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00:01INCREASED WORLD
00:02That was a clean white hook!
00:06This steam tune doesn't have to make you dance old, doesn't it?
00:09Yeah.
00:12Is it a truth or is it a lie?
00:14That's what I do with my problems.
00:17What? No.
00:18No. No.
00:19The teeth are so bright.
00:21Ah, my eyes!
00:22Ah! I love a guide dog.
00:26Ah! Ah!
00:27Let's just put some blusher on her. Someone punched her.
00:31Oh, Nigel.
00:32Let's give up this showbiz life and go and live on a canal boat.
00:36Yeah.
00:38In the week the World Cup kicked off in Mexico,
00:41we enjoyed lots of great telly.
00:45It was all a bit of fun in the sun on ITV2.
00:48What do you mean by got with? Are we talking just like kissing or are we talking like...
00:51Oh, my God. If it was just kissing, you would literally be off the rails.
00:54I feel like you would be as well. No!
00:56You're not like...
00:57You're not like that.
00:58If my mother saw me have sex on TV, I don't think either of us would ever recover.
01:01Oh, my God. My mum still doesn't know I've had sex and I'm having my fourth child.
01:05You're my surrogate.
01:07THEY LAUGH
01:07They've been implanted.
01:09They were still finding things to talk about on this morning.
01:13Can you say good morning to the people first?
01:14Morning, everyone. How are you?
01:15Good morning to our lovely audience. Welcome to your Fridays this morning.
01:18We used to go on this when it was Richard and Judy up in Liverpool.
01:23Yeah, I've been on this as well.
01:24Did you model on it?
01:25Yeah. I modelled on it.
01:27Yeah.
01:27Oh, my God, that's so funny.
01:28Somewhere there's footage of us separately, cos we never met, did we?
01:32Modelling on this morning. How mad is that for Richard and Judy?
01:34I know. Your family would video it. They'd tape, record it on video.
01:38Claire, this morning. What did you model on this morning?
01:41Pearl necklace.
01:44And the professionals were baking the impossible on Channel 4.
01:49Chef, today you must create a stunning biscuit modern landmark.
01:53Oh, no.
01:55It's a construction.
01:57Yeah, it's a construction. A biscuit construction.
01:59When do you ever see that except in the window of a baker's?
02:02You don't. You don't eat it.
02:03You don't go, oh, God, you know, nip out and get me a biscuit construction.
02:08Make sure it's the Eiffel Tower.
02:11I don't like any other...
02:13I don't want the Sydney Opera House. I want the Eiffel Tower.
02:16Oh, I could just do with a cuppa and a Big Ben.
02:27In South London...
02:29It does amaze me, though, how different we are like that,
02:32that, like, I couldn't leave the house without making my bed.
02:35I feel quite uncomfortable.
02:36Good friends Vogue and Joanne.
02:39I'd only make my bed if I was...
02:41I...
02:41I don't know.
02:43Ever?
02:44I don't even know when.
02:45I'm trying to think of, like, an urgent situation
02:46that would require me making my bed.
02:49Did you not...
02:50Oh, if I was having a...
02:51If there was a boy coming over.
02:53You'd make the bed for a boy?
02:54Actually, I don't even know if I'd do that.
02:56No, it's kind of giving a lie.
02:57I'd have to shag him on the couch.
03:00HE LAUGHS
03:01This week, there were more singles sizzling in the sun on ITV2.
03:06I still like to watch a bit of Love Island cos it's nostalgic for me.
03:10You still dating?
03:10I've been married for four years.
03:13Sorry, yeah, I forgot.
03:15Erm...
03:16HE LAUGHS
03:20Previously on Love Island,
03:22the bombshells got their graft on.
03:25Graft?
03:26It means, like, um, they're working to flirt with someone.
03:32I found it most of this language they use,
03:34so I need to trademark it.
03:37I like a bit of Viacorn to act.
03:38Is that Aidan?
03:39That's Aidan.
03:40Yeah?
03:40Yeah, I like that.
03:41The tea!
03:43The tea!
03:43The tea!
03:44Ah, my eyes!
03:45So, Yasmin come into the house and took Aidan off Ellie,
03:50and it's all been going on in there.
03:53One boy and one girl said their goodbyes.
03:56We've decided to dump Ellie and Samraj.
04:00So, Ellie and Samraj were dumped from the island yesterday.
04:05Oh, shit!
04:06Ellie and Samraj, it's not over yet.
04:09Is this a joke?
04:12THEY'VE BEEN BROUGHT BACK IN REVERSE.
04:14In reverse?
04:14They're back in.
04:15No!
04:16I do like a little twist like that.
04:18Like that.
04:18MUSIC PLAYS
04:22Is that two fellas?
04:23No, there's none of that.
04:24There's no gay nonsense in this.
04:26OK.
04:29I've already got a headache.
04:31I have no idea what's going on.
04:34If I was going on this, I'm sorry now.
04:36I'd have more plastic in me than a recycling wheelie bin.
04:40Ellie and Samraj are headed to the hideaway after getting a second chance.
04:44So, these were dumped, but they've not really been dumped.
04:48So, why were they thrown out in the first place?
04:51Because the two bombshells were on a secret mission.
04:54They were there for 24 hours, and in those 24 hours, they had to decide who to kick off.
04:59So, they chose these two, because they fancied their partners.
05:04It's too much to explain to someone.
05:06You're one of the most well-informed people I've ever met.
05:09I could go on Mastermind talking about Love Island.
05:12And last night, like, leaving, like, made me realise, like, fuck, I do like them.
05:17If we get back in, I'm just going to be bold as fucking brass.
05:20I'm just going to be like, Aidan, let's go.
05:22She's quite aggressive with her.
05:24She's affection, isn't she?
05:24She's quite hardcore.
05:25Bold as fucking brass.
05:27A massive ponytail.
05:28Why are they whispering all the time?
05:30Because they're in the secret hideaway.
05:32Oh, I see, OK.
05:32I've explained that.
05:33OK, but if you're in the secret hideaway, how can anyone hear you?
05:36Because it's just the other side of the wall.
05:38Oh, OK.
05:39Just shut up and watch.
05:40It's not Friend Island.
05:41No, it's Friend Island.
05:42I like the idea of Friend Island.
05:44I think that would appear to, like, me.
05:45Someone in their 40s.
05:47Yeah, go on there, make a few new friends.
05:49The way they are acting.
05:51She's got a text.
05:52She's got a text.
05:53She's got a text.
05:55She's got a text.
05:55She's got a text.
05:58Oh, that's a big revelation.
06:02I don't know what's happened.
06:03Ellie and Sam Raj, two bombshells are waiting to date you.
06:06Please get ready.
06:07Are they now going on a date with two new people?
06:10OK, so they're back in the game.
06:12You don't need to...
06:16Two new bombshells are here.
06:18Oh, hold on.
06:19Just ignore the voiceover, cos he's annoying.
06:24I like a confident guy who's a bit of a geezer.
06:26She likes a what?
06:27A confident guy who's a bit of a geezer.
06:30A confident guy who's a bit of a geezer.
06:31Oh, a confident guy who's a bit of a geezer.
06:32She likes one of the lads.
06:34This is why I need me subtitles.
06:36I'm Kevin.
06:36I'm 21.
06:37I'm an electrician from Kent.
06:39I've never had an electrician come to the house like that.
06:41Don't worry.
06:42Do you vet them before you let them in?
06:44I always check them out.
06:45Have you turned him away?
06:46I go on checkertrade.com,
06:47I look at their profile picture,
06:49and I call them and go,
06:50mate, you're too handsome.
06:51You can't fucking come round here.
06:52The boys better be afraid.
06:55Especially my brother Aiden.
06:57Oh, he's Aiden's brother?
06:59Whoa.
07:00No way.
07:02Hold on, does Aiden not know he's coming in?
07:05Does he know Aiden's there?
07:06I don't.
07:07What the fuck is going on?
07:09This is genuinely quite exciting.
07:11See, I told you.
07:12Hello.
07:13How are you?
07:14I'm good, how are you?
07:15We knew this drama, but this is double drama.
07:17They better not bring his dad and granddad in next.
07:20You see how it works?
07:21Yeah.
07:21It's like a Thomas Hardy novel.
07:23Yeah.
07:23Cheers.
07:24Cheers.
07:25This is exciting.
07:26Do you think she's put some blusher on her?
07:27Someone punched her.
07:29What's been going on?
07:32What's not been going on?
07:33It's been a bit crazy, to be fair.
07:35It's been high vibes, a lot of energy.
07:36Do you understand the accent?
07:37No.
07:38Not a word.
07:40I mean, she's great.
07:41She's...
07:41I think she's Scottish.
07:44And she's saying...
07:45She might be, yeah.
07:46..about the vibes.
07:47Yeah.
07:47Anyone you've been, like, getting close to?
07:50I've been chatting to Aidan.
07:51Aidan's his brother.
07:52Had a wee kiss and everything like that.
07:54Yeah.
07:54All of that jazz.
07:55Say, Aidan's my brother.
07:56But where are you from?
07:58Kent.
07:58Kent.
07:59Same as Aidan.
08:01There's so many people from Kent there.
08:03What, in the villa?
08:03Yeah.
08:04Oh, my God.
08:06Aidan.
08:06He's like, Aidan was your...
08:07Yeah, he's from Kent.
08:09Aidan's my brother.
08:11Aidan.
08:11Aidan's my brother.
08:13Fuck off.
08:16Yes.
08:17Fuck off.
08:18Fuck off.
08:19Fuck off.
08:19Fair play.
08:20That's a great response from her.
08:22Succinct, to the point.
08:23What's your type, then?
08:24I love good teeth, nice style.
08:27That's us fault.
08:28Good teeth.
08:29What's your type?
08:30Like, I don't have, like, a specific.
08:32Teeth's massive.
08:33Yeah.
08:34Nice teeth, nice smile.
08:35Teeth are massive?
08:36Yeah.
08:37Don't make fun of the working class, it's Nigel.
08:39Sorry.
08:39Oh, they're going back in.
08:45Oh, now they're walking in.
08:46Aidan's going to see his brother.
08:47Because he's going to know it's his brother, isn't it?
08:50I think so, yeah.
08:52Do I recognise that guy?
08:53Yeah.
08:53Oh, it's my brother.
08:55Oh, my God!
08:57Ah!
09:00Ah!
09:00Ah!
09:01Ah!
09:03Ah!
09:03What is it?
09:04Oh, Aidan's face.
09:06What's going on, bro?
09:08Come on, brother.
09:09Come on, brother.
09:10Come on.
09:10Oh, my God.
09:12My brother's here, my brother.
09:13All right, brother, you brother.
09:14He thought this was his moment.
09:16He's going to be the star of the family,
09:18and now his brother's turned up.
09:23What are you doing here?
09:24What the fuck are you doing here?
09:27Can you imagine the mum?
09:28She'd be like, oh, don't knock him out.
09:30She'd be so proud.
09:31The mum might be on the way in.
09:32You never know.
09:34You might be like, here's your Uncle Jeff.
09:36Wow!
09:38Oh, my God!
09:39What the hell?
09:40I'm exhausted.
09:42I've got a headache from all the screaming.
09:43I'm absolutely exhausted.
09:44I mean, I'm not going to lie.
09:46It's amazing, isn't it, Love Island?
09:47Yeah.
09:48I'm just so invested in the drama now.
09:50Do you know what this show needs?
09:52What?
09:53A little weird, ugly fella coming in
09:55and being genuinely honest
09:56and a bit funny and a bit cheeky.
09:59You're not ugly.
10:00No, but I'd come in and I'd go,
10:02anyone?
10:04And if one of them were said, yeah,
10:05I'd say, right, I'm sticking with you.
10:10Knees last night.
10:11And my husband is hot at night.
10:12I'm always cold.
10:14So I like...
10:14So there's a conflict, you know.
10:16Julian and his good friend Nigel.
10:19Do you know what he did last night?
10:20What?
10:21I turned around, I turned over in bed
10:24and he said, turn the other way.
10:27He said, I can't have you lying there staring at me.
10:31What did he say?
10:32I was trying to go to sleep.
10:34Staring at him.
10:35Better things to do.
10:37What did you say in response?
10:39Fuck off.
10:41On Sunday night, another bunch of quizzes
10:43were playing for big bucks on ITV.
10:46Bob quizzes, I don't think I've ever been to one.
10:48I like that idea of...
10:49Have you ever been to a pub quiz?
10:50No.
10:51What?
10:52Dude, I go to like...
10:53I think I've been to loads, but I've been to a few.
10:55If there's a strawberry daiquiri there, I'll be there.
10:57I'm nowhere near beer.
10:58Strawberry daiquiri is not a pub quiz drink, mate.
11:00It's not really.
11:01It's not really the vibe, Julian.
11:03That's what I'm saying.
11:08You feeling clever night?
11:10Not particularly.
11:11Who would ever say no to want this to be a millionaire?
11:14Who would ever say no to what...
11:16I bet there's something...
11:18He's quite sort of arty.
11:19Well...
11:24Here he is.
11:25The big C.
11:28Clarkson.
11:31Hello and welcome to Who Wants To Be A Millionaire.
11:34I'd quite like to present this programme.
11:36You can't be in everything, Nigel.
11:38For fuck's sake.
11:41In the episode, it was Jamie from Wales who was in the hot seat.
11:57Frank.
11:58Frank.
12:00Frank.
12:11Yeah.
12:12Fine.
12:12Not Nigel.
12:13That would be Frank.
12:16Final answer.
12:16How easy is this?
12:18I can even out and get these right.
12:19Can you imagine getting that wrong?
12:21You would never live it down.
12:24It's clearly D.
12:25Nick.
12:26This is your £1,000 safety net question.
12:29OK.
12:30Let's have a look.
12:31Which of these famous UK bridges is in Scotland?
12:34This is on you.
12:36Fourth.
12:36Fourth.
12:37See, this is what I'd lose.
12:39I'd have to phone a friend and I'd ring my nan.
12:40She's from Glasgow.
12:42Sevenbridge.
12:43No.
12:44No.
12:44Seven's Bristol, innit?
12:46Tynebridge.
12:47Tyne is Newcastle.
12:48Fourthbridge.
12:49Yes.
12:50Fourthbridge, yes.
12:51Yeah, Farthbridge.
12:52Or Humberbridge.
12:54Right.
12:54Just get an Scottish accent and see what sounds right.
12:57Sevenbridge.
12:58Sevenbridge.
12:59Tynebridge.
13:00Fourthbridge.
13:01Humberbridge.
13:02Humberbridge.
13:03Humberbridge.
13:03Based on accent, it's Humberbridge.
13:06I think I'm going to have to ask the audience, just to be sure.
13:10I wonder if the audience does it wrong on purpose?
13:13That's so mean.
13:14It says more about you than the audience has.
13:19Oh, you're right, mate.
13:21Oh!
13:22Fourthbridge.
13:23Fourthbridge, final answer.
13:25And well done, audience, and well done you.
13:27That's the correct answer.
13:29Well done, audience.
13:30Pat yourself on the back.
13:31That's £1,000 in the bank.
13:34Here's the £8,000 question.
13:37Which of these is not a variety of potato?
13:41Oh, no, that could be interesting.
13:43You'll get this.
13:44No, shush.
13:45Russet Burbank.
13:46Yeah, that's a potato.
13:48Desiree.
13:49Yes.
13:49That's definitely a potato.
13:51Yeah, that's a potato.
13:52Romanesco.
13:53Yes.
13:54That's a potato.
13:55I'm saying Romanesco because that's a cauliflower now.
13:57It's like cauliflower but with a ball going on.
14:00Well, Jersey Royal.
14:01That's also a potato.
14:02They're all potatoes.
14:04Yeah, I'm going to say Romanesco, final answer.
14:07Oh, she's just gone straight into it.
14:09The right answer, yeah.
14:10Well done.
14:11Oh!
14:13Oh, God, we got that wrong.
14:15We'd have been wrong, Nigel.
14:16Now, safety nest at 16.
14:18No, I'll keep going, thank you.
14:20Oh!
14:21Go on, girl.
14:22She's fancy in herself.
14:24Come on.
14:24Which of these materials is made by buffing the underside of animal hide to create a soft,
14:30textured finish?
14:31I feel like I'll know it when I see it.
14:33Yeah, I'll know it when I see it.
14:35Chiffon?
14:36No.
14:36No.
14:36Well, Chiffon is crinkly, crinkly, innit?
14:40Velvet.
14:41Suede.
14:42Yes.
14:43Suede.
14:44Animal hide is suede, isn't it?
14:46For sure.
14:46Or moleskin.
14:48Owl.
14:48No, moleskin is not.
14:50Moleskin?
14:51No.
14:52No.
14:52I think they're putting that on obvious.
14:53They're like, oh, is it the skin of a mole?
14:54For like, real tick us.
14:56We're better, we're more intelligent.
14:57We're going to go suede.
14:58Think on this one.
15:00I'd like to use a 50-50.
15:02No.
15:03No.
15:03They'll leave you with suede and moleskin.
15:06Okay, then.
15:07Computer, could we take away two wrong answers, please?
15:10Of course.
15:11Yeah, of course.
15:12Every time.
15:13Bastards.
15:13I knew they'd do that.
15:14That's the two I was between.
15:17Ricky Gervais used to manage suede.
15:19Okay.
15:20Would that get me through?
15:23If I just hit him with a different bit of knowledge.
15:25That does mean I'm going to ask you.
15:27Oh.
15:29Smart.
15:29Ask the farmer.
15:32Here's what I think.
15:35The underside lends me to think it's moleskin.
15:41Really?
15:42He's confident.
15:43Look at that stupid face.
15:45I've got some moleskin trousers.
15:47They're not made of moles.
15:48They've got a soft texture finish.
15:50Suede sort of doesn't, does it?
15:53Suede is soft.
15:54It does.
15:55It does.
15:56What's the matter with the man?
15:58I've got suede shoes on.
15:59You don't call those soft, do you?
16:01No.
16:01I would.
16:01Yeah, suede is soft.
16:03Moleskin.
16:04Can't be the skin of moles, surely.
16:06Well, you and Jeremy...
16:08How many moles would you have to kill?
16:09The moles are only this big.
16:10Moleskin.
16:11And that is my final answer.
16:13Don't do it!
16:14Don't do it!
16:15He's an idiot!
16:17He's an idiot!
16:17So, I will go moleskin, final answer.
16:20She's going moleskin.
16:21No.
16:22Oh, God.
16:23I'm going to be wrong.
16:23If this is wrong now, he's going to feel such a knobhead.
16:28Oh, jeez!
16:29No!
16:31That's annoying.
16:34Suede is the correct answer.
16:35It's created by sanding flesh on the side of animal hide.
16:39But I wouldn't have called it soft and textured.
16:41I would.
16:41It is.
16:42Of course it's soft.
16:43I've got a beautiful, soft suede jacket.
16:45Yeah.
16:45Idiot.
16:46I think he'd have known.
16:47Well, I can only apologise for that.
16:49Well, your apology's not accepted, Jeremy!
16:51I don't know what to say other than you are leaving here, Jamie Eidman, with £1,000.
16:58There you go.
16:59That's a grand you didn't have before.
17:01That's true.
17:02Do you know what I mean?
17:02Well, that wasn't one of the best, was it?
17:04No.
17:05It didn't get...
17:05Good, because I had never seen anyone walk away with a grand.
17:08You're fidgeting away.
17:09You're full of beans today, aren't you, Nigel?
17:13Full of beans.
17:14Yes.
17:17In Kent...
17:18There's a slight addiction shop in.
17:19I like to...
17:20I like to shop at least once a week.
17:21What, every week you go shopping?
17:23I buy it.
17:23For clothes?
17:24Yeah, I buy, like, you know, I'll get a little something for something.
17:27Harry and Matt.
17:28What's your go-to, like, item?
17:31Do you know what I mean?
17:32Like, trousers, t-shirt, like, what would be your...
17:33What's your most frequent purchase?
17:35My most frequent purchase was...
17:36I actually struggle a lot with jeans.
17:38Because, as you would know, when you've got big thighs like us, adductors,
17:43they tend to chafe and rub.
17:44The chafing is the issue.
17:45Do you know what I get chafe a lot?
17:46If you go away, yeah, and I go in the sea, and I don't want to change my shorts, I
17:51get a bad chafe.
17:52Yep.
17:52Then I have to walk around like that.
17:53Like that.
17:54You know what I mean, when you walk around like this?
17:54Yep.
17:55Yep.
17:56That chafe been there a lot, mate.
17:57Mate, it hurts.
17:58People don't realise these adductor problems are real.
18:00Yeah, it's not ideal.
18:02On Friday, we kicked off our morning routine in the usual way on ITV.
18:08Do you want breakfast?
18:09Yeah.
18:10Come on.
18:11Oh, ta.
18:13That's not you out.
18:14Is that it?
18:14Yeah, that's it.
18:15Are you an early...?
18:16Oh, you are an early riser, because you'll often message me three times.
18:216am.
18:226am, I'm like, oh, Claire's had a coffee.
18:25I'm on my second coffee, I was just thinking.
18:27OK.
18:33This steam tune don't have to make you dance so, doesn't it?
18:36Yeah.
18:39Save our shippers.
18:40Throw some signs.
18:41Go on, mate.
18:42Save our strippers?
18:44Amen!
18:47Are you having that for breakfast?
18:49Yeah.
18:51Breakfast, lunch and dinner.
18:52Mm-hmm.
18:52I love a boiled egg.
18:54I love a boiled egg.
18:55Oh, and soldiers.
18:56Mm.
18:57Or an omelette, plain omelette.
18:58I make a very good omelette.
18:59Do you make a good one?
19:00I do.
19:00See, you're a good one.
19:01The one thing I can do is spinach omelette.
19:04Oh, divine!
19:05Now, is it outdated to hire a stripper?
19:08I had a stripper.
19:09Your 40th?
19:10My 40th, yeah.
19:11I remember it on tape.
19:13Yeah, mind you, it was a right nice bloke, it was.
19:15Well, so, yeah, nice.
19:16Do you know how many times people have asked me if I'm a stripper?
19:19Ever.
19:20If I could have a pound for every time someone said to me,
19:22are you a stripper?
19:23Or have you stripped?
19:24I feel like that's quite insulting.
19:26Or have you done butter in the buff?
19:28Both hen party organisers and strippers say bookings for hen parties are now lower than ever before.
19:35I like a stripper, do you?
19:37It's in the right situation.
19:39It could be fun.
19:40Yeah, just, it's awkward.
19:41But it's also, it's like you're with other people as well.
19:44Should I just give you one of those strip dances now?
19:46No, don't do that.
19:46Stop doing that, please.
19:47Now going for wowness activities instead of partners.
19:50So we're joined by April Todd, who owns a hen party business alongside strippers Gary Maloney and Tony O'Pay.
19:56Oh, okay.
19:57Wow, look at these guys.
19:59Wow.
19:59Look at him on them.
20:01Is this us in a different life?
20:03What?
20:05That is quite concerning.
20:06Have you noticed this?
20:08This is a...
20:08To be honest, I think I'm an exception to the rule because I'm probably bigger than I've ever been.
20:13All right, cocky.
20:15It's like, yeah, I'm great.
20:17Matt 2.0.
20:18The most important part is to put everyone at ease and it's about them, not you.
20:22It's about them, not you.
20:23But when you're standing there with your bits out, it's kind of about you.
20:26Yeah.
20:27I think the one way to make sure people are at ease is keep your clothes on.
20:30And I think that's so, so important.
20:32And I think once I've left that, I need to know when I've left there, they know me as Gary,
20:36the actual person and not just the stripper.
20:38Oh, bless him.
20:39Sorry.
20:40Bless his heart.
20:41I'm more.
20:42Than a thong.
20:43What's he do like when he's naked?
20:45Just so you know, ladies, it's Gary.
20:47Nice to meet you all.
20:48You can call me Gaz.
20:51Tony, what have you found?
20:52You're professionally known as seduction.
20:54Oh, seduction?
20:55Is that his birth name, do you think?
20:58Seduction.
20:59Can't take him serious with that hat on.
21:01Seduction.
21:02I mean, similar to what Gary said, it's for me, I transitioned from dance.
21:06Oh, Tony's his real name.
21:08No wonder he calls himself seduction.
21:10It's quite hard to concentrate because you can't see his eyes.
21:13You can't see him for that big hat.
21:15Do you ever do celebrities' homes?
21:17Has any celebrities out there got a bit crazy?
21:19I mean, I don't like to name drop.
21:19Oh, Alison getting the gossip.
21:21Oh, I wonder if he is.
21:22Send him round.
21:23Yeah, but he ain't going to disclose that, is he?
21:25Well, let's find out.
21:26But I was dancing with Amanda Holden last week.
21:28Oh!
21:29Oh!
21:30I knew she'd come up.
21:32Yeah, Mandy, she's a filthy man, Mandy.
21:35We did panter with Amanda Holden, didn't we?
21:37Yeah, we certainly did.
21:38Do you know what she has for lunch?
21:40Five grapes.
21:41And I was with the Danny Dyers, both of them.
21:43Oh, he had both the Dannys? Oh, my God.
21:45Did he just say, Danny Dyer, then?
21:47And he was, yeah, he enjoyed the lap time.
21:50He was his sister, yeah.
21:51What would you do, though, Bea,
21:52if Gary the stripper turned up at the party?
21:57Oh, I fucking know you.
21:58You're Gary the stripper.
22:00Gary the stripper?
22:01Yeah, no Gary the stripper.
22:03I've seen you on the cellar.
22:04On this morning.
22:05On this morning, yeah.
22:09Honest one to me.
22:10Yeah.
22:11Summer holidays are hard.
22:12And the liars go,
22:13all that time with my children.
22:15Oh, it's just beautiful.
22:17I'm terrified.
22:18Best mates Jordan and Perry.
22:20I've run out of things to do in the first three days.
22:22You've got three, though, haven't you?
22:23So it's a lot.
22:24The first three days I've run out of things to do.
22:26Okay.
22:26Then, if we're lucky enough, we go on holiday,
22:29and that's just parenting in the sun.
22:31It's the same stuff at home, but just on a sundown job.
22:34Yeah, I hear that.
22:34With an audience, because everyone's then looking at you.
22:36They should do more, like...
22:37Remember, like, American TV?
22:39They do, like, camps and stuff.
22:40Yes.
22:41I'd send my kids to a camp.
22:42Would you?
22:43Yeah, man.
22:44Absolutely.
22:45But, would you be, like, from birth, or just...?
22:47Well, that's called adoption, isn't it?
22:50On Tuesday night, the creme de la creme
22:53were at it again on Channel 4.
22:56Draw beating technique.
22:57Okay.
22:58Like this, right?
22:59Whoa, whoa, whoa, whoa!
23:01Oh, okay.
23:02Okay.
23:03I thought you were about to...
23:04You scared me there for a moment.
23:06Only hit the top.
23:07No.
23:08I actually enjoy cooking.
23:11But I'm not very good at it.
23:12You make a nice soup, don't you?
23:13I make a very nice soup.
23:16And, er...
23:16No chewing involved.
23:21Bake off the professionals.
23:23I could never do this.
23:24Oh, no, this is when, like, it levels up.
23:27Yeah.
23:29Here they come.
23:31He's Benoit, and she's Cherish, and they are top of their game.
23:36Chef, today you must create a stunning biscuit modern landmark.
23:40Oh, a landmark made a biscuit.
23:43I'd do the Lloydsburn.
23:45Oh, this is the one they do.
23:46Oh, yeah, you love Lloyds.
23:47I do Stonehenge because that's quite easy.
23:49You just get some of those sponge fingers.
23:51Sponge fingers, yeah.
23:52And then put them all like that with a sponge finger across the top.
23:55We're done.
23:55That's it.
23:56Benoit.
23:57Anything to add?
23:58Chef, today you must also make 12 petit gâteaux.
24:01What?
24:02Petit gâteaux.
24:03Any type of food sounds better French.
24:06Yeah, of course it does.
24:08Do you know what I mean?
24:08Of course it does.
24:09Like sausage roll.
24:11Yeah.
24:11Sounds nicer than what you have in sausage roll.
24:13Yeah, because French is, like, the most perfect accent.
24:16Yeah, but, like, imagine, imagine, you know,
24:18today I'm going to make...
24:21Yeah.
24:23You know, that sounds nicer.
24:24Chefs, you had one hour to prep last night.
24:26You now have a further four hours to complete this challenge.
24:30Well, they've got four hours to do all this, Nigel.
24:32Oh, God.
24:32Tell me we're not going to have to watch it for four hours.
24:34No, please, no.
24:35You see, this is why I don't like baking.
24:38Good morning.
24:39So what are you going to make for your modern landmark?
24:41We have a Frenchman on the team.
24:43So we're making the Louvre and surrounding buildings.
24:46The Louvre and the...
24:47Surrounding buildings.
24:48With the pyramids.
24:49Good Lord.
24:50Are they going to do our chocolate?
24:51I see chocolate there.
24:52Oh, I mean, could you be bothered?
24:54No.
24:55Paying homage to the world's largest art museum,
24:58Will and Sophia will surround their Louvre landmark.
25:00Oh, that looks nice, doesn't it?
25:02Oh, they've got to do all the outbuildings
25:04around the Louvre as well.
25:06Oh, no.
25:06We thought they were just doing the triangle.
25:08The triangle?
25:12Decorated with white chocolate paints
25:14and filled with a baobab and tangy passion fruit compote insert.
25:17Oh, nice.
25:18A baobab?
25:20What's a baobab?
25:21I have no idea.
25:22Will loves to use baobab.
25:23Because I'm really interested in product that improve your health.
25:26Okay.
25:27So that's also why we've gone with cocoa and burdock biscuit.
25:30And burdock.
25:31Burdock.
25:31Burdock.
25:32Burdock.
25:32I've got a semi watching that Frenchman.
25:34It's just the voice.
25:37Burdock.
25:37Burdock.
25:38Burdock.
25:39Burdock.
25:40Burdock.
25:41Burdock.
25:43Burdock.
25:44Burdock.
25:44Burdock.
25:45Taste that, hen.
25:47No.
25:49She can taste the bollocks if she wants.
25:52The pyramid. It's a difficult design. It's ambitious.
25:55We are very behind.
25:56Oh, look at that.
25:58What is that, mate?
25:59So the blue ice is going to look like the glass, is it?
26:03The pyramid.
26:05Of the leaves.
26:06Of the leaves.
26:08How are you?
26:10I'm all right.
26:12They've built that out, which means they're going to have to turn it
26:15at some point.
26:15Would you like if it all fell apart?
26:18I sort of would.
26:19If it collapsed, that's the dream, isn't it?
26:24Oh, no. No, no, no, no!
26:26Oh, my God, what are they going to do?
26:28Take that cardboard away and hope it stays together?
26:31Careful, careful, careful, careful.
26:32This is the money shop. This is what we're waiting for.
26:36Oh, no.
26:37Oh, no.
26:38He's fucked it.
26:39Oh, that's so sad.
26:41I fix this.
26:42Oh, it's awful. It's awful.
26:44Just give up. Go home.
26:46All right, just turn it round.
26:47Turn it round, show them a good bit.
26:49It's dripping.
26:51Oh, it's leaking.
26:52There's a leak in the Louvre.
26:54Chefs, your time is up.
26:56Oh, no.
26:57Oh, my gosh.
26:58Don't look at it. Just don't look at it.
27:00Yeah, don't look at it. Don't look at it.
27:02It's that bad. Look away.
27:04That's what I do with my problems.
27:07Just ignore it.
27:09Don't look at it.
27:10If you ignore it, it doesn't exist.
27:14In Essex.
27:15It's cold.
27:16Where's the air con?
27:17Well, I'm sure you're trying to do me in.
27:19What do you mean, do you in? What have I got to go in?
27:21Well, I've got me, what's it, my life insurance.
27:24What life insurance?
27:26Rylan and his mum, Linda.
27:29Well, when I die, it goes to your next of kin.
27:32What, me?
27:32No, the eldest, isn't it, is the next of kin.
27:37So Jamie gets it?
27:38It's like when nanny died, bless her.
27:40Susan was the eldest.
27:42But if she's out between the three.
27:45Hold up a minute.
27:45Are you joking?
27:46What, I don't get anything.
27:47Yeah, yeah.
27:49Whatever's there goes between you and Jamie.
27:53Oh, listen, I mean, I've been quiet lately.
27:55I might have to go and cut the brakes on your camera.
27:58Well, Dan, it's probably half a toothbrush each.
28:01Oh.
28:02This week, it was all about girl power in this movie
28:05with a message on Netflix.
28:08Ladies first.
28:09Mm.
28:10Quite right, too.
28:11I don't think anyone ever says ladies first to us.
28:16This is a story about a man named Damien.
28:21Damien had it all.
28:23Wealth.
28:24Sex.
28:25Power.
28:26Is that David Attenborough?
28:27No.
28:27That was Richard E. Grant's voiceover then, I heard.
28:30Oh, was it?
28:30Well spotted.
28:31Because he was also an arsehole.
28:35I like that.
28:36Like all men.
28:37Like, eh?
28:38Like all men.
28:39Every single one of them.
28:40Last night was incredible.
28:43I've heard that line many, many times.
28:45A few people say that to you in the morning.
28:47Yeah.
28:47Nigel.
28:48Ooh, Nigel, that was incredible.
28:50Anything for the woman who took my virginity.
28:54What?
28:54What?
28:55Who took my virginity.
28:56That's a good one.
28:59That's a good one.
29:00Right.
29:01So he's a creep.
29:03Yeah.
29:04So this is what being the CEO of Guinness gets you.
29:07So did they say the CEO of Guinness?
29:08Mm.
29:09Have you had a Guinness?
29:10The drink?
29:11I think he's the Guinness owner.
29:12So the board are on to me about female representation.
29:17Did you see that?
29:18Female representation.
29:20Terrible.
29:21Atlas doesn't have a single creative director who is a woman.
29:25Why the hell should that matter?
29:27Why the hell should that matter?
29:29Why should that matter?
29:30Why should that matter, Charles Dots?
29:31I mean, I just want to launch my biscuits at the telly.
29:37We just promoted the most incredible woman to creative director last week.
29:41Saying anything after a golf swing.
29:43Yeah.
29:44Makes you a dick.
29:45So tell me, who is this new female we appointed last week?
29:49Read it.
29:50Oh, sorry.
29:50Did I say last week?
29:52I meant this afternoon.
29:53So he's obviously thought we're going to lose this contract if I don't employ a woman.
29:57Mm-hmm.
29:57He's a bit of a misogynist, isn't he?
29:59Let's be honest.
30:00Guinness want to increase their female market share.
30:03Do you love a Guinness?
30:04Well, love a Guinness?
30:05Yeah, who doesn't love a Guinness?
30:06Who don't love a Guinness?
30:08Who doesn't?
30:08And talking of women, we have a new one.
30:12Oh, my God.
30:13Talking of women, we've got a new one.
30:16We've got one.
30:17Talking of women, there's one there.
30:19This is our new creative director, Alex, um...
30:23Oh, he's a prick.
30:26He can't even remember her name.
30:29Fox.
30:29Correct.
30:30Oh.
30:31Correct.
30:32Alex Fox.
30:33Correct.
30:33Shut up.
30:34Right.
30:35Let's get into it.
30:36Product name and ideas.
30:37Let's go.
30:37So, basically, we don't care what you have to say.
30:39Great.
30:40Move on.
30:41Can't grow a moustache.
30:42Well, Guinness girl's got you.
30:44Because girls can't grow a moustache, who's going to?
30:46Some can.
30:47Right?
30:49Then she and the St. Paulie girl have a pub fight and it's Guinness.
30:53And it's foam and it's moustache.
30:54Do we want to tie alcohol to violence, though?
30:56They're fighting.
30:57Yeah, look.
30:57Don't even listen to her now.
31:00Hold on.
31:00Are we sure we want to tie alcohol to violence, though?
31:02Which she just said.
31:04I mean, it'd be funny if it wasn't some...
31:05Probably true to life and depressing.
31:08So, it's hard as a woman to watch it and be like, it's great, isn't it?
31:11That women are undermined in the workplace.
31:14It's really good and funny, isn't it?
31:16I thought I was running point on the Guinness pitch.
31:18Oh.
31:19Yeah, yeah, you are.
31:20Just need the new girl to cover herself in the female perspective, right?
31:24Oh, no.
31:25She's overheard them.
31:26She's overheard it.
31:27Yeah.
31:28I thought you should know the female perspective just at all of that.
31:32Oh!
31:33Yeah.
31:34Go on, girl.
31:35Do you reckon she's going to give them a piece of their mind?
31:37Hopefully.
31:37Because I'm good at this and I deserve the job and...
31:39Time of the month.
31:42Did you know what you just said?
31:43Yeah.
31:43I would just go, what time would that be?
31:46Hmm.
31:46I've got news for you.
31:48Please tell.
31:50The problem is you.
31:52Oh, really?
31:53Yes.
31:53Yes, go on.
31:54Good girl.
31:54It's you.
31:55It's you.
31:56It is, it is.
31:57You know, I'm not some blow-up doll that you can just wheel out to your meetings to prove you're
32:01evolved.
32:01Don't not blow-up dolls. They last longer than you have.
32:05They last longer than you have.
32:07Every time I think he can't say something worse, he does it.
32:10Yeah.
32:10He just trumps it.
32:11Keeps going.
32:12Oh, by the way.
32:14You're fired.
32:15Oh!
32:15Oh!
32:17Brilliant!
32:18Reserved that.
32:22Do you know what that reminds me of?
32:23What?
32:24You in Marbella.
32:25That glass door.
32:26Oh, don't.
32:27Remember you kept walking into that glass door?
32:29Every day.
32:29In our apartment.
32:31Every single day.
32:32Yeah.
32:33There you go.
32:35Oh, dear.
32:36He survived.
32:37You on any medication?
32:38The pill?
32:39The pill?
32:40Are you on the pill?
32:40The pill?
32:41What pill?
32:41Are they asking him questions?
32:43Like, women questions?
32:44Okay.
32:45Well, make sure you get some ice on that, yeah?
32:46Yeah.
32:46Look after that pretty face.
32:48It's all right?
32:49Oh, okay.
32:50Instantly.
32:51Instantly, it's the sweet.
32:51The little tiny comments.
32:53It's like casual misogyny that women deal with.
32:55Yeah, exactly.
33:01Yeah.
33:01I think he's woken up in a new world.
33:03Yeah.
33:03I mean, you okay?
33:04What are you wearing?
33:05What am I wearing?
33:06What are you wearing?
33:07Men are wearing skirts.
33:09Men are wearing skirts.
33:10Oh, the whole world.
33:11The whole world.
33:12The whole thing's switched.
33:13I think I'd be all right in a women's world.
33:15I can see you in those trousers straight away.
33:17I'm more femme than I am as sometimes, you know?
33:19I've got three sisters.
33:20I'd slip straight in.
33:21What are you doing?
33:23You can't just walk into Alex's office.
33:25Oh, Alex is the boss now.
33:27Brilliant.
33:28Is that the lady?
33:29Yeah.
33:29Oh, great.
33:30That's so good.
33:31As you probably heard, Alex just quit.
33:33I'm sorry, what?
33:36Did I?
33:37Aura!
33:39Aura!
33:39That's a collar and a half, innit?
33:41Get out of here!
33:42You have to earn that collar.
33:43Go on, Alex.
33:44You've come to apologise.
33:46Go ahead.
33:47Damien, what are you doing in my office?
33:49If I bang my head and I get to radio too,
33:52Tony Blackburn's trying to usher me away from me.
33:56From me studio.
33:57Coffee.
33:58Oh, Fred, my cashmere angel.
34:04Just dance in a cardi.
34:06You've got that cardigan?
34:08Oh, yeah, I do, yeah.
34:09The only thing that when I got together with Spencer,
34:12I insisted on paying my way and it's one of my biggest regrets
34:17eight years on.
34:17Huge mistake.
34:18I'm paying 50% of everything.
34:20Yeah, because he held you to it.
34:21Well, because I insisted.
34:22Yeah.
34:23Stupid.
34:24I know, you tried to make a point and then you shot yourself
34:27in the feminist force.
34:28I didn't think it would be...
34:29Listen, I didn't think I'd be here eight years later.
34:32With him?
34:33Yeah.
34:34I don't think anyone did.
34:39Yeah, because I had to go and have a head scan.
34:41I hit on a low-hanging chandelier.
34:43Best mates Sarah and Claire.
34:46They said before we do this scan, we need to make sure you're not pregnant.
34:49Right.
34:49So I did a pregnancy test and it was negative.
34:51So I chucked it in the bin and my husband went...
34:53I went, it's negative.
34:54So my husband went, right, I'll go and move the car.
34:57And he went and moved the car and the nurse went,
34:59no, I need to see the pregnancy test before we can do the head scan,
35:02just to double check.
35:03And I was like, but it was negative.
35:04She went, no, go and get it.
35:05So I went and got it.
35:06And by the time I'd gone back and got it,
35:09two blue lines because I was just pregnant.
35:11So Ben came back from moving the car.
35:13Before he moved the car, I wasn't pregnant.
35:15He came back, I was.
35:18On Friday, there were more big stories hitting the headlines on the BBC.
35:23Oh, erm, what time is it?
35:24Is it six o'clock?
35:25Yeah.
35:26My favourite show's about to start.
35:28The six o'clock news.
35:30I love crisps.
35:32Yeah, yeah.
35:33Yeah.
35:37Big tune.
35:38Jump.
35:39Jump.
35:40Jump.
35:41Boom.
35:45Politics, I have no interest.
35:47I like a bit of science news.
35:49A bit of space news, yeah?
35:51I like knowing what's going on with space.
35:53Nothing political.
35:55When they start talking about elections and all,
35:58I'm like...
35:59Couldn't give a flying Fandango.
36:01Now, more than 20,000 people have signed a petition
36:04calling for a national A-level maths paper to be reviewed.
36:08After complaints, it was too hard.
36:10Yes!
36:10Oh, my God, this is my boy.
36:13He did this maths exam.
36:15Right.
36:15There's going to be...
36:16There's petitions about it.
36:17It was such a horror of a paper.
36:18Oh, really?
36:19Yeah, everyone was traumatised after it.
36:22It's awful.
36:22Can we do that for when we did it?
36:24Yeah, can we go back to 2003?
36:26Because mine was too hard.
36:27When I was doing mine, mine were well hard.
36:29That paper was horrendous.
36:32Yeah.
36:33Well, it serves them right.
36:35Do you know what I mean?
36:36Working hard and revising all that bunch of nerds.
36:41Yeah.
36:42Why don't you buy yourself a big bottle of cider
36:44and go and sit over the park?
36:46Very few questions where I felt like I was, like, confident at.
36:49This is great because you can basically coordinate your revolution via TikTok.
36:54They have to listen if you go viral.
36:56They don't look like bullshiters either.
36:58No.
36:58Very early on, we saw, like, parametric equations
37:00which don't usually come up until a lot later on in the paper.
37:03Oh, I hate a parametric equation.
37:05Can't we say it, can't we?
37:07What's it called, Claire?
37:08A parametric equation.
37:10Good at parametric equations?
37:13A para-what?
37:13Students have contacted the BBC to share their concerns.
37:16This generation, man, I'm telling you.
37:18I can't.
37:19They're equally impressive and terrifying.
37:22They're like, the exam was hard.
37:23Ring the BBC.
37:24But some maths experts say the paper was in line with expectations.
37:28The actual mathematical computation in each question was very standard
37:33and we've seen these kind of questions before.
37:35Oh, Neil's saying that they're just standard questions.
37:37I bet he's a maths genius.
37:39Imagine being a maths expert.
37:41Like, imagine having that kind of brain.
37:43Yeah.
37:43It'd be good, wouldn't it?
37:45For some things, yeah.
37:46Yeah.
37:46So there was nothing in there, really, that was mathematically alarming, I would say.
37:53Mathematically alarming.
37:54Ha, ha, ha, ha.
37:56Ha, ha, ha, ha.
37:57He loves maths, doesn't he? I can tell it.
38:00And Ofqual, the exams regulator, has said that it will be closely monitoring the marking of this particular paper
38:06and that students shouldn't worry but focus on the next exam.
38:09Don't worry about this one, you just concentrate on the next one, which is also going to be very hard.
38:14Ha, ha, ha, ha, ha.
38:17You know it took me three times to pass my maths to UCS.
38:19Did it really?
38:20I kept trying to go back.
38:22It was like Elf, you know, when he's bigger than everyone in the classroom.
38:26That was me.
38:26There we go.
38:27I was 24.
38:28I was like, hey, yeah.
38:30See if I can get that C grade.
38:33In Essex.
38:34You're going to eat them?
38:36This isn't a joke.
38:37Yeah.
38:38But I know you just like to suck them, don't you?
38:40The Buckley's.
38:41The dry roasted I like to...
38:43That is grim.
38:44...just suck the...
38:46Flavour.
38:47Flavour off.
38:48And then I put them...
38:48The only reason you're saying that...
38:50You have a little discarding bowl.
38:52Yes.
38:52Yeah, because I came home one day.
38:54You had a...
38:54I love a dry roasted peanut.
38:56Yep.
38:56I saw a bowl of dry roasted peanuts.
38:58I thought, oh, I'll have some of those.
39:00They're all soggy because you suck them and just put them in another bowl.
39:04That'll teach you.
39:05What?
39:05What's the lesson there?
39:06Ask before you just help yourself to my snacks.
39:10Is that right?
39:11Yeah.
39:12On Saturday night, Ross Kemp had us quizzing across his bridge on BBC One.
39:18Oh, I love Bridge of Lies.
39:20I like Ross Kemp.
39:21I like Ross Kemp.
39:21It must be nice for him.
39:23It must be more relaxing because he's normally out bothering gangs and that, isn't it?
39:27Yeah, it's not.
39:28Have a day off, babe.
39:29This isn't as scary, is it?
39:31This is Celebrity Bridge of Lies.
39:34Where winning is simple.
39:36Just step on the truths.
39:38Is it a truth?
39:39Or is it a lie?
39:40And steer clear of the lies.
39:42Okay.
39:43We've got the gang.
39:44We're at fever pitch already.
39:46Oh, really?
39:46I love multiple choice.
39:47Because you know one is right.
39:51It's true.
39:52That's an easy way out.
39:54But liking multiple choice is a sign of weakness.
39:59Are you ready?
40:01Got it.
40:01Ready.
40:02I expect so.
40:03They're sat in a studio.
40:05The first category is musicals.
40:08Oh, this is you.
40:09This is me all over.
40:11All over.
40:11Did you see Lion King with us?
40:12Hated it.
40:13Oh.
40:14Because the lions weren't lions.
40:15They were humans with cardboard heads on.
40:18It pissed me off.
40:19I know most of Andrew Lloyd Webber's canon.
40:23Okay.
40:24Louisa, come and join me on the bridge.
40:26I'm coming.
40:27Well, Louisa's been in the West End.
40:29Oh, has she?
40:29She's in EastEnders, but she's done the West End.
40:31Oh, she will know this then.
40:32Yeah.
40:35Louisa.
40:35Hello.
40:36We've sort of seen you on our screen since you were a teenager.
40:39Yeah, you've both been in EastEnders.
40:43So, have you ever been in a musical?
40:44Yes, I was in Grease.
40:46See?
40:46She knows her stuff.
40:48Okay.
40:48Name me two songs from Grease.
40:51Go on easy.
40:52First one easy.
40:52Better shake up, however it goes.
40:55Yeah.
40:55You better shake up.
40:56Yeah, yeah, yeah.
40:58You're the one that I want.
40:58Yeah.
40:59That's that song.
41:01Go on.
41:01The sad one, do you know what I mean?
41:04What month?
41:04Hopelessly devoted to you, that one.
41:06Oh, you pulled that one out.
41:08Yeah, come on.
41:09Right.
41:09Can you tell us what charity you're playing for?
41:11I'm playing for guide dogs.
41:13Oh, God bless her.
41:14I love a guide dog.
41:17There are ten lies on the bridge, but remember,
41:20there is always a path to safety.
41:23Yeah, we get the idea.
41:24Bridge, what are we looking for?
41:26We're looking for the show to start.
41:28We are looking for songs correctly paired
41:31with the stage musical in which they feature.
41:34Oh, get on with it!
41:35We know!
41:37Summer Nights Grease.
41:39Oh, Summer Nights Grease, easy.
41:41Oh, well, oh, well, oh, ooh.
41:43Very much of it's time now.
41:45Yeah, it is.
41:46Did she put up a fight?
41:49Hello, police.
41:50I have to go here because obviously I was in the show, so.
41:53Truth or Lie?
41:55That is a truth.
41:56We got, oh yeah, we knew we'd get that, like.
41:58It's a simple format, isn't it?
41:59It is.
42:00Almost too simple.
42:02That opens up.
42:03Memory, West Side Story.
42:05Memory is from Cats.
42:07Memory, all around in the moonlight.
42:11Memory.
42:12That was quite good.
42:14Wasn't that quite good?
42:15My favourite things, The Sound of Music.
42:19This is My Favourite Things, Sound of Music.
42:20Memory and Cats.
42:22These are a few of my favourite things.
42:25Well, that's, I felt that, is it The Sound of Music?
42:28No, I don't think that was in The Sound of Music.
42:30This is my favourite, favourite film growing up,
42:33so I'm definitely going to go for The Sound of Music.
42:35You've got five minutes.
42:36Yeah, Joey.
42:37If we don't want your life history, love,
42:38just jump on the fucking button.
42:41That opens up.
42:42Don't cry for me, Argentina.
42:44Yeah, that one.
42:45Yeah, of course it is.
42:46Yeah.
42:46Don't cry for me, Argentina.
42:50That opens up the hotline.
42:52Leaning on a lamppost, my fair lady.
42:55See, these now, I have no idea.
42:57This is getting niche now.
42:58Just thought I'm leaning on the lamppost
43:00at the corner of the vast feet
43:02until a certain little lady goes by.
43:06Oh, man.
43:09Oh, that's, by the way, that's me, ukulele.
43:11This is one of my favourite musicals,
43:13so I don't know why my mind is playing tricks on me.
43:15Perfect year.
43:16I'm going to go for it.
43:17No, no, no.
43:20Oh, oh.
43:21Perfect year.
43:23Truth or lie?
43:23No!
43:25Ah!
43:26Oh!
43:30Oh, the dogs.
43:32At least it's not her own money.
43:34Yeah.
43:34That'll be worse.
43:35Those guide dogs are being put to sleep now
43:38because she's stupid.
43:39That opens up.
43:41Seasons of Love, Rent, I Dreamed a Dream, Les Miserables.
43:46I Dreamed a Dream.
43:48Yes, I Dreamed a Dream.
43:49Love, Time's Gone By!
43:51Susan Boyle.
43:52Yeah, it was, yeah.
43:52Beat her.
43:56Nice.
43:57We did.
43:58Sorry, Sue.
43:59Have that, Sumo.
44:00I'm going to go here.
44:01Truth or lie?
44:02Sorry, I'm just...
44:03It is a truth!
44:04It's nearly over.
44:06It opens up, expressing yourself, Matilda.
44:09Expressing yourself is not Matilda.
44:11Shhh!
44:12Shhh!
44:13Shhh!
44:14Shhh!
44:15What's that?
44:17Oh!
44:17You don't want to step on another one.
44:19You're at $1,900.
44:21That is a 50-50.
44:23Shhh!
44:28I'm going to go for Let Me Entertain You.
44:30Truth or lie?
44:31Uh-oh.
44:31Oh, that's what I would have done.
44:32I don't know.
44:33It's the truth!
44:35I've done it!
44:36Well done!
44:37Yay!
44:39Oh!
44:39I never trained as a singer.
44:41Clearly.
44:42I did train.
44:43A tiny bit.
44:45Where did you train?
44:46My drama school.
44:47Crufts.
44:49Well, you know what?
44:50A really good one.
44:51What I went to see just recently.
44:53Only at Christmas time.
44:55Back to the Future.
44:57Right!
44:57We went together!
44:58Yeah, we went together!
45:01We went together!
45:02We went together!
45:04We went back to the future.
45:05We went together!
45:06We went together!
45:07We went together!
45:07We went together!
45:08We went together!
45:10So you've seen the musical as well.