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Chris FilmMaker
Gabriela comienza a trabajar como cocinera para el extranjero Nacib Saad y rápidamente llama la atención de los hombres de la ciudad con su belleza y encanto.

La trama se centra en el romance entre Gabriela y Nacib, que se enfrenta a los prejuicios y convenciones sociales de la época. Gabriela es una mujer de espíritu libre que no se ajusta a las expectativas de la sociedad, mientras que Nacib es un hombre tradicional que lucha con sus sentimientos por ella.

Además del romance principal, la serie explora otros temas como el poder político, la corrupción y los conflictos entre los antiguos barones del cacao y los nuevos inmigrantes en la región.

Reparto: Juliana Paes, Humberto Martins, Antônio Fagundes, Mateus Solano, Luiza Valdetaro, Vanessa Giácomo, Laura Cardoso, José Wilker, Maitê Proença, Ivete Sangalo, Leona Cavalli, Marcelo Serrado
#Gabriela #TelenovelaBrasileña #JulianaPaes
Transcripción
00:00And there it is, and there it is, oh my oh my oh
00:07Nice to meet you
00:08I had already heard praises of her beauty
00:12It's bigger than I imagined
00:16Jerusa is, indeed, very beautiful.
00:22What makes me, your companion
00:25A lucky man
00:27Good luck, good luck
00:30It's not every day you get to dance with an angel.
00:32I feel kind of confused with you talking like that.
00:36Do you swear?
00:39She looks even prettier
00:41Jose Isao, please take Jerusa away from here.
00:46Yes sir
00:47Grandpa, didn't you like what I did?
00:50That's right, you didn't talk to this man who is my enemy.
00:54Heavens
00:55Excuse me, grandpa, but you didn't know.
00:58That's why I don't give you a punishment
01:01But go, go and wash your hand
01:04You touched where you shouldn't have
01:06Come, Jerusa, obey your grandfather
01:10Come you too, Jumenal
01:11Colonel, your granddaughter Jerusa
01:24Mr. Mundiño
01:25I want it
01:27My granddaughter's name is Jerusa
01:29In your mouth, sir
01:31And you, Dr. Pelopidas?
01:35He had the audacity to introduce this man to my granddaughter.
01:39Oh, Colonel
01:40You have disagreements in politics, in business
01:44But I think we can live together.
01:47In other times this man would not be here
01:50And if the guy dared, he would be kicked out.
01:56Colonel Ramiro Bastos
01:57Until now I listened quietly out of respect for his age.
02:00But please don't offend me.
02:02I have as much right to be here as you do.
02:04Don't you have one?
02:06You are a stranger
02:08It's like the wind
02:11What comes, passes and goes away
02:14I am like the land where the cocoa is planted
02:17I am from here
02:18You are not from anywhere
02:21You are wrong, Colonel.
02:23I came to put down roots
02:27Like the seed
02:29That falls to the ground
02:30It germinates, it becomes a tree
02:32New tree, colonel
02:35That brings good fruits
02:37Since old trees
02:40It dries
02:43And it falls
02:46You have the audacity to say that I am going to fall
02:49I should know
02:51Everything here in this city
02:54It's up to me
02:55It is because of you that progress does not reach the city
02:58Colonel Ramiro Bastos
02:59And Lieus needs a port
03:01Needs new roads and
03:02He wants to take my place
03:05It's funny
03:07The people trust me.
03:11Vote for me
03:12And for whom I sent
03:13One day
03:14The people are going to open their eyes
03:17Colonel
03:18And that day
03:19You are going to lose
03:21Progress will fall into place
03:24Sirs
03:25Please, for the love of God
03:26No, don't worry, sir.
03:27I'm not going to turn the dance into a cockfight.
03:31I say goodbye
03:33But I confess to you, Colonel
03:37That has one thing that I admire
03:45Now he comes to tell me that he admires me
03:48In what?
03:52You have a beautiful granddaughter, Colonel.
03:54A delight for the eyes
03:58We'll see each other
04:03What did you know?
04:14In the past I would open that man's belly right now.
04:17Times have changed, my friend Ramiro.
04:21Yes, they changed for the worse
04:23You have to rip that guy's balls off.
04:25If you need a good hitman, I have one at the ranch.
04:28And he's good at shooting, Colonel.
04:29It is not necessary, my friend Melk.
04:31A Falcao child has an influential family
04:34Brothers in politics
04:35But he himself is shit
04:37I'm not going to worry about a brat
04:40That has just arrived now to these places
04:42Have a good time
04:48It was a pleasure meeting you.
04:54Lady
04:57With permission
04:59He went to say goodbye to his granddaughter, Colonel
05:07I can't deny that he has balls.
05:12But he doesn't even dare to court my granddaughter Jerusa
05:19Because it was going to be a family affair
05:23And that is resolved with blood.
05:28Good night
05:41We already know each other
05:45Mundiño Falcao
05:47Professor Joshua
05:49I was trying to remove a stone that got in I don't know how.
05:54It entered through that hole in the sole
05:56But you are a teacher
05:59From the Lieus school, right?
06:01Yeah
06:01Oh, please.
06:02Teacher at school
06:07And a poet in life
06:09By chance he is the teacher of the young Jerusa
06:12The granddaughter of Colonel Ramiro Bastos
06:14She's my student, yes.
06:15Excellent, by the way.
06:17I'm sure she's a good woman
06:18Yes, great.
06:19But to tell the truth
06:22In my eyes
06:23No one surpasses young Malvina
06:26Falkland?
06:28I don't know her
06:29Jerusa's best friend
06:30Malvina and I
06:32Good
06:34I have her father's permission to court her.
06:38And I came to accompany her to the dance
06:40What's more, you will excuse me.
06:43But I must go in
06:44So he's dragging a wing
06:46For Jerusa's best friend
06:48Teacher
06:51Do me a favor
06:52Buy new shoes
06:57It's very kind of you.
07:03But dignity prevents me from doing so.
07:04I am a teacher
07:06Not a beggar
07:07Well, I admire your dignity, Professor.
07:10Well, if you need anything
07:13He's looking for me
07:15Yeah
07:15I don't understand you, Mrs. Ciña Ciña
07:22Nothing happens in this city
07:25And when there is a dance with decent families
07:29You are there with a sour face
07:31I don't know why we came
07:33You don't dance
07:34I'll be sitting all night.
07:36It would be better to be home, wouldn't it?
07:38Let it not be for that reason
07:39Come here, young man
07:44Come closer
07:45No, but, but, I, I
07:48Good evening, Colonel Jesuino
07:49Good night
07:50Mrs. Ciña Ciña
07:52I can't stand seeing my wife with a bitter face.
07:57Sitting and complaining
07:59Go dance with him
08:02But let it not be tango
08:05That is an indecent dance
08:07You may go, Mrs. Ciña Ciña
08:10Jesuit Colonel
08:15Jesuit Colonel
08:32Do you allow your wife to dance with another man?
08:37I asked him to do it
08:38I asked him to do it
08:38The guy is the dentist
08:41He is a young man from the city who has
08:44The soft hand
08:45You know what it's like
08:47They don't even speak
08:49You are right, Colonel.
08:53Doña Ciña Ciña is a virtuous woman
08:57Even if you weren't here
09:00She wasn't going to accept any nonsense from a man.
09:04I'd put my hand in the fire for her.
09:07You're lucky, Colonel.
09:10Better wife, huh?
09:14Doña Ciña Ciña is a well of virtue
09:17Live for the church, for the saints and for me
09:21I am a lucky man
09:25It was God who inspired her husband
09:30And I was wondering if I would have the opportunity to dance with you.
09:34Don't say another word
09:36My husband doesn't take his eyes off us.
09:38If he suspects that...
09:42If he suspects what happened
09:46You are lost and so am I.
09:48I would say that Don Mundiño got the best of it.
10:01That fight hasn't even begun yet.
10:03I got to feel that there is gunpowder in the air
10:07Gentlemen, let's stop talking about politics for today.
10:10Let's take advantage of the dance
10:12In fact, I already saw you more animated, Nassif.
10:15Yes, I'm not used to attending these social events.
10:20I prefer the Bataclan
10:23That's true
10:27What ugly thing are you saying, friend?
10:30Ah, that's because you don't have the habit of frequenting there, Mr. Mauricio.
10:35There are only pretty women
10:37Yes, but it hasn't been much at the Bataclan, Nassif.
10:41Yes, now that Saroliña has left
10:45It's time for you to go there and find a new romance.
10:49In the meantime, why don't you take advantage and ask a woman to dance?
10:55Look at that one over there, she's unaccompanied.
10:59It's family, but I heard that she is very daring, loves
11:07Since I'm here, don't you think?
11:15What to do, right?
11:18Dance a little, don't you think?
11:21Forward
11:21You really must dance, Mr. Nassif.
11:24Look how many women are unaccompanied
11:29Charmite
11:31I'm glad you like it.
11:33Ah, yes
11:34Quinquina, florcina, come closer
11:36What happened, Mrs. Doroteia?
11:39Mr. Nassif is here embarrassed wanting to dance with one of the two
11:44But he hasn't decided which one yet.
11:47So I told him to dance first with one and then with the other.
11:52What an honor, Mr. Nassif.
11:56Yes, an honor
11:59Hey, Mr. Nassif?
12:03Yeah
12:04I'm going to wait my turn
12:06OK
12:09Permission
12:11No I
12:14Hey, Mr. Nassif?
12:22What I do?
12:23With permission
12:42Malvina, I'm back.
12:46Can we continue this dance?
12:49It's that I'm dancing with Berto
12:52Does this guy bother you, Malvina?
12:55Me bother?
12:56It doesn't bother me, it doesn't bother me
12:57Let's finish the dance
12:59Professor Joshua
13:12My daughter is dancing with another
13:16Do you think it is correct?
13:18I had to step out for a moment, Colonel.
13:20But she already knows I'm back
13:22Look carefully, professor.
13:23If I allowed him to court my daughter Malvina
13:27It was not to admire his qualities
13:30That for me it has none
13:31Yes sir
13:32It was because she needed a name
13:35Put a halter on it
13:36But she's already dancing with someone else
13:40You do not exist
13:41In my opinion, you do not exist.
13:44Don't worry, Colonel.
13:46It does not exist
13:46Malvina only accepted that contradance out of naivety.
13:50I will make him see
13:52That the woman accompanied
13:54He doesn't dance with another
13:56But that dentist
14:02He doesn't let go of Mrs. Ciñacilla
14:04He has no hand at all
14:06In addition, the Jesuino colonel
14:09He's taking care of her
14:10And Mrs. Ciñacilla
14:12It is a well of virtues
14:15In his arms
14:23I would dance until dawn
14:25The music is already ending
14:28I must return to my husband
14:29Dance one more piece with me
14:31No
14:32We've already danced too much
14:34Promise that you will come to my office tomorrow.
14:37You know I can't
14:39I must not
14:40I didn't remember
14:48That you liked to dance so much
14:50Mrs. Ciñacilla
14:51Oh, it's been so long.
14:53That I didn't dance
14:55Were you upset, my husband?
14:59No, it was me who told him to dance.
15:01Yeah
15:02I felt curious
15:04What were you two talking about so much?
15:10We were talking about dental treatment
15:12Doña Ciñacilla did not return to the office to finish
15:15Didn't he come back?
15:17Why, Mrs. Ciñacilla?
15:18I was going around with church things
15:23And also with housework
15:25I like everything as it should be
15:28Don't you know?
15:29The silverware all shining
15:30Food just the way you like it
15:32And the toothache also went away
15:36It happened, huh?
15:37Yeah
15:37It happened, but it comes back
15:38Worse, the tooth may fall out.
15:41I insist that you come back to my office.
15:44I don't like toothless women.
15:47I always admired her for her beauty
15:51Return to treatment
15:53It's an order
15:55And as for you, doctor
16:03If you need more money, send word
16:08You have already paid more than you should.
16:11So that's how we are.
16:14Let's go home
16:19Yeah
16:20I liked watching
16:26Her hips moving to the music
16:30I'm going to use it
16:32Daughter
16:34You have a lost look
16:37I was thinking about the dance
16:38It must be so nice
16:40And Berto must be the most handsome of all.
16:43In full dress
16:44Yeah
16:44Calm down, my girl
16:46Then, then
16:48You're going to be at the dances
16:49Also as Berto's wife
16:51Alcaeus
16:52Sometimes I think that that boy Berto
16:55It takes too long to set a date for the wedding day
16:58The family was waiting for his brother to return from Salvador
17:02Now that it has arrived
17:04They will set a date
17:06Well then, press it.
17:07It is already more than time
17:09On the way back from our trip
17:10I will speak with Colonel Amancio
17:12There is me
17:12Berto's father
17:13What a trip!
17:13We're going to look for merchandise for the haberdashery.
17:16There is a Turk there in Itabuna
17:18That gives your father a great price
17:20We're leaving tomorrow, didn't I tell you?
17:23You have your head in the moon, Lindy Nalba
17:25I told you myself that I would go with them to help load the merchandise.
17:29It's true
17:30I want to go too
17:32You have to stay at the haberdashery, little one.
17:33But mommy
17:34I don't like to stay here alone.
17:36Oh, my dear.
17:38Your godmother, Comadre Florciña, will come to stay with you.
17:41But she has already been warned.
17:42Your boyfriend can't get past the gate.
17:45Man is a bad animal
17:48Don't worry, Lindy Nalba
17:51We leave in the morning
17:53And we return at night
18:02Princess, what happened?
18:16I don't know
18:16It's that I felt something strange
18:20What if I asked them not to go?
18:27But daughter, stop the nonsense.
18:29Stop messing around
18:31I didn't like seeing her dancing with someone else.
18:39Professor Joshua
18:42We are not in the classroom
18:44Where you have all the authority
18:46Do you want to send me now?
18:50It just doesn't look good
18:51Well, I've known Berto since I was a child.
18:56Yes, but it doesn't look good.
18:57Oh, you sound like a broken record.
18:59Let's talk about something else, it will be better
19:01Malvina
19:05I'm sorry if I offended you.
19:08It's already happened
19:11Oh!
19:16I step on my foot again
19:18Sorry, I'm not used to dancing.
19:20So in that case
19:21Try to find the rhythm of the music
19:23Instead of splitting hairs
19:26Alright
19:30I've even got into the rhythm.
19:34Oh!
19:39Forgive me
19:40Oh!
19:40Oh!
19:41Oh!
19:41Oh!
19:42Oh!
19:42Oh!
19:42Oh!
19:43Oh!
19:43Oh!
19:43Oh!
19:44Oh!
19:45Sonia, all Sonia
20:01Universe goes to the lion
20:12Universe of my dream
20:20Flower of the night, carrossel
20:31If someone else...
20:35Smile, why, Mrs. Siñeseña?
20:39Oh, I remembered the dance.
20:43It's been so long since I danced
20:47You were very generous in letting her dance, you allowed it, weren't you?
20:54I appreciate it
20:58I don't know what fun it is to drag your feet to those syrupy songs.
21:04Ah, but for me they are romantic
21:08They remind me of the time when I was young.
21:12I thought so many beautiful things
21:16In love
21:18Love, huh?
21:20Are you making fun?
21:22I'm not making fun of it, no
21:24I just don't have patience for these women's talks.
21:28But love is not a woman's talk.
21:32Love is what unites married people in the eyes of God.
21:37It continues to be women's talk
21:40What is marriage to you?
21:46Ah, stop the nonsense, Mrs. Siñeseña, what question are you asking?
21:50Marriage is what we have here
21:53He never lacked anything, I gave him everything, did he lack anything?
21:59What if it was missing?
22:00What does it say?
22:05Was there a shortage of food on your table?
22:09Did you run out of money for your dresses?
22:12Was anything missing, woman?
22:15Don't get excited, husband.
22:17It's that I feel missing
22:20What the songs talk about
22:23Of the...
22:24Of the feeling that is blessed even by God
22:28He's going to talk about love, huh?
22:30That doesn't matter at all
22:33I'm going to tell you what matters to me
22:35I fulfill my duties as a husband
22:38Now you fulfill yours
22:41Lie down on the bed
22:43Lift your skirt and open your legs
22:45But that's what I was talking about.
22:48It can't be different
22:50It can't be starting like that like a song
22:54With one in the arms of the other
22:57AND...
22:58And love as if it were dancing
23:01Lying down
23:02I'm sending you
23:04I'm only interested in what's between your legs.
23:06I'm only interested in what's between your legs.
23:11I'm only interested in what's between your legs.
23:24I'm only interested in what's between your legs.
23:26I'm interested
23:27I'm interested
23:49Now we can stop my peppered meat.
23:56Just one more
23:57I really like to dance with my pudding.
23:59I'm already tired
24:01You weigh a lot
24:02Gosh, Tonic
24:03Are you calling me fat?
24:04No, my darling.
24:06You are light as a feather
24:07I don't do justice to your joy
24:10I'm exhausted
24:12Sit down
24:21Rest, baby, something
24:24I want you to be well rested.
24:27I want you back home
24:29Dances the whole night
24:31And only with me, dear
24:42She is so quiet
24:49Thinking about some things
24:51In what, precisely?
24:59In my grandfather's reaction
25:01When I was introduced to that guy Mundiño Falcao
25:03Do you know anything?
25:09From that Mr. Mundiño Falcao?
25:12I returned to Ilieus
25:15After years in Salvador
25:17Remember?
25:19I know it is a big exporter of cocoa
25:21And nothing else
25:22I think he has political ambitions.
25:25Well, I think so.
25:26I don't know
25:28Why are you asking me about him?
25:33Curiosity
25:34Just curious
25:36Oh yeah
25:51Annabella, Prince Sandra
26:13What a surprise
26:14Mr. Mundiño
26:15Mr. Mundiño
26:16You didn't look for us anymore
26:18So my husband and I
26:19We came all the way here
26:20Her maid let us wait
26:22I...
26:23Oh, I was nostalgic
26:26Without your support
26:28I don't even know what else to do in this city anymore.
26:30We need to start our shows
26:32Mr. Mundiño
26:34The money is already going down the drain
26:36I don't have any
26:36I come humbly to ask for your help
26:39Oh yeah?
26:46Oh, he is so generous.
26:48I would very much like to speak with you privately.
26:53There in his chambers
26:55You know
26:56Just the two of us
26:58My husband can wait here in the living room.
27:02I brought a book, so I can distract myself
27:06I'm in no hurry
27:09Thank you
27:11I thank you very much
27:13But today I had a full day
27:15Yes, now I prefer to say goodbye.
27:19So good night
27:21We have to look for another source to get money
27:39Because this one is going to dry out
27:40You'd better not get so involved with Mr. Mundiño.
27:44He is skillful
27:45He won't fall for our lie.
27:47It won't be difficult to find another duck to pluck.
27:52It's not going to fall in our city
27:56It's not going to affect our health.
27:56It's not going to fall in our city.
27:58It's not going to fall in our city.
29:30Gabriela, still awake
29:33I thought you might need something.
29:36I only feel my legs are finished
29:40From so much dancing
29:42Ah, he danced, huh?
29:46With a pretty woman?
29:49He did well
29:50Mr. Nassib, Beautiful, Beautiful
29:53You have to take advantage
29:54I already left the water prepared
29:57It's warm, Mr. Nassib.
29:59To do what, Evie?
30:02Well, come here.
30:03Sit here
30:05I'm going to give you a foot bath
30:07How wonderful!
30:11Leave help with shoes
30:13A thousand times
30:20What did you say, Mr. Nassib?
30:24A thousand times here at home with you
30:26That in that dance
30:29Well, here I am a thousand times happier
30:36More than anywhere else
30:38Anywhere
30:41Why did you do that so well, Alegrina?
30:48Royal palace and a stone throne
30:53Gold embroidered shoe
30:55Emeralds and rubies
30:58Amethyst for the fingers
31:00Heavens, and that train that never arrives
31:10My legs hurt from standing.
31:12Yes, it is the weight of the body on the legs
31:16Mother
31:16Are you calling me fat?
31:18Mom, don't talk to Aunt Olga like that, it offends her.
31:20If the truth offends
31:22Very sorry
31:23Well you should know that I am much better than others
31:25Whose husband spends months in Salvador
31:28Because he doesn't miss his home
31:30Olga, don't talk like that, my meat with pepper
31:33Alfredo is a deputy
31:34He lives in Salvador to fulfill his political duties.
31:38It's not like some and others out there
31:41That happen day and night
31:43Wash your tongue to speak of my pudding
31:46That he spends days and nights killing himself there in that notary's office from working so hard.
31:51I do everything for the family
31:52I know very well what kind of writing is seen and done in that notary's office.
31:57Hey, but, but, why are you attacking me if I haven't done you any harm?
32:01Listen mom, the train is coming, dad is arriving, look
32:11Look!
32:16Alfredo! Brother!
32:20Tonico, bro, how are you doing?
32:22Dad
32:22Perugia, my daughter
32:24Alfredo, how are you?
32:26At six years old
32:26I'll take care of your suitcase
32:27Let's go home
32:28Let's go, dad.
32:30What's happening?
32:31Olga, my sister-in-law
32:33How's it going?
32:34I'm doing well, but even better with your arrival, isn't it?
32:37Maybe this way you calm down many people who tend to be nervous.
32:41For lack of a husband
32:43That little world cannot challenge your power, Colonel.
32:49His daring is much, much to confront you at the dance
32:53I already told you, if you want, I'll shoot you out of here.
32:58No no
32:59That used to happen, Colonel Melk.
33:01Today there is that history of rights
33:04Yeah
33:05You can no longer act as before.
33:07No
33:08And there is also choice
33:10Not because I'm afraid
33:11Because he is in the opposition
33:13And I shit on the opposition
33:14What counts is the vote of the colonels
33:17Each one brings more than a thousand votes
33:20To the candidate of my choice
33:22Some traitor colonel has already changed parties
33:26Did it happen to you next to them?
33:29No
33:30And it shouldn't be any different.
33:32Excuse me, Father.
33:34Oh, Alfredo, why did you delay in Salvador?
33:37Because?
33:38Well yes, the governor took a while to receive me.
33:42He should be faster
33:44You are my son
33:45And tell me, when will the money be released to improve the road?
33:51He won't, Father.
33:52The governor said there is no money for public roads.
33:56But he knows that is valuable to me
34:02It's been many years since I brought works here for Ilius
34:06And you, Alfredo
34:09That was your obligation.
34:11You are a deputy, what for?
34:13But I tried everything, dad.
34:14I spent a fortune buying votes to elect you.
34:18If you come back empty-handed, it doesn't help at all.
34:22The governor said that next year the road will be completed.
34:27Next year the election is this year
34:31Go on, go, go, go, go settle down
34:34Your blessing, Father
34:36God bless you
34:37Next year, next year
34:41I can't believe it
34:44Mommy, daddy
34:45Don't delay, I beg you.
34:48Oh, my daughter.
34:49What kind of crybaby is that?
34:52We always make this trip to look for merchandise
34:54Come here, my little daughter
34:56We'll be back tonight, won't we, comadre?
34:58Yes, with suitcases full
35:00The Turkish wholesaler sent a telegram announcing that he had brought new merchandise.
35:04And I saved every penny to pay
35:08It's what we have
35:09Yes I know
35:10Provide double or even more
35:11Oh, well then let's go and we won't miss the transport.
35:14Listen
35:15Mrs. Florciña
35:16Please take good care of my little one.
35:20And I am a godmother
35:22So that?
35:23It's a pleasure to take care of this girl.
35:25Girl
35:26Can you help me, please?
35:34Thank you
35:34I hope we have a good trip.
35:37Because we are going to find
35:38Why do you read?
35:51Why do you read?
35:52Oh, look, he's waiting
36:13Gosh, a love like that only in books
36:17But that's the love I want for myself
36:19Same as in books
36:21Professor Joshua
36:24Young Malvina
36:29And you, Jerusa, how are you?
36:32I'm fine, professor.
36:33I came with Malvina because she couldn't come alone.
36:35But if you want to take a little walk on the beach
36:38I sit looking at the sea
36:39Shall we have some ice cream?
36:45Yes, I...
36:46I buy it
36:51I want lemon
36:57I want mine coconut, please.
37:00Mine is coconut too.
37:03Two coconuts, please
37:05I insist on offering this ice cream
37:08Permission
37:16No, Gabriela
37:19No, sandwiches
37:22Come, bring us some snacks.
37:24Yeah
37:24I can't, no
37:26I have to serve Mr. Nassif.
37:27No, come on, Gabriela
37:29No, sorry.
37:30The food is on the table, Mr. Nassif.
37:33Come on
37:33What a shame to have to eat quickly, don't you think?
37:37There's a lot of movement in the bar
37:39Mr. Nassif, eat well.
37:44I go there to the bar and help
37:46After
37:47Now come here with me
37:49The food is warm, isn't it?
37:51Give me a little kiss here
37:52Come here, where, sir?
37:53Here, far from the gate
37:57Mr. Nassif, the food is going to get cold.
38:10Neglect me
38:11Then I eat
38:16Unhappy Turk
38:23I'm fine, husband.
38:44She's worried about clothes, because...
38:47Where are you going?
38:49To the dentist
38:50Then I'd better wear an old dress.
38:54Everything is going to get dirty
38:55But I like to go out well dressed, my husband.
38:59Then go get your teeth fixed.
39:02A toothless woman in a new dress is ugly anyway.
39:06Are you going to come in?
39:16Well...
39:18I'm going to enter
39:20Yes, it always came.
39:39It's very sunny, isn't it?
39:43You're saving a client and I have to wait?
39:49To no one
39:49And not
39:50Neither of them deserves to wait.
39:52What does it say?
39:55I don't want to wait to be happy, Mrs. Siña Siña
39:58And my happiness is with you
40:00And not
40:23Subscribe to the channel!
40:53Gabriela!
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