- hace 7 meses
- #gabriela
- #telenovelabrasilena
- #julianapaes
Gabriela comienza a trabajar como cocinera para el extranjero Nacib Saad y rápidamente llama la atención de los hombres de la ciudad con su belleza y encanto.
La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.
Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.
Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado
#Gabriela #TelenovelaBrasileña #JulianaPaes
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CortometrajesTranscripción
00:00You?
00:10Can I walk you home?
00:14No, you can't.
00:18But...
00:18Let's go, let's go, Malvina.
00:19I couldn't be here with him.
00:20I had fallen in love.
00:21What madness.
00:28Did you receive contempt, Mr. Mondiño?
00:30Maybe, maybe, but I'm not a man to give up.
00:36If it's difficult, I like it better.
00:38Did you receive contempt, Mr. Mondiño?
00:43Come to us in our kingdom.
00:46Make this change in your home.
00:48So on earth, I do not despise myself.
00:51Remember, I'm not your mother, but I'm not your mother.
00:53Did you receive a snub?
00:53Did you receive a snub?
00:54Did you receive a snub?
00:55Did you receive a snub?
00:56Like the other brothers of the...
00:59Like the ears of God?
01:01I do not despise myself and our arms.
01:04What else, Malvina?
01:05Vibrate us from Alba to you.
01:07Did you receive contempt from your boss?
01:08Mother!
01:12Mother!
01:15Come to Alba.
01:18You have to be strong.
01:20You have to be strong.
01:22I'm so sorry, girl.
01:24My condolences.
01:26I'm so sorry too.
01:28I was a friend of your father.
01:30If you need anything...
01:32It's not necessary.
01:34I am her boyfriend.
01:38Without you, what would become of me now, Berto?
01:44Lindy, Alba.
01:46Come here for a moment.
01:54Don't hold on to Berto so much.
01:58He's my boyfriend.
02:00He is comforting me.
02:02I'm warning you, it doesn't look good.
02:04They can talk.
02:08Throw the first handful of dirt, little one.
02:18Come, Lindy, Alba.
02:32Everything is going to be okay.
02:34Come, Lindy, Alba.
02:36Everything is going to be okay.
02:38Come.
02:44Come, Lindy, Alba.
02:46Everything is going to be okay.
02:48Come.
02:50Come.
02:52Come.
02:54Come.
02:56Come.
02:58Come.
02:59Come.
03:00Come.
03:02Come.
03:03Come.
03:04Come.
03:05Come.
03:06Come.
03:07Come.
03:12Come.
03:17Come.
03:18Come.
03:20Come.
03:21Jesus, Mary and Joseph
03:38How much sadness all at once
03:41Eat a piece of cake
03:46Eat
03:46You must feed yourself
03:50I'm not hungry
03:52The innocent lost her father and mother
03:57It hurts too much
03:59He almost lost you too, didn't he?
04:04I didn't leave because it wasn't God's will.
04:07It wasn't my time
04:08Sometimes it would be better to die than to be like you, paralyzed.
04:14And you, the servant, who will love you?
04:18Zulmira raised me
04:19I take care of her
04:21Show that you have a good heart, Lindy Nalba
04:24But...
04:26Did your father leave you any money?
04:31Dad took everything he had to buy merchandise in Itabuna
04:34I was warned about the money
04:37When I arrived at the morgue
04:39I searched his pockets
04:41Oh, but someone got there first.
04:44A deceased person was robbed
04:47What world is this?
04:50Lindy Nalba
04:51Grandma is going to talk to you about the wedding
04:55What's wrong with marriage?
04:59We must delay it
05:03It doesn't look good if your parents die one day.
05:06And you have a party the next day
05:08You must mourn
05:13A month
05:15Better
05:16Even better
05:17Two
05:18But then
05:20How do I do it?
05:22You stay with Zulmira
05:24Who took care of you like a mother
05:27I continue to take care of her
05:30And I'm going to help you
05:33In whatever is necessary
05:34Calm down, love
05:37Smile
05:46Smile, my love
05:48So, now you win
05:49This smile, my sister
05:51Let me see
05:54Don't hold back that smile
05:57No, that's it.
05:58You came very well recommended
06:01By Mr. Mundiño Falcao
06:02Don Mundiño Falcao is very generous
06:04He helped us come to Ilios
06:05He said his cabaret is very...
06:09Artistic
06:10He said he could very well
06:12Allow our presentations
06:14Artistic
06:16Well that's true
06:17The best cabaret in the region
06:19There isn't even one like it in Salvador, huh?
06:21I am a magician
06:22I'm sure your clients
06:24You're going to like my numbers
06:26Anabella
06:27My helper
06:28You're just a helper, huh?
06:31I'm Anabella
06:32I do artistic numbers
06:34I like dance a lot
06:38You will like my presentations
06:41I am a specialist in the dance of the seven veils
06:43And I perform the fan dance perfectly.
06:46Oh yeah?
06:47Do you dance that?
06:49It's a very artistic number
06:50I dance with fans
06:52And nothing else in my body
06:54Naked?
06:54Men are going to go crazy with that dance.
06:56I liked it
06:57They can be presented and I will pay.
06:59And you?
07:02If you want, you can also work here.
07:04She has a good body, don't you think?
07:07No
07:07More competition, huh?
07:09Don't worry, dear
07:10I just want to show my art
07:12I am a one-man woman
07:14My husband
07:15Prince Sandra
07:16See you soon
07:19With permission
07:22Oh my God
07:31The married woman now
07:32Naked dance
07:33For me
07:36There's something there
07:37I believe it too
07:38The worst whore claims to be a saint
07:40Those are the ones that charge the most
07:43Those two aren't fooling me, are they?
07:49Put on cologne
07:50Today you're going with me to the Bataclan.
07:52What do you say, Berto?
07:54Ouch!
07:56Do you want to go to the Bataclan now?
07:58But you just buried Lindy Nalba's parents.
08:00Exactly, Lindy Nalba's parents
08:02She is the one who is mourning
08:04But, brother
08:05You should support your girlfriend
08:07Yes of course
08:08I'm going to support my girlfriend
08:08Who do you take me for, Juvenal?
08:11I go to your house
08:11I offer you my shoulder
08:12And then we go to the Bataclan
08:14You don't love Lindy Nalba
08:16Is something strange going on with you, Juvenal?
08:21Why do you ask me?
08:22Because you arrived days ago
08:24And you haven't gone with the harlots until now
08:27But I went to visit Jerusalem
08:28My future girlfriend
08:29Family girl
08:31That only takes you to the beginning of the night.
08:34And then we go with the whores
08:35Juvenal
08:38When you were young
08:40You wanted to be a father
08:41I remember well
08:42You even went to seminary
08:43That's grandma's story
08:45It's true
08:45She wanted to have a father in the family
08:48Just answer, my brother.
08:50Are you male or not?
08:53Of course I'm a man
08:54Excellent
08:55If not, it would be a disgrace for the family.
08:58You should go back to the seminary to become a father.
09:00Don't talk nonsense, yes, Berto
09:02Go see your girlfriend
09:05Of course, I'm going.
09:09But you're going with me to the Bataclan.
09:12Because if you don't go through with the whores
09:15Even if it's just one night
09:16They are going to speak badly
09:17And on this earth a man
09:19He has to prove that he is a man
09:21That's where your father kept the money.
09:31That's where your father kept the money.
09:31Nothing was left over
09:52Don't worry
09:54There is some food
09:56And the haberdashery must be worth a good amount of money.
09:58Don't worry, I'll open it, Zulmira.
10:03You can barely move.
10:05Excuse me
10:09Can we chat a little?
10:11You?
10:12The owner of the property
10:14From the house
10:15And from the commercial space of the haberdashery
10:18I know him, daughter.
10:20He always dealt directly with your father.
10:22It is a good commercial space
10:24With a secure clientele
10:25Yeah
10:26Dad always liked it a lot
10:31I offer my condolences
10:33Thank you so much
10:36I always really liked having your father as a tenant.
10:39We even became friends.
10:40Yes sir
10:42However
10:43Business was not doing so well.
10:46Oh really?
10:47I don't know
10:47I never knew about my father's business.
10:50In the end
10:51His father hasn't paid the rent for months.
10:53What does it say?
10:55Dad was always very honest
10:57Honest yes
10:58But the difficulties, you know
11:00It's true, Lindy Nalva
11:01I always saw
11:02To your parents talking about the debt
11:05And you know
11:07I live off my rents
11:09And the debt is big
11:10What is he saying?
11:12You will have to return the commercial space
11:15And get out of this house
11:16As quickly as possible
11:18If that beautiful woman
11:24That appears in a vision
11:25Possessed a fiery soul
11:28Out of love
11:30A volcano
11:31I would give everything for her
11:34Life
11:35The sky
11:36The reason
11:39You know such beautiful poems, professor.
11:48This is what love feels like.
11:50A volcano
11:52Yeah
11:52The poets
11:55We have more intense feelings
11:57And why don't you take me in your arms?
12:03I want to live a love
12:04Let him review the limits
12:06Your father may not like us hugging.
12:12That is to say
12:13That I kiss her
12:15You are a young family
12:18And I owe him respect.
12:20You say that love is a volcano
12:22And are you afraid of my father?
12:26What a disappointment
12:27Oh, Colonel!
12:36Oh no!
12:40Come on!
12:42Come ride your filly!
12:44Come on, Colonel!
12:45Oh my God!
12:46I've already ridden all afternoon.
12:48Already at the farm
12:49I have pain in my ribs
12:51Oh, the hips are hurt too!
12:54We'd better find something halfway different to do.
12:58Let me think
12:59Oh, I know!
13:00Wait
13:00We're going to do it like this
13:02That?
13:02Do you want to see?
13:02Here, here
13:04Yes, Gloria
13:05Where am I going?
13:07What's it like, Coriolanus?
13:08Yes, yes
13:09Calm down, calm down
13:10I'll tell you right now
13:11It will be like this
13:12This way
13:13I know
13:15You are my colt
13:17I ride you
13:18Can you explain, professor?
13:20Why do you recite verses saying that love is a volcano?
13:24and is afraid to kiss me?
13:27Malvina
13:28It's time to go in
13:31I'm coming, mom.
13:33You disappointed me
13:37Very sorry
13:53Psst, psst, psst
14:02Hey
14:04Are you sad, professor?
14:08Miss
14:08I never see her at the door of the house
14:10What are you laughing at?
14:15It's a kindness when you call me that.
14:17It's too pretty
14:19I, miss
14:22It's out of respect
14:24This way it's even more beautiful
14:26Only you have treated me like this.
14:33In my entire life
14:36Only you
14:37But why talk about my life?
14:42It's a rosary of misfortunes
14:43It doesn't seem like it
14:44You are always so cheerful
14:48Heavens
14:49I laugh so I don't cry.
14:50But what about you?
14:54Are you wearing a sad face today?
14:55What hurts?
14:58Yes, me
14:58I have an affair with the young Malvina
15:01You know that, don't you?
15:02Of course I know
15:03I know everything
15:04I see it from my window
15:06Listen
15:07Teacher
15:09I admire you very much, you know?
15:11The girl is the daughter of a colonel
15:12She has a dowry
15:13Why the sadness if it's a romance?
15:16I don't understand young Malvina
15:18He has some ideas that
15:20Well I tell him
15:22Teacher
15:23To the woman
15:29He likes the halter
15:31Put a halter on him
15:33And she falls in love
15:35I assure you
15:39OK
15:42I
15:43You are going to be my
15:46Authority
15:48OK
15:49Okay?
15:50Okay?
15:50He has a sad little face
15:51My dead heart
15:54Quase accreditou
15:56In Your Hand
15:58That did not happen
16:00A quick goodbye
16:02Brief stay
16:05In my hand
16:07Bateu handles
16:09You're not going down to dinner.
16:20I'm not hungry, mother.
16:25This is thoughtful, princess.
16:31What's happening?
16:35It's nothing, right?
16:39I feel like playing the piano
16:40I feel like playing the piano
16:43I feel like playing the piano
16:44I feel like playing the piano
16:46I feel like playing the piano
16:48I feel like playing the piano
16:49No no.
17:19There's no other talk, Nassif.
17:37A dancer from Rio de Janeiro is coming to perform at the Bataclan.
17:41Fine woman.
17:43They say she dances with only two fans and nothing else.
17:46Come with me.
17:46My head is full, Mr. Tonico.
17:49Is that why you should distract yourself?
17:52Oh, please don't call me, Mr. Tonico.
17:55We are friends.
17:57Thank you, but I'm not going.
18:00But, my friend Nassif, you spent the day annoyed, tolerating all the males.
18:05Enjoying Gabriela with your eyes, aren't you?
18:08It hurts, Nassif, I know it hurts.
18:09Charmuta, they don't know how to respect a woman.
18:13They are not real friends.
18:17They are not.
18:18They are not.
18:20You know, my friend Nassif, there's only one way for you to take care of Gabriela, to protect her from the clutches of those vultures.
18:29What mode?
18:31Say.
18:34Marry her.
18:36I thought and rethought so many things.
18:43I wanted to get married.
18:46Married?
18:48Me with Gabriela?
18:50Think, Nassif, think.
18:52If you get married, no one can take Gabriela away from you, not even a colonel with cocoa fields.
18:57But what thing?
19:00Gabriela is not the type of woman you take for marriage.
19:03But if you love Gabriela, what's the harm?
19:06Think, Nassif, think.
19:09If you're happy with Gabriela, get married.
19:11Hey, I advise you from the bottom of my heart.
19:15Better friend than me, there is no equal.
19:17It could be, but...
19:21But there is no one better than me.
19:35Is the food to your liking, Mr. Nassif?
19:39Your food is always to my liking, good.
19:47Mr. Nassif looks at me strangely.
19:55Did I do anything wrong?
19:56No, what an idea.
20:02The thing is...
20:05I was thinking of going out tonight.
20:10That's good, Mr. Nassif.
20:12I'm going to prepare your clothes.
20:13I'm going to prepare your clothes.
20:17Okay, you don't mind if I go out?
20:26Mr. Nassif is a handsome young man.
20:29You have to take advantage of it.
20:31I let it be seen.
20:32It turned out well, didn't it?
20:33If you want me to iron it again, I'll do it.
20:34No, it's okay.
20:37Well, you really don't mind if I go out?
20:41You are not jealous, woman.
20:44Jealousy for what?
20:44Yeah.
20:46Whose?
20:48Jealousy.
20:51Charmuta, it's hard to talk to you sometimes.
20:55You don't seem to understand.
21:01I want you to be happy, Mr. Nassif.
21:03I'll be here when Mr. Nassif arrives.
21:28Oh, are you going to the notary at this hour, my pudding?
21:45I have to correct a deed so that it can be signed tomorrow.
21:49Question of land ownership.
21:51Know?
21:51It's an important thing.
21:52Oh, but I wanted...
21:54Hey, I wanted you to stay so, so bad.
21:56But Olga, I have to work.
21:59Besides, I have to go to the kitchen to fill my stomach.
22:03Olga, my love, please.
22:04The night will be very long.
22:06Love.
22:06Oh, well, go.
22:08You see, you know there is always roast chicken.
22:13And I'm crazy, aren't I?
22:16Crazy for roast chicken.
22:18Oh, what a husband I have.
22:23Holguita!
22:32I'll warm up the chicken, Mr. Tonico.
22:34Thank you, pleasures, but...
22:36But I think Olga needs you up there.
22:40Go up.
22:45Fabiana, will you warm up the chicken for me?
22:48It must be hot, Mr. Tonico.
22:50It was done now.
22:51Take a thigh and give it to me.
22:59But it's another...
23:03Another thigh I want to bite.
23:06I want yours.
23:07Mr. Tonic, if you bite my thigh, it hurts.
23:10The bite of love doesn't hurt.
23:13Come on, let me...
23:13Let me see those nice thighs.
23:16Let me.
23:27It's all dark.
23:29Surprise!
23:30It's me!
23:32You arrive at the exact moment.
23:34Olga, it couldn't be more accurate.
23:38I have a surprise for you, my pudding.
23:42I'm going to spend the night with you at the notary's office.
23:44I have some studies.
23:45I can help you with writing.
23:50Heavens.
23:50No.
24:21Heavens!
24:24What were you doing there?
24:26I was seeing that the night is beautiful, don't you think?
24:30I brought the snack for you.
24:31You can't sleep on an empty stomach.
24:34Come eat, I'll close the window.
24:36No, don't worry, Mother. I'll lock it.
24:38I said I'll close it.
24:39It took a long time at the window, mother.
24:53Did you see anything?
24:54The night.
24:56She is really pretty.
24:59I should have seen something else.
25:01The stars, right?
25:09She is not indifferent to me.
25:15I know you don't.
25:18Juvenal, today you're going to the Bataclan with me.
25:23A dancer from Rio de Janeiro came to perform.
25:27Naked?
25:28Naked?
25:30Naked without clothes?
25:31They say she dances with fans.
25:33Nothing more with that!
25:35I can't miss it, neither can you.
25:37It's that I...
25:39I thought about visiting Jerusalem.
25:41Oh, Juvenal!
25:41You can go tomorrow!
25:43Hey.
25:44They are arguing.
25:47Sibling fighting in this house is something I don't allow.
25:49It's Juvenal, Dad.
25:50He doesn't want to accompany me to the Bataclan.
25:51Today is the new dancer.
25:53And I'm going too.
25:54It's just that, Father, I thought that maybe I...
25:56Juvenal, tell me the truth.
25:57Are you male or not?
25:58That again?
25:59I'm a male, okay?
26:01You would have already messed with the whores then.
26:04Dad, Juvenal arrived a while ago.
26:07And so far no harlot has been with him.
26:09Is that correct?
26:11Don't talk about your brother like that.
26:12That one of my sons is a boy.
26:15Juvenal.
26:18Is there anything strange about you?
26:21There isn't one, Father.
26:23Of course not.
26:24You're going with me to the Bataclan.
26:26Berto, after seeing Lindy and Alba,
26:27you'll meet us there.
26:29That's shameless!
26:30He said you have to get out of here.
26:33Leaving the house and handing over the commercial space.
26:35And fast.
26:37I'm going to make that guy eat dust.
26:40Mr. Berto, forgive me,
26:41But Lindy and Alba's father had been there for some time
26:44didn't pay the rent.
26:45It doesn't matter!
26:47It's so cruel to take Lindy and Alba out of here.
26:49Did you do the math on what your father left?
26:58Do you know how much merchandise there is in the haberdashery?
27:01I don't know how to do the math well.
27:04My father never wanted me to study.
27:07If I had to leave this house,
27:09Where am I going with Zulmira, Berto?
27:11Berto, now that your grandmother has postponed the wedding,
27:14I have nowhere to go.
27:17Lindy and Alba,
27:19maybe it would be better to get married,
27:23regardless of mourning.
27:26That would be the best, Berto.
27:28I'm going to study the situation.
27:31Now come here, come.
27:33Come, okay?
27:33Respect, Berto.
27:52My parents never let you kiss me like that.
27:55But they are no longer here.
27:58See you tomorrow, Lindy and Alba.
28:03Now that Lindy and Alba's parents have died,
28:13I don't need to play the fool anymore.
28:33Mr. Mundiño, he did come.
28:41I received your message, María Machabao.
28:43I would never miss the premiere of Anabela and the Holy Prince.
28:46So, sit down, I've reserved a special table for you.
28:49The house is full, my flower.
29:01We can begin.
29:02Yes, always yes.
29:04My dear friends from Ilieus,
29:07The Bataclan is the best cabaret in Bahia.
29:09And today will be the best in the country,
29:11Well today we are going to introduce two artists
29:13worthy of European boxes.
29:15Yes, and first we have the greatest magician in the world,
29:20Prince Sandra.
29:21And then, Anabela.
29:24The dancer who enchanted the King of England
29:27is going to show his talent here,
29:30whole.
29:31Prince Sandra, welcome.
29:33Prince Sandra, welcome.
29:33Bravo!
29:34Bravo!
29:35Bravo!
29:36Bravo!
29:37Bravo!
29:37Bravo!
29:38Bravo!
29:39Bravo!
29:40Bravo!
29:52Bravo!
29:52Thank you!
30:22Thank you!
30:52Thank you!
30:54Thank you!
31:04Thank you!
31:06Thank you!
31:08Gosh. Where did Olga get the idea to help me?
31:12Tonic, come!
31:14There's a lot of work waiting at the notary's office.
31:17And now for God's sake, how do I get rid of her?
31:20Daddy, daddy, daddy!
31:22Daddy, you're going out tonight, right?
31:24Maria Lupicina, my princess, I have to work.
31:29Can you please tell me a story?
31:31My princess, do you want to earn money?
31:34To buy a sweet, do you want?
31:36I would like that very much, Father.
31:37So you're the one who's going to tell a story.
31:41I'm ready, my peppered beef, let's go.
31:44And you, Maria Lupicina, what are you doing hugging your father?
31:48Mommy, I'm weak, okay?
31:50It must be a child's thing.
31:52Come on, we have a lot of work at the notary's office.
31:54Your help is very valuable.
31:55Wait, Tonic, I'm a mother.
31:57Weak as Maria Lupicina.
31:59A little while ago, my legs couldn't hold me up.
32:03Do you have a fever?
32:06Tonic, it's a little warm.
32:09Yes, it's a little hot, but it passes.
32:12Mother, I'm feeling dizzy.
32:15Dizziness?
32:16Stay here in our bed, princess.
32:20I'll keep her, Tonic.
32:22I can't leave my daughter sick.
32:24Do you forgive me?
32:25There is no need to forgive.
32:27I'm leaving with a broken heart, because if I didn't have to work so hard,
32:31I wouldn't move from this bed.
32:34And peppered meat.
32:36What a woman you are!
32:38What a woman!
32:39Are you going out?
32:45I don't owe him an explanation.
32:48But if you want to know, I'm going to find some friends to play cards.
32:52Oh, I didn't ask to upset my husband.
32:54I know I shouldn't.
32:55Would you mind taking me to church?
33:00Is there still mass?
33:01Father Cecilio is in need of money for charity work and has also asked for help organizing the kermesse.
33:11The mass is going to end now.
33:13Doña Dorotella must be there.
33:16I take her to church.
33:17You see?
33:20I arrived just in time.
33:22Do you want to speak to the Father?
33:25Ask for a blessing?
33:27I am not a man to wag his tail for the Father.
33:31And religion is more of a woman's thing.
33:35I'm going to be late.
33:47Ah, it's you.
34:16Did something happen?
34:18Let me in before someone sees me.
34:24My husband thinks I'm in church.
34:28I was never with you at night.
34:32We have a few hours.
34:33I am already.
34:38I am everything now.
34:46Low!
34:54Low!
34:56Low!
34:56Good!
35:13Bravo!
35:20Good night.
35:21I knew you wouldn't stop coming, Mr. Tonico.
35:23I would never miss that dance of flavors.
35:25The dance of the fans.
35:27Then please make yourself comfortable.
35:33The number we were all so eager to see is about to begin.
35:38The dance of the fans.
35:55The dance of the fans.
36:25The dance of the fans.
36:55The dance of the fans.
37:25The dance of the fans.
37:55The dance of the fans.
37:59Now I must get dressed.
38:04I have to get home before Jesuino.
38:06I wish you would never leave again.
38:10You know I have to go back.
38:13Jesuino?
38:22Jesuino?
38:26Jesuino?
38:31Jesuino?
38:32Jesuino?
38:33Jesuino?
38:39Jesuino?
38:41Jesuino?
38:42Jesuino?
38:43Jesuino?
38:44Jesuino?
38:45Jesuino?
38:46Jesuino?
38:47Jesuino?
38:48Jesuino?
38:49Jesuino?
38:50Jesuino?
38:51Jesuino?
38:52Jesuino?
38:53Jesuino?
38:54Jesuino?
38:55Jesuino?
38:56Jesuino?
38:57Jesuino?
38:58My husband.
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