- 1 day ago
Igra sudbine 1745 epizoda (9/4/2026)
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TVTranscript
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00:22Yes.
00:23Well, yes.
00:24It's okay for now, but it will be difficult, because now I'm not going to move on to the other
00:31place.
00:33I'll be able to do it.
00:35No worries.
00:35I don't think so.
00:37Just tell me, I left you alone.
00:41Problematical.
00:43If you need something, I ask you to ask me.
00:48I'll be able to do it.
00:50I'm not going to get to the other place.
00:52I'm going to get to the other place.
00:53I think we're not going to drink from the other place.
00:56Oh, I'm sorry.
00:57Oh, come on.
00:58Oh, come on.
00:59Oh, come on.
01:00Oh, come on.
01:00Oh, come on.
01:00Hey, man.
01:01I'm going to die.
01:03I told you that I didn't go for the rest.
01:08Oh, come on.
01:10Oh, my love.
01:13My love.
01:15I'm playing, my son.
01:17I'm playing.
01:18You have everything you have.
01:19I'm not going to die.
01:24Eh?
01:26I'm going to kill you.
01:29I'm not going to tell you.
01:30I think I'm going to have a point where I'm going to get some more of a job
01:34and then you'll do some next time at the super cool place.
01:44What am I going to say again?
01:46Wait, do you want to be a star?
01:49Well, yes.
01:50How do you do that?
01:51A voice, a voice, a voice.
01:53You can't do that anymore.
01:55You don't have your song.
01:57How do you do that?
01:59Okay, Diana, I can sing any song.
02:01How do you think you sing any song?
02:05Hello?
02:06Where are you?
02:09Where are you?
02:12I'm waiting for a good time.
02:16Don't forget.
02:18Who gave you a phone and a card?
02:21Hey, come on.
02:23Maxime, someone needs it.
02:26What do you think?
02:30I'm here to bring you a good news.
02:32I hope it will be good.
02:33Listen.
02:35It looks like it came out of the mind of what we talked about.
02:39What little?
02:41Reli.
02:42Reli?
02:42No, no.
02:44I don't know what happened.
02:46Some changes.
02:47I don't know.
02:47Maybe it will grow up.
02:49I honestly hope you're right,
02:51because I can't play anymore.
02:54I didn't understand that,
02:55but I think it's better.
02:57I think it's better for you.
02:58You need help.
02:59I don't want help.
03:03But this is a specific task,
03:04you know,
03:05because of that
03:07for the campaign,
03:08it's zero dollars.
03:09Aha.
03:11Yes.
03:12Well,
03:12it may be a little overwhelming.
03:15I don't know what to do.
03:18You know,
03:20Mr. Alex,
03:20I've already got one idea.
03:23When we get to the two of us,
03:25the third will give us what we want.
03:28Okay.
03:29We don't have enough time.
03:30I don't know.
03:31It's good to put a coffee with the boys.
03:33We don't have enough time.
03:34It's not like that.
03:35It's not like that.
03:35It's not like this.
03:37No, it's not like that.
03:39It's not like that.
03:39You're right.
03:42Why are you thinking about it?
03:43But brother,
03:45I have to come back.
03:46Where do you come back?
03:47To you.
03:48To me.
03:49To drive here.
03:50To me.
03:51Don't you fuck me?
03:52You don't come back to me.
03:54I'm fucking fucking not.
03:56But I can't go back.
03:57Why?
03:58What are you doing?
03:59I've left you, brother.
04:01You don't know anymore.
04:09Yes.
04:11It's nice to meet you.
04:15I ask you to tell me who you are.
04:17It doesn't come out as far as I told you.
04:20That's the problem.
04:22Yes.
04:24I'll give you my deal.
04:29What would you do with this?
04:31Because I don't do this because I wouldn't do this.
04:33And I wouldn't do this with anyone else.
04:36I believe one of you.
04:38Good.
04:41Good.
04:45As long as I love you.
04:47Come on!
05:08Let's stay.ansa
05:26I don't know how it is, but often it's me, and everything is unrighteous, except my sin.
05:40Like love in the war, there is no rules, you have one life, only one chance,
05:52that you don't want to turn, and everything is unrighteous,
06:02This is my choice, how to become a dream, someone who wants, someone who does not want to,
06:11as if there is no life, everything is unrighteous, but we all are so bad.
06:20So you should be
06:56I don't know, do you know what I'm thinking?
07:00I don't know, do you know what I'm writing?
07:03Fantastic!
07:05What?
07:07I'm writing a prose.
07:09A prose?
07:10Yeah, prose.
07:12I mean, romans, books, stories, different stories.
07:17I mean, all that is related to the literature.
07:20So, I'm writing, I'm saying, an overarching literature.
07:24Ah, I know, I know.
07:26These are texts on Instagram and videos.
07:30What Instagram?
07:32No, it's on my level.
07:34No, no, no.
07:35I'm a serious writer.
07:36I'm writing a lot of texts.
07:40I'm writing a lot of texts.
07:41I'm writing a lot of poems.
07:43I'm writing a lot of books.
07:45I'm writing a lot of books.
07:46I mean, do you listen to me, David Curek?
07:48So, I'm talking about what I'm writing.
07:50I don't know.
07:51I don't know if you know my songs
07:53when I was a little published in Nevenu.
07:57I don't know what Nevenu.
07:58But, okay, you had a petition from Serb.
08:01Why are you young people?
08:03I had a petition from Serb.
08:04I'm not only a petition.
08:05I'd write a piece.
08:08Then my teacher would say,
08:10bravo, bravo, Lenz, Dix.
08:12Then I'd call me.
08:13I'd read it before everyone.
08:15They'd be disappointed and applauded.
08:16So, I'm from Malera.
08:18I'd show up my bravo,
08:20when we're talking about writing.
08:22Then I'm thinking something.
08:25It would be the most important
08:26to write it without you.
08:28It would be an absolute hit.
08:31Absolute boom over all boomers.
08:33Listen to me.
08:33The only opportunity.
08:35Yes, yes.
08:35To write a song for me.
08:37It wouldn't be free.
08:38It would be worth it.
08:42You write me.
08:44Normal.
08:47Why not?
08:47Do you have your songs to sing?
08:50No.
08:51I wasn't so much
08:52until now
08:53I was interested in writing.
08:55I was interested in writing more.
08:56I was interested in my career.
08:57I was interested in design.
08:58But there were different stories.
09:00World stories.
09:01Everyone would send me emails.
09:02from there.
09:03Dianana, write a song.
09:05I was interested in writing a song.
09:07I operated ađer collection to me.
09:11I changed it to me.
09:14I thought that I can write a song.
09:17I couldn't do it.
09:17I felt like a fantastic song.
09:19What do you mean?
09:21The stars were purchased.
09:23The greatest естественно stars wanted me.
09:27Then you can sing it.
09:28You don't care.
09:29I just don't understand.
09:32and I'll give it to me.
09:35Look at that.
09:36You know what I'm saying?
09:37I'm saying as a manager.
09:40And as a assistant for marketing.
09:42You know what I'm saying.
09:44You need to take a lot of money.
09:46Okay.
09:47You take a lot of money.
09:49You pay a lot of money from me.
09:51Now, listen to me.
09:54I'm giving you a lot of money.
09:55And I'm giving you a lot of money.
09:58You have to have, like I said,
09:59I'm giving you a lot of money for the dressing room.
10:01I'm giving you a lot of money.
10:02You don't have to pay attention.
10:04You don't have to pay attention to me.
10:07I'm giving you a lot of money.
10:09I'm giving you a lot of money.
10:12Why are you doing it?
10:13I'm telling you that I'm going to give you money
10:16for a song.
10:17I won't say anything else.
10:19You're welcome.
10:21You're welcome, Luce Luce.
10:23You're welcome.
10:24You're listening to me.
10:26You're welcome, Luce Luce.
10:28You're welcome, Luce Luce.
10:43You're welcome, Luce Luce.
10:55And one of the things we have to do is Humanitarian Action.
10:57Okay.
10:58How does that mean Humanitarian Action?
11:00We would have to buy food for those who are the most important ones.
11:04For children, for the people's cooking.
11:08The participants would be our standard clients and partners,
11:13which would be more popular for them.
11:18What about food?
11:20There are our people who would do it.
11:23That's interesting.
11:24I would imagine that it would be recorded.
11:26That would be recorded.
11:40I would like to ask Gabriel for the campaign without the budget.
11:44I have to admit that the idea is great.
11:47I'm sure I'm waiting for you.
11:49So, every time.
11:50Yes.
11:51Actually, this is not my idea.
11:55Which one?
11:56The one was really good.
12:06I think that you're done.
12:08Yes.
12:09Thank God.
12:10That's it.
12:11There's a good place for you so that you should not be muchas.
12:13That's fine, because it's a big space.
12:16A bit better than we all might have a lot to sleep.
12:18Yes.
12:20But not do we all want to sleep?
12:24No.
12:24How will he not be able to sleep?
12:25I will not be able to sleep.
12:25No.
12:25He will not be able to sleep before my food, because they are very comfortable.
12:26That's why, thanks to you and your police, Daniel is again free.
12:31And now, because of the inability of the police,
12:33we have to live in fear and wait for us.
12:37There is no reason for you. You are completely innocent.
12:40I'm afraid that, thanks to you, there is a lot of reason for you.
12:45No, no. That Daniel is such a type
12:49that he will quickly make a mistake
12:52that will throw him into the door.
12:55Where will you leave him again?
12:58Masija!
13:04During that action, our people didn't have information
13:08that Daniel was a part of the organized criminal group
13:13against which we had already had an operational operation.
13:21What does that mean?
13:22It means that they will be taken away from every moment
13:26and processed.
13:28They will be taken away from the police.
13:30It means that there is no need to take care of the police.
13:34You are the police.
13:38Once again, nothing has said to you.
13:41I don't know why you have to thank you.
13:57I am very happy to take care of the police.
13:58It's a really unfair idea.
13:59I've been telling you to give me the challenge
14:01and she just simply satisfailed on me.
14:04I'm just kidding.
14:05I don't know if I'm more agitated about it
14:07or whatever you want.
14:09How do I not be honest?
14:11No, of course, someone would have presented you as your idea, but you are not sure, so that's all.
14:17I'm not wrong, I'm putting you on the spot of the director of marketing.
14:21I hope I don't know what I'm going to do.
14:24Yes.
14:27I hope I don't stop anything.
14:29No, you've come to the right time, Suno has a great idea for the new company.
14:33Yes.
14:34Yes, we'll talk later.
14:36How do you leave us?
14:37Yes, of course.
14:44What do you do?
14:46I have one idea. I wanted to consult with you.
14:51Listen.
15:05Tell me.
15:06Where are you, baby?
15:08What are you doing? Pandur?
15:09What do you call?
15:11You're always a drama.
15:14You know what you told me that you want to give me money?
15:17I don't have money.
15:20I don't have money.
15:21Why don't you have money?
15:22You're crazy. I don't have money now.
15:24I don't have all the money.
15:26I don't speak now.
15:27I don't speak now.
15:47Even if I don't have money to work with you for the latest.
15:48Where do we go?
15:49Where are you going to stand?
15:50You can get the stop.
15:56However it doesn't matter.
16:06I'm doing something that I need to do.
16:10I've given you food because you're looking for it.
16:14No, no, no.
16:16I thought something else.
16:18I thought that you've given me food, but...
16:22You?
16:24You, again, your food.
16:27You know what?
16:28I'm not hungry.
16:30I'm hungry only after training.
16:32I'm hungry only after training.
16:34Pa, ništa.
16:35Uzmi onda da radiš čučnjeve,
16:38a ja moram da idem.
16:40Komarac.
16:42Mene treba našta da mi digne puls.
16:44Razumaš?
16:45Ne znam, onda uzmi da trčiš
16:48oko hotela nekoliko puta.
16:52A što se ti praviš da ti mene
16:57ne želiš?
16:58Zato što to nije pametna ideja,
17:00zato što će onda doći do...
17:05Šta?
17:07Šta će onda biljanin?
17:08Ajde.
17:26Ahhhhh...
17:27Razmišljam da prodam biljaninu kuću.
17:30Odkuto? Zbog čega?
17:32Pa, zato što to mi je ža.
17:34Žao mi je da se ta kuće ne koristiti,
17:36so the house is falling, and it needs to be sold.
17:38Wait, Gabriel, how do you use the house when the owners are selling?
17:43It's not paid, you know it's very good.
17:45How is it not paid? They pay the rent, pay the rent.
17:48The pension is a bonus. I don't see the logic at all.
17:52The logic...
17:54The logic is that it needs to be sold,
17:57that it needs to be a little less,
17:58for example, for the pension for the pension,
18:00it's enough to be able to get out of debt.
18:03Why do you need money?
18:07I want 250.000 euros in exchange for the pension.
18:12What did you say?
18:17Good, you heard me.
18:19And it's a small price for what you can lose if I talk about it.
18:22Is it normal? I don't have enough money.
18:26I'm sure you have much more than that.
18:29You're right.
18:30The company is working well, the best in the country.
18:34The number is nothing for you.
18:37Okay.
18:37Okay.
18:42If I stop, how do I make sure you won't talk about it?
18:45I'm a beloved woman.
18:47I'm a beloved woman.
18:48I'm a gift, a gift, a gift.
18:49I'm a gift.
18:50I'm a gift.
18:51I'm a gift.
18:51I don't know much of a beloved women who are doing the pension.
18:53I'm a gift.
19:12I'm a gift.
19:13I have to see if I can buy enough money.
19:14Five days.
19:16Neither a day nor a minute.
19:17That's a long time.
19:25I'm a gift.
19:35The price of a gift is coming up.
19:36The price of a gift is coming up.
19:36And that won't be a gift.
19:37You understand?
19:38They are crazy and I'm not even thinking about it.
19:40I'm supposed to take 300,000 euros for this.
19:42It's tough to take 300,000 euros for this.
19:43It's hard to take 300,000 euros.
19:45And if someone buys that house, they'll have to put it a lot.
19:48So it's needed time.
19:50I don't know.
19:50I don't know.
19:51It's not a good decision.
19:52The price of a gift is the maximum price.
19:55I know what I'm talking about.
19:57You need to sell it.
19:58You need to take something else.
19:59I'll tell you that Biljana can make it even better.
20:02I don't think that it's a good idea.
20:04You think it's a little bit more.
20:10No.
20:25That's what I'm talking about.
20:26I don't care.
20:27I don't care.
20:28I know it's affected.
20:31I understand that you want to be able to help us.
20:34I'm grateful for that.
20:36And I'm sorry for that.
20:38I'm sorry for you.
20:39Yes.
20:40When I say that I don't care, I don't care.
20:43I mean, as Asian is the right.
20:45I really should call it.
20:47Lord, I want to forgive yourself.
20:48No matter what I said,
20:50So I decided to condemn a colleague who made that complaint, because he is now free.
20:59Do you know, there is a police protection in the first place?
21:05Of course. There, in front of the building, a colleague asks you to stop and sit in the corner.
21:13Please don't do anything. You are completely protected. The police are protected.
21:24Nothing.
21:25Yes.
21:31This is my private number.
21:36You have to say, if anything happens, call me any time, day or night.
21:46We understand?
21:47Yes. Thank you.
21:49Do you want me to drink?
21:50No, I don't want to wait for me. I'm in the waiting room.
21:54Let's go, I'll go.
21:55Let's go.
22:08Listen, listen, this will never happen. This is totally wrong.
22:14Wrong? What are you talking about? I'm exhausted.
22:19You are so upset.
22:20You are so upset.
22:21You are so upset.
22:23You have to go back.
22:24What are you talking about? There is no chance.
22:27Come on.
22:28This will either go back, or I'll tell you what happened.
22:32What happened to you.
22:32I'm sorry.
22:33I don't want to go back.
22:36Okay.
22:36I won't go back.
22:37But you know there is a possibility.
22:39This must be done again.
22:41I'm not interested.
22:42I'm going to go back a little bit.
22:56Yes.
22:58Come on.
22:59Come on.
23:00Come on.
23:00Come on.
23:01Come on.
23:02I don't know.
23:03I'm not good at Ksenia in the last time.
23:08Okay.
23:09What?
23:10Go buy flowers.
23:12Leave them on the back.
23:13Let me see that I'm not really upset.
23:16What flowers?
23:18What flowers?
23:19Whatever.
23:21What do you think?
23:22What do you think?
23:22I don't know.
23:24Just do it.
23:25What do you think?
23:32What was that?
23:36Julija.
23:38What kind of flowers you like?
23:41flowers?
23:42Yes.
23:43flowers.
23:43You are the real cavalier.
23:45You know what?
23:46I like the hollands of flowers.
23:48You know what?
23:49The flowers.
23:50The flowers.
23:51The flowers.
23:51The flowers.
23:53The flowers.
23:56The flowers.
23:56You know what?
23:59Do you think?
24:01I don't know.
24:01I don't know what it means.
24:02I don't know what that means.
24:05Bye.
24:39Listen, I have made a decision to you.
24:43What should I do now?
24:47I decided to sell our house.
24:49Our house?
24:53To sell our house?
24:55What do you mean?
24:56Why?
24:57What do you mean?
24:59We are all right. We have the standard.
25:00We pay all the money.
25:03It's our only security.
25:05How to sell the house?
25:08What do you know?
25:09I don't know.
25:11I don't have another one.
25:12Give me that one.
25:16You don't understand.
25:19I'm looking for me.
25:23So, it started.
25:24I don't know.
25:26And how much do they want?
25:32250,000 euros.
25:34My?
25:36Yes.
25:39They want so much to see the secret that you are Victor and Alex.
25:45If I don't see you,
25:48we are going to get him.
26:01I'm going to drink this drink and I believe that I will stay away from everything.
26:06It's true.
26:07Only when I stay away, I'll get myself.
26:09You can see, it's better than Emile.
26:12I believe it's better than to stay away with this little pizza pep.
26:16I don't know.
26:18Emile will appear when he will be good.
26:22Do you say it you or Tarot?
26:27Tarot says it's good and it's good.
26:29I'm sure.
26:30Do you believe in the card?
26:33What?
26:34People are wrong.
26:35I don't know.
26:37You're a card.
26:44No, it's not.
26:45I don't know.
26:46It's a card.
26:47It's just because I have a free time.
26:48I don't know.
26:49It's a card.
26:53I don't know.
27:00You'll be terrified.
27:01And when will he return?
27:03What are three questions?
27:05Well, I can ask how much I want, I don't understand.
27:08Let's go one by one.
27:24Do you know who you really like?
27:29I don't know.
27:30I have a woman's voice, but I don't know.
27:34I think we need to call the police.
27:37It doesn't come in any way. If we do it, everyone will know.
27:40What do we do then?
27:44I have to get that money.
27:47If we don't do it, we're both lost.
27:51Are you sure that if you give that money,
27:54you'll be able to stop?
27:56No?
28:00No one can't guarantee us.
28:03You're aware that it can be worth a whole life.
28:06I'm aware.
28:08And what will we do then?
28:12I don't know.
28:26You're waiting for a great experience.
28:30Now, it may be on the field of business,
28:33and it may be on the field of love.
28:35I pray.
28:37It's like those who want peace in the world.
28:39It's such a whole place.
28:41We've already heard everything.
28:42There's nothing new.
28:43Kajo, this is a sign that you need to be ready.
28:47Ready?
28:48This is death.
28:51What?
28:52What does that mean?
28:54What does that mean?
28:55What does that mean?
28:55What does that mean?
28:55What does that mean?
28:56It's really, really, physical death.
28:57It means that it's going to be a phase in your life
29:01that it needs to be new.
29:03Something is broken by something new.
29:06It's like something new.
29:07What is the end of that?
29:07What is the end of that?
29:08What is the end of that?
29:09What is the end of that?
29:10If this is my life, just tell me.
29:11What is it?
29:11A new beginning!
29:12Love people.
29:14What are they talking about?
29:16I don't have time for myself.
29:18What are they doing for someone else?
29:20To be love for ideas, for business, for something that I want to do.
29:26Let's do it. Let's do it. I'll finish it with you.
29:30Wait, Kaju, just one for the end.
29:32Sorry!
29:33Sorry.
29:42Kula, what's wrong with you, Kaju?
30:04Svukovac
30:08Is it good?
30:10I think wine?
30:17I don't know if I can take pasta or risotto.
30:21Pasta me nadima, a pirinar sam juče, jo.
30:24Šta ti misliš?
30:26Odluči sam šta ti si jeda.
30:32Jel sam jel da te pitam nešto?
30:35Pitaj.
30:38Sam jel radio nešto što je tebe možda uvredilo ili naljutilo?
30:42Ne, super se osjećam.
30:44Pa, pitan zato što osjećam baš neke negativne vibracije s tvoje strane,
30:49kada me zanima, zašto?
30:50Zato što sam u haosu od posla.
30:53Nemam vremena ni za one koji su mi mnogo bitnije tebe.
30:56Pa, dobro, zašto si me pozvala se vidimo danas uopšte?
31:01Zato što moram nešto da ti kažem, ali da nesko tišu pogrešno.
31:15Je, opasna laminjka, a?
31:17Aha.
31:17Takva profesionalka.
31:20Pa, ne znam da li je profesionalka ili nije, ali za mene je opasna u svakom slučaju.
31:25Meni je baš prijala masaža. Znaš koliko se bolje osjećam nego pre? Potpuno.
31:30Baš mi je drago zbog tebe. Kod mene je sasvim suprotan slučaj. Ne znaš šta da kažem po tom pitanju.
31:35Pa, što ti nisi zadovoljen masažu?
31:37Sav sam izlomljen, kao da me udario traktor. Eto tako.
31:41Pa, to nema veze sa njom ženom, ti si izlomljen zbog tih modrica.
31:45E, ja uopšte nisam teo da se masiram, vas dve ste insistirale.
31:50Pa, masaža ne može da odmogne.
31:51E, pa vidiš, u mom slučaju moži.
31:54A pa to je zato što si ti poseban slučaj.
31:56Dobro. Dobro, idem do kuhiljne, popijem malo vode pre spavanje.
32:00Dobro, dobro, idi. Samo molim te, budi vrlo paživ.
32:03Zašto?
32:05Pa nemoj opet negde da se zvekneš ili, nade bože, da padneš.
32:08Jao što si duhovita, baš si vitrka sada.
32:14Marikovo je.
32:34Ne vidim bodućnost u ovome.
32:38Uvramo.
32:41A, smemo i da pitam zašto.
32:44Mislim da je oči to.
32:45Pa meni očiladno nije.
32:48Mislim da nas obaveze vuku na suprotne strane.
32:51A mislim da smo dovoljno ozreli i ti i ja da shvatimo da ne možemo da stignemo jedno drugo.
32:57A dobro, to su stvari na kojima možemo raditi.
33:00Ne, mislim da najbolje je da sada stavimo u tačku na ovaj odnos, dok su stvari još dobre.
33:04Inače ćemo da počnemo da se svađamo i da se mrazimo.
33:09Ti stvarno želiš to?
33:12Da, pod veliki sam stresoma, ne želim tebe da uvlačimo sve ovo.
33:18Ali želila bih da ostane moj prijatelja ko ti to želiš.
33:22Ništa više i bolje toga ne mogu da ti ponudim.
33:26Pa dobro onda za novo lepo prijateljstvo.
33:30Za pravo prijateljstvo.
33:31Živjeli.
33:34Šta će da jedeš?
33:36Pa ja nisam baš ni bio glada.
34:03Pa nevala da jedeš tako kasno pred spavanje.
34:06Nije zdravao.
34:07Samo malo nisam stigu ranije, znaš.
34:10Pored toliko unuka nije ni čudo.
34:13A joj jeste.
34:14Pazi pola sada sa njima, kao da sam trčo marat.
34:18Ali jeste.
34:19Ne znam.
34:20No, mnogo su slatke pametne.
34:22Jesu, jesu.
34:23To sad si takva današnja deca, nestašna, ali svoja.
34:26Svoja.
34:28I Ivane, šta ima novo?
34:33Ništa, sve po starom.
34:34A ti kako si, mislim, onako generalno?
34:39Protoče, za sam izlobnje.
34:42Stigla mi sa svih strana.
34:45Ne mora tako da gude.
34:50Kako to misliš?
34:52Ivane, tvoja tajna je sanom sigurna.
34:58Koja tajna?
35:02A ne znam, časti mi.
35:03Posle svega što se desilo, ja nešto nisam za to.
35:08Dobro, gala, ali to nije baš profesion.
35:10Pa.
35:10Svima, realno moraš da naučeš da odvojiš privatno od poslu.
35:13Da, da, pošto ti kao znaš.
35:14Pušti, časti, ti pun građe vojaka.
35:16Nemoj mi za zakaj.
35:17Pa dobro, desu te delike.
35:18Ajde baš da vidim.
35:19Desu.
35:19Evo, na primjer, da dostava.
35:35I kako se Perelja ponaže?
35:39Slabo ga vidim.
35:43Kako ga?
35:46U principu radi ono što mi kaže.
35:50Na primjer, če sa?
35:52Na primjer, pošaljem da ovem nešto, kupim, da donesem hranu, da kupim sveće za kseniju.
36:02Tako te stvari.
36:15Šta je? Što si sučutil?
36:19Šta ima da pričam? Ti možda pričaš za obojicu.
36:23Ajde, ajmoj tako, ajde.
36:26Ajde, kaži nešto, trgni se malo.
36:30Šta ti kažem?
36:32Da sam ispao debil?
36:34Da mi se smije cijela policijska stanica i sve kolege, ili to?
36:38Pa šta, ako se smije, šta?
36:41Ako je tebi da kažem, ne radi se o tebi, ne o meni.
36:48Pa, vidi, Gabriela, jako je teško izući toliki novac.
37:00Znam. Zato si ti tu.
37:04Da je lako, ja bih to završila sama.
37:07Znam, ali treba će nam ozbiljno opravdanje za 250.000 evra.
37:11Vanja, nisam te zvala da mi pričaš šta treba da radi.
37:26Moram da priznam da mi je jako neobično što smo konačno sami.
37:33Neobično u dobrom smislu ili u lošem.
37:38A što ti misliš?
37:43Pa, s obzirom na to da si došao nakon što je Gala otišla,
37:47pretpostavljam da nisi ovde zbog trač partije.
38:03Ja sad očekujem od tebe da odeš tamo na lice mesta i tako dalje i tako dalje.
38:11Brzo, stop, stop, stop.
38:13Još jedna stara.
38:21Ja se nadam nego ću da si ti svestan
38:24da je ovo sad s ovom zlatarom
38:27to poslednja prilika
38:33da ispeglaš sve one greške i one gluposti
38:37koje si napravio u poslednje neset dana.
38:52Jel' možemo sada da razgovaramo o ideji?
38:56Možemo.
38:57I bolje bi ti bilo da ta ideja bude genijelna.
39:00Pošto celo jutro slušam glupe ideje i glupe predloge.
39:15Šta? Ne razumem te ništa. Što plačeš?
39:20Šta je bilo?
39:22Mogu, mogu, mogu odmah da se vidimo.
39:24Ajde, dođi do mene.
39:26Da, kod kućica. Ajde, ajde.
39:42Idemo, idemo.
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