铆.
25:08Y este deseo tuyo viv铆a en Estados Unidos, expl铆came.
25:11Porque toda mi familia viv铆a all谩.
25:13Papi empez贸 a viajar en los a帽os 60.
25:16Incluso cuando yo nazco, papi ten铆a que salir huyendo porque...
25:20驴Y t煤 naciste all谩 o aqu铆?
25:21No, aqu铆.
25:22Mami no viajaba.
25:23Eh...
25:25Papi tuvo que salir huyendo porque mami a煤n no cumpl铆a los 18 a帽os.
25:28Cuando sali贸 embarazada de m铆.
25:30Que eso era muy normal en los a帽os 60, a帽os 70.
25:33Que no hab铆a una conciencia de...
25:35Hoy se cae preso por pensarlo.
25:37Y bien preso.
25:39Bien complicado.
25:40Bien complicado.
25:41Y...
25:42Papi se va.
25:44Viene ya al pa铆s y se queda hasta que se ven el 80 definitivamente.
25:49Se ven el 80, mami se ven el 82.
25:51Entonces era la 茅poca de los dominicanos.
25:53Los cadenuses, los carrasos.
25:55Los tenis nuevos.
25:58Los tenis que pintaban en la cancha, en el barrio donde yo jugaba.
26:01Y yo quer铆a ir por Nueva York a los 80, en la zona que viv铆an mis padres.
26:04Era una efervescencia muy grande del tema de los tupefacientes.
26:09Y papi no quer铆a que yo llegara all谩.
26:11Se fue mi hermanita.
26:13Por un tema de salud, para operarse.
26:16Otra hermana m铆a se fue por una forma no deseada.
26:20Mi hermano se fue porque se cas贸 con una...
26:22Con su novia que era norteamericana, a Dios gracias.
26:25Y yo me qued茅 pr谩cticamente solo.
26:27Me fui a Cuba, volv铆 yo solo en el barrio tigreando.
26:30Y mi sue帽o era ir a Nueva York.
26:33Yo me sent茅 a esperar unos papeles que nunca iban a llegar.
26:36Y intent茅 irme dos veces ilegalmente.
26:38Gracias a Dios no se me dio.
26:40Porque despu茅s que yo empec茅 a viajar...
26:43Yo dur茅 dos a帽os viajando todos los jueves a Puerto Rico.
26:47Es decir, yo he viajado como mucha gente no se imagina.
26:51Pero mi sue帽o era ir a Nueva York.
26:52Yo soy de una generaci贸n que se cri贸 pensando que una residencia val铆a m谩s que un t铆tulo.
26:59O que un buen empleo aqu铆 en Rep煤blica Dominicana.
27:01No, la verdad que eso...
27:02Esa es de las cosas que el futuro de este pa铆s tiene que contemplar.
27:05A ver c贸mo modificamos.
27:07Y a todo esto, en estas luchas que t煤 has descrito...
27:11Y que hemos visto mudarte de una presentaci贸n a otro tipo de presentaci贸n.
27:18H谩blame de tu familia.
27:19驴Qu茅 rol juega tu familia en toda esta lucha, en todo este proceso?
27:22Lo principal, mis hijas, mis nietas, mi nieto, mis padres.
27:27Son mi...
27:29Cada vez que a papi le preguntan, que ha hecho 3 o 4 entrevistas 煤ltimamente.
27:34Que...
27:35D铆game de su hijo.
27:37Papi dice, nunca lo fui a buscar a un destacamento.
27:40Claro.
27:41Eso ya es una distinci贸n.
27:43Viviendo en un barrio.
27:44Claro, eso es una distinci贸n.
27:45O mami que dice, no me ha dado dolor de cabeza.
27:48Yo empec茅 a fumar a los 14 o 15 a帽os.
27:53Y mis padres nunca me vieron fumando.
27:56Nunca me vieron fumando.
27:58Yo ten铆a ese respeto. Yo siendo ya un hombre casado con hijos.
28:02Yo iba a fumar, me iba para la azotea.
28:03Tranquilo, bajaba.
28:05Y para mi cuarto.
28:06Nunca me vieron fumando al respeto.
28:07Y con respecto a mis hijas.
28:10Yo tengo mucho miedo de que mis hijas se averg眉encen de decir mi nombre.
28:13De decir que son mis hijas.
28:15Yo, una de mis hijas trabaja cine.
28:17Catherine.
28:18Corre铆ta, le dice todo el mundo.
28:20Y me llaman los actores.
28:22Aqu铆 estoy con tu hija.
28:23Ya hablo igualita a ti.
28:24Esa ni帽a la da帽aste.
28:25Los otros.
28:26Nadie dice, cuidado que ese hijo es Correa.
28:27Cuidado, no ponganla cerca.
28:30No hay verg眉enza de decir que son mis hijas.
28:32Eso es lo primordial.
28:34Y mi esposa, mi bast贸n.
28:37Yo siempre he dicho que mis hijas son las cuatro patas de mi mesa.
28:40Ella se siente mal porque la dej贸 fuera.
28:42Yo digo, t煤 eres la meseta.
28:43T煤 eres la parte.
28:44T煤 eres el tope de la mesa.
28:45Y mis cuatro hijas son las cuatro patas de mi mesa.
28:48Sin mi familia, nada.
28:49Yo incluso rechac茅 oferta de trabajo en Puerto Rico en 2015.
28:55Por no dejar a mi familia.
28:56Y ahora se me han casado todos.
28:57Me tienen casi dejado solo.
28:59No hubiera pensado en eso.
29:00Bueno, pero alguien podr铆a decir que t煤 tienes tu p煤blico.
29:02Pero esa es una historia bonita de c贸mo tu familia te ha servido de refugio y de trampol铆n.
29:11En este mundo, cuando uno est谩 expuesto a los medios y est谩 expuesto a las cosas,
29:15las cr铆ticas son parte importante del tema.
29:20Una pregunta.
29:21驴C贸mo t煤 manejas las cr铆ticas?
29:23驴C贸mo t煤 manejas cuando t煤 te enfrentas a un auditorio y t煤 le vas a hacer un chiste y no se r铆e?
29:27O cuando t煤...
29:28O sea, 驴c贸mo eso se maneja?
29:29Eso es lo peor del mundo.
29:31Que me ha pasado en m谩s de una ocasi贸n.
29:34Uno tantea al p煤blico.
29:37Hay p煤blicos que t煤 vas con...
29:38Yo trato de no usar palabras descompuestas en mi show.
29:42Pero hay p煤blicos que precisan de ciertas palabras para re铆rse.
29:47Y t煤 lo tanteas, te das cuenta, t煤 vas midiendo, vas subiendo el tono de los chistes.
29:52Pero hay ocasiones en que el show no funciona.
29:55Y luego t煤 te enteras de por qu茅 no funciona y te da tranquilidad.
29:58A m铆 no me funcion贸 un show que fue como para una empresa, un hotel del este.
30:02Y no funcion贸 nada.
30:04Y al final me dice el empresario,
30:06antes de usted entrar a hacer el show,
30:08le informaron a los que estaban ah铆 que este a帽o no iba a haber bonos por rendimiento.
30:14Gente que eran cuatro o cinco sueldos,
30:16que lo esperaban para comprar su casita, para arreglar su casita,
30:19comprar un carrito, un motorcito, no iba.
30:21Entonces una gente as铆, despu茅s que le dicen,
30:23t煤 no vas a tener los cien mil pesos que ten铆as en mente,
30:26t煤 a hacer un chiste, no hay forma de que se r铆an.
30:28Y las cr铆ticas, yo las cr铆ticas de gente que no me conoce,
30:33yo no le doy mente porque el que no me conoce,
30:37yo siento que no tiene par谩metros para medirme.
30:40Y si lo hace, lo hace porque da su gana y yo no puedo luchar contra eso.
30:45A m铆 Manolo Osuna me dijo,
30:46trabaja para la gente que le gusta lo que t煤 haces.
30:49Porque al que no le gustas, no importa lo que hagas, no le vas a gustar.
30:54A m铆 me duelen las cr铆ticas de gente que me conoce.
30:56Por ejemplo, si Malena ma帽ana dice,
30:59correr est谩 medio pesado, yo tengo que revisarme.
31:02Porque ella es de mi entorno, me conoce de hace tiempo y sabe c贸mo yo soy.
31:07Si ella dice algo, tengo que revisarme.
31:10Pero si una gente que nunca me ha visto,
31:11yo siento que correr pesado, son tu problema.
31:15驴Y qu茅 evaluaci贸n t煤 haces del manejo en las redes sociales?
31:20O sea, las redes sociales se van convirtiendo en el medio esencial
31:26por el que todos nos comunicamos.
31:28Y entonces tambi茅n se llenan de much铆simas cosas,
31:31de much铆simos rumores falsos, much铆simas insultos y dem谩s.
31:35O sea, 驴cu谩l t煤 crees que es el uso adecuado de las redes sociales?
31:39Las redes sociales es un refredo a la sociedad.
31:43Hay mucha gente bruta con data ilimitada.
31:46Y eso es un tema, yo creo que...
31:49Y no podemos limitar la data porque ser铆a antidemocr谩tico.
31:52Vamos a retar a la gente bruta entonces.
31:55Ahora que son muchos.
31:57Si metemos presos a los brutos.
31:59Y no hay excusa.
31:59Es un problema porque 驴qui茅n dice cu谩les son brutos y cu谩les no?
32:01Y entonces estas redes le han dado...
32:04Porque hay brutos que saben que son brutos y se limitan.
32:09Pero hay unos brutos con actitud.
32:12Que eso es el diablo prendido en candela.
32:13Yo no recuerdo qui茅n era que dec铆a que la ignorancia es atrevida.
32:18Es complicado.
32:21La 煤nica discusi贸n que yo tengo en redes sociales es de deportes.
32:25Licei 脕guila.
32:27Felicidades.
32:29驴Y t煤 qu茅 eres?
32:30Liceita.
32:31Yo me voy de aqu铆.
32:31Pero gan茅 una vez con ustedes.
32:33No, pero si yo s茅 que...
32:34Le gan茅 una vez, sub铆 a animar a ustedes y le gan茅 una vez.
32:37Yo te he dicho a ti que no me sienta el liceito en este post.
32:39Es que ese fue el a帽o cuando yo fui escogidista un a帽o.
32:40No, pero yo te he dicho a ti que no me sienta el liceito en este post.
32:42Los puse a ganar.
32:43El due帽o de esto soy yo.
32:44No me sienta el liceito aqu铆.
32:45Yo le dije no se lo diga, no se lo mencione.
32:47Ay, pero lo ganaron.
32:48Ah铆 se sab贸 la picaba.
32:50Mira muchachos.
32:51Yo estaba en el play en ese momento.
32:53Y d茅jame decirte que cuando dieron la l铆nea.
32:56Yo hice as铆, me met铆 la cabeza entre las rodillas.
32:58Yo dije, no fu帽imos.
33:01Ya, ya, ya.
33:02Ah, pero habl谩s del honr贸n el d铆a antes.
33:04Que llegu茅 a mi casa estrellando, jugando pata y vaino.
33:07En la cena, pongo la cena bonita y ah铆 amaneci贸.
33:10Yo, las 煤nicas discusiones que tengo en las redes son de deportes.
33:13Porque hay muchos muchachos que su raciocinio no le da.
33:17Para entender que podemos tener posiciones diferentes sin ofendernos.
33:21Yo publiqu茅 el otro d铆a.
33:23A los que creen que uno no sabe decir, y dije 22 malas palabras de las que usan en las redes.
33:27Creen que uno no lo dice porque uno no puede.
33:29Uno no lo dice porque por educaci贸n uno no lo hace.
33:32Por otro, sabemos mentir a la madre.
33:34Decirle de todo.
33:35Sabemos hacer todo lo que hacen los t铆gueres.
33:37Yo soy de un barrio.
33:38Yo llegu茅 a hacer...
33:40Pero ese no puede ser el paradigma a seguir.
33:42Pero lamentablemente, en el streaming, en las redes sociales, Instagram, YouTube, entre otras.
33:49El 茅xito que acompa帽a a los menos educados, a los prebios y a los indecentes.
33:55Es tan grande que pelear contra eso es imposible.
33:57Oye, eso que t煤 acabas de decir, te lo voy a citar.
34:02Porque la verdad es que es un constante tema de an谩lisis.
34:05驴C贸mo vamos?
34:06驴C贸mo vamos?
34:06Porque mientras se monetice la indecencia, los indecentes tendr谩n mercado.
34:13Y ver un podcast indecente, hablando cosas indeseables, con la imagen de una marca de respeto atr谩s.
34:22Eso tambi茅n parte del alma.
34:24As铆 es.
34:26Eso es una de las cosas que...
34:27Pero un tema de p煤blico.
34:28El p煤blico es lo que pide.
34:30Chente y Drach, un influencer boricua que me encanta.
34:33Yo consumo mucho contenido de fuera de Rep煤blica Dominicana para no contaminarme.
34:39Y 茅l le hizo una entrevista a Rub茅n Blades.
34:43Esa entrevista no llega al medio mill贸n de views.
34:46Puedes buscarlo a Chente y Drach, no llega al medio mill贸n.
34:49Y la de 69 est谩 por el mill贸n y pico.
34:52Entonces yo me pregunto, 驴qu茅 le suma a una persona sentarse a ver una hora a 69?
34:58En vez de t煤 sentarte a escuchar a un Rub茅n Blades.
35:01Ay, yo lo frito que yo estoy. Yo no s茅 qui茅n es 69.
35:0569, pero todo el que est谩 aqu铆 sabe qui茅n es Tecachi.
35:08Para que t煤 veas.
35:09Cuidado, si yo me met铆 en un l铆o con eso, pero bueno.
35:11No, no. 脡l es pendej铆simo.
35:13Todo el chivato es pendejo. 脡l es pendej铆simo.
35:15Pero t煤 dices, 驴c贸mo es posible que t煤 tienes dos opciones?
35:20Tienes a Rub茅n Blades de un lado y tienes a este pana del otro.
35:24驴Y t煤 prefieres ver al otro?
35:26Mira, yo creo que esas son de las cosas tambi茅n.
35:29Que tenemos que ver c贸mo empaquetamos mejor, c贸mo hacemos mejor un contenido
35:33que pueda tener mercado.
35:34Porque no nos podemos rendir a que el mercado lo tenga 69.
35:36Que, por cierto, es un chiste, no es que...
35:38Pero mira, 驴qu茅 podemos esperar de Correa en adelante?
35:43驴Qu茅 va a hacer Aquiles Correa en adelante? 驴Para d贸nde vamos ahora?
35:48Quiero desarrollar m谩s los estandos.
35:50Voy a celebrar mis 25 a帽os ahora en el Cerro 360 en noviembre con un show.
35:55Quiero subir m谩s a escenario. Yo lo he dejado de lado.
35:59Voy a producir mis propios espect谩culos, mis propios shows.
36:03Lo he dejado un poquito de lado, esperando que llamen a uno de Arag贸n.
36:06Porque ya me hart茅 de salir atr谩s de patrocinio,
36:10de andar atr谩s de gente. Es un poquito extenuante.
36:13Y t煤 pones un show aqu铆, te llaman 22 gentes.
36:15O sea, necesito dos boleticas, la ponen chiquita.
36:18O sea, necesito dos boleticas, que voy con una amiga m铆a.
36:20Pero, 驴dos boleticas? 驴Qu茅 son dos boleticas?
36:23S铆, pues son 30 que te piden dos boleticas, son 60 y coges 100 en el sitio.
36:27No, los negocios que fallan no prosperan.
36:30Es un tema. Pienso trabajar mucho en eso.
36:33Y desarrollar mi podcast, El Meneo,
36:36que ah铆 estoy haciendo entrevistas y conversatorios positivos,
36:39duraderos, no desechables, para gente que piensa.
36:42Por eso est谩 viendo poco, porque hay gente que piensa.
36:44Qu茅 bien. Mira, yo generalmente hago de una manera o de otra.
36:48Yo siempre hago estas dos preguntas.
36:50La primera de las dos es...
36:53Vivimos un momento de satisfacci贸n instant谩nea.
36:56Por eso es que ya las generaciones que vienen subiendo
37:00son generaciones del bot贸n.
37:01Tienen una satisfacci贸n moment谩nea.
37:03Y muchas veces nos respetan los procesos.
37:06驴Qu茅 t煤 le puedes decir a aquella gente que quiere un resultado inmediato?
37:08Que quieren... 驴T煤 entiendes?
37:09Yo siempre digo que cuando una gente...
37:11Lo primero que quiere es el empleo, despu茅s que le suban el sueldo,
37:13despu茅s el parqueo, despu茅s la oficina es m谩s grande, despu茅s como que...
37:17O sea, habla...
37:18Entrando, pide y preguntan cu谩ndo son las vacaciones.
37:19Exactamente. 驴Cu谩l es...
37:22O sea, el proceso para lograr el 茅xito?
37:24驴Qu茅 recomendaci贸n t煤 le das a esa gente que dicen...
37:27Yo quiero 茅xito ma帽ana, yo quiero...
37:28O sea, que siempre est谩n desesperados porque la cosa pasa.
37:31Nada, nada...
37:34Que te llegue r谩pido, lo vas a disfrutar mucho tiempo.
37:37Nada.
37:38Nada que llegue r谩pido se disfruta mucho tiempo.
37:40Trabajen sin esperar el 茅xito.
37:43Cuando t煤 trabajas esperando el 茅xito
37:45y el 茅xito no te llega en el tiempo que t煤 entiendes, te desesperas.
37:49Muy bien.
37:50Trabaja y...
37:52Una ventaja que la tengo yo
37:54y muchos que trabajan en esto,
37:56que trabajamos en lo que nos gusta.
37:58Que es eso, otra gente que trabaja en lo que no le gusta
38:00y tiene que hacer ese trabajo
38:02porque es lo que lleva comida a su casa.
38:04Yo trabajo en lo que me gusta y...
38:06Yo dur茅 dos a帽os trabajando sin paga una vez en Telecentro.
38:09Pero era lo que me gustaba, yo sal铆a a diario de Villa Consuelo
38:11en mi carrito Corolas
38:13para la Luper贸n
38:15sin ver un sueldo, pero era lo que me gustaba.
38:18Eh... Una pregunta.
38:19El que est谩 metido en estas...
38:23En estos emprendimientos
38:26normalmente fracasa.
38:28Nadie puede salir de su casa todos los d铆as y emprender que no fracasa.
38:32Y a pegarla.
38:33No, no, olv铆date de eso. Nadie batea pa' mil.
38:35Nadie batea... Es los que batean muy bien, batean pa'l 300.
38:38Eso quiere decir...
38:39Fallan siete veces.
38:40Fallan siete veces.
38:41Ahora te pregunto yo.
38:42驴C贸mo se manejan esas ca铆das?
38:44Y si me puedes contar una ca铆da en espec铆fico
38:46que te haya molestado de manera muy importante.
38:48Identificar el fracaso.
38:50驴Por qu茅 fracaso?
38:52Es lo primero, identificarlo.
38:53Si no lo identificaste, vas a emprender de nuevo
38:56y vas a cometer el mismo error.
38:58As铆 es.
38:59A m铆, que me doli贸, eh...
39:01El fracaso que me doli贸...
39:03Hay gente que dice, no, no fue fracaso, aprendiste.
39:05Fue el programa de su cuenta
39:07que empezamos en octubre del 2020.
39:11Una 茅poca dif铆cil, pero alguien me dijo...
39:14Siempre va a ser dif铆cil para empezar.
39:16Tienes que empezar.
39:17Y creo que ten铆amos un buen programa.
39:20Pero nos dimos cuenta que el d铆a que ten铆amos m谩s audiencia
39:24y ten铆amos m谩s beneficio en YouTube,
39:25era el d铆a que acab谩bamos a alguien.
39:29Que discut铆amos con alguien.
39:32Que le dec铆amos tres vainas a alguien.
39:34Y yo no quiero ese dinero.
39:37Porque en esa ocasi贸n, yo recuerdo que...
39:40Le dieron una caballita a mi hermana Isadora Taveras.
39:44Mi hermana tambi茅n.
39:45Despu茅s, algo con el boli.
39:47Algo con Nastra.
39:50Y ese mes,
39:51facturamos tres mil y pico de d贸lares en YouTube.
39:54Que nunca hab铆a llegado a mil d贸lares.
39:55Y yo dije, pero yo no lo quiero.
39:57Porque cuando veo a Isadora,
40:00me da cosa de que delante de m铆 dijeran algo
40:02y yo, por respetar a mi compa帽ero,
40:04no la defiendo, la deje pasar as铆.
40:06O le digan fuera de... No, te evites decir eso.
40:08Pero en el aire no lo hice.
40:09O con boli, que me dijo,
40:11negro, vos vas tres veces en la semana que yo soy el t铆tulo del segmento.
40:16O con Nastra.
40:17Es decir, lleg贸 un punto y yo dije, no.
40:19Si esa es la radio que est谩 dejando dinero,
40:21yo no la voy a hacer y me sale.
40:23Kile, yo no tengo como agradecerte este momentito.
40:27La verdad que ha sido un inmenso placer.
40:29No, t煤 no lo vas a agradecer.
40:30Esa botella de agua me la dan para llev谩rmela.
40:31Yo la relleno.
40:32Porque la gente cree que estoy bebiendo agua cara.
40:34Y yo la pongo delante de la gente.
40:36Mira, voy a ir a uno de tus shows, Stand Up.
40:38Y la verdad que te respeto, te admiro.
40:41Y que Dios te bendiga y te lleve por los caminos del 茅xito.
40:45Y si en el 28, t煤 sabes.
40:47Cuando en el 26 arrancamos, 27.
40:49Ah铆 nos vemos, nos arrancamos hace rato ya.
40:51Se le quiere, hermano.
40:52Gracias.
41:15M谩s informaci贸n www.alimmenta.com
41:45www.alimmenta.com
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