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Chris FilmMaker
Gabriela comienza a trabajar como cocinera para el extranjero Nacib Saad y rápidamente llama la atención de los hombres de la ciudad con su belleza y encanto.

La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.

Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.

Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado

#Gabriela #TelenovelaBrasileña #JulianaPaes
Transcripción
00:00He is Ramiro Gastos' demon.
00:21Prepare the men, because they must be defended.
00:30Can't see it, can't miss it, can't lose it.
00:37No.
00:40You can't miss it.
00:47No, no, no, no!
00:52You see, you see, the part of the truth, the part of the no掛ca people.
00:56I didn't send you away from here.
01:05It's you who must go, you devil dog.
01:07Those lands are mine
01:08We've been here for over 20 years.
01:10Here I raised my children
01:12Here I planted and harvested
01:14And you are the one who is going to want to take away what is mine.
01:16What is ours
01:17Well, my friend from here
01:19He tells me that this land is mine
01:21I want to see where God wrote
01:24That this land is yours
01:25The earth is the strongest
01:26Get out of here while you still can.
01:29Well, you're really not the man to face me.
01:31But mine!
01:44Come on!
01:45Come on!
01:50Come on!
01:54Come on!
01:56Come on!
01:57Come on!
01:57Come on!
01:58Come on!
01:59Come on!
02:01No, no, no, no.
02:31Then run immediately with your babies.
03:02Kill the little father! The little father is dead!
03:08The man who runs away from trouble is worthless.
03:14We have already won.
03:15Amancio, the lands are ours now.
03:17And ours?
03:19Aldino, Manuel Las Onzas.
03:21Oriolano, Primeguiño and Jesuín.
03:23They also took theirs.
03:23I don't know.
03:26Our estates are the ones where the list reaches.
03:28This is where we are going to raise our children.
03:30Taking care of our people.
03:31And we are going to plant cocoa.
03:33Let us make wealth sprout from this land.
03:36Cocoa is only black.
03:38Ramiro!
04:00Ramiro!
04:01Viva!
04:02Taking a little sunbath, Colonel Ramiro?
04:03The sun is good, Mel, but too much sun is bad.
04:07No cloud.
04:08No sign of rain.
04:09Yes, months ago, Colonel.
04:10Without a drop of water.
04:12At this rate the cocoa will burn a little.
04:13TRUE?
04:14And I knew that up is worse.
04:15That the people have not even a drop to drink.
04:17It's a curse.
04:18It must rain.
04:20Colonel Ramiro.
04:21Your grace has more in the region.
04:23In the city, in the people.
04:24But rain.
04:25Rain.
04:27Only if God wants.
04:28Why would God want to punish this land?
04:31It has to rain!
04:32You should leave too.
04:39Here there is only death waiting for us.
04:43I'm sure it's raining.
04:45Sooner or later.
04:48This land is forgotten by God.
04:51The cattle have all died.
04:54I'm leaving with my niece before it's too late.
04:58Do you already have a fixed course?
04:59Do you already have a fixed course?
05:02I'm going to God.
05:06Well, they say it's raining money from cocoa.
05:11And those streets?
05:12Are you fit to go?
05:15It's a silly little cough.
05:17I am strong.
05:19I'm leaving now.
05:20I am not a man of indecision.
05:21Gabriela.
05:22Gabriela.
05:23Gabriela.
05:26When I came to this world.
05:31I couldn't get anything right.
05:36Today I am Gabriela.
05:42Gabriela and him.
05:44Pee comrade.
05:46Come and gather your things.
06:04Maybe we'll still see each other.
06:05Pee comrade.
06:13Thank you.
06:13Thank you.
06:14Thank you!
06:44Let's continue.
07:14Who's coming?
07:16They are people of peace.
07:18Our food is all gone.
07:19We only have flour scraps that we eat with water.
07:21Here there is only for our trip.
07:25You mustn't be afraid, girl.
07:27My friend Fagundes is just hungry.
07:29But we're not going to rob an old man and a girl.
07:31And especially not a pretty young woman like you.
07:33Let's go that way, Fagundes.
07:35We'll make do with what we have left.
07:44Thank you!
08:14I have a lamp because it needs to be touched, my friend.
08:16The crown!
08:18No!
08:24Homes of words!
08:30The tune is great.
08:31Where?
08:38Thank you so much.
08:40Without.
08:41The Zonzas coronet is ringing.
08:43No, macho, he's old, ugly.
08:47Listen carefully, here at the Bataclan there is no old, no ugly, no young, no handsome.
08:51There are clients, go and make sure you don't get drunk on the drink you're involved in.
08:57Because?
08:58A true charmer, even a dancer.
09:01Don't I like living off us?
09:02I like it that way a lot.
09:03Just you?
09:05Well, can I get a drink?
09:07Two, my little girl.
09:08Two, my little girl.
09:38So tell me one thing.
09:40Isar Olivia, it's okay.
09:41Don't you know she's having an affair with that Turk?
09:43Nasí? They're both in the room.
09:45But there is no possibility of talking to her outside.
09:48I'm crazy about that beauty.
09:49Mr. Tomiko Castro, when a lady feels passion for a man, she is more faithful than a married woman.
09:53Maybe there'll be a fight, right? But not before.
09:56If you get into a fight, let me know. This is it, look.
09:59It's not because you lack a beautiful woman that you're going to be alone.
10:02Giteria, come here.
10:04Giteria arrived yesterday from a cocoa farm.
10:06It's good.
10:06The wife pattern, the young one.
10:08The father, the one expelled from home.
10:10I like that you would go, Mr. Tomiko.
10:16You go, a son.
10:17I can't spend a night without my little Turk.
10:31I'm coming back.
10:32So you're leaving me after you go?
10:34That I'm going to miss you.
10:42Nasif!
10:44Nasif!
10:45Hurry, that's it, Nasif!
10:46It's past bedtime, Mr. Ezequiel.
10:49But that girl drives me crazy.
10:53Ah, but then it's true that you're still having a romance with her, right?
10:56What do you do to have that whore at your feet like that, huh?
10:58It's that I am Turkish.
10:59The Turk has a lot of fire.
11:00But I heard in a conversation that they are separating.
11:04Only that he was crazy.
11:06Sarolia.
11:06What woman is that Sarolia, Mr. Ezequiel?
11:09Just like her, never my equal.
11:11Oh, hey.
11:12With all due respect, I don't know.
11:14There are many men in line.
11:15I myself feel a bit hot when I see Sarolia.
11:18So, Fridays are a loss.
11:20You can continue feeling your hot flashes, that Sarolia and I are doing very well, if not even.
11:26My Sarolia, Sarolia.
11:29I'm so looking forward to getting to know you better.
11:31Firstly.
11:32I'm not yours.
11:33Nor anyone's.
11:34Secondly.
11:35Have a little decency, Mr. Fónico Bastos.
11:37That's your friend.
11:38Hey, Sarolia.
11:39Come to my office soon, girl.
11:40María Machadao wants to talk.
11:43You are afraid.
11:44And who isn't afraid of María Machadao?
11:46You stop being so cheeky, you know?
11:48Here at the Bataclan they are always right.
11:49I heard correctly when I gave Mr. Fónico Bastos a rude response.
11:51He was wrong.
11:53My dressing room was cold from birth and he already wanted to sleep with me.
11:56I'm having an affair with the Turk, María Machadao.
11:58And the Turk gives you money, Sarolia?
11:59Like this, like this.
12:01He doesn't have as much as a colonel.
12:02He is not rich.
12:03He only has the bar.
12:04And you?
12:05You are a donkey.
12:05Jumenta?
12:06No, I am very skilled.
12:08Carefully.
12:09Take advantage of that body you have to get money from the colonels.
12:11Otherwise, when the meat gets tender you'll starve to death.
12:14Look at my example.
12:15I fell into the mud at age 12.
12:16I kept everything because of the fear of old age.
12:20But I didn't have to be old to leave life and stop having what I have.
12:23I know.
12:23You have a lot of guts, María Machadao.
12:26I'm still prettier than many women just starting out in life, aren't I?
12:28Yeah.
12:28I don't need to give myself to a man for money.
12:30Today, today I am the owner of the Bataclan.
12:33Yes, my example.
12:34Forget that love story.
12:36Think ahead, woman.
12:37But my little Turk loves me so much.
12:39Oh, that's what I'm saying.
12:41You are just a donkey, nothing more, nothing less.
12:42You're in love, Sarolia.
12:44And damn if you fall in love, you donkey.
12:45Excuse me.
12:46Yeah.
12:46Mr. Nassim.
12:54Whose, Mr. Nassim?
12:55What happened, Filomena?
12:56Is the world ending?
12:57I just came to say goodbye to you before taking the train.
12:59What train?
12:59Filomena, you go straight to the stove to make the sandwiches for the sea.
13:02Any sick people in the family?
13:03Of course not.
13:04There is joy.
13:04I'm going to live with my son in Agua Preta.
13:06I warned him.
13:07Oh, and you come to tell me that?
13:08Why does it have to be now, all of a sudden?
13:09He opened a shop, so he needs my help.
13:11Someone spoke to you, sir.
13:13I don't remember.
13:14He doesn't remember because he is a single man and lives in perdition.
13:17No, what I told him is because he's thinking about a woman.
13:18I was going to talk to you last night, but you arrived at dawn.
13:21Is that life?
13:22Wait at least until there is another one.
13:23I was very pleased to work with you, sir.
13:26Set the month.
13:27I ask you.
13:27Filomena, wait at least until the merchants' dinner.
13:29It is very big.
13:30I'm going to need a lot.
13:31A cook.
13:32I'm going to pray that you find a good woman and get married.
13:41Think about the words of this poor woman who once served you.
13:44Get married.
13:45A man has to have a family.
13:47A man has to have a family.
13:47No, no, no, no, no.
13:48No, no, no, no.
14:06Get up.
14:06Be strong.
14:07Get up.
14:09Blood flowed.
14:10I can't take it anymore.
14:12Go with them, Gabriela.
14:14My time has come.
14:22Go away, Gabriela.
14:23Here I stay.
14:24How am I doing?
14:25I'm not going to leave it to the dead.
14:26Leave the search behind.
14:27It is a charge to death.
14:29They are already feeling the honor of the deceased.
14:30Oh, man.
14:39Uncle.
14:55Breathe, breathe.
14:56Breathe, breathe.
14:59He must have eaten lentils.
15:00The poison is terrible.
15:03My uncle.
15:06I'll take it.
15:09Mr. Pelopidas, am I seeing correctly?
15:32Is that really Colonel Ramiro Bastos entering the church?
15:35There is also strange one.
15:35Colonel Ramiro Bastos was never a man of the church.
15:37Man, what is man?
15:38He does not follow his father.
15:39That's a woman's thing.
15:40He's going to do something there.
15:42Colonel Ramiro must be thinking the same as me.
15:44It hasn't rained for months.
15:46At this rate I'll lose my entire cocoa crop.
15:48Hey, Nacif.
15:49Do you have any snacks to eat?
15:50I'm going to prepare them.
15:52Take care of the park.
15:53Only a miracle saves me.
15:54Colonel Ramiro Bastos.
15:56What a surprise!
15:57Father Cecilio, Doña Dorotea.
15:58Mrs. Ciña Ciña, Mr. Mauricio.
16:00I need your help, Father Cecilio.
16:02Any sick people in the family?
16:03It's the cocoa that's sick, Father Cecilio.
16:05And at the rate he's going,
16:06he is going to die from lack of rain.
16:08It must rain, Father Cecilio.
16:09But tell me, what can I do?
16:10But, it is not you who has dealings with God.
16:13Talk to him.
16:14Make it rain.
16:15I personally spoke to him,
16:17but I am a sinner.
16:18I carry many deaths on my back.
16:20You, speak to him on my behalf.
16:22But speak, how?
16:24Jesus, Mary and Joseph,
16:25Even in that, my son is one and the same as you.
16:28Colonel Ramiro,
16:29Amancio is pulling his hair out
16:31because of the drought.
16:32Yes, well...
16:32Father Cecilio,
16:33we must do something that pleases the Lord.
16:36A procession.
16:36We ask the saints.
16:38The saints speak with God.
16:39If the procession were pleasing to God,
16:41it's a sure thing.
16:42It's raining.
16:43A procession for St. George,
16:45which is the pattern or of Iliéus.
16:46And for Saint Mary Magdalene too.
16:48You know, Father,
16:49that Saint Mary Magdalene
16:50It was like that with the divine, right?
16:52And for San Sebastián,
16:53who is also a saint of this city.
16:55And it's good.
16:57Sometimes San Sebastian,
16:58I don't like that saint very much
16:59because he walks almost naked.
17:00But if Mrs. Ciña Ciña,
17:02who is an example for the women of this city,
17:03says it's good,
17:04it's good.
17:05I have a special devotion
17:07for San Sebastian.
17:08It's decided.
17:09Father Cecilio,
17:09organize that procession.
17:11I love all habitats
17:12of Iliéus asking for rain.
17:14Cocoa needs rain.
17:16There are those saints here.
17:17have the obligation
17:18because it was with my money,
17:19with the cocoa money,
17:21that this church was built for them.
17:24Impossible.
17:25We have no way to help,
17:26Mr. Nacito.
17:27But if you don't even have a way to help,
17:28then I'm in trouble.
17:29How am I going to serve snacks in my bar?
17:31I must find a cook.
17:32Heavens.
17:32But where are you going to find a cook here?
17:34Don't you think so?
17:34Nobody else knows how to cook.
17:35Young girls just want to know about love affairs.
17:37I say the same thing.
17:38They even told me about a cook.
17:39But she was mance
17:40with a bad-looking subject
17:41who didn't even let her talk to me.
17:42Worse, she was drunk.
17:43This world is lost.
17:44It's not like that.
17:44And it's modernity's fault.
17:46Listen,
17:46women like us,
17:48castes,
17:48are rare.
17:49I could have gotten married, you know.
17:51But I broke the engagement
17:52because my boyfriend wanted to
17:52to do shameless things.
17:54I had the opportunity too.
17:56But it is very difficult
17:56that a man wants an honest woman.
17:58Speaking of which, Mr. Nacito,
17:59He is a single man.
18:01She doesn't plan to get married.
18:03Have a family.
18:07Shall we talk about sandwiches?
18:09We will help you
18:09because he is a good man, Mr. Nacito.
18:11We will make the sandwiches.
18:12Great, great, great.
18:14Ah, yes,
18:14there is also dinner
18:15of the trade association.
18:16I'm already left.
18:16But I need time now
18:17for a start.
18:18Yeah.
18:18What did you say, Mr. Nacito?
18:19Oh no, it's Arabic.
18:20It is the language of my childhood.
18:21When I'm nervous
18:22I speak Arabic.
18:22It's not a bad thing, no.
18:24But, listen,
18:24I can't be ugly to him
18:25to the trade association,
18:26Mrs. Quintina.
18:28Mrs. Torcina,
18:28I am in his hands.
18:30We will also make dinner.
18:31But you know,
18:33only the clock
18:34work for free.
18:35Shall we talk about the price?
18:37Bye bye.
18:39Corners.
18:40They bought me the eyes of the face.
18:42I have no profit this way.
18:44He is no longer there.
18:50Mr. Nacito,
18:52Look.
18:53Visit arrived.
18:55Yeah?
18:55Thank you.
19:03But, girl,
19:04What are you doing here?
19:05Don't you like my presence, Nacito?
19:07Are you ashamed of me,
19:09Hey?
19:09No, no shame.
19:10It's that men
19:10they stay leaving.
19:10Are you jealous of me?
19:15I like that you're jealous of me.
19:17Don't fish me,
19:18that the people can speak.
19:20What do they do?
19:20I know about myself.
19:21Why don't we talk?
19:22tonight at the Bataclan?
19:23I was born,
19:24I need your help.
19:25The case is urgent.
19:26So we're going to meet.
19:27later on the beach.
19:29Now I must find a teacher.
19:30Without a teacher I'm lost.
19:31The sisters of the kings
19:32they ripped my skin off
19:33to make sandwiches.
19:34Leave.
19:34Later, then.
19:35Later.
19:36On the beach.
19:36On the beach.
19:40He fell asleep, didn't he?
19:56You took too long, Nacito.
19:57I was leaving.
19:57I was looking for the teacher
19:58because here in Ilieus
19:59there is no way to find any.
20:00Do you want me to cook for you,
20:01Nacito, do you want?
20:02Hey?
20:02Who knows?
20:03You earn more at the Bataclan, don't you?
20:04If you don't want to,
20:06we could get married
20:06and we could cook.
20:07Come, let's get started in earnest.
20:08Come here, give me a kiss
20:09that is very fresh.
20:09Now it's not about that,
20:10but it's nothing.
20:10Of course, Sarolia.
20:11I came here
20:12because I want to ask you a favor.
20:14A favor, Sarolia.
20:16How can I help you?
20:17This afternoon.
20:18I slept for a while
20:19and I dreamed of the procession.
20:21Procession?
20:21What procession?
20:22It is not the season for a procession.
20:23If you are the whole city,
20:24you know it,
20:24not just you, huh?
20:25The Colonel on the Way
20:26he entrusted the father
20:27a procession
20:27to make me see.
20:29So that's why
20:30that he went to church,
20:31to make me see.
20:32Well yes.
20:33The procession
20:34It is for the three saints
20:35of Ilieus.
20:36Saint George,
20:37San Sebastian
20:38and Saint Mary and Martha.
20:41In my dream,
20:42the sangrita was nice.
20:45He wore a cloak
20:46all drunk
20:47for us.
20:49A burbated cloak
20:49for the women of the Bataclan?
20:50And why not?
20:52The Holy Candle
20:53for all of us,
20:54women of life.
20:56What if the harvest
20:56was bad,
20:57would it also harm us?
20:58Who is going to spend?
20:58money at the Bataclan?
20:59Born,
21:00hey,
21:00look closely.
21:02I want you to
21:02talk to the father
21:03so that you have
21:03to accept
21:04our cloak
21:05and tell him that all
21:06we go in the procession.
21:07But,
21:08but,
21:08the women of the Bataclan
21:09in the procession
21:10and women
21:10of the colonels
21:11in them...
21:11What are you going to say?
21:11that I do not tie now,
21:12TRUE?
21:13Or do you think we don't have
21:14right to go
21:14in the procession?
21:15Of course they have,
21:16It's that I'm distressed,
21:17Hey?
21:17I was returning from a procession
21:18to find a cook.
21:19Born,
21:19No,
21:20No,
21:20No,
21:20No,
21:20No,
21:21No,
21:21No,
21:21No,
21:21No,
21:22No,
21:22No,
21:22No,
21:23No,
21:23No,
21:23No,
21:23No,
21:23No,
21:23No,
21:23No,
21:23No,
21:24No,
21:24No,
21:24No,
21:25No,
21:25No,
21:26No,
21:27No,
21:28No,
21:29No,
21:30No,
21:31No,
21:32No,
22:02I'm grateful. For me and for my uncle.
22:05I wasn't going to let them die slowly without a shadow to hide from the sun.
22:32Thanks for watching the video.
23:02Thanks for watching the video.
23:32Thanks for watching the video.
24:02Thanks for watching the video.
24:04Thanks for watching the video.
24:06Thanks for watching the video.
24:36Thanks for watching the video.
25:06Thanks for watching the video.
25:08Thank you.
25:10Thank you.
25:12Thank you.
25:14Thank you.
25:16Thank you.
25:46Thank you.
25:48Thank you.
25:50Thank you.
25:52Thank you.
25:54Thank you.
25:56Thank you.
25:58Thank you.
26:00Thank you.
26:32Thank you.
26:34Thank you.
26:36Thank you.
26:38Thank you.
26:40Thank you.
26:42Thank you.
26:44Thank you.
26:46Thank you.
26:48Thank you.
26:50Thank you.
26:52Thank you.
26:54Thank you.
26:56Thank you.
26:57Thank you.
26:59Thank you.
27:01Thank you.
27:03Thank you.
27:04Thank you.
27:05Thank you.
27:07Thank you.
27:09Thank you.
27:11Thank you.
27:13Thank you.
27:15Thank you.
27:17Thank you.
27:18Thank you.
27:20Thank you.
27:22Thank you.
27:24Thank you.
27:25Thank you.
27:26Thank you.
27:28Thank you.
27:29Thank you.
27:30Thank you.
27:31Thank you.
27:32Okay.
27:33Merck is looking for men, isn't it?
27:34It's me, but I'm looking for the kitchen.
27:37Here?
27:38Good luck, Nacif.
27:43Do you know how to cook?
27:44Congratulations, remember.
27:45Bye.
27:45Congratulations, remember.
28:15Things will get better.
28:45TRUE?
28:47TRUE?
28:48TRUE?
28:49TRUE?
28:51Congratulations, remember.
28:53Gabriella!
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