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00:17For more information visit www.fema.org
01:39Are you nervous?
01:41No.
01:44Yes.
01:46A bit.
01:47Were you?
01:47Yes.
01:48Yeah, a bit.
01:50Well, not that I'm not, you know, glad to.
01:52Oh, but there's no rush.
01:56What are you doing for half-term?
01:59Taking photos, mainly.
02:01What do you take photos of?
02:02Birds.
02:04Of the Cheltenham Ladies College variety?
02:08Oh, wow.
02:11Did I like my own film?
02:12There's a dark room through there.
02:15You're a camera nerd?
02:16Well, my birds.
02:19They're everywhere.
02:20Once you start seeing them and hearing them, you realise they're all around us.
02:24This cast of characters you didn't even realise were there.
02:26Look at the pattern on the feathers here.
02:28It's called vermiculation.
02:29Isn't it amazing?
02:30And that's just a, that's just a mallard.
02:31It's just a regular duck.
02:33Gorgeous.
02:37Go on then.
02:38Favourite bird?
02:40The firecress.
02:44I can't see it.
02:45Oh, yeah.
02:46Well, it flew off just as I was taking the photo.
02:55Stop talking about birds now.
02:57No.
02:59I like it.
03:12Are you sure about this?
03:18Yes.
03:22Ow.
03:24Stop it.
03:31Is that okay?
03:33It's so nice.
03:41Is that you?
03:43No.
03:44I think so.
03:52Do you want to do it now?
03:55Yes, please.
04:22I don't believe it.
04:24The magic.
04:25You babysit and you manage to cook a proper meal while you're at it.
04:28Did you manage to get much book editing done?
04:30Oh, fun.
04:32To be honest, I feel like I'm treading water till I can start a new book.
04:35But the inspiration hasn't struck just yet.
04:39How's life at the Priory?
04:40Um, well, Mummy and Daddy seem better.
04:43I mean, Daddy's still desperate about the golden coordinate thing.
04:45I think they might lose a lot of money if they don't win the franchise.
04:49Patrick loves Paris.
04:50I'm not sure how much writing he's doing.
04:52I'm rushed off my feet.
04:53Got four big dinners before the end of the month,
04:54and Christmas cake orders already coming in, so...
04:57And anything for you?
04:58Any romance?
04:59No.
05:00No.
05:01It's too busy.
05:02It's no time.
05:03You say no time.
05:04I say no time like the present.
05:06When your person comes knocking,
05:08you don't want to be too busy to answer the door.
05:10I just can't see it, really.
05:12Oh, it'll happen.
05:14Just when you don't expect it.
05:15There he is.
05:19Smiling at you.
05:20Like you brought the sun out.
05:25You're okay.
05:26What?
05:26Me?
05:26Yeah.
05:29Yeah.
05:32No.
06:00I can't believe I just gave you my virginity.
06:06I hope you're going to look after it.
06:08I promise.
06:18Fuck.
06:19What?
06:22Oh fucking fuck.
06:25Calm down.
06:27Calm down, Seacreef.
06:29What's wrong with you today?
06:32Archie?
06:34Archie?
06:37Where are my knickers?
06:50Hello darling, you're home. I didn't think you were back until tomorrow.
06:54No, today.
06:55Honestly, your school turns get shorter and shorter. I don't know what we're paying them for.
06:59What are you doing?
07:01I just got back. I'm just getting a chance.
07:05Are your t-shirts inside out?
07:06Um, yes. It's Punk.
07:10Is it? The telegraph says Punk's finished.
07:13Well, I've always been a late starter.
07:16Well, come down and have tea. Perhaps put some trousers on.
07:19Hello.
07:21Hello.
07:22Ha!
07:22What a wonderful surprise.
07:36She's gone.
07:38Archie?
07:39Why?
07:39Why do you have a naked photo of my mother?
07:42What?
07:51I did not take those, I swear.
07:53I borrowed my dad's new camera.
07:55Maybe they were at the start of the film.
07:57But why would my mum have your dad's camera?
08:17Please, wait.
08:19It's none of our business, Caitlin.
08:20Two of our parents being me fools off and you don't want to do anything.
08:24Are you scared of your dad?
08:27No.
08:27Then come with me.
08:29Oh, don't be ridiculous.
08:30Fine.
08:31I'll go home and show this to my mum.
08:33Caitlin, don't do anything stupid.
08:34Oh.
08:36Hello, Caitlin.
08:37You've broken up early too.
08:41Ah, I see.
08:44I think we'd better have a chat, don't you?
08:47Come into the sitting room.
08:48There's tea.
08:59Milk and sugar, Caitlin.
09:01Yes, please.
09:05Do you have a biscuit?
09:12Now, I have to say I am very disappointed.
09:15You know I value truthfulness highly, Archie.
09:18Do you have an explanation fit for adult ears or should I go ahead and believe the worst?
09:22She's helping me.
09:23Interesting.
09:24With a photography project.
09:26Oh.
09:27What are you taking photos of?
09:29Birds, mostly.
09:30Are there a lot of birds in Archie's bedroom?
09:33From the...
09:33The window.
09:34The window.
09:35And what sort of birds?
09:36Um, a firecrest.
09:39Goodness.
09:39And you got a picture, did you?
09:41It flew off.
09:43So that's not a picture of it?
09:44Um, no.
09:45What's that a picture of?
09:46Um, it's not a picture.
09:48That's not a picture?
09:49No, it's just a contact sheet.
09:50You were running out of the house with it.
09:52That seems a fuss for just a contact sheet, so let me see.
09:55I'm not sure Archie wants to show you before he's decided which...
09:57And you can't see it without developing?
09:59I'm running out of patience, Archie.
10:01Give it to me, Caitlin, please, before I telephone your mother.
10:05No.
10:10Caitlin!
10:18Pass my reading glasses, would you?
10:24Now what am I looking at, Archie?
10:34I'm going to go to the door.
10:47It's going to enter the door in me.
10:48I'm going to try and open the door in my office.
10:50I'm going to be a doctor.
10:50I'm going to my EFE.
10:52I'm going to go to the door in my mouth.
10:52Well, I'm going to go to the door in the car.
10:58I'm going to go.
10:58I don't know.
11:28Daddy will be home soon, I should think.
11:31Are you staying to supper, Kayla?
11:37And finally this evening, let's see what the forecast has in store for us.
11:40Over to James at the weather easel.
11:42Thank you, Sarah.
11:43And after an overcast start to today, you can see we continue with a rather unsettled picture for the rest
11:47of the evening.
11:48Ooh.
11:49With a few outbreaks of rain scattered across the south of our region later on.
11:53But tomorrow should have a better outlook for us all with some sunny intervals.
11:58Now, we've just had a call from a Mrs. Oates in Bisley.
12:02Who rang Carinium to say that she's heard there's a hurricane on the way.
12:07Well, don't worry.
12:08There absolutely isn't.
12:25Delicious, darling.
12:31She didn't make it.
12:34Archie.
12:34What?
12:36Doesn't he know you get taggy to fill up the freezer once a month?
12:39We're eating from the Ventura menu.
12:41I shouldn't worry, my mother.
12:42Archie, your mother has better things to do than cook.
12:44And you're hardly one to criticise eating from the Ventura menu.
12:49Should we talk about the pair of you bunking off a half-term a day early?
12:52Hmm?
12:55Later, perhaps.
13:04How was your day?
13:06Marvellous.
13:06Tremendously busy.
13:07I'm sure your father is too, Carin.
13:10Especially after his golden gauntlet disaster.
13:13I hear it was quite the spectacle.
13:14Sorry nobody ever got to see it on the street.
13:17Don't mind if you pass on our stunning viewing figures for Master Dog.
13:20Seven million for the first heat.
13:21Now, who needs to bother at Woodhouse and you're James Verica?
13:24Oh.
13:27And we have a terrific actress for the new series of Four Men Went to Mow.
13:32Mord O'Hara.
13:34Real star in the making, that one.
13:36Camera adores her.
13:37Tony.
13:38I mean it.
13:38She's a corker.
13:39Wah!
13:45You can tell your father we are so glad he was able to farm her out.
13:49Sort of good who's going to farm her out.
13:51Christ's sake!
13:52Mum!
13:54Don't you care?
13:57It was your mother's idea to cast her in the first place.
14:01Oh my god.
14:02Yes, I don't think she meant for you to fuck her!
14:09I developed the film in your camera.
14:12We've seen the pictures.
14:16Photo shoot for the show.
14:19Without your clothes on.
14:22You're in the mirror, Dad.
14:25So we all know you've been fucking her.
14:27Archie, not at dinner.
14:28Well, when?
14:30Are you not going to say anything?
14:32Are you really just going to sit here and pretend that nothing's happened?
14:38What's wrong with you?
14:39I don't know why you're taking this out on me.
14:41You saw it!
14:42Then you threw it on the fire!
14:44Now, Archie, there are the things you don't understand.
14:49Darling.
14:55Oh, wonderful, Archie.
14:56Thoroughly entertaining.
14:57Now your mother's gone out in the store and brought a coda.
15:00Well played.
15:17Come on, have a tour.
15:18Oh, I still have a tour.
15:21It's great pumpkin pie, Dad.
15:22Really good.
15:24The Rotary Club?
15:25Maybe I'll love it.
15:25Thanks to you for booking.
15:27I'm being a guinea pig.
15:28So, how do we not bollocks this scene, then?
15:32Right, so, he's threatening to sell the farm unless she sleeps him, right?
15:36You'll never get away with this, Delaney.
15:38Oh.
15:38See?
15:39Even Taggy can tell that it's bad.
15:41And of course it's bad.
15:42It's Tony Battingham, the man with the Midas touch.
15:45If everything Midas touch turned into toxic waste.
15:48It's a job.
15:48And a brother.
15:49Well, play that said much well.
15:51Shouldn't you threaten him?
15:53Isn't that the more surprising scenario?
15:55Scarlet O'Hara defending the farm with her life.
15:58Grab a pitchfork?
15:59Mm-hmm.
15:59Or an axe.
16:00She could say something like,
16:01My husband taught me to use one of these.
16:05Imagine how proud he'd have been to see me failure with it.
16:07Oh, yeah.
16:08You're good at this.
16:11Wish I was better at writing my own script.
16:12Oh, the eights.
16:13I bet it's gorgeous.
16:15Cameron says it is, but I'm not sure.
16:16Where it just suddenly feels even more incredibly important, you know.
16:22Could you have a look at the tape?
16:24Of course.
16:25Let's watch it now.
16:28Grab the pudding.
16:30Yeah.
16:34Looks like we're doing washing up then.
16:37I'll wash you dry.
16:43Is she back?
16:43No.
16:45Did she check the stables?
16:47Checked everywhere.
16:48Okay, well, should we call some people?
16:51Oh, yeah.
16:51She's an adult woman on a lost cat.
16:53You're worried about people talking.
16:55Is that a really more...
16:56What the fuck have you done, Archie?
16:58Huh?
16:59What the fuck have you done?
17:02How is this my fault when you were the one that was caught cheating on mine?
17:04I cheated on your mother dozens of times.
17:07It's what people do.
17:09Grow up.
17:16The son was tasked with bringing Yates' body home to be buried in Sligo soil in this unassuming grave in
17:24the shadow of the mountain.
17:26Our journey ends here too, just like his.
17:29So from one humble son of this land to another, thank you, Mr. Yates.
17:41It's wonderful.
17:42Really?
17:43Those moments when you read the poetry, right at the screen, it's like you're burning into our hearts.
17:48Oh, God.
17:49What?
17:51Relieved.
17:52I wanted you to like it most out of anyone.
17:54Channel 4 are going to love it.
17:56It is beautiful.
17:58I'm going to get an early night.
17:59Oh, yeah.
18:00Bar's still here?
18:01No, Mommy.
18:02He's gone before the weather gets any worse.
18:04Night.
18:05Sleep well.
18:06Your dad's program is amazing!
18:10I'm sorry you weren't there with me when we shot it.
18:13I'm sorry I was such an arse.
18:20I want to be completely honest with you.
18:26Cameron and I, we spent quite a lot of time together in Ireland, and she talked about her and Rupert
18:33a lot.
18:34I don't think she's very happy with him.
18:36Well, she should give him back, then.
18:39There's plenty of girls that'll bite her hand off.
18:41Thing is, she...
18:43I think the whiskey got to her, and the poetry, and the landscape, and...
18:49I mean, it got to me, too.
18:51It wasn't as if she just threw herself...
18:57But the possibility arose of us sleeping together.
19:05Right.
19:06It was a moment of madness.
19:07I...
19:08But it didn't happen.
19:11I didn't do it.
19:16I love you, Maud.
19:19And I always will.
19:22I wouldn't do anything to risk that.
19:27Thank you for telling me I...
19:38I love you.
19:42I do.
20:01What do you say we get a gnarly night, huh?
20:12Right.
20:13Off to bed.
20:14Righto.
20:16Early start tomorrow.
20:18Get all those master dogs in order.
20:21Mm, yes.
20:22Coming?
20:23Yes, that's lovely doing.
20:26All right, I get it.
20:28Creative juices.
20:31I'll, uh, leave you to it.
20:33Yes.
20:54Monica?
20:56Hello.
20:58Hello.
20:59Hi, Lizzie.
21:00I'm...
21:00I'm just waiting for the jungle.
21:04Oh.
21:06Yes.
21:08Come in.
21:09Come in.
21:10This is, uh...
21:12Frank or Weather?
21:13Yes.
21:28It's okay, pups.
21:29Just Weather.
21:35Oh, my God.
22:05It's all right.
22:06It's all right.
22:06It's all right, guys.
22:08Come on.
22:11Chocolate hop.
22:27Are you all right?
22:28Will you leave, James?
22:30Do you think?
22:32And go off with Freddy.
22:40I'm not sure what you mean, Monica.
22:43Well...
22:44No, I've seen enough
22:45to know when an affair's going on.
22:47There's no point bluffing about it.
22:57Whatever that was with Freddy,
22:58it's over now.
23:00Oh.
23:01I see.
23:07Don't happen to have a brandy tanned, do you?
23:10Hmm.
23:17Why is it over?
23:23The cost was too great
23:26to everyone around us.
23:30If that didn't stop you starting it.
23:37I never had an affair before.
23:41It's like a little bubble of its own.
23:45You end up not caring about anyone outside of it.
23:52That's awful, isn't it?
23:55Well, it is for the people outside of it.
24:00If they find out.
24:03I don't think I'd ever leave James.
24:06I wouldn't be brave enough.
24:08Strike out on my own like that.
24:12Is he a good husband?
24:13Hardly ever.
24:15Hmm?
24:18But, you know.
24:21The children.
24:24What would they have to put up with their friends,
24:26all knowing?
24:28The school gates.
24:30Why do we stay, though?
24:34With these men who aren't nice to us at all?
24:38Why can't we find the courage to change things?
24:43I thought
24:46that I'd get braver with age.
24:49that at some point
24:51I'd live like blazes.
24:54But I'm just as timid now
24:55as when I was a girl.
24:57I don't think of you as timid.
24:59Terribly.
25:01Terribly timid.
25:09There was someone I loved once.
25:13Awfully much.
25:15Before Tony.
25:19Someone I wasn't allowed to love.
25:23And who wasn't allowed to love me.
25:27And neither of us ever found the courage
25:29to break the mold.
25:31My sister and I had duty baked into us.
25:35Polite.
25:36Considerate.
25:37Grateful.
25:39Always put one's own needs
25:41behind absolutely everyone else's.
25:44And I knew
25:46even then it would kill my mother.
25:48if she ever found out about her.
25:54So I don't know what it's like.
25:57Grand passion.
26:00No, listen to me.
26:02I was adored once, too.
26:09For one example, I'll be setting our daughters with all this duty.
26:14Will they grow up
26:16turning a blind eye, too?
26:18Well, good God, I hope not.
26:21Put up with all the selfish skirmishes
26:23he wants to get into.
26:26Slap ourselves down at the slightest chance of finding our own happiness.
26:32Our daughters deserve better.
26:37So do we.
26:42Yes.
26:48Paul.
26:49Hello.
26:50Can't get sleep.
26:51Oh.
26:52All right, darling.
26:53I was just having a chat with Monica.
26:55Daddy's in bed.
26:56Can you ask him to tuck you in?
26:57I want you, Mummy.
26:58The wind's all wishy.
27:01Go on, I'm fine.
27:03I won't be a moment.
27:33I won't be a moment.
27:39I won't be a moment.
28:07You okay?
28:08Oh, my God, he was in our garden.
28:11Come on, Boris.
28:11Get you back to the stable.
28:13Oh, God, you're freezing.
28:15Come on.
28:17Come here.
28:28One horse safely tucked up
28:30and unscathed from his ordeal.
28:33Rocky says sorry
28:34and he hopes you haven't caught a chill.
28:37Why didn't you put a coat on, you plonker?
28:40Something, something's wrong.
28:41Oh, we could have picked them up.
28:43Oh, I tried to ring.
28:44The phone didn't work.
28:45Oh, really?
28:46Yeah.
28:50Oh, yeah.
28:51Nothing.
28:53The line must be down.
28:56Well, how's it going, Peter?
28:57It reminds me of my granny.
28:59That's Mrs. Botkin's favourite.
29:00Sure you don't want something stronger?
29:01Oh, no.
29:02I'm okay.
29:03Thanks.
29:03Well, I would love a drink.
29:05Yeah, me too.
29:06It's rather apocalyptic.
29:08Yeah, you could say that again.
29:10Well, I can't say that.
29:11Was it apoca...
29:12Pocket...
29:13Pocket...
29:13Pocket...
29:14Pocket...
29:14Well, come then.
29:17Drive you home.
29:19Oh, okay.
29:20Bye.
29:21Thanks.
29:25Won't be long.
29:29Never mind.
29:35Bye.
29:37Bye.
29:41Bye.
29:43Bye.
29:47Bye.
29:49Bye.
30:18I've uncalled you back.
30:21I was about to call the police.
30:22To rescue me or you.
30:26Look.
30:27No.
30:28Tony, it's not your turn.
30:31Fine.
30:33Give me hell.
30:36I think it's too late for that.
30:41For what it was, I'm sorry. I love you. I promise I'll...
30:43Don't. Tony, just don't.
30:48I shouldn't have married you.
30:51I suppose I got carried away. I cast myself as your saviour.
30:57Well, I was a saviour too. Let's not forget the state your family was in.
31:00Without my father's money, you'd have lost this house.
31:02So it was a mutually advantageous match.
31:04Well, I don't think anyone could say it's advantageous now.
31:09Which is why I am going to divorce you.
31:13No.
31:14This time I'm not keeping quiet. If anyone asks, I will tell them that you were systematically
31:21adulterous throughout our marriage. That I put up with it as long as I could, but that
31:27at some point I simply had enough. I'm going to engage the best solicitor to extract you
31:33from my life, from my children's lives, and from this house which belongs in the end to me.
31:39Please, one more chance.
31:40You've had one more chance. I'm all out of chances.
31:42I can't manage without you.
31:43You manage without me most of the time.
31:47Monica, I love you awfully much.
31:48No, Tony. You love me awfully. We had an agreement, a new contract, and I was ready to believe
32:07in it, but you tore it up with appalling negligence and worse. This time worse than ever before.
32:15Infidelity I've coped with. But this feels altogether darker.
32:21You used a woman that I considered a friend as a weapon to revenge yourself on Declan,
32:31and I am sorry, Tony, but I find it disgusting. The control and the manipulation. I could hardly look at
32:40you.
32:45We were so close to Mandy. Why did you do it?
32:51Because I wanted to fucking feel something. Because I need a sexual connection, like breathing. To prove that I'm alive.
33:01You'll never understand. You always made it clear. Always sleeping with me was something you pull up with as a
33:06duty.
33:07Once a week and then back to my room with a pat on the head.
33:11You haven't a sexual bone in your body. You are dead from the waist down.
33:22For your information. I wasn't always.
33:27For your time, all these.
33:56Right. I'll be glad I'm taking Caitlin home.
33:59It's the middle of the night.
34:01There's no time like the present.
34:02I hope your father's not too deep asleep, Caitlin. Let's go!
34:13Monica! Please, it isn't safe!
34:14I'm in my way, please!
34:18Caitlin!
34:20I'm coming with you!
34:21No! Go inside!
34:33I'm coming with you!
34:34I'm back on our Caitlin!
34:35I might be bumpy!
34:44Clowning us up!
34:45I fucking hate you, Dad!
34:57I'm coming with you!
35:02I'm coming with you!
35:03Oh, power's off.
35:08Can you please don't go out again in this?
35:11Just stay the night.
35:15You could stay in Caitlin's room.
35:16The bed's all made up because it's half-time tomorrow.
35:21um thank you uh probably best do that uh i should find some candles
35:35do you want anything i mean a tea or i don't think we have born visa
35:53uh friary it's tony oh monica knows about us so it's caitlin
36:03caitlin oh who's it monica found caitlin here at the falconry with archie
36:09oh it's it's tony um caitlin is over there but she's just school doesn't she
36:15seems they bunked off for half time a day early they were in his room presumably having sex
36:22what happened caitlin and archie bunked off school oh what the fuck they've had sex
36:31oh my god yeah oh my god
36:37oh can you hear us um uh right um no monica knows everything she's going to tell declan
36:45she'll be there in ten minutes so you better tell him right away hello hello hello tony
36:52christ what was she thinking huh is that exactly don't tell me not to get angry
37:15what's going on um problem with the horse you caitlin has been seeing her she burning oh god
37:24yeah it's a fucking disaster you know what this stops right here i'm going to read her the
37:30fucking right hand how long will it be uh to move they're just teenagers do you know about this
37:37yeah well i'm sure caitlin wouldn't give away any secrets you maybe never know person tag i know caitlin
38:04i'm sorry i'm sorry i lost my temper it was a shock what happened
38:14what
38:19a fucker believing isn't it
38:27this is all my fault obviously you know that this
38:33in case you thought if this was you or your mother
38:41people do stupid things i do stupid things i've done stupid things
38:47your mother is an angel incarnate the number of stupid things i've done
38:51over the years she's forgiven my fall i do know this one was the worst
39:01i'll make it better with her i promised archie
39:05things will be good again i'll be better
39:09we'll be
39:16i really don't know where i'd be without her like i can't even imagine
39:24i'd give you my word if i thought for a moment that you'd believe
39:45it's been three quarters of an hour she'll be here but
39:52they shouldn't be out in this what was monica thinking
39:55she gotta look i'll go no no love it's not safe yourself and rube will go
40:00come on please be careful
40:03come on come on come on i'll seem worse
40:11you're okay just um
40:16caitlin you know
40:26caitlin you know
40:32right
40:35well we'll go around
40:46i guess now we know why they didn't come straight to you
40:59uh
41:04Oh, oh, oh.
41:30Oh, oh, oh.
42:20That night she lay in her bed, listening to the storm raging outside her house,
42:24and decided she must live a less timid life.
42:39All around her she saw lives built on lies.
42:43Marriages held together with string and secrecy,
42:46seen too often the danger of dishonesty, the risk of straying from the proper path.
42:51And for a long time she had held her true self locked up tight,
42:55the smiling, dutiful wife and mother,
42:58forgiving her faithless husband,
43:00and willfully forgetting the true love she'd lost years earlier.
43:03Well, it seems to be a song for you,
43:07the one I wanted to write for you,
43:11for you,
43:15you.
43:33But the wildness of that howling wind called to her,
43:36seemed to whisper in her ear,
43:38no more,
43:39no more.
43:41You are a woman of desire.
43:45She listened to the voice,
43:47and knew what she had to do,
43:49even if it meant risking everything.
43:52From now on,
43:54she would live like places.
44:20I mean I don't want to.
44:28And gone.
44:29Are you you for your love?
44:31Are you you for your love?
44:34For your love.
44:41For your love.
44:44For your love.
44:49I'm going to get back to you.
44:53I'm going to get back to you.
45:07No, not you.
45:09Come in.
45:10What do you want?
45:10Please, Tony.
45:11Danny, um, Sid, will you, what, Monica, uh, she's not here, no, um, what, don't be
45:30Sorry, Danny, we found her, a tree fell and hit the car, Caitlin got out, but, I'm sorry, Danny, she,
45:46Monica's dead, Monica, my wife, Monica, the inspector was very quick, I'm sure she didn't know anything about it,
46:01you should say she's dead
46:05I'm sorry, sorry