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  • 1 day ago
Igra sudbine 1826 epizoda (29/6/2026)

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00:12I don't like this situation like this, so I'm so nervous.
00:16How do you do it?
00:17Like this?
00:18It's so inappropriate, depressive, I don't know what's going on.
00:21I have the right to come to me, or is it?
00:24You have the right. You have the right, everything is okay.
00:27But we have to spend more time together.
00:31No, don't go away, I pray.
00:34I really don't know where to go, where to go, where to go.
00:38Okay, can you pray for yourself?
00:41I can be, I can be, I can be, I can be, I can be and I can be and
00:44to say what's going on.
00:46Why am I nervous?
00:46I don't know if I'm worried.
00:53Look, look how you're crying with your open gaze.
00:58You're just ignoring her.
01:01That's right, this would give us an answer.
01:04Do it.
01:06Let's go.
01:09Come on, old man. My good Krkjane. I think we talked a lot about this evening.
01:16The best would have been to rest a little bit.
01:22Okay.
01:24She's smiling, and you...
01:26...mrke.
01:28I'm looking at the pancetta.
01:33Okay, I was with her. I wasn't with her.
01:37We were talking about the rest of the night.
01:39It wasn't good for me.
01:44And then she said that you had to go back.
01:47Do you understand what I'm going to tell you?
01:49I don't know where to fix her, Senka.
01:53Where to fix her fix her, Senka.
01:55I pray.
01:59It's not fix her.
02:03I hear you.
02:07What do I do not know?
02:12Let's say that you don't have the heart of the blood.
02:15Let's go.
02:16Let's go.
02:16Let's go.
02:17Let's go.
02:18Let's go.
02:19Let's go.
02:20Let's go.
02:20I can't believe this.
02:22I can't believe this.
02:24You have the right to be lute.
02:26I understand it.
02:28You thought everything.
02:30Everything.
02:30Everything.
02:33Yes.
02:36No.
02:37I just want to tell you.
02:40That situation with a bomb and fame.
02:43It looked like a good moment to get out of everything.
02:51A good moment.
02:52Yes.
02:53Yes.
02:53Because I didn't know how different is.
02:59And honestly, when Jetta realized, she started to get out of me.
03:06She was in a way that if I don't say that she will say that she will tell us about
03:11the development of the development of the development of the development of the development.
03:14Not only the children are the only ones that feel like they have been left.
03:18I don't understand.
03:20I don't understand.
03:20Who else have I been left?
03:24I would ask something but to speak to me truly.
03:28Of course.
03:31Why?
03:32Do you have an love friend?
03:36I don't want to wait! I don't have time to wait!
03:38I'm going to give you all my life!
03:40I don't want to wait! I don't want to see you in my life!
03:45I don't want to see you in my life!
03:46What are you doing?
03:48What are you doing?
03:50What are you doing?
04:08They say that life is more than me!
04:12They say that life is not fair!
04:17Sometimes it's a loss, but often it's me!
04:22Everything is unresolved, except for my sin!
04:27What are you doing?
04:31What are you doing?
04:34On the other side, I don't want to see you in my life!
04:41It's a loss, but you can't learn, but you can't change to me!
04:44Just one chance, you'll be doomed!
04:48You're a queen in my life!
04:53I don't want to see you in my life!
08:22Oh, are you normal?
08:24Let's go.
08:25Let's go.
08:25There's nothing more.
08:26Stop it.
08:26Why?
08:28There's nothing more.
08:29There's nothing more.
08:29There's nothing more.
08:30There's nothing more.
08:31There's nothing more.
08:35There's nothing more.
08:35So, let's go.
08:36Why do you have to tell me?
08:39We're partners, but we are now a guy.
08:43I'm not a guy.
08:44But ask me a little bit, do I want a partner like you?
08:49I need a person who is known, and not a dilemma who is like a clown.
08:54Okay, okay.
08:57I just want to give you a little break.
08:59I have 15 minutes left.
09:02Listen, you have five.
09:06And then we have to talk about the future.
09:10Let's go.
09:16Put your hands on the ground.
09:33Tell me, do you have been Matthias or Matthias?
09:39Matea, yes.
09:40Yes.
09:43Your father was a legend.
09:44You know what?
09:46When she was someone who was planning,
09:48she didn't get hurt.
09:52You were good at Nišan.
09:54We didn't come here for you,
09:56Serderev and me, Vojvod.
10:01I just wanted to tell you
10:02that the name is something.
10:05I'm going to go on my way.
10:07I don't regret it.
10:08I don't regret it.
10:09I don't regret it.
10:12That's right.
10:13Okay, what is it?
10:14Why are you in Japan?
10:16Let's go, people.
10:17We need to work together.
10:20I didn't call you today
10:22to work pro-former.
10:24We have a very important task.
10:27What is on the daily basis?
10:29One exactly what you've talked about.
10:32Are you not an experimenter?
10:34No.
10:34One is one who has deeply
10:37fallen on his own hands.
10:50What kind of moves do you want to talk?
10:55Did you see my eyes?
10:56I don't see anything.
10:57I've never drank any of this rain.
10:58I've never drank any coffee.
11:02The first step is the invasion of the war.
11:11That's a bomb.
11:13That's what it's about.
11:15Tell me what you think about this seriously.
11:23I think it's dangerous.
11:24It's dangerous.
11:25Because Grkljan is with them.
11:29What is that Grkljan?
11:31It's dangerous.
11:33It's dangerous if I know it.
11:38But it's all about the beauty.
11:42Why?
11:44Because Grkljan will never allow the war to go on to me.
11:50So we have time as much as we want.
11:53We can plan and plan and plan.
11:58To make a plan.
12:01And you think about it?
12:04Grkljan is a great man.
12:06No, no.
12:07No.
12:07No one does not guarantee that he will be drunk tomorrow.
12:10Or to get him to the Uroš.
12:11What is that?
12:14Wait.
12:14What would you do to have Grkljan?
12:16There's no Grkljan.
12:17What is that?
12:18No.
12:22No.
12:23No.
12:23No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:25No.
12:25No.
12:52No, no.
12:52Grkljane will stay on the old questions that you have already started.
12:56And since Grkljane is emotionally linked to my greatest pain in life in my life,
13:01for Relju, Matej will fall down as my personal security.
13:06And he will also stay until it doesn't change anything. Is that clear?
13:09Yes, yes, yes.
13:11But I hope that you guys will understand
13:14that I will never be able to take a gun at Relju.
13:20And now I will tell you before the two things.
13:24I will never take the first hypothesis.
13:27That's it.
13:29The priority is to protect myself and my best.
13:34And as it relates to my former brother,
13:39that's the best hypothesis,
13:40we will take the least of the hypothesis.
13:43We will go back to him a hundred times.
14:01So, I don't have to boast that
14:04still happens when more sua,
14:06we will never lose him.
14:11It's the only one.
14:12Honey, first, I'm not Dilea.
14:16Second, I told you thousands of times that you call me Dilea
14:21and third, I ask you to call me Dilea.
14:24Why can't you be stupid?
14:28Well, I don't want to hurt myself, Relja.
14:32I mean, every promise you gave me, you lost everything.
14:36And for me, and for us, and for my career.
14:44Well, what's going on here?
14:46Because he comes here as soon as he wants.
14:49My heart, I've come here to my job.
14:52But who would be a cup of tea?
14:55So, my friends, welcome and bye-bye.
15:04So, let's go back to our topic.
15:07I gave you, Relja, my best years.
15:11And don't let me turn my eyes off.
15:13I gave you everything.
15:15I believed you.
15:16You promised me.
15:17I was in love with you.
15:19You used me.
15:20You used me.
15:21I used you.
15:22I used you.
15:23I ended up with you.
15:24I have nothing more about you.
15:26So, you're free to go.
15:30I have some information that would be useful for you.
15:35Really?
15:36Yes.
15:38What are the information?
15:55I don't know how to get his own relationship.
15:56You know what, Urush?
15:56If it's just how you say, then I was kicked in.
16:00What do you think?
16:03I'm a member of Belibor.
16:05I promised that I will hold this family,
16:06his family, hold on to the prison,
16:10and his children, peacefully and calm.
16:13Okay. What do I have now with you?
16:15You don't have any connection with you.
16:18I'm the man's name. I'm the man's name.
16:20Listen, that little boy made a mess from life.
16:26Do you understand?
16:26What did he do?
16:29I'm not talking about it now.
16:32But he was the first hit on me.
16:33You were the one with me.
16:36You're the one with me,
16:39and you're the one with me.
16:41You're the one with me.
16:44I'm the one with you.
16:47I'm gonna let you know.
16:48I'm sorry.
16:50I'm sorry.
17:00What did he do?
17:01The radio relay?
17:03No.
17:05But you don't know what you're going to do,
17:09but you're going to listen to my safety.
17:11Good, sir.
17:13I don't know what I'm talking about.
17:16What? My safety?
17:18Listen.
17:19At a good time, the old filentines have been destroyed.
17:23From a mile to a mile, which is the most possible.
17:25But the truth is.
17:28It's hard to find you.
17:29I don't want to find you in the family if you don't know where she lives.
17:32You see?
17:33That's a very interesting decision.
17:36I knew I wasn't wrong with this.
17:51What information are you using?
17:56I was in FAME now.
17:59You mean something about the tambour?
18:01That's right.
18:03The mother took care of.
18:04He died like a widow.
18:06Mother is sick.
18:08I'll play with him.
18:09I don't know.
18:09I don't know.
18:10But I have an important job.
18:12I don't know, baby.
18:14That's why I remember that.
18:17What?
18:20That I have a plan for you.
18:22And for us.
18:24Yes.
18:25Yes.
18:25That's why you, you are following me, to join the tambour.
18:31And you will fight with them.
18:33And you will fight with them.
18:41You're the two of us.
19:05I'm sorry, but I don't have a lot of work here.
19:10Well, you know what, if there's no one, then it's going to be over.
19:14He's going to put a bomb here soon.
19:16That's what I'm saying.
19:18It's nice here, there are guests here, but...
19:22No, no, no, no, no, no, no, no.
19:25These look good.
19:26See, there's some people who are disappointed, right?
19:29That's what I can't really see here.
19:32The biggest maniacs look the most normal,
19:35while they are not becoming different.
19:39It's going to be a chaos.
19:42When we say this...
19:51It looks normal.
19:54It's a dreamy, and on the first time.
19:57It's a dreamy, and on the second time.
20:10Lea...
20:11Could you give me a mail for an Italian restaurant?
20:14Yes, here we go.
20:20Let's go.
20:21Let's go.
20:28Hey! Where are you?
20:31I wanted to go.
20:33Okay, let's go. You don't have to come here every day.
20:38What? It's hard for me.
20:41I know what I wanted to tell you.
20:43I don't know what I want.
20:45We need to take care of all this time.
20:48For me?
20:49I absolutely agree.
20:51This is called an acquaintance.
20:53You see, you need to listen to the other person.
20:59Can you please?
21:01Nothing. Thank you.
21:03I came to your colleague.
21:05Do you think about my employer?
21:08Is there any problem?
21:11This is a company.
21:12Maybe this is a problem.
21:14Because the company is a place where you work,
21:17and not a place for private jobs.
21:20Let's go back to your job immediately.
21:22How do you talk about it?
21:24I mean, I'm right to talk about that.
21:26You know, it's a lot of people.
21:38I'm sorry.
21:40What?
21:43I'm sorry.
21:46I'm sorry.
21:53What?
21:54I'm sorry.
21:55I mean, you can't be kidding me.
21:57But, you know, you've been a bandwagon,
21:58and you're like,
21:59you're like,
22:00you're like,
22:00you're like a kid,
22:01you're like,
22:01you're like,
22:02you're like,
22:02you're like,
22:02you're like,
22:03you're like,
22:03you're like,
22:08I've got a band of horses
22:10and I don't think so.
22:11That's all on my mind.
22:12Good,
22:13you have great time.
22:15Full part of your son was a good friend
22:16or whatever.
22:18Even by the way,
22:19when they used it
22:20to fall into the role of playing field,
22:22you're like the way you're doing that.
22:27What are you doing here, what are you doing here?
22:30Look, let me tell you that I have a problem with your family.
22:34Yes, I thought that I decided to make a plan for a little bit.
22:39Aha.
22:42So, we'd better get out of the room than to hide yourself.
22:45Because if someone is hide, it means something to hide.
22:48But I don't know what to hide, so here you are.
22:51I don't know how much it is, my good friend.
23:06Why am I doing this society?
23:09Chats, tell me. Thank you for letting me know.
23:12To do a family, you certainly don't get angry at all.
23:16Well, she can be a family, but she is my pledge.
23:20Time. For me, she is my job.
23:24And I don't need to remember that the time is working.
23:27She can't just fall off the floor and tell me what to do and what to do.
23:31Who is it for me?
23:32It's not important who I am, but you don't know who is the girl when you leave.
23:39Who is the girl? Let me hear it.
23:43Mateja, really, we won't do that anymore.
23:46I don't need it.
23:48No, it's important. You have to be careful.
23:50Whose daughter is asked? I want to hear it.
23:53My parents kept a small job, you know.
23:56And then they had a lot of her family.
23:59Yes.
24:00And you are grateful to my father.
24:04That's the story.
24:06Nothing is so special and special.
24:08It's only a service for services.
24:13Okay.
24:15Don't forget that it's been working time for the time.
24:18I've said it 100 times.
24:19Thank you, PBU.
24:20You have to leave it later.
24:22Okay?
24:23Okay.
24:24Okay.
24:24He just came to visit and now he will start.
24:28Now he will start.
24:28Yes.
24:29Yes.
24:29You are very often here.
24:32We can add a new statement.
24:34A new working time for visit.
24:37For example.
24:37No matter what the matter is.
24:42Wait for sure.
24:43Do you allow this to be allowed?
24:44Oh ba.
24:46He is my director, Kacovic.
24:49He is not your level.
24:51I can't believe that you will can stop the poor people talking about this.
24:54I know he is not my level.
24:56Come on, let's move on now.
24:58Please do this.
24:58This is a company and it has a lot of rules.
25:01And I will explain all the time tonight,
25:03as I would like to see you.
25:06I'll see you next time.
25:08I'll see you next time.
25:09Bye.
25:09Bye.
25:33You know that my father is not the most understood person in this world.
25:37And I don't know,
25:38will you be able to explain yourself when he's gone?
25:41Yes.
25:42Well, what do you mean?
25:44You have a better attitude.
25:45Sit down a little while,
25:47and you're sick, you're sick.
25:51Sit down a little.
25:52A little legs.
25:54And the soul.
25:57You can be a little more useful.
26:00You can tell me some things
26:02in relation to Krkljan, Vuličko
26:04and the rest of the team.
26:06Because if we give them,
26:07it will be easier for everyone.
26:08And yourself and you.
26:11Okay.
26:13What do you like?
26:19I'm interested in who is Krkljan's chef.
26:22I'm sure someone is here for him.
26:24I'm sure.
26:24And I'm interested in who is Krkljan's chef.
26:27I don't know what to do.
26:27And if he is Mark,
26:28and he is the same.
26:29I don't have a clue.
26:31That's right.
26:32That's right.
26:33Listen.
26:36We thought that Rellibor Topic
26:39will lose his death.
26:40And that he is caught on the roof.
26:42He is playing the floor.
26:44And that he is the one who is playing.
26:44Then the story is gone.
26:48But in terms of the reason,
26:49I'm interested in something very important.
26:53What do you mean?
26:55What are you doing bro?
26:56Why are you doing this?
26:57I said it.
26:57I told you!
27:03Where are you guys?
27:05What are you doing here? What are you doing here?
27:07I knew that you were standing there.
27:10You had to go in some way.
27:12Yes, we had to go in some way.
27:13Yes, we had to go in some way.
27:14No, no, no.
27:16Why did you tell us?
27:18I thought I would go in some way to go in some way.
27:22How are you?
27:25I'll tell you something.
27:27If you weren't good and you weren't good enough,
27:30you would have to sleep in the building.
27:32Is that clear?
27:33Yes, I'm kidding.
27:35I'm kidding, Maxime.
27:36You just need to sleep in the building.
27:39Let's go.
27:40Get up!
27:42Stop, I'm saying!
27:56I'm trying to sleep in the building.
27:58I've never tried this.
28:00I would have to sleep with the leaves and the cream.
28:03I'm fine.
28:08I'm fine.
28:09Okay, I'm fine.
28:11I'm fine.
28:14I'm fine.
28:21I'm fine.
28:23I can see how...
28:25...lose chickpea can't work when they don't work well.
28:28Yeah, yeah, it's really nice, very nice.
28:31You can't believe it.
28:32You know what I'm supposed to do here?
28:35Really?
28:35Yes, I was supposed to do here.
28:38I was supposed to do here.
28:38What are you supposed to do here?
28:43What are you supposed to do here?
28:45What are you supposed to do here?
28:48No, no, no.
28:52Let's listen to my colleague.
28:56What am I supposed to do here?
28:59Anything else?
29:01Except for what I'm supposed to say about Derpi.
29:05Since I'm not a fan,
29:08I don't have anything to do here.
29:10So...
29:11Pa, pa.
29:17I'm going to cry.
29:22Oh, really?
29:24You're a tough man.
29:27Come on.
29:29Go and serve him.
29:34Excuse me.
29:35Whiskey.
29:36I love you.
29:38I don't even know what you mean.
29:59I've got everything.
30:00What did I call it? I called it at Slavi, a clinic that is the best.
30:04There is only a review, so we don't talk about the treatment.
30:07Then I called it at Novi Satamo and even further.
30:09Everyone says that the treatment is very long and that it doesn't give any guarantees.
30:15And this is not the case for these state institutions.
30:18There are lists of waiting for a couple of months to a couple of years.
30:21It's not true. Everything is not true.
30:23It's not true. We have to spend money that we don't have.
30:26We want to go to a monastery. It won't be paid.
30:31It won't be paid for me. Even if I get out of here, I'll get out of here.
30:36I'm sure it will be better without me.
30:38That's what you thought. That's what you thought.
30:40That's what you thought. That's what you thought.
30:40That's what you thought to us.
30:41Yes, yes. It doesn't make sense to us anymore.
30:46There is a lot more with your littleness.
30:48When you go to a problem, you go away from it.
30:51Or the monastery, or the isolation, or the question of a man.
30:54This man is the 21st century. It's a disease.
30:57It's a disease. It's a disease.
30:58It's a disease, Olga. But we don't have money for that.
31:00Which money?
31:01I don't know. We'll have to find it.
31:03Your view is a priority. I'm ready.
31:06Everything is done.
31:08People, I think I have a solution for your problem.
31:21Good.
31:22A lot more about me. Tell me what you have to do with me.
31:26Let's see.
31:27There is.
31:28There is.
31:28I've had two meetings.
31:30I'm not on the job.
31:31I ask you what you have to do with me.
31:32You're right.
31:34I always give me a job.
31:35You don't give me.
31:36I'm just wondering what you have to do with me.
31:41I think I'm going to renovate the house.
31:44So, I'm going to have to be a little in the hotel room.
31:47A little outside of you.
31:49I mean, I mean, the house is just a tip-top.
31:51There are some things that I would have changed.
31:54There are some crazy problems with the airways.
31:58I don't remember.
32:00That's because you have your eyes.
32:01Just for me.
32:02No.
32:04I have your eyes and for your house.
32:06And as far as I saw, your house has no one.
32:09You have something to do with me.
32:11What would you do with me?
32:12I don't know who I know.
32:14It's just a little weird.
32:16It's just a little weird.
32:17Excuse me.
32:17Why wouldn't I have to be safe?
32:19I'm more comfortable when I'm in the possibility.
32:21So, I'll have to be a little in the hotel room.
32:25A little in the hotel room.
32:26A little in the hotel room.
32:27If you get me, of course.
32:29In that case, I'm very happy to get you.
32:32It will be a pleasure.
32:34What will I tell you, for example?
32:38Sorry.
32:39I'm going to get some gala.
32:41I have to go.
32:41I love you.
32:42Bye.
32:44Bye.
32:52Bye.
32:53You really want to come to the house.
33:06I really don't like it to me,
33:08neither in my house nor in my house,
33:10nor in my house,
33:11I just heard it.
33:14Yes, no, no, no, no, no.
33:16Sorry, I didn't want to call me,
33:18but I didn't hear it.
33:20Maybe because of the heat.
33:21It has a lot of protein in itself.
33:23I'm like a chicken.
33:24Maybe because of that...
33:26Can you skip the metaphor with the heat, please?
33:30I'm sorry for you,
33:31but I can solve this problem.
33:34I can help you.
33:36I really don't have the strength.
33:39No, no, no, no.
33:40Let's hear how you can help us.
33:43If it can, it can sound normal.
33:46You can.
33:47As you know, I've already paid rent.
33:51You can.
33:52You can.
33:52And with that,
33:53I'm close to my Gertrude,
33:55but I don't think that's enough.
33:59I don't understand you.
34:01I'm close to her than ever,
34:02but it's not enough for me
34:03because I don't know how to use it.
34:06You want to help you with Marianne.
34:10That's right.
34:10And what do you propose?
34:11What do you propose?
34:12I propose one pact.
34:23Chefs, how are you doing this wonderful day?
34:27Let's pray.
34:28I'm sorry for you, Chefs.
34:30Tell me.
34:31What do I tell you?
34:32How do you propose to Natasha and Dr. Bujošević?
34:37On that front, no.
34:39There are all the elements.
34:41The elements are now now.
34:44The answer is now.
34:46What do I do?
34:48What do I do?
34:49I don't know.
34:50I don't know if you're happy.
34:51I'm not happy that you're happy.
34:55I told you to bully me, Flosko.
34:58Okay?
34:59I have something else for you.
35:02I have something else.
35:04Madame.
35:05I hope you'll have this information
35:06because you won't have this discussion.
35:10Let's watch it.
35:11Let's watch it.
35:12What do they call the children of Elibora, Tomić?
35:34I'll see you next time.
35:47What kind of pact do you suggest?
35:49It's a stable, rational and long-term pact.
35:52We need the government.
35:54Let's listen.
35:56I want to find Gertrude's heart.
35:59You see, your fantasies are practically impossible.
36:03Yes, yes, but if we start myself,
36:05and if we're together...
36:17You don't know how you play with a living light.
36:22Listen, I need this information.
36:26Do you know it or don't know it?
36:28If you don't know, I'll say it again,
36:30because I'll really think that I lost time.
36:31Yes, it's a secret.
36:33I'm still known because I've seen the eyes of my eyes,
36:37but I haven't seen it yet.
36:50I've seen it.
36:52I've seen it.
36:52I've seen it.
36:54I've seen it.
36:54I've seen it.
36:54I've seen it.
36:55It's a good job, as you can see.
36:57It's a good job.
37:00It's a good pause.
37:00It's always good.
37:01It's good.
37:02I've seen it with you.
37:03So, you're getting in a very good position.
37:07And when do you get the opportunity?
37:10Yes, soon.
37:11It's a good job.
37:12We're going to organize everything.
37:14Okay.
37:15I'm just asking.
37:29Oh, my mother.
37:34Oh, my God.
37:37Oh, my God.
37:39Oh, my God.
37:40Oh, my God.
37:43I can't.
37:45Oh, my God.
37:46Oh, my God.
37:58Let's hear it until the end.
38:00No, in principle, that's all.
38:03I'm trying to create a look for a look,
38:08but no.
38:10And how do we go?
38:11What?
38:11Yes, that's it.
38:13Is it possible?
38:26Enka, do you have any contact with someone in Vili Kanački?
38:32First, it's Vila Užjegovic,
38:35and second, I don't understand why it's interesting.
38:38I'm interested in something.
38:40No, I wasn't in contact with Alex,
38:43when he hurt me, you know.
38:45Do you hear it in your voice,
38:49a little lute?
39:02What do you say, Mido?
39:04What do you say, Mido?
39:06What do you say, Mido?
39:07What do you say?
39:08I think that's what you can do.
39:10You understand?
39:11You're a little more.
39:12No, my son.
39:14That's not my women's intuition.
39:17That I'm not in the way I'm in the way.
39:20I'm in the way.
39:22One, she won't destroy her life.
39:36How does he call his brother? He came here, you know him?
39:42Yes, yes, Relia, if you can see him well.
39:47Relia. That's it.
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