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When macho thriller writer Graham Tomlinson is rebranded by his agent as "Tamara Wilde, Mistress of Cosy Crime", he swaps Yorkshire noir for the picture postcard Cotswolds, only to find the village of Flitchcombe-on-the-Water is far from cosy! David Fairer is a lover of all kinds of crime fiction, especially comic crime, with 'Graham and the Flitchcombe Murders' becoming his fourth book release.
Transcript
00:00I'm David Farrer and I've begun very late in my life a career as a novelist, a very exciting thing.
00:10Until seven years ago I was a professor of English at Leeds University where I taught for 40 years,
00:18taught the great books, the great novels, and it struck me that I only get one life
00:24and why don't I have a go producing a novel myself?
00:27And I wrote three historical mysteries set in Queen Anne's London in the 18th century in my period
00:34and then I thought, I love crime fiction, why don't I do something different?
00:39So I thought I would try cosy crime and I thought I want to do something a bit more lively
00:45with that
00:45and yet not be a sort of noir fiction, you know, you know the lurid covers of red and black
00:53capitals with guns and everything.
00:56So that was why I hit on Graham. Graham, my, how can I put it, my warm-hearted, sexy, innocent
01:06Yorkshire hero
01:08who's a young novelist who loves the dark side and he's produced three novels about Stryker, his hero,
01:17the mean streets of Huddersfield.
01:19And his agent calls him in and says, look, Graham, Yorkshire Noir is dead.
01:24I'm going to rebrand you as Tamara Wilde, Mistress of Cosy Crime.
01:31Now, of course, Graham has no idea about this.
01:34The Cotswold village with the honey-coloured stone is not what he's thinking about.
01:38There's this idyllic Cotswold village which seems to be auditioning for his novel.
01:42People introducing themselves, he's drawn into the book group who all seem to be auditioning for parts in his novel.
01:48He decides who's going to be killed and who the suspects are and what their motives are.
01:54And, of course, when the man that he's decided to kill actually is found dead,
02:00the police look into his files and they find that he's got this whole scenario.
02:05He's got it all worked out.
02:06So he becomes a prime suspect and he's charged with murder.
02:11So he's in his own novel.
02:13He's entered his own plot.
02:15Suddenly sitting down and writing that first sentence was amazing.
02:20And at the end of the first page, I suddenly thought, I'm interested in this.
02:25I've set something up.
02:26There's a moment in time as a character.
02:28Let me explore it.
02:31And ever since then, I've always worked sentence by sentence, chapter by chapter.
02:37People always say that with crime fiction, you've got to get all the plots sorted out, all the chapters.
02:42Absolutely not in my case.
02:45I'm solving it as I go along.
02:47It's just lovely to have started a new life, really, in my 70s, you know, writing novels.
02:52Who'd have thought it?
02:53I never thought of it.
02:54But suddenly I'm producing stuff rather than just writing about it.
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