00:00MUSIC
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00:46First Dizavala
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16:19M.K.
17:28M.K.
18:52M.K.
20:34Thank you for watching.
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25:29Thank you for watching.
25:49Stay with me.
26:18My world is my husband.
26:19Thank you for watching.
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38:22It is edible. Not all birds' meat is edible.
38:28You misunderstood me, Beyoğlu.
38:30Is that even possible?
38:31What I want is sharing.
38:35These mountains have long forgotten about the bandits.
38:39I am gold
38:40I am talking about it.
38:43Neighbor's
38:44Let's get rid of him and go on our way. No, this isn't right.
38:46in their structures. What do you say?
38:49What kind of gold is it?
38:50What is being shared?
38:53Don't beat around the bush.
39:00You'll understand, Beyoğlu, if you listen to the end of the story.
39:03In the clash that broke out the next day
39:05One of the bandits dies.
39:07The other one is seriously injured.
39:08Tell the wounded man the location of the gold before he dies.
39:10They're making him say it.
39:16Later both the gendarmerie and the villagers
39:18He's searching for gold in vain.
39:20The gold looked as if it had been drawn up to the sky.
39:29So what happened to the gold?
39:31My dear Osman Bey, I would sacrifice anything for you.
39:33Let's go our separate ways.
39:34Don't be fooled by this talk of gold.
39:35What's gold anyway?
39:36Just be quiet.
39:37Come on, man, get to the end of the story.
39:39What happened to the gold?
39:40What happened to the gold?
39:42What happened to the gold?
39:44My darling, let's go our separate ways.
39:47May the bandit's name and his gold be damned!
39:50If it gets dark, we won't be able to find our way at all.
39:52Turn around and let's go.
39:53Please, Mr. Osman, let's go on our way.
39:56What have you done with the baby since the cradle?
39:57Think about it.
39:58Mr. Olman, let's go.
40:00Leave the sidelines alone, Mr. Osman.
40:02Please, let's go.
40:14Didn't we just pass by here?
40:16That wretched man trapped us in a trap.
40:18It made us lose our way.
40:26Everyone's journey eventually leads to their destination.
40:35This guy is experienced with ropes.
40:37I once tried wrapping it around my waist and climbing down into the well like that, but it didn't work.
40:41What well are you talking about, man?
40:42You know the trick of intentions.
40:53Gold is the lord's path.
40:56The gold is at the bottom of the well.
40:59I don't know.
41:01Hold this and don't make a sound.
41:07Tell me about it.
41:08The pit where the bandits hastily buried the gold.
41:11It turned out to be a frozen well.
41:14When the snow turned to rain during the night...
41:17The ice melted and the gold sank to the bottom of the well.
41:20That's how your well is.
41:23Soon.
41:24But it's profound.
41:27It's pointless to do anything without two people.
41:30If the well is deep, how did you see the gold?
41:35My bird of prey saw it, not me.
41:44One day I unleashed it on the prey.
41:46It rose a little.
41:48Then it gave up hunting and perched on top of the well.
41:51When he came closer, he was looking into the well.
41:54He sees everything.
41:56It sees what humans cannot see.
42:00Then I held up the mirror.
42:02The mirror?
42:04Look in the mirror.
42:06Did you reflect the sunlight to the bottom of the well?
42:08They are sparkling brightly.
42:10The bag must have rotted and fallen apart.
42:12Pure.
42:13Red, gleaming Ottoman gold coins.
42:18Why did you tell me these things?
42:23I can tell a trustworthy man by his appearance, Beyoğlu.
42:27If you told someone else, they'd immediately think something bad.
42:35Come on, let's go and take a look.
42:40You wait here.
42:42I can't stay here.
42:43Where would you go, leaving me behind?
42:45But my beautiful-eyed one.
42:47Just do as I say.
42:47I'm not going far.
42:49This is a good thing, don't worry.
42:51What kind of auspicious undertaking is this, Osman Bey, involving ropes, wells, and gold?
42:54Open your eyes.
42:55Don't be fooled like a child.
42:56What do we care about other people's ill-gotten gold?
42:59What are we lacking?
43:01I have to take a look, Lala.
43:03What does a bag of gold mean?
43:04Actually, not looking is bad luck.
43:06That would be rejecting an opportunity that comes your way.
43:09Wait for me here.
43:13You trampled over me and left, Osman Bey.
43:15What a shame.
43:55Subtitles, my friend.
43:56SubtitlesAppretti.
43:56Look. Look, this way.
44:05Hold on, look.
44:40Osman Bey fell into the well.
44:43You killed Osman Bey.
44:45No.
44:46He was going to attack the girl. Look at that fairy tale.
44:49Then I won't tell you.
44:51You go ahead, Grandma.
44:57The hunter had tied up Baygın Osman Bey tightly and lowered him down into the well.
45:06She was the most beautiful woman Türk Yüzal had ever met.
45:10It is a blessing in a forest.
45:45Our head is the era section.
45:46Where is my husband?
45:49In Enemy, who is our main character.
45:50My husband is a neHub?
45:53What are you doing? Are you crazy?
45:56Where is the professor?
45:59What did you do?
46:02Come on Zeynep, look down.
46:05What's wrong with that? Look, you brought my wife to you.
46:09You take a look too, look carefully.
46:10Isn't that a ball?
46:11It's awful.
46:13Tuesday, shoot him.
46:15Kill him.
46:17Shoot him on Tuesday.
46:19Kill him.
47:08Shoot him on Tuesday.
47:13Shoot him on Tuesday.
47:42Thank you for watching.
47:57Thank you for watching.
48:31Thank you for watching.
48:56Thank you for watching.
49:30Thank you for watching.
50:00Thank you for watching.
50:03Think carefully, Beyoğlu.
50:05I won't let anyone steal my heart.
50:06But you are a wealthy, respected gentleman.
50:09You are a Beyoğlu to be sought after, to be cherished.
50:13Look, what if I let someone steal the inside of it?
50:43Should I cut off your ear? Should I cut it off?
50:45You've made it worthless.
50:47What difference does it make whether a worthless man is above or below?
50:50Should I cut off your ear? No way!
50:52If you really want to, cut it.
50:53Even kill
50:54But it's no use.
51:08If you kill me, you won't get out alone.
51:11Come
51:12Let's save our lives.
51:27Come on
51:28Stop
51:30Come
51:37Help me
51:38Press and exit
51:41Come
51:53Stop
51:56Stop
51:57Stop
51:59Stop
52:01Stop
52:10Stop
