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00:05Why do you like it? That's what I don't understand. Don't you dare say because it's hip.
00:09Who says that? No one says that.
00:11Don't they?
00:12No. I like it because it's full of intensity and feeling and jazz is a metaphor for life.
00:21A lot of chaos and you're glad when it stops.
00:24You know what you need? A very large drink.
00:31Busy, isn't it?
00:32It's London, Geordie.
00:34Stinks and all. I've already got two of my nose.
00:38I'm more of a light opera man myself.
00:40I'm not sure that's something you're supposed to admit to.
00:42Gilbert and Sullivan.
00:43Not allowed, at least.
00:46Pirates are Penzance.
00:47And it is, it is a glorious thing to be a Pirate King.
00:51Awful. Truly, truly awful.
00:54At least it has a tune.
01:00That is not tobacco.
01:02Geordie, just this one night we are off duty.
01:05Go on. On your fire.
01:07Tell him he hasn't won.
01:08Keep walking, sunshine.
01:09He hasn't won.
01:11You tell him!
01:16Off duty, you say?
01:17Without a doubt.
01:22How can I help you, James?
01:23We're guests of Mr. Johnson.
01:24Junior or senior?
01:25Junior.
01:27Have a wonderful evening.
01:34Ah! He's getting worried.
01:36Oh, we finally managed to drag you out of sticks, have we?
01:39It was a close call.
01:41Inspector, they recognise you about the iron bars between us?
01:44No hard feelings, I hope.
01:45Nice place you've got here.
01:46Very hip.
01:49Sydney, this is Claudie.
01:52Isn't he handsome?
01:53Those cheapoes and everything.
01:55I don't know about that.
01:56Really, Jen?
01:57Smoking?
01:58Nag, nag, nag.
02:00Yeah, well, that's what I speak brothers before, isn't it?
02:02Hey?
02:02Stop it.
02:03Oi!
02:06Dad, come here.
02:11Logan Bloom.
02:13Seen his suit.
02:14Yeah, several wrong.
02:15Man's got money to burn.
02:16Been here 20 minutes.
02:17Hasn't been served.
02:19Justin's on it.
02:21Someone's got to be.
02:23Dad.
02:25Boy's got to learn.
02:27This way, Jess.
02:35Very hip.
02:36I don't know.
02:37I don't know.
02:44What's all this?
02:45Ladies love it, gov.
02:46You should, uh, give it a try.
02:47Cheeky sod.
02:48Get yourself a shawl back and sides.
02:49You want anything?
02:51You ask, Justin.
02:56Here we are.
02:58Put the troubles of the world behind you, fellas.
03:09To putting our troubles behind us.
03:11And, uh, to the pirates of Penzance.
03:14Oh, baby, won't you please come home?
03:24Cause your mama's all alone.
03:34Next up is one we play in a little club called Mittens, back in New York City.
03:39I want to see some people up here.
03:41One, two, three, four.
03:49So much for putting your troubles behind you.
03:57I think I'd better, I think you're better, yeah.
04:06I didn't know.
04:07No, neither did I.
04:10Jen?
04:10Of course, Jen.
04:12Um, how's Guy?
04:14Fine.
04:15He's, um, caught up at work.
04:18How's Hildegard?
04:20Fine.
04:22She's beautiful.
04:24No ridiculous Roman nose.
04:26Damn.
04:30It's not what you think.
04:32I'm willing to bet it's exactly what I think.
04:36Will you tell Johnny?
04:38Tell him what?
04:39Just tell him, remember what mum used to say.
04:54Do you realise I'm supposed to be seeing Othello tonight?
04:57This plinky, plonky nonsense instead, it's a travesty candle.
05:00You glassed at this chambers, I'm not entirely sure I'll notice the difference.
05:04Long to cope with the blink.
05:05I was just about to say that.
05:07No, you weren't.
05:07That's my joke.
05:08I told you that joke.
05:09No, you didn't.
05:10Get up!
05:11Do you know what?
05:12Where do you know what?
05:14You were wrong.
05:15No, I didn't.
05:17Oh, I don't know what you do.
05:17I swear to be true to each other.
05:20True and start to buy...
05:22I'll pay the rent.
05:24I know I've done you wrong.
05:29Remember that rainy evening.
05:32I drove you out.
05:34With nothing but a fight to come.
05:38I know I've got to blame
05:40Well, ain't that a shame
05:43Bill Bella, won't you please come home
05:51You guys are wonderful. Thank you.
05:59Amanda? Amanda?
06:02Excuse me. My friend would like the autograph.
06:06What's your name, friend?
06:08Sidney.
06:09And what is it you do, Sidney?
06:10He's a detective.
06:13Amanda's an explorer.
06:15She's just come out from Kathmandu.
06:18Where the hell is Kathmandu?
06:22Past the Great Wall of China, just to the right.
06:26You two married?
06:28No.
06:30Me neither.
06:31You don't keep the carton once you smoke the cigarette.
06:34If you give them a meaning.
06:44Where is Kathmandu, anyway?
06:46Past the Great Wall of China, just to the right side.
06:59But did you know that life is a metaphor for jazz?
07:03Sidney told me that.
07:04That's not what I told you.
07:06Isn't it?
07:07No.
07:08This man.
07:11I love this man.
07:12You're drunk.
07:12I'm not.
07:14Am I?
07:15No.
07:21This next one's for a couple of friends of mine.
07:24A detective and an explorer.
07:30I ain't got nobody, nobody, nobody cares for me.
07:49I'm so sad and lonely.
07:55I won't swim back.
08:04Glory.
08:06Miss Glory.
08:07Miss Glory.
08:32Oh, God.
08:34Oh, God.
08:35Trude.
08:36Trude.
08:39Oh, God.
08:55Johnny, she's gone.
08:57I'm so sorry.
08:59She's gone.
09:02Let her go now.
09:20An industrial counterweight.
09:22They brought it with them.
09:25Have you noticed?
09:26No uniform.
09:27Where the hell is it?
09:28Who are you?
09:30Detective Inspector Keeney.
09:32Cambridge at Constabulary.
09:33Who are you?
09:34Detective Chief Inspector Williams.
09:36Metropolitan Police.
09:38I'm his colleague.
09:42Judgeing by the amount of alcohol you've consumed, you're off duty.
09:46Look what they've done to her.
09:49Come back inside.
09:50Got to come inside.
09:52I want them hunted down.
09:53I want them found.
09:55You understand me, Jacob?
09:57Go get them, Archie.
09:58Don't you worry.
10:06Mr Johnson found her.
10:08Covered her with his coat.
10:09She was wearing a uniform.
10:10Thank you, Inspector.
10:13Cambridge, sir.
10:16Not a lot for you to do down there, I imagine.
10:18No, we just sit around all day picking our arses.
10:21And you, you want much help?
10:24Impersonating a police officer.
10:26Bloody hell.
10:28Dad?
10:34Dad.
10:57Do you get used to it, seeing the dead?
11:00I don't think you ever do.
11:03There's no stillness, is there?
11:07No peace, just...
11:09Absence.
11:14I must look at me.
11:16A little bit.
11:31Amanda.
11:36Don, your sister's died.
11:37I know.
11:38No, Jennifer needs me here.
11:39I'm not going to argue about this now.
11:55Not a lot to do up in Cambridgeshire.
11:59We're not on first-name terms with club owners, that's for sure.
12:04There are no clubs in Cambridge.
12:07Even so.
12:09She was just a child.
12:13Why kill a child?
12:15All I know is, something like that would not have happened at Gilbert and Sullivan.
12:36Tell John.
13:04Don't worry, it's not catching.
13:05Don't worry, it's not catching.
13:09What's this?
13:10Egg, I think.
13:12At least it was an egg once.
13:14Possibly.
13:15I knew I should have gone home.
13:18I'm a creature of habit, man.
13:20I've never impressed.
13:20Make myself a copper.
13:22Burn myself an egg.
13:23You don't make your own breakfast.
13:24Plathy does.
13:25Still.
13:27Four minutes to perfection.
13:29Which I've discovered is exactly enough time to shave.
13:32That and a quick change of clothes.
13:34PJs off, suit on.
13:36Change of clothes?
13:37All in four minutes.
13:39Gives me a quiet sense of satisfaction.
13:45This is going to stop us going home, isn't it?
13:55Jen.
14:04Sidney.
14:05How's Johnny?
14:06I don't know what to say to him.
14:08It's all right to say nothing.
14:11But...
14:13I saw Claudie checking coats.
14:16But it wasn't Claudie, was it?
14:18I recognised your bracelet.
14:21Jen, just tell us.
14:25Claudie has a boyfriend.
14:27He's coloured.
14:28You'd think Mr Johnson and all people would understand.
14:33Claudie was on her way to meet him, so I put on her uniform.
14:37Why didn't you say it?
14:39Why didn't you say it?
14:39I don't know.
14:40You should have said it.
14:41I don't need to be told off, Sidney.
14:44This boyfriend.
14:48Um...
14:48Walter Sterling.
14:50He works at Borough Market.
14:54How are we going to find this phone?
14:56We already have.
14:58Say it!
14:59Say what you're doing for us!
15:00Say it!
15:01Say it!
15:04What about your business?
15:06Police.
15:06This is all you!
15:09Justin, come here.
15:14Did you see her, officer?
15:16Oh, it's she.
15:18Did you see her?
15:19Come on.
15:19Come on.
15:19Come on.
15:21Come on.
15:21Come on.
15:21Did she have time to be afraid?
15:24It would have been quick.
15:26You know, I hate to think of her afraid.
15:29She was coming to meet you.
15:31I waited.
15:32And I knew.
15:33I knew he'd done something.
15:35Who?
15:36Who do you think?
15:38I'm studying.
15:39Going to be a teacher.
15:41None of that matters to her father.
15:42We tried talking to him, but...
15:44Don't you put this in the government!
15:45Don't you be telling him that!
15:46You've seen how he is with her.
15:48You know how he is with her.
15:54Come to the station.
15:55Make a stand.
15:56I do that.
15:56I won't have my freedom for now.
15:59This is her father's doing.
16:02I'm sure of it.
16:08He shouldn't be here.
16:09It's what Dad wants.
16:12He always gets what he wants, does he?
16:14Your dad?
16:17A bit handy with his fists, is he?
16:19Oi.
16:20That's enough.
16:28Johnny.
16:31Claudia asked me to tell you something.
16:35Remember what Mum used to say?
16:38That's what she said.
16:42You told me once...
16:44how violent your father can be.
16:46I won't say nothing against him, Sidney.
16:49Oi!
16:51Where's the music?
16:53We should go home, Dad.
16:55He's right, Arch.
16:56Let's call it a day, eh?
16:57Whose side are you on?
16:58What?
16:59You want me to be intimidated?
17:01Of course I don't.
17:02Are you sure?
17:02Come on, Arch.
17:03Sometimes I wonder about you.
17:05We are not closing.
17:09Justin.
17:35Oh, Christ, on a bike.
17:38Any news?
17:40There will be, Archie.
17:41Don't you worry.
17:42No, it's these boys I'm after.
17:44Keating.
17:46Sir?
17:47Can't say I'm into jazz myself.
17:49Prefer a bit of light opera.
17:52Oh, the investigation's going well.
17:54Uncovered quite a few interesting things.
17:56Most interesting of all,
17:58you're legit.
18:00But you?
18:01Well, there is a Sidney Chambers in Cambridgeshire.
18:04He's a vicar.
18:06Mrs. McGuire and Dickens won't stop getting at each other.
18:09I'm certain the dog knows what he's doing.
18:11He has a definite glint in his eye.
18:13Leonard, if you could go to the parish meeting for me.
18:15That dog is the devil.
18:17Tell him.
18:17I've told him.
18:18Why the Dickens isn't he home?
18:20I'm on the next train.
18:22We're going to miss it.
18:23Mr. Hopkins telephoned.
18:26Guy?
18:27He hasn't written his sermon.
18:28Tell him.
18:29He's on his way, Mrs. McGuire.
18:30What did Guy want?
18:32See you on there.
18:33To me, you apparently.
18:33You haven't written your sermon.
18:37Please.
18:37Come home.
18:41Excuse me, sir.
18:46I took the liberty of ordering you a sherry.
18:49It's all a vicar's drink, isn't it?
18:57You must think me a fool.
18:59Of course I don't.
19:00It's just the two of us, Sydney.
19:02They need to pretend.
19:05I love Amanda.
19:06And I know she feels the same.
19:13Amanda and I...
19:17We've been friends for a long time.
19:19No, you haven't.
19:20Not friends.
19:23I've always seen it, I think.
19:30Seems such a trial.
19:34Trekking down to Grinchester all the time,
19:36back and forth, back and forth.
19:37So, we're getting married in London.
19:41In our local church with our local vicar.
19:43We've set a date.
19:45Three weeks' time.
19:46Why wait?
19:47That's what we thought.
19:49You'll still come, of course.
19:52I wouldn't miss it for the world.
19:54You won't see so much of Amanda afterwards.
19:57You know how married life can be.
20:00I suppose you don't.
20:15My friend, the detective.
20:18I'm not a detective.
20:20I'm a vicar.
20:22Yeah, I can see that.
20:23It's a kind face you got.
20:26Not a threat to anyone.
20:28I don't know about that.
20:33Drinking to forget.
20:36Gloria.
20:37Always.
20:38You won.
20:40Mine's a bourbon.
20:42No ice.
20:43I like forgetting, too.
20:45I don't know.
21:02When you hear that the pre-chant does begin,
21:14Bend down low, to drop away your sin.
21:25And when you get religious, you want to shout and sing.
21:35There'll be a hot time, in old town, tonight.
21:54Hey.
21:57Preaching man, where you going?
21:59I have no idea.
22:21I have no idea.
22:48What time is it?
23:00You're supposed to be somewhere.
23:02I'm supposed to be somewhere.
23:02Yes, I'm supposed to be somewhere.
23:09How'd I get back from here?
23:11Metaphorically, or Justin will take you.
23:23You're going to feel bad about this, ain't you?
23:30Don't feel bad.
23:42I could say that a million times, and it wouldn't make no difference, would it?
23:54Sidney.
23:56Well, how do things we be proud of sometimes?
23:59That's what makes us human.
24:09Awful, ain't it?
24:11Thing like this.
24:12Accident like this happening to Claudie.
24:15She was like a sister to me.
24:17Such a sweet girl.
24:23Claudia and Claudie, were they jealous?
24:26I don't know about clothes.
24:28I think Gloria was jealous.
24:31Claudie being younger than her.
24:33It can be a bit like that sometimes.
24:37You must be special.
24:39It never takes you home.
24:54Oh, back at last then.
25:01Are you going to tell me or do I have to guess?
25:03I spend the night with Gloria.
25:08Bloody hell.
25:09I'm supposed to set an example.
25:10Well, I'm supposed to be above reproach.
25:14It was no good then.
25:16No, that's not what I'm saying.
25:18So it was good.
25:19You sly old dog, Sidney.
25:22I found this.
25:25A charm from Claudette's bracelet.
25:28It's in her room.
25:35Inspector Keating.
25:36Charlie Rush.
25:38Come again.
25:40August 24th, 1941.
25:42You can do the rest yourself.
25:46Answer from the club.
25:49Jonesy.
25:52Get me everything you can find on this.
25:55Sir.
25:58How do I explain where I found it?
25:59I'll sort that.
26:01Have you been home yet?
26:02I missed the service.
26:05I have to tell Hildegard.
26:06You do that, she's off.
26:08Unless that's what you want.
26:32You know what you've never been any good at?
26:35Please tell me.
26:37Differentiating between tasks that are urgent and those which are not.
26:40Mr. Finch had nothing prepared for his sermon.
26:43Ended up waffling on.
26:44It wasn't waffle.
26:45It was utter waffle.
26:46Oh.
26:46She's been waiting ever so patiently for you.
26:51It's been hell.
26:52Mr. Finch!
26:53Yes!
27:00They're like headless chickens without you.
27:04I have a gift.
27:13It's the right one, isn't it?
27:18Yes, it's the right one.
27:21I had my first piano student yesterday.
27:23One of your scouts, Gareth.
27:26Very sweet.
27:27And Mrs. Maguire recommended a friend of hers who can offer me more permanent lodgings.
27:32She's tolerable, apparently.
27:34It's a new favorite word, I think.
27:36Tolerable.
27:37Well, when I was in London, there's something you should know.
27:49I saw Amanda.
27:53Amanda and Guy.
27:55I bumped into them by accident.
27:59So I bit the bullet and told them I could no longer take their wedding because, I don't
28:04know, it doesn't seem right somehow.
28:07It's a weight off my mind, really.
28:12So I thought you should know.
28:26You're in desperate need of a shave.
28:55Not the Bechet.
28:57I love the Bechet.
28:58More to the point.
28:59You love the Bechet.
29:03And Miles Davis?
29:05Oh, he's gone too, has he?
29:07If it weren't sacrilegious, I'd say that album was almost a godly experience.
29:11That man needs to learn how to write a proper song.
29:15You're keeping the Beckett, though.
29:16Bechet.
29:17I'd rather go into, not like him exactly, but tolerate him.
29:21High praise indeed, Mrs. M.
29:24I don't understand.
29:26You love your music.
29:27We love the fact that you love your music.
29:31Has something happened?
29:35I mean, Johnny is so lost, he's so...
29:39Can you think what it must be like to lose a sibling without even a chance of a farewell?
29:46I mean, it's unimaginable.
29:49The funeral's tomorrow.
29:52You know all the right things to say.
29:54No, I don't.
29:55I really don't.
29:59The vicarage.
30:01Charlie Rush.
30:02Found dead 12 years ago.
30:04In the warehouse where he worked.
30:06Beaten around the head just like Claudie.
30:09There's no weapon at the scene, but guess what?
30:11Williams was the investigating officer, arrested Archie, but released him without charge.
30:19It's the funeral tomorrow.
30:20No, Claudie.
30:21Archie at his most vulnerable.
30:23You know how vulnerable people like to talk.
30:35Mr. Johnson?
30:40What do I tell people?
30:43If they talk about their children, ask about mine.
30:49Do I stay silent or do I tell him?
30:53I had a daughter once.
30:56She was beautiful.
30:59She never had the last rites.
31:02I know it may sound strange, but what if she's out there in the cold, all alone?
31:10God wouldn't allow it.
31:11She wasn't cleansed of her sins.
31:14I don't think it's her sins he's worried about.
31:17Someone's trying to send me a message.
31:19They beat her at my club, covered her with my coat.
31:23Why would they do that if they weren't sending me a message?
31:29You didn't cover her.
31:31No.
31:40Just try.
31:53She dragged you here, did she?
31:56She thinks I'll know what to say.
32:00Do you want to know what it was Mum used to say?
32:04That however bad things get, you've got each other.
32:12You've always got each other.
32:16I want her back, Sydney.
32:19I want Claudie back.
32:26Mr. Johnson?
32:29You're not welcome here.
32:31I want to say goodbye.
32:32You're not welcome here.
32:35Let him see her, Dad.
32:36Or what?
32:37Or what?
32:38I don't want to do this.
32:39Yes, she do.
32:39I'll see.
32:40Leave him.
32:41Leave him.
32:43Nobody knows the trouble I've seen.
32:52Nobody knows my sorrow.
32:59Nobody knows the trouble I've seen.
33:07Glory.
33:10Are you?
33:15Johnny, don't.
33:17Don't.
33:20Did you ever love us?
33:22Did I ever love you?
33:24You, your mum, your sister?
33:25You're my whole world.
33:26We don't look like you. Is that all it is?
33:30You know, Claudie was running away. Did you know that?
33:32She was leaving. Just like Mum tried to do.
33:36Careful.
33:37With that fella from next door. You know, the kind fella who treated her nice.
33:41I mean it.
33:42You can't hear it, can you?
33:43She was taking me and Claudie with her, and you caught us.
33:47Do you remember?
33:48Because I remember.
33:49You beat her so bad, I thought that was it.
33:52Shut your mouth.
33:53You ground her down. You wore her down.
33:55And it was a relief when she died.
34:00Because I didn't have to watch you hurt her no more.
34:02Stretch that mouth, boy!
34:04I am not a boy.
34:33Still feeling bad?
34:36Of course you are.
34:38I found this in your room.
34:43I let Claudie meet Walter at my place.
34:46They were in love, so...
34:47So you knew they were running away?
34:50We're all running from something, Sidney.
34:53Who was at a start room?
34:55What is it you're running from?
35:06You are going to like this.
35:09Have you ever been unfaithful?
35:10Hmm?
35:11No.
35:12And you haven't either.
35:13It's not me, Claudie.
35:14It's not what I do.
35:15Don't dwell on it.
35:16Don't dwell on it.
35:17This was Charlie Rush's address.
35:19I lied to her face.
35:20It wasn't even a good lie.
35:22Accidentally bumped into Amanda.
35:24Doesn't even make sense.
35:25This was Archie's in 1941.
35:30The kindly neighbour.
35:32Archie's mistress was having an away with Charlie Rush.
35:35Are you even listening?
35:37Yes.
35:38Archie says someone's sending him a message.
35:40The say he found out his wife was knocking off the bloke next door.
35:43Archie does him in.
35:45Twelve years later, his daughter's killed.
35:47It's a revenge killing.
35:48Eye for an eye in all that stuff you harp on about.
35:51Maybe.
35:52Maybe?
35:53Well, just maybe.
35:57Why now?
35:58Well, because...
36:03I don't know.
36:06And if we are going to rip my theories apart,
36:08why cover her up?
36:10If you're trying to send a message,
36:11why not let Archie see her all battered and bruised?
36:16They serve booze in this place.
36:18Bit of communion wine or something.
36:23You're dwelling again, aren't you?
36:25He was ashamed.
36:27Hmm?
36:27Who?
36:28That's why he covered her up.
36:32He couldn't face what he'd done.
36:43Charlie Rush.
36:45Archie bashed his brains in, didn't he?
36:48Is this an interview?
36:49You think the murders are related?
36:51It feels like an interview to me.
36:52In fact, I think you know they are.
36:55What makes you so sure?
36:58I didn't want no part of it then.
37:00I don't want no part of it now.
37:03Where is Archie?
37:05Why are you still protecting him?
37:07Are you scared of him?
37:11He went off in the car.
37:13I don't know when they'll be back.
37:18You've done a way to look for them.
37:21When Archie got Charlie in,
37:23I should have stopped him.
37:24Watch the God I had.
37:26He caved his skull right in with that thing.
37:28That bit of metal.
37:30Then Claude.
37:32It was just the same.
37:33It was the same weapon.
37:36There was a kid.
37:37The night Charlie brought here.
37:39A kid in the warehouse.
37:41I told him to get the hell out of there.
37:43I thought he'd scarpered.
37:45I thought he'd scarred.
37:58What?
38:00I thought he'd scarred.
38:03I thought he'd scarred.
38:04Sit there.
38:10Sit up.
38:10Straight, George.
38:12Don't notice his face.
38:13Here before.
38:14What? Look around. Look at him.
38:18You're such a big man now, are you?
38:20Sit back.
38:23What's wrong? Just do it.
38:26Get back.
38:28Justin.
38:32That's enough now.
38:36What do you want, Justin?
38:39An eye for an eye.
38:41Claudette for your father.
38:44I want to watch his pain.
38:46And now?
38:48Now what do you want?
38:50An apology.
38:53I'm sorry.
38:54For what?
38:56Say it.
38:57Say his name.
38:58Say his name.
39:00Charlie.
39:01Charlie Rush.
39:02Say what you did.
39:04Say what you did.
39:05Say what you did.
39:06I beat him.
39:07I killed him.
39:09I'm sorry, I'm sorry, I'm sorry.
39:12It's not enough, though, is it?
39:14So what now?
39:16Killing Claudette wasn't enough?
39:18An apology?
39:19It's not enough.
39:21What now?
39:25Justice.
39:26What if that's not enough?
39:27Go on, do what you have to do.
39:29Just do it!
39:30It's not going to bring your dad back, Justin.
39:33All right?
39:34Justin.
39:35Justin, this is not you.
39:37I know this is not you.
39:39You had to cover Claudia up.
39:41You hated what you did.
39:43You couldn't look at her.
39:45You saw what happened to your father, didn't you, Justin?
39:55Justin, look at me.
39:59Look at me.
40:01Look at me.
40:02Look at me.
40:03Look at me.
40:04Look at me.
40:09This isn't you.
40:11Look at me.
40:20Look at me.
40:46It's a funny thing, grief, isn't it?
40:49Does weird things to you.
41:02Come on, then.
41:03How do you know?
41:05We're from Cambridgeshire.
41:07Got a lot of time on her hands up there.
41:10He couldn't face what he'd done.
41:13He tried to cover her up.
41:16Accident like this happening to Claudie.
41:18An accident, he said.
41:21I think that's what he wanted to believe.
41:23Some accident.
41:25He got a job at the club.
41:27Made himself indispensable.
41:29He'd been biding his time, waiting to take revenge.
41:36When he saw Claudie was leaving.
41:39You're off some, mate.
41:41Need lift.
41:42He knew the time had come to act.
41:47Benson, that's your governor, isn't it?
41:50Yes, sir.
41:51He'll be getting a phone call first thing.
41:53Outstanding work, Keating.
41:55Thank you, sir.
41:59Sorry, sir.
42:01Mr Johnson confessed to killing a Mr Charlie Rush.
42:05Confessed to who?
42:07To him.
42:08Confession to a murderer.
42:09Won't stand up in court, I'm afraid.
42:11How about to a police officer?
42:13And a vicar.
42:15How long have you been on his payroll, Inspector?
42:21I don't know about in Cambridgeshire,
42:23but in the Met,
42:24slandering a senior officer isn't the done thing.
42:27Long enough to cover up a murder, I'd say.
42:28I'm warning you, you jumped up little bastard.
42:31Inspector Jacob Williams announced
42:33that suspect, Mr A Johnson,
42:35had been released without charge.
42:37Stating he wasn't in the vicinity at the time.
42:42Not in the vicinity, my arse.
42:44Evans, that's your governor, isn't it?
42:46He'll be getting a phone call first thing.
42:50We'll souvenir for you.
43:06Repentance, the Bible tells us,
43:09is a form of sorrow.
43:13Sorrow for one's sins.
43:18And the resolution to turn from them.
43:24To learn from them.
43:30Recognizing our sin
43:31means being honest with ourselves.
43:37Accepting who we are.
43:45And embracing who we hope to be.
43:59Because that is who God has intended us to be.
44:05And we should never pretend to be otherwise.
44:24You saved them.
44:27Hildegard saved them.
44:30You haven't even noticed, have you?
44:32Noticed what?
44:34While you've been off gallivanting.
44:37She's fallen in love with you.
44:49What are the rules?
44:50I've never played before.
44:52It's very easy.
44:53I will teach it.
45:18For God's sake, guy, get rid of it.
45:19I can manage.
45:20I can't manage.
45:22Why do I feel like one man went to London
45:24and another one came home?
45:26Sometimes I worry about the kind of man I'm becoming.
45:29You're having a crisis of faith.
45:30I know you're troubled, Sidney.
45:32I have nightmares.
45:33Sidney, tell us how we can help you.
45:36What is it that you want, Sidney?
45:37Tell me, what is it?
45:39What is it that you want, Sidney?
46:09I know you have stories of qualcando.
46:09I know you've been RT and that you've live.