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This week on Strong Opinions Loosely Held, our host, Elisa Kreisinger breaks down how female ghostwriters operate. These women are monetizing work without being named for it. Press play on the episode to get a better understanding of the scope of ghostwriting!

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Transcript
00:00Okay, Lisa, I'm ready for you.
00:02Do you think this article was ghostwritten?
00:05Pretty sure it was.
00:10I only asked because I was at this book release party
00:13and I was casually talking to the woman next to me
00:15at the bar and after a few minutes of back and forth,
00:18I was like, so what do you do?
00:20And she said,
00:21I wrote the book we're celebrating.
00:22I said, but you're not the author.
00:24And then she said,
00:26I'm the ghost writer.
00:27I was shocked.
00:28So I asked her,
00:30do you mind not getting any of the credit for your work?
00:32And she said,
00:33not as long as my name is on the check.
00:36Ghostwriting is a pretty ballsy career choice.
00:39You do all of the work,
00:40but you don't get any of the fame,
00:42the press or the praise.
00:44I mean, that's kind of the best part of writing a book,
00:47right? The fame.
00:47How else are you going to meet Oprah?
00:49Now you all know I love a good book.
00:51New York Times bestselling author.
00:53The next big thing in literature.
00:55Ghostwriting fascinates me because throughout history,
00:58in every industry,
01:00women have done a lot of the work,
01:02but haven't exactly gotten the credit for it.
01:04Study after study after study shows that women get less credit
01:08than men in the workplace.
01:09As if you needed a study to tell you that.
01:11But female ghostwriters are essentially monetizing this dynamic
01:15of doing all of the work and not getting any of the credit.
01:18And they are making bank.
01:20So obviously I had to reach out to a ghostwriter to find out more.
01:24So I sat down with New York Times and Amazon bestselling ghostwriter, Jodi Lipper.
01:33Throughout history, women have done the majority of the work,
01:37but not gotten the credit.
01:38And there are studies to show that this happens still today.
01:41How does that affect you in your industry?
01:43Because I feel like that's such a unique position for you in ghostwriting.
01:47Well, first of all, I work with a lot of female authors.
01:49I also work with a lot of authors who are people of color,
01:52and I really make an effort to find those people
01:55and help get their voices out there.
01:57That's really important to me.
01:58So I feel good about that.
01:59Some of the male ghostwriters who are at the top of the field
02:02do fight more for cover credit with so-and-so,
02:06more so than some of the top female ghostwriters.
02:08And this is really a female-dominated field.
02:10A lot of the top writers out there are women.
02:13The men that I talk to the most that are in this field
02:15don't call themselves ghostwriters at all.
02:17What do they call themselves then?
02:19Collaborative writers or co-writers.
02:21And they're the ones who more often do get credit.
02:23So how about how many books do you write a year?
02:26What's like an average number?
02:27I'd say the average has been about two to three.
02:30That's amazing.
02:31So you're banging out two to three a year.
02:33Yeah.
02:33Do you get credit for that number of books?
02:36Because that's a lot of writing.
02:37No, I get paid for each one, but that's it.
02:40So of the New York Times bestseller list,
02:43how many are ghostwritten would you say?
02:45You don't have to name names.
02:47For nonfiction, I would say almost all, probably.
02:50I think most people would be shocked,
02:52but within the industry, it's not a secret at all.
02:55People know that anyone with a big enough platform
02:58to sell that many books, they've got a lot of help.
03:01One thing that fascinates me about ghostwriting is that
03:04women have monetized the idea of doing all of the work,
03:07but getting none of the credit.
03:09Are you guys making bank?
03:11If you want a very experienced ghostwriter who's going to deliver something that's really
03:14polished and ready to be published, it's going to cost you.
03:17And to me, it's not about getting credit and having my name on the book.
03:21It's about knowing that I've helped them tell their story.
03:23I feel that I get credit for my contributions by the author, by the editor,
03:29by the people who know what I do and who work with me.
03:32My brand is not having a brand.
03:34My brand is being able to capture other authors' voices.
03:37So I think that's a big part of actually the skill set of being a ghostwriter,
03:40is that ability to connect with different people because you have to earn that trust.
03:46Your brand is anti-brand.
03:47My brand is anti-brand.
03:49I don't feel the need to have a public brand.
03:51Right.
03:51What's the hot gossip in the ghostwriter network?
03:55The hot gossip is really how can we elevate this profession.
03:59Some ghostwriters would say that we have the hardest job in the publishing industry.
04:03We have to make the author happy.
04:05We have to make the editor happy.
04:07And if there's ever a conflict between an editor and an author, or an agent and an author,
04:14the ghostwriter can get caught in the middle and kind of blamed if things go downhill.
04:18And that is definitely a negative side to this job.
04:23I'd say.
04:24So that's probably the biggest gossip is just how can we elevate this and protect ourselves
04:30so that we have more control over our lives and our careers.
04:33And we're not kind of getting thrown under the bus if someone else doesn't do their job.
04:37So what advice would you give for young women who want to be writers,
04:41but don't necessarily know what path to take to make that a sustainable career choice?
04:46I would just want them to know that this is an option.
04:48It's something that people don't really know about because it is so secret and hidden.
04:52But meanwhile, it's a lucrative career that's, I would say, strictly creative.
04:57It's just writing.
04:59That's something that's really important for women who want a career.
05:02As a kid, I had such anxiety about not being able to finish an entire series of my favorite book.
05:07And now I know why.
05:10There was a new Babysitter's Club book every other week with the help of...
05:15How was I going to read all of the Sweet Valley High books?
05:18Francine Pascal was putting out 181 books with the help of...
05:23So this week, I had back-to-back meetings,
05:26a ton of emails to respond to, and a presentation to give.
05:29So guess what I did?
05:32How's that going?
05:33She's great, but I never see her.
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