- 2 days ago
Spider-Noir. S01 - E05
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TVTranscript
00:07I
00:07Hi, this is Robbie Robertson calling. Mr. Robertson, you're never getting your old job back. I'm on to something truly
00:12sensational!
00:13Three POWs from the same camp with super abilities isn't a coincidence.
00:17The only thing Silverman gets off on is power. If he gave it to me, then he can take it
00:22all away.
00:23They did something to you all, didn't they?
00:25All I know is that once it starts, it gets worse fast.
00:28We should talk to Doc Faber. She can explain what's going on a whole lot better than I can.
00:32One of those super freaks is tearing up the Diamond District. Spider is there.
00:38Who the hell is this guy?
00:42Me and the Spider have teamed up to save this city!
00:47Every four years, I decide who sits in your chair.
00:51I'm not backing down.
01:00Nice to meet you, Mr. Spider.
01:15You turn the tables on me.
01:23And now I'm falling for you.
01:27You turn the tables on me.
01:34I can't believe that it's...
01:37Let me get the door.
01:39After you.
01:41I always thought when you brought me that you were...
01:45So.
01:48So yourself.
01:49We're about to turn over the pies.
01:51This one's on the house.
01:53What?
01:54More of a blueberry guy?
01:56No, there's just not a lot of free stuff going around these days.
02:01Very kind.
02:05I'm waiting, you know.
02:08You already know how it ends.
02:11Well then, start from the beginning.
02:18They were sent to liberate a small town in eastern France.
02:22The Germans weren't so keen on giving it up.
02:34Let this machine be there.
02:37Move, move, move!
02:38Action!
02:43Oh
03:10Oh
03:35Don't get him
03:40Oh
03:44Go if I was the one who had been shot I almost was none of this would have happened to
03:51me
03:52I think about that a lot
03:56Oh
04:06Private Smith and I press deeper into the compound
04:14Jesus let's get him out of here
04:44You okay pal?
04:46We're gonna get you out of here
05:20No! What do we do?
05:22Burn it! Burn it off!
05:34Ready!
05:38One, two, three
05:54The colors fading from the photograph
05:57I could tell the story
05:58But still you wouldn't know the hell
06:01This love was brought to life from shards of glass
06:04When you kiss me, there's a shifting in the sepia tone
06:08Can't escape the madness, baby, magnetism
06:12Run away, but something pulls me back into it
06:15Lately I've been sharing at a broken mirror
06:18Needing someone to come out
06:22Hey, lover
06:25I need someone to save me now
06:28For my heart of pain
06:30I suffer
06:32And everyone that weighs me down
06:35Cause the world makes me
06:39It's been tried to taste
06:41Ll günst
06:42For you can be my saving grace
07:12And that was it.
07:13After that, you were...
07:20Yes.
07:23It took some time at first just to relearn how to be more human again.
07:29Believe it or not, I went to the movies.
07:31I watched the actors. I studied the way they spoke.
07:36The way they moved.
07:40The arachnid genes are still in me.
07:44The ticks, the thoughts, impulses.
07:51But I managed to suppress them.
07:56Most of the time.
07:59You once told me you were a coward.
08:03And to think I almost believed you.
08:10If Flint was there, his powers must have come from the same place.
08:14Hard to think otherwise.
08:16Is that the real reason you took the case?
08:18Yes, in part, but yes.
08:20I did it because I wanted to learn something from Flint.
08:23If something gave both of us these powers, maybe something could take him back.
08:29Would you really want that?
08:31Lose all your powers?
08:33Go back to being just Ben Reilly?
08:39Since Ruby died, that's all I've thought about.
08:42Being just Ben Reilly.
08:49More coffee?
09:00Thank you, Thelma.
09:04You said he's an actor.
09:06We can call him Star Man.
09:07Aspiring actor.
09:09Still working his day job as a subway driver.
09:11Subway driver?
09:13It's almost too good.
09:15The conductor.
09:19It's electricity.
09:20He's a conductor.
09:21Oh, no.
09:22The issue wasn't one of comprehension.
09:25You got photos?
09:26What do you think?
09:28I'll let the bugle publish my story on one condition.
09:32You'll let?
09:36Okay, calm down.
09:40What's the condition?
09:43You run my piece as is.
09:45Or not at all.
09:47No, I need your word, Walters.
09:48No changes.
09:49Unless, of course, you.
09:51I'd rather I take this to the Herald.
09:54You got a lot of nerve telling me how to do my job.
09:57What is that?
09:58Fine, sure, whatever you want.
10:02And I want the bugle to print a retraction
10:03about Lonnie Lincoln and Flint Marco.
10:06That's two conditions.
10:08Anything else?
10:09Well, now that you mention it.
10:32Good to be back.
10:33Ha, ha, ha, ha, ha.
11:14Good to see you, too.
11:18Ha, ha, ha, ha, ha, ha.
11:21So the prodigal son returned home, huh?
11:24Guess Silverman took you back with open arms.
11:26You can say what you want about him.
11:27That man takes care of his own.
11:29One big happy family.
11:32There's room for one more, brother.
11:35No offense.
11:36But I'm done putting my life in a life of white man.
11:41It won't be like that, Lonnie.
11:44No?
11:45What then?
11:47Silverman want me to do his laundry?
11:49Or maybe he wants me to perform.
11:51Do a little hand bone.
11:52You can't live like this forever, Lonnie.
11:53Buddy, with whatever's happening inside us, I'm not too worried about living forever.
11:57All the more reason we need to take what we can while we can.
11:59I'm not a criminal.
12:00Why don't you tell that to the mayor or the cops?
12:03Take your pick.
12:04We wanted men whether we like it or not.
12:06Do you think that's new to me?
12:07That's been my life.
12:09From the day I was born.
12:11Exactly.
12:11You risked your life for this country and they still treat you like a second-class citizen.
12:15Look, you said so yourself.
12:17We ain't gonna make it to the retirement home.
12:20So let's take life by the balls while we still have a little life left in us.
12:25Here's Silverman out.
12:27That's all I'm asking.
12:45You've been busy.
12:46Yeah, someone's gotta do the work around here.
12:48Here, take a look at these.
12:49Four veterans, all from the same POW camp, all with superhuman powers.
12:54Apparently the Germans were doing experiments on them.
12:57Some kind of failed super soldier program.
13:02I'm sorry, are we boring you?
13:04The war ended 15 years ago.
13:06The question isn't what happened to them then.
13:08The question is why are they getting their powers now?
13:13That's why he, that's why he does.
13:15That's why he's, that's why his name's on the door.
13:17It's on the door.
13:18I know.
13:18I didn't do my homework.
13:19Me neither.
13:20Is that supposed to mean you know something?
13:22We do.
13:23Uh, are you gonna share it?
13:25Are you gonna be a dick about it?
13:26Uh, yes, actually.
13:27A private dick, to be exact.
13:29Oh, okay.
13:30They were all seeing the same doctor at the VA hospital in Queens.
13:33The doctor's been running a study for the past 10 years on POWs.
13:37According to Lonnie, it was specifically about what happened to them in France.
13:42I keep telling you, you'd make an ace reporter if you ever wanna ditch the stiff.
13:47I have submitted a few applications.
13:49So this doctor's our guy?
13:51She is a geneticist.
13:54Alethea Faber.
13:55One of the top in the country.
13:56Degrees from Stanford and Cornell.
13:58I mean, every accolade you could imagine.
13:59All that, and she chooses to work at a VA hospital in Queens.
14:03And according to Lonnie, she sought them out nine months ago.
14:07Knew all about the camp.
14:10What the hell are we waiting for?
14:13You, asshole.
14:15We were waiting on you.
14:16Well then, let's go, Robbie.
14:18You're welcome.
14:19Don't rush me now.
14:22Lights out, boys.
14:36This place have a cafeteria or something.
14:44Hey.
14:46Where's mine?
14:48Cut the shit, lady.
14:50We can go all night if you want to.
14:52Hey, I wonder, when's the last time you said that to your wife, huh?
14:55How are you?
14:56Never, I'm guessing.
15:04Do you have any cream of sugar?
15:07Yeah, I got some cream of sugar.
15:13Now I'm gonna ask you again.
15:16Where did you and your freak show friends come from?
15:26All right.
15:27All right, I'll tell you, okay?
15:29Mm-hmm.
15:30I can't speak for the rest of them.
15:32But me?
15:35I'm from Poughkeepsie.
15:39Oh, he's mad now.
15:42Yeah, I know that look.
15:43Hey, you know, you remind me a lot of my father.
15:56Do you like this?
15:58I do.
16:03A little bit too modern for my taste.
16:10Slippery son of a bitch, that spider.
16:14What's his angle anyway?
16:16Well, I'm sure he's just trying to get by.
16:19Same as any of us.
16:21Is that what you were doing?
16:24Just trying to get by?
16:26Looks like you're doing a bit better than that.
16:28I wonder why.
16:30You feeling a little unappreciated, Finn?
16:32Well, maybe I am.
16:35Well, I give thanks every day, trust me.
16:38You know, I say a little prayer before bed and everything.
16:42Well, you ought to start saying one every morning you get to wake up.
16:47Winston isn't so lucky now, is he?
16:52Oh.
16:54There they are.
17:03I wasn't expecting you boys so soon.
17:06Lonnie.
17:07Meet Mr. Byrne.
17:09It's a pleasure to meet you.
17:14Flint told me a lot about you.
17:19Welcome back.
17:20Wasn't sure what happened to you.
17:22You read the papers, don't you?
17:23He's a whole new man.
17:25You should see him when he gets going.
17:27Unstoppable.
17:29My new right hand.
17:31Don't worry, boss.
17:32Nothing's gonna happen to you on my watch.
17:35Well, then I guess congratulations on your promotion.
17:38I'm sure you'll make a wonderful couple.
17:42Don't mind her.
17:43She's full of piss and vinegar today.
17:45Alas, I have to talk business with the boys.
17:49Well, then I'll make my excuses.
17:51There's some paint upstairs I can wash dry.
17:54Well, if you're so bored, maybe you could find us a new band.
17:58One who knows it at classics.
18:02And while you're at it, look into another singer.
18:08Someone...
18:10Yawn.
18:16Piss and vinegar.
18:24Hey, ma'am, how's it going?
18:28Must be some book.
18:32Is Dr. Faber in?
18:34You have an appointment?
18:37I do not.
18:39Joe Robertson.
18:41Reporter with the bugle.
18:42I just want to ask her a few questions.
18:48I'll let her office know you're here.
18:50If you would be so kind.
18:55You know, Paul dies in the end.
19:19There's a reporter downstairs from the Daily Bugle.
19:25Robertson.
19:26He's asking to speak with you.
19:49Mr. Robertson.
19:52I'm Alethea Faber.
19:53Pleasure to meet you.
19:55And you are?
19:56What exactly did you want to talk to me about?
19:59Don't suppose you saw my story in the bugle this morning.
20:03It'll just be a couple of minutes of your time.
20:05Maybe spread the word about the work you're doing.
20:07That can't be a bad thing, right?
20:09Let's speak outside.
20:39What can you tell me about those men?
20:41Unfortunately, Mr. Robertson, we sent a great many men off to that war.
20:45And almost all of them came back with injuries, either physical or screwed.
20:49It's hard to remember all the patients you've seen over the years.
20:52Well, I hope that doesn't make me sound callous.
20:54Oh, no, no, no. Of course not.
20:56It also doesn't make me believe you.
20:59Are you calling her a liar?
21:00I'm sorry, sir. I still haven't called your name.
21:03This is my secretary, Ogden.
21:04He has been with me for quite some time, and he can be a bit overprotective.
21:10No, I can respect that.
21:11But you're a smart woman.
21:12Do you really expect me to believe you had no idea that four of your patients turned out to have
21:20superpowers?
21:24Or why?
21:26You are obviously a very intelligent man yourself, Mr. Robertson.
21:31So you know that I'm not at liberty to discuss specific patient information with anyone but the police.
21:36Well, have you done that? Have you spoken with the police?
21:38I am sorry. I cannot help you.
21:40Hmm. Did you help those men?
21:43You know, I'm hearing their powers only started after they started seeing you.
21:50How dare you?
21:52How dare you to come here knowing nothing and then accuse me of negligence in my care?
21:59Everything I do, I do for a reason. Everything.
22:08Struck a nerve, huh?
22:09Let's go.
23:05Let's go.
23:07Hold on.
23:08Hold on.
23:08What do we do?
23:10Shut the door.
23:14He's a Negro.
23:15Maybe no one will believe him.
23:17I don't think so.
23:21Hey, Dr. Collins, where the hell have you been?
23:25I'm losing my mind back here.
23:26Hey, you're not Collins.
23:31What's going on?
23:33Dr. Collins is on the second floor.
23:35The second floor?
23:38The second floor?
23:40The second floor?
23:41The second floor?
23:42All right.
23:43Ogden, could you please escort this gentleman downstairs to Dr. Collins' office?
23:46The second floor.
23:48The second floor.
23:50The second floor.
23:52You don't like me very much.
23:59I know that man.
24:01What are you talking about?
24:03He was there in France.
24:07He was the one who rescued us.
24:09It's him.
24:17Stop him.
24:18Go.
24:26Hurry up.
24:28I'm trying.
24:30See, this must be one of them two-man jobs.
24:37Okay.
24:48Him.
25:09Hey, shout it, huh?
25:12Oh man, Benny bought a better match of Menomar.
25:47Shit!
25:57You good?
26:01This was a new suit.
26:04Shit!
26:12Look what sound of young to bring.
26:16What do you think, Bob?
26:19Sounds like little pea shooters to me.
26:21Shut up, Leighton.
26:22Cry epic, my friends.
26:24And let loose the dogs of war.
27:02What are you waiting for?
27:04Well, what are you waiting for?
27:05Run!
27:08What are you waiting for?
27:12Please.
27:13Please.
27:14Don't hurt me.
27:29Howdy, boys.
27:31Long time no see.
28:04I thought visiting hours was over.
28:07Mr. Leighton, that was quite the show you put on last night.
28:11Oh, thank you.
28:13You know I'd offer you an autograph, but...
28:15I don't have a pen.
28:17Well, assume you know who I am.
28:19The man with the mane of silver.
28:23Born from nothing.
28:25Built his empire through gut and guile.
28:28Purveyor of the finest buried potions.
28:33King of the five boroughs.
28:36Mr. Finn Bob Byrne himself.
28:44I see you like to talk.
28:46Think you could listen for a second?
28:48Oh, I am like a Nebraskan cornfield.
28:53All he is.
28:57I'm listening.
28:59Mayor Morris appears to have forgotten who runs this town.
29:02My men and I are planning to remind him.
29:05I want you to help me.
29:07Me?
29:08Oh, well.
29:10My only regret is that I have but one life to give you.
29:15But I promise you, I will take plenty.
29:22Get him out of there.
29:32Oh, yes.
29:34Thank you, Comrade.
29:40Oh, yes.
29:44Please.
29:46I was just doing my job.
29:47Well, and now, I'm going to do mine.
29:56Life is but a walking shadow.
29:58Appalled.
29:59Player struts and frets his hour upon the stage and is hooked to war.
30:05The tale is told by an idiot, full of sound and fury.
30:11Oh, your-
30:12Oh, no.
30:13Awww!
30:17Ahhhh!
30:20Ahhhh!
30:23Ahhhhh!
30:24N-C.
30:31That was weird.
30:34Prisoners were injected with radiated plants and minerals
30:37and the genetic material of spiders, scorpions, snakes.
30:42Eels, too.
30:45The Germans then altered the subjects' genes
30:48by splicing them with those of other entities.
30:52Over time, the patients' genetic material began to decay.
30:55Many suffered lethal mutations,
30:58while others survived in an altered state for months or years.
31:02Faber's been looking for a cure,
31:04but all she's managed to do is activate latent mutations
31:08and accelerate them.
31:10And she's trying to save them, but she's killing them.
31:13The guy that bit you?
31:14Yeah.
31:15He was dying.
31:17But I lived.
31:19Why?
31:27A doctor making monsters in a secret lab in the Bronx.
31:32It's going to make for one hell of a story.
31:34First black Pulitzer?
31:36Well, it's got to happen someday.
31:38Robbie, I have a request.
31:40Anything.
31:41Let me tell Kat before you print it.
31:42If Flint's going to die because of this,
31:44I don't want her to read about it in that newspaper.
31:47I said anything, didn't I?
31:54I'll give you a date.
31:56But I ain't losing the story.
31:57Deal.
32:01So, how bad is it?
32:03How deep are you in with her?
32:07I suppose you're going to tell me to be careful.
32:10Oh, no, no, no, no, no, no, no.
32:11Careful's for, uh, stock tips and hot sauce.
32:15Matters of the heart?
32:16I say, go for broke or don't bother going at all.
32:20Go for broke, huh?
32:24Wouldn't take much.
32:30Riley.
32:32Riley.
32:50Mr. Riley.
32:51Take a seat.
32:54Will I get you anything?
32:56Glass of the good stuff?
32:58The perfect host.
33:04I take it you recognize my new associates?
33:07I read the papers.
33:09Congratulations.
33:09You've assembled an entire outfield of freaks.
33:13You guys see that movie, Freaks?
33:14Directed by Todd Browning?
33:16Still playing.
33:17You three could sign up for the remake.
33:20Calm down.
33:22Mr. Riley is a little wise,
33:24but we're all friends here, right?
33:26Yeah, sure.
33:27So, in the spirit of friendship,
33:29I want to give you a chance to warn the spider.
33:33That this fight is between me and Morris,
33:35and if he gets his nose in my business,
33:38he's liable to lose it.
33:39Is that clear?
33:41As a bell.
33:42Is that all?
33:43I don't mean to be rude,
33:45but, uh, I've got theater tickets.
33:48You ever been on Broadway?
33:49No?
33:50Probably drove a train underneath it, though, right?
33:52Mr. 2B or not 2B?
33:54Heh.
33:55Camera's rolling, the lights are on.
33:57The director calls action,
33:59the director calls cot.
34:01Mr. Layden!
34:03Dad!
34:05Tell your friend,
34:07it's in all our best interest
34:08to play nice.
34:12You got it.
34:24Hey.
34:26I hear you make all the ladies faint.
34:29Make me faint.
34:32I know about Winston.
34:34My condolences.
34:36Were you too close?
34:38I know you set him up, Riley.
34:40And I know you did it for her.
34:46Her?
34:48Don't take me for dumb.
34:50I didn't tell the boss
34:51because he would have killed the both of you.
34:53And mad as I am,
34:54I don't want Cat dead.
34:58You okay, pal?
35:00You look pretty rough.
35:03I'm fine.
35:05You keep telling Solar Man's dairy work,
35:08or maybe you won't be.
35:09You worry about yourself, Riley.
35:13You get one pass because you say to...
35:16This is it.
35:21You know,
35:24a hot dog at the game
35:26is better than roast beef at the Ritz.
35:29Think about it.
35:43You know we've got no secrets.
35:44You're done with the stairs.
35:45I didn't want to be seen.
35:47Flint's back with Silverman.
35:50I know.
35:51I saw him this morning.
35:53Acted like he didn't even know me.
35:54And that bothered you?
35:59He swooped in here to ask me that.
36:01He knows you tried to kill Silverman.
36:03He heard us talking the other night.
36:05And as he told him?
36:05He doesn't want to see you dead.
36:07He's not well, Ben.
36:08I'm worried about him.
36:09You should be.
36:18You can spare me the dramatic pause.
36:21Whatever it is, I can take it.
36:22Flint and some of the other guys in that camp
36:23have been seeing a doctor at the VA,
36:25a woman called Faber.
36:26She's been trying to come up with a cure,
36:28but she's only made them worse.
36:29What do you mean, worse?
36:30What the Germans did will eventually kill them,
36:32but she's speeding it up.
36:35You mean Flint's gonna die?
36:43When?
36:43All I know is every time he uses his powers,
36:46he gets a little closer.
36:49Thank you for telling me.
36:51Cat.
36:52He says one word and we're both dead.
36:54I'd like to be alone, please.
37:05What's left for us here?
37:07Ruby's gone.
37:08Flint's past helping.
37:09I mean, we're chasing ghosts,
37:12but you and I could have something.
37:15What if we left New York,
37:17went someplace where nobody knows us?
37:19What was that island with the black sand?
37:21Santorini.
37:22Santorini.
37:23We could go there, wherever you want.
37:24You could open your own club.
37:27What about you?
37:28Well, I'll run it or bartend.
37:29I'll work for you.
37:31I don't know what this is,
37:32but I do know for the first time in years,
37:35I'm willing to take a chance and find out.
37:57I'll have the hot dog deluxe.
38:03You know what?
38:03No, no.
38:03I'll just have a scoop of cottage cheese.
38:05Cottage cheese?
38:07Are you on a diet or something?
38:08There might be a beach in my future.
38:10Oh, and breakfast is on me,
38:11so you should have at it.
38:13Okay, now I'm really confused.
38:15Scrambled eggs, bacon.
38:16You've got New York cheesecake.
38:18I love cheesecake.
38:19Just bring it all.
38:22I love cheesecake in the morning with you.
38:32Okay, well, that's new.
38:33Never heard you sing.
38:34They don't know you knew how.
38:35There's a lot you don't know about me.
38:38Is there?
38:40You'd be surprised.
38:42Would I?
38:43You know, your hair looks lovely, by the way.
38:46Did you curl it?
38:47Three weeks ago.
38:48Now spill it.
38:51Oh, boy.
38:52What?
38:54I'm leaving town.
38:58Permanently?
38:58I think so, yeah.
38:59But don't worry.
39:00I promise you'll be taken care of.
39:02What about the office?
39:03Get rid of it or keep it.
39:05You're a better PI than I am anyway, so...
39:10I'll be damned.
39:12It's Kat, isn't it?
39:17Yes, I...
39:18It sounds crazy, I know.
39:20Crazy, crazy, crazy.
39:22Ben.
39:22Because we've only known each other for a few weeks.
39:24But if it took Kat to drag me out of this hole
39:26that I've been hiding in,
39:27well, then I owe it to both of us to see it through.
39:29Because it's the first time in years that I feel alive.
39:32For Christ's sake...
39:32I mean, with the matters of the heart,
39:33you've got to go for it, bro.
39:34Robby says we've just got matters of the heart.
39:36Oh, for Christ's sake, Ben.
39:40I'm really happy for you.
39:43You are?
39:44Yes.
39:45Yes.
40:25Who is it?
40:27Lottie Lincoln, ma'am.
40:28I need to talk to you.
40:30It's about Flint.
40:45I need to talk to you.
41:05Don't.
41:06Flint, please, Flint, let me take a look at you.
41:09It's getting worse.
41:11I just want to help.
41:12You've done enough, don't you think?
41:13Silvermane will never let us be together.
41:15What I did, I did for us.
41:17Without telling me?
41:18Why, because I'm stupid?
41:20No.
41:20I'm just a meathead with his brains in his fists?
41:22No, I didn't tell you because I knew you would say no.
41:25And how do you think it makes me feel, Flint,
41:27that you're more loyal to that man than you are to me?
41:30That you'd have me living under his thumb,
41:32unable to breathe without his say-so?
41:35That's funny to you?
41:37No, what's funny is I would have killed him for you.
41:40I would have done anything for you if you just asked.
41:42But you never gave me the chance.
41:45But why would you?
41:47I'm nothing but muscle for a gangster.
41:49Huh?
41:51Or maybe it's time I accepted that.
41:54I leaned into it.
41:58Ain't that right, Lonnie?
42:01You and me, buddy, about to die in a place of goddamn glory.
42:05Flint, please.
42:06Stay away from me.
42:07Please!
42:07Stay away!
42:21Flint.
42:22Let it go.
42:35This Faber woman, she really couldn't help you?
42:40There's really no hope.
42:45Faber said there's only one thing left to try.
42:48She couldn't make it happen.
42:52What was it?
42:54Not what?
42:57Who?
43:00The spider.
43:04Why?
43:05Why?
43:07Why would he change things?
43:10She thinks his mutation is different.
43:12More stable than ours.
43:15She said he could be the answer to all of this.
43:18Problem is, she's got no idea who he is.
43:21Or where to find him.
43:33We need to go.
43:34We have to clear the lab.
43:36Maybe it's not as bad as we think it is.
43:38Oh, no, no, we can't be naive.
43:41I mean, as soon as that reporter publishes his story,
43:44they're coming for us.
43:46We can't just give up.
43:48You have done everything you could.
43:52Now, it's time to go.
44:08All right, watch your step over here.
44:10Dr. Faber, I just want to know, if you find the spider,
44:15are you really able to help them?
44:17Flint, Lonnie, all of them.
44:19You know who this spider is, don't you?
44:21If I tell you, do you promise you won't hurt him?
44:25You have my word.
44:28His name is Ben Reilly.
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