2011 Yürügari İbram ESİN HELVACI OKAN BAYULGEN Türk Filmi İzle

TürkSineması

Bodrum’da mobilet tamirciliği yapan İbram’ın (Osman Azman) komik ve absürt hikayesini konu alır

Transcript

00:00:00Yes, I said Bodrum is like paradise, but not a single tree has been planted there. They've become millionaires there and they haven't planted a single tree.

00:00:52Make me hear you, you sons of bitches!

00:00:55I brought you a Russian concubine, you bastard!

00:00:57Either you stay in the same house, or pack your bags and head straight behind the castle!

00:01:02Let them announce that I'm going on the Hajj pilgrimage!

00:01:05May God curse you, you bastard!

00:01:08Damn the day I married you, God, what did I do to deserve this man!

00:01:12Help, neighbors, save me from this bastard!

00:01:14Oh, let's save the game Gamma Gakalin Gakalin Gamaya!

00:01:19Gamma Gakalin Gakalin Gamaya!

00:01:22Look, look, I'll learn this from your Russian sister-in-law!

00:01:26So they showed gamma!

00:01:27They've really messed things up, I guess!

00:01:29Gakalin brother, show your sister, they've gotten up!

00:01:33Babıştırıverem yeni Gamma Olga!

00:01:35My bear Rasha! I'll show you what a Russian is like, inside out!

00:01:38You will cook Russian and Greek dishes together, and we will live very happily!

00:01:43You'll forget about my crochet hook by evening!

00:01:45I'll come tonight too, I'll perform Gakalin Gama on you, look at me like this!

00:01:49Brother, I can't take it anymore!

00:01:50Come and rescue me from this man's clutches!

00:01:52It's all your fault!

00:01:55I hate you all!

00:01:56Now he's brought in a Russian concubine!

00:01:58You will be living in the same house, please!

00:02:00Either you come and rescue me today, or I'm committing suicide today!

00:02:04Ha!

00:02:05My brother wants to talk to you!

00:02:06That's my situation!

00:02:07Did you ask me if I'm busy?

00:02:08Spread the word, brother, spread the word!

00:02:09Get a Gakalin test to improve your eyesight!

00:02:11Can you inform the brothers?

00:02:12Damn Ibrahim, you've gone too far now!

00:02:15You have three days!

00:02:16Either you'll break your backside and sit down like a man!

00:02:18Or we'll come back in three days and take both what we entrusted to you and your life!

00:02:22Just imagine if it comes!

00:02:23Damn, am I even able to sit in my own home?!

00:02:25Hey!

00:02:26I haven't been able to go home for five years!

00:02:28I practically live and sleep in this shop!

00:02:30Open the cross!

00:02:31Do the older brothers know about this?

00:02:33Hey!

00:02:34They said I should just sit there doing nothing!

00:02:36Hold on, you guys!

00:02:38Bring those who enjoy giving a drink!

00:02:40We would catch up with the neighbors and turn around, saying, "Wait, you have it in your hand!"

00:02:42Milton!

00:02:43Go!

00:02:44The ones I've been looking after with you are these Russians!

00:02:47Ha!

00:02:47"Let's not let him rape his wife," my son said, "wait, it's getting on our nerves!"

00:02:50Is that Abraham?

00:02:51Oh my dear children!

00:02:52Yes, Ibrahim brings a Russian woman home and gets beaten up by the women in the neighborhood.

00:02:57They showed the beautiful sister and then the older sister to Ibrahim.

00:03:00Okay, the synopsis isn't bad. Is this story true?

00:03:02No, it's not, it's fiction.

00:03:04Okay, let's see. I'm listening. What is the script of this film about?

00:03:08Ibrahim Kayınç takes to the road due to a problem he experienced in the incident.

00:03:11And in Bodrum, he meets many people.

00:03:14The story takes place in Bodrum, but it's essentially about general topics.

00:03:18So Bodrum becomes a metaphor for the country here.

00:03:21Okay, let's see. Is this a funny movie?

00:03:23No. He has a saying.

00:03:26Does he have a message?

00:03:28Because I have a connection to the events our protagonist experienced...

00:03:32...so at most, it must be a message for me. Otherwise, "message" is just a bold statement.

00:03:42Peace be upon you.

00:03:43Wa alaikum assalam, Imran.

00:03:44Oh no! We failed.

00:03:47I didn't tell you that this wouldn't work out.

00:03:49Is this how one expels someone from a position of power?

00:03:50Damn, the whole neighborhood is hungry. They were hoping for something too, like Ceren's daughter.

00:03:53They beat me up too.

00:03:55I didn't tell you, son.

00:03:56Were you blind?

00:03:57It's been five years since you got married.

00:04:01Here, his friends are telling Ibrahim to sit down for forty.

00:04:04So, his friends are saying the same things to Ibrahim as his wife's brothers.

00:04:08Who are they?

00:04:09His closest friends.

00:04:11He had already explained the plan to them beforehand, but...

00:04:13...of course, we don't see those moments.

00:04:15Although even his friends don't pay much attention to Ibrahim.

00:04:18They're just making things up.

00:04:20Alright.

00:04:21Sit down on your forty-foot, is that it?

00:04:22Let's continue.

00:04:25My older brothers said the same thing.

00:04:27Were they Furcet members?

00:04:28Let them come, let's see what happens.

00:04:30Is it easy to shoot someone?

00:04:31Is Ceren's daughter wearing a blonde wig too, you idiot?

00:04:35Damn you, you stingy bastard, giving a hundred dollars...

00:04:36...couldn't you get the Russian woman to talk?

00:04:38What is this man saying here?

00:04:39I didn't understand anything.

00:04:40You stingy bastard, couldn't you even get a real Russian woman to sing for a hundred dollars?

00:04:44That is, until Ceren took the girl away with a blonde wig...

00:04:47...if you found a real Russian, you would sleep with her too.

00:04:51So, the chirping here means it happened together.

00:04:54A local language.

00:04:55He's right.

00:04:57Couldn't you make it sing?

00:04:58That's the kind of revenue this company gets.

00:04:59Let them come if they want to.

00:05:00If they have a future, they have a reality.

00:05:02We hope so, don't we?

00:05:04We'll repair it.

00:05:04Let me inform you.

00:05:06I'm waiting to hear from you.

00:05:07I will never forget myself.

00:05:08Look.

00:05:10I'm waiting to hear from you.

00:05:12I'm waiting to hear from you.

00:05:13I'll let you know.

00:05:14Never understand me.

00:05:16Come on, Ibrahim.

00:05:19Just a moment ago, this man was saying, "Can you repair my crochet hook?"

00:05:22What does this repair mean?

00:05:23To repair, that is, to fix.

00:05:25For example, I had a fight yesterday.

00:05:26My friend is coming.

00:05:27"What did you do? Did you fix that kid?" he'll say.

00:05:29So I'd say I repaired it too.

00:05:31It has a meaning similar to "to resolve" or "to handle".

00:05:33Almost.

00:05:33As I said just now...

00:05:35...they don't pay much attention to Ibrahim's friends.

00:05:37They're just stalling, in other words.

00:05:37But here too, Ibrahim is to blame.

00:05:39So what he's doing is pure idleness.

00:05:41This is something I used to do a lot too.

00:05:43Laziness, in other words.

00:05:45Expecting anything from friends like that has always been a thing.

00:06:12Look, I'll just stand there with the phone hanging out.

00:06:14I have important things to do.

00:06:15I won't be able to come to the shop.

00:06:17Don't leave the shop empty.

00:06:20Is it ok?

00:06:20Come on.

00:06:25Hello.

00:06:26Damn Ibrahim, the last one born was corrupted.

00:06:28The last three days.

00:06:29Damn, we'll find them three days later.

00:06:32So you bring a Russian woman home, huh?

00:06:33And if he can't get along with his Russian wife, he'll be straight behind the galley.

00:06:36Hey, look at me.

00:06:37I swear I'll raise you like a flag on the flagpole of that castle.

00:06:40If I don't wake you up at the entrance to this basement, just wait and see what happens.

00:06:44Tell me the situation, what news do I have?

00:06:45Fuck off, you little doorman.

00:06:47Please subscribe.

00:06:56Now Abraham's wife is ugly.

00:06:58It wouldn't be a lie to say he has no other problems in life.

00:07:00His only problem is that his wife is ugly.

00:07:02And then there's the fact that he was deceived by his wife's brothers.

00:07:05Or is it that everything is fine – his job, his money, his watch?

00:07:08So there's nothing wrong with these.

00:07:10Anyway.

00:07:10At one point in the film, while eating at Kumrucu, he will mistake her for Esin.

00:07:14This is the place where he first saw Esin.

00:07:16But before that, I'm going to take Ibrahim for a walk around the streets of Bodrum.

00:07:20How can I better explain what the movie's message means?

00:07:23For example, who plays Esin?

00:07:25What criteria are you using to make that judgment?

00:07:28It could be anyone.

00:07:29But the events and places are exactly as I have written them, and they are definite.

00:07:33So, what I mean is, I write about things I see on the street, my friends, and so on.

00:07:37We can think about the intention later.

00:07:53Yay, what is this?

00:07:57Hey, seriously, my friend.

00:08:00What is this?

00:08:03This is what we should say: Hooray, Halley!

00:08:06Wait a minute, let me use this.

00:08:10Are you crazy?

00:08:12No, I haven't included anyone who uses Halley.

00:08:14They'll release me in three days.

00:08:16Let me use it once, what's the harm?

00:08:17What do you say, my lion?

00:08:19Are you ill?

00:08:20They showed me the brother, then they added the sister.

00:08:24What does this mean?

00:08:25Are you selling something?

00:08:26No way, what would I sell?

00:08:28I liked a pretty girl from a Greek island.

00:08:31I went to pick him up.

00:08:33They played me, the magic trick.

00:08:36They made him urinate on a lamb, and then they got him drunk.

00:08:38In Goma and Halley, they forced me into a consummated marriage on that island.

00:08:41I woke up this morning and guess what?

00:08:43I keep passing through hell, through hell.

00:08:46I said I was going to get a divorce, and my brothers-in-law started berating me.

00:08:49They will come to the bakery in three days.

00:08:50I want to use it just once, so I don't die with my eyes closed.

00:08:54Isn't that a funny story?

00:08:56Huh?

00:08:57Well, it's not bad.

00:08:58Did you always get another funny story?

00:09:00Tell me about it.

00:09:02Look.

00:09:04What amazing years those were!

00:09:06Look, twenty years ago, I lived life very fast, like this.

00:09:10Like the youth I gave, I formed a group like this from Kandevarendan.

00:09:14Everyone during these years...

00:09:16...There's a Super 51.

00:09:18I have Java and Jelen.

00:09:19We just keep going everywhere individually like this.

00:09:21I'll lift the front of the motorcycle like this and stop on the Bodrum hill.

00:09:24...I go everywhere, one by one, to Türkü, Rays, İslam, Aileler, Ortakent, Bites, Moğola, Milas, Marmaris.

00:09:32I never download anything.

00:09:33Even when I pull into a gas station to get gas, I stop and unload my car.

00:09:36I'll stand like this, like this, with the gasoline.

00:09:38But we had something different back then.

00:09:42I became İdo in Bodrum.

00:09:43Young people used to look up to me as an idol.

00:09:45These would have stopped the image, that is.

00:09:46I will stop doing it.

00:09:47We used to listen to songs like that all the time in those years.

00:09:50My hair is like this, like the devil Ridvan, with the back sticking up.

00:09:53Look, I'll stand there with my collar like this, swaying back and forth.

00:09:55That's how I keep describing myself.

00:09:56In those years, I would sometimes just walk along the road like this.

00:09:59One foreign girl, one tourist girl.

00:10:01I'll just keep waiting for the minibus, you understand?

00:10:03I approached immediately.

00:10:04I said to the lady, "I'll escort you to your destination."

00:10:07"How do you make me talk?" he said.

00:10:09That's what he said, goverem moverem.

00:10:11"Madam," I said, "you misunderstood."

00:10:13I said, "We're in Bodrum, that's how we talk."

00:10:15In other words, I can't take it with me.

00:10:16"He said 'lie down and jump,' I said."

00:10:19The girl got on the back of the motorcycle as soon as she arrived.

00:10:21I did a one-wheelie like this.

00:10:24I immediately instilled the philosophy of unicycle riding in the girl.

00:10:27Do you understand me?

00:10:28The girl left on a horse.

00:10:29Of course, we'll make the girl experience a very passionate, intense, high-spirited relationship.

00:10:34I got the girl used to it; she just keeps waiting for me like this in front of the house.

00:10:37Look like this.

00:10:37He just keeps waiting like this.

00:10:38No situation at all.

00:10:40Hey friend, time went by and I got tired of this girl, you understand?

00:10:44What did I do? I threw it away.

00:10:45Could a girl ever forget the thrill of riding a unicycle?

00:10:47He couldn't forget.

00:10:48What did he do?

00:10:49A Halley boxer from Istanbul started a love affair with an elderly Halley boxer who was riding the same bike.

00:10:53He's looking for the single wheel, so he'll find it.

00:10:55But she couldn't be happy.

00:10:56From where?

00:10:57I can't be.

00:10:57The man is old and frail.

00:11:00He just keeps using it like this.

00:11:01I always ride on one wheel.

00:11:02Is it possible?

00:11:04I can't be.

00:11:05Do you understand?

00:11:05Once you've experienced the thrill of riding a unicycle, you'll never forget it.

00:11:08Isn't the story funny?

00:11:11Why don't you use it somehow?

00:11:13What?

00:11:14Should I use it?

00:11:15What?

00:11:16Get in.

00:11:17Then get on the bike.

00:11:19What?

00:11:20What did you say?

00:11:21You both have a thousand.

00:11:21Come here and I'll talk to you.

00:11:24Why did Ibrahim suddenly say something like that?

00:11:26There's irony here.

00:11:28The slogan needs to include a single word from Ibrahim.

00:11:30And this slogan will be connected to something else later in the pages.

00:11:33One of the film's key lines is in that scene we'll connect later.

00:11:37Isn't that a line from a movie?

00:11:39They showed me his brother, and they raised up their Lord, is that right?

00:11:41This sentence is what brings the people together in the film.

00:11:45So, the story of İbrahim Bey represents the region here.

00:11:49In other words, the region, the local people, and their stories.

00:11:51Think of them all as Abraham.

00:11:54The girl also represents the corruption in the metropolis.

00:11:56In other words, the mentality of outsiders constantly coming to the region, continuously taking from the region, and conversely, contributing nothing in return.

00:12:02So, what I want to talk about here is corruption.

00:12:04These are the girls who seize every opportunity.

00:12:06Come on, come here.

00:12:09Where are we taking you, girl?

00:12:14Late.

00:12:15What are we going to do in the meantime?

00:12:17Come on in, son.

00:12:21What are we going to do?

00:12:22Well, we're the ones in this wedding.

00:12:24Look what a mess we've gotten ourselves into.

00:12:31What have you done?

00:12:32What do you think you did? Funny guy.

00:12:34And that's what I kept saying. What did you do?

00:12:35I told you, give me a ride one day.

00:12:37Would this be acceptable here, on the street? What would we allow to happen here, in this garbage dump?

00:12:40Come on Ibrahim, you're a really funny guy. Sleeping with funny guys is really trendy these days.

00:12:45My daughter, when she saw that guy was acting crazy, she hid her stick. Don't you have a boyfriend, someone you can be with?

00:12:50Yes, there is. That's what I'm saying. Come on, hurry, he could arrive any moment.

00:12:53What? Could he arrive any moment?

00:12:55Is my daughter a Satanist? Is she crazy? What's going on here, and what are you doing?

00:12:57Don't you read magazines?

00:12:59What gossip girl?

00:13:00Oh come on.

00:13:01Come on girl, come on!

00:13:02What kind of person are you, man? Even a fantasy would be out of the question for me. I have three days until I see Furcay!

00:13:08Fantasy stays put, man. The king of fantasy is at home, man. Look at that crazy guy.

00:13:13There's a single, didn't it work either?

00:13:15That crazy woman!

00:13:23Can I take a ride? I'm going to die in three days. I've never been able to ride a motorcycle in my life. Not even once.

00:13:35Are you ill? Is everything alright? Is there no cure for your illness?

00:13:39No, no, there's no cure. It's worse than the disease. It's impossible. I've been married to some ugly guy for five years.

00:13:46How?

00:13:49They showed me his brother, did they get up and show me his sister?

00:13:53What did they do, what did they do?

00:13:56They got up, as you know.

00:13:58Have they gotten up?

00:14:00He he, now I understand you.

00:14:02What does that mean?

00:14:04From the opposite island, they showed me the beautiful girl for a glimpse of her face, and brought her ugly older sister to me. They got me drunk and dragged me to the wedding chambers in the street.

00:14:11Should I use the "come here" option just once? At least we can chat when I come.

00:14:15I'll die with my eyes open, but let me just come once.

00:14:17Come!

00:14:18Are you coming?

00:14:19Come!

00:14:21What's the big deal? I'm a biker, I can handle this too.

00:14:25You remove the obstacle.

00:14:28Here too, it's about a wealthy, unhappy woman who encounters the keyword and sees Abraham as a calling.

00:14:34Of course, we have nothing against the woman, but I've been fed up with this since I was a child.

00:14:40It's like those lines about having money but an empty heart, and so on.

00:14:45So it seems very strange to me now that people are looking for the answer outside.

00:14:50Although it's not a very important scene from the woman's perspective.

00:14:53This scene was written to help us get to know Abraham in more detail.

00:14:57The area where the food is, for example.

00:14:59You know, there's a master chef in Bodrum who makes such sophisticated, high-society dishes; it's not like that.

00:15:10Hey sister, what's the news you found?

00:15:15What have you done?

00:15:17And that's what I said, man, what have you done?

00:15:19He said something more relaxed.

00:15:21Oh my God, oh my Lord.

00:15:24Sister, let me tell you something.

00:15:26I, God, can breathe more easily now, look.

00:15:29One second, sister.

00:15:33Now, dear sister, haven't I already told you?

00:15:36Opposite islands.

00:15:37Didn't they take the girl? Did they fold her up for me? Am I not the one who should find her?

00:15:40Huh? I keep racking my brain trying to figure out what to eat.

00:15:43You called me, I called you sister, you...

00:15:46...let him keep bothering me like this.

00:15:48I picked up Ceren, the girl, and took her to work.

00:15:51I took him to the house.

00:15:53I dressed her, and I put a skirt on her too.

00:15:56It didn't help, we got beaten up, they tore us apart.

00:15:59Keep telling me about yourself.

00:16:00I'm already in a state of confusion, constantly racking my brains trying to figure out what to do or what to say.

00:16:03I always see you as an older sister.

00:16:05The food was delicious, but it ruined my appetite.

00:16:08They'll come to a company like that anyway.

00:16:10I'd better go, I'll barely make it there in time.

00:16:13Damn, that's tough, damn, that's crazy. Oh my God, you're making me stay calm.

00:16:18Damn, you crazy people!

00:16:42You're a scientist, what can we do?

00:16:44Come on, bro, what are we going to do about science?

00:16:45Subtitles are purple.

00:16:46Subtitles are purple.

00:16:47I listened from upstairs.

00:16:49I listened from upstairs.

00:16:50Okay, fine.

00:16:50What should you do as a scientist?

00:16:51But I might get sick too.

00:16:53What should a science do?

00:16:57Great mix.

00:16:59Previous historical civilizations in the vast division of Anatolia.

00:17:03And those who came to Anatolia from outside.

00:17:05So many historical artifacts, so many castles, and just as many theaters.

00:17:12Now, here we have a meeting between director Ibrahim and someone else.

00:17:16The director laughs at Ibrahim, he likes him.

00:17:19He also respects Abraham and the place where Abraham lived.

00:17:25Greetings to those who lack respect and who are destroying the fabric of Bodrum.

00:17:32Because not everyone is as sensitive to these issues as this director.

00:17:36A man came and said they were going to kill him in three days.

00:17:39A strange person wants to see you.

00:17:43What should we do?

00:17:44What is this? He says I said he's gone crazy.

00:17:47He looks like a local.

00:17:51Call him over.

00:18:02Yes brother, what happened? Why are you dying?

00:18:05What? They showed your brother, they lifted his cloak.

00:18:16How did they get up?

00:18:18They got up, as you know.

00:18:20My beautiful sister shows off her cloak and they've made me a cat.

00:18:24What kind of film are you having made here?

00:18:27Promotional video.

00:18:28What are you having done?

00:18:30Circuit?

00:18:31Okay, I'll play. I'm a great player. Everyone'll buy the store before I die.

00:18:36I'll play the role. The project will be ready in three days anyway. I'm a very good actor.

00:18:41Ok.

00:18:41Uh, is that possible?

00:18:44Okay. Kids, excuse me for a moment. Could you please move over here?

00:18:48What do you mean by rate?

00:18:50Tell me something.

00:18:54Tell me, tell me.

00:18:55There, huh?

00:18:56He he.

00:18:59We went to Bodrum together. We were also messing around in Istanbul.

00:19:06Go ahead, say it. Say one more thing.

00:19:11Istankoy, below Bodrum. Two shops, a bakery.

00:19:14There's not much left of the most difficult task, not even a nose.

00:19:17And another camel?

00:19:20Like this.

00:19:20Really, a camel?

00:19:21Tell me.

00:19:22If there is a fee, it's PMV; otherwise, it's 1000 DMV.

00:19:28Beautiful.

00:19:29Tell me. Why would they shoot you?

00:19:32So now I'm the older brother.

00:19:34Narshal has only one man. I like a pretty girl.

00:19:37I trained a boy there.

00:19:39I played a game of Shirt Haki like that. They made me drink some Kuzo.

00:19:42Let's just keep going like this, feeling dull.

00:19:43They forced me into the bridal chamber.

00:19:46Damn, I woke up this morning.

00:19:47A tough situation in hell.

00:19:49Divorce is paradise. She'll come to establish herself as a wife.

00:19:52Power is changing things. I also keep the dollars in check.

00:19:54Is it really that ugly?

00:19:56It's not like you think. He has this tic. He keeps making his eyes burn bright red.

00:20:01What does that mean?

00:20:02Yeah, he has a tic, man. A tic. He keeps opening and closing his eyes like that.

00:20:06It's not like you think.

00:20:08I'm very big too. If you saw her next to me, you'd think she was my aunt.

00:20:13Will his older brothers really shoot you?

00:20:16I wouldn't hit them like that. They're crazy. They'll come and hit me, I swear.

00:20:20Are you a useless guy too, brother?

00:20:23Can't you protect yourself?

00:20:25Brother, they're just clueless. They don't understand anything you say.

00:20:29Come on, get shot or something. Crazy people.

00:20:31It's not what you think.

00:20:37Say that again. You were saying something when you arrived.

00:20:41Oh, this one?

00:20:42They showed me his brother and put his cloak on him.

00:20:50Now, what was that actor's line? Could you call the actor over?

00:20:54Come on over.

00:20:57Don't be scammed online. Contact us by phone.

00:21:01Come and see the house with your own eyes, all expenses covered by us.

00:21:05If you don't like it, don't buy it.

00:21:06That's exactly what I'm saying. Look, this line is long.

00:21:09But what this man is saying is the same thing.

00:21:12Now let's adapt this man's words to our topic.

00:21:16So, it's like, don't get scammed online, see for yourself what this house is really like.

00:21:22Go over there and take a look at the player.

00:21:24Ha.

00:21:26Now tell me, what exactly did you like?

00:21:28You know how you say they got up and all that? Just say exactly that.

00:21:32My brother showed me his cloak, and they got up.

00:21:35You're saying don't rely on photos from the internet.

00:21:40You're saying, "Come and see your villa with your own eyes."

00:21:44Look, citizens, don't get ripped off.

00:21:46Smell it with your hand before buying.

00:21:50Now you understand what I was trying to do, right?

00:21:53I don't understand. Just like me.

00:21:55Come and see, smell it, just wait. Just don't fall for the trick like I did, just wait.

00:21:59Damn, you're awesome! Tell him about my situation, man.

00:22:03What?

00:22:05That's all, bro.

00:22:07This is Mr. Ibrahim, let's make a costume for him, kids.

00:22:10Ibrahim is acting in the film.

00:22:12Are you hungry, bro?

00:22:14I'm not like that.

00:22:15Okay, let's also prepare something nice, like food or something.

00:22:18You're amazing.

00:22:20So, Mr. Ibrahim, what do you do for a living?

00:22:21Brother, he knows that I'm a complete person.

00:22:23I am a motorized slingshot.

00:22:24I'll do it on the mobile side.

00:22:25This is how I modify it.

00:22:27The circumstances have arisen in such a way that...

00:22:29from the story of every person in the region

00:22:31Whether you write a book or make a film

00:22:34And the people in the region don't need help from outsiders.

00:22:38Because its capital is so strong.

00:22:42If there is to be a distribution of resources, the local people will have an advantage.

00:22:46But as long as he looks out for others.

00:22:49Yes, of course, here too, there's the issue of Ibrahim's extroverted nature.

00:22:52There are also some allusions to the local people.

00:23:10Why would anyone sit here?

00:23:17Come on.

00:23:18What's up, buddy?

00:23:19Wow, now I'm going to have my picture drawn again?

00:23:22There are cartoonists as well as watchmakers.

00:23:24From the artist in two minutes.

00:23:26Our conversation ends here.

00:23:28Don't interrupt my concentration.

00:23:30Don't interrupt my concentration.

00:23:32I'll call the police.

00:23:33I'll fuck your mouth with the ceiling.

00:23:37I'll just give you my portrait so you don't have it drawn.

00:23:39Projects in three days?

00:23:40Don't draw my picture again.

00:23:41Huh?

00:23:43Let's see what happens to the tantuni.

00:23:44Just stamp it with your signature.

00:23:45It will be good advertising.

00:23:46I'm a man famous for his debts.

00:23:48I'm the central tantuni.

00:23:51Why don't you go to the police?

00:23:52Why did he want them to flee?

00:23:55There's also a problem regarding in-laws.

00:23:58My brothers, I'm the director of the empty chamber.

00:24:00They're also my detractors, those process detectors that drive me crazy.

00:24:03They'll release me in three days.

00:24:10You seem like an authentic guy.

00:24:13That's an interesting story.

00:24:14I don't know if I'll draw his picture, though.

00:24:16Your story is interesting.

00:24:17Come in.

00:24:20Is there food there?

00:24:27And they showed her brother, then her sister stood up.

00:24:32Great.

00:24:33This is what I call composition.

00:24:36The man is in revolt.

00:24:37He's going to shoot his brothers-in-law.

00:24:40Sulahs.

00:24:41Look, I couldn't get the rest of your story to you.

00:24:43Look, I think it's with the shimuns.

00:24:44I went to the girl.

00:24:45Get up, get up, get up.

00:24:46Open your arms wide, like a Vitru apple.

00:24:48Hungry.

00:24:49Get up, open your arms.

00:24:50Hungry, hungry.

00:24:53You're hugging naked too, aren't you?

00:24:57Brother, your wife is naked.

00:24:58Couldn't it be something else?

00:24:59Stop the nonsense.

00:25:00We don't see things the way you do.

00:25:02He has no feeling.

00:25:03There are emotions.

00:25:04It only exists in that moment.

00:25:05Come on.

00:25:06Friend, so that's what happens when you have to be the other side of the coin.

00:25:09Great.

00:25:09Tell me, why are you here?

00:25:13They looked for a girl for the gentleman from the Greek side.

00:25:16I wanted to divorce the girl.

00:25:18I asked my older brothers for a brush, that's the situation.

00:25:21Do you have a picture of your wife with you?

00:25:22I'll include that in the composition as well.

00:25:24What is repentance?

00:25:25Can it be carried on one's person?

00:25:26You'll get struck by lightning.

00:25:28What am I going to do with pictures of ugly people?

00:25:30Tell me, tell me.

00:25:31Let me draw it.

00:25:32What's his mouth like?

00:25:33What's his nose like?

00:25:34What am I supposed to explain?

00:25:36It's indescribable.

00:25:36They're so ugly, seriously.

00:25:38How can I put this into words?

00:25:40Teeth like that...

00:25:41Her hair is like this...

00:25:43It keeps popping up like this, just like Garba.

00:25:45Their teeth are like rabid...

00:25:46It keeps bouncing around like that.

00:25:47To see if he has a tic?

00:25:48He keeps doing this.

00:25:48Look, like this...

00:25:49Gıp gıp under the silver.

00:25:51That's really ugly.

00:25:53Even if I described it to you, you wouldn't be able to draw it.

00:25:54This posture here describes the body.

00:25:56The woman constantly hugging Ibrahim too...

00:25:58...they all tell stories about how their bodies are constantly held captive.

00:26:01As I said, we live focused on the body...

00:26:02...because we can't see our values.

00:26:04This is where Abraham's importance becomes apparent.

00:26:07So, in my opinion, Ibrahim is less of an artist than that guy.

00:26:09But he doesn't know about it.

00:26:11At least Abraham...

00:26:12...compared to the people she meets, she lives a less physically focused life.

00:26:15So he's not the type of guy who's obsessed with eccentricities.

00:26:17Ibrahim is a virtuous man.

00:26:22Let's see.

00:26:23How did it happen?

00:26:28Uleee!

00:26:29What's the same?

00:26:29How exactly do I want it?

00:26:31I have a crush on you, my beautiful wife.

00:26:34What is this, friend?

00:26:38Art.

00:26:40Is this art?

00:26:41Art is the expression of human imagery...

00:26:43...is a spontaneous expression.

00:26:45The story you told is also art.

00:26:47But you're not an artist.

00:26:49Gee!

00:26:50Exactly.

00:26:51You are unique.

00:26:52Natural.

00:26:53So, what comes out of you...

00:26:55...embarrassing.

00:26:56But you don't know its values.

00:26:58We artists take it out of the ice.

00:27:00Hey friend, I drew my little black cat at least like this.

00:27:03It's the same thing.

00:27:04I mentioned art, didn't I?

00:27:05Can I draw a dangerous picture of myself, ule?

00:27:09Hoot!

00:27:11What is that?

00:27:12Back in the day, I used to hit and hit like that...

00:27:15...I stood next to a man everywhere, one by one.

00:27:17I was the one who held it up the longest.

00:27:18Am I not able to do it?

00:27:19Gee!

00:27:22Here you go.

00:27:23Let's start a new story.

00:27:25Where's the engine?

00:27:42They showed me the brother, then they showed me the older sister.

00:27:53You heard it too, didn't you?

00:27:55What was that?

00:27:58We were on the same wavelength.

00:28:00It was a very in-depth session.

00:28:03We both heard the same thing.

00:28:05What was that we heard?

00:28:07It was some kind of puppet-like thing.

00:28:09Listen, Feride, I'm telling you, we heard a voice from the future.

00:28:12It was very deep.

00:28:14It's incredible that we're both the same height.

00:28:17We've made great progress with this, Feride.

00:28:21They showed me the brother, then they showed me the older sister.

00:28:25See, I told you, we heard a voice from the future.

00:28:32Our soulmate.

00:28:36Come, friend of Light.

00:28:39Come, find us some light too, come and sit down.

00:28:41What are you two doing here anyway?

00:28:45Huh?

00:28:47Come on in, friend Işık, we were waiting for you.

00:28:53It's also indigo.

00:28:55I understood from his frequency when we hugged.

00:28:57My stress levels are very high.

00:28:58Her aura is perfect.

00:29:00Tell me to stay here, you dogs.

00:29:02The hospitality is endless.

00:29:04Please, sir.

00:29:05We are the only vegetarians.

00:29:08What are you all doing, stopping?

00:29:10I'll go to the market and come back.

00:29:12Let me get the earring.

00:29:13We make kebabs full of shit.

00:29:14We also have raki for you.

00:29:15The person who's going to start the conversation is here.

00:29:16Why not?

00:29:17Come here, my friend.

00:29:18Nothing is a coincidence.

00:29:19Let's talk a little about why you're here.

00:29:22Let's talk about it.

00:29:23Why am I here?

00:29:26You were sent to meet with us.

00:29:29From the future.

00:29:31That's what we want to tell you.

00:29:33And we've been tasked with tackling this scale of work together.

00:29:40We are one.

00:29:41You are our soulmate.

00:29:43Aren't they our soulmates?

00:29:45We're sure, aren't we?

00:29:46Are you mad?

00:29:47Have absolutely no doubt about it.

00:29:49Of course, they're our soulmates.

00:29:50Soulmate?

00:29:51What is that?

00:29:53I have a question.

00:29:54What exactly is a soulmate?

00:29:55Do I have a soulmate too?

00:29:56For example, do you think I can know my soulmate?

00:29:59My mother is my soulmate.

00:30:00My father is my soulmate.

00:30:02My love, my soulmate.

00:30:03I have a friend who calls his car his soulmate.

00:30:07There is no one else in this world who is their soulmate.

00:30:09You are born with your soulmate.

00:30:12You continue the journey together.

00:30:14Your essence, and what will always remain, is your true self.

00:30:18It's a bit complicated here, of course.

00:30:21So I have both a soulmate and a soulmate.

00:30:25That's not how it is.

00:30:27Your soul is also your soulmate.

00:30:30So, that's how I can summarize it for you.

00:30:33I told you a moment ago that we were waiting for you.

00:30:36This is the moment.

00:30:38We'll be going into group therapy shortly.

00:30:42In a group?

00:30:45Hey friend, it's me...

00:30:48Why have I been saying this for years without getting anywhere?

00:30:50I calculated it over the last three days.

00:30:52I'm not going to talk about that group right now.

00:30:54Look, the angles of the stars say the same thing.

00:30:57When soulmates find each other, the universe begins to reveal symbols and shapes to them.

00:31:02The important thing is that you can see them.

00:31:04To look?

00:31:05To see?

00:31:07Bravo.

00:31:10After we finish our meal, we'll hold one more session and erase our past.

00:31:15It will only happen now.

00:31:17Carpe diem, that is.

00:31:19Wow, we've come to the perfect place, Efe.

00:31:22Hey, can you erase the past?

00:31:25We are all born to make mistakes.

00:31:27We will correct our mistakes, increase our spiritual development, and depart from this dimension as light.

00:31:31That is, Nirvana.

00:31:33What, what, what valve?

00:31:37See how the system works?

00:31:39He sends soulmates to those of us at the highest level of consciousness, and also to those at the most primitive level of consciousness.

00:31:44What a wonderful day. Thank God.

00:31:47This is our karma.

00:31:49I think we should eat our meals right away and get to work.

00:31:51We all have very high energy levels.

00:31:54Do you really stand idly by amidst such ugliness?

00:31:58There is no ugliness in the universe.

00:31:59No mistake.

00:32:00They are all our karmas.

00:32:03It is our duty to overcome these challenges.

00:32:05That's why we're here.

00:32:06Hi.

00:32:09He went to the Eşkiçeşme neighborhood to hold on to something.

00:32:12Shout, "Gipki gardener, ipki gardener!"

00:32:14It comes to life with such a lively, bubbly sound.

00:32:17Is it right? Is it wrong? Is it ugly? Then you'll see.

00:32:20Let's not waste time.

00:32:22Let's eat this food.

00:32:24Let's combine this organic energy with our own energy.

00:32:27And let's raise our awareness.

00:32:29That's the kind of solution we're always looking for, isn't it?

00:32:31I was meditating morning and evening, hoping it would help.

00:32:35Of course, that's not the solution either.

00:32:36The solution is something completely different.

00:32:38That's why I love this scene so much.

00:32:41He tells very beautiful stories.

00:32:42There aren't hundreds of gods or anything like that.

00:32:47Om manipagmeum.

00:32:49Om manipagmeum.

00:32:52To erase our friend's past...

00:32:55...send us a sign.

00:32:57To give her the neutralizer vaccine...

00:32:59...send us a sign.

00:33:02Send us a signal for this session.

00:33:05They showed me his brother.

00:33:08They got her sister up.

00:33:10Is this even possible?

00:33:12What?

00:33:13Let's try.

00:33:15It could be.

00:33:18They showed me his brother.

00:33:20They got her sister up.

00:33:23We're about to enter the canal once again.

00:33:25They showed me his brother.

00:33:29They got her sister up.

00:33:31They showed me his brother.

00:33:33They got her sister up.

00:33:36They showed me his brother.

00:33:38They got her sister up.

00:33:40Can you see it, my friend?

00:33:43Can you see the beauty?

00:33:46You had fun at my hands, you damn fool.

00:33:47You had fun at my hands, you damn fool.

00:33:49Seven-toothed birds.

00:33:50Seven-toothed birds.

00:33:51Qatar is my birds.

00:33:53Damn, has it turned bright red yet?

00:33:55Damn...

00:33:55Damn your channel.

00:33:57Did you put that in the castle's propaganda channel, you bastard?

00:33:59I confronted the truth about my wife.

00:34:01You brought my dream right into my life.

00:34:03Why didn't you guys stop and ignore the past?

00:34:05What did you see?

00:34:06Tell us.

00:34:07Come on, tell us about it.

00:34:10Are you guys crazy?

00:34:12You've become inseparable, Bora.

00:34:14What the hell are you guys making me do?!

00:34:18Damn, my back is getting stiff.

00:34:22Meditation is the solution to everything, my friend.

00:34:26Is this yoga?

00:34:28That's something different.

00:34:34Dude, there's a guy here.

00:34:36You'll be rolling on the floor laughing.

00:34:38He has a personality that's perfect for you.

00:34:42I informed everyone.

00:34:44People are gathering just for him.

00:34:47I was cracking up laughing this morning.

00:34:50I was sitting on the pier.

00:34:52Did he want a jet ski?

00:34:54It was the last three days.

00:34:56He'd never ridden a jet ski in his life.

00:34:59He was going to kill his brothers-in-law.

00:35:05They showed me his sister.

00:35:07They got up, she says, her sister.

00:35:09But you need to hear it from him.

00:35:12Don't see someone speaking with an accent.

00:35:16Anyway, I gave him the jet ski and he's riding around, master.

00:35:19Everyone's here saying "come on over, don't miss this!"

00:35:22Come on, I'm waiting.

00:35:24Hey everyone.

00:35:26Hi.

00:35:27Dude, which one is where?

00:35:28Dad is over there.

00:35:29Farun got on his jet ski.

00:35:31She had just ridden in mine too.

00:35:32There's no conversation like this.

00:35:33Look how it's going.

00:35:36Hey everyone.

00:35:37Hi.

00:35:39What's up buddy?

00:35:40We've arrived, so where is it?

00:35:41Here comes the scene now.

00:35:42The atmosphere seems weak.

00:35:43Where is this guy?

00:35:44Are we all okay?

00:35:45I'm calling.

00:35:46Ok.

00:35:48Yibran.

00:35:50Expect something for everyone.

00:36:06Hey buddy, how did you get there?

00:36:09Oh my god, I'm sliding like soap on water!

00:36:13Boran, sit down.

00:36:14Yes.

00:36:15Wow, this is quite tiring too!

00:36:18I'm gliding on the water like soap.

00:36:23Dad, wait a minute.

00:36:25The atmosphere is great, and the story is great too.

00:36:28Let's introduce ourselves, let's have a blast, we'll laugh even more.

00:36:30Uh...

00:36:39So, will you make my corn expensive in the middle of the table?

00:36:45I had the flu one day.

00:36:46I said, "What am I going to expect from aspirin?"

00:36:49I took ecstasy.

00:36:51He cut it off instantly.

00:36:53"Come on, let's go," I said to myself.

00:36:55I find a solution to everything.

00:36:57Three days later I ended up in the hospital.

00:37:00Better music.

00:37:01To study better.

00:37:03For better sex, it's like a blazing fire.

00:37:06Normality wasn't enough.

00:37:09For example, I'm going into a movie.

00:37:11I thought, "I'll watch it better."

00:37:13My girlfriend cheated on me last year.

00:37:15We even ran into each other on the road the other day when we were leaving here.

00:37:18We chatted for a while.

00:37:22How can I solve this problem?

00:37:23How do I get out of this? Hop.

00:37:28Is that also the case when writing the script?

00:37:30No.

00:37:32How no?

00:37:34I'm trying to read.

00:37:37When you start reading, the pointless things stop.

00:37:39And because I can read, I can write this screenplay.

00:37:44What kinds of books do you read to write this screenplay, for example?

00:37:49The kind of reading I'm talking about isn't like reading just any book.

00:37:57I'm reading about Bodrum, for example.

00:38:00I'm reading about the events in Bodrum.

00:38:02And what I'm reading is opening something up for me.

00:38:05Another one at this school.

00:38:17They were deaf, so I went to see him with my whole family.

00:38:20You're describing me.

00:38:21Damn, I left with this bunch of guys.

00:38:22My father's hundred duties have been placed on the ground.

00:38:24"Damn," he said, "I'll just open it and take a look."

00:38:26You lifted it like that, damn it, damn it, damn it, I can't believe it.

00:38:28That girl shines like the sun, man.

00:38:31It's such a delicious thing, like milk, how can you not eat it?

00:38:34Friend, I'll make them think it's him, understand?

00:38:37My dear friend, whatever was going to happen, it would happen that night. My dear friend, I was actually a little suspicious that night, I had a certain feeling about me.

00:38:41You know how a girl has a wedding gift, like a dowry...

00:38:44...is this wedding gift, this magnificent veil, so magnificent?

00:38:46He says the cover makes you cringe. You know, the kind that makes you feel very light and airy. That's what it is.

00:38:50How would I know, great one? When he does that tic, when he fidgets...

00:38:53...let him play this game as a wedding gift for the job he does on his face.

00:38:57"My dear friend," I said, "my dear friend," I said, "this one who has a dowry..."

00:39:01...do you understand how he plays?

00:39:02Do you understand? I thought about it for a bit there, but I couldn't figure it out...

00:39:05...they'll make me play, so stop!

00:39:07My dear friend, I woke up this morning and there was no wedding gift, nothing at all.

00:39:10I woke up one morning, and my eyes were wide open...

00:39:13...and you were looking at me while I was standing next to you, but you should have seen that moment.

00:39:16Do you understand? It's not like you think.

00:40:30...I'm in a state that makes me blush.

00:40:33My dear brothers, let me explain, and you'll agree with me.

00:40:37I liked a girl, she was very pretty, from the other island.

00:40:40Look, I did everything they told me to do.

00:40:42I brought them here and held a wedding for them in the village by the stream.

00:40:45There's nothing wrong, everything is fine.

00:40:47I looked around and saw flags and things everywhere.

00:40:50They make me play like this, they make me play like this, like this.

00:40:53They made me play space for two liras, it was ridiculous.

00:40:56Of course, when Ouzo and the squeezing together are combined with your gandevera...

00:40:59...I feel like I've been possessed by a demon, man.

00:41:01You'll have me tell your story, won't you, brother?

00:41:03If anyone understands me, it's you, man.

00:41:05Hey brother, I went there and... oh my god, there's something strange in my stomach.

00:41:10I swear, when the wedding night arrived, they locked me up like that.

00:41:13I don't even know how I got into the room.

00:41:15Keep forgetting about the wedding and the marriage.

00:41:17I'm such a fool, whatever you do, don't drink Ouzo!

00:41:19If you drink ouzo and then play hopscotch, you're like someone possessed by a demon.

00:41:23I swear to God, I'll lie. My dear brothers, I'm telling you this.

00:41:27Brother, I woke up this morning, and guess what?

00:41:29Wow, I had it made with Freddy's vibe.

00:41:32"They said, 'Run away, run away, you will sit down.'"

00:41:36Ah, the founder.

00:41:38They said, "You establish it," they said, "you will escape, you will break things, you will sit down."

00:41:41I have to, brother, look, my wife is very hot, she has a lot of hotties.

00:41:44She makes those wobbly movements, the woman caught in the wobbly motion, wobbly.

00:41:53Ladies' gentlemen, good evening.

00:41:55Welcome to Hong Kong Chinese restaurant.

00:41:57Tonight we have some story about all these guys.

00:42:00He's from Bodrum.

00:42:01There's a famous guy in Bodrum.

00:42:02He's talking Turkish, but local access.

00:42:05There's access to Bodrum.

00:42:06Whatever you tell them, just keep taking me with you.

00:42:10My dear tourist friends, listen to me carefully.

00:42:13They introduced me as the brother. They included the sister.

00:42:16Tell me about my situation. Look, I'm one of the opposite kind,

00:42:20I liked one girl.

00:42:23They played such long tunes, they made me dance on my back, they drove me crazy.

00:42:27They framed me because of your brother. Tell them everything, you'll tell them the same thing.

00:42:32Tell me everything.

00:42:43Kimi, Muzi, Raki, they got me drunk.

00:42:46I really got him drunk.

00:42:48I could be a day-to-day diary.

00:42:52I have bad breath too.

00:42:54Yes, yes.

00:42:55Because they're the wrong girls.

00:42:57Those beautiful girls, those beautiful girls, those beautiful girls.

00:43:01I am a very bad thing.

00:43:03I am a very big problem.

00:43:05Look, Kora, definitely don't go on vacation.

00:43:09Don't go on holiday to a Greek island.

00:43:11Everything was stolen.

00:43:13They got the raki and made it last a long time.

00:43:15They did something else to the tzatziki.

00:43:17If you go there, they're harassing the most vile women in the family.

00:43:21Don't go to him. Tell him these things.

00:43:23Exactly.

00:43:24We have never, never go to Coast Island.

00:43:25Never, never follow in the law with some girls from Coast Island.

00:43:29There's a big problem with it.

00:43:31And they show you the young man, people go this one.

00:43:34But when you, you are real.

00:43:35When you want to be good of mine, they give you all the ugly one.

00:43:39Never, never do that.

00:43:40Never go to Coast Island.

00:43:41Never go to Coast Island.

00:43:42Never go to Coast Island.

00:43:43Burcay and I will arrive in three days.

00:43:45My pens are there, the zodiac signs are for me.

00:43:47Please help, friends.

00:43:49Don't go there.

00:43:51Always call me pure and innocent.

00:43:52It's taking me away.

00:43:54You said it exactly as I said.

00:43:54Yes, we are not.

00:43:55Ok.

00:43:56That's exactly the answer.

00:43:57Very important.

00:43:58I've been adding this to my homepage for 5 years, 5 years.

00:44:00I've been running the shop for 5 years.

00:44:04The much-talked-about name of recent days, the colorful personality from Bodrum, İbram, is walking now, dear viewers.

00:44:10Ibrahim, who makes everyone laugh by telling a sad story about what happened to him, is insatiable when it comes to money and women.

00:44:16With his story and slogan, Ibrahim, who lives a billionaire's life, has been living a life fit for kings lately, and this also brings a new beginning to Bodrum.

00:44:25It also started the migration.

00:44:26The slogans, which briefly tell the stories of the local people, seem likely to create a lot of rivals for Ibrahim.

00:44:33Ibrahim, who left his home two days ago and has not yet returned, has become famous throughout the country, and his story and slogans have attracted his equals.

00:44:42The number of people bringing them in has reached a remarkably significant level.

00:44:47You take care of the one who made you cry, you take care of the one who made you cry, come on ladies, the king of stories is here, you take care of the one who made you cry.

00:44:55Yes, dear Kent TV viewers, this will be the first time in my life I'll be presenting a news item about such a change.

00:45:00Let's wait and see what happens to us.

00:45:02Hello brother, welcome.

00:45:03Hello brother, nice to meet you, greetings.

00:45:05You are one of those who heard the story of Ibrahim and came to Bodrum, right?

00:45:08Yes, brother, just don't publish my slogan too much.

00:45:11It's copyrighted, one or two uses are enough, this is my livelihood.

00:45:14What is your story? What do we say?

00:45:16It's a true story and it takes place in a barn.

00:45:18It takes place in a barn, dear viewers.

00:45:19We continue with the stories of Abraham.

00:45:21Now, we, the Ibrahim family, have come to Bodrum specifically for one of Ibrahim's stories.

00:45:24Let's talk to them and see what they have to say.

00:45:26Welcome, you've settled in Bodrum.

00:45:28It's great to be here today; we're not leaving anytime soon.

00:45:30It turned out great, you were the only ones missing, and now you're here, Bodrum is complete.

00:45:33Great.

00:45:33So, what's your story? Let's hear your story.

00:45:39Our story is a great family tale about me, my brother-in-law, my sister-in-law, and my wife.

00:45:46Our slogan is also a story suitable for families, suitable for Turkish families.

00:45:50But there's something I don't understand.

00:45:52Ibrahim started making money from this job, and a lot of women wanted to be with him.

00:45:57You have your spouse with you, how is this going to work?

00:45:59That man is a pervert, brother, don't tell us about him now.

00:46:02That whole thing started with the wrong person.

00:46:04We will begin in a way that is appropriate for a Turkish family.

00:46:08There are lots of stars in the sky, my brother-in-law and sister-in-law are in love with you.

00:46:12If you don't marry her, you'll sink the star.

00:46:14Thank you very much.

00:46:15May God grant you a good breakfast.

00:46:17Thank you.

00:46:18Thank you.

00:46:21Aspirin is like a pill, a girl's breasts are like a door.

00:46:24I prepared it the night before, like the handle of an axe.

00:46:28Isn't it a bit like this, or hasn't it gotten a bit out of hand?

00:46:32Isn't this shameful?

00:46:33So this, that is...

00:46:34No.

00:46:36I'm fed up.

00:46:38It's not shameful to mention Abraham's name, but it's shameful when we mention it.

00:46:42Well, that's part of our culture too, my brother.

00:46:45Has anyone shown any interest in your story, for heaven's sake?

00:46:49Well, to be honest, it's happening gradually.

00:46:53So it hasn't been that long, but it will take time, and we'll definitely see results.

00:46:57So you're saying that our businesses will gradually pick up?

00:47:00Of course, of course, you'll see him here and there, like Ibrahim, very soon.

00:47:03I'll say it again in a moment, that is, for the second time in my anthem.

00:47:06That's how Malk will get used to it, that's how he'll become familiar with it.

00:47:09Should I say it again?

00:47:10Ok.

00:47:11Aspirin is like a pill, a girl's breasts are like a door.

00:47:13Of course, I prepared it the night before, like the handle of an axe.

00:47:17Yes, this is it.

00:47:25Are these scenes a dream?

00:47:27Yes, these are dreams.

00:47:28Ibrahim sees these scenes in his dreams.

00:47:31Good heavens, is Ibrahim really that sensitive?

00:47:34This is Ibrahim, brother.

00:47:35We are now seeing all of Bodrum's dreams.

00:47:39Wait a minute, I think I'm playing too.

00:47:40And a reporter too?

00:47:42Of course, we're playing together.

00:47:44You play the role of a reporter.

00:47:46Your tongue is a bit sharp.

00:47:48I even wrote the most polite slogan for myself.

00:47:51The needle is still in the fire.

00:47:52Because in my previous life, I too was one of those who spoiled the fabric of Bodrum.

00:47:55How did you mess it up?

00:47:56What exactly were you doing that you messed up, for example?

00:47:58As I said, I was doing everything I could to avoid working.

00:48:01It was as if I was living to avoid work.

00:48:03As I said earlier, it's ecstasy and stuff like that.

00:48:05Stupid youth activities.

00:48:07Anyway, let's get back to the story, man.

00:48:09From this point on, Ibrahim's sensible and generalist nature becomes even more apparent to me.

00:48:14But Ibrahim should also pay a price for the happiness he seeks outside.

00:48:18Yes, ladies and gentlemen, now we turn to the most important news of the day.

00:48:22And for the latest on Ibrahim's brothers-in-law, we're connecting with our correspondent at port customs.

00:48:30Yes, dear Ev, thank you very much.

00:48:32Dear viewers, breaking news.

00:48:33Yes, my brothers-in-law are arriving now.

00:48:35They came to Türkiye from Kost Island.

00:48:37And welcome for a second.

00:48:38Hello and welcome.

00:48:39Thank you.

00:48:40Wait a second, don't talk like that.

00:48:41You have come for Abraham.

00:48:41Yes, we came for Abraham.

00:48:43Where is Abraham? Where is he?

00:48:43Either you find Abraham, but there's a way to resolve this peacefully.

00:48:46What peace have you made, brother?

00:48:47Is there any peace left?

00:48:48Look, brother, Ibrahim gave instructions to Ali and Gokhan.

00:48:50They walk all over you, the thick ones are for you, not for me.

00:48:52Please come in.

00:48:53Come on, let's go.

00:48:54Look, here are Ali and Gökhan for you.

00:48:56Go ahead and dive in.

00:48:57Branch.

00:49:02Did you get hurt?

00:49:04They ran away!

00:49:05Bend down, Fuzi, and make me bend down again.

00:49:07So what should we do, Ibrahim?

00:49:08Tell me.

00:49:09Didn't I say, "Come on, I'll take it to you and tie it up again"?

00:49:12Damn, we dropped everything and chased after those who ran away like you.

00:49:15Damn, I'll make you pay for my school years.

00:49:17I hope the bagels are a treat for me.

00:49:35Ali, what the hell did you do?

00:49:37It's good, Brother Ibrahim.

00:49:39Where are you all?

00:49:41I have some work to do.

00:49:42They'll handle it.

00:49:43What did you do, leather wives?

00:49:45How are things at my home?

00:49:47What else could they do? All the women in the neighborhood have been at your house for two days.

00:49:50Keep buying it, sister-in-law.

00:49:52Uh...

00:49:54Completely different people coming and going.

00:49:56No, but they're recording you here tomorrow.

00:49:58Everyone can spot them.

00:49:59They keep talking about the end of Abraham.

00:50:01At noon, he recites the funeral prayer for Ibrahim.

00:50:04They keep saying they'll bury us in the afternoon.

00:50:05Really?

00:50:06No, that's not true.

00:50:10Ibrahim said.

00:50:11What's wrong with you?

00:50:12Just keep wandering around.

00:50:13Where are you wandering around?

00:50:15You wouldn't believe me if I told you.

00:50:17We're saying that we want Ibrahim to come and explain it anyway.

00:50:23Did your brothers-in-law arrive from the island?

00:50:25What happened?

00:50:26Have your brothers-in-law arrived from the island?

00:50:27Ibrahim and his companions keep coming.

00:50:30So, his brothers-in-law were going to arrive at the crack of dawn.

00:50:34He's talking about it.

00:50:35They'll be waiting for you tomorrow in Karazabağ.

00:50:37So, you're saying it's the last 24 hours, Nizam?

00:50:40Let's see about Gezago.

00:50:41If you don't have a destination, should I leave from here?

00:50:45What kind of friends are you two?

00:50:47Why don't you stop and help me?

00:50:49Were you scared?

00:50:52Let me go take a look around.

00:50:54Let him come and go.

00:50:57In big cities, there are thousands of young people competing but not even near the finish line.

00:51:01They're all so confused.

00:51:04Even going to university doesn't help.

00:51:06Well, his illiterate state is obvious already.

00:51:09There's a new trend, you know.

00:51:10Go to university.

00:51:11Keep your relationships warm.

00:51:13Keep your eyes open.

00:51:14Look for opportunities.

00:51:16Look at how far so-and-so has gotten thanks to the connections he built.

00:51:20Which one are we going to do, for heaven's sake?

00:51:22Where are we rushing to?

00:51:24They will also attend university.

00:51:25And we'll find someone to get the job done.

00:51:28Will my lifetime be enough?

00:51:30The song in my head perfectly describes Esin at the pigeon shop at the beginning of the film.

00:51:35I think if we time the chorus parts to coincide with Esin's face, the song will convey both our message and Esin's character very well.

00:51:50As the saying goes, "a lion comes to the doctor's doorstep."

00:51:53What happened? Did the engine break down?

00:51:55I am an engine mechanic.

00:51:59I am an engine mechanic.

00:52:02They showed me your sister, not your brother.

00:52:05I just kept passing through the pipe.

00:52:07I'm an engine mechanic.

00:52:08Such things don't happen here.

00:52:10I didn't say anything mean to you.

00:52:12Okay, fine.

00:52:13The police will arrive soon, you can explain your problem to them.

00:52:15Dude, we don't do things like making snide remarks here.

00:52:18Everyone in Bodrum knows me as Harakaz İbram.

00:52:21If you don't believe it, call 179.

00:52:23Ibram Kocabaş's phone...

00:52:25There was a mechanic.

00:52:26Can I get his number?

00:52:29One minute.

00:52:32Ok thank you.

00:52:45Turn on the gas, Ibram.

00:52:47Have you seen?

00:52:48Is that enough?

00:52:48Did you hear any sound?

00:52:50Did something happen?

00:52:50A strange sound came out.

00:52:52And then you stopped.

00:52:53Did he snore like that?

00:52:54He did, he did, grunt grunt grunt grunt.

00:52:56He stopped after that.

00:52:57Let me check again.

00:53:00Did Enso get gas?

00:53:02I bought.

00:53:08That's how your brother showed it, he'll grab his older sister...

00:53:11What's wrong?

00:53:12Uh!

00:53:13Uh!

00:53:16You're going to shoot me, huh?

00:53:18Enough already!

00:53:19My dear son, why are you so quiet?

00:53:21What the hell are you guys after?

00:53:22Huh?

00:53:23Look at me!

00:53:25Look!

00:53:26Or should he stay late at nine?

00:53:29Damn, it's not nine o'clock...

00:53:30You're a disgrace if you're not here at seven!

00:53:33Huh?

00:53:33Should three people wait?

00:53:35Damn, this is me, four more guys, son!

00:53:38I'll send my apprentice to fix the engine.

00:53:40Okay, fine, let's go then.

00:53:42I explained it well, friend.

00:53:43But wait a second, just stop right there.

00:53:45I'll take your picture.

00:53:46What?

00:53:46A picture?

00:53:47Huh?

00:53:49Now what?

00:53:50I'll take another picture of this from the police movement situation.

00:53:53Okay, come on, just stand there, I'll take your picture.

00:53:55My friend, as the saying goes, "one word is enough, the ship stays on top," so this is where we come from.

00:53:58Let's see.

00:54:24Stories that smell of earth.

00:54:25These are wonderful stories.

00:54:27I'm a fan.

00:54:29Even if I hadn't been born in this land, I would still be chasing after these stories.

00:54:35Money and career.

00:54:37How cruel it is in the face of such heartfelt stories.

00:54:41Not even money.

00:54:43Let's call it a career or a cutthroat competition.

00:54:45These lovely stories are traps that have been set.

00:54:51Let's read the following dialogue together.

00:54:55Let's see if I can explain my problem.

00:54:58I've found a great topic.

00:55:00If I manage to get it done by tomorrow evening, will I be the first to know?

00:55:06How did you catch him?

00:55:07I couldn't find anything two hours ago.

00:55:08You said you were going to go crazy.

00:55:11How are you going to finish it in one day?

00:55:13It's just a one-day story anyway.

00:55:16Let's say a man has 24 hours.

00:55:18Let's even say the last 24 hours.

00:55:20What about the last 24 hours?

00:55:21Just leave it alone.

00:55:23I'll be pursuing this story until noon tomorrow.

00:55:25I'll finish writing it by tomorrow evening.

00:55:27Are you going to release it next week? Let me know about that.

00:55:30Of course I'll take it off.

00:55:31Not with me, okay?

00:55:32I'll arrange that too.

00:55:33Don't worry.

00:55:34Wait to hear from me.

00:55:36Come to me.

00:55:37Now I'm going to fight Gara and Deniz.

00:55:42How about that?

00:55:46And it increases like this too.

00:55:48Take a look.

00:55:55You stand up and I'll take the picture from below.

00:56:01Look at this place, come and see for yourself.

00:56:09Come on, take a look from the outside.

00:56:12What is the story behind this?

00:56:15These Boras belong to individuals, private people, not the state.

00:56:18For example, in our neighborhood there's a guy named Tin-Plain Mustafa.

00:56:21She is in court with her family because of Bora.

00:56:23Will you stop talking?

00:56:23So, one says "I'll buy it," the other says "I'll buy it."

00:56:27The whole family has fallen out with each other.

00:56:28Look, master, he had this planted here years ago.

00:56:31Now they'll keep a tally of these things.

00:56:33Can you imagine?

00:56:34They are all individuals.

00:56:36Years have passed, and the court case is still ongoing.

00:56:39Because it belongs to the individual, not the state.

00:56:41Keep telling me, right?

00:56:42It's from those years.

00:56:43It'll be either me taking it or him taking it.

00:56:44Conflict within the family.

00:56:46Like Dallas, or like you know, right?

00:56:48How can I put this into words?

00:56:50Back in the day, in those years, people used to go up to Gündoğan.

00:56:54Here, the cloudy weather and celestial events indicate Esin's ill intentions towards Ibrahim.

00:56:59Ibrahim is here with all of Bodrum.

00:57:01Esin also represents the ill-intentioned people in Bodrum.

00:57:04If you'd like, we can continue reading together.

00:57:07I think the most important part of the story is the man working late into the night in his repair shop.

00:57:12Why does it work?

00:57:13Because his wife is very ugly.

00:57:15"What am I going to do when I go home?" he asks.

00:57:17Don't you think this place is very interesting?

00:57:20Interesting.

00:57:21Why do you say it's uninteresting and so unexciting?

00:57:25Okay, stop tearing yourself apart.

00:57:26The man's story and what he said will turn out to be interesting this summer.

00:57:29Don't worry.

00:57:30I brought your page to life.

00:57:31You don't work at all in a job related to mine, though, over there.

00:57:34You should get a little excited about it too.

00:57:35We're actually going to do this news story, right?

00:57:38Yes, I talked to them and arranged it.

00:57:40Don't forget about my job.

00:57:41You spoil the excitement of saying it every time.

00:57:43Is this the right time?

00:57:45What are my dreams for my first writing?

00:57:47Look at your problem.

00:57:53Haven't you done this before?

00:57:55Don't say it in every conversation.

00:57:57If you say that again, I swear I won't do it.

00:57:58I'm spoiling the excitement.

00:57:59If you don't remove it, we won't remove it either.

00:58:00Esin and Ibrahim.

00:58:01Ibrahim's friends ride past him towards the harbor on their mopeds.

00:58:05They arrive at the souvenir shop.

00:58:07And he's an incredibly romantic guy.

00:58:10But he doesn't realize it.

00:58:11It can't even be called romantic.

00:58:12Let him hang himself like an artist.

00:58:14In my opinion, he's an artist too.

00:58:16The reason he's so fond of old mopeds is because he has a great love for the past.

00:58:20He's very interested in the past.

00:58:22It has one engine.

00:58:231972 model.

00:58:25A moped like that.

00:58:26We're going to go swimming in the sea with him shortly.

00:58:28Be my guest.

00:58:29Don't be ridiculous, this is business.

00:58:32Why don't you go there, take a picture in a secluded spot, and email it right away?

00:58:35I wish my whole day went well.

00:58:37How can I do it, I say, the people know best.

00:58:39Will he let them stay in the country?

00:58:40They all look the same, but none of them are the same.

00:58:42Come and see, touch it, look.

00:58:43Look, they all look alike, but they're all different.

00:58:47Will he let me stay here?

00:58:47You can find everything here.

00:58:49Okay, let me take a picture of you.

00:58:50Here?

00:58:51Okay, go over there.

00:58:57Will he/she stay here? Let's see.

00:58:58Stop setting it up there.

00:58:59Jump on.

00:59:11Will he/she stay here? Let's see.

00:59:30Will he/she stay here? Let's see.

00:59:31You never know what camels will do.

00:59:36I wasn't actually scared, but I didn't want to bother the animal.

00:59:50That was great.

00:59:52Is someone lifting the camel's front end like a motor?

00:59:55It has been removed.

00:59:56Go away, you sinful animal.

00:59:57It lifts you up immediately.

00:59:59You've gotten used to it.

01:00:01Do you have your swimsuit with you?

01:00:15Isn't the view beautiful?

01:00:17Look, look, look, will it drive you crazy?

01:00:19Look over there, look over there.

01:00:20I saw.

01:00:20Keep wandering around.

01:00:22How do you manage to stay high?

01:00:23It's over, will you stop?

01:00:24No, I don't know.

01:00:25Shall I tell you about yourself?

01:00:26To explain.

01:00:26Not every fisherman can catch mullet.

01:00:29Look, mullet is a completely different matter.

01:00:31Again, unlike other fish, mullet don't jump at the food like that.

01:00:35Emer.

01:00:35Will you keep talking like this?

01:00:37Suck immediately.

01:00:38What are you going to do about it?

01:00:39Listen to me carefully.

01:00:41You shouldn't get hung up on things like that, like needles or anything like that.

01:00:44You'll get through it easily like this.

01:00:46Misimada will be four or five meters tall.

01:00:49You'll just throw it in front of him like that.

01:00:51This will come anyway.

01:00:51You're not going to bite the fish I'm about to suck like you did the other fish.

01:00:54Look, you'll flap it like this.

01:00:56Is that how you understood it?

01:00:58Did I whip it like this?

01:00:59You'll put a needle in his neck.

01:01:02He jumps into the air.

01:01:03Do you understand?

01:01:03Look, I'll show you how to do the same thing.

01:01:05Pull up your fishing line.

01:01:07Like this.

01:01:08Have you seen?

01:01:09Have you seen?

01:01:09Try doing that again.

01:01:11Have you seen?

01:01:12Look right now.

01:01:12Inflate it as if it were around my neck.

01:01:14Do you understand?

01:01:15I understand

01:01:15Come.

01:01:23Now I'm generally from the upper devil's den.

01:01:26Always fly the devil.

01:01:27From where?

01:01:28Look.

01:01:29It's a single tip like this.

01:01:30The pair are positioned one on top of the other.

01:01:31Look.

01:01:32Give me a single-shot airplane.

01:01:33Look, I'm going crazy.

01:01:34Is it ok?

01:01:35The horse has a single fly.

01:01:37Did you see me run away?

01:01:38Look.

01:01:38How did I escape? You couldn't hit me.

01:01:40Have you seen?

01:01:40He lost his mind.

01:01:41Look at the pair of horses.

01:01:43Have you seen?

01:01:44You missed again.

01:01:45Three horses.

01:01:46Look, it's stuck.

01:01:47You'll get your head out of the oven after taking it out of the water.

01:01:49Do you understand?

01:01:50I understand

01:01:57Look.

01:01:58A man will have two things.

01:02:01One of them will not be missing.

01:02:03It won't work if one is missing.

01:02:05It will be funny too.

01:02:07It will also add charisma.

01:02:09Was someone missing?

01:02:10Now I'm going to do something really funny to you, involving a horse.

01:02:13See how funny I am.

01:02:16Look, look.

01:02:17Now look.

01:02:23You saw it, didn't you?

01:02:24Look how funny that jump was.

01:02:26I just made you laugh.

01:02:27Now watch my impressive jump.

01:02:29Look.

01:02:30Look now.

01:02:32Hold on, what an athlete.

01:02:34Now you'll lose your mind.

01:02:35Watch and see.

01:02:36You won't see it anywhere else in the world.

01:02:38Only in Bodrum are there horses like this.

01:02:40Look.

01:02:45Why are there so many doubts about Bodrum in this film?

01:02:48And why does this film protect Bodrum so much?

01:02:52Is there anywhere else in the world like Bodrum?

01:02:54Gee.

01:02:55Isn't that a bit ambitious?

01:02:56Is there no other place like Bodrum in the world?

01:02:57No.

01:02:58This is where the question of whose perspective Bodrum is viewed from comes into play.

01:03:01That's the main question, I think.

01:03:03There's no place like Bodrum in the world.

01:03:05If you too observe the smells, tastes, and sounds of Bodrum a little differently...

01:03:09You see Bodrum from the same perspective as me.

01:03:12Everyone in Mexico knows the wolf inside the tequila.

01:03:16We removed the figures in Bodrum.

01:03:19Go out and wander around the market; you'll rarely come across them in the shops.

01:03:23There are so many things that still need to be kept alive.

01:03:26I.

01:03:29I usually come to Bora to eat shakshuka.

01:03:31Bora makes the best shakshuka in Bodrum.

01:03:33Is there?

01:03:34It is constantly being renewed from the field.

01:03:35The front is in Istanbul, not just anywhere.

01:03:37Damn Ebrahim.

01:03:38The shopkeeper called you just now.

01:03:39If you could get it transported.

01:03:40Here you go.

01:03:41What can we say?

01:03:42Your husband has been calling you from Bodrum.

01:03:43What can we say?

01:03:43Let me see it.

01:03:46If I answer the phone, those jerks will make me miss the message.

01:03:48I'll call you from here.

01:03:55Hey, listen to me!

01:03:56Do not call back from the number immediately.

01:03:58Okay, I'll wait.

01:04:00I had that done too.

01:04:01Like in Istanbul.

01:04:02Not from here and there.

01:04:03Directly from the field.

01:04:09What happened?

01:04:11Ibrahim, where are you?

01:04:12We sent word throughout Bodrum.

01:04:13You keep searching.

01:04:15Son, you understood this.

01:04:16Don't drive me crazy, okay?

01:04:17Why are you calling so often?

01:04:19Brother Ibrahim is constantly being made to do things by his brothers-in-law.

01:04:22They're letting us tear that shop down on their heads.

01:04:24What are we supposed to do about this income?

01:04:26Are things busy?

01:04:27Ibrahim abi has a very busy schedule.

01:04:29He also saves a lot of money in the safe.

01:04:30These brothers-in-law have also sent word to all the tradesmen.

01:04:33All the shopkeepers are always making fun of us.

01:04:35Because we're going to kill the master.

01:04:36Either this job has a certain weight to it, or...

01:04:37TRUE.

01:04:38Take the credit cards along with the cash that has accumulated in the till.

01:04:41I'll drop Engin off there too.

01:04:42I'll get it from there.

01:04:43I just always stop around five anyway.

01:04:45Just close it quickly and leave.

01:04:46Okay, let's go.

01:04:50What did I tell you?

01:04:52Finally, they searched the store.

01:04:57Oros searched for these children.

01:05:12What's going on, Engin Bilal says?

01:05:14Hey Ibrahim, how are you?

01:05:16They left my belongings there, too.

01:05:19Wait, wait, the man is coming.

01:05:21Subscribe to me!

01:05:41Abdurum and our boy.

01:05:43Hey Ibrahim, what are you doing?

01:05:44Hello, I have a special guest.

01:05:46I'll buy her a gift.

01:05:47What should I get?

01:05:48Uh, get a sponge.

01:05:50How much is that?

01:05:51It's a bit expensive, but it will cost you two thousand lira.

01:05:53Two thousand lira?

01:05:54What the hell is this?

01:05:55You said something special?

01:05:57What the hell is this "too much money"?

01:06:00Wait, I'll take this.

01:06:02What should I look at?

01:06:06One of them is a very important journalist.

01:06:08They will be doing a news story about me from Bodrum.

01:06:10The sightseeing tour will come soon anyway.

01:06:13What else should I get?

01:06:15Woman or man?

01:06:16She's a really beautiful person.

01:06:19Damn, can a dog really have fish teeth?

01:06:21Damn, would you buy a dog's tooth for a woman?

01:06:24Damn, this is my western counterpart.

01:06:25Just make him tell the truth.

01:06:26Forget about that now.

01:06:27So, what should I get?

01:06:29Shall I give you some tangerine syrup?

01:06:31Bodrum easygoing.

01:06:32Good heavens, what kind of thing is that?

01:06:34Look, you can visit Bodrum and see it for yourself.

01:06:36You'll taste it.

01:06:37But you can only smell it with this.

01:06:39What kind of thing should I look at?

01:06:41You say the same thing when you give it.

01:06:42The unique scent of Bodrum.

01:06:44You can visit and explore Bodrum.

01:06:46Make him talk, damn it.

01:06:47You're taking this too.

01:06:48And let me take a look at that too.

01:06:50And.

01:06:52Inspiration.

01:06:52Come here, take a look.

01:06:53Come there.

01:06:55What's the news? What do you want done?

01:06:57Let me get you used to it.

01:06:58Your spouse is a volcano.

01:07:00Pleased to meet you.

01:07:00I am also pleased to meet you.

01:07:01Look what he bought you!

01:07:04Is it a hodgepodge?

01:07:05Please sit down.

01:07:06Let's sit down and take a look.

01:07:08Here you go.

01:07:10Isn't it beautiful?

01:07:12Very good.

01:07:13Here's one for you...

01:07:15...You can explore Bodrum, see it, smell it, take a trip there and get some soda.

01:07:20What a kind man you are, Ibrahim!

01:07:22Oh no, what's going to happen?

01:07:23I'm not writing this news for you for nothing.

01:07:25Take it from me, this Ibrahim is going to be very famous.

01:07:28This is already famous.

01:07:30God, brother.

01:07:31It smells wonderful.

01:07:34Isn't it beautiful?

01:07:35Very good.

01:07:36What is this single person looking for?

01:07:38This is a very rare single.

01:07:39He rarely sees one this big.

01:07:47Come to me.

01:07:49Here, take this.

01:07:54Look at this carefully.

01:07:56This relates to the most expensive and most beautiful single in Bodrum.

01:07:59Here you go.

01:08:00You get ready, I'll come and pick you up.

01:08:20What's wrong, Zeynep?

01:08:22Okay, I'll take a look.

01:08:23Okay brother, what sanctions?

01:08:24Thank you.

01:08:25I need to be thankful.

01:08:26With such a nice shirt...

01:08:28...give me a nice pair of trousers.

01:08:30Let's give it.

01:08:38Isn't this beautiful?

01:08:40This suits you well.

01:08:42From this...

01:08:43Abo.

01:08:44Let's wait and see how it goes.

01:09:00How did it happen?

01:09:02Let me try adjusting it.

01:09:07Zeynep, how can I put it? I'm in a really good mood these days.

01:09:11How can I put it, she makes you shine like the sun, her eyes like the sea.

01:09:15I'll pick her up now and take her out to dinner.

01:09:17My morale.

01:09:17He dropped me off at the hotel half an hour ago.

01:09:19We spent the whole day together.

01:09:21We walked the entire length of the basement like that.

01:09:23I listened to his whole story.

01:09:25I got really bored towards the end.

01:09:29He'll be here soon to take me out for dinner.

01:09:32I swear, I feel so anxious.

01:09:35What if they actually shoot the guy tomorrow?

01:09:38You'll tear it.

01:09:39You will go down in journalism history.

01:09:41Should I not do this news story?

01:09:44Here you go.

01:09:46You were dying for news!

01:09:47He struck gold.

01:09:48Are you saying I shouldn't do it now?

01:09:49Are you crazy?

01:09:54But they didn't go to see the man.

01:09:55Do you still think that's news?

01:09:58I don't understand

01:09:59So what did this man talk about all day?

01:10:00He wants to divorce his wife.

01:10:01Okay, engine mechanic, that's fine too.

01:10:03My brothers-in-law have arrived.

01:10:04So nothing happened.

01:10:05What should we write then?

01:10:07I wouldn't know that much.

01:10:08The man is already a very interesting person on his own.

01:10:11Everything they've experienced up to this point

01:10:13I think it's a news story in itself.

01:10:15Flowers in their hands

01:10:16Warmth of centuries at your door

01:10:18I wish I were surprised one day.

01:10:24What should we write?

01:10:25The ugly wife's brothers arrived.

01:10:26The peace agreements between the tradespeople are gone too.

01:10:28That's impossible.

01:10:28Don't send this as news.

01:10:30You see that nothing is happening.

01:10:31Since the guy fell in love with you.

01:10:33Intervene immediately.

01:10:34He has something that will cause a sensation.

01:10:35It absolutely must happen.

01:10:36What if they beat you up or something?

01:10:37Make sure you take photos of the beating.

01:10:39It's not like being shot, but it's news too.

01:10:41You're so mean.

01:10:43That's just how life is.

01:10:45You have no conscience in this matter.

01:10:46You'll understand the pain.

01:10:48I'll just quit this job then.

01:10:49We're practically waiting for something bad to happen to the guy.

01:10:55Inspiration.

01:10:57You should appreciate it, you caught the news.

01:10:59Unfortunately, that's life, my daughter.

01:11:01Especially this profession.

01:11:08What happened? Why aren't you talking?

01:11:10That's how it is.

01:11:12Why did your voice suddenly go silent?

01:11:14Or it wasn't cut.

01:11:16Don't you understand?

01:11:18I understand

01:11:19I'm waiting for him to ask.

01:11:21I haven't been able to do it yet.

01:11:23That's the first thing I do in the morning.

01:11:24I'll do it.

01:11:26Hello, I'm talking to you.

01:11:29How are you going to do it?

01:11:31I'll do it, I promise.

01:11:33Esin, how are you going to do it?

01:11:35Are you going to follow the man?

01:11:36Are you going to do my job?

01:11:37Just don't interfere.

01:11:39I'm going to do it, I say.

01:11:40They're not going to be in this room with the first light of dawn.

01:11:44I know a quiet cove as soon as I get up.

01:11:47I'll take my tripod with me when I go there.

01:11:49I'll take my own picture too.

01:11:54Buy yourself a gift right away.

01:11:56Bolcum sponge.

01:11:58It's even the biggest sponge in Bolcum.

01:12:01Oh, and there's also Bolcum's mandarin-scented cologne.

01:12:05You can see Bolcum.

01:12:07You can taste it.

01:12:08You can touch it.

01:12:11Its name is Bolcum, you can smell its scent.

01:12:13It's a really strange smell.

01:12:21Isn't Ibrahim just as guilty as Esin's boyfriend here?

01:12:24That's the whole point of the movie.

01:12:27So you're saying that those who go hunting end up being hunted?

01:12:29Don't you think so too?

01:12:31Well, the protagonist of the film loses here.

01:12:33That's impossible, how could something like that happen in the script?

01:12:35Ibrahim isn't the protagonist of this film.

01:12:38Bodrum and its values are the main focus for me.

01:12:40We somehow manage to save Ibrahim in the film.

01:12:42That's easy, though.

01:12:44The film portrays the enduring values of Bodrum.

01:12:46Will we be able to find it after the movie ends?

01:12:48Isn't this the most important point, in your opinion?

01:12:52So who is the audience for this film?

01:12:54Is it only people from Bodrum?

01:12:56I don't know about that either.

01:13:00Why are you riding this motorcycle?

01:13:02You could buy something more comfortable, something newer.

01:13:05Because I did it.

01:13:07Buy a new one too.

01:13:08You can travel comfortably without having to worry about it.

01:13:11Things aren't as simple as you think, Ms. Yesin.

01:13:15How old is this engine?

01:13:161972, a classic.

01:13:20Ibrahim, what happened to Ibrahim?

01:13:23You've changed so suddenly, did you do something?

01:13:26It's alright, Ms. Yesin.

01:13:29Where did this woman come from now?

01:13:32Ms. Yesin, we have feelings for you.

01:13:38Denial will then cease.

01:13:41You don't need to reciprocate our love.

01:13:46But why did you give the gifts I bought for you to someone else?

01:13:50What?

01:13:51Stop mocking me with your words.

01:13:54And they mocked my words too.

01:13:57Which words of mine?

01:13:58You know better than I do, Ms. Yesin.

01:14:02Ibrahim, I don't understand anything.

01:14:05Can you please explain?

01:14:09Ms. Yesin could be your girlfriend.

01:14:13There's no problem with that.

01:14:19But will your conversations with your lover be so dependent on my words, Mrs. Yesin?

01:14:26Huh?

01:14:29Ibrahim, I don't understand anything.

01:14:31Can you please explain?

01:14:32Ms. Yesin, I wholeheartedly listened to everything you said about your boyfriend.

01:14:48Okay, please tell me what you heard.

01:14:53Yesin Hanım, God will turn those who mock sponges to stone, torment them.

01:14:57You'll turn to stone.

01:15:01You weren't here when this sponge was around.

01:15:05There was no tourism.

01:15:07We were there, we, we.

01:15:08He arrived in Bodrum.

01:15:10This sponge is a legacy passed down from our ancestors, a cherished heirloom.

01:15:14Keep telling me about yourself.

01:15:15That cologne you're making fun of, that mandarin scent, we've probably been keeping alive on the seabed for a hundred years thanks to it.

01:15:23As for the basements.

01:15:25Are you aware of him?

01:15:27Ibrahim, okay, listen.

01:15:29Stop being so sarcastic and tell me exactly what you heard from the beginning.

01:15:34I'm not a journalist or anything like that.

01:15:36I'm a journalist, but not quite the kind of journalist I'd like to be.

01:15:40I couldn't produce the news story the way I wanted.

01:15:43After everything I went through with the man you call your boyfriend, I got up and came here.

01:15:48I've been wandering around aimlessly for the past three days.

01:15:51And then you came into my life.

01:15:56My wife.

01:15:58From what I understand, you've also been through very difficult times, just like me, that's true.

01:16:03Isn't it?

01:16:03Like me, you must have had a nightmare of a few days.

01:16:08Huh?

01:16:08No problem.

01:16:11Obsessive.

01:16:13Obsessive because nothing is ever enough for anyone.

01:16:16Everyone wants more.

01:16:20Become a reporter.

01:16:21Or stay here.

01:16:24Have a newspaper like that.

01:16:26Local newspaper.

01:16:27But no.

01:16:30Definitely on the middle page of Türkiye's biggest newspaper.

01:16:34Not even the next page.

01:16:36The news will definitely appear on the middle pages.

01:16:39Such diverse human profiles.

01:16:41I'm in the voice of a great journalist.

01:16:49For you, madam.

01:16:50I don't understand anything about this crazy person right now.

01:16:56Huh?

01:17:01Then, make plans to kill the man.

01:17:06He died but he didn't.

01:17:09He was shot.

01:17:11Let it be.

01:17:12That's fine too.

01:17:14That's news too.

01:17:19Ms. Esin.

01:17:20From what I understand, you seem to be having some problems with your boyfriend, right?

01:17:25Hopefully you'll handle it and protect us.

01:17:30That man you call your boyfriend is married.

01:17:34I'm having an affair with a married executive.

01:17:38In return, they should publish my story.

01:17:40I'm trying to make something of it in my career.

01:17:44That's the kind of guy I am.

01:17:50Ms. Esin, listen to what I'm going to tell you.

01:17:55Tomorrow morning at 7, check out two bars with your girlfriend.

01:18:01Listen to me.

01:18:02Send two men to the front of the galley.

01:18:08Look there early in the morning.

01:18:09Keep telling me about yourself.

01:18:11If I'm Ibrahim the mechanic, then take a look.

01:18:19I'm going to give you the best news ever from Bodrum.

01:18:24Look.

01:18:25If I don't make Bora shake up Türkiye.

01:18:29I won't bring Uğur Dündar to Bora.

01:18:32Everyone forgets me in front of the galley.

01:18:35They should pick me up from the entrance of Bodrum.

01:18:38Look.

01:18:39I swear I wouldn't even consider doing that.

01:18:42Let me tell you what's going on.

01:18:45He's also betting on your death, anyway.

01:18:49You told him about them.

01:18:52He/She was upset too, wasn't he/she?

01:18:54What?

01:18:55Ibrahim.

01:18:57I guess you didn't hear what we were talking about in front of your window.

01:19:01The man is waiting for news of your death.

01:19:04Die so they can make a news story out of it.

01:19:06I'll be the one to report the news, and nobody else will.

01:19:15The headline for the news story is already prepared.

01:19:18The end of modified love.

01:19:22I spent the last 24 hours with Ibrahim the mechanic.

01:19:27He is a real-time journalist.

01:19:29Ibrahim made everyone laugh with his slogan.

01:19:32Now, the ending is making everyone cry.

01:19:35Check the news.

01:19:39The sex-obsessed teenage girl wanted to have sex.

01:19:43The horny woman said, "Be my husband."

01:19:47The crazy painter drew the picture.

01:19:51They shot their brothers-in-law in the middle of the castle.

01:19:55What a competition!

01:20:03Did you say race?

01:20:06Did you say the end of modified love?

01:20:09What?

01:20:09And what a race it was!

01:20:11Ah.

01:20:21What a competition, all for a single newspaper column!

01:20:30Hello.

01:20:32Hey, listen to me carefully.

01:20:35Listen to me carefully.

01:20:37Look.

01:20:38Cut.

01:20:39Shut up!

01:20:42You can pick up the motorcycle tomorrow and stop there.

01:20:45From there you can take a ferry.

01:20:47You will come to the front of Bora's galley.

01:20:50Look, tomorrow

01:20:51From Halika's mother's side

01:20:53Gale's

01:20:55Gale's beginning up to that point

01:20:57We're going to chase the motorcycles away. Are you in?

01:21:00Ms. Esin, this is the first time I've met you.

01:21:01I saw it in front of Kumurcu's shop.

01:21:03You kept eating. I remembered that later.

01:21:06I have never forgotten your beauty.

01:21:09Oh yes, it was you, wasn't it?

01:21:11Okay, I was wondering where I knew this guy from.

01:21:14You were screaming like crazy again in the middle of the road.

01:21:16Now I remember. Yes, it was you.

01:21:20Yes, Ms. Esin. I'm shouting everywhere because of these dogs.

01:21:22We've disgraced ourselves in Bodrum.

01:21:25Ibrahim, is your wife really that ugly?

01:21:28Of course he's ugly. He's older than me.

01:21:31Old man and all.

01:21:32Thanks to him, you became famous through all the shouting and screaming.

01:21:34Everyone in Bodrum knows you, thank goodness.

01:21:36I didn't become famous thanks to him.

01:21:38I am famous for my art.

01:21:40I'm Ibrahim, the car modifier.

01:21:42I know we've talked about this before.

01:21:44Anyway. If your wife wasn't so ugly, you'd be going home every night, wouldn't you, Ibrahim?

01:21:50Of course. I want to go home, talk to my wife, and watch TV.

01:21:56Let's put it that way.

01:21:58Do you think Ibrahim, a guy who goes home every evening, could be such a skilled car modifier?

01:22:04Of course I would.

01:22:05So what happened? You couldn't fix my engine.

01:22:09Excuse me, Ms. Messiah.

01:22:11I was left speechless by your beauty.

01:22:14Otherwise, I could have taken that motor down and put it back up in 15 minutes, man.

01:22:19What happened?

01:22:20What happened?

01:22:21Koran.

01:22:22Half of your success is thanks to your wife.

01:22:27I think you should even give him all the money you earn.

01:22:32My wife, may God be my witness.

01:22:34You constantly sent supplies home for the apprentice.

01:22:37How can I put this into words? Look...

01:22:39Go to our house now, at this hour.

01:22:41Open the cupboard.

01:22:42If drinks don't start pouring out of the fridge with a loud thud, come over here.

01:22:46Let me just say I'm that crippled mute.

01:22:48So, has your wife ever brought her around here?

01:22:50Did he take you around here like this?

01:22:51What business do I have with repentance?

01:22:53Nobody will see or know about this anyway.

01:22:56And you go ahead and shout at the top of your lungs in the streets.

01:22:58Let everyone know you, see you, and recognize you.

01:23:00No one has seen or knows your wife.

01:23:03And it was because of him that I was shouting in the streets, Esin Hanım.

01:23:07Ruham, if your wife wasn't so ugly, would you even have met me?

01:23:13Look, make the most of everything you have.

01:23:15Nobody has such a taste.

01:23:19You need to think this through carefully, but we'll discuss this in our own way tonight.

01:23:23Ms. Esin, give me Bodrum, and we'll be together tonight.

01:23:25Don't say that!

01:23:26You need to think about where this fire, which ignites tonight, is going to lead.

01:23:30What kind of a scene is that?

01:23:32So, do you think I could stomach a second married man?

01:23:36Look.

01:23:37If we don't make this my list, we can't stop this news.

01:23:40Whatever you do, you have to win this race.

01:23:44I'm going to win this race, Ms. Esin.

01:23:47Choose what you're curious about, let's see.

01:23:49No matter what I do, I will win this race.

01:23:52No matter what I do, I will win this race.

01:23:56Is that a science engine for you?

01:23:57How?

01:23:58We are looking for Abraham.

01:24:00Which Abraham?

01:24:01Modified Ibrahim.

01:24:02Where is Ibrahim?

01:24:03I don't know, where?

01:24:04Wasn't he just here a moment ago?

01:24:07He was here.

01:24:08Didn't you just propose to her?

01:24:11He did.

01:24:12So what happened?

01:24:13He didn't accept it.

01:24:15Five, where is Ubrun?

01:24:16Ceski.

01:24:17What did he do here?

01:24:21Where is Ibrahim?

01:24:22Which Ibrahim?

01:24:24My only grandfather was Ibrahim.

01:24:25How would I know?

01:24:27The motorcycle left here on its own.

01:24:28Get over here!

01:24:29Of its water.

01:24:29How did he catch that?

01:24:32Show me your brother, you've snatched his prey.

01:24:35Ibrahim.

01:24:36Go ahead.

01:24:38Too far there.

01:24:39He's still not satisfied.

01:24:41Like a cibiz.

01:24:43Like a cibiz.

01:24:44I'm invited to Devak's house.

01:24:47Ibrahim.

01:24:48Go back to your wife.

01:24:49Protect your castle.

01:24:51Protect the mandarin orchards.

01:24:53Protect the mandarin orchards.

01:24:55Protect the mandarin orchards.

01:24:56Protect the mandarin orchards.

01:24:58Protect the mandarin orchards.

01:25:00Protect the mandarin orchards.

01:25:01This was Abraham's last wish.

01:25:03You know how sometimes we're really afraid of something, and then towards the end of our sleep we see it?

01:25:09That's exactly the situation with Abraham.

01:25:11Yes, we've reached the end.

01:25:14But what I have to say is important.

01:25:16Let Esin finish speaking.

01:25:18It won't take long, get ready.

01:25:21Not Sabi, I went to the kamihane.

01:25:23One of its variations has an engine.

01:25:25What will happen?

01:25:26First, I'll go to the hotel and pick up the tripod.

01:25:29Then I'll point out that he went to the hotel.

01:25:31Then I went to the race venue.

01:25:33Have my brothers-in-law arrived?

01:25:35They seem to have arrived.

01:25:37Your voice sounds sleepy.

01:25:39You didn't let the guy sleep, did you?

01:25:40You spent many nights together, didn't you?

01:25:41We were in the magician's place.

01:25:42What else are we going to do with my head in front of us all night?

01:25:44I am a young man from Bodrum.

01:25:46But I don't even have a Bodrum accent.

01:25:48Ibrahim is my spokesperson.

01:25:50So all the lines spoken by my imagined character are in my imagination.

01:25:56Just like old Bodrum.

01:25:57It's all just a dream.

01:26:01Up until now, I've done all sorts of ridiculous things.

01:26:03I have many friends who are like me.

01:26:06We make too many mistakes.

01:26:09We inherited such a Bodrum from our elders.

01:26:11There's no place like Bodrum in the world.

01:26:16You asked me about it recently.

01:26:18Will the people of Bodrum be watching this movie?

01:26:20Yes.

01:26:21This film is for the young people of Bodrum.

01:26:24But I said it at the beginning of the script.

01:26:26Bodrum is a metaphor here.

01:26:29And therefore, God willing...

01:26:30I'm saying that young people all over the country will watch this movie.

01:26:33This film has no message.

01:26:35He only has one promise.

01:26:39Every city, every town, every village has its own exquisite stories and values.

01:26:44Does such a country exist in the world?

01:26:48Bodrum has a famous fish restaurant.

01:26:51Go out into the street and ask a young person.

01:26:52Tell me who Cevat Şakir is.

01:26:54And the same young man

01:26:55Tell me who the fisherman of Halicarnassus was.

01:26:57See if he knows the difference.

01:27:01As for Abraham...

01:27:03Ibrahim made a big mistake.

01:27:05Although it has many flaws.

01:27:06We saw it in the movie too.

01:27:08But his biggest mistake

01:27:09The mistake he made against his wife.

01:27:11To apologize

01:27:12He thinks he has a chance and time.

01:27:16Whoever

01:27:17If he made a mistake for Bodrum or for this country

01:27:19Just like them.

01:27:21Or else...?

01:27:22What if another ending awaits us all?

01:27:26If I'm going to be on the poster, I have a costume.

01:27:30I'd like to be seen like this.

01:27:37I think this turned out for the best.

01:27:41He loved and protected Bodrum so much.

01:27:44I'm sure he's still watching Bodrum and everything related to Bodrum from there right now.

01:27:48Ibrahim Kocabaş, a beloved figure in Bodrum, has passed away.

01:27:53Those who strive to make old-style mopeds usable today by modifying them.

01:27:58The death of moped mechanic İbrahim Kocabaş has caused great sadness in Bodrum.

01:28:03According to God's knowledge, he made the double cylinder ticket by working nights for 5 years.

01:28:08He is about to leave for the race he will participate in for the first time.

01:28:11Ibrahim left Tamir's Mother early in the morning.

01:28:15His great love fell victim to his passion for speed.

01:28:18"We were misled, Ms. Esin," he said.

01:28:21I'll be back home in three days, if it's not that long ago.

01:28:23Everyone I've met in the last three days has gone crazy, including you, he said.

01:28:29And he's been driving me crazy, constantly fixating on that one photo you always want.

01:28:35You were saying, "How could a lady like Esin do such a thing?"

01:28:39I told them too.

01:28:40I'm so blinded by rage that I can't be sure if I'm a victim of any of them.

01:28:44Or am I really in love with you?

01:28:48I told them everything.

01:28:51It's easy to fool my naiveté.

01:28:52My main problem is with my brothers-in-law.

01:28:54"I know you're exaggerating," he said.

01:28:57Then he said:

01:28:59My brothers-in-law showed me a single-cylinder car, but I'm going to switch to a twin-cylinder one.

01:29:04How does it end?

01:29:06A wonderful ending, Esin.

01:29:07The man who was supposed to be killed dies accidentally.

01:29:10This is incredible news.

01:29:12Here's the news for you.

01:29:14No way you're going to publish this news.

01:29:16I'm not sending you anything about Ibrahim.

01:29:19You won't use Ibrahim.

01:29:23Report it as "A mistress's betrayal."

01:29:27I'm not sending you anything.

01:29:33That's the only photo you wanted.

01:29:36Do whatever you want with it anyway.

01:29:39But never again.

01:29:41Thank you for watching.

01:29:43See you in the next video.

01:29:45See you in the next video.

01:29:46See you in the next video.

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