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First broadcast 4th February 1973.

When Gerald meets Orianda, he almost immediately falls in love with her.

Jane Lapotaire - Orianda
Stephan Chase - Gerald
Glyn Houston - Nathaniel Crabbe
June Watson - Lizzie
Dorothy Black - Lady Tillington
Herbert Ramskill - Porter
Edward Peel - Man in Tap Room
Fred Feast - Farmer

Category

📺
TV
Transcript
00:03You
00:35On a late September afternoon in 1912, the Honourable Gerald Lachlan was leaving the
00:41most fascinating woman he had ever met. Some men, of course, are always meeting the most
00:46fascinating woman of their lives, but not Lachlan. Yet here he was, with all the time
00:52that money can buy, turning his back on destiny. But why? Especially when he'd just
01:00met her. And on the very last day of his holiday, too. That quiet, delightful time
01:07which had ended with a duty call at old lady Tillington's.
01:15I'd love to, but it's impossible. I have to be in London tonight.
01:19The handsomest man I ever knew. And look how he abandons me.
01:27And there she was. Suddenly he'd caught sight of her across the lawn. And he knew that he must speak
01:34to her.
01:37Their meeting was so brief. He had talked of fishing, music, books, but discovered nothing.
01:43Only her name, Orianda Craft. And that she lived somehow at Lady Tillington's.
01:49And that there was a certain favourite glade she visited on sunny afternoons to listen to the woodpeckers.
01:57And then his time was up.
02:02Just wanted to keep this bag serious. Should I put it with rest of the luggage?
02:07Oh, no, leave it. Train on time, is it?
02:14Not yet, sir.
02:16I mean, will it be?
02:17Oh, that I can't say, sir. Not while it arrives.
02:20Hasn't been known to be late, of course.
02:22No, thank you, sir. No, I don't smoke cigarettes.
02:26A pie-buttick, now and again.
02:28Not very often, thank you, sir. It just stops me from cussing and swearing.
02:32And my wife buys me a bucky-to-backy from time to time.
02:36And there's a couple of swears.
02:38Yes, sir.
02:46Look, I'm not taking this train after all.
02:54But, sir, I've just put all in, who did you?
02:55Yes, yes, I know, I know that.
02:57Look, you'd better take them out again. You see, I've forgotten something.
03:00You look after my bags and I'll be a long major.
03:04And thank you very much.
03:21That clade she visited.
03:23Yes, that's where he would find her.
03:25He remembered exactly the way she'd described it.
03:29A screen of trees with just enough afternoon shade.
03:33And an odd-shaped fallen branch.
03:36Yes, this was the place.
03:38Here he would speak to her of love, but lightly, without urgency.
03:42They would understand one another.
03:44Her eyes would be soft, amused.
03:48And he would take her.
03:50Oh, how beautiful she would be.
03:54Mr. Lachlan.
03:56Well, I never.
04:02I'm surprised.
04:03I thought you'd be back in London by now.
04:06No.
04:07I mean, I intended to go.
04:09That is, I was at the station.
04:12But I came back.
04:14I'm pleased to see you.
04:16Are you, really?
04:18I didn't expect you to surprise me.
04:21I think you misjudged me.
04:26Then you found my place.
04:28That was clever of you.
04:29You described it perfectly.
04:31It wasn't on purpose.
04:33Of course not.
04:36Did you leap off the train at the last moment?
04:39Well, almost.
04:39My, um, bags are still on the platform.
04:47You know nothing about me.
04:49All the better.
04:51I can make my own judgements.
04:53I know your name.
04:56Orianda Crabbe.
04:58But not name.
04:59Not in the least.
05:00And you live here.
05:02So you're a friend or relation of Lady Tillington.
05:07Oh, no.
05:07I'm nobody at all.
05:09My father keeps an inn.
05:10An inn?
05:11Yes.
05:12I'm her companion.
05:14Lady Tillington's?
05:15Yes.
05:16I see.
05:17Yes.
05:18Of course.
05:19And do you like...
05:21Do you enjoy it here?
05:24Yes, Gerald.
05:26I like my position.
05:35I'd rather be home with my father.
05:39Then why stay here?
05:40Oh, I ran away three years ago.
05:43Like my mother.
05:44She ran away, too.
05:46Is he cruel, your father?
05:49No.
05:51I love him.
05:53And your mother.
05:54Where is she?
05:55Tell me about him.
05:59My father makes hurdles and ladders.
06:02He's the best hurdle maker in three counties.
06:04As well as running an inn?
06:06Yes, as well.
06:08He's won many prizes.
06:09Oh.
06:11It's a pleasure to see him working.
06:24He's a very simple man.
06:28A very...
06:30Still man.
06:34My mother was much younger.
06:37A handsome, proud woman.
06:39In some ways superior to him.
06:42She was like a bird with clipped wings.
06:45They grew to hate each other.
06:47I was their only common interest.
06:49Then she ran away from him quite suddenly.
06:53My father took it all so calmly I couldn't understand.
06:55He wouldn't even have a name mentioned.
06:59I didn't know where she was.
07:02But he knew.
07:04And at last I found out, too.
07:07And you defied him, I suppose.
07:11One day he gave me some money.
07:13It was to pay a debt.
07:14And I stole it.
07:16Left him a letter and ran away to my mother.
07:19Well, you were right.
07:21It was the right thing.
07:22I don't know whether it was right or not.
07:23I had to do it.
07:27And did you find your mother?
07:29Yes.
07:30I found her.
07:32She was living with another man.
07:34I hadn't thought.
07:36What a fool not to have realized.
07:40God, what a terrible shock for you.
07:42No, I wasn't shocked.
07:43She was so happy.
07:45I lived with them for about a year and then she died.
07:51Your mother died?
07:53Yes.
07:55So I couldn't stay with my...
07:58I couldn't stop where I was and I couldn't go back to my father.
08:02But now you want to.
08:03Yes.
08:05But I'm...
08:07afraid I'll...
08:08remind him, I suppose.
08:09Or hurt him.
08:11Or that he'll remind me or hurt me.
08:15She did the right thing.
08:18She was so happy.
08:20And they did cripple each other.
08:25Oh, look at all this.
08:26It's...
08:27It's polite and soft like silk.
08:30It's not what I'm looking for.
08:34I should go home.
08:38Let me take you.
08:41You?
08:43All you need is the impulse to go.
08:46Let me be that impulse.
08:49Let's go together.
08:52You can tell your father
08:53that I'm a hopeful admirer who won't be got rid of.
08:59You don't know me.
09:02You've only met me once before.
09:07How many times do you think I need to meet you?
09:12Yes, I know.
09:14May I take you to your father?
09:17I think...
09:18I'd like you to.
09:34Don't you have a home you think about?
09:36The family place to me.
09:38I suppose that's what I mean.
09:39Yes, I think of it.
09:42Now and then.
09:44Well, perhaps you've done it already.
09:46Done what?
09:47Return to your home so that you can leave it again properly.
09:50I go down there fairly frequently.
09:52That's not what I mean.
09:54Well, I expect it's different for a girl.
09:56Why?
09:58By the way, father doesn't know I'm coming.
10:01You mean you haven't ridden to him?
10:02But why not?
10:04I can't.
10:05I decided not to.
10:06But three years?
10:07I know.
10:09You may not be there.
10:11I know.
10:14You see that valley?
10:15Those trees?
10:16That's where I live.
10:42I know.
10:44I know.
10:45I know.
10:46I know.
10:47I know.
10:54I know.
10:55I know.
10:56Well, you look like a lady.
10:57I wasn't rightly sure it was you.
11:00I know.
11:05Now.
11:07Here's the money I stole, father.
11:18Thank you, my dear.
11:21How have you been getting on?
11:23Oh, steady.
11:24I know.
11:25Steady.
11:27You'll be staying the night, I suppose.
11:29Oh, I'd like to come back for a while.
11:33Oh.
11:34If it suits you.
11:35Oh, no.
11:35That would be fine.
11:36That would suit me fine.
11:38I'd like that.
11:40Now, that's the thing.
11:42There's a problem that...
11:46Maybe you could help with.
11:48The fact is, you see...
11:51Well, the thing is...
11:55Are you married?
11:57Come over here, Gerald.
12:02This is my very good friend, Gerald Lachlan.
12:06How'd you do?
12:06It was Gerald.
12:08Help me come back.
12:09What was you afraid of?
12:10Me?
12:12Can Gerald stay for a few days?
12:16I...
12:17That should be all right.
12:19Yes.
12:26Would you...
12:27Like me to tell you about mother?
12:32You might.
12:33Yes.
12:35She died.
12:36Did you know?
12:41Died.
12:44No, I didn't know that.
12:47Two years ago?
12:50Two years.
12:53No, I didn't know.
12:58Don't say nothing about that out there.
13:01Who is that father out there?
13:04Well, I had to take some help.
13:06A young woman.
13:08A youngish.
13:09She manages, you see, for me.
13:11Her name is Lizzie.
13:14What a family we are.
13:16You mean you're living with her.
13:21You're living with her.
13:21So you don't want your undutiful daughter after all?
13:24No.
13:25No, no.
13:25You must stay.
13:27You must.
13:28If you've a mind to.
13:29Sure.
13:31Only listen, um...
13:35Don't mention it to her.
13:37You know...
13:38About your mother.
13:41You mean she'd want you to marry her?
13:44That's about how it is.
13:46I see.
13:50Do we ask Lizzie about a stain?
13:52That's it.
13:53We'd best ask Lizzie.
13:54Well.
13:55Let's do it now then.
13:57That's it.
13:57Have done with it.
14:05Is she...
14:06Difficult?
14:07Oh, no.
14:08She's not difficult.
14:09Make allowances.
14:10You wouldn't call her difficult.
14:12Are you fond of her?
14:13How long has she been here?
14:15A goodish while.
14:17Let's see.
14:18Three years.
14:19Not very far off it.
14:20Oh, that's long enough.
14:22Ah, it's...
14:23Longish.
14:25No, no.
14:26She's not difficult.
14:27You know, make allowances.
14:30Well, if you really want to get rid of her...
14:32I didn't say that.
14:33You can tell her.
14:35Tell her what?
14:37You know what to tell her.
14:40Well.
14:41Let's find her.
14:49Lizzie?
14:52Lizzie?
14:53Well, maybe she's in the garden.
14:57There she is.
14:59You wait here, Gerald.
15:16Lizzie?
15:16How do you do, Lizzie?
15:18Who is it, Nathaniel?
15:20Well, this year's my daughter, Lizzie.
15:24She's come to stay.
15:27How do you do?
15:30Well, this is a surprise.
15:32I've heard all about you.
15:35Yes, it is.
15:37Yes, I didn't plan to come home.
15:39Yes, I didn't plan to come home.
15:44Good morning.
15:46Oh, good morning.
15:47Good morning.
15:48Here's enough to go.
15:51Yes, just one minute.
15:56Mr. Graham!
15:58Customers!
16:06My father tells me you've been a great help to him while I've been away, Lizzie.
16:10A place needs a woman about.
16:14How long are you staying?
16:17How long?
16:18Oh.
16:20Indefinitely, I think.
16:23Gerald!
16:24Do come and meet Lizzie.
16:44If you don't mind me being here...
16:49I'm sure you've been a great help to him, Father.
16:51I feel a bit awkward, not being married like, but I know he and your mother never got on.
16:59They loved each other very much.
17:19It would be perfect, but for Lizzie.
17:22I should have seen it.
17:25Lizzie's are inevitable.
17:30She seems a pleasant enough creature.
17:33Pleasant? Yes, she's pleasant. That's just what she is.
17:37She weeps.
17:40What about? I haven't noticed.
17:42Oh, you can tell by looking at her. She'll weep all the way.
17:45All the way.
17:46Oi! There's one rising right here.
17:54Oh, I'm glad to be back.
17:58I shan't leave again. Ever.
18:02Not even for me?
18:06Well, you can't stay here with Lizzie.
18:09No, I can't stay here with Lizzie.
18:15I can't stay here with Lizzie.
18:22I can't stay here with Lizzie.
18:25I can't stay here with Lizzie.
18:35I can't stay here with Lizzie.
18:35She's a big rubber ball floating in the water, bobbing along with the tide.
18:39Till a wave throws her to shore.
18:43And there it lies.
18:45Till someone kicks it back into the sea.
18:48And off it floats again.
18:52If she irritates you so much, why stay?
18:54I can't leave him like this.
18:57But you can.
18:59And you must.
19:02They both are stupid.
19:04He's tired of her and she's tired of him.
19:07But that's their life.
19:08Not yours.
19:39It's kind of a good place.
19:39You're so perfect.
19:39You're so perfect.
19:39You're so perfect.
19:39I'm not here to film the ass.
20:02I know I haven't got a proper place here. I know that. What can I do?
20:07that's not true. you know that well enough. I don't know about that. what do you mean? it's all right
20:15for you. it doesn't matter. I just feel awkward with Oreanda here. you've no need to feel like that. it's
20:25as though I'm a visitor. oh I'm not blaming her. she's not to know. it was a surprise for her.
20:33after all it is her home.
20:35yes. it is her home. come on you know what I mean. I like it. I like them both here.
20:48just as long as I know where I stand Nathaniel. good morning. good morning Gerald. did you sleep well?
21:00oh yes yes yes very well thank you. good. oh no no it's uh. it's a bit early for me.
21:13you're uh. you're steady with her are you? yes. steady as I can manage.
21:19yes. aye she's like her mother. eh? when she sets her mind on something one way or another she makes
21:25it happen.
21:26it's a good quality? oh yes. yes.
21:34hello. hello. it's a lovely day. good morning Oreanda. shall we go for a picnic this afternoon?
21:40if ever any beauty I did see which I desired and got.
21:45twice but a dream of thee.
22:05oh.
22:09that's all there is.
22:17what are you flapping about for? be still.
22:20flies.
22:22confounded flies.
22:24leave them alone. they're doing no harm.
22:28you know your trouble Gerald.
22:31what is my trouble?
22:34culture.
22:36you're too cultured.
22:39the world's full of flies.
22:45are you saying I live at second hand?
22:48because I don't think I do.
22:53I want you to kiss me again.
23:18come on.
23:33admit it you would never have come back if you'd known I was a servant.
23:37you weren't really a servant.
23:39of course I was.
23:41you broke the rules Gerald.
23:43do you regret it?
23:45I've never regretted anything in my life.
23:59how are we going to get across?
24:01is there a bridge?
24:03the one we came over.
24:05that's miles away.
24:07can you swim Gerald?
24:09yes.
24:12rather well as a matter.
24:13I can swim rather well too as a matter of fact.
24:17well?
24:19all right then.
24:28you.
24:29you i think.
24:50that i'm always Fu それど travan a man.
25:16Are you all right?
25:18I'm fine.
25:19Keep going.
25:21I'll get there faster than you.
25:24You'll have to try harder than that.
25:37Oh, it's lovely.
25:40Get all your clothes.
25:41Yeah.
25:42I'm going to go back for picking stuff.
25:45Don't be long.
25:46All right.
25:47Oh.
25:49Oh.
25:49Oh.
25:53Oh.
25:57Oh.
25:58Oh.
25:59Oh.
26:00Oh.
26:00Oh.
26:03Oh.
26:03Oh.
26:03Oh.
26:04Oh.
26:04Oh.
26:04Oh.
26:04Oh.
26:19Oh.
26:23Oh.
26:26Oh.
26:29Oh.
26:30Oh.
26:31Oh.
26:31Oh.
26:45Oh.
27:05Oh.
27:08Oh.
27:11Oh.
27:15Oh.
27:18Oh.
27:18Oh.
27:18Oh.
27:21Oh.
27:24Oh.
27:31Oh.
27:37Oh.
27:38Oh.
27:39Oh.
27:41Oh.
27:42Oh.
27:42Oh.
27:43Oh.
27:43Oh.
27:44Oh.
27:44Oh.
27:44Oh.
27:45Oh.
27:46Oh.
27:49Come along.
27:54When are you going to come away from here?
27:57When?
28:00Well, you can't stay here with Lizzie.
28:02Why not? I stayed with my mother.
28:06But that was different.
28:07Yes.
28:09Yes, that was different.
28:11They loved each other.
28:15These two.
28:19You're very hard on them.
28:21I know.
28:25Don't you think they were right to whatever they found together?
28:27Oh, Gerald, they're stuck.
28:29They're only staying together because it's easier than breaking apart.
28:35Poor stupid father.
28:38He loves her as much as he loves his handsaw.
28:44I hate her.
28:47I hate her meekness.
28:51She's taken the heart out of everything.
28:55You see what she's doing to me?
28:59She must go.
29:02Well, one of you must.
29:04Why should it be her?
29:06Gerald, I shall leave when I need to.
29:09I won't be driven away.
29:11So what are you going to do?
29:13Lie to her, of course.
29:16Tell her my mother's coming home.
29:18No Lizzie could face that.
29:21You don't like my trick, do you?
29:24He doesn't have any particular grandeur about it.
29:27Oh, you shouldn't waste grandeur clearing up a mess.
29:30We don't live in Eden, you know.
29:33I'm only doing for them what they can't do for themselves.
29:38For him, perhaps.
29:40But Lizzie's obviously very, very fond of himself.
29:43Oh, she's sentimental in a puffy kind of way.
29:46Why not be charitable?
29:48Call it love.
29:49My dear Honourable, you don't know what love is.
29:53That's a don't, then.
29:55What is it?
29:56It's a very practical matter, Gerald.
30:00It's a mixture of extreme anticipation with extreme gratitude.
30:09Anticipation and gratitude for what?
30:13For passion, of course.
30:16A moment of passion.
30:23Yes, after the moment.
30:26Hold me.
30:37Marry me, Orianne.
30:41Gerald.
30:43You need a good woman who thinks as you do.
30:49And they're all married already.
30:56You're being flippant.
30:59No, Gerald.
31:02I shall never marry you.
31:05How could I?
31:08I'm a barbarian.
31:10And you're a barbarian lover.
31:15You're so tender.
31:19You would look on me and see nothing but softness.
31:25Dear Gerald,
31:27I do love you.
31:31I do love you, Orianne.
31:32I do love you, Orianne.
31:34Yes, I do.
31:37But we love in a...
31:40It's a tinted kind of way.
31:46You could do anything with me.
31:50Short of making me marry you.
31:54Anything.
31:58But short of marrying me, I could make you do nothing.
32:00I do love you.
32:27How manyemen?
32:38I don't know.
33:07I wonder will the warm weather keep up?
33:10Don't they say something about good in September goes on till December?
33:14There may be something of the sort, I'm not sure.
33:17I hope so.
33:19Not that I believe those things.
33:21But I do like a bright September.
33:24It does make a difference.
33:26Yes.
33:28Did you have a good day?
33:30Yes.
33:31Where did you go?
33:33Well, we went beyond the river.
33:37I'm not quite sure where.
33:39We picnicked in the meadows.
33:41That must have been nice.
33:43Yes, it was.
33:44Very nice.
33:46I'm not a great one for picnics.
33:48I find the flies such a nuisance, don't you?
33:51Yes, they can be.
33:59Oh, Lizzie.
34:01I wanted to ask you about those boxes in my cupboard.
34:04Can I show you?
34:06Yes.
34:08I thought if they were moved, there'd be more room.
34:12Yes, I think I know the one should be.
34:19I'm telling you, Josh, if Bob Benson had been falling on his proper phone, I would have won.
34:24I shagged my way to China, I used to say, and I shagged my way back again.
34:28And that's all I remember of my travel.
34:32You were a travel man, Mr. Loughlin, are you?
34:35Yes, yes, I've traveled quite a bit.
34:38Tail or two to tell her, dare say.
34:41Mind you, some of our country lasses aren't slow.
34:45But a man can find that out for himself, can't he?
34:47If he butches my hands, do he?
34:51Yes.
34:52Yes.
34:59The city loves me.
35:02She's the only queen I call her noise.
35:07I know she likes me.
35:12I know she likes me.
35:14Because she says so.
35:16She's the only way of LaRoula.
35:23She's my name and my role.
35:29I the only way of LaRoula.
35:32I know she loves me.
35:36I know she loves me.
35:44I know she likes me.
35:47I can't believe I have.
35:51I know she likes me.
35:56I know she likes me, but I have no money.
36:22What are they doing?
36:24Well, our own's drawn into her head, you see.
36:26It's bent right round.
36:27You'll have a blinder of madness.
36:32Get her ass round, Jerry.
36:35Now pull her round, will you?
36:38Anyway, we'll get her saw.
36:39We'll trim that on right down again.
36:40Get her ass round.
36:43Force her round.
36:45Now hold it.
36:45Keep old steady.
36:47Hold her.
36:49Hold her.
36:50Hold her.
37:20Orianna?
37:50Lizzie?
37:55Where's Orianna?
37:58She's gone to bed.
38:01Yes, I see.
38:25Orianna?
38:35Orianna?
38:37Orianna?
38:57No!
39:25What's those stairs?
39:26I don't know.
39:27You've got everything.
39:29All right.
39:37No, it's all right.
39:59I don't know.
40:15Hello?
40:16Orianna?
40:23We're gonna be right back.
40:36You're stuck, and I'm not at your place.
40:39No.
40:41No.
40:42No, no, no, no.
40:43What was I?
40:45No, you're not at your place.
40:49No, it's good.
40:54Good morning. Gerald, do you think you can drive the trap? I suppose so, yes. Where to? To the
41:04station, as he's going. I see. He's a very quiet horse. I dare say I can manage. That's very kind
41:12of you. Orianda? Yes? I want to talk to you. And how? Yes.
41:27Already?
41:33Goodbye Orianda.
41:44Goodbye Nathaniel.
41:46.
41:49.
41:49.
42:17So, let's go.
42:23it's due any time thank you it's been very nice meeting you it's very nice to
42:32meet a true gentleman very nice thank you she's a fine young thing
42:39Orianda clever I don't blame her she was in a difficult position as for him I've
42:48got nothing to say nothing I gave up a great deal for that man mr. Lachlan a
42:54great deal and I wasn't such a fool as you might think me I went into it with
43:00my eyes open he told me all about that wicked wife of his but to take her back
43:06after all she's done is beyond me well I wasn't prepared for that not from what he
43:12said you know he hates her I'm afraid I don't know very much about it no of
43:23course you don't well I don't want to see him again I've got me pride what are you
43:34going to do now I don't know but I wouldn't go back there I gave up
43:41everything for him once it won't happen again and that's for certain I'm a fool
43:50but I've still got me pride mr. Lachlan
43:55I'm terribly sorry
44:04I'm
44:04told
44:04I'm
44:05I'm
44:06I'm
44:15I'm
44:32I'm
44:33I'm
44:34I'm
45:05Lizzie?
45:18Lizzie!
45:26Lizzie!
45:27Lizzie!
45:38Lizzie!
45:42Lizzie!
45:43Hey boys!
45:44Have you seen a woman in a trap past here?
45:46No!
45:47Are you sure about that?
45:48Yeah, no one's past!
46:01Gerald!
46:04Gerald, what happened?
46:05Where have you been?
46:08What happened?
46:10Oh!
46:12I was so afraid!
46:14I thought you'd been flung out.
46:15No, no, I'm all right, but I was worried about Lizzie.
46:18Lizzie?
46:18Yeah, where is she?
46:20Isn't she on the train?
46:22No.
46:23Well, we were on the platform and I loaded her boxes and she gone. With the trap.
46:29It came back empty.
46:35Well, where could she go?
46:37Well, there's the other village.
46:40Does she have any friends there?
46:41I don't know.
46:47I've seen it!
46:48I've seen it!
46:49Floating under the bridge!
46:50Where?
46:50Where?
46:51Where?
46:51Look there!
46:55It's lovely, huh?
46:57Hey, Robert!
46:58Come back here!
46:59Oh, no you don't!
47:00You stand there!
47:01What's to do, lad?
47:02There's a bottle over here.
47:03Oh, no.
47:04There's a bottle over here.
47:07Oh, no.
47:11There's a bottle over here.
47:19Oh, no.
47:19Give her hand!
47:21Don't put your gun out!
47:23You've got a left here.
47:25You're almost there!
47:26You won't!
47:31Look.
47:35I wonder who it is.
47:52Is she dead?
47:53What do you think, son?
48:08Is she dead?
48:10Is she dead?
48:11Do you see her?
48:11Can't you tell her?
48:12I don't know if she is dead.
48:16She's dead, she's dead.
48:19It's not too late.
48:24Let's see her again.
48:25There's a couple of Jean-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid
48:25-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Colid-Fet.
48:30goodbye and thank you you've been most kind goodbye see you again sometime
49:15I'm sorry you can't stay Gerald but with father alone I should be to
49:27kiss me down you will write
49:45yes
49:54but he will never do so not that he'll forget her heavens no and several times the mundane
50:02flow of London life will be broken by a trance of recollection and he'll waver decide he really
50:09must return only to postpone it and he'll resolve time and time again to write that letter to his
50:17friend who lives in the country but he will not do so
50:47you
50:59you
51:00you
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