- hace 2 meses
- #gabriela
- #telenovelabrasilena
- #julianapaes
Gabriela comienza a trabajar como cocinera para el extranjero Nacib Saad y rápidamente llama la atención de los hombres de la ciudad con su belleza y encanto.
La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.
Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.
Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado
#Gabriela #TelenovelaBrasileña #JulianaPaes
La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.
Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.
Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado
#Gabriela #TelenovelaBrasileña #JulianaPaes
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CortometrajesTranscripción
00:00And there it is, and there it is, oh my oh my...
00:06Fantastic!
00:10So, Gabriela, are we settled?
00:14Go get your things, like I told you.
00:19I don't want to, Mr. Manuel.
00:23What do you mean no?
00:24I have a cocoa farm that stretches out of sight.
00:27You're going to get rich!
00:30Shall I give you a house, food, madame's clothes?
00:34I fill you with wealth!
00:37I don't want to, Colonel.
00:39I'm fine like this, I don't want to.
00:44Find whoever wants it, colonel.
00:47I'm fine like this.
00:49Everything is arranged, colonel.
00:51Gabriela will serve you.
00:52She prefers to be a poor cook.
00:57She's a brainless person.
01:00If it were my property, I would take it by force.
01:04But here in Ilieus, the law prevents it.
01:07It is because of so many laws that this country is lost.
01:22Gabriela, the colonel even promised a cocoa field.
01:25And yet you said no.
01:28I don't know how to plant cocoa, Mrs. Arminda.
01:29I know how to cook.
01:30Ah, if I were in my good times,
01:33I was going to get my hands on that cocoa farm.
01:36I was honest my whole life.
01:38And what good did it do?
01:39I work like a donkey to be able to put food on the table.
01:43But you, Gabriela, with that body,
01:46you should take advantage.
01:48I'm fine like this, Mrs. Arminda.
01:50Good?
01:51As that Turk's cook?
01:54Good.
01:55Mr. Nacive is a good man.
01:58He is a handsome young man.
02:02Everyone is excited about the procession.
02:05Will you love something fresher?
02:07Me too.
02:07Do I think so?
02:08Don't you think so?
02:09It was very kind of you, Mrs. María Alba,
02:12offer this tea for our meeting.
02:14I appreciate it.
02:16I must know the reason for the meeting.
02:19I don't know exactly how to get into the matter.
02:22Father Cecilio asked all the ladies of Ilieus
02:26that we resolve an issue.
02:29I see that this is a difficult matter to say.
02:33It's that the girls,
02:36the women of the Bataclan...
02:39The losses?
02:40The whores?
02:41What do they have to do with us,
02:44wives and mothers of the colonels?
02:47The cream of the city.
02:50Honest.
02:51Pillars of morality.
02:52And good manners.
02:54I get chills when I hear about them.
02:56But that's why I don't know how to get into the matter.
02:59Do you understand?
02:59The women want to embroider a cloak for Saint Mary Magdalene
03:04and participate in the procession.
03:11Jesus, Mary and Joseph.
03:22Heavens.
03:23Listen to this, Jerusa.
03:25The women of the Bataclan want to go in the procession too.
03:28Hey, but with us, young families.
03:32They also depend on the wealth of cocoa
03:34to keep their business going, right?
03:36Don't they have the right to pray to their saints?
03:38Malvina.
03:40Come and serve the tea.
03:43Yes, mother.
03:46He wants me to serve the tea.
03:48to show my education.
03:50But it's good.
03:55I have something to say.
03:56Come.
03:57Oh no.
03:58Come, Malvina.
03:59For the love of God.
04:00I have never heard such nonsense.
04:04Those in the procession?
04:06My husband Tonico was never going to allow that.
04:08He is religious, but very much so.
04:10I know very well what saint you kneel to, Olga.
04:14Do you want some tea?
04:15I also have some cream donuts.
04:19They are delicious.
04:20Thank you so much.
04:20Do you want sugar, Mrs. Ciña?
04:21Thank you.
04:22But the next thing is this.
04:24An idea like this could only appear right here on Ilieus,
04:28because there in Salvador, where I was raised,
04:31that was never going to happen.
04:34Well, you should know that this city is among the best in the world.
04:39Well, Mrs. Ciña Ciña, what were you thinking that made you bring me a request like that?
04:47I think the ladies are overly excited.
04:51Thank you, Malvina.
04:52I thank you too.
04:54Jerusalem.
04:54You can go, girls.
04:55Mom, I have something I'd like to say.
04:58What's it about, Malvina?
05:01In my opinion, those women have the right to participate in that procession, right?
05:06If the cocoa crop fails, they too will suffer the consequences.
05:16What are you saying, daughter?
05:18Isn't it on the colonels' money that they depend?
05:21Come up immediately, Malvina.
05:23Hurry up, girl.
05:25Come on, Malvina.
05:29You're crazy, crazy, Malvina.
05:32Where have you ever seen someone say something like that?
05:33But that's what I think.
05:35Those women also have rights.
05:37They are lost, Malvina.
05:38Ah, yes.
05:39If they are lost, the man who buys their bodies is even more lost.
05:43Malvina!
05:43Oh, ladies, excuse me, but I don't know what happened to that girl.
05:48I'm going to have a serious conversation with her.
05:52Debauchery spreads like the plague, don't you think?
05:54The mere mention of the matter sparked ideas in Malvina.
05:59We have to fight for the morale of our daughters.
06:03It's decided.
06:05Prostitutes do not enter the procession.
06:08But what about the cloak they are going to embroider?
06:10They cannot even offer the mantle to Saint Mary Magdalene.
06:15Doña Ciña Ciña, if that cloak were the church, everyone would know where it came from.
06:21No, think.
06:24People go to mass, yes, but instead of kneeling at the Lord's feet, they only go to remember the harlots.
06:31At the next meeting, we're all going to talk only about organizing the procession.
06:37Fairly.
06:38We've already wasted time, women.
06:40No whores enter my procession.
06:44Much less a harlot's cloak.
06:46It's over.
06:47You made me feel ashamed, Malvina.
07:03I don't see why.
07:07I just said what I thought.
07:08These women depend on the colonels' money.
07:16From dad even.
07:21No more words.
07:25This time I'm not going to tell your father anything.
07:29Also, because I would be ashamed to repeat what you said.
07:33But I'll tell you next time.
07:35If you persist, he'll give you a beating you won't forget.
07:39You'll get fat!
07:39What's happening?
08:09What's happening?
08:39I like so much to see a man like that
08:44Very much in love
08:47Very much in love
08:55Very much in love
09:03Very much in love
09:05Stop jumping like macacas!
09:23There are so many colonels wanting to drink the entire harvest.
09:26Go, go
09:27I'm coming
09:28You see
09:29I'm already gone
09:31And you guys keep going because the colonels come to see the women showing off, don't you know?
09:38Shake it off, Mara
09:39And you, Kiteria, move those meats
09:42Good night
09:44Ah, Natasha, my love
09:47Give me a niece, okay?
09:50It depends
09:51How much cocoa did you harvest last year?
09:54How much cocoa?
09:55I have none from the countryside.
09:57So, mon shoggy, it doesn't flush you, Natasha
10:01Today I received such a terrible rejection
10:11That I deserve to sleep with Princess Natasha
10:14Careful, Colonel
10:16That one charges a fortune
10:18If the crop is lost, it may even be damaged.
10:22Paying what that princess charges is an extravagance.
10:25Excuse me, I prefer a fruit from the land.
10:44And you, Kiteria, move those meats
11:14Sarolia
11:17Sarolia, Saroliña
11:21There's no way to be born, come on, man.
11:24He's busy with the trade association dinner
11:27But come to the room with me, come, come
11:31Come, yes
11:33And you are good at lying, Mr. Tonic Bastos
11:36Look, my little Turk, he's coming over here.
11:39See you later
11:42Nice ass, Sarolia
11:46It will be
11:46Little tart!
11:57Sarolia
11:58I thought you weren't coming anymore
12:01It's just that today I had a lot of movement up there on Vesuvius.
12:05And I don't know
12:06Many compliments on the food today
12:07Oh yeah?
12:08You granted the cook position, didn't you?
12:09Ah yes, the cook, the woman
12:12But the association dinner had already been entrusted to the king and queen's sisters, so...
12:17But say it, say it, I can't wait to know.
12:19Will the father accept the command we are embroidering for the saint?
12:23Did he give permission for us to follow the procession?
12:26Eh, the father didn't say yes or no.
12:30But he said he would think about it.
12:32If the father beat around the bush, it's because you didn't tell him everything.
12:35I told him everything, Saroliña
12:37Hey, let's go talk in the room because you left me very lacking yesterday.
12:40And today I leave you again
12:41And tomorrow too
12:43Until you come back with the right answer
12:45I'm going to embroider my cloak because I earn more.
12:48Charmuta!
12:53I'm going to understand the mind of a woman
13:09Charmuta!
13:39Yeah
13:43Gabriela, haven't you gone to bed yet?
13:50Wait to see if you need anything
13:52I don't need anything
13:55Let me wash it, Mr. Nassif.
14:00You can't wash, Gabriela
14:27You can't wash, Gabriela
14:41Are you sad, Mr. Nassim?
15:06Sad?
15:07I'm not sad, no.
15:09Just a little tired.
15:11Go to bed, Gabriela.
15:27The sandwiches you made were all sold.
15:33Make a big tray for tomorrow.
15:37I'll do it, sir.
15:38Thank you!
15:39Thank you!
15:40Music
16:09Music
16:39I ask you to grant me Lindin Alba's hand, Mr. Alzeú.
16:48I promise to honor and respect her.
16:53If it is to her liking, I will grant it.
17:00Music
17:01Lindin Alba, you know I love you.
17:05Will you marry me?
17:07Yes I want.
17:14I put this ring on your finger
17:16to seal our commitment.
17:20Music
17:20And when are we going to set a date for the wedding?
17:40Well, let it be now, a long commitment gives opportunity to daring.
17:47I want Juvenal to see his brother getting married.
17:49As soon as he arrives in the city, Ruperto marries Lindin Alba.
17:53Oh, and then we'll hurry up the trousseau, shall we?
17:56Lindin Alba, do you study with the other girls from the normal school?
18:02He doesn't study, does he?
18:04Lindin Alba just writes her name and does some math.
18:08Studying puts more ideas in a woman's head.
18:13Ah, a woman has to learn to be honest so she can save herself for her husband.
18:19You don't learn that in school.
18:22I raised my Lindin Alba locked inside the house.
18:25I know, that's how it's done.
18:33You are now my fiancée.
18:35At least kiss me, okay?
18:44I want a real kiss.
18:48Lindin Alba!
18:50Come inside, come inside.
18:55Good evening, Mr. Rupert.
19:00See you soon, Mrs. Rita.
19:08What a woman!
19:12I have fun.
19:15You're having fun, huh?
19:17Oh my God!
19:25The food here at home is good.
19:36Not like the hacienda garbage.
19:39You take good care of the house, Mrs. Siña Siña.
19:42It is my obligation, my husband.
19:44I know.
19:47Go get yourself ready.
19:48Today I want it again.
19:50My husband, forgive me, but I have a little pain in my tooth.
19:54There in the background.
19:57I feel unwell.
19:59My wife, when I want her, doesn't feel ill.
20:02If you have a toothache, you go to the dentist and get it fixed.
20:05Go to the room and get ready.
20:07I'm going to use it.
20:13Yes sir.
20:13Your blessing, Dad.
20:43God bless you, daughter.
20:46That?
20:47Isn't it time to sleep?
20:49I was waiting for it.
20:51I wanted to make a request of you.
20:53Malvina, better leave it for tomorrow.
20:56It's a short one, Father.
21:00This year I finish normal school, right?
21:02Yeah.
21:03I wanted to ask you to make a dream of mine come true.
21:05If it were within my reach, I would not deny a request to the only daughter that God gave me,
21:15since your mother was unable to give me a male child.
21:17Forgive me for that, forgive me.
21:19I prayed, but I didn't have the grace.
21:22I'm just telling you that I was unlucky marrying you.
21:25I fought with my mother, for God's sake.
21:28Alright.
21:30Tell me, daughter, what is your request?
21:34Next year, I want to go to university in Salvador.
21:44University?
21:44If you allow it.
21:47No, no, that's not a woman's thing, daughter.
21:49Last year, three women graduated as doctors.
21:52They are surely lost children who don't have a father to look after them.
21:55My daughter.
21:57He gets married, takes care of his family.
21:59Who will I marry, Dad?
22:01With whomever I command.
22:03I can't even choose a husband, eh?
22:05I'm not saying no.
22:07Yes, I'll let you choose,
22:09as long as the guy is decent and has some money to support you.
22:13Yes, now study, study, not that.
22:16The blame for the Malvinas disasters is yours, you know, María Alba.
22:19You don't know how to take good care of this girl.
22:21I wasn't aware of that.
22:23If she had told me, I wouldn't even allow her to ask for it.
22:25If I had told you, it wouldn't make a difference, would it?
22:29Mom only does what Dad tells her to.
22:30Silence!
22:32Your father knows what is best for me and you.
22:37I just want to have a profession, Dad.
22:40A woman's profession is to take care of her husband.
22:43Now, go.
22:47Go up, Malvinas!
22:48It's dawn!
22:53It's dawn!
22:54It's dawn!
22:55It's dawn!
22:56It's dawn!
22:57It's dawn!
22:58It's dawn!
22:59It's dawn!
23:00It's dawn!
23:01It's dawn!
23:02It's dawn!
23:03It's dawn!
23:04It's dawn!
23:05It's dawn!
23:06It's dawn!
23:07It's dawn!
23:08It's dawn!
23:09It's dawn!
23:10It's dawn!
23:11It's dawn!
23:12It's dawn!
23:13It's dawn!
23:14It's dawn!
23:15It's dawn!
23:16It's dawn!
23:17It's dawn!
23:18Let them go!
23:19No!
23:28No!
23:29No!
23:30I'm sorry!
23:31I'm sorry!
23:32I'm sorry!
23:33Excuse me!
23:48Don Nico, my sweet
24:06Olga, excuse me if I woke you up.
24:09Have you arrived now, love?
24:11But I never got up at this moment
24:14I'm just going to put on my jacket and go to the notary's office.
24:16Where were you yesterday that I didn't hear you arrive?
24:19At the notary's office, this afternoon
24:21I had some messy work to do and...
24:24You were sleeping so beautifully that I didn't want to wake you up.
24:28Well you should, honey, I'm your wife.
24:31And you haven't looked for me for a long time.
24:35Don't you love me anymore, Tonico?
24:38Heaven, I love you so much
24:39Come on, you're very macho.
24:43Use me, use me all
24:45My pepper stew, I love you so much
24:48But I can't give in to this desire
24:50Unrestrained
24:52The notary calls me
24:53And here I am, forcing you in broad daylight, my dear.
24:58Sorry if I didn't respect your pain.
25:01Excuse me, Olga
25:04I'm ashamed, ashamed
25:07See you later
25:09Sorry
25:10Oh, my Tonic
25:15Oh, hell
25:29How am I going to stay awake?
25:31Oh, I think
25:46Subscribe to the channel!
26:16Subscribe to the channel!
26:46But that Turk is lucky
26:50Only until a colonel appears to bring that cake home.
26:56I don't think so.
26:57My mother is a neighbor of Mr. Nacivi and she said that Colonel Manuel Dasonsas was there.
27:02Talking with Gabriela
27:05Did Manuel Dasonsas make an offer to that beauty?
27:09That's how it was
27:10And she rejected him
27:12She prefers to continue as a better cook
27:15Ah, look at that
27:16The offer was certainly not well made.
27:19Maybe I can do a better one for you.
27:22I'm so sorry you're coming back to the hacienda, Coriolano.
27:30I will stay here alone, in abstinence
27:35It's just that with this drought I have to watch the cocoa.
27:40You may come in, maid.
27:43Put it there
27:46What's happening?
27:51Now go, go
27:51Look
27:53They are egg yolks with cognac
27:57I had it made to restore your strength.
28:01This is how you'll make up for how exhausted I left you yesterday and this morning.
28:06Yolks
28:07You know that yolks make me want much more
28:20Yes, and I'm here to serve you, Colonel.
28:24Use and abuse
28:26I'm going to use and abuse
28:28This is for the expenses
28:35If you need anything else
28:38Have it put on my account
28:40I just need my colonel
28:42Don't go, don't go
28:46But I have to go, creature
28:48Look carefully, Gloria
28:51You behave
28:52I don't like long walks
28:55I don't want you to take advantage of me.
28:58Good heavens, colonel
28:59I'm just at the window to look at the square
29:02Don't leave me feeling nostalgic, no
29:05Don't leave me feeling nostalgic, no
29:09You know I have a sweet tooth
29:13No
29:19Why then leave them to a useless and secret death?
29:24Shedding its leaves like this
29:26Anonymous and virgins
29:28In the shade of the garden under the serene afternoon
29:31If I were to pick them up for myself
29:35It's not worth it
29:37It's lovely
29:40In the next class I want you to bring a free essay.
29:46Professor, a question
29:49Why do they give us sugary novels to read?
29:52Because they are appropriate for young people like you.
29:58The class ended
30:00Next time I want the writing
30:04Oh, the teacher replied without answering.
30:07Hello
30:08Malvina, what kind of book do you want to read?
30:10Someone who tells stories like those of real life
30:13I started reading a novel like this
30:15The crime of Father Amaro
30:17It was in Mom's things
30:18My father saw me, he took it from me
30:20He said it is immoral
30:22And what does he talk about?
30:23From a father in love with a woman
30:25Gosh, what a horror!
30:27What father falls in love?
30:29I felt like reading that book.
30:38Fish stew
30:43I hope you like it, Mr. Nassif.
30:45I like
30:46I like it a lot
30:50You are a wonderful cook
30:59I'm going back now, Mr. Nassif.
31:05Mr. Nassif
31:15If you need me, just call
31:16Don't call him
31:30Innocent
31:33An old dress
31:36Flip-flops too
31:39Deserves better
31:40Do something better
32:02Tell me how I can help you.
32:05I came to see if you have a book.
32:07Tell me which one and I'll tell you if I have it.
32:12It is the crime of Father Amaro
32:13Do you have it?
32:23It's a great book
32:25Written by Esa de Queiroz
32:29It was written in the last century
32:30But to this day people are afraid of him.
32:34Fear?
32:36People are afraid of the truth, you know?
32:40It's a strong book
32:42But deep
32:44Can I take it?
32:46That's what you came for, wasn't it?
32:47Does your father know you are reading this kind of book?
32:54So, this will be a secret between the two of us.
33:00Malvina, did you buy into Father Amaro's crime?
33:11Yes, I'm going to read it secretly.
33:13But it's an indecent book, Malvina
33:16A father who falls in love with a woman
33:19It is immoral
33:21But fathers are men like any other, right?
33:26Oh, Jerusa, why is everything forbidden?
33:28My father doesn't even let me study.
33:30I don't understand you, Malvina
33:32Study for what?
33:34If a woman's greatest happiness is in marriage
33:36Only if happiness were to wait for the husband to return from the Bataclan
33:40It's happiness to do everything your husband tells you to, huh?
33:41Why can't a woman have ideas in her head?
33:45Cannot have independent life
33:47Women cannot even vote.
33:50Opa, that's going to be the topic of my essay.
33:54Women's vote
33:56It's a very daring topic, Malvina.
33:58What if Professor Joshua tells your father?
34:00Ah yes, it would be treason.
34:04Don't you say he likes me?
34:06He likes you
34:07But it is still risky
34:11Malvina
34:14Do you know I'm getting married?
34:17With who?
34:19I heard a story from my mom and my grandfather
34:23It seems that he likes Colonel Amancio's son.
34:26Berto? I heard Berto got engaged?
34:28The other
34:31It's Juvenal, he's in Salvador studying
34:34I saw it when I was a child
34:36And you're going to marry a man your grandfather chose?
34:39If my grandfather wants, I have to get married, right?
34:41No, I don't think so.
34:43Are you going to spend the rest of your life with a man you don't even know who he is?
34:45And is your head out of place, Malvina?
34:47Full of ideas!
34:51The honest women of Ilieu were furious at the mere thought of those lost women following the procession.
35:00It couldn't be any other way, prostitutes mixed with families is an insult.
35:04I imagined the answer would be the same.
35:07However, Mrs. Ciña Ciña
35:10Are you okay, Mrs. Ciña Ciña?
35:13I have a toothache, it started yesterday, mild.
35:17It got worse at night
35:19And now it increased more
35:21You have to go to the dentist, Mrs. Ciña Ciña
35:23Ah, only if I go to Itabuna, because after the one from here died, only he was left, right?
35:27Mrs. Ciña Ciña, so you don't know?
35:29But two months ago a new dentist set up shop on the beach street
35:35They say he's young, has modern gadgets, and came from Salvador.
35:41We still have an urgent matter to discuss.
35:44Who tells the women of the Bataclan that their request was denied?
35:49I think it is the father who should personally go and talk to those women.
35:55Me? No way, Doña Dorotea!
35:57If I, as a father, entered the Bataclan, would they talk?
36:00I can't either
36:01They will say that I went there, pardon the word, to commit debauchery.
36:05I am jealous of my morals, I am single but spotless
36:08I'm going!
36:10To help?
36:11Are you looking for immorality, sexton?
36:13Heavens
36:14Let's go, I'm going with Doña Dorotea
36:17Both?
36:19In that den of lost women?
36:21No one doubts our morals, Doña Dorotea
36:25I don't have the courage alone, but if you go with me, I'll get it.
36:30It's a good idea
36:32You two are the bastion of morality in Ilieus
36:36On second thought, I accept.
36:40But come now that it's day, Mrs. Ciña Ciña
36:44Because I prefer to die than to set foot at night in that den of harlots
36:48Your blessing, Father
36:51God bless you, Mrs. Ciña Ciña
37:03Come on
37:04But it is an honor to receive two such distinguished ladies
37:14Let me see if I can guess.
37:16They came to give the father's answer, right?
37:18Exactly
37:20I'm sure he authorized it.
37:22I want to kiss him
37:24Enough!
37:25Show the girls' embroidery, Aroliña!
37:30Show it
37:32The mantle for Saint Mary Magdalene is turning out to be a beauty.
37:35You'll see
37:37Oh, but where is my head?
37:39Come, come please
37:41Come
37:43Come
37:45Come, come
37:47You can come in, come on.
37:49Come, you can come in.
37:51Look, it's not a beauty, just like I dreamed.
38:21Dress the infinite, see the night when you die.
38:42Say that my cloak will look nice, say it.
38:57Mrs. Siña Siña.
39:00Ah, yes.
39:03Sorry, I got distracted looking at the cloak.
39:06It's going to look nice.
39:08TRUE?
39:09I'm very proud of him, you know?
39:11Saint Mary Magdalene will like it.
39:14Well, I tell you, he won't like it.
39:20Did you find any defects?
39:22He tells me, he tells me and we fix it, there's still time.
39:27The defect is the life they lead.
39:34The father doesn't want harlots or their hideous cloak in the procession.
39:39Jesus, Mary and Joseph, it is very daring to want to walk alongside decent women.
39:49Let's go, let's go, Doña Siña Siña.
39:51Dream, all dream, all dream, universe, go smell.
40:09One moment!
40:10What do you want now?
40:19My faith is as true as yours.
40:23You despise me, but we are the ones who welcome your husbands, your sons, your grandchildren.
40:31How dare you!
40:33Let's go, Doña Dorotea.
40:35Yes, you can go, both of you.
40:37But I don't accept the decision!
40:40I'm not a leper that I should be forbidden from going out on the street following my little saint.
40:44What are you going to do now?
40:46You are nothing more than a whore.
40:49You can't do anything against us.
40:51Well, I make a scandal, a fuss, what do I know.
41:14
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