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Chris FilmMaker
Gabriela comienza a trabajar como cocinera para el extranjero Nacib Saad y rápidamente llama la atención de los hombres de la ciudad con su belleza y encanto.

La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.

Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.

Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado


#Gabriela #TelenovelaBrasileña #JulianaPaes
Transcripción
00:00And there it is, and there it is, oh my oh my...
00:07You came back from Salvador, you came with your father here to my house
00:12to court my granddaughter Jerusa.
00:17Is your word worth anything, Juvenal?
00:19Of course it's worth it, Colonel.
00:21So why don't you come court my granddaughter Jerusa?
00:25If you weren't my godson, I'd send you to Revenque for a beating.
00:30For the lack of respect.
00:32Colonel Ramiro, my son Juvenal goes to the Bataclan every night.
00:38He is having an affair with a whore.
00:42But there are no whores in Salvador.
00:45Gosh, the ravers here are better than the ones there.
00:49Yeah.
00:52Colonel.
00:53María Machadao is sentenced.
00:57He already knows how to choose the courtesans to put in the Bataclan.
01:00Yeah.
01:01María Machadao, that woman has fire.
01:06That does give Ilieus fame.
01:11Serapeaus, go find my granddaughter Jerusa.
01:13Yes sir.
01:14Don't worry, Juvenal.
01:18I understand.
01:20I was young like you too.
01:24But be very careful.
01:27The kind of ruffian worth his salt, he has fun with whores to respect the young women of his family.
01:35Yes, yes, yes.
01:36Respect my Jerusalem.
01:39It's what you deserve.
01:41Grandpa, did you send for me?
01:44This young man, he wants to tell you something.
01:49I want to invite you to eat a sweet.
01:53Later.
01:55I'm coming.
01:56But I want to take Malvina with me.
02:01It gives me pleasure.
02:04Of course I'll go with you.
02:06You always chaperone me and Professor Joshua.
02:09It was time to return the favor.
02:11I only regret not having warned the professor.
02:15Malvina, do you really like the teacher?
02:17Ah, at first I really liked it.
02:21He is a poet.
02:23Use beautiful words to talk about love, about courage.
02:28But he says one thing and acts another.
02:33Jerusa, do you think he never kissed me?
02:35Honey, if you ask your boyfriend for a kiss, okay?
02:37You are a decent woman, Malvina.
02:39A man has to steal a kiss.
02:40Love without kisses does not exist.
02:43You should know.
02:44Every novel I read talks about kisses.
02:47If your father catches you kissing the teacher, he'll kill you.
02:51I wish the teacher were more astute.
02:54But he does not act as a poet, but as any other man.
02:58Do you think he claims my clothes?
03:00Show that he wants your best.
03:02It even demands my way of being.
03:04I don't want a man who commands me, right?
03:07Malvina, every man rules over his wife.
03:09But no one is going to command me.
03:15And you, Jerusa?
03:16You like Juvenal, huh?
03:20He is handsome.
03:24Heavens.
03:25But when I see Mr. Mundiño Falcao,
03:28I get a feeling of something.
03:32The blood is rushing to my head, Malvina, you know, right?
03:35My heart is racing.
03:38I don't know what it is.
03:40It must be the way you look at things.
03:42You are in love, Jerusa.
03:46No, I'm not in love, Malvina.
03:48My grandfather doesn't want to.
03:49And if my grandfather doesn't want it, I can't fall in love.
03:52Colonel Manuel das Onzas.
04:12I only came because he guaranteed me it would be a walk and nothing more.
04:15You know that I respect my husband very much.
04:19I don't understand that marriage.
04:22How come your husband allows you to dance naked?
04:25Colonel, I don't dance naked.
04:28Oh, I saw everything.
04:32When I dance I am dressed by art,
04:33That's why my husband is sure that I am faithful to him.
04:36Faithful?
04:38Are you faithful?
04:40I never betrayed my husband.
04:42And I shouldn't be here.
04:43Forgive me, Colonel.
04:44I only came because...
04:46Because...
04:49Because I always had a fondness for older men,
04:53like you.
04:54Oh, wow.
04:56I have to go.
04:58See you soon.
05:01I'm suffocating.
05:11Girl, you walk too fast.
05:13And you followed me.
05:15Please, Colonel.
05:17Go away.
05:19I must speak to you on behalf of art.
05:23Let me come up with you and we'll talk better.
05:26Colonel, I can't let you go up.
05:30I...
05:30I wouldn't resist it.
05:35I'll go up...
05:38Alone.
05:39Alone.
05:39Who is it?
06:01Those stairs...
06:10Finish me off.
06:12It is necessary to talk.
06:13Colonel, no.
06:14Because I'm already in underwear.
06:16And what a wonderful perfume.
06:20You like it, Colonel.
06:21Yeah.
06:21Heavens, heavens, heavens.
06:25What am I doing?
06:31You've already shown that you have feelings for me.
06:37Don't lie.
06:38Oh, Colonel, Colonel, don't take advantage of my weakness.
06:43Your husband doesn't deserve a cake like you.
06:47Oh no, Colonel.
06:49No no.
06:53Come here.
06:56You're going to feel what a man is.
06:58Oh, Colonel, Colonel.
07:04Are you sure, mommy?
07:06You're questioning your mother's word, huh?
07:10No, it's not that, Mommy, but...
07:11No buts, not even half a but.
07:14Now talk to the man you put in charge of guarding Lindy Nalba's house.
07:20Berto spent all his time there last night and day.
07:24You're not going to take any precautions.
07:26You are either a father or you are not a father.
07:29Heavens.
07:30Berto!
07:31Berto!
07:32What's up, Dad?
07:34I was resting.
07:36Ah, you were resting from that shameless act you pulled with Lindy Nalba, huh?
07:42You spent the night and day at his house.
07:47Lindy Nalba is very, very sad, Grandma.
07:51I went there to comfort her, poor thing.
07:53The scoundrel changed her name, didn't she?
07:57That one already accepted money from your hand.
08:00Now he's doing the wrong thing to you.
08:03What girlfriend did you go get, Berto?
08:06What kind of woman do you want to bring into our family?
08:10Well, wanting, wanting...
08:13I don't want to get married anymore, Grandma.
08:16But I kept my word.
08:20I made the commitment.
08:21Jesus, Mary and Joseph.
08:25Commitment to a woman who is no good, Berto.
08:28That doesn't exist.
08:31You're not getting married anymore, Berto.
08:33I had already given up on that.
08:36But a relative of hers might show up and I'll end up getting married in the delegation.
08:41One of my sons is not getting married in the delegation.
08:43I order the delegate to be killed, if necessary.
08:45And what do I do with the kings' sisters?
08:47Doña Florciña is her godmother.
08:50It can make a scandal.
08:52Tarnish my name?
08:54I get along with the sisters of the kings.
08:56And you, Amancio, solve your son's problem.
09:01I'm going to send a good horse to laugh.
09:04Pack your bags.
09:05You are going to leave here today.
09:06Does Daddy want me to go to the farm?
09:08Not to our estate.
09:09It's the first place they'll look.
09:12You're going to Melk's estate.
09:14I talk to him.
09:15And you stay there until I call you.
09:17Leave me one more night with Lindy and Alba.
09:22I promise I'll leave early tomorrow.
09:23No!
09:26You're leaving now, Berto.
09:29Hurry!
09:38I'm so glad to see you, young Jerusa.
09:43Do you always talk like this?
09:45In such a well-behaved manner?
09:47It seems like he's speaking out of obligation.
09:49Good heavens, Malvina.
09:50Don't talk like that, you'll embarrass him, won't you?
09:53Very sorry.
09:55I don't know how to behave, it's true.
09:57Fall in love.
09:58Experience a love story.
10:10Juvenal!
10:12I came to say goodbye.
10:14Dismiss?
10:15Where are you going, brother?
10:16I'm going to spend a few days on a farm.
10:19I'll tell you what happened later.
10:22Wow, that dessert looks amazing.
10:26Bring me a slice, please.
10:27How nice to see two such beautiful women?
10:37Isn't there one left for me?
10:40Neither of them is with anyone.
10:43Slavery ended a long time ago, Berto.
10:46Although many men in this city treat their wives like slaves.
10:50No more, no less.
10:51Good heavens, Malvina.
10:53Didn't Berto say it out of spite?
10:54Leave her, Jerusalem.
10:56I've known Malvina since she was little.
11:00He always had that sharp tongue.
11:04Malvina.
11:06Teacher?
11:06What a surprise?
11:09I know very well that you are surprised.
11:13I didn't expect to see, did I?
11:15What does it say?
11:17Let's talk.
11:19What were you doing with Berto at the confectionery?
11:22Who would have made him interrogate me like that?
11:26You danced with him at the ball.
11:29They then met at the confectionery.
11:32Explain yourself.
11:33Could you explain to him that I didn't go to see Berto?
11:36That I was a chaperone, with Jerusa and Juvenal,
11:39But I'm not going to explain to you why you have no right to demand anything.
11:42What do you mean no?
11:43I am her boyfriend.
11:45A boyfriend is not an owner.
11:48What a disappointment.
11:51You are a poet,
11:53but he behaves like any man from Ilieus.
11:58Where is the beauty of his verses?
12:00If he is as strict as my father is with my mother.
12:04I do this because I like it.
12:05And I admire his person.
12:07Admiration or anything.
12:08It gives you the right to say my dress is short.
12:11Not even my cleavage.
12:12It doesn't give her the right to say that she was dancing with Berto at the dance.
12:16Much less move away from the table
12:18because he saw me in the company of a friend and two young people.
12:20You are engaged to me.
12:22It cannot be given to enjoyment.
12:24That?
12:26Enjoyment?
12:26I just don't slap him.
12:28because I don't want to give rise to gossip.
12:32Malvina,
12:34I may have exaggerated a little.
12:38I do this because...
12:41because I love her.
12:45I thought I could love him too.
12:48I thought I would love the poet
12:50who uses beautiful words to talk about love.
12:57But a man
12:58that's what he thinks
13:01and also what it does.
13:06You think pretty,
13:09but he acts like anyone else.
13:13What does it say?
13:14that I don't love him.
13:18That I don't want it anymore.
13:22Malvina,
13:24I expressed myself badly.
13:27Give me another chance.
13:35She's nervous.
13:37Think about it carefully.
13:38I have never thought so clearly.
13:46I will always respect him.
13:48as a teacher.
13:54But I am not his slave
13:56so that you can put a shackle on me.
14:00Bye bye.
14:00I think he should go.
14:25My husband can arrive
14:26whenever.
14:27It would be a tragedy
14:27if he saw us together.
14:29A great tragedy.
14:30Don't worry.
14:34I'm going to take my course now.
14:38You offend me, colonel.
14:41It's a gift
14:42that I offer you.
14:43Gift is a perfume,
14:45flowers,
14:46a sweet.
14:48Money is not a gift,
14:50It is an offense.
14:52I thought that...
14:53No.
14:54What happened...
14:56It happened because I feel
14:58a great affection for you, sir.
15:00Not for money.
15:01Not for money.
15:02Never.
15:03You like me, right?
15:06You are so manly.
15:09Yes my husband
15:10were not about to arrive,
15:11I...
15:12I gave myself up
15:14to you again.
15:16I am a male.
15:18Oh, Colonel.
15:20I am a married woman,
15:21but you take me out
15:23out of joint.
15:27Colonel.
15:29I want to find it
15:31again.
15:32But secretly,
15:33my husband
15:34you can't know.
15:35I am a male.
15:55Teacher,
15:56a little bird pooped on his head.
15:59Was it like that?
16:01Miss Gloria,
16:03I had a love disappointment
16:05very big.
16:09My heart is broken.
16:11Glory.
16:13Glory.
16:14Heavens.
16:16I have a broken heart
16:18for you.
16:19Just to see
16:20those little eyes
16:21so hurt,
16:22you know?
16:22But Colonel Coriolanus
16:24he calls me
16:25and I have to go in now.
16:27Come chat with me,
16:28come.
16:29Maybe
16:30I cured that sorrow.
16:34Thank you.
16:36Hey, Gloria,
16:37Where are you, Gloria?
16:39As for the colonel
16:41Coriolanus journey,
16:42I'm sending you a message.
16:44And listen,
16:46my door
16:47will be open,
16:49teacher.
16:52My boyfriend
17:01didn't you look for it?
17:03Not even the smell
17:04from it appeared.
17:07When do you intend to move?
17:09I can't stay
17:10without receiving,
17:11I already said.
17:12He had an unexpected event.
17:13That must be it.
17:15Berto is going to pay for everything.
17:17I will live here
17:17until I get married.
17:18Then I'll live with him.
17:20Marry?
17:21Yeah.
17:23Look closely.
17:25I can have
17:26a little more patience,
17:27it just depends on...
17:28It depends on what?
17:30Whatever it is
17:31good to me.
17:36Get out!
17:37Get out of here!
17:38Go away!
17:39If you were a man,
17:40gave you a good hit.
17:42But I don't hit women.
17:43Listen,
17:44if you don't pay,
17:46I cast you out
17:47with kicks.
17:49Zulmira,
17:54what are you going to do
17:55of me now,
17:56Zulmira?
17:57Just the wedding
17:58solves it,
17:59Lindy Nalba.
17:59Look for Berto,
18:00talk to his family.
18:02You can't lose
18:03longer.
18:04Go,
18:04darling,
18:04go,
18:05go now.
18:06I finished
18:09with the teacher.
18:11And you?
18:12What are you doing here alone?
18:14The brothers
18:15they went to talk.
18:16Let's go.
18:17Malvina,
18:18but without saying goodbye,
18:19Isn't it a lack of education?
18:20They should apologize
18:21for leaving us to you
18:22and I'm planted here.
18:24Let's go.
18:25Come on,
18:26Jerusalem.
18:28You're going to run away
18:29of your obligation.
18:30What obligation,
18:31Juvenal?
18:33Yes Lindy Nalba
18:33it was given,
18:34It was because he wanted to.
18:36Nobody is going to force me
18:37to marry her.
18:38But you
18:39you were her fiancé.
18:41The parents
18:41of the poor died
18:42and you,
18:43Berto,
18:44instead of getting married,
18:46you took advantage
18:47to remove it
18:48her virginity.
18:49That's how it is.
18:51And well removed.
18:52Here's one more
18:54for my collection.
18:55Lindy Nalba
18:56she is not a courtesan,
18:56Berto.
18:58She is a lonely girl
18:59who had the misfortune
19:01of losing their parents.
19:03Yeah.
19:03Oh, brother,
19:04put your hand out
19:05in your heart.
19:07You have to get married.
19:22A moment.
19:31You,
19:32what do you want?
19:37I'm going to enter now
19:37because I'm going to read.
19:39The crime
19:39of Father Amaro?
19:41Are you enjoying it?
19:41I'm loving it.
19:43He is very bold,
19:43don't you think?
19:44See you soon, Malvina.
19:45See you soon, Jerusa.
19:46Young Malvina.
19:55Good afternoon.
19:56Mr. Mundiño Falcao.
19:59I need to ask you a favor.
20:02I know she's the best friend
20:04from Jerusalem.
20:06It helps me to get
20:06a meeting with her.
20:08I know that I
20:09I'm asking a lot of you,
20:11but it's that...
20:11I love my friend very much.
20:13I want her to be happy.
20:15That's why
20:17I'm going to get it for you
20:18that meeting.
20:20Because I know that Jerusalem
20:21is not indifferent to him.
20:25Oh, Tuisca, run.
20:26Take advantage of the wind.
20:27Go.
20:27No more thread.
20:28Go.
20:28Go.
20:30No more thread.
20:33Now it goes.
20:38He went up.
20:40He went up, Tuisca.
20:41It will rise higher than the little birds.
20:57Mr. Tonic.
20:59I must talk to you, Gabriela.
21:01It is important.
21:02Did something happen to Mr. Nassif?
21:11Of course not.
21:13But I must talk to you, Gabriela.
21:16Heavens.
21:18How thirsty.
21:20Can I have a glass of water?
21:24Well, speak, Mr. Tonico.
21:26Speak up, I'm worried.
21:27Don't worry.
21:30I have a gift for you.
21:34It is the medal of Saint George.
21:37Look.
21:38Good, huh?
21:40It's gold.
21:42I don't want a medal, Mr. Tonico.
21:44I'm fine like this.
21:47But it's me you want, isn't it?
21:49You already told me you want the Turk, but I think...
21:55I know the one you want is me.
21:58Hello, Mr. Tonico.
21:59I'm in a hurry to clean the house.
22:01And I have a tray of sandwiches to take to the bar.
22:03If you accept, Gabriela, I'll bite you all.
22:08Excuse me.
22:09Hey, you got my pants wet.
22:12Excuse me.
22:13It's time to clean the kitchen, Mr. Tonico.
22:16Yes, but... Oh!
22:17In Olga's bite.
22:18Exactly, in Olga's bite.
22:20Thanks for visiting.
22:22Good heavens.
22:23Come more often, Mr. Tonico.
22:26Oh, I've been scorned again.
22:29Good heavens.
22:31Hey, kids.
22:32No!
22:32No!
22:33No!
22:34Oh!
22:35Oh!
22:36My butt!
22:38It hurts me!
22:38Ah!
22:39Ah!
22:39Ah!
22:39Ah!
22:40Ah!
22:40Ah!
22:41Ah!
22:41Ah!
22:42Ah!
22:42Ah!
22:42Ah!
22:43Ah!
22:43Ah!
22:44Ah!
22:44Ah!
22:45Ah!
22:45I owe you a visit about the wedding.
22:53Can I come in?
22:54You can't.
22:56I have a visitor.
22:58Speak at once.
23:00Berto never marks the wedding day.
23:03So I came to appeal to you, who is your grandmother.
23:06Lindy and Nalpa's parents died and we are alone.
23:09She and I.
23:10It's time for you to get married.
23:11You don't talk.
23:13The conversation is between me and that one over there.
23:16Sorry, Azulmira, Mrs. Dolotella.
23:19He only wants my good.
23:22Are you going to mark the day?
23:23I'm not going to do it.
23:25A grandson of mine does not marry a loser.
23:28That?
23:29Loss.
23:31I already knew that Berto spends the nights with you.
23:34I don't deny it.
23:41Dad and Mom died in that accident.
23:44You postponed the wedding because of mourning.
23:47So Berto abused me.
23:49You're going to blame my grandson now, huh?
23:53Berto is a man.
23:55And it is a woman's obligation to preserve her virginity.
23:59If you are dishonored, you are not fit to get married.
24:03Doña Dorotella, Lindy and Nalpa's parents died.
24:05They didn't even leave anything to eat.
24:07Berto took advantage of the situation to offer money.
24:09Jesus, Mary and Joseph.
24:13If you were an honest woman, you would die of hunger.
24:17But you didn't accept money from men.
24:20You knew the girl was helpless.
24:22But he didn't even send a piece of meat so that she wouldn't go hungry.
24:26He postponed the marriage because he didn't want his grandson married to Lindy Nalpa.
24:30I didn't really want to.
24:31And thank God at this point, Berto is far from here.
24:36Far?
24:36My family has a cocoa farm, Lindy Nalpa.
24:42What do you have?
24:44You have no honor.
24:46I have honor, yes.
24:48I was desperate.
24:50You left my little girl, Mercedes, your grandson.
24:53And now he doesn't want to reach out to help Lindy Nalpa.
24:56What do you live in the church for?
24:57It is full of saints, but it has a vile heart.
25:00Get out of here, you stinking black woman.
25:03And I'm not sending a man to tear your skin with a whip.
25:08You too, get out of here.
25:12I don't talk to lost women.
25:26I'm nervous.
25:28I'm even dizzy.
25:35We've heard everything.
25:37How awful!
25:38How did they disobey the lady like this?
25:42Jesus, Mary and Joseph.
25:45People have no morals, no respect.
25:49You're crying, aren't you, Mrs. Florciña?
25:55It's for Lindy Nalpa.
25:57I am the godmother of the innocent.
26:00Weep for Christ who died on the cross.
26:04And not because of a loss.
26:08Berto, you deflowered Lindy Nalpa.
26:10Now you must get married.
26:11Shh!
26:12That woman is not honest.
26:14If it happened to me, it's going to happen to anyone.
26:16I have no vocation to be a cuckold.
26:20But she was your girlfriend!
26:21I'm not going to marry her!
26:23Have I eaten it yet?
26:25But you don't love Lindy Nalpa.
26:27Oh!
26:27I don't even know what this love is that you talk so much about.
26:30Love, Berto.
26:32Love is the feeling that makes life beautiful.
26:36Don't you know what love is, Berto?
26:38You even sound like a little woman talking like that.
26:42I was crazy about her style as a child.
26:47That white skin.
26:49Like milk.
26:51That's lovely.
26:53I wanted to have more.
26:55And I already had it.
26:57But now I must disappear from the city.
27:00Before any relative demands explanations from me.
27:04Abandoning the girl is a lack of character, Berto.
27:06You're coming with me now.
27:07You're going to marry Lindy Nalpa.
27:09You're not the man to force me.
27:11Don't mess with me, young man.
27:12Well then let's see.
27:13You take care of your life, young man, because I'll take care of mine.
27:20Should I get married to be a cuckold?
27:21But of course not.
27:22Berto loves me.
27:31I know he loves me.
27:33Don't talk about that demon anymore, Lindy Nalpa.
27:35Go ask your godmother, Doña Florcina, and Doña Quinquina for shelter.
27:39They are not going to deny you a roof or food.
27:42And you, Zulmira.
27:45They already said that you don't fit in their house.
27:48It's time to think about you.
27:50I beg at the church door if necessary.
27:54But you, my little one, what is he going to make of you?
27:57Your boyfriend left you, dishonored, homeless, penniless.
28:04Go ask your godmother for help.
28:07With the grace of God, she will shelter you.
28:09You can't do anything now, sister.
28:15Florcina, please.
28:18Are you crying, Mrs. Florcina?
28:20Is it death in the family?
28:21It's worse than death.
28:23Her daughter was lost.
28:28What was lost?
28:31I'm going to take care of my manger.
28:35Only the baby Jesus can console me for such sadness.
28:39I'll help you, Florcina.
28:44I'm going to pray, asking baby Jesus to watch over Lindin Alba.
28:50Doña Olga, it's you.
28:53But what a surprise.
28:55I have a scandal to tell you.
28:59Dishonored?
28:59The girl from the haberdashery.
29:05She had the face of a saint.
29:07Yeah.
29:07They are the worst, Mrs. María Alba.
29:09They are the worst.
29:11The parents.
29:12They hadn't even cooled in the grave yet.
29:15And she already...
29:17He has already handed himself over to the young man.
29:19Oh, Mrs. Olga.
29:21Tell me, where is this world going?
29:24Mother.
29:25Mrs. Olga.
29:25Doesn't the exact opposite occur to you?
29:29Is it Berto's fault?
29:31Who took advantage of the absence of the parents to force the innocent?
29:35Not innocent.
29:37If it happened, it was because he wanted to.
29:39The decent woman dies, but does not give up her treasure, her virginity.
29:44Do you truly believe that this is a woman's greatest treasure?
29:48Virginity?
29:49So everything you study, everything you learn, everything you think, is worthless?
29:54Malvina.
29:56A single woman shouldn't even hear this kind of talk.
30:00Much less talk about those ideas.
30:04Malvina.
30:06Virginity is a woman's greatest treasure, yes.
30:11And don't grumble.
30:14Now go up.
30:15Go on, if I don't tell your father everything, he'll beat you up.
30:21Oh, Doña Olga, please forgive me.
30:24I don't even know where my daughter gets all those ideas from anymore.
30:28It's a girl thing.
30:30It gets better with time.
30:31As soon as she gets married, she learns to obey her husband.
30:34Thank God.
30:35It's Lindy Nalva.
30:50He probably came to ask for help again.
30:54Kinkina, now that she's not getting married, needs a roof over her head.
31:00If she comes without the black one, she can stay there in the back room.
31:05You've gone crazy, huh, Florciña.
31:08You lost your mind, huh.
31:09While I was making the nativity scene to praise God, I was thinking.
31:15Even Christ extended his hand to Mary Magdalene.
31:19Darling.
31:20You're too modern for my taste, Florciña.
31:23Good heavens.
31:24If you and I, who are single women, bring a stray young woman into our house, what will they say about the two of us?
31:34That we are lost too.
31:36We were both always so honest, Kinkina.
31:39And honored, we will continue.
31:43Look closely.
31:43If they start murmuring, who will order sweets from us?
31:50Nobody.
31:51And what are we going to live on?
31:53But what will become of Lindy Nalva?
31:55Whatever God wants.
31:58He must have a plan for her.
32:00It's not our place to interfere, Florciña.
32:03Just respect his will.
32:06Stay there.
32:11I deal with her.
32:14I have nowhere to go, Mrs. Kinkina.
32:17My sister and I are honored, Lindy Nalva.
32:20We are not going to give shelter to a stray.
32:22I'm not lost.
32:25Berto abused me.
32:26It's always the woman's fault.
32:29Out.
32:30Get out of here.
32:31I don't want to be seen talking to you.
32:33Out.
32:36It was what I feared.
32:45The news spread.
32:48Don't waste time here at home, Lindy Nalva.
32:51Go.
32:52Go knock on whoever's door.
32:54Even if it's just washing the floor.
32:57In the kitchen.
32:58As long as you have a roof.
33:00And food.
33:02Go, Lindy Nalva, go.
33:03This black woman who adores you asks you for it.
33:06Try to save yourself.
33:09Don't think about me anymore.
33:11Don't think.
33:17About what?
33:18Of course not.
33:20I would never place a stray inside my home.
33:24Then you're going to throw yourself at my husband.
33:27Don Nico is a saint, but he is a man.
33:29I have a single daughter.
33:36If I put you inside the house, they'll talk about it too.
33:49Mother.
33:50What will become of Lindy Nalva?
33:52What interests you, Malvina?
33:57She's not your friend, as far as I know.
33:59She's not my friend, but I've known her since I was little.
34:02Dad was friends with his father.
34:05And whenever I went to the haberdashery you took me with you.
34:07Who would have thought that girl would end up so badly?
34:14It's Berto's fault.
34:16The poor girl was raised indoors and knows nothing about life.
34:20Once and for all, Malvina.
34:22Can you hear me?
34:24What you have are too many ideas.
34:27Man is never blamed.
34:30If she gave in, it was because she wanted to.
34:32What you are saying is wrong.
34:35Right or wrong, it doesn't matter.
34:38Society thinks like this.
34:42And you, Malvina, whether you like it or not,
34:46you're going to have to live according to what society dictates.
34:51Now go up.
34:52You've already talked too much.
34:58What society is this?
35:01What makes people so unhappy?
35:05Search the whole city.
35:27Everyone already knows that Berto dishonored me.
35:29And now, for God's sake.
35:47It can only be him.
35:50That demon.
35:52I got tired of being nice.
35:54I was patient.
35:55But you, girl, you can't live in my building without paying rent.
36:00Do you have money?
36:02You know the girl doesn't have...
36:03I already know that.
36:04That's why I brought them here to get you both out of here.
36:07I implore you.
36:09Please give us at least two days to sell the furniture and haberdashery stock.
36:14I'll keep the furniture and the haberdashery stock.
36:17It's no big deal.
36:18But since the property is mine, I will continue with the business.
36:21And it all remains because of the debt.
36:22We're all sorted.
36:23We're all sorted.
36:24Come on.
36:25Get out!
36:26Already!
36:27But go out where?
36:28The two had plenty of time to find a place to stay.
36:32And don't come to me with that lie that the young woman is going to get married.
36:35Even I know the boyfriend ran away.
36:38Did Berto run away?
36:42I saw him ride past on horseback along the beach street.
36:46Everyone in town knows you're dishonored.
36:49Are you going to get out the good way or are you going to get out the bad way?
36:55Hey, have mercy.
37:00Don't worry, no, sir.
37:03Zulmira, let's pack our things.
37:07We can wear clothes, right?
37:09Where are we going, Lindy Nalwa?
37:24Don't worry.
37:47Don't worry.
37:47Subscribe to the channel!
38:17I was born here.
38:48I grew up here.
38:53I thought Dad's store was a fortress.
38:57That no harm would come to me here.
39:01But not.
39:02This doll that you were selling, daddy,
39:15It is the only memory I will take with me of you.
39:20Mother, father.
39:26Do you forgive me?
39:32But I have to go.
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40:33Is it here?
40:47It's the only place left for me.
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42:07A plate of food and a place to sleep, please,
42:10even if it's just a place on the floor.
42:13My piranji, take the woman and put her in the back now.
42:17It must have some use.
42:20And I'm left poor, but I don't leave anyone on the street, you know?
42:24God bless her.
42:26Amen.
42:27You know, you have such pure air.
42:29Do you have the courage for this life?
42:30I have nowhere to go.
42:33This is where I will live.
42:34I imagine your suffering.
42:38Today I am the owner of the Bataclan, but I was once a courtesan.
42:42And that's why I'm telling you.
42:44You're going to be a courtesan, but you're going to be a courtesan with your head held high.
42:49Many people beat their chests saying they are honest,
42:52but it's not worth a fingernail on your little finger.
42:56I welcome you with open arms.
43:04Au regrí.
43:09Au regrí.
43:12TO.
43:12TO.
43:13TO.
43:13TO.
43:13TO.
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