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The.Terror.S03 - E05

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00:10Previously on Devil and Silver.
00:12How come you never told me you had a child, Pepper?
00:14Who is that?
00:15Dr. Walter.
00:16He built this place.
00:17I know what's best for you, Dory.
00:19I make my own choices.
00:21Since when?
00:22It's behind that silver door.
00:24The only patient who has been here longer than me.
00:29Stop!
00:35Stop!
01:00Director Cleve, formal inquiry, Northwest Unit Newhide.
01:06Police action resulting in deceased patient and other negligences.
01:14Nurse Josephine Alzona.
01:17Nurse Alzona, how do you account for no awareness among the staff of the patient's whereabouts for over 30 minutes?
01:25Mr. Coffee was never a problem. He was polite.
01:30Always compliant. We were looking and looking and...
01:35How long have you worked here?
01:36Six weeks.
01:38And is it common for staff members to lose sets of access keys on the unit floor?
01:47And how did the patient obtain a metal fork?
01:52No metal utensils on the unit. Them's the rules. I didn't bring it. No idea.
01:57And patients were eyes on at this time in accordance with Dr. Anand's orders, yes?
02:03Yup.
02:05Can you walk me through, please, moment to moment, the incident that occurred at Sal's Pizzeria last week?
02:15We're understaffed, underfunded, and we only hear from hospital brass when the doo-doo hits the fan, if you'll excuse
02:23my language.
02:25Otherwise, we don't exist at all.
02:28Do you ever bring patients beyond the boundaried areas?
02:32What? No, never.
02:34Like, into the medication room, for instance.
02:42I don't know what happened.
02:45I was in my room.
02:48I don't know what happened.
02:50I was in my room.
02:53You were in your room.
03:03You were roommates with Mr. Osei, is that correct?
03:09With who?
03:12Kofi Osei, the deceased.
03:15Kofi.
03:22Kofi.
03:27Every patient says they were in their room.
03:30Which they weren't.
03:32Tell me, how do so many in your care just seem to suddenly, collectively, vanish like that?
03:40I mean...
03:42You're right.
03:43It's impossible.
03:44And as lead physician here at this unit, with a pattern of negligence this severe, who would you say is
03:51to blame?
03:51Well, it seems that you've already made up your mind about that.
03:56Your patients will be relocated by the end of the week.
03:59Staff will be assessed.
04:01We'll see who stays and who goes.
04:03It'll be my recommendation that most, if not all, depart.
04:07And this unit will shudder by the following week.
04:16Wow.
04:18How well did you know the deceased?
04:21Which one?
04:24What's that?
04:33Do you know how long I've been here?
04:36How many decades?
04:40How many presidents?
04:42How many Christmas mornings?
04:47Tick, tick, tick, tick.
04:50Well, I have some good news.
04:56We will be getting you off this unit and into better facilities, along with the rest of them.
05:01That's something to look forward to, don't you think?
05:07This place was never meant to care for us.
05:09It was meant to serve him.
05:11But now he's stuck, can't get out, because he isn't getting what he needs.
05:17Not anymore.
05:17Or, I mean, look at this place.
05:30All used up.
05:34Just husks.
05:41So now he's locked away, too.
05:45One of us now, huh?
05:50Then you show up, after decades, and say that you're closing this place down.
06:04Now he knows.
06:08Now he knows.
06:11He has to get out.
06:13He knows.
06:32He knows.
06:47Oh, I like New York in June.
06:52How about you?
06:56I like the field spring too.
07:00Ta-da!
07:01How about you?
07:02What do you think, Ralph?
07:05I think it's orange.
07:07It's vermilion, not just run-of-the-mill orange.
07:10It's got a red hue to it.
07:12See it? Very red.
07:13Kind of jumps right out at you.
07:15You know, the throne room columns in Beijing's Forbidden City are this exact color.
07:20You got it in the carpet again.
07:23Oh, then I'll get that out.
07:25Last week you did it blue.
07:27Robin's egg.
07:28And before that it was the hills of Ireland or some such.
07:32Rouge.
07:32Then canary.
07:33Then rouge.
07:35Then some kind of pink.
07:36Don't you like it?
07:37It's just...
07:39None of them make you happy, do they?
07:41You paint, then you lie in bed for two weeks.
07:45But I...
07:46I'm happy right now.
07:51Your lines are off, see?
07:53Glad we're getting your prescription checked this afternoon.
07:57Hello?
07:59Come on, Verinda dear.
08:01The appointment's on the wall calendar.
08:03Why else would I be home from the office before three?
08:07Right.
08:09You should change.
08:10But since we're headed so far out, I thought I'd take you to East Point Inn.
08:16Have a little surf and turf.
08:18Toast our new Vermillion Wall.
08:21off.
08:22I'm scared.
08:25I'm scared.
08:25How the good would do.
08:28That's good.
08:29I feel much in a little time.
08:31And saying that Rodney's looking.
08:35That's a great gift to thrill.
08:38Holding hands in the movie show when all the lights are low.
08:43May not be new
08:46But I liked it
08:51I liked it
08:53How about you?
08:57Now these are city doctors here.
09:01All right, come on.
09:05Reservation's at six. I want to take you by the water.
09:09Come, Arnold. This way.
09:12Come.
09:14F-Z-B-D-E
09:19Great.
09:21Let's try row seven now.
09:25A-P-O-G-O-G
09:34That's all right. It's a tough one.
09:36But not too bad though, right?
09:38Oh, not bad at all.
09:42She doesn't need new lenses.
09:45Yep. I can see most everything clear as crystal.
09:49Yeah.
09:49Most everything.
10:03Dorinda, there's just one other thing we ought to check, okay?
10:07We have a reservation at six.
10:10It's fine.
10:11You have time.
10:15You ever been to the East Point Inn?
10:17They do a garlic mash.
10:20They do a garlic mash.
10:20That is just divine.
10:30Ralph?
10:31Ralph?
10:47Did you know his name was Kofi?
10:49Pa, I don't know.
10:51I mean it.
10:58His name wasn't Coffey.
11:01It was Bath.
11:05They're closing this place down.
11:08Dory was shrieking about it in the hallway.
11:10All patients out by the end of the week.
11:12Staff's history.
11:13This place has been bad for a long time by now.
11:17We have to stop him.
11:20It's up to us now.
11:27You come find me when you're ready to talk.
11:51You got that man killed.
11:58I'm not letting you out of here.
12:00We'll see about that.
12:21Is it true we're shutting down?
12:43I was correct.
12:47Miss Criss, you were right.
12:52I've been fooling myself for too long.
12:55Justifying every flaw.
12:59Coffee is... dead.
13:02I convinced myself for years that I was helping these people,
13:06and this time I actually started doing it.
13:09Dr. Anand.
13:14He won't allow you.
13:26I found this.
13:31Was this blood on it?
13:33What?
13:35No.
13:38Then I guess it's just on your hands.
13:43If you hadn't been so hell-bent on fighting,
13:46if you could've just complied, made peace with how things are...
13:50Coffee's dead because of you, Tori.
13:52Because of you and your friend.
14:00I'm gonna go back in there.
14:02I'm gonna face that thing, whatever he is, and I'm gonna stop him, even if he kills me.
14:10Guys like you always wanna die for something.
14:14I get the appeal. You do it once. It's over.
14:17They put up a statue or throw a parade.
14:20It's easy to die for someone.
14:25No.
14:27Living...
14:28for someone.
14:31That's hard.
14:35You've never done that, though.
14:38Have you, Peter?
14:55Book club is now. Let's go.
14:56There's book club.
14:58Are you serious?
14:59Coffee's dead.
15:01And they're about to turn the goddamn lights out.
15:03This place is fucked up, but I still got a job to do.
15:05So go.
15:11You're not supposed to be down here in the men's hall.
15:14I'm not supposed to be here at all.
15:27New book today.
15:30I am sure that you have heard...
15:37that this unit is closing.
15:42You'll all be transferred in the next few days.
15:48Hopefully...
15:49somewhere with better resources.
15:52Which...
15:53let's face it...
15:55shouldn't be hard to find.
15:57It's what's right.
15:58You all deserve better.
16:02There are not enough words for me to say.
16:06How saddened I feel about what happened to coffee.
16:14I figured that we could have one final meeting,
16:18a sort of send-off of sorts,
16:21where I could share something meaningful to me
16:26as a way of saying,
16:28I'm sorry.
16:32I'm sorry that I failed you.
16:39I read this when I was in med school.
16:43It struck me.
16:45And perhaps for the very first time reading this,
16:51I actually wanted to do the work that I do.
16:58This work in a place like this.
17:03Who in their right mind would want to work in a place like this?
17:09Here's an excerpt.
17:12This is from a letter that Vincent wrote to his sister-in-law, Johanna, in 1889.
17:23Though here there are some patients very seriously ill,
17:30the fear and horror of madness that I used to have
17:35has already much lessened.
17:38And though here you continually hear terrible cries and shouts
17:43and howls like beasts in a menagerie,
17:46in spite of that,
17:51in spite of that,
17:52people here know each other very well
17:57and help each other
18:01when they suffer crises.
18:08Help each other
18:12when they suffer crises.
18:18Isn't this the guy who, like, hacked his only ear off?
18:22Ew.
18:23Yes. Yes, he did.
18:25To show his love to a prostitute.
18:30Needless to say, she did not appreciate the gift.
18:35Now that's crazy.
18:37Too bad none of us are world-famous artists.
18:40Well, there it is.
18:41That's the thing, you see.
18:44When Van Gogh died, he thought his art was worthless.
18:50When he died, he couldn't even afford rotten bread.
18:54But he kept painting.
18:56Because he believed.
18:58He believed in his art
18:59that he was doing something special.
19:03Something sincere.
19:05And now,
19:08those same paintings are in every great museum on Earth.
19:20Who called them?
19:24Who called those cops?
19:27Hmm?
19:32Those cops who killed him?
19:34Who called them?
19:38You did.
19:41Didn't you?
19:50Welcome back to NRCY Channel 2.
19:53Let's talk about where the storm is now and what it means.
19:56Where you going? Just hold on.
19:59Don't leave it in your hand.
20:00All right, please.
20:02Millions of New Yorkers in the line of fire.
20:05It's gonna get nasty out there.
20:07Anthony, what are you doing here?
20:11Hello to you, too.
20:17I saw the news.
20:19I wanted to see if you're okay.
20:24Did you know him?
20:26Yeah.
20:30He was my roommate.
20:34But, Anthony, you shouldn't be here.
20:37You gotta go.
20:40Why is that?
20:41Because you still can.
20:51The devil lives there.
20:55Behind that silver door, he hurts us.
20:59Preys upon us. Our pain sustains him.
21:07Prove me wrong.
21:10Open that door.
21:13Open that door.
21:25The poor having a spermin rien if Cathy broke us over.
21:27The hills lives there and they do love...
21:27And only with me and Matalina does whatever we need.
21:29You're gonna have to be on the shelves.
21:29Come on.
21:36What'd he be on in the shelves?
21:37Game on the shelves.
21:43So he'd have to move some minutes.
21:43If you'd have to do nós, we'd have to do that.
21:44show you're a man named Arnold Visserplen that you were brought to this unit in 1965
21:53and you received a transorbital lobotomy on your third day on May 5 1966 you committed a murder
22:02on this unit and you have been here locked in this room ever since that's what our records show
22:12but I believe there's more to you than that
22:18that poor man that died by the policeman's hands I know he didn't have to die he should not have
22:26he came running out of this room your room shouting about the devil
22:44when I was a little girl I was told about a spirit who relishes in misery it's called a
22:52duppy the duppy hurts and laughs and hurts again and others cry out and beg for mercy
23:02the duppy comes more cries more begging
23:09this makes the duppy happy this makes the duppy strong
23:18and since I was a girl I was taught watch for it don't let it into your house
23:27my granny used to say you see a duppy throw down a handful of rice it have to count every
23:34grain
23:34before it can move on and by the time it does the sun will rise and the duppy must return
23:42to the world of
23:43the spirits
23:48I believe a duppy hides hair in this very room
23:58finally I see with my light the light within me this unit will close
24:08the patients will go I will go but before I do I will throw down the rice
24:16the duppy must count the rice and it will stay here where it belongs
24:42I
24:48always thought of myself as a real stand up guy
24:53my whole life I never doubted it for a second truth is I never really helped anybody
24:59this whole time I was convinced I was
25:03doing what was right but I was just doing what was right for me
25:09and I'm sorry Anthony
25:16whatever you need to take care of your mother to do it right I'll find a way to cover the
25:22cost
25:22all of it I promise it's the least I can do
25:27but it is not safe here and you gotta go right now
25:36take care of your mother to do it right for me
25:47I can do it right for me
25:56to be dead
25:56not safe
25:57I can do it right for me
26:26Oh, my God.
26:40I am happy now.
26:43I am happy now.
27:11Look what's happened to us.
27:16What you let happen.
27:24No, this, this wasn't my, my fault.
27:31Oh, you let one man take you here.
27:35You let another lead you into this room.
27:42When they told you to lie down, you did it.
27:49You let them keep you here.
27:54Locked away all these years.
27:58Do you ever think about it?
28:02Who we might have been?
28:06What kind of life could we have had out there?
28:10We wanted something bigger and brighter.
28:21Is that so bad?
28:25So wrong.
28:28Just a little more color.
28:34Dorinda, dear.
28:37We need to leave.
28:40Let's put this place behind us.
28:51I know who you really are.
29:01It wasn't my fault.
29:06They made me.
29:11You made me.
29:16And I don't need you anymore.
29:23Washed up.
29:26Worn out.
29:29Like a pair of dirty old socks.
29:34That's all you are now.
29:41Make him say yes.
29:45Make him say yes.
29:49Or all of you die.
29:53Clock's ticking.
30:01Tick.
30:03Tick, tick.
30:05Tick.
30:06Tick.
30:27Hello.
30:28Lena.
30:30Look at this here.
30:31What's wrong?
30:32You OK?
30:33I got this book today.
30:35I was reading it.
30:35Do you know who Vincent Van Gogh is?
30:38Yes.
30:40I read this book you wrote.
30:42I don't know.
30:47I know you love me.
30:48I know you love me.
30:49But sometimes I think you still see me like a little kid.
30:52And what about everybody else?
30:54What do they see when they look at me?
31:00Everybody I know in my life is in here?
31:02Everybody I know in my life is in here.
31:02How do they see me?
31:03Do they even see me at all?
31:05You know, I could draw every one of their faces from memory.
31:09Frank Waverly, Mr. Mac, Pepper, Dory, Coffee.
31:15What if they don't see me and I'm just alone like I'm going to be alone for my whole life
31:24no matter what I draw or think or feel?
31:27You know, Lucrezia, I need you to breathe.
31:42Nana, they're going to close this unit soon.
31:47And I don't know what they're going to try to send me, but I want to come home.
32:00Lucrezia, do you remember what you did to your brother?
32:06You could have killed him.
32:26I'm coming home.
32:28Nana.
32:33Soon.
32:41Marisol, who you met, she can help get you what money I got left.
32:45It's not much, but it's something and it's yours.
32:47I'll call her, I'll make it happen.
32:49Well, what are you going to do?
32:49You're still locked up in here.
32:51I've got to figure out a way of making sure nobody else gets hurt.
32:56Look, this is about us.
32:59You said you were sorry, I believe you, but this can't just be the end of it.
33:05Look, Anthony, I'm stuck in here.
33:09And in here, you know.
33:11And even if I could figure my shit out, it's too late for us, right?
33:17I mean, you're already a grown man.
33:19So are you.
33:21And I bet when it comes to this other thing, you already know what to do.
33:27You're just too damn scared.
33:31Peter Coffin.
33:34I'm ready to go.
33:40Not now.
33:45Dory, I said not now.
33:55You can't let him out.
33:58Oh, you know who I'm talking about.
34:01Everybody hates me now because I've been helping him for so long, doing what he commands.
34:07Funny thing is, they all feel the same way about you.
34:14Maybe we both work for him.
34:18You know, I didn't appreciate what you did at book club.
34:22I know you want to humiliate me.
34:24You want to throw the blame at my feet.
34:26It belongs there.
34:28Do you need to be confined to your room?
34:30You were happy to do his dirty work all those years, just like I did.
34:35What's sad is, you thought you were one of the good guys, didn't you?
34:40I did too.
34:41I'm not like you.
34:42If you really want to help, help me keep...
34:45You want help?
34:46Is that what you want?
34:47Because you, Dory, are beyond help.
34:50You've always been.
34:51No!
34:52If this place is empty, he will starve.
34:54Yes, of course.
34:55What was it the coffee called?
34:57A, uh, a malevolent presence.
35:00Hmm?
35:01An evil.
35:02Yeah, I hear the patient gossip.
35:04The ludicrous shit you babble on about all day.
35:06Hmm?
35:07Ah, yes.
35:08New Hyde is just one big, giant, spooky hospital.
35:13Hmm?
35:14It's a killer.
35:15It's wonderful.
35:15Oh, my God.
35:20It's in you, isn't it?
35:23Pepper said no, but you said yes.
35:27He made you an offer, and you said yes.
35:35I see you.
35:39I know who you are.
35:43Get out.
35:52No.
35:54No.
35:55Stop.
35:56No.
35:56Stop.
35:58No.
35:58Stop.
35:59No, no.
36:05Stop.
36:08Oh, oh, oh.
36:10No.
36:11Oh.
36:20I'll find you. I know you're just in there.
36:23I'll find her.
36:36I'll find her.
36:46Ta-da!
36:52Do you like it?
36:55Got a red hue to it.
36:59See it?
37:02Oh, they're very red.
37:08Vermilion.
37:09Yeah.
37:12Kinda jumps right out at ya.
37:17At the door.
37:21He had the devil on him.
37:46She did that with her bare hands.
37:49You'd be surprised what people can do.
37:52Everybody.
37:53Everybody.
37:54Everybody.
37:55Please.
37:55The police have been called.
37:57They're on their way.
37:59You must stay on the unit.
38:01Are you serious?
38:01Oh my God!
38:03Please!
38:04They said we cannot leave until they come.
38:08But they will be here.
38:09This is bullshit.
38:10What are you talking about?
38:11You can't just keep what's here.
38:14You heard her.
38:15We stay.
38:16Please stay.
38:17But why do we have to stay in this room?
38:19Please stay.
38:19Please stay.
38:19Please.
38:20I gotta make a call.
38:30You think the police can help us?
38:59We got a lot of scared people here.
39:03Nobody goes anywhere.
39:04Nobody goes anywhere.
39:05Yeah.
39:34I'm here.
40:01All right, come on in.
40:09Now you need to tell me who he is.
40:15He's my son.
40:20Yeah, I can see the family resemblance.
40:24It's true.
40:26He's mine.
40:29And I abandoned him when he was three years old.
40:43Still fit.
41:02No!
41:04No!
41:04Oh, good lord.
41:07Why?
41:09Why?
41:11Why?
41:17Why is she telling me what the fuck is going on?
41:27Jesus Christ, the old lady.
41:29She's going over the fence.
41:30Let's get it.
41:31Oh, shit.
41:33Somebody do something!
41:35Please!
41:36Get the damn door off.
41:38Get off of there!
41:39Come on!
41:41No, no, no, no.
41:42No, no, no!
41:43No, no, no!
41:44No!
41:44No!
41:45No!
41:49No!
41:54No!
41:55No!
41:57No!
41:58No!
41:58Sorry!
41:59Open!
41:59Open the door!
42:00This is so coração!
42:00Bring it with me for the Что?
42:01Open the door!
42:02Come on, come on.
42:59We ain't going home.
43:06We ain't going home.
43:12We ain't going home.
43:16You too.
43:25Listen to me.
43:31Behind that door, I know what it is.
43:38I know what's doing this.
43:42What I'm saying is I believe you.
43:49What do we do now?
44:03I'm going to get my way.
44:07So many more will die.
44:10Your own son will die.
44:14I'm very scared.
44:15Go!
44:24Our work can begin.
44:28Go!
44:29Go!
44:30Go!
44:39Go!
44:40Go!
44:40Go!
44:42Go!
44:47Go!
44:53Go!
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