00:00Johnny, Gaddara, which is a cult film that was one of those who were given by Badlapur, Underdun,
00:07such as the writer and director of the film, Sriram Raghavan, who are now with us.
00:13We will know about their journey and about their film's style and how they go to a different flow and
00:21how they go to their own film and how they are so special.
00:24First of all, your name is Khermagdam, Haiti, Vibarat.
00:29Raghavan sir, you want to know the author of Hindoostan, you want to know the author of Hindoostan.
00:37So, was it a real shock that I was going to be an action thriller or something else?
00:44No, I didn't mean that when I was in school or college, I had a lot of love for crime
00:52novels, James Sardiches, Agatha Christie, etc.
00:55And in films like Vijayanan and B.A.R. Chopra's films, they have many types of films, but they have
01:05many thrillers.
01:07So, I don't know why it happens.
01:11I don't know why it happens.
01:12But I started to say, yes, this is fun.
01:15This is fun.
01:15This is fun.
01:16This is fun.
01:16This is fun.
01:17Now, Johnny, my name is Joel Thief.
01:19When I watch this film, I can watch it for 10 or 5 times.
01:25I don't know the story.
01:25I don't know the suspense or the reveal.
01:28It was fun.
01:31But I enjoyed that style.
01:49In the film, there was a student film, Eight Colum, which is very few people know that Hirani has edited
01:53and directed.
01:55Sir, I got an award for that film.
01:57So, tell us about how it started as a student project.
02:01What happened after that film?
02:03What happened after that film?
02:04After that film, every three years of course, we have a chance to get a film for a half-hour.
02:10We have four people.
02:11One is a sound recordist, a director, a cinematographer and a director.
02:15And the director is made up of the writing.
02:18So, there is a unit.
02:19So, there is a unit for two years.
02:21We have five or six projects together.
02:23Ultimately, it's a film for Diploma.
02:34そして私は見魔法の中 deafanosでお出す歷を多完璧を見ていますか?
02:37So,私は、彼らの心にそれがありませんでした.
02:39Suchに似てく kısaを見ました。
02:40Except this story in Ali Bears, Acadia Ghostняя Leftyに…はどんな話
02:44fabricationildだのは… These、お出す歓者さんが答えられています。
02:47Since Dieser repeat糸は本当に編時へ生みたいです ..
02:51It was a very easy film, but since I was the first shot of my diploma, I got a lot
02:58of goodwill.
02:59I got a lot of students who helped me.
03:03We made a national award, and Sahid Mirza was the external examiner who was with us.
03:11It felt good, but it was fun to do it.
03:16Sir, your brothers are also a filmmaker, and you also treat him as a brother, Anil Mehta, who is also
03:23a classmate.
03:25So, you got an initial award for all of them, but you have to wait until you have to wait
03:29until you have to wait.
03:31This is a national award for the diploma for the national award, for the short film.
03:34After that, there was a gap before my feature film.
03:38I used to play a lot in television, which was my brother, and I used to play a lot of
03:46episodes.
03:47After that, there was a national award for it, but it was a good film.
03:52Sir, I thought you got a lot of awards, but in commercial cinema, you had to wait on the computer.
04:00I could play a lot of movies in the world, like I was so much more interested in the film.
04:06You had to play a lot of films.
04:06You had to play a lot of films as well, and you had to play a lot.
04:10So, it was a film in the film.
04:13I was absolutely right.
04:13I played a lot of films in the film.
04:15I was very interested in films for that.
04:15So, I thought, what was the film for the audience?
04:19Would you like to play a lot of films for the audience?
04:21I wanted to play a lot of films?
04:21Yes, the audience is part of society.
04:24but I want to make a film for the audience and I try to think that this story will go
04:28to the festival and get an award.
04:30This is a strange thought because it's a story that we like.
04:35I want everyone to feel good here.
04:39And this is my job to do the best.
04:41After getting an award or not, it doesn't matter.
04:46Of course, it feels good.
04:47My father feels good to get an award.
04:49But what is the award?
04:51Especially in India, if this film has won six film fair awards,
04:56it will be announced after the release of the film.
04:59It's not that it's an Oscar.
05:01If it gets an Oscar, it starts a different market.
05:06This is not in Indian awards.
05:10Cinematography is a different specialized art which I don't really have.
05:14I can admire and enjoy good cinematography but I am not a cinematographer.
05:18The last question, sir.
05:19Your movie is 21.
05:21It's also on screen here.
05:22Tell us about the shortcomings of the film.
05:26Why do you want to watch the audience?
05:28It's a very emotional story.
05:32It's a war film.
05:32But it's a true story.
05:38It was a true story in 1971.
05:46I was very moved.
05:53It was a very emotional story.
05:54I wanted to make it.
05:55It was not my kind of film.
05:57It was my comfort zone.
05:59I had to depend on a whole lot of people.
06:01Anand Maita was almost like a co-director of the film for me.
06:05Because he had so much to contribute.
06:07Then VFX was also a lot of work.
06:10Because we use tanks.
06:12Patterns and Centurion tanks.
06:14They are still in the museum.
06:17We would have to design something that would be real.
06:20We would have to do a little bit of VFX.
06:23But it was not that VFX would be a little bit of VFX.
06:26It would be a little bit of VFX.
06:27In some films, it would be fantasy.
06:29So it's a real film.
06:32It was a difficult film to make.
06:33But yes, it was fun.
06:36It was a good film festival.
06:39Last but not least, there is a film festival.
06:41There are a lot of children coming to you.
06:43They are asking.
06:44So how are you fighting and feeling about the whole environment here?
06:47I am loving it.
06:49Because the first time I am coming to Srinagar, number one.
06:51Secondly, I am meeting so many young students from here.
06:55Who are all interested.
06:56And I hope thanks to this festival.
07:01It will create a whole culture of young people.
07:06I also want students from here.
07:08I mean, if they start writing 5 or 6,
07:12They will create their stories to the world.
07:16So that is something that I feel very happy about.
07:18Thank you very much, sir.
07:20This was Sriram Raghavan,
07:22who said that today's children who are interested in the film making.
07:25If they have to say their stories,
07:27They will have to get their script.
07:29They will have to write their stories,
07:30Ils will have to write and write their stories.
07:32and they will have to write their stories.
07:32So this is how they can tell their stories to the whole world.
07:34And society will tell them.
07:35music
07:38music
07:39music
