00:00:00Welcome, sir.
00:00:18Here, give that to me.
00:00:19But.
00:00:20I can carry it.
00:00:22I hope you had a good trip, sir.
00:00:24My name is Alfred, but everyone here calls me sergeant.
00:00:27Glad to know you, sergeant.
00:00:30Oh, yes.
00:00:36Hello, sergeant.
00:00:36Good morning, sergeant.
00:00:37Hello, girls.
00:00:39Well, I wonder who he is.
00:00:43He's very good looking.
00:00:44Louisa, Natalie.
00:00:46We're coming.
00:00:48Here we are.
00:00:54Who's singing?
00:00:55The school children, sir.
00:00:57Here you can see.
00:01:00Who's singing?
00:01:17Who's singing?
00:01:18Who's that?
00:01:30Victor.
00:01:31He takes care of the gardens over at the villa.
00:01:33He's like a beast.
00:01:35Every once in a while, he cuts himself while he's chopping wood,
00:01:38and the schoolmaster has to sew him up.
00:01:40They put him in the madhouse twice, but he always comes back here.
00:01:44He's never harmed anyone, but...
00:01:46Hey, you there.
00:01:48Eddie?
00:02:10Welcome, sir.
00:02:18Good day, sir.
00:02:29Good morning.
00:02:30Wasn't very good weather for traveling, sir.
00:02:32Especially coming by boat.
00:02:34I'm afraid I'll never get used to this climate.
00:02:37Welcome, Marija.
00:02:38I'm happy to see you.
00:02:39Thank you, Count.
00:02:42This way.
00:02:43However, I'm a little disappointed.
00:02:44Why, sir?
00:02:45Well, you crossed the lake and nothing happened to you.
00:02:47What should have happened to me?
00:02:51I'm afraid the evil side of me was hoping to see the legend of the lake confirmed
00:02:56by your having some lovely little mishap.
00:02:58After which, my guess is, your best side would have been sorry.
00:03:02Exactly.
00:03:03Please sit down.
00:03:04Over there.
00:03:12Would you like something to drink?
00:03:14A cognac?
00:03:15A liqueur?
00:03:16Or a cent herbe?
00:03:18Distilled in a mountain convent.
00:03:19It'll warm you up nicely.
00:03:21A cent herbe, if you please.
00:03:22I think we shall understand each other quite well.
00:03:34I hope so.
00:03:35To your arrival.
00:03:37To your health.
00:03:41Cigar?
00:03:42No, I don't smoke.
00:03:44Please.
00:03:44As you know, because of the extraordinary dryness this year, the level of the lake was
00:03:55lowered tremendously, and after two centuries, the reminder of a tragedy we had almost forgotten
00:04:00about has reappeared once again.
00:04:03You're referring to the statue?
00:04:05Yes, to the statue.
00:04:07But you've nothing to worry about.
00:04:08You're an outsider.
00:04:10However, if the statue requires victims, if she puts a curse on us, it will fall on
00:04:15the head of someone who lives here, right?
00:04:16And the legend of this tragedy will be confirmed.
00:04:20Remember, you'll be living here.
00:04:22I will indeed.
00:04:23I know you're an admirer and student of Machiavelli, and it amuses you to go on like this.
00:04:27So I should be careful.
00:04:30If you had told me of this when you commissioned me for the restoration, you would never have
00:04:34accepted.
00:04:35You're wrong.
00:04:37Without legends, art would never hold up.
00:04:39Or be remembered through the centuries.
00:04:41At any rate, I prefer concrete things.
00:04:43If my niece and pupil Harriet hadn't wanted it this way, by the way, she's arriving in
00:04:47about a week, well, the statue would still be at the bottom of the lake, and you wouldn't
00:04:51be here.
00:04:51I greatly appreciate legends, but I really don't believe in curses.
00:04:55When can I begin work?
00:04:56Tomorrow, if you like.
00:04:58The butler's at your disposal if you need something.
00:05:01Is there anything in particular you want?
00:05:02No, thank you.
00:05:03I'll have a bottle of Machiavelli sent up to your room.
00:05:07A glass before you go to bed, and you'll sleep marvelously.
00:05:13Come in.
00:05:13Sir, something unfortunate has occurred.
00:05:21What's happened, William?
00:05:22The boatmen who accompanied Mr.
00:05:24Morigi have had a misfortune, a serious accident.
00:05:28They went to the village to have a drink.
00:05:31Then they returned to their boat and started across the lake.
00:05:35After a few moments, it's not quite clear how, sir.
00:05:38The boat overturned.
00:05:39They were good boatmen.
00:05:41It should never have happened.
00:05:43They tried to swim, but they couldn't.
00:05:46They called for help.
00:05:47Charles, Victor, and Richard.
00:05:49All of them came.
00:05:51They got to the lake, but it was too late.
00:05:54They saw them drown.
00:05:55Drown?
00:05:57They were the two boatmen who salvaged the statue from the lake.
00:06:01Oh, my God.
00:06:06Oh, my God.
00:06:08Oh, my God.
00:06:09Oh, my God.
00:07:46She is the mistress here.
00:07:49Therefore, it's only logical she returns here.
00:07:51But Harriet can't do anything without you.
00:07:53She's much too young and naive.
00:07:54I should be in charge here, and you would never permit that.
00:07:57What's the matter with you?
00:08:06It's the sculptor.
00:08:07What's the difference?
00:08:13Can't we do as we please?
00:08:14You're a widow.
00:08:15I'm a bachelor.
00:08:16We're not breaking any rules, even at this hour.
00:08:18No one should see us together.
00:08:23You know Harriet's arriving.
00:08:24I don't want her to know about us.
00:08:25Oh, don't be silly.
00:08:28You're just very nervous.
00:08:29Is Harriet beautiful?
00:08:33She is.
00:08:35Beautiful and rich, and all of this is hers.
00:08:37She's very fond of me.
00:08:39I've been a father to her since she was a little girl.
00:08:42Without me, what would she have done?
00:08:43Without me, what would you have done?
00:09:13I'll give you a choice.
00:09:21Throw those drawings on the fire, or get out of here.
00:09:24May I ask you why?
00:09:25Don't ask me any questions.
00:09:26Just do as you're told.
00:09:28But I've already made my choice.
00:09:30I'm going to stay here and continue drawing.
00:09:32I should have expected that.
00:09:34A real gentleman from the villa.
00:09:37A sculptor.
00:09:39We've had enough of the evil eye around here.
00:09:41First the statue, then two men from our house.
00:09:43Our village drowned.
00:09:44Now you come here.
00:09:46And put our faces in your drawings.
00:09:48You'll bring us only trouble and bad luck.
00:10:13And put our faces in your hands.
00:10:14You'll bring us only trouble and bad luck.
00:10:15And put our faces in your hands.
00:10:16And put our faces in your hands.
00:10:17And put our faces in your hands.
00:10:18And put our faces in your hands.
00:10:19And put our faces in your hands.
00:10:20And put our faces in your hands.
00:10:21And put our faces in your hands.
00:10:22And put our faces in your hands.
00:10:23And put our faces in your hands.
00:10:24And put our faces in your hands.
00:10:25And put our faces in your hands.
00:10:26And put our faces in your hands.
00:10:27And put our faces in your hands.
00:10:28And put our faces in your hands.
00:10:29And put our faces in your hands.
00:10:30And put our faces in your hands.
00:10:31And put our faces in your hands.
00:10:32And put our faces in your hands.
00:10:33And put our faces in your hands.
00:10:34And put our faces in your hands.
00:10:43Do you need any help sir no thanks just got into a little fight it looks like you won though who was it
00:11:13What's the big man with a fist of iron oh leonese i know him he's a good man i'd hate to meet one of the bad ones
00:11:22there are really no bad ones charles is a wife and five children what does he have against me
00:11:29you must understand two boatmen were drowned so you believe in evil eye too no they're uneducated
00:11:36people superstitious they're afraid of the statue which was pulled out of the lake and since you're
00:11:41going to restore it they blame you for all their troubles tell me about the legend i don't know it
00:11:49i'm new here and the people are suspicious of teachers they'll learn only from their children
00:11:55i'm robert marigi dario morelli good evening reader good night i'm going now goodbye
00:12:03hello darling you were waiting here just to see me yes come
00:12:19i love you so much
00:12:32i don't ever want us to be separated my love
00:12:49the count has left a message for you mr marigi he has gone into the city to meet harriet she's
00:13:08arriving today earlier than we expected from england
00:13:11excuse me what is it sir you're from these parts aren't you yes sir my family has always
00:13:21been in the service of the counts of monte bruno well it must be over two centuries then you must know
00:13:26the legend of the statue we have been ordered to answer simply yes or no the count can tell you
00:13:32everything naturally
00:14:02come here
00:14:05home at last
00:14:10welcome home miss thank you good day sir you can see that the gardener has kept everything in perfect
00:14:15condition remember how you used to play out here when you were a little girl and how you wanted
00:14:19everything to remain just as it was until you'd become mistress here come harriet
00:14:32to monte bruno your new mistress she will give you orders from now on william the butler
00:14:51vittorio he's the gardener
00:15:08rosa the cook
00:15:09this is rita your personal maid
00:15:25this is sergeant an old soldier he's caretaker and general handyman
00:15:32this is illa your governess you must remember her you were only five when you left italy miss harriet
00:15:39you were a beautiful baby now you're even more beautiful thank you
00:15:46i'm sure we'll all get along very well together come rita
00:15:53what are you doing
00:16:11i'm working young lady my name's barbara what's yours robert
00:16:16where did you come from little one from the village the sergeant knew i was coming here but he
00:16:22didn't tell me not to the sergeant is a good man after all you're not doing anything wrong
00:16:29but you are me yes you are you're repairing the statue and my father says that's bad
00:16:35what's bad the statue i don't think so my father says the statues put a curse on the village
00:16:43what kind of a curse papa i didn't say but i do know that it's bewitched and you're not afraid
00:16:50no everyone else here is afraid but i like witches and ghosts you're a very nice girl barbara
00:16:56who is your father carlo leonese he's the biggest man in this village do you know him i do i certainly
00:17:03do well i better go now well barbara when you pass by here again stop in and see me very well and
00:17:11if you get bewitched will you promise to tell me of course i will
00:17:25i hope you realize mirigi that you've been standing there without breathing harriet de montebruno
00:17:46robert mirigi sculptor please
00:17:48they're identical aren't they mirigi harriet and the statue like two drops of water it's incredible
00:17:58naturally there's an explanation for this
00:18:04you should know mirigi that about 200 years ago an ancestor of harriet's madelina de montebruno
00:18:09wanted her face and body to be remembered for eternity so she posed for a sculptor who was in
00:18:14vogue at the time it's easy to see that harriet has inherited the fascination and beauty of her
00:18:20ancestor madelina had a distant cousin belinda who lived here with her and she was very please uncle
00:18:29it's a tragic story and it's my first dinner here after so many years as you wish dear
00:18:35since meeting your niece i must confess i've lost all curiosity about things of the past
00:18:40naturally thank you however miss harriet please forgive me but if you'd be so kind since you
00:18:48resemble the statue so much i would like you to pose for me as the face of the statue is damaged
00:18:55i wouldn't need you too often am i really indispensable
00:19:00not indispensable no but it's necessary if you want the work to be perfect oh very well marvelous
00:19:12just as it was 200 years ago the beautiful girl the young sculptor and the statue
00:19:30i don't know what's that are you afraid of lightning yes ever since i was a little girl
00:19:43i know it's ridiculous isn't it we better go the light isn't good anymore really
00:19:50but we can't go around in weather like this
00:20:05well then i suppose we must find something to talk about
00:20:09i'll save you the trouble by answering all the questions that you were about to ask me
00:20:19i'm an orphan
00:20:22i was educated in london for 15 years
00:20:28and i returned to collect the benefits from my father's will
00:20:31will that do for the moment yes but there is something i would like to ask please do
00:20:45this evening you refused to listen to the story of the statue why then did you request your guardian
00:20:50to hire me to restore it i didn't i didn't ask him it was he who suggested it i see
00:21:01well if it should interest you i'm a restorer of paintings
00:21:04statues mosaics in short an artist that's why i'm here i'm alone that is i have no wife and until
00:21:12now i've had no intention of marrying and now if you'll allow me i think we should be able to call
00:21:19each other harriet and robert don't you think it's rather premature for that
00:21:25no i don't think so
00:21:52thirsty
00:21:55water
00:21:56water
00:21:56thirsty
00:22:16robert
00:22:20robert
00:22:21Robert.
00:22:24Robert.
00:22:37Robert.
00:22:45Robert.
00:22:48Robert.
00:22:51Robert.
00:22:59Robert.
00:23:15Robert.
00:23:21Robert.
00:23:22Robert.
00:23:23Robert.
00:23:24Robert.
00:23:25Robert.
00:23:26Robert.
00:23:27Robert.
00:23:28Robert.
00:23:29Robert.
00:23:30Robert.
00:23:31Robert.
00:23:32Robert.
00:23:33Robert.
00:23:34Robert.
00:23:35Robert.
00:23:36Robert.
00:23:37Robert.
00:23:38Robert.
00:23:39Robert.
00:23:40Robert.
00:23:41Robert.
00:23:42Robert.
00:23:43Robert.
00:23:44Robert.
00:23:45Robert.
00:23:46Robert.
00:23:47Robert.
00:23:48Robert.
00:23:49Robert.
00:23:50Robert.
00:23:51Robert.
00:23:52Robert.
00:23:53Robert.
00:23:54Robert.
00:23:55Robert.
00:23:57Robert.
00:23:58Robert.
00:24:00Robert.
00:24:01Robert.
00:24:02Robert.
00:24:03Robert.
00:24:04Robert.
00:24:05Robert.
00:24:06Robert.
00:24:07Robert.
00:24:08Robert.
00:24:09Robert.
00:24:11Robert.
00:24:12Robert.
00:24:13Robert.
00:24:14Robert.
00:24:15Robert.
00:24:16Robert.
00:24:17Robert.
00:24:18Robert.
00:24:19Robert.
00:24:20Robert.
00:24:21Robert.
00:24:22Robert.
00:24:23Robert.
00:24:24Robert.
00:24:25Robert.
00:24:26Robert.
00:24:27Robert.
00:24:28Robert.
00:24:29Robert.
00:24:30Robert.
00:24:31Robert.
00:24:32Robert.
00:24:33Robert.
00:24:34Robert.
00:24:35Robert.
00:24:36Robert.
00:24:37Robert.
00:24:38Robert.
00:24:39Robert.
00:24:40Robert.
00:24:41Robert.
00:24:42Robert.
00:24:43Robert.
00:24:44Robert.
00:24:45Robert.
00:24:46Robert.
00:24:47Robert.
00:24:48Robert.
00:24:49It is I, Belinda.
00:24:56Come.
00:24:58Come closer.
00:25:19Come closer.
00:25:49I am Belinda.
00:25:54Yes, I was ugly.
00:25:57And my beautiful cousin, Madalena, was worshipped and desired by every man she met.
00:26:04I hated her.
00:26:08And when the young sculptor came to this house and recreated her beauty in marble,
00:26:15I cried with fury and jealousy.
00:26:19In front of that symbol of beauty.
00:26:22I was dying with the need to be loved, caressed, kissed, possessed.
00:26:39But all men avoided me, laughed at me.
00:26:46They always preferred her.
00:26:48The statue was placed overlooking the lake.
00:26:58Her beauty, her beauty triumphed over it while I was closed within my hideous desperation.
00:27:06One night, I entered the sculptor's room.
00:27:21I wanted to implore him to give me one embrace, one caress, just one.
00:27:32Instead, I found him with Madalena.
00:27:39I wanted to kill her.
00:27:41But I didn't have the courage.
00:27:52I ran desperately into the garden.
00:27:55Madalena, when I got to the statue, I seized hold of it and tried to push it over.
00:28:03Madalena, I put a curse on you.
00:28:06We died together.
00:28:16I am the image of beauty.
00:28:19Now, Madalena has come back here, in the body of Harriet.
00:28:25You must not love her.
00:28:28She's a witch.
00:28:30And she is cursed, too.
00:28:32Underneath her beauty lies an evil woman.
00:28:36And if you love her, the curse will fall upon you.
00:28:42Remember this.
00:28:45Everything will be swept away.
00:28:47Destruction and death will reign as long as she remains here.
00:29:02Yes, my work on the smile, both boys and girls can no longer beμ it.
00:29:22Fundamentals will be held for granted to peace.
00:29:29how do you feel do you feel better yes yes i think so haven't i been well
00:29:46what's wrong you were delirious you don't remember no no i don't that
00:29:57the core shh don't tire yourself you must get well there is only one thing will make me feel better
00:30:06what take my hand
00:30:11oh
00:30:13your medicine sir what is it
00:30:39a cordial take it it'll do you good i'd like to know what happened to me
00:30:44you had a fever sir very soon you'll feel better
00:30:50i'm afraid of whom
00:31:17i don't know but i'm afraid nothing will happen to you as long as i'm with you
00:31:26yes i know that
00:31:30you won't ever leave me
00:31:33will you
00:31:35it's so good to be alive
00:31:50don't you think so
00:31:54tell me are you in love
00:32:00tell me i'd be happy if you were
00:32:06do i know him i don't know madam
00:32:15come on now who is it he's the schoolmaster
00:32:22he's only been here a little while the count gave him permission to take his daily walk here in the park
00:32:30that's where i met him do you love him yes but he's so terribly timid i'm sure that i'm the first girl in his life
00:32:40thank you good night rita
00:32:45good night ma'am
00:32:47good night ma'am
00:32:59do you
00:33:01you
00:33:02and
00:33:10I don't know.
00:33:40I don't know.
00:34:10I don't know.
00:34:40I don't know.
00:35:10I don't know.
00:35:40I don't know.
00:36:10I don't know.
00:36:40I don't know.
00:37:10Why that name?
00:37:11Don't touch me.
00:37:12Harriet.
00:37:13Let go of me, I said.
00:37:14Have you gone mad?
00:37:16What's wrong with you?
00:37:17Tell me what's happened.
00:37:19Don't you know?
00:37:20I adore violence.
00:37:22I adore it.
00:37:23Hold me.
00:37:25Hold me.
00:37:25Hold me tight.
00:37:30Don't touch me.
00:37:31Nobody can touch Belinda.
00:37:33Belinda is pure.
00:37:35She is above all humans.
00:37:37Only the lake can have her.
00:37:38The lake now.
00:37:42The lake has, ΡΠ²ΠΈΠ΄ me.
00:37:46The lake.
00:37:58The lake.
00:37:59The second pair.
00:37:59The lake.
00:38:00The lake.
00:38:00The aircraft.
00:38:01The lake.
00:38:01The beach.
00:38:02The sea.
00:38:33May I warm myself by your fire, Victor?
00:38:47Take off my boots.
00:38:52Have you ever seen a woman nude?
00:38:56Have you?
00:39:03Don't look at me, Victor, or you'll really regret it.
00:39:25I'm all through undressing.
00:39:30Would you like to see me now?
00:39:33Answer me.
00:39:34The warmth of the fire is like a kiss.
00:39:44Don't you think so, Victor?
00:39:46I warned you, you beast.
00:40:05Stop it.
00:40:08Be quiet.
00:40:09If one of you makes a mistake, there's no reason to laugh.
00:40:15Berto.
00:40:17It's true that donkeys and horses have tails, but they're attached to the hind part of the animal.
00:40:23Is that clear?
00:40:25Just so we understand.
00:40:28The hind part.
00:40:29My father says the rear.
00:40:30Finally, a happy school.
00:40:36Good day.
00:40:37Stand up.
00:40:40Your name is Dario, right?
00:40:41Yes.
00:40:42I'd like to have a few words with you, please.
00:40:45Of course.
00:40:47Barbara, you mind the schoolroom.
00:40:49How do you do?
00:40:59I'm Harriet de Montebruno.
00:41:01I know you are.
00:41:02You're very young to be a teacher, aren't you?
00:41:10Someone's been talking to me about you.
00:41:13About me?
00:41:14Yes.
00:41:15You do love Rita, don't you?
00:41:18Well, you see, I...
00:41:19She loves you, too.
00:41:23Forgive me for intruding on such a personal level, but...
00:41:26I would like to give you a little advice.
00:41:29You should be...
00:41:31How should I say it?
00:41:33You're too shy with her, understand?
00:41:37I've only known Rita a short while, but I feel as if I've known her for years.
00:41:41And I should like to see her happy.
00:41:43You should try and meet her more often.
00:41:45I'd like to, but...
00:41:46The greenhouse in the villa would be an ideal place to meet her.
00:41:51Go, this evening.
00:41:53Forgive me for intruding.
00:41:56But she's so young.
00:41:59Good day.
00:42:00Goodbye.
00:42:02Good morning.
00:42:26Good morning.
00:42:27You're very strong.
00:42:28Strongest man in the village.
00:42:32I feel perhaps you don't like me very much, do you?
00:42:35It's not because of you.
00:42:36It's because of the statue.
00:42:37We want it to stay in the lake.
00:42:39Now we're afraid it'll cause us more trouble.
00:42:42You still believe in that childish nonsense?
00:42:44That wheel must be very heavy.
00:42:50It's very heavy.
00:42:52But if you want it, I could throw it over 30 feet.
00:42:55I think you'll exaggerate, Charles.
00:42:57Just watch.
00:42:58Why don't you ask your boyfriend, that artist, if he can throw it?
00:43:11Oh, I'm sure he couldn't do it, Charles.
00:43:15They're adorable.
00:43:18Are they yours?
00:43:19Yes, but Barbara's in school.
00:43:22She's the one who's my pet.
00:43:25Oh.
00:43:26Oh.
00:43:29I hurt my ankle.
00:43:30Oh, is it serious?
00:43:31Come, let me help you in the house.
00:43:33I'll have my wife fix a bandage for you.
00:43:34No, no, no.
00:43:35Thank you very much, but I have to go home right away.
00:43:38I can't ride the horse.
00:43:41Could you carry me in your arms?
00:43:42Of course, miss.
00:43:44I'll be glad to.
00:43:45Albert, take the horse.
00:43:53You are strong.
00:43:57Come to my house tomorrow.
00:43:59I want to talk to you.
00:44:15William, will you please go up to Mr. Merige's room?
00:44:25But, Uncle, I'm sure he had a good reason for not dining with us.
00:44:30Tell him that we excuse his absence from table,
00:44:32but we'd like his company now, here in the study.
00:44:34Very good, sir.
00:44:38You hardly touched your dinner tonight.
00:44:40Your face looks, well, very sad.
00:44:42Actually, I feel fine.
00:44:46There's no reason to be sad.
00:44:47I'm not absolutely convinced of that.
00:44:50Strange, isn't it, that our young sculptor looks sad, too,
00:44:53and hasn't much of an appetite.
00:44:55Excuse me, Harriet.
00:44:56I'm not asking out of curiosity.
00:44:59Was there something between you two?
00:45:01What do you mean?
00:45:02Not what you're thinking.
00:45:04I only meant, was there some little disagreement?
00:45:08No.
00:45:09Fine.
00:45:10We won't speak about it anymore.
00:45:11In a few days, you'll come into possession of your inheritance.
00:45:15Notaries, bills, documents, letters to write, mail to read.
00:45:18You'll have a lot to do.
00:45:20Please, Uncle.
00:45:21Sooner or later, I'll have to face the problem.
00:45:23You handle it for me now.
00:45:25You've always taken care of my interests.
00:45:27Yes, dear.
00:45:28Very well.
00:45:29As you wish.
00:45:30Sir, I knocked on the door, but no one answered.
00:45:45I opened it, and he wasn't there.
00:45:46Mr. Marigi.
00:46:00Hello, Sergeant.
00:46:01I saw a light in the window, so I...
00:46:03Come in.
00:46:04No, thanks.
00:46:04I've been working all night, and I'm tired.
00:46:06I wanted to see if you were all right.
00:46:07Thank you, sir.
00:46:09You're a good man, Sergeant.
00:46:11Good night.
00:46:11Good night.
00:46:12Ah, oh, by the way, there was something I wanted to ask you.
00:46:17Could you do me a favor, please?
00:46:18Anything I possibly can.
00:46:20Well, when I was in the boat on my way here, I left a leather bag of instruments, which I
00:46:25need for my work.
00:46:26Ah, but the boat sank.
00:46:27Yes.
00:46:28I'm not sure it'll be possible.
00:46:30But couldn't you find some fisherman who'd be willing to try and find it?
00:46:34Naturally, at my expense.
00:46:36Why not?
00:46:36There are those who could do it.
00:46:37I'll find someone for you, Mr. Marigi.
00:46:39Thanks, Sergeant.
00:46:40Good night.
00:46:41Ah, yes.
00:46:43I'd prefer that no one at the villa knew about this.
00:46:46They'd be upset because I didn't tell them what happened.
00:46:48Don't worry.
00:46:49Thanks.
00:46:50Good night.
00:46:51Good night.
00:47:08And check to your king.
00:47:11Oh.
00:47:11Oh.
00:47:12Oh.
00:47:12Do you want some advice, Harriet?
00:47:14Go to sleep.
00:47:15This game requires attention and you can't learn it with your head in the clouds.
00:47:19I didn't know chess was so fascinating, Uncle.
00:47:22Hey, Marigi.
00:47:28Good night.
00:47:28It's early.
00:47:29It's early yet.
00:47:30Wait.
00:47:30Wait.
00:47:30Wait a moment.
00:47:34Now, where have you been?
00:47:36I've been working.
00:47:37And I hope to be finished in two or three days.
00:47:40Excuse me.
00:47:40You don't have to excuse yourself for doing your work.
00:47:44Sit down.
00:47:51Good evening, Miss Harriet.
00:47:52Good evening.
00:47:53Please forgive me for not being at dinner.
00:47:57No.
00:47:58You don't have to apologize to me.
00:48:03Uh, I think I have a headache.
00:48:06The chess game did it.
00:48:08Good night.
00:48:09You know very well the reason for my behavior.
00:48:19You did have a reason.
00:48:21Well, that's better.
00:48:23I didn't know whether I should continue my work or go.
00:48:28Of one thing, I'm certain, however.
00:48:31I don't want anyone to make a fool out of me.
00:48:33What are you saying?
00:48:35Who's been making a fool out of you?
00:48:36Can't you stop acting?
00:48:37You're mad.
00:48:40You're completely mad.
00:48:45Why should you treat me this way?
00:48:49Why?
00:48:52Harriet.
00:48:53Harriet, listen.
00:48:55Listen to me.
00:48:56And have faith in me.
00:48:58You were different.
00:49:00You were like someone else.
00:49:05This morning, I...
00:49:07For God's sake, Harriet.
00:49:09What's happened to you?
00:49:11To me, nothing.
00:49:14I should be so happy, so contented.
00:49:18I don't know.
00:49:20I...
00:49:20I don't know.
00:49:21I don't know.
00:49:25Oh, Robert.
00:49:34Oh, Robert.
00:49:38Oh, Robert.
00:49:41Go to sleep.
00:49:48Go.
00:50:18Rita?
00:50:20Yes.
00:50:38It's you.
00:50:40Yes.
00:50:44Kiss me.
00:50:48Kiss me.
00:50:52Kiss me.
00:51:00If a man is strong and brave, he doesn't give a damn about this statue.
00:51:04Until yesterday, you thought differently.
00:51:06Say, have you gone over to the Count's side?
00:51:08I haven't gone over to anyone's side.
00:51:10You're shaved.
00:51:12You got on your new suit.
00:51:14Whose feet do you have to kiss?
00:51:16Don't kiss anyone's feet, but you'll be kissing mine one day.
00:51:22Laugh. Go ahead, laugh, you idiots.
00:51:24And at night, you barricade yourselves in your houses because you're afraid of witches.
00:51:28The only witches in the houses are your wives.
00:51:30You think you're funny.
00:51:32Braggarts.
00:51:33Swine.
00:51:34Lackey.
00:51:36I'll take care of you, you maniac.
00:51:38I'll take care of you, you maniac.
00:51:42Have a drink.
00:51:44Hot enough?
00:51:46I'll tear out your innards and measure the field.
00:51:48Uh.
00:51:50Uh.
00:51:52Uh.
00:51:53Uh.
00:51:54Uh.
00:51:55Uh.
00:51:56Uh.
00:51:57Uh.
00:51:58Uh.
00:51:59Uh.
00:52:00Uh.
00:52:01Uh.
00:52:02Uh.
00:52:03Uh.
00:52:04Uh.
00:52:05Uh.
00:52:06Uh.
00:52:07Uh.
00:52:08Uh.
00:52:09Uh.
00:52:10Uh.
00:52:11Ouch!
00:52:12Don't pull so hard.
00:52:26Tell me, Rita, do you like to be kissed?
00:52:29And share me.
00:52:31You do like it, don't you?
00:52:33You do like it, don't you?
00:52:38A pretty girl like you is wasted in a village like this, you know.
00:52:45Did you know the men here are savages?
00:52:48Did you know that?
00:52:49Just beasts of the field.
00:52:52Yes, even yours.
00:52:55Even Dario.
00:52:58Don't be a silly romantic girl, Rita.
00:53:01I've known them for 200 years.
00:53:03They're savages.
00:53:07And Belinda should know.
00:53:11Rita, help me get away from here, please.
00:53:13What can I do?
00:53:15Who is it?
00:53:16It's William, Miss Harriet.
00:53:18One moment.
00:53:20Go.
00:53:33Come in.
00:53:41Miss Harriet, Charles is here.
00:53:42He said you called him.
00:53:45Yes, William.
00:53:46I have some work for him to do.
00:53:49You can go, Rita.
00:53:50Good morning, Miss Harriet.
00:54:06Good day.
00:54:07That perfume.
00:54:20It makes my head spin.
00:54:22Do you like it?
00:54:23You make me frightened.
00:54:31I frighten you?
00:54:32No.
00:54:35It's a pity that you have a wife and children.
00:54:40I'm going mad, Miss.
00:54:42Mad.
00:54:44Oh, I'm sorry.
00:54:46There's someone else who says the same thing.
00:54:49But it's someone I don't like.
00:54:51Frankly, he bores me.
00:54:54Who is he?
00:54:55Oh, he's still a boy.
00:55:00But he's rather an insistent one.
00:55:04Dario, I think his name is.
00:55:06Yes, that's it.
00:55:07Dario.
00:55:09The schoolmaster.
00:55:10If you like, I'll take care of him.
00:55:14No, thank you, Charles.
00:55:20I'll go myself.
00:55:21I wish I could find just a little happiness.
00:55:26Someone who'd love me.
00:55:31But everything is bad here.
00:55:35That swamp you call a lake.
00:55:38This house.
00:55:39These people.
00:55:43I don't know why I came back to this place.
00:55:45Only you can help me, Charles.
00:55:55Only you.
00:56:08Hold me.
00:56:09Don't ever leave me, Dario.
00:56:14You do love me, don't you?
00:56:15Say you do.
00:56:16Say it.
00:56:17Yes, Rita.
00:56:23Why am I so unhappy?
00:56:25Why?
00:56:29Rita.
00:56:30What's wrong?
00:56:40Come on, Louise.
00:56:41Are you ready now?
00:56:43Yes, I finished.
00:56:45I wonder why Natalie didn't come today.
00:56:52I guess she stayed at home.
00:56:54Her mother needed her, perhaps.
00:56:57Look, Louise.
00:56:59Dario, my God.
00:57:01Natalie.
00:57:03Natalie.
00:57:03Natalie.
00:57:09She's dead.
00:57:11Oh, no.
00:57:14Natalie.
00:57:15Oh, my daughter.
00:57:16Oh, my God.
00:57:46Let's go.
00:58:16We've come to see you.
00:58:21What can we say to offer our condolences?
00:58:24We don't want anything to do with your sympathy.
00:58:27You've caused us too much sorrow by restoring that statue,
00:58:30and you've brought back its curse on us.
00:58:32Get away from me.
00:58:34Why?
00:58:36What do you mean?
00:58:37Tell me why!
00:58:42What have I done?
00:58:46Witch!
00:58:49You brought back the curse!
00:58:52Get out of here, you witch!
00:58:56Throw the statue back in the lake!
00:58:58You brought back the evil eye to us!
00:58:59Go away!
00:59:00Get out of here, you witch!
00:59:01Leave us alone!
00:59:03Let's go home.
00:59:16We'll have to have more detailed accounts.
00:59:27These are much too vague.
00:59:30I'll do it.
00:59:31No, I'll do it.
00:59:34Very well.
00:59:36Has Harriet returned?
00:59:38No, not yet.
00:59:39I'll go and meet her.
00:59:40Go on to the villa.
00:59:58I'm going back.
00:59:59I've got to go back.
01:00:00But, ma'am...
01:00:01Don't argue.
01:00:02Go back to the villa.
01:00:02Go back to the villa.
01:00:02Go back to the villa.
01:00:04Go back to the villa.
01:00:06Go back to the villa.
01:00:10Go back to the villa.
01:00:21Rita.
01:00:22Oh, Miss Harriet.
01:00:23I saw her.
01:00:24Where did she go?
01:00:25I don't know.
01:00:26She said that she had to go back.
01:00:28Strange.
01:00:30Very strange.
01:00:31Drive on.
01:00:32Drive on.
01:00:32I knew you'd follow me.
01:00:55Did you kill Natalie?
01:00:57You wanted to see her naked.
01:01:00Then you raped her.
01:01:02You killed her because she screamed for help.
01:01:07Don't be afraid.
01:01:10Nobody suspects you.
01:01:12And I shan't tell.
01:01:16But you're still not satisfied, are you?
01:01:18I suppose now you want Marie and Louisa.
01:01:21That's what you want.
01:01:23Isn't it?
01:01:24Answer me.
01:01:26Then you can have me.
01:01:30Yes.
01:01:31Yes.
01:01:32Even me.
01:01:35Now go.
01:01:36And don't tell anyone I've talked to you.
01:01:48You make me sick.
01:01:50I'm going crazy with you and your brats.
01:01:52What have I done?
01:02:12Certainly for a man like you, living this way must be a nightmare.
01:02:16I'm going mad.
01:02:19I'm telling you.
01:02:21We all have our troubles, you know.
01:02:24This evening I have to go see the schoolmaster to tell him to stop bothering me.
01:02:29What else can I do?
01:02:31After all, I'm only a woman, you know.
01:02:35You called me, Mr. Marigi?
01:02:56Yes, William.
01:02:57You must do me a favor.
01:02:59At your disposal, sir.
01:03:00Now I'm going to leave the room.
01:03:01But you must remain here until I get back.
01:03:04It will only be a minute.
01:03:05Perhaps while I'm gone, you'll hear my voice.
01:03:09But don't be alarmed.
01:03:10Yes, sir.
01:03:12However, I don't understand.
01:03:13It's only a game, William.
01:03:15Or perhaps you'd prefer to be surprised.
01:03:17Very well, sir.
01:03:40William, can you hear me?
01:03:41Can you hear me?
01:03:42Stay there.
01:03:43I'll be right with you.
01:03:51Well, William?
01:03:53Yes, Mr. Marigi.
01:03:54I certainly heard your voice.
01:03:56It wasn't distinct, but I recognized it.
01:03:59It seemed to be coming from the fireplace.
01:04:01I hope you'll explain this, sir.
01:04:04I'm afraid you wouldn't understand, William.
01:04:07Or perhaps you'd understand too much.
01:04:12Am I intruding?
01:04:27Please sit down.
01:04:32Are you correcting the lessons?
01:04:34I hope I'm not disturbing you, am I?
01:04:43Have you seen Rita?
01:04:44Yes, of course.
01:04:51Did you tell her?
01:04:53No.
01:04:54How could I?
01:04:56I don't want her to suffer.
01:05:04Rita sent you a kiss.
01:05:06Do you want it?
01:05:13Yes.
01:05:14Yes.
01:05:14Yes.
01:05:14Yes.
01:05:14No.
01:05:35No.
01:05:35Don't touch me.
01:05:36No, don't touch me. What are you trying to do? Let go of me. I said let go. Let go, you beast. No. Get away. Get away. No. Get out of here.
01:06:06Stop it. I didn't tell you to kill him.
01:06:36I feel tired. As if I've been out all night. I don't know where.
01:07:01You came in very late. Yes, but weren't we together?
01:07:06Yes, miss, but then you...
01:07:10Did everything go all right? What are you talking about?
01:07:16I don't know.
01:07:18I don't know.
01:07:20I don't know.
01:07:22I don't know.
01:07:24I don't know.
01:07:26I don't know.
01:07:28I don't know.
01:07:30I don't know.
01:07:32I don't know.
01:07:33I don't know.
01:07:34I don't know.
01:07:35Come here.
01:08:01Do you like me, Rita?
01:08:05Huh?
01:08:09Tell me.
01:08:16Did you know I've been seeing your boyfriend?
01:08:18Did you?
01:08:22I want all men to worship me.
01:08:32Wait.
01:08:35I'm giving it to you.
01:08:39It's yours.
01:08:40If you do what I tell you,
01:08:42you can have every luxury
01:08:45and marry a gentleman who's rich.
01:08:48And you'll never suffer.
01:08:51There.
01:08:55Is it him?
01:08:57Huh?
01:08:57Is it for you?
01:08:58Yes.
01:09:04You can go, then.
01:09:06But only if you tell him you don't love him anymore.
01:09:09That it's all over.
01:09:10Do you understand?
01:09:12Do you hear me?
01:09:13Huh?
01:09:14Do you understand?
01:09:15Yes.
01:09:16Swear.
01:09:17Swear that you will tell him.
01:09:18Or I'll see that you'll never marry anyone.
01:09:21Or I'll do even worse.
01:09:22I'll put a curse on you forever.
01:09:24I'm warning you, tell him at once.
01:09:27I swear.
01:09:30Go to him.
01:09:49Rita.
01:09:51What do you want?
01:09:53Help me, Rita.
01:09:53I don't know what's happening.
01:09:56Everything was so perfect.
01:09:58I don't understand anymore.
01:10:00Help me.
01:10:02Please help me.
01:10:03What is it you want from me?
01:10:07Rita.
01:10:09Let's go away from here.
01:10:11To some other place.
01:10:13I'm afraid that
01:10:14what they say about the evil eye is true.
01:10:17I'm all confused.
01:10:20I love you.
01:10:23Let's go away.
01:10:25And get married.
01:10:28I'm sorry to tell you this, Dario.
01:10:30But I can't marry you.
01:10:32But, Rita.
01:10:33What are you saying?
01:10:35I don't love you anymore, Dario.
01:10:38Don't ever come here again.
01:10:41Never.
01:10:43Oh, Rita.
01:10:43Why are you saying this?
01:10:46Why?
01:10:48You will find another girl
01:10:49better than me.
01:10:51Pardon me, Dario.
01:10:52But I don't love you anymore.
01:10:54I don't know what's happened.
01:10:55But I don't love you.
01:10:57It's her, isn't it?
01:10:59She's making you say these things.
01:11:02I love you, Rita.
01:11:04I can't live without you.
01:11:06Rita.
01:11:07Listen to me.
01:11:08Harriet.
01:11:23Harriet.
01:11:39Harriet.
01:11:42Robert.
01:11:53I don't feel well.
01:11:54What is it?
01:11:57Harriet.
01:11:59Harriet.
01:12:00What's wrong?
01:12:03I don't know.
01:12:08I'll call Rita.
01:12:16Harriet, speak to me.
01:12:23How dare you?
01:12:25Get out of this house.
01:12:27Harriet.
01:12:32Harriet.
01:12:37Uncle, something terrible has happened.
01:12:39Robert just tried to attack me.
01:12:41Harriet, what are you saying?
01:12:44He was trying to take my clothes off.
01:12:50You've offended my niece, Mr. Medici.
01:12:51No, sir.
01:12:53I am an innocent victim of your niece's strange behavior.
01:12:56I'm afraid the atmosphere here is not suitable for her hypersensitivity.
01:13:04Good night.
01:13:09He's lying.
01:13:11The statue is finished.
01:13:13But still he hasn't gone.
01:13:15And he has no intention of going.
01:13:17And do you want to know why?
01:13:18Do you want to know why?
01:13:20It's because he wants me.
01:13:23Because he wants me.
01:13:25That's why.
01:13:26That's why.
01:13:57That's what he's doing.
01:14:02He wants me.
01:14:03Good evening.
01:14:27I think we made a mistake in bringing it back.
01:14:29You know, the people hate her because they say she's too beautiful.
01:14:41You know they call me a witch.
01:14:45Robert, what's the matter?
01:14:51Talk to me.
01:14:59Oh, my God.
01:15:29Oh
01:15:59Oh
01:16:29Oh
01:16:59Oh
01:17:29Oh
01:17:59Oh
01:18:02Oh
01:18:03Oh
01:18:04Help
01:18:05Help
01:18:06Help
01:18:07Help
01:18:10Help
01:18:11Help
01:18:13Help! Help me! It was him! Him!
01:18:32He was the one who killed me!
01:18:37Die, you killer! Die!
01:18:39Take it away!
01:18:41Please help me!
01:18:42He's not!
01:18:43He's not!
01:18:44He's not!
01:18:45He's not!
01:18:46He's not!
01:18:47No!
01:18:48No!
01:18:49No!
01:19:13No!
01:19:14No!
01:19:15No!
01:19:16No!
01:19:19No!
01:19:20No!
01:19:21No!
01:19:22Let's go.
01:19:52I've been waiting for you.
01:19:59What is it?
01:20:01I've been waiting for you.
01:20:03What is it?
01:20:04I've news of your boat.
01:20:05It was washed in.
01:20:06Where?
01:20:06On the banks.
01:20:07Near the reeds.
01:20:08Let's go see.
01:20:09Yes, sir.
01:20:22Hey, look.
01:20:24Look at that.
01:20:28Those boatmen didn't die by magic.
01:20:31There's the proof.
01:20:33They were killed.
01:20:34You're right.
01:20:38Look, there's a fire over there.
01:20:41Huh.
01:20:42Look at that.
01:21:12Look at that.
01:21:22His wife's still in there.
01:21:24No, you can't save her.
01:21:27Barbara.
01:21:33Barbara.
01:21:33Barbara.
01:21:42Barbara.
01:21:43Barbara.
01:21:44It wasn't Papa.
01:22:14It wasn't Papa.
01:22:17It was the witch.
01:22:19It's all her fault.
01:22:22It was the witch.
01:22:44I'm alone.
01:22:46I'm alone at last.
01:22:47Ha, ha, ha, ha, ha, ha, ha, ha.
01:22:58She's the one that told me to do it.
01:23:01That's right, Miss Harriet.
01:23:02She cast a spell on me.
01:23:06I can feel it here, here, here.
01:23:11Believe me, it's true.
01:23:15Now I'll go tell the mom and the babies.
01:23:20Don't move.
01:23:22Wait for me.
01:23:32It's a witch. She must die.
01:23:52Wait, wait. Listen to me. Listen to me.
01:23:56Ah, but we know you're on her side.
01:23:58Let him talk. He risked his life to try and save Barbara.
01:24:02Listen to me.
01:24:03At the villa, I've seen and felt things much stranger than this.
01:24:06These aren't the acts of witches and evil spirits,
01:24:09but the work of criminals and killers.
01:24:13I swear I'll find the murderer of little Barbara
01:24:15and bring this fiend to your court of justice,
01:24:17whoever it is.
01:24:20Look at me, Harriet. Look at me.
01:24:25Why do you resist? Look at me.
01:24:31Whatever I tell you to do now,
01:24:35you will do because your mind has always obeyed my will.
01:24:40Always, Harriet.
01:24:41Ever since you were a baby.
01:24:44Do you understand?
01:24:46Do you understand?
01:24:48Answer me.
01:24:50Yes.
01:24:51I want you to go to Charles's house.
01:25:03Everyone you see will condemn you and curse you.
01:25:07But don't be afraid.
01:25:10You will show them how you despise them all.
01:25:14And you mustn't be afraid even if they try to stone you.
01:25:18And try to kill her.
01:25:20Is that what you want to happen, you murderer?
01:25:23And her death will be caused by those poor people who only want justice.
01:25:27What are you saying?
01:25:28You've gone mad.
01:25:30I heard everything, you coward.
01:25:32But I've sworn on the body of Barbara
01:25:34that I'll find the guilty person.
01:25:37And I will.
01:25:38If you'll only listen to me,
01:25:41I'll explain everything.
01:25:43Yes, about Harriet.
01:25:45She's the guilty one.
01:25:47She's mad.
01:25:48The statue...
01:25:49What do you want to tell me?
01:25:51That the statue served your purpose for all these deaths?
01:25:54So you could be the master here of everyone?
01:25:57Isn't that what you wanted?
01:25:58It was you who murdered those two boatmen.
01:26:02You're the one who's responsible for all these theatrics and drug drinks.
01:26:05Yes, it's you who kept alive that stupid legend of the lake.
01:26:10And your wishes were carried out by hypnotizing this poor girl.
01:26:15You devil!
01:26:16You shouldn't even be allowed to have a trial.
01:26:19You've driven too many people to their death.
01:26:22You're going to be judged by everyone in this village
01:26:25and they'll tear you into pieces like wild dogs.
01:26:27Now come on!
01:26:28No, no, please.
01:26:29I beg you.
01:26:31You must listen to me.
01:26:32It wasn't I.
01:26:34I'm not the one you want.
01:26:35I was forced to obey a will that's stronger than mine.
01:26:39Unbelievably stronger.
01:26:42She blinded me with her passion.
01:26:44It was she who wanted the statue restored and put back as it was before
01:26:48so that everyone would blame all the evil on Harriet, on this house, on me.
01:26:54It's all her fault.
01:26:56Belinda was her ancestor and she's blinded by hate and revenge.
01:26:59She's...
01:27:00She's...
01:27:01Yes.
01:27:10It was I.
01:27:13Yes, I drove Dario to his death.
01:27:15I killed Natalie.
01:27:17I wanted to destroy every form of love.
01:27:19Even Victor, Charles and Barbara.
01:27:22All slaves to sentiment.
01:27:25The Monte Brunos are finished.
01:27:27But Belinda will survive.
01:27:29At last I have won.
01:27:31I have conquered love with the power of hatred.
01:27:34I will kill all love.
01:27:36Robert.
01:27:37Robert.
01:27:37You're safe now.
01:27:53Come on.
01:28:23Come on.
01:28:53Come on.
01:29:23Come on.
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