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00:00I want you to become the mayor of this town.
00:02I present to you your future mayor.
00:06Lola Mata! Let's hear some applause!
00:08Look, girl, hot hunk at the reception.
00:13I know you're hiding something, and I'm going to find out.
00:16No no!
00:18You know that Lola is...
00:20Well, the apple of my eye.
00:24But she's your daughter.
00:26Your daughter?
00:30My daughter?
00:31What's going on? I'm not moving from here until you tell me.
00:36Naki! Call your mother!
00:38May Donochi rise up to you while shitting milk!
00:40The crew is broken up for good!
00:43Great plan to get the gang back together, huh?
00:45You helped me when I felt most alone.
00:47One person can defeat us!
00:48G-team!
00:51What I meant was that they are no longer in the process.
00:54We've closed the deal with you. You're out.
00:57We've come to tell Don Juan a few things.
01:02Carmen, please, you have to help him. We're in the middle of beating them, and if we call emergency services, they'll take half a day.
01:07It could be a pneumothorax from the blow he received from the rod.
01:09We need to react quickly.
01:10Volivic!
01:11Come on, Don Juan.
01:13I'm going to make sure my father gives you your job back.
01:16Olé!
01:18Another minute, but not stirred.
01:21Opacadilla!
01:22Eighte!
01:23Eighte!
01:24Hey, you wouldn't happen to know who this kid is, would you?
01:25What's mine, man? Whose else would it be?
01:26Why haven't you told me anything? What is my son?
01:29I didn't know you two were together, huh? Because if I did, I would have gone straight to Australia, no doubt about it.
01:33What? What? What?
01:34I'm going to run a three-Michelin-starred restaurant.
01:37Little one, I can see you've had enough suffering here.
01:39I'm not going to make you go through a parents' party.
01:41My phone, for God's sake! I have all my son's stuff on it!
01:43Now I'm the one saving Jonas from Skylaya, right?
01:46She would be just as angry if he had only taken Elaya out.
01:48Girl, how sweet.
01:49If we don't take care of our children, who will?
01:53Did you say what I think you said?
01:56Well, it shows us that we are... a family.
02:26Subscribe to the channel!
02:31How are you?
02:32Oh, how wonderful! Look, maybe the Cádiz carnival groups will hire you, you disaster!
02:36No, not at all. Look, I'm not going to make a fool of myself at the nursery's costume party this year.
02:41Open it, that's definitely Dolores.
02:42She texted me at two in the morning to tell me she was ready to work.
02:51Who is it?
02:53Hey! Nobody! Nobody! Nobody! Nobody! No! No! They must have made a mistake!
02:55What do you mean, nobody, darling?
02:56That second-grade kid! He's such a pain! That's it!
02:59No! Look how beautiful you are, please!
03:02If we bother the neighbors, they'll move away!
03:03My love!
03:05They have the trick of the pretty girl!
03:08Look! It's Dolores!
03:10No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
03:13no no!
03:28Well, I'll take it to her! Right? And look, here it is.
03:30Is the mail service in Australia really that bad?
03:33Kangaroos wear them!
03:36I'll be notified.
03:37I just didn't have time, man, here.
03:40No, come in, come in!
03:40No...
03:42It all happened overnight, and well...
03:45And well, one day, the next, plus the day of the trip.
03:48It's three days.
03:49You've had time to WhatsApp 50 Shades of Grey.
03:52Okay, I felt like a bad person if I didn't come for a few days to lend you a hand with Yonchu.
03:57Well, you're staying for a few days!
04:02Can I see it?
04:04Yes, yes, yes, yes, of course, he's in the room.
04:08Perfect!
04:11Perfect!
04:12Perfect!
04:13Well, you haven't even brought me back to the Hispali yet and I already have the first bombshell for our first coffee.
04:17That's perfect!
04:21Let's go for a walk, Carmen.
04:24And I'll tell you about Conchi.
04:30Then we're here, right?
04:32Whoa!
04:35Am...
04:36Tomacho.
04:39Jesus, what strength!
04:41You're going to be a serious pelota player.
04:52Oh, my aunt!
04:57I imagine that when you're older you won't remember this.
05:01You won't remember, but...
05:04But...
05:04Will you forgive me?
05:05Hey, Gochone, do you want a coffee?
05:07Shh!
05:08Oh, aunt!
05:10What is it about this smell that's so captivating?
05:15Gochone, I'm going to tell you a little secret.
05:19Don't tell anyone, okay?
05:22But the paperwork and the family matters are just excuses.
05:31I missed you.
05:33I wanted to see you.
05:35I wish I could take you with me to Australia.
05:49Not since the time of the Tiger of Cestoa has such a beating been seen.
05:53Normal.
05:54If he's been preoccupied the whole time...
05:57Come on, if you can't win the game with 31, then...
06:00I have been able to replace Pello or Pachi, who is not a substitute in the crew.
06:03I'm the substitute.
06:04There's no need, man.
06:06If it's already done, we've already won.
06:08There is no other game left.
06:09Like another game?
06:10We've just had bad luck.
06:16This is really weird, huh?
06:18He's practically disappeared.
06:20And Fofisano, kind of chubby, huh?
06:24He never eats with us lately.
06:27Let's see if he's back with her.
06:29What are you saying, Sabino?
06:30With Yasmin.
06:31Ah, with Arancha.
06:32Oh, worse.
06:33With her mother.
06:34Impossible.
06:35The other day I saw Rosamari and she told me that the empty nest was the best thing that had ever happened to her
06:38in his life.
06:41Well, I'm leaving.
06:42Can you tell me where you've been eating lately?
06:46Eat?
06:49At home, with the television on in the background, it makes me...
06:57Okay, see you later.
07:03Crew, lame from the jackets.
07:07Sabino, throw.
07:09Otherwise, Pachi, they'll leave Sofia like a child.
07:11Second substitute, for life.
07:12Come on, come on.
07:14But we can't even agree on a coffee break time.
07:17Seriously, huh?
07:18I have to tell these people everything that...
07:21From the patients, of course.
07:23My father is very grateful for what you did.
07:26Wow, really.
07:27Don't you see what a little expert it is?
07:28Look, look, look.
07:29But we hardly ever overlap on any shifts, right?
07:31Aren't we going to see each other?
07:32What do you mean, no?
07:33I have tons of free time.
07:34Look, this day off, this day off, this day off.
07:36No, no, darling.
07:37These are the days you do have to come to work.
07:40What are you saying?
07:41How is it that I have to come to work?
07:46You don't say.
07:47I've spent two nights without sleep trying to fit you into the template.
07:49I can't make any more changes.
07:50And Dolores, I need you to run a marathon.
07:52Look, run and get up early, those are two things.
07:55Perhaps you've misplaced the information.
07:57And you're giving us your gym's schedule,
07:59That can happen, huh?
08:00This is the donation campaign for our blood bank.
08:06On a day of reflection and posting photos.
08:09What a shame!
08:10I can post about my private life online, it's not campaigning.
08:13Draw my blood quickly, please.
08:14I have to curb populism and posturing on social media.
08:19I leave my blood, as I will leave it, for all of you.
08:23Come and donate.
08:24Viva, emoticon, bearded man, cigar emoticon.
08:28The bearded man, Escastro, the cigar, Fidel.
08:31This, faithful castro.
08:33A phrase for my followers, zero political message.
08:35Girl, give me four more liters than her.
08:38Okay, okay, what happened?
08:40Hey?
08:41How have you been?
08:42Hey?
08:43I imagine I won't be surprised if your blood is blue, little duke.
08:46From what I can see, yours is redder than normal.
08:49Peace be with you!
08:50The campaign is over.
08:51Please, let's get along in the future.
08:55It's left me feeling like the plenary hall.
08:59Which?
09:00Oh, no, it's just that we've removed the plaster from the plenary hall and...
09:03It doesn't matter, I'm much better.
09:05Yeah, yeah.
09:06To have more points than LeBron James, in everything else you're actually recovering very well.
09:12The wound is barely noticeable.
09:16Ali?
09:16What are you doing?
09:17Did he call me?
09:19No.
09:20Excuse me, where is that?
09:21My daughter has come to accompany me, but I'm sure she's donating.
09:24I'm not going along, I'm not going along because it's on my way.
09:27Ah, very good.
09:28Okay.
09:29Oh dear.
09:30It's amazing how every time I come to this clinic I leave with less blood.
09:34Oh, oh, oh, oh, that's just how it is.
09:35Oh, oh, be careful.
09:36Here?
09:37Ah, I see.
09:38Ah, I see.
09:39Okay.
09:40Come on, then.
09:41Bye.
09:41Bye.
09:43Hey!
09:44Oh, oh, guys!
09:46No, we're not gay.
09:47Hey, snap!
09:49Congratulations!
09:50Yeah!
09:50It's good to see you!
09:51Hey, I'll treat you guys to coffee later, okay?
09:53To celebrate.
09:54No, I'd be delighted if that marshal invited us, the one who says "it's a deal or nothing," eh?
09:57But look at the shifts they've given us, we're not going to coincide anymore.
10:01Let me see this.
10:03I can't believe it.
10:04I'm not going to see you.
10:06But I only have fun with you guys in the hospital.
10:09I understand perfectly.
10:10Well, don't worry.
10:12I'm going to do everything I can to get the shifts changed again so we can be on the same schedule again.
10:15Yes or what?
10:16Yes or no!
10:17Well, since things are changing, let's see if they can change our payrolls too.
10:20Well, not even a real name.
10:21Americans are breathing down their necks these days, huh?
10:23And I'm not just saying that because of Frozen.
10:26Frozen?
10:27Yeah, man!
10:29Oh no!
10:30Oh no!
10:31Oh, my dear!
10:36Oh!
10:37Oh, my dear!
10:40Come in, come in!
10:42Oh!
10:42He's not coming!
10:43He's not coming there, Tacho!
10:44He's not coming there, Tacho!
10:44He's not coming!
10:45He's not coming there, Tacho!
10:50I'm coming, darling, I'm coming!
11:00Are you okay, Ozone?
11:01Perfectly.
11:03So what happens?
11:04This hook is loose, huh, fatty?
11:06Well, that's normal.
11:07With all the powdered milk you give them, they suffer from latticework or slits.
11:12Come on, bitch, Chokin.
11:13Someone's going to have to give you the live before the guard.
11:18That's it, Siñaki.
11:19If you want me to give it to you, just ask.
11:21You're not going to arm yourself.
11:23No, no, no.
11:24Yes, I...
11:24Come on, tell me how much we have to give him.
11:26Don't get used to it, okay?
11:27Okay, okay, okay, take it.
11:30But he lives nearby, okay?
11:33Okay, perfect.
11:34Oh, my aunt.
11:36Oh, my aunt.
11:42Lots of complaining about gentrification, but you all drool over gluten-free eco-cakes.
11:47Nayara's soy-free, palm oil-free and sugar-free products.
11:51It's a shame they're not also jerk-free.
11:54In the end, you'll all end up asking me to manage your businesses just like she does.
11:57Or like Pachi, make him an offer for his place.
12:00I already told you which hole in your body I could use to recycle your offer, folder and all.
12:05And so I'll come back later and give him the...
12:06Air, air.
12:09Callus.
12:09Now I understand why he's getting so fat.
12:12A zampavoy helps me.
12:18I don't think he's just eating buns.
12:24Here we are, this way, sir, this way.
12:25Oh, sorry, sorry.
12:27But hey, Christopher, you doing something for humanity, what a surprise.
12:31You go now, I'll stay here and do the work.
12:33You have to sign that they are fit, because I won't make it to the bus.
12:35Sure, then go away.
12:36Come on, calm down.
12:38But hey, by Samson's beard, so be it...
12:41You are both A, B negatives.
12:44This is very strange.
12:44This is a blood type that very few people have, you're not even related.
12:47But it's not serious.
12:48That's what you would like.
12:50To elicit pity on social media and get clickbait.
12:52Oh, really.
12:53No, no, no, no, no.
12:54This is not serious.
12:54The only thing that happens is that only 0.6% of the population has it.
12:58Come on, you're not like you're related.
13:01That might be a mutation of some rogue gene.
13:04Well, Christopher, my goodness.
13:06What was moving in the mother's belly.
13:09Because of the analysis machine that is skimming.
13:11Charra, Dolores, please fix the machine and stop insulting, please.
13:15Yes, of course, of course.
13:16But come on, can you imagine what happens since it's my favorite soap opera?
13:20The blood that gave birth to you.
13:21They eventually discover they are brothers...
13:23Oh, sorry, sorry.
13:27Calm down, calm down.
13:27I'll pick it up now, with plenty of time, okay?
13:29He's giving me like a kiss.
13:30I'd rather donate it.
13:31Yes, yes, no, I'll take you.
13:33I'll give you a little space, okay?
13:34Shh, calm down.
13:35It turns out that María Eugenia was a neighboring bed that at the same time...
13:42You know it.
13:44All.
13:44I know everything.
13:46Why has he hired a Russian hacker?
13:48Who told you that?
13:49You.
13:49I already told you.
13:51You when you were admitted and you were half dazed from the anesthesia.
13:54You.
13:58Are you feeling a bit better?
13:59A bit better.
14:02Me, thank you.
14:03Let's see.
14:05I want to ruin my life.
14:07To the girl.
14:08What do we do?
14:09She has a right to know, but she's happier that way, right?
14:12Oh my god, my sleepless nights are going to change.
14:15Epi, I'm no good at replacing you as a father.
14:19Of course, it's not a substitute for me as a father.
14:21You're right, that's clear.
14:23Everyone has a grandmother, right?
14:24Look, for now they're probably better off not knowing.
14:29And we're not lying, we're omitting.
14:32I don't know if bringing this politicking into family life is going to work.
14:36Oh yes, I've seen this myself in the opposition, because I'm not like that.
14:42We might tell him if the conversation comes up.
14:45Or if they ask directly.
14:48Or if someone needs a transplant and only a sibling can win it.
14:51Or if we confess it in the will.
14:53The first one to die will come to light.
14:56The other one can play dumb and he'll come across as the victim.
15:00And is this ease of manipulation also a characteristic of the opposition?
15:05Man, of course.
15:07Covenant?
15:08For their own good and happiness.
15:10We will omit it until there is no other option but to tell it.
15:15Covenant!
15:17Iñaki, please watch the video carefully to see what Agostones has done to him, because I know he's a
15:21a little crazy.
15:22Hey, little one, she's acting a bit strange.
15:26And I've also heard him say earlier that...
15:28He's come to take the little boy away.
15:30Dolores?
15:30Yes, I was here just when he called me, my love.
15:33Take off the blindfold, this woman hasn't come here for her birth certificate.
15:36This woman has come to take John away.
15:38Come on, soap opera screenwriter, enough already.
15:42I think she feels guilty for leaving John and wants to make amends, that's all.
15:46Hey Iñaki, how's this whole gas thing going?
15:50Do I give it to him like that, with an open hand, like when they used to give me ass at the fair, or...?
15:54No, no, no, no, no, gently, gently is better.
15:58Okay.
15:59Look, it's clear she doesn't want to be a mother, she has no idea.
16:02She can go to the hotel and I'll take the kids to the ward.
16:04The sooner, darling, the safer they'll be.
16:07Iñaki, here are the two sandwiches, that's 20 euros.
16:10Oh!
16:11Damn, 20 euros?
16:12Please, it's not like we're at a fair.
16:15Iñaki, gluten-free bread is really expensive, huh?
16:18That's like making an omelet with Ronaldo's eggs.
16:20No, uh, the sandwiches are for Cristóbal and the girl who's with him, they're donating and they're intolerant.
16:26Intolerant, yes, like us when we don't get paid.
16:29So loosen your purse strings, Dolores, she wants to grab more than a tick at a fair, girl.
16:33Here you go, darling.
16:34Bring it here.
16:35Wonderful, thank you.
16:39Man, pious!
16:40Hapa!
16:40What a coincidence!
16:41Do you know each other?
16:42Yes of course.
16:43And you too, apparently, no, you sweet tooth?
16:45That?
16:46No.
16:46Yes, well, just from sight.
16:48What do you mean, just by sight?
16:50Pello, what's going on?
16:52Nayara, this is my crew.
16:54Crew, this is Nayara, my...
16:56Bride.
16:57We had imagined it.
16:59Oh, what?
16:59Is it because of the chemistry between us?
17:01No, more because of the kiss you two shared.
17:03As?
17:05Have you been spying on each other?
17:06Uh, and how, how do you guys know each other?
17:09Having drinks.
17:10On Tinder?
17:13Tinder, huh?
17:13Tinder isn't just for desperate horndogs.
17:16There are also desperate people who are worthwhile.
17:18And have you been here in San Sebastián for long?
17:21Lifetime.
17:23We'd better get out of here, okay?
17:25Okay, bye.
17:26So what?
17:26Well, goodbye, we'll have a glass of txakoli sometime.
17:30What's happening?
17:31But here comes all this rush.
17:32Haven't you noticed?
17:33Yes, these modern people are selling bread at the price of eels.
17:36What are you saying?
17:37Didn't you hear anything strange when they spoke?
17:39About what?
17:40I don't know, weird, weird.
17:41There must be something strange about him to be hanging out with Peyo.
17:43Haven't you noticed how he drags the accent at the end of the words?
17:47Sancho, no, it's forgiven, but after that firecracker he gave me, I just couldn't hear the subtle stuff.
17:50It didn't seem foreign to me.
17:53A foreigner is...
17:54The girls from Bilbao.
17:55How awful!
17:56That's a load of crap.
17:57Is it going to be?
17:59Yeah.
18:04I see that the bow tie wasn't lying.
18:06You're a tough guy.
18:07No, it's the alcohol that makes me feel bad, even when I'm wearing cotton.
18:09What a coincidence, right?
18:11Same blood type, celiac.
18:14Lola.
18:16The thing is...
18:17I wanted to apologize for what happened the other day.
18:19Because of the insults during the campaign?
18:21For calling me, what was it, a socialist of the olive grove?
18:24No, no, woman.
18:25For those who kiss.
18:27Ah.
18:29Yes, it was...
18:32Unexpected.
18:32It was a temporary madness.
18:34Forgive me, forgive me.
18:35Furthermore, we are opposites.
18:36We are like caviar and xopepó.
18:38Like Lenin and Mussolini.
18:42Like María Cala and Extremo Duro.
18:45We're here.
18:46No!
18:47Here are the little bloodstains.
18:49But come on, I can already see that I preferred to move my mustache in a different way, right?
18:55What were you doing?
18:57And I thought I was going to be bored in this job.
19:03I'm not smoking, sir.
19:08Let's see, what...
19:09What was I going to...
19:11TO...
19:11To kiss?
19:12How come you didn't kiss?
19:13And we are...
19:14We're like...
19:15Like Lady and the Tramp.
19:16Of course, of course, and it can't be done.
19:19It can't be done, it can't be done, it can't be done, period.
19:22And why not?
19:23Why not?
19:25And there is a very large epidemic of the kissing disease in the clinic.
19:29And not.
19:30No.
19:31Come on, everyone to your cot.
19:33Everyone to their own stretcher, we're going to ask what we can do about this...
19:37Uh, with the epidemic.
19:38Let's see what...
19:45The pact of silence was broken, huh?
19:47Well, it didn't last long at all.
19:49Well, I've had shorter ones.
19:50Well.
19:52And who tells him?
19:54No.
20:15My baby is from Bilbao and that's okay.
20:17It says nothing.
20:18That's what we don't want.
20:19Let them turn Peyo into another you.
20:21I'm here now.
20:22I came as soon as I read your message.
20:26Will you sell me your premises?
20:27I'd rather eat this wicker basket and shat it into splinters.
20:30So, you rented the place to Nayara, right?
20:33Can you tell us if he's from Bilbao?
20:35From Bilbao?
20:35No, no, no, no, no, no, no, no, don't mess with me, let's see.
20:38Let's see, the contract says Nayara Cortavarría from Donosti.
20:43One moment.
20:45Did he show you his ID?
20:47No, no, I was renewing it, but now that you mention it, he never gave it to me.
20:51Do you see it?
20:52He's hiding something.
20:52And I'd bet my life that not even Peyo himself knows that his girlfriend is from Bilbao.
20:58Okay, uh, let's see.
21:01You?
21:05I don't know how to serve you this.
21:07What's happening?
21:08Lola.
21:12You are my daughter.
21:15Dad, I don't have to put up with the farmer's jokes too, Father.
21:18Oh, darling, listen carefully.
21:21Benito and your mother had a relationship 30 years ago and...
21:25It's true?
21:26Muitito, muitito, muitito, muitito, muitito, muitito, muitito, muitito, muitito, muitito.
21:30Are we brothers, Dad?
21:33Daughter, forgive me, I didn't know.
21:35We've eaten the boquino, Dad!
21:37And almost twice!
21:38But, but, how could he have waited 30 years to tell me this?
21:41Not me, your father.
21:42I mean, this gentleman.
21:44Man...
21:45Okay, that's enough, right?
21:46Both.
21:48You've had plenty of time to invent excuses, but I'm not interested.
21:52You knew it and you didn't tell me.
21:58Dad, being a communist is one thing, having secret children is another.
22:02What did I disembark?
22:03Lorre!
22:08Hellwolf!
22:10Apogenia, how are you?
22:10That?
22:11Are you here to get the beech tree before lunch?
22:13Yes, and let's have a baby.
22:14No, no, because his mother took him, saying it was just for a little while and that she would bring him back later.
22:18No, no, no, look, Carmen is working.
22:20Maybe you're getting confused.
22:22My child is John, John.
22:24Sure, sure, sure, yes.
22:25The thing is, I'm talking about John's mother, the one with the name
22:29queer.
22:30Zone?
22:31That.
22:32I had to adjust the child's seat and everything, because I didn't know how to do it.
22:34Wait, what are you telling me, Eugenia?
22:36Please, how can you hand the child over without telling us anything, damn it?
22:38Well, because he showed us his birth certificate, and his ID card.
22:43He's taken it.
22:44He's taken it!
22:44Hey, can I leave it there until snack time?
22:47Yes, yes, no problem, Iñaki, whatever you need.
22:48But, but, Iñaki, Iñaki, what, what...
22:51The afternoon snack, which we charge for separately.
22:56That was easy.
22:57Margaret wanted her afternoons off, okay?
22:59So, I've swapped with Abdul on Wednesdays of odd weeks.
23:03And so Irene, José and Dolores resume their shifts.
23:07Yeah.
23:08Three days a week, as long as they don't fall on a Saturday.
23:10Boom!
23:11It's amazing.
23:12No, he sees that I'm fucking.
23:13I don't care, I'm going to request to be discharged as soon as I can.
23:16Tomi, thank you so much, really?
23:18Hey, but the thing is, I got lost a while ago and I don't...
23:21Yeah, you know what's wrong with me?
23:23I have it, you know?
23:24I have it, but if you send it to me in writing, that would be better.
23:27That way I won't forget.
23:28Oh, sorry.
23:31Tell me, darling.
23:32Carmen, reason, cost, telephone, nothing.
23:34There's a daycare, John.
23:35What's up, Iñaki?
23:36I don't understand you.
23:37Okay, Carmen, forgive me.
23:38Costone isn't answering my calls and he's absent from daycare, John.
23:40He's taken it.
23:41As?
23:43Carmen, you've changed your shift.
23:45I'm sorry, but I can't.
23:52You went, didn't you?
23:53You have changed the shift.
23:54Oh, I'm sorry, and who?
23:56No, I'm sorry, we don't know anything about that shift issue.
23:59I'm changing shifts...
24:00Once, in 2013, I changed my shift to watch Malaga in the Champions League.
24:03So what about Málaga and the Champions League?
24:05Why? What's going on with this?
24:07People are ignoring my quadrants by the arch of the wall.
24:09And Abdul introduced us and said it was Margaret's turn.
24:13Well, we don't know anything else, we just have to do one thing, right?
24:15Oh, really?
24:16Sure, I'll explain it to you now, okay, see you later.
24:19That's too bad about the shifts, but if we find out anything, let us know.
24:24If I find out who did it, I'm going to put them on 24-hour street duty.
24:27Well, it seems to me that he has it very close.
24:29Oh, really?
24:30Who was it?
24:31My dear, we don't know who did it, but come on, it had to have been some employee of the clinic.
24:43That?
24:44Thank you.
24:44Thank you, he says.
24:46The schedule trickster.
24:50She's quiet now, huh?
24:53Now you owe me a favor, huh, darkie?
25:04What do you want?
25:05It's something very natural, it's just that it's very rude to say it.
25:07Go to your bathroom and leave me alone.
25:09Yes, but this one is for men.
25:12Well, the brothers share a bathroom, right?
25:14Yes, but not those who debuted that label an hour ago.
25:17How could they not have hidden something like that?
25:19Of course, daughter, of course.
25:21My father was a communist, now I have a sister who is anti-establishment.
25:24Look, I look like a spectator of the cult.
25:27Breasts...
25:28Be careful with that, not anymore.
25:29The little smiles and flirting are over, it's all over now...
25:31Be careful with that, not anymore.
25:31What are you talking about?
25:32Were you the one who flirted with me, not me?
25:35Sorry?
25:35This is good, this is good.
25:37It's the same, it's the same.
25:37We're not going to look for someone to blame now for who smiled first.
25:39who had an erotic dream.
25:41Sorry?
25:41Hey?
25:43No, no, it's the same, it's the same.
25:44Let's do it like the royal houses.
25:46We are going to deny our incestuous past
25:48And we're going to pay the service very well so they don't sell the exclusive rights.
25:50What I don't understand is why you like me.
25:52if we don't stick anything.
25:53We have confused attraction with the bond that NB Jumea provides,
25:56because NB Jumea are very strong.
25:58The NB Jumea are going horse riding.
26:00But hey, we've looked everywhere for you.
26:03We need to talk to you.
26:04There's no need anymore, we've talked everything through between us, right?
26:06Yes, we did find out something.
26:08We solved it in three minutes, we didn't wait thirty years.
26:10Okay, let me tell you.
26:11No, no.
26:13The only thing that interests me now is tomorrow's voting.
26:15We'll talk later.
26:16I don't want any of this to leave here.
26:17Is that clear?
26:23I'm not going to say anything, okay?
26:25Relax.
26:28I really hope this man doesn't say anything.
26:30Nothing can be known about this, right?
26:35Kid.
26:36Grab another juice.
26:37And a muffin, because there are plenty of them.
26:38Come on, eat, eat.
26:40It turns out that Lola, who is the daughter of Castro's mayor Fidel,
26:45She's involved with Christopher.
26:47What do you think?
26:47What do you say?
26:49Okay, but listen to me.
26:50And what about Lepi?
26:51Hey?
26:52I'm interested to know who's kissing that awful creature.
26:54The truth is, I have no idea.
26:56Oh, now I think about it.
26:58I hope the kid didn't find out what I said.
27:00Because he's from the same town as them.
27:02No, I am Castro Fidel.
27:04As?
27:05Oh, for the glory of your mother, don't you go without saying that,
27:08If he finds out, he'll need a transfusion, and that's me.
27:12Well, you're her father, that's not why I'm calling you.
27:15But it's not just one day, Don Hosti.
27:16Okay, sorry, thank you, thank you.
27:18Damn, Carmen was right.
27:19He tried to take it once and he's doing it now.
27:20I've been told that he came to Seville and was going straight to Australia.
27:23Carmen, is that all?
27:24That?
27:24She's taken John's clothes and his blue romper.
27:26Her little blue frog?
27:28We need to call the police, the local police, the national police.
27:30to the GEOs who marked the borders, the airspace, everything.
27:32What a sweetheart, calm down, think.
27:34Did Cochone do something strange?
27:35She had some tea.
27:36Is that strange?
27:37You're not going to do it for me.
27:39I'm such a fool, Carmen, I'm such a fool.
27:40I heard it, I heard it.
27:42But I'm on a motorcycle, think, think.
27:43Okay, I think, I think.
27:45He made a call, wrote something down, and went straight to the hotel.
27:50Fuck.
27:52Here's something.
27:53As?
27:54Here's something.
27:57No?
27:58Can you read something, Carmen?
28:00Yes, let's see.
28:00Should I quit, damn it?
28:00I don't know.
28:01Leave me alone, leave me alone.
28:02Okay, here's the address of a photography studio.
28:05Photos?
28:06The passport.
28:07She's taking it, Carmen, she's taking it.
28:09Not even his own mother would take this child away.
28:18What's happening?
28:22We have to tell you something that isn't easy.
28:26And me, not easy at all.
28:33Nayara is from Bilbao.
28:35It's that easy.
28:36What nonsense is that?
28:37What nonsense is that?
28:38Let's see, Nayara is more from San Sebastián than the Orfeón.
28:40I'm telling you, she likes the estuary more than the sea.
28:42That's what happens.
28:44You're looking for an excuse for me to break up with her.
28:46So that the crew doesn't end up looking like a mess.
28:48Chart?
28:48Look, Nayara, he lied to you and we're going to prove that he's from Bilbao.
28:51He's not going to make it through San Sebastián.
28:53You'll see.
28:55What's wrong, Pligio?
28:57Nayara, the gang knows you're from Bilbao.
28:59That?
29:00No no.
29:01I'm from San Sebastián.
29:02Like the monkey, the comb of the winds and surfing at three degrees.
29:06Nayara, I know you're from Bilbao.
29:08I saw him on Tinder before you changed your profile.
29:10In addition, you miss a couple of hours every week when Atleti plays.
29:14Look, I don't care that you're from Bilbao.
29:16But why did you change it on Tinder?
29:18When I arrived a month and a half ago, I wasn't getting any action.
29:20And he changed it to San Sebastián and by the second time he had ten matches.
29:23Already.
29:25Bad, here everyone is like my crew.
29:27Let's do one thing.
29:28We don't tell them anything.
29:29Let them get to know you, let them grow fond of you.
29:31And then, if necessary, we tell them you're from Bilbao.
29:33Look, we Bilbao natives are from wherever we want.
29:35And I'm from San Sebastián and I'm going to prove it to you.
29:38Well, you're going to have one chance, because they're going to give you the San Sebastest.
29:42I'm not afraid of anything.
29:44Well, although a crew from here...
29:46Don't worry.
29:46We'll solve that my way.
29:49With a good steak.
29:51Me too?
29:52Damn, where are you hiding?
29:53We're tired of waiting for you.
29:55Do you need anything?
29:56Lucy is coming to collect her favor.
29:58No, Lucy.
29:59Lucy, to me...
30:00I really appreciate the favor, but it's not convenient for me right now.
30:02No, no, no.
30:03Here we are, the three of us, huh?
30:05We are able to convince Jean
30:07that even you are to blame for the time change in the Canary Islands.
30:11Let him know.
30:12Girl, light it up.
30:15Enjoy it.
30:17Take off that robe, my love.
30:20Oh, very dark-skinned.
30:22This joke is awesome.
30:25Well, see you soon, daughter.
30:27Hush, hush.
30:28Don't be so dense, man, she just found out that...
30:30And you shut up too, you little horse, okay?
30:32Goodbye, sister.
30:36Come on.
30:38Look, there are the traitors.
30:39What a scam.
30:41Ramirez, what are you saying?
30:42That Fidel Castro has come to insult us.
30:45But we all know they're involved,
30:47that they go around kissing each other.
30:48So, do you know what fake news is?
30:51Lies, lies, to ruin the elections.
30:53Well, we don't plan to vote for her.
30:55Because it's all a lie.
30:56It's a charade.
30:57They are corrupt.
30:59Oh, and none of my friends are going to vote either.
31:01But you've told that to more people.
31:03To my little group from the games.
31:04That'll be three more, right?
31:06Eight old women, as is my custom, if Garcichón plays.
31:08Eight old ladies, because my WhatsApp group for the games has 27 members.
31:12Where are we going?
31:14Twenty-seven old women?
31:16Well, don't worry, we're going to talk to her.
31:17And we're going to deny everything, okay?
31:19We have to stop this rumor somehow.
31:25Sorry, sorry.
31:27We are looking for a woman who came with a child to have some photos taken.
31:29Look, woman and child, I've been working with woman and child every day.
31:32A more specific little friend.
31:33Please show him your photo with the child and his son.
31:35I'm coming, I'm coming.
31:36John.
31:36Let's see.
31:37He is John.
31:38He is John.
31:39Ah, yes, yes.
31:40Yes, yes.
31:41In fact, the child started crying and his wife took the printed photos away.
31:43No, no, his wife.
31:44Not now, Carmen, not now.
31:45Well, it doesn't matter, yes.
31:45Okay, he took the photos, yes.
31:46A USB drive with all the digital photos has also been left behind.
31:48Do you have the USB drive?
31:49Yes, yes, yes.
31:50Yes, no, I could give it, please.
31:51That would be great, it would really be very helpful for us.
31:53But...
31:54Divine, divine.
31:55Yeah.
31:57I can't believe it.
31:59Okay, okay, no, no, no, wait a moment, we're here now.
32:01Okay, yes, yes, yes, yes.
32:02All good?
32:03Yes, yes, everything's fine.
32:04Carmen, we already know where John is.
32:08Nayara, to pass this test, you have to be more from here than just playing the drum dressed up
32:14of Napoleon.
32:16What was the Donostia City Hall before it became the city hall?
32:19Hey, San Sebastián?
32:20The headquarters of the grand casino.
32:22Which is it?
32:23The refrain of the San Sebastián march.
32:25Baguera, chun, chun, cuerebai, chun, chun, gupe typeses, peti alay.
32:33What year was the famous fire that almost destroyed the city?
32:44Oh, sorry.
32:48You're not going to check your phone, are you?
32:50No, not really.
32:52What do you think?
32:53Is she a cheater or what?
32:59Okay, okay, okay, that's it, right?
33:00Okay, let's get back to what we were talking about.
33:02What was the year that San Sebastián was practically destroyed by a fire?
33:061.813.
33:08See?
33:09That's it.
33:10She's already answered them all, hasn't she?
33:12Now you can apologize to her and start getting to know her.
33:14No, no, no, no.
33:15The rest of the tests are missing.
33:19I would have told her to wait, but as soon as I saw her, I went to call you and she left.
33:24Well, no, don't worry, Eugenia, really.
33:25And thank you so much for letting me know.
33:27Nothing.
33:27Thank you, Eugenia.
33:28See you later.
33:29Thank goodness he didn't take it.
33:31I can no longer live without them.
33:32We can't live without them, can we?
33:35No no.
33:36Here, here.
33:38There with the meat, come on.
33:41Hey.
33:42That's great love.
33:45As?
33:46Look, Gochone, I can't believe it.
33:47Oh, sorry, I didn't see your call because I had fallen asleep.
33:51Even with all that liquid nitrogen in the kitchen, his brain has frozen, come on.
33:54I just don't understand why he's acting like nothing's wrong.
33:57Look, let's find out.
34:00What is he going to do?
34:01Hello, Gochone.
34:03Would you like to come over for dinner?
34:05We want to tell you something.
34:09Poor girl.
34:11Wow, what a session!
34:12First interrogation, and now musical torture.
34:28You have to kiss that shield.
34:32Oh, I'm allergic to synthetic fibers.
34:35Peaceful.
34:35It's from when I played in '79.
34:38All cotton.
34:39Or maybe you don't want to kiss him because you're more of a red and white fan than a foreigner who's a magician.
34:43Cora, erreala.
34:46Cora.
34:48Test passed.
34:49I believe it.
34:50Well, now you know.
34:51The next time you make up a lie about my girlfriend...
34:56Let's go, darling.
34:58Goodbye.
34:59Goodbye, go.
34:59Goodbye.
35:01My invader radar must have failed me.
35:03Stop, stop, stop, stop.
35:06This, this is not a cheat sheet.
35:08What do you mean, "chop"?
35:09Let's see, it's there, it's there, it's there.
35:10Look, I belong to myself, Pe...
35:13Start.
35:14This is Pello's lyric, no matter what.
35:16Yeah.
35:16What's happening?
35:16Are there no nice girls in Gipuzkoa?
35:18If they think they can fool us and get away scot-free, they're sorely mistaken.
35:24Chop.
35:25Come on, you go this way and I'll go the other way.
35:27The more people who know this is a sensationalist lie, the better.
35:31Come on.
35:35Nini, tell your mother.
35:36You're Lola's boyfriend, right?
35:39That's just a rumor, tell your mother.
35:41I need to talk to her, in her favor.
35:42You should tell me how he kisses.
35:43The claim that I haven't kissed anyone is a hoax, just like climate change.
35:46Come on.
35:46It's your turn...
35:47Call your mother or someone with a boot, kid, because this one turned out to be a
35:49bonobo monkey.
35:50Okay, okay, okay.
35:51But you have to tell me where you got it from.
35:53Show some respect, kid, I won't tell anyone because she's my sister, okay?
35:58Oh my, what I've just learned!
36:01Now I'm not going to tell you everything.
36:04I've already posted the statement on the website, on the big web, and in the bar's bathroom, which is
36:09where else will they read it?
36:10Good heavens, from talking to people so much my tongue is drier than when I fell out of the balloon.
36:15I'd rather not taste a drop for four days.
36:17So I think that puts an end to the rumor, huh?
36:21Alright.
36:23What do I do, A?
36:26Iñaki, come here, run!
36:27You have to see this photo.
36:28Shh!
36:30What's going on? Has he finally put the photo I took of the girl turning in the fog on the grill?
36:33No, darling, it's John's picture.
36:35Look, we have a problem.
36:40Do you see what I see?
36:41Yes, it's out of focus.
36:43You're the one who's out of focus.
36:44Iñaki, please!
36:46This is not a picture of a mother who regrets leaving her child.
36:49It might be too harsh to tell her to leave, isn't it?
36:52Yes, she is his mother.
36:53And I am his father and I am afraid.
36:54Fear that it will disrupt our plans, our lives.
36:57Fear that he will do strange things, like taking him away.
36:59Or like that photo, for example.
37:03Yes you're right.
37:04It's strange.
37:06We tell him to leave.
37:07Yes, we're saying it tonight.
37:09Yeah.
37:10Go on.
37:10Hey, now see what this girl has done.
37:13But I just put her to bed.
37:14Already.
37:15I'm going to open it.
37:16Yeah.
37:19Whoa!
37:22A minute to keep you company?
37:24Jesus, what a face, right?
37:25What's wrong with the suitcase?
37:28Don't worry, I won't end up staying here.
37:30I'm going to sleep after the party tonight.
37:32Yeah.
37:34Why aren't you asleep yet?
37:37Every day is the same.
37:40Oh.
37:40Mother.
37:48Are you alright, my darling?
37:50Yeah.
37:51Mother.
37:53Mother.
37:54Mother.
38:03Mother.
38:06Mother.
38:10Mother.
38:30Lucy, please, I'm in Ascoa.
38:32Tell me, how has Tommy been?
38:34That?
38:35Does it move as well as we imagine?
38:37But much better, let's go.
38:40She has a hip movement that's glorious to watch.
38:46Look, look how it's coming.
38:48What's wrong with you, kid?
38:49Sit down and tell us, or you can't.
38:51Tommy, for the glory of your father, what has happened to you?
38:53It was Lucy.
38:54Lucy, I owed her a favor and...
38:58But Lucy, I mean, Lucy and you...
39:02Already.
39:12Lucy, I'm going to dance with my friends, okay?
39:15The thing is, none of them want to dance with me for the competition.
39:18I'd love to help you, but we're from different generations.
39:22I just...
39:23Oh!
39:23Oh, my generation!
39:24I only know how to dance to Fortnite, you know.
39:26Fortnite, holy shit, Fortnite.
39:28No, no, no!
39:29Hey!
39:30No, no, no!
39:31This is nothing to worry about.
39:32This is nothing to worry about.
39:32This is nothing to worry about.
39:33This is nothing to worry about.
39:34Ah!
39:35Damn it, you're a real jerk!
39:37Hey!
39:37No, no, no, no, no, no!
39:38No problem!
39:40No!
39:42No!
39:43No!
39:43No!
39:45No!
39:46You go, okay?
39:47That's why I never ask for favors, right?
39:49I never ask you for anything.
39:50Clear.
39:50Because that way I don't have to pay you back.
39:51That's the point.
39:54I haven't asked them for anything.
39:57They know he changed the schedules.
39:59They were going to tell Jim.
40:00Oh, my poor little one!
40:02A date like that is certainly more dangerous than Al Capone's childhood.
40:05Well, just relax, brother.
40:06No, sorry.
40:08I'll talk to Jim.
40:09I'm going to talk to Jim.
40:11Don't tell me anything, no, no, no.
40:13Disarm me, disarm me, I'm going to...
40:14I'm going to...
40:15Okay, I'm going to talk to her.
40:20What's happening?
40:21We came to talk about the issue of shifts.
40:23I don't know who it was, but has anyone been affected?
40:26More than just the deaths of Chanquete and Michael, they are already together.
40:28Look, we all wanted to go back to working together.
40:32So Tommy kindly agreed to switch shifts.
40:35Honey, what have we told you about the topic of sincerity?
40:38What we were trying to tell you is that we, those of us who have been here all our lives at the Ispaly clinic, are
40:43a family.
40:44And when we work together we're like a Swiss watch.
40:47We fit together perfectly.
40:49We're a life-saving machine, let's go.
40:51Well, like your father.
40:53We did well with your father the other day, didn't we?
40:56Imagine if one of us had been on the morning shift, the other on the night shift.
40:58Well, I don't know what would have happened.
40:59Hello, since you've been in politics you speak beautifully.
41:02Look, it's true that my father has asked me to treat you well.
41:05I'll see what I can do to get you working together again.
41:07Oh!
41:09But I don't want any more changes in this quadrant.
41:11What a great director!
41:12You're the best.
41:13Well, after my Carmen, of course.
41:15Hey!
41:16You're all right, Lucy?
41:17My colleague, who will no longer dance with you.
41:32Where is?
41:37Iñaki, look, nobody is more bothered than me that Gostón is here.
41:42But as a mother, I completely understand that she needs to see her son grow up and take pictures.
41:47Yes, but a small detail.
41:48He lives in Australia.
41:49Well, it would be easier to donate.
41:51Carmen.
41:52And much better for the baby.
41:53Yes, and for you.
41:54And for us.
41:55Iñaki, as a mother, I understand that she needs to see her son grow up, even if she doesn't want to admit it.
42:01Hey, everything's so beautiful, isn't it?
42:03Thank you.
42:04Hey, Gostone.
42:05That?
42:06Iñaki and I know that you have taken John and we have seen the photos.
42:11It's a memory I wanted to have with him, yes, for when he's older, so he won't be embarrassed.
42:16from his father.
42:17Let's see, Gostone, cut it out, okay?
42:18We know that the birth certificate thing is nonsense, that you wanted to see John.
42:23Yes, I'm sorry.
42:27I'm sorry.
42:28I don't know what's wrong with me.
42:29I don't know, I must be sick or something, huh?
42:31No, darling, that's not an illness.
42:33It's because you're his mother.
42:35I'm going to leave right now, to check if this is going to happen or not.
42:38It won't pass, love goes beyond that.
42:42Carmen, but I'm not as silly as you.
42:44As?
42:45Look, I don't mean this in a bad way, okay?
42:47The thing is, it's not fair to you that you took John in and now I'm coming
42:52I'm here bothering people and I get these crazy mom outbursts, like with the photos...
42:56Even crazy mothers like you are mothers, and I don't mean that in a bad way, okay?
43:01Look, Carmen, you're right.
43:04Gochone, when I asked you to let me stay with John, I did it because it's the best thing for him and for you.
43:10Iñaki, I'm not taking John to Australia.
43:14Her place is here, with you and with the Aya.
43:23And with you, Gochone.
43:26And with you.
43:28Iñaki and I have spoken and we believe that...
43:31Well, it's best if you stay...
43:33In Seville?
43:34I had thought of that!
43:36Well, I actually called the restaurant and asked if I could take a leave of absence.
43:40I've been told it's no problem.
43:41No, they were from San Sebastián.
43:45Carmen, you're going to kill me.
43:49But perhaps it makes more sense for him to stay in Seville.
43:51Yes, we both know what it's like to walk with a child from San Sebastián to Seville, from Seville to San Sebastián, and
43:55It doesn't benefit anyone, does it?
44:03I think they need a box of this from me.
44:05I'll bring it to you.
44:09Gochone.
44:11Indeed, we believe that the best thing for everyone would be for you to stay in Seville.
44:21Thank you so much.
44:28Health.
44:37Well, well, well, today's the big day, huh?
44:44Let's make Castro Fidel great again.
44:46Ladies and gentlemen, I invite you to a snack at the bar.
44:49I have organized the true celebration of democracy.
44:52Remember, remember, if you hear any rumor, whatever it may be, don't pay attention, okay?
44:56Kisses, family matters, the chupacabra.
45:00Well, we'll soon know if yesterday's anti-kissing campaign worked.
45:07I heard someone at the door say that you and Lola are sisters.
45:10That?
45:11How do they know?
45:12I don't know.
45:18It slipped out.
45:19I was trying to defend the honor of a once-smoking man and...
45:21Didn't he put a tolaba on you or what's wrong with you?
45:23I am a traitor.
45:24What you want is to take votes away from me.
45:27Please.
45:32Nayara, we're sorry we doubted you.
45:35And that's why we've prepared a surprise for you.
45:40Do you know Miquel?
45:41The gun is now clean.
45:44Do you want the first lovebird to get a tattoo?
45:46Are you going to get a tattoo?
45:48Do you like surprises?
45:49Something special for a very special couple?
45:52Well, for working at Arzac, a voucher for paid dinners would have been better.
45:57It's a heart.
45:58And in the center it says San Sebastián.
46:01Uncle?
46:02You first.
46:04Carmen, I think we chose the wrong costumes.
46:07Goes!
46:08Come on, honey, take the children, we're going to be late for the nursery party.
46:11I insist, it was much better to go as a superhero.
46:13Well, look, now, apart from being a superfamily, we are a different family.
46:18Atypical like fairies.
46:20Goes!
46:21Oh, my love!
46:23Who is it?
46:25Hello.
46:26With this mustache, they might kick me out of Seville.
46:29You look beautiful, don't you?
46:30Well, I am.
46:32Okay, look, what's this? How's this?
46:34Have you seen this baby?
46:36Oh!
46:36Oh, my Yonchu!
46:37Oh, how handsome!
46:39Oh, how handsome!
46:40Oh no, there's no aunt!
46:41Look at that!
46:42I'm going to help.
46:43No no!
46:43Come on, let's go!
46:44Oh!
46:45No, no, no, no!
46:46Take it home!
46:47No, no, no!
46:47Otherwise, I'll give it a couple of turns.
46:49No no!
46:49What do you need to practice?
46:50Besides, he gets scared by my hair.
46:52Okay.
46:54Come on!
46:55Oh no, there's no aunt!
46:56Go!
46:57Go!
46:59Morti!
47:01Tell me.
47:02The adventure begins, right?
47:07Hey, whose side am I on?
47:11And you?
47:13You of my alcohols.
47:21Are you OK?
47:22Yeah.
47:23The noise is a little scary at first, but it doesn't hurt, hardly hurt at all, no.
47:26What? Or do you want to go see how it's turning out?
47:29Yes, that's it, when I'm done.
47:32No no.
47:32Now better, now better.
47:34Yeah.
47:38The heart has a very pretty shade of red.
47:42I haven't colored it yet.
47:44It's blood.
47:45I must have punctured a major artery.
47:47That?
47:47What does an artery look like?
47:48No, no, no, stop, stop, stop, stop, I'm bleeding out.
47:51No, no, no, no, no, no.
47:52Stop, stop, stop, stop, stop!
47:54I'm from Bilbao.
47:55He was right.
47:56Ha!
47:56My hearing never fails me.
47:58If you were going to confess, you could have done it 15 minutes ago, couldn't you?
48:15Shh!
48:15And if it's Bilbaoina, what happens?
48:18Because Maria is affectionate and friendly.
48:22She's the only girl who liked him.
48:25Pello and I are very happy.
48:27And if you're truly a good group of friends, you should be happy for him.
48:31Man.
48:32For now, we'll leave each other alone.
48:34But we're going to watch you like we're the lighthouse of Montiguel dojo.
48:39Okay, what do I get?
48:40That's not the tattoo anymore, is it?
48:42Let's see.
48:42There's a mirror.
48:43Well, she hasn't finished it either, has she?
48:47Come, sots!
48:48But if you just put Sebastian...
48:54That?
48:57Does it get deleted?
48:58What do you mean the machine didn't have a needle?
49:00It was a drawing, damn it!
49:07Yes, he said it's the best crew in the world
49:10Oh, innocent one!
49:13Good, Quixote, good
49:18Oh, I look like Nema!
49:22Let's go to the table
49:23I don't care if I break the table.
49:24Tomorrow they're going to kick us out of here.
49:26Do you think Christopher won't fire if he doesn't win?
49:28What am I going to gain?
49:29I haven't won anything in my life.
49:31I'm going to win a vote
49:32Well, yes, I did win one once.
49:33They voted to kick me out of the apartment I was living in.
49:36And I'm glad.
49:37Because the truth is, I don't want to give him the address of the olive oil mill.
49:40This guy is going to ruin the town
49:43What is that?
49:44What is that?
49:44Oh, I was scared.
49:45It's Christopher
49:46Ah, well that is scary.
49:49Give me a minute
49:50And then I'll give you at least three
49:54I'm so crazy
49:57Hey, Christopher!
49:58What's happening?
49:59I was really looking forward to seeing you
50:00Kids, you already have the result.
50:01Come on over, a big fight is breaking out
50:04Come on, come on!
50:10Lola, you liar!
50:14They won't let us make love, and these people are waging war here.
50:17Things are a bit tense, aren't they?
50:19Vora, vejumea! Out!
50:20Lola was selling!
50:21Creator!
50:22A little calm, a little calm
50:245,307 people have come to vote this year
50:28And the winner with a majority of two thousand seven hundred and fifty-nine
50:34Is...
50:36José Gregorio Narváez
50:38Take this, take this!
50:40Take it, take it, take it, take it!
50:43Take this, take this!
50:44Rigged, rigged, big rigged!
50:46Big scam today!
50:47No way, Kari, what a mess!
50:50Hey Kari, Coquit, are you okay?
50:52Because I don't
50:53Me neither
50:54Alcardes de gastrofidete
50:56How is it done?
50:57I don't have any fancy clothes or anything like that.
51:01I hope your first measure is to abolish the use of tracksuits and give me the apple.
51:05Remember the deal
51:07Caurito, you're over there!
51:32Lucy
51:36Nobody puts baby on a corner
51:39What's wrong with this little Englishman?
51:42Dirty Dancing
51:43The movie?
51:44The moment when...
51:45How did you do the translation?
51:48Baby, I won't let...
51:50Don't let anyone corner you
51:51Oh my God, this man is losing his mind
51:54Tommy, for your mother's sake, let her go dance.
51:57Exact
51:58This woman has given me back my hope.
52:00Besides, he feeds me almost every day; I'd rather he didn't use rat poison on me.
52:04Lucy
52:06Lucy
52:09Oh, oh, oh, this kid is making me drip down there
52:20How wonderful
52:28Aricuqui?
52:28Hey?
52:29Our kitchen floor is flooded.
52:32Well, I didn't pee myself this time, huh?
52:34So this is the famous Tommy
52:38Nice, tupis, you
52:39I thought the pub would be smaller, where's he going to put all this?
52:42Anywhere but here
52:45Ah, taking papers
52:47Even in that, the left copies us.
52:49No one makes decisions about the child.
52:52We only argue
52:52No, no, no, no, no, no
52:53That's what I tell Salia
52:54Threesomes are a lot of fun
52:55But in the end you found me
52:56If you go that way, I'll go this way, I don't know what
52:58I haven't had any threesomes.
53:00I won't do it again.
53:01Opa
53:02And who are these people?
53:03Don't you say hello to your girlfriend's friends or what?
53:06Why don't you speak to him in Neosquera?
53:07First, you have to learn English
53:08Which is much more important for their future
53:10He's my darling
53:11He's my darling
53:12She's my lady
53:13Oh my god
53:14Hello
53:14Where is the farmer going?
53:16Hottie
53:17Yes, yes, yes
53:17Move aside, okay?
53:18He's coming for me.
53:19Fancy exploring the city by scooter?
53:21We've snuck into the park
53:23And a security guard saw us.
53:25Me, Cristóbal Bejumea and two Sicilia
53:26I promise to pay José Narváez
53:28As soon as I return the olive press to the Bejumea family
53:30A wedding for all the tired
53:31Because of how fed up he is?
53:33Like the turned by the fed up
53:34I shit on my father
53:36Yeah?
53:36Who are you?
53:37Isidoro Martos
53:38Couples therapist
53:39She's crazy, listen
53:41You guys are driving me crazy
53:42Or we learn to give in
53:44And to think about the children
53:45Or I'll eat the van
53:47Stop!
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