- hace 2 días
Reparto: José Isbert, Pedro Porcel, María Luisa Ponte, José Luis López Vázquez, Antonio Riquelme, Chus Lampreave, Antonio Gavilán
Dirección: Marco Ferreri
Sinopsis: Don Anselmo, un anciano ya retirado, decide comprarse un cochecito de inválido motorizado ya que todos sus amigos pensionistas poseen uno. La familia se niega ante el capricho del anciano, pero él decide vender todas las posesiones de valor para comprárselo.
Dirección: Marco Ferreri
Sinopsis: Don Anselmo, un anciano ya retirado, decide comprarse un cochecito de inválido motorizado ya que todos sus amigos pensionistas poseen uno. La familia se niega ante el capricho del anciano, pero él decide vender todas las posesiones de valor para comprárselo.
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CortometrajesTranscripción
00:02:02Don't drink the wine, you idiot!
00:02:05Good morning, Carmen.
00:02:07Where is Lucas?
00:02:09Waiting for him. Keep a close eye on him, Don Anselmo, he's acting crazy.
00:02:13Yes, yes.
00:02:15There you go. Three pesetas well served.
00:02:17Well, give me another peseta, because this kid eats more than a pig.
00:02:22Hi, Andrea.
00:02:23Good morning, Mr. Anselmo. How are you? How are you feeling?
00:02:26Very good, very good.
00:02:27He looks unwell.
00:02:29It's because I've been walking around a lot the whole way.
00:02:32Is Lucas at the bank?
00:02:34Come in, come in. He's getting impatient.
00:02:36You have no idea what you are making us suffer.
00:02:38Yeah.
00:02:41I'll fix everything.
00:02:44Is she your niece?
00:02:46Yes, she's the little one.
00:02:47When did he arrive?
00:02:49How time flies! How beautiful!
00:02:53She's very pretty!
00:02:54She's already a teacher.
00:02:55When are you getting married?
00:02:56Next year.
00:02:57In September.
00:02:58Oh, I hope you're very happy.
00:03:00Let's see...
00:03:01Thank you.
00:03:01...what that man does.
00:03:13Lucas!
00:03:14Here it is, Don Anselmo.
00:03:17Hi, Lucas!
00:03:18Come on, man!
00:03:19We've been waiting for you for half an hour!
00:03:22You've already been hit with chili.
00:03:23Thank goodness you came, Don Anselmo.
00:03:24We put it in their hands.
00:03:26Don't pay any attention to them.
00:03:27Augustine.
00:03:28Bring the flowers.
00:03:29Be careful with him, Don Anselmo.
00:03:31He's crazy about his car.
00:03:33Augustine, come here.
00:03:34Take me to the stroller.
00:03:35I want to try out my new legs.
00:03:40Be careful, lest it harm you.
00:03:41Buying a motorcycle sounds so good.
00:03:43Don't worry.
00:03:44Let's see.
00:03:45Slowly.
00:03:46Watch out for the ends.
00:03:48How beautiful, huh!
00:03:49Watch out for what's coming for your legs.
00:03:49Beautiful!
00:03:50Beautiful!
00:03:52Good!
00:03:52Look, Anselmo!
00:03:53It's wonderful!
00:03:55Oh, God!
00:03:55Very good, very good!
00:03:56Did I swallow him?
00:03:57Yes, I know!
00:03:58You can say whatever you want, Dad.
00:03:59But I think it's outrageous that on the first day you go all the way to the cemetery.
00:04:02I'll take care of him.
00:04:03Augustine.
00:04:04Don't worry.
00:04:05Go get a taxi for Don Anselmo.
00:04:07Pusher!
00:04:09If you would remember your poor mother.
00:04:12Oh!
00:04:12As I remember it.
00:04:14Careful!
00:04:14A year and a half without being able to bring her flowers.
00:04:17Oh!
00:04:18You see it, Don Anselmo.
00:04:19He's crazy about that darn little car.
00:04:21Yes, I've already told you that I'll take care of everything.
00:04:23God willing, we didn't do it.
00:04:25Ala, ala!
00:04:26Did you see that, Anselmo?
00:04:28Better than real legs.
00:04:30Oh, he's so happy.
00:04:31You'll see how he gets going.
00:04:33Oops!
00:04:34Ah, as if nothing had happened.
00:04:35Watch out for the bass.
00:04:37I take responsibility for everything.
00:04:39Oh my God!
00:04:40Let's see.
00:04:42Come on.
00:04:42Let's see what happens.
00:04:44Careful!
00:04:45No, we're not going to make a fuss about that darn little car now.
00:04:47Oh my God!
00:04:48Watch out for the wall.
00:04:49We'll have to buy him a Saint Christopher statue.
00:04:50To get it started.
00:04:51That's all you have to do.
00:04:52Okay, never mind.
00:04:54There.
00:04:54You haven't been paid yet.
00:04:55Well, leave me alone.
00:04:56Watch out, Lucas.
00:04:58Careful.
00:04:58How about that?
00:04:59Yes, but...
00:05:00This is wonderful.
00:05:01Oh well.
00:05:02Do you have the taxi or not?
00:05:04Come on, man.
00:05:05He got it so deep in my head.
00:05:06There it is.
00:05:07It's already there.
00:05:08Yes, we're going to do it.
00:05:09Here it comes.
00:05:10The taxi?
00:05:10Yes, I know.
00:05:11That public service is a taxi.
00:05:14I see it now.
00:05:15I'm going to organize it.
00:05:16Go on, go on.
00:05:17Goodbye, Dad.
00:05:18Oh, daughter.
00:05:18How annoying.
00:05:19It looks like I'm going to America.
00:05:21Oh, José.
00:05:23Oh, you ladies, come on, get to work.
00:05:24Yes, Dad.
00:05:25Hey, you.
00:05:26Following.
00:05:26Yes, yes.
00:05:28Go ahead, you go, I'll follow you.
00:05:30Come back soon.
00:05:30Come back soon.
00:05:31Comes back.
00:05:32Comes back.
00:05:33Almost, little one.
00:05:35Comes back.
00:05:39Oh.
00:05:40I'm on tenterhooks.
00:05:42Me too.
00:05:43Will something happen to him?
00:05:44I don't want it.
00:05:45What do you think?
00:05:46"The stroller," I reply.
00:05:47Now from the old east.
00:05:48Only.
00:05:53Amen.
00:05:54Amen.
00:05:56Poor thing.
00:05:58Was it perhaps better for her?
00:06:01That way, at least, she hasn't seen me looking useless.
00:06:04Man, now with the car, they'd love to get around like you do.
00:06:12Yes indeed.
00:06:14But she, with what she was, would have suffered a lot.
00:06:18Clear.
00:06:19Go ahead, put the flowers on it.
00:06:21Poor thing.
00:06:23Poor thing.
00:06:23Poor thing.
00:06:38Poor thing.
00:06:48Hike.
00:06:54Push.
00:06:55I'm already doing it.
00:06:56But we'll never get out of this situation.
00:07:02Please, sir.
00:07:04Tell me, tell me.
00:07:04Do you want to help?
00:07:05That's all that's needed.
00:07:06We've dug ourselves into a hole.
00:07:08With great pleasure.
00:07:23Thank you so much.
00:07:24You're welcome, you're welcome.
00:07:41Hey, I think it's this way.
00:07:43No, man, no.
00:07:44Over there, over there.
00:07:46Yeah.
00:07:46He's already dead, he's already dead.
00:07:50And the thing about the nation.
00:07:52I got hair from this guy.
00:07:54And a box of uncle.
00:07:54And a box of uncle.
00:07:57Since they build so much here,
00:08:00He has died.
00:08:01He's already dead.
00:08:02And the thing about the nation.
00:08:04I got hair from this guy.
00:08:06And the uncle's box.
00:08:07Let's see.
00:08:08You're going to drop dead!
00:08:13Hey, what's wrong with you, man?
00:08:14Always, always the same.
00:08:17Can't you see it's here?
00:08:19Where?
00:08:19I hadn't seen it.
00:08:22I always keep an eye on that device.
00:08:25But since there are so many niches,
00:08:27the truth.
00:08:51Let's continue with the burial.
00:08:53No, I'm going to see that motorcycle.
00:08:55Yes, it's not a motorcycle.
00:08:56This is a cripple's car.
00:08:57It's not a car!
00:08:58This is a motorcycle.
00:09:00What are you betting on?
00:09:01This is a cripple's car.
00:09:02Let's ask.
00:09:03Let's go.
00:09:12Okay, let's go.
00:09:14Excuse me, are you lame?
00:09:16Let's see, you.
00:09:17Missing?
00:09:18Take these hooligans away.
00:09:19Hey, do me a favor.
00:09:21Come play at Campo Santo.
00:09:23No shame in children?
00:09:25Come here right now.
00:09:27Haven't I told you a thousand times not to bother me?
00:09:29You'll see it next week.
00:09:31Come and play.
00:09:31Come on, let's go.
00:09:33You know what my daughters are like.
00:09:34and they will be worried.
00:09:36Yes, yes.
00:09:37Hey, I'm thinking
00:09:41that these children
00:09:42as soon as they lose sight of us
00:09:45They take the flowers.
00:09:46That's the drawback.
00:09:48of these low niches.
00:09:50He pushes her.
00:09:50They're comfortable, but...
00:10:33Now you'll see
00:10:34to find a taxi.
00:10:36If you hadn't fired
00:10:37to the one who brought you here...
00:10:38So what do we do?
00:10:39Look, the best thing will be
00:10:41that you go slowly.
00:10:42Me with the car
00:10:44I'll be home in a minute.
00:10:46Don't be selfish.
00:10:47So I've finally come
00:10:48to accompany you
00:10:49and be careful.
00:10:50Well, you see.
00:10:52Let's do one thing.
00:10:53Because that way we'll never get there.
00:10:55You tell me.
00:10:56Come on, get in.
00:10:57Where to?
00:10:58To the car.
00:10:59To car one.
00:11:00Come on, man.
00:11:02Either you ride or I'm leaving.
00:11:03Gossip.
00:11:07Are you there yet?
00:11:08Yeah.
00:11:08No, faces.
00:11:09Hold on tight.
00:11:10For the love of God.
00:11:11Don't worry.
00:11:12See?
00:11:13There's nothing more to do with this post.
00:11:14and be doing a wonderful job.
00:11:17Come on.
00:11:18There's nothing more to do with this post.
00:11:24It's more than just giving this post a lift
00:11:26never.
00:11:27Slowly.
00:11:28Slowly.
00:11:29So that they come out here
00:11:31There are always people around.
00:11:33The curves.
00:11:35Safety on curves.
00:11:37If the curves are very dangerous.
00:11:39Listen to me, what are you afraid of?
00:11:41My name is.
00:11:42For.
00:11:54Asseyez-vous.
00:11:56Here, please.
00:11:57Thank you.
00:11:59A cicada with taste.
00:12:01Oh, what do you think of the political situation?
00:12:08My God.
00:12:09A huge bomb shock.
00:12:11As far as I'm concerned, the ministerial crisis...
00:12:14No one can rest here.
00:12:17My Christ, I could do it.
00:12:19Why don't you go study the dining room?
00:12:21You're such a pain, grandpa.
00:12:23The dining room gets dirty.
00:12:24Have you bought any?
00:12:26Besides, why do you want to learn French?
00:12:29Have you been in shape for a year?
00:12:31Keep quiet about what you should be doing.
00:12:34What time is it?
00:12:35You're so annoying.
00:12:3611:15.
00:12:3911:15.
00:12:41Someone must have been there.
00:12:44What are you going to do?
00:12:47I went in there.
00:12:48Nothing is coming.
00:12:52Comprenez-vous la situación.
00:12:53Je commence, vous commencez, nous commençons.
00:13:00Nineth lesson.
00:13:16Eighth lesson.
00:13:19Asseyez-vous.
00:13:22Et là, c'est moi, du 20.
00:13:26Entrez.
00:13:28Good evening, my dear Morin.
00:13:30Comprenez-vous.
00:13:31Very good.
00:13:33Thank you.
00:13:34AND...
00:13:34Good.
00:13:40Don't stay there.
00:13:42Come in and try it, all the smoke will come out.
00:14:09How many eggs did you lay?
00:14:11Two.
00:14:12Do you think that's a small number or what?
00:14:13As far as I'm concerned, it's all the same.
00:14:15But if I have to offer those gentlemen...
00:14:18Don't worry, you won't look bad in front of them.
00:14:26Let's see that little hen, man.
00:14:29But what do you care about that chicken?
00:14:31What's your problem with the chicken?
00:14:32Does it bother you in any way?
00:14:33That's outrageous!
00:14:36Poor little animal.
00:14:37They don't even leave you alone in the yard.
00:14:41What you should do is not go out with those freaks.
00:14:43I don't know what you get out of it.
00:14:44With those weirdos I get some fresh air and have fun.
00:14:48Go on, go on, leave the kitchen, you're not doing anything here.
00:14:53This Yolandita sweats a lot.
00:15:19Are they attending to you?
00:15:21Well, they told me to wait.
00:15:23But are you coming to the law firm?
00:15:25I am the prosecutor's father.
00:15:28Nice to meet you.
00:15:29Server.
00:15:30Criminal matter?
00:15:31Well, I don't know, they say it's a breach of trust.
00:15:34There is so much injustice.
00:15:36I'm going to hurry my son so he can receive him right away.
00:15:42Imagine, they haven't let me see him dead.
00:15:44They're a pair of hyenas.
00:15:46Come in, come in.
00:15:48Why do you have this habit of staying at the doors?
00:15:50Excuse me, he's my father.
00:15:51You're welcome, nice to meet you.
00:15:52With what I've done for him.
00:15:54He was asthmatic, Don Carlos.
00:15:56And you don't know what an asthmatic like that is like.
00:15:59Living with one for years and years.
00:16:01Poor Rabbi.
00:16:03Great person.
00:16:04Weren't you going to the countryside, Dad?
00:16:06Yes, but Lucas hasn't arrived yet.
00:16:09Something must have happened to him.
00:16:12Hey, do you have the brand there?
00:16:15Go on.
00:16:16That's it, Don Carlos.
00:16:17But give it back to me.
00:16:17I've put up with it for years and years.
00:16:19And now that he's dead, his children want to take away my kiosk.
00:16:22And the kiosk is my whole life.
00:16:24Go on, Blanquita.
00:16:25It's just that these things aren't discussed in front of other people.
00:16:29Dad, what are we working on?
00:16:31Hey, since I have to go to the countryside with those friends, I need money.
00:16:37How much?
00:16:38Two hundred pesetas.
00:16:39How much?
00:16:40Two hundred.
00:16:42Excuse me.
00:16:43Don't worry.
00:16:49Now we continue.
00:16:50That's two hundred.
00:16:52That's how it is.
00:16:53Take.
00:16:56Don't worry about Alvarito.
00:16:58She's my intern.
00:16:59Also, he's going to marry my girlfriend.
00:17:01So you were saying that the kiosk...
00:17:03His children want to take it away from me.
00:17:04Imagine.
00:17:05The kiosk.
00:17:06With such a large clientele...
00:17:07Excuse me.
00:17:08He's with a real pain.
00:17:11One of those freeloaders who don't know what education is.
00:17:16Don't worry.
00:17:17I'm in no hurry.
00:17:18No, no, no, no, no.
00:17:20Anyway, I've told him you're here.
00:17:23Thank you.
00:17:24I don't like that he defends certain cases.
00:17:27Where there is seriousness, everything else is superseded.
00:17:29It's true.
00:17:29Yes sir.
00:17:32So you're saying that trust was abused, right?
00:17:36Any jobs available?
00:17:38That's the general idea.
00:17:39Grandfather!
00:17:40Go on, go on.
00:17:42She's my granddaughter.
00:17:43No, I was going to tell him that I have hope that his son will do something.
00:17:47Oh, oh, oh.
00:17:49But for God's sake, grandpa.
00:17:50What do you want?
00:17:51Don Lucas is waiting for you.
00:17:52You're a pain.
00:17:53I'm coming, I'm coming right away.
00:17:54Excuse me.
00:17:55I'm going on a hike with some friends.
00:17:58My son will do something, I'm sure of it.
00:18:00It's colossal.
00:18:00He is my son.
00:18:01Thank you so much.
00:18:02If you'd like, we can start it.
00:18:03Sure, I'll have to be a small deposit.
00:18:09That's how the best one is.
00:18:10Lucas!
00:18:11Let's challenge ourselves by scorching!
00:18:12No no.
00:18:13My mouth smells like feces.
00:18:18Hello, father.
00:18:18Good morning.
00:18:19What time was it, little cloud?
00:18:20An hour when we could be in the shade.
00:18:21Fix that neck properly.
00:18:23Forgive me.
00:18:24Ah, yes.
00:18:24But I had to accompany my friend.
00:18:26We didn't see each other yesterday.
00:18:28Did you think about me a lot?
00:18:29I don't know why he didn't bring it in your car.
00:18:30Instead of each coming to me separately.
00:18:31Oh, what not?
00:18:32I'm already angry.
00:18:34Yes, I did bring it, but the weight caused the engine to stall and I couldn't start it.
00:18:38If I had had your car, I would have brought it with me.
00:18:41What do you think?
00:18:42Mine is powerful for running, but not for detailing.
00:18:45Don Arsenio, a protest?
00:18:47Of course I protest.
00:18:49Because I know what's going to happen to me.
00:18:51I'm going to get stuck with that old man.
00:18:52This Don Arsenio is very good, but he's so annoying.
00:18:54But if anything happens to him, I'll pay for it.
00:19:00We'll start with what I'm explaining.
00:19:02Look, Faustino, what a nice old man.
00:19:03Excuse me, but this is the bus.
00:19:06Come here, I'm going to introduce you.
00:19:08Look, it's Julita here.
00:19:10This man's fiancée, well, Faustino.
00:19:17Nice to meet you.
00:19:18Nice to meet you.
00:19:20Server.
00:19:21He can't.
00:19:23Parakeet.
00:19:24Listen.
00:19:25How are you?
00:19:27Server.
00:19:28Delighted.
00:19:30Finish this already, otherwise we'll never leave.
00:19:32Take your Arsenio to him.
00:19:33Very kind.
00:19:35Thank you so much.
00:19:38What a lovely couple.
00:19:39Come on, get in.
00:19:43Hold on tight, I'm getting carried away.
00:19:45Yes, yes, yes.
00:19:46No, no, I won't take you like that.
00:19:48Take your hands off me.
00:19:49I told him I'm not taking him like that.
00:19:51Get in the one with a seat.
00:19:56Get up here, it'll be better than in the warmer weather.
00:19:58Watch out, Faustino.
00:19:59I'll start you up.
00:20:01Are you doing okay?
00:20:04Don't be afraid, Don Anselmo.
00:20:05No, he's not afraid.
00:20:06I'll hit you.
00:20:08Let yourself be lucky, the last one is better than any of them.
00:20:16Start it up, get going, because it can't start.
00:20:18If they even get one of us out of here.
00:20:20Hold on, man.
00:20:28What are you, the children, what's the story?
00:20:29Do you know what you think?
00:20:30Come on, let's see you regret it more, man.
00:20:33I'm in a hurry.
00:20:33Why would I leave him alone?
00:20:34If it's you.
00:20:35But, man, but.
00:20:36I don't know who he thinks he is.
00:20:37That with those bundles, they cannot be desolate.
00:20:38But don't be with me, man.
00:20:40You can't even see any ups.
00:20:41And with all the bulges and everything, man.
00:20:43What an idiot!
00:20:45That?
00:20:45That?
00:20:46This one?
00:20:47Well, then.
00:20:47I have my own rules.
00:20:49I'm sent here.
00:20:49But what regulations, what nonsense!
00:20:51A little bit of humanity.
00:20:53That?
00:20:54Well, as the law says.
00:20:55La, la, la, la, la.
00:20:59Oh, please.
00:21:03Don't squeeze me there.
00:21:05Oh, please.
00:21:08I feel like I'm dying.
00:21:09Yes, pervon, Anselmo.
00:21:10You're not even up to these kinds of things.
00:21:12He still looks at his mother.
00:21:14I was coming to my mom.
00:21:16What a day I'm having.
00:21:19Julita, are you having fun?
00:21:20Yes, Pompino, very much so.
00:21:21I've already seen you dance, I've already.
00:21:23Oh, the best thing in my life, Lucas.
00:21:25Look, those from the sugar cane fields.
00:21:27And you want me to stay home and talk to you?
00:21:30Do you realize what a car is?
00:21:33I see, I see that's a big deal.
00:21:36You have the countryside in your hand, the fresh air, the sun.
00:21:40What you need to do is buy a copy of this stuff and join the gang.
00:21:44Look at this model.
00:21:46I love Julita.
00:21:47Do you like football?
00:21:48We go to all of Real Madrid's matches.
00:21:50Don Lucas.
00:21:51We're coming.
00:21:52Come on, we're going.
00:21:57I don't manage.
00:21:59I don't manage.
00:22:04No, no, no, no.
00:22:07Let's see, let's see, let's see, let's see.
00:22:10What a welcome.
00:22:11No, no, no.
00:22:12Oh, please, don't squeeze me like that.
00:22:17Oh, please, don't squeeze me like that.
00:22:36The same song. Give me a glass of wine.
00:22:40It's true.
00:22:42There's nothing left, my friend.
00:22:42Well then, let's do it.
00:22:44Do you want us to go to Manolo's picnic area?
00:22:46In short, we're no longer involved here.
00:22:49I'll pay for two bottles.
00:22:50Okay, I'm sorry, but I can't take you right now.
00:22:53The road is in very bad condition.
00:22:55It's far away and the road is in very bad condition.
00:22:58But how can we leave Manolo?
00:23:00No no.
00:23:01José Carlos Manolo.
00:23:02Tell me to take me.
00:23:03Well, look, you'd better keep it.
00:23:05We'll be right back.
00:23:07We'll believe you came from the snack bar.
00:23:12I'm going to be left alone.
00:23:15I'm sorry, Don Ancelio.
00:23:17I can't carry it.
00:23:19Okay, okay.
00:23:21I'll walk.
00:23:23We'll be right back.
00:23:24I'm not going to fall.
00:23:25Lucas, Lucas.
00:23:28I'm not going to fall.
00:23:32Ah, I'm not going to fall!
00:23:35But I'm not going to fall.
00:23:38I'm not going to fall.
00:23:40I'm not going to fall.
00:23:56Oh, oh, oh.
00:24:32Oh, oh, oh, oh.
00:24:40Oh, oh, oh.
00:24:50Oh, oh, oh.
00:24:58Oh, oh, oh, oh.
00:25:29One day, with that habit of dressing up, you're going to get robbed on the subway.
00:25:33I'm the one who needs a subway.
00:25:35The poultice?
00:25:36I need to get a taco.
00:25:38That's it.
00:25:39My legs are failing me, it's embarrassing.
00:25:41Let's see.
00:25:43So.
00:25:44Burn, burn.
00:25:45Hang in there a little longer, son.
00:25:56Are you doing yourself a favor?
00:25:58Yes, bring it.
00:25:59When are you going to give Mom's jewelry to the baby girl?
00:26:02I respect what my poor wife had arranged.
00:26:06When she gets married, when she gets married.
00:26:09She would look great in them now that she's at that age.
00:26:11I said no.
00:26:12Where are you going?
00:26:13To a funeral.
00:26:14Take care of yourself.
00:26:16I'm sick enough as it is.
00:26:18I don't know.
00:26:19But these legs are going to give me a serious little drawing.
00:26:22Who has died?
00:26:22A colleague.
00:26:23A former colleague from the ministry.
00:26:25Leave my card.
00:26:26Yeah.
00:26:27Alvarito.
00:26:28But you don't hear them calling.
00:26:29Which one, which one?
00:26:31It must be Mr. Iglesias.
00:26:32You are very ill.
00:26:34You were having breakfast.
00:26:35Let's see.
00:26:35Small envelope.
00:26:36One is going to do everything...
00:26:37Girl, napkin.
00:26:38Calm down now, okay?
00:26:39Calm down.
00:26:40May I pass, Don Anselmo?
00:26:41Hey, Alvarito, how are things going with my son?
00:26:45Ah, very good, very good.
00:26:46Getting better every day.
00:26:47Yeah?
00:26:47Why does he say that?
00:26:48Ah, my own business.
00:26:50Ah, I see.
00:26:52Good morning.
00:26:53Good morning.
00:26:53Good morning.
00:26:54Excuse me.
00:26:55Yes sir.
00:26:56Goodbye, Alvarito.
00:26:57You tell me.
00:26:58Mr. Prosecutor.
00:26:59Is this a professional matter?
00:27:02From the law firm, I mean.
00:27:03Or is it for a charity?
00:27:05Father Prior explains.
00:27:07Professional.
00:27:07An injunction.
00:27:08Ah, Mr. Proharan is sick, but I am his intern.
00:27:11What is it about?
00:27:13You'll see.
00:27:35An injunction.
00:27:54And seventeen to the ankle
00:27:56Good morning
00:27:57Just a moment, sir, I'll attend to you in a moment.
00:27:59Thanks.
00:28:00Have you taken note of everything?
00:28:02Please come back in fifteen days, on the fifteenth.
00:28:04And don't worry, everything will be alright
00:28:06Goodbye little one
00:28:08Thank you very much, Mr. Hilario
00:28:10Come on, son.
00:28:11Bye
00:28:13Excuse me for a second
00:28:14Listen, Mr. Hilario
00:28:15We make the mouth brown or black
00:28:17Well, I don't know why my wife hasn't come.
00:28:19I don't think brown.
00:28:20Because black for a child is not
00:28:22Okay, okay, whatever you say, Don Hilario
00:28:25Hey, we're in a hurry!
00:28:26Right now
00:28:27Very good, sir.
00:28:28But I'm going to ask you nicely
00:28:30But why has he come
00:28:31And it has been made that love doesn't rise until Tuesday
00:28:33I have a disabled brother
00:28:36And I wanted to know
00:28:37Ah, well, please come this way
00:28:39Because we have many models.
00:28:41Here?
00:28:42Yes, this way.
00:28:43Yes, come in, come in
00:28:44Now I will show you some types
00:28:47Now see
00:28:48Don't bother
00:28:49For God's sake
00:28:49My brother is not completely disabled
00:28:52And also his son
00:28:53He doesn't seem very decisive.
00:28:55These are them
00:28:56Uh, here's this prototype
00:28:58Yeah
00:28:58But
00:28:59I think it's not bad
00:29:00Let's see what you think.
00:29:01Practical
00:29:02But these chairs don't have a motor.
00:29:05And they've given me
00:29:06This whale
00:29:07Ah, I understand now.
00:29:08Then his brother resumes a normal life.
00:29:10In the middle
00:29:11Well, come this way
00:29:12I'm going to teach you the last word
00:29:14From modern technology
00:29:15Good, good, good
00:29:18Now this is a true revolution
00:29:21In vehicles for the disabled
00:29:24Look at this marvel
00:29:25Don't worry
00:29:25I'll see if I can find another one
00:29:26That it will finally be to their liking
00:29:28Nationally built
00:29:29But with an American license
00:29:33Ultramodern
00:29:35Aerodynamic
00:29:35Here is the profile
00:29:37The elevation
00:29:37And the plant
00:29:39An item of absolute guarantee.
00:29:42Yeah, yeah
00:29:43But
00:29:43But I just wanted to know
00:29:45Prices
00:29:47My brother's son
00:29:49What do you think?
00:29:49He's not very decided.
00:29:50No strings attached, sir
00:29:52I'm telling you, Don Hilario
00:29:54Like the child
00:29:54She has to make her first communion.
00:29:56Let's see if it would be possible.
00:29:57The little white boot
00:29:58Ah, that's what it's for.
00:29:59Then I'm very pleased.
00:30:00In giving the little boot to the child
00:30:01Right, handsome?
00:30:02Thank you so much
00:30:03Thank you very much, Mr. Hilario.
00:30:04Bye
00:30:06As I say
00:30:07Don't worry about the money.
00:30:09My profession has a lot in common with the priesthood.
00:30:11You take the catalog.
00:30:13And let them see it at home.
00:30:15And then I am at your disposal
00:30:17The price
00:30:18I repeat, that's not a problem
00:30:20We'll fix it.
00:30:21What interests me
00:30:22You should see the article.
00:30:24Things need to be seen for real.
00:30:26Do you understand?
00:30:27Yes, the price
00:30:28The model is based on one they invented
00:30:31The Americans
00:30:33Excuse me
00:30:33These strollers
00:30:35They were given to the mutilated.
00:30:37From the last war
00:30:38Yeah, yeah
00:30:39These devices are perfect.
00:30:41Look closely
00:30:42That you can play with them
00:30:44Even basketball
00:30:45Look, there are the Rolls-Royce guys.
00:30:46Oh, hey, even in Roll
00:30:48They come to this house
00:30:49Come here
00:30:49This lady is a barquesa
00:30:51The boatwoman
00:30:53He has a paralyzed son.
00:30:54Like his brother
00:30:55More or less
00:30:56Now you'll see.
00:30:56And he's commissioned me to build him a luxury car
00:30:58Two-seater
00:30:59Allow me
00:31:02Bye
00:31:03Good morning, Madam Barquesa
00:31:04Good morning
00:31:04How is Mrs. Barquesa?
00:31:06Good
00:31:06How are you, Don Vicente?
00:31:08Food care
00:31:11Please
00:31:13Hello, Alvaro
00:31:14Careful
00:31:18Come on, come on
00:31:19Sunbathing
00:31:20Let's see, Don Vicente
00:31:21Those legs
00:31:22Thanks a lot
00:31:23Those legs
00:31:26That is
00:31:28Careful
00:31:29That's it
00:31:29Goodbye, son
00:31:30Bye
00:31:31Don Vicente
00:31:32Mister
00:31:32And goodbye to your dear mother
00:31:34A little kiss
00:31:35Bye
00:31:35I hope they get the car soon.
00:31:36That's all, Madam Marchioness
00:31:38Come on, I give you my word of honor that the car will be here as soon as possible.
00:31:42If there has been any delay, the Marchioness already knows that it has not been our fault.
00:31:46It's the factory that hasn't closed on us.
00:31:48Goodbye, Madam Marchioness
00:31:49Bye
00:31:52Bye
00:31:53Bye
00:31:53Bye
00:31:54Bye
00:31:54Well
00:31:55What about the car?
00:31:56Nothing, as always.
00:31:57I've already told the Marchioness that it's a matter of a few days.
00:31:59That's enough.
00:32:00Just a moment, I'm going to introduce you to this gentleman
00:32:02I'm not very happy about it.
00:32:04Nice to meet you
00:32:05Is your brother totally or partially paralyzed?
00:32:08No
00:32:08His legs are failing him.
00:32:09Ah, the legs.
00:32:10Don Vicente
00:32:11Don Asselmo
00:32:12Well, listen
00:32:14Let's see if we can understand each other.
00:32:15I need that car
00:32:17I can't take it anymore with my feet.
00:32:19We placed the order two months ago.
00:32:21And we're back to square one, just like on day one.
00:32:22I've already claimed it
00:32:24Go to the factory
00:32:25And do me a favor
00:32:26But man
00:32:26To accompany this gentleman
00:32:27What does a model have to do with it, that's all?
00:32:29It's not urgent
00:32:29Well, I go to the factory and make a scene.
00:32:31Do whatever you want to me
00:32:32You don't know me
00:32:33Okay, let's go
00:32:37Have you also ordered a car?
00:32:39No no
00:32:39I just wanted to know the prices.
00:32:41So that the frame
00:32:42Ah, the prices.
00:32:43Well, I can tell you that Don Hilario does a very good job.
00:32:45It's informal, though.
00:32:47But it's the best office
00:32:48Informal
00:32:49Ours is a two-seater.
00:32:51Powerful
00:32:51Let's go, like a car
00:32:52Don Hilario
00:32:52I'll call Mrs. Lola.
00:32:54Ah, thank you.
00:32:54Informal
00:33:01One moment
00:33:02It's me, Don Anselmo
00:33:05I understand
00:33:05Oh, but what's wrong with him?
00:33:09Aren't you coming to the mountains?
00:33:10I had already warned you
00:33:12My legs
00:33:14What a pair he had prepared!
00:33:16Look
00:33:16Look at this bait
00:33:18Alive and kicking
00:33:19I'm sorry, Alvarito
00:33:21But I end up like Don Lucas
00:33:23Don't talk nonsense
00:33:24That's a change of weather
00:33:25Take
00:33:26We asked the people from the second floor.
00:33:27But this is nothing.
00:33:31Don Anselmo can't get used to the cane.
00:33:32That an aunt of mine
00:33:33I'm going to have to get used to this walking stick.
00:33:35Allah, get this down in the car
00:33:37It doesn't work
00:33:38You're getting so tiresome with the wheelchair thing.
00:33:40Very inflexible
00:33:40Don Carlos, I've been looking
00:33:41There was no other way.
00:33:42Let's see if this rig works better for him.
00:33:44I think so, don't you?
00:33:46With permission
00:33:46Forward
00:33:47Come in, come in, Mom
00:33:48She's my mom
00:33:55But you're not coming on the excursion.
00:33:58Thank you very much, I'm sorry.
00:33:59The legs
00:34:00Come on, Dad
00:34:01Look at this cake
00:34:02If desired
00:34:03Come on, leave her alone.
00:34:05Come on
00:34:06What's happening to him is
00:34:08Be careful, don't go
00:34:12What did he say happened to him?
00:34:14Come on, let's go
00:34:15An aunt of mine who got used to using a walking stick
00:34:16And they had to amputate one of his legs here
00:34:18Yeah, man
00:34:19Come on
00:34:20A kiss, grandpa
00:34:22Yes, daughter
00:34:24Goodbye, my daughter
00:34:25You stay quietly in bed
00:34:26Yeah
00:34:27Do you read black and white?
00:34:28I don't know
00:34:28I don't know if I can
00:34:30I am not
00:34:30Get well soon, Don Asermo
00:34:32Come on, let's go
00:34:33Bye
00:34:34Okay, fine.
00:34:36Bye
00:34:36Thank goodness he's gone now
00:34:44Cane
00:35:10Ah
00:35:12When you get one, you have to make one for my Alvarito, he likes it a lot.
00:35:16And I will give you the answer.
00:35:18Okay, so where do we put the cake?
00:35:29Bye bye.
00:35:31Goodbye, children.
00:35:32Be very careful, okay?
00:35:34Bye bye.
00:35:44Assumption!
00:35:44Hey!
00:35:46Assumption!
00:35:46What bug could have bitten you?
00:35:48Hey, Asunción, hey.
00:35:51Oh, you're so good to me for staying in bed.
00:35:53For a day I had off?
00:35:54No, I'm going out.
00:35:56But don't tell anyone, okay?
00:36:00Well, you see, I thought they were all going to the mountains,
00:36:03I had told a cousin of mine who is downstairs to come up and eat with me.
00:36:06Don't drag me into that nonsense.
00:36:09Oh, you do love me!
00:36:10Beautiful.
00:36:11It's a deal, Don Anselmo.
00:36:12I'm telling you to come up, right?
00:36:13I'm keeping quiet, I don't want to know anything.
00:36:16Listen, don't let the doorman see him, because if she does, the truth will come out.
00:36:20Don't worry.
00:36:21Come on, get me my new suit.
00:36:23I'll be right there.
00:36:24Hurry, they're waiting for me.
00:36:25But do you have money?
00:36:31How much?
00:36:32A tough one.
00:36:41Child.
00:36:43Child.
00:36:44Ascame.
00:36:45Below.
00:36:50Go on, tell Julita to give you the handkerchief.
00:36:52Go.
00:36:56That photograph, the photograph.
00:36:58Look, I'm not going back to the store because it makes me horribly embarrassed.
00:37:03Julita, give me the handkerchief.
00:37:04I have tried to excuse you by all means.
00:37:07You already know me, Don Anselmo.
00:37:09Don Hilario has a point.
00:37:12Because?
00:37:13Well, because if you make him order the car and then he doesn't even go to see it.
00:37:18Don't move, Don Anselmo.
00:37:19It's going very well.
00:37:21Men have to keep their word.
00:37:23Oh, he's a child, Don Anselmo.
00:37:25Please don't move.
00:37:26He doesn't want to know anything.
00:37:27Yes, yes, but...
00:37:28Hey, stay still.
00:37:31They are waiting for you at the store.
00:37:34Okay, okay.
00:37:34Not in profile, Don Anselmo.
00:37:36How is it?
00:37:36Freak.
00:37:40I wish ours were like that.
00:37:42One last model.
00:37:43I don't know, I don't know.
00:37:45I will go to the orthopedics store tomorrow to give them an explanation.
00:37:50That's ok.
00:37:55Let's see how that goes.
00:37:58With a few small touches, it's finished.
00:38:00And you say the car is beautiful.
00:38:03A real beauty.
00:38:04You'll see.
00:38:06Young Mr. Vicente, who thought he was ours...
00:38:09We never finish, Don Anselmo.
00:38:10He went crazy with joy as soon as he saw it.
00:38:15Come on, claim that we're in a hurry.
00:38:18Álvarez, look what Don Vicente is doing.
00:38:21Leave it.
00:38:22Be quiet!
00:38:23Stop that!
00:38:26Oh!
00:38:27Oh!
00:38:29Oh!
00:38:30My God.
00:38:31If it weren't for the affection I have for this ingenotar.
00:38:36I told him that this isn't my business...
00:38:47And when will you receive yours?
00:38:50They say it's the same week.
00:38:51Ah.
00:38:52Incidentally, what did your mother say about our trip to Portugal?
00:38:56Take.
00:39:03It's going to rain.
00:39:06Let's see, how's the portrait?
00:39:08That's it.
00:39:09Can I see it?
00:39:11How are you?
00:39:14Beautiful.
00:39:16Great, great.
00:39:16Pass me the sandwich, Don Anselmo.
00:39:20Thank you so much.
00:39:21Thank you so much, beautiful.
00:39:23Thank you so much.
00:39:24Alright, let's go!
00:39:25No, no, no.
00:39:25I don't know the parents.
00:39:27I'm not saying there's no commitment.
00:39:30You are coming to eat with us because Don Vicente is inviting you with pleasure.
00:39:34TRUE?
00:39:35I don't know.
00:39:35Cheer up, Don Anselmo.
00:39:36I don't know.
00:39:38The thing is...
00:39:39It makes me feel very violent.
00:39:41I can't help it.
00:39:42Come on, Don Anselmo.
00:39:43Where three hundred eat, three hundred and one can eat.
00:39:46Go ahead.
00:39:48Besides, it keeps me company, damn it.
00:39:50No, well.
00:39:51Which...
00:39:52You'll see how much he'll like the banquet.
00:39:54Sure?
00:39:55Clear.
00:39:57Goodbye, Julita.
00:39:59Bye bye.
00:40:02They're having a big party.
00:40:04They've been out hunting, imagine that.
00:40:06Bye bye.
00:40:07Goodbye, Faustinete.
00:40:08Goodbye, Faustino.
00:40:09Until next time.
00:40:10Bye bye.
00:40:11I want to be seen a lot.
00:40:12Thank you so much.
00:40:13That's right, Don Anselmo.
00:40:16Be careful, Mr. Alvarez.
00:40:18Yes, yes.
00:40:19It's just that this curb...
00:40:21Fatal!
00:40:22It's terrible.
00:40:24Push yourself a little, Don Anselmo.
00:40:26Please do me a favor, I...
00:40:27I'm coming.
00:40:28With pleasure.
00:40:29If I could get a little over three hundred bullets...
00:40:37Did you see that, Faustino?
00:40:38How sad!
00:40:40That?
00:40:43Poor Don Vicente.
00:40:44Only child loaded with millions and look like this.
00:40:47You can't have everything in life, Julita.
00:40:49Smell it!
00:40:50Don Anselmo.
00:40:51It doesn't smell like the sea!
00:40:53I can't take it anymore.
00:40:56What a meal!
00:40:58It doesn't smell like any other rooster.
00:41:01I already told you, Don Anselmo, that where three hundred can eat...
00:41:05three hundred and one eat.
00:41:06Go, go, go!
00:41:07The lobsters.
00:41:07Good.
00:41:11Wow!
00:41:11Another shot!
00:41:13For me!
00:41:14For me!
00:41:16And you finish with the deer.
00:41:18I'm not talking about my mom!
00:41:19It doesn't smell!
00:41:20No, no, no, no, no.
00:41:21That adds up to thirty bottles, so...
00:41:23Nobody does it like our cook.
00:41:26How do these people live?
00:41:29Man...
00:41:31But here, poor Don Vicente...
00:41:33You already saw it.
00:41:34A coffee with milk.
00:41:36It's the only thing it digests.
00:41:37No, no, no!
00:41:40Leave the locusts alone, man of God.
00:41:42You just need to eat your soup.
00:41:44The soup!
00:41:45No, no, no!
00:41:48Does it cut a faceless piece into the wall?
00:41:49No, thanks.
00:41:50And then her mom blames me.
00:41:51The Marchioness likes it very much!
00:41:52And what do I care if the Marchioness likes it?
00:41:55No, no, no!
00:41:55Young gentleman!
00:41:56Still!
00:41:57You do your own thing.
00:41:59Time to eat the soup.
00:42:01Okay, that's fine, teacher.
00:42:02Okay.
00:42:03Very good, boy.
00:42:04Congratulations.
00:42:05This one, as you can see, is like a creature.
00:42:10How about some León ham, Mr. Álvarez?
00:42:12I can't handle such heavy things.
00:42:14Thank you so much.
00:42:15I've eaten a lot.
00:42:17Try it, try it.
00:42:18Try it, it's a specialty of the master.
00:42:20Thank you so much, really.
00:42:22Teacher, please.
00:42:23Go.
00:42:24I'm going to prepare an American-style lobster.
00:42:27I'm getting scared, I'm getting scared.
00:42:29I want to shave like a dad.
00:42:30Let me see that.
00:42:31Sometimes we don't realize what it is.
00:42:35But this is a normal one.
00:42:36Don't you understand?
00:42:37I want to shave like Dad.
00:42:40Now I need to shave.
00:42:41Very good, bring up the wine.
00:42:46It's always the same.
00:42:47I have to go downstairs for the wine.
00:42:49It's a pain.
00:42:50It's very congested.
00:42:50We need to move around more.
00:42:51And if you don't give him everything he wants, this rascal will tell his mother.
00:42:55And look, because this guy isn't stupid and he doesn't even have money.
00:42:57Good afternoon, Álvaro.
00:42:58Hello.
00:42:59He's the butler, the master here.
00:43:01Nice to meet you.
00:43:02Greetings.
00:43:03It has everything you could ask for.
00:43:04Hey, Pichi.
00:43:05Let's see if you can bring some good cigars.
00:43:08That's all that's needed.
00:43:09But they have to be brand name.
00:43:10Okay, okay.
00:43:11I'll see if I can bring them.
00:43:12I will do my best.
00:43:13Excuse me, sir.
00:43:14I want to play motorcycles.
00:43:16I want chorizo.
00:43:17To be quiet.
00:43:18And stop with the nonsense.
00:43:23Come on, Don Anselmo.
00:43:24I'm done and we're going outside.
00:43:25Okay, now.
00:43:28Because this...
00:43:28Okay, that's it.
00:43:29Well, get out of here.
00:43:30You do nothing but rummage.
00:43:32Take that away.
00:43:33Go on.
00:43:35Let's go, soon.
00:43:38Come on.
00:43:40He's like a baby.
00:43:42Poor.
00:43:50Alright, let's play motorcycles.
00:43:52And not of war.
00:43:53If not, I'll take him to the doctor to get an injection.
00:43:56He's nice.
00:43:57Prick it.
00:43:58Leave him alone!
00:43:59Anselmo, let's go.
00:44:00You are welcome.
00:44:02You are a phenomenon.
00:44:04It's not that big of a deal.
00:44:07Tell me, Madam Marchioness.
00:44:09Did he eat Don Vicente?
00:44:10Yes, Madam Marchioness.
00:44:11Mom, I ate chorizo.
00:44:13Álvaro, are you okay to go out?
00:44:15Of course, ma'am.
00:44:17It's a wonderful afternoon.
00:44:19Keep him warm.
00:44:20And don't upload it.
00:44:21Goodbye, let's go!
00:44:21At your service, Madam Marchioness.
00:44:26She is his mother.
00:44:27Yeah?
00:44:28Our dear lady marchioness.
00:44:29Ah, I see, I see.
00:44:31Here are the cigars, Alvaro.
00:44:33Man, you could have brought them on a tray.
00:44:35Come on, I say.
00:44:36Because there is trust.
00:44:39Here you go.
00:44:41Thank you.
00:44:42Don Anselmo, here's a little cigar.
00:44:44Thank you so much.
00:44:45What, a purón, a purón for me?
00:44:46Why on earth do you want a cigar?
00:44:48This is for men.
00:44:48You go play motorcycles.
00:44:49And you don't need me anymore.
00:44:51Okay, let's play motorcycles.
00:44:51I'm going upstairs.
00:44:53Don Anselmo, would you like some more dessert?
00:44:55Orange juice or strawberries?
00:44:57No, no, no, I can't.
00:44:58Then let's go, because this guy is going to make a scene.
00:45:02Still.
00:45:11Did you enjoy the food?
00:45:12A lot.
00:45:13Very good, right?
00:45:14Much obliged.
00:45:15We have the best cook in the world.
00:45:17That's great.
00:45:24Goodbye, Luisillo.
00:45:26Have fun, okay?
00:45:29Well.
00:45:31What a shame you haven't tried one of the desserts our chef makes.
00:45:35If I couldn't take it anymore.
00:45:37It was packed, man.
00:45:41Bring the lobster.
00:45:43No, no, no.
00:45:44Do you think it's possible to go for a walk with a lobster?
00:45:46Bring the lobster.
00:45:48You'll see.
00:45:49It's hers, it's hers.
00:45:51It is a very affectionate animal.
00:45:54Take this lobster.
00:45:56Very affectionate and very intelligent.
00:45:58I tamed a...
00:45:59It's just like a creature.
00:46:00An armadillo.
00:46:01If it weren't for the affection I have for him...
00:46:03But it gives me a lot of trouble.
00:46:05Come on.
00:46:06Young gentleman.
00:46:07The lobster, come the lobster.
00:46:09Stay still, stay still, stay still.
00:46:12Calm down, we're going to play motorcycles now.
00:46:15And now push all afternoon.
00:46:16The bad thing is that when you have the car with motorcycles...
00:46:22You'll go with the others and I'll be left alone with motorcycles again.
00:46:27Everything will be alright.
00:46:28What's going to be fixed?
00:46:29Look what a beautiful afternoon we have, Don Anselmo.
00:46:31Be careful, Don Miguel.
00:46:32What he needs to do is convince his nephew.
00:46:35Imagine yourself with a two-armed car like ours.
00:46:38I will owe them every Sunday.
00:46:41No, no, no, no.
00:47:17No, no, no, no.
00:47:41No, no, no, no, no, no, no, no, no.
00:48:10Get ready, the little ones are finishing up.
00:48:12Yes, yes, there's still one more lap.
00:48:23If he uses the car he's driving, he's sure to win.
00:48:27As soon as I give the signal, I'm going out and living, and if there's anyone who can catch me...
00:48:30Greetings, it's me.
00:48:32Hey, Mr. Arsamo, this is no way to confront you.
00:48:34I'll explain it to you.
00:48:35Yes, I'll explain it to him, I'll explain it to him.
00:48:37I have the car today.
00:48:38I'm halfway there, I'm waiting for him.
00:48:39Was I able to?
00:48:42Believe me about that, brother.
00:48:43Well, here's the car.
00:48:49But let's be clear.
00:48:50Is the car for your brother or not?
00:48:53Because I've already explained this mess.
00:48:54The truth is, it's for me.
00:48:56But was the car for you?
00:48:58Well, Don Arsamo, congratulations!
00:49:02What's wrong with him?
00:49:03The legs.
00:49:04Ah, the legs.
00:49:06Come with me, I'm going to examine you in the ambulance.
00:49:09Because these things are best not abandoned.
00:49:11This is serious, this is serious and we need to monitor it from the beginning.
00:49:14The doctor tells me that if I use the stroller I'm going to get stiff.
00:49:21Carefully, Don Arsamo, carefully.
00:49:23Sit down there, slowly.
00:49:25Ah, yes, very good.
00:49:28And you told the doctor that if you buy a stroller you'll become stiff.
00:49:33Yes sir.
00:49:33These doctors, how can they not rage from top to bottom.
00:49:36Don Arsamo, please allow me a small and slight acknowledgment.
00:49:39So, just to take a quick look, let's go.
00:49:50Necrosis.
00:49:52Dry tissue.
00:49:54Lack of traffic.
00:49:56Anyway, I don't mean to alarm you, but gangrene can occur from sex.
00:50:02Yes, I told you so.
00:50:03But this son of mine...
00:50:05But you are not the head of the family.
00:50:07I'm going to be a father.
00:50:09I am a wretch with a family.
00:50:12Don't worry, Mr. Arsamo, I'll fix this in a jiffy.
00:50:15Come with you, come with you.
00:50:16Slowly, slowly, eh.
00:50:17Carefully.
00:50:17Careful, your legs, your legs.
00:50:24Look, your uncle goes first.
00:50:26What does he gain?
00:50:27The 8 ahead.
00:50:28Cheer up, everyone!
00:50:31Watch out, hospital, and you're getting hurt!
00:50:33Watch out, hospital, and you're getting hurt!
00:50:45Lucas!
00:50:46Lucas!
00:50:47But, Lucas!
00:50:49Hey man, where were you?
00:50:51Oh, how I envy that lady!
00:50:53I don't believe it!
00:50:53Come on!
00:50:54Sorry, I can't do it right now!
00:50:55Come on!
00:50:55I need to talk to you!
00:50:56Can't you see we're going out?
00:50:58But what is it you want!
00:50:59It's important!
00:51:00Extremely important!
00:51:01The most important thing is the race!
00:51:03Okay, fine!
00:51:04Good luck!
00:51:05We'll talk later!
00:51:06Bye bye!
00:51:10Bye bye!
00:51:19Bye bye!
00:51:20Bye bye!
00:51:27Bye bye!
00:51:28Bye bye!
00:51:29Bye bye!
00:51:29Bye bye!
00:51:42Bye bye!
00:51:55Bye bye!
00:51:56Goodbye, gentlemen!
00:51:57Blindness!
00:52:02Come on!
00:52:04Now for the pretty pita!
00:52:10Barraco now!
00:52:11Hey, what do you think!
00:52:13Paralytic!
00:52:14She likes it!
00:52:15Do you feel comfortable!
00:52:16A lot!
00:52:17Well!
00:52:18Come on!
00:52:18Now he's going to see what's yours!
00:52:20Come on!
00:52:21It's so easy!
00:52:22It's designed to be driven by a paraplegic!
00:52:27I wanted to ask him!
00:52:28What you have to do is never get off that seat for the rest of your life.
00:52:31A small initial payment, a few installments, and the car is completely yours.
00:52:37The most important thing is to confront your child with the fait accompli and then enjoy life.
00:52:46Speed up, kid!
00:52:58Oh, believe!
00:53:16Oh, believe it!
00:53:18Oh, believe it!
00:53:19Oh, believe it!
00:53:19Oh, believe it!
00:53:20Oh!
00:53:21EITHER!
00:53:21Ah!
00:53:25Now!
00:53:26Fuck!
00:53:38Pay attention!
00:53:46Attention, close the doors!
00:53:56Relief!
00:54:08What, did Yolandita forget about that?
00:54:10Yes, Mr. Julian.
00:54:15What? How do you find him?
00:54:17There is no fever!
00:54:18Where is the spoon?
00:54:19Here it is!
00:54:20Here it is!
00:54:23Let's see the mouth!
00:54:25Let's see!
00:54:27Come on, Anselmo!
00:54:28The leg!
00:54:28I've got her dead!
00:54:30Calm!
00:54:30No!
00:54:35Well, I don't understand why people are so afraid of the spoon.
00:54:40Nothing!
00:54:41Nothing!
00:54:41Nothing!
00:54:42Nothing!
00:54:43Your tongue is a little dirty!
00:54:44Let them flea him!
00:54:45The leg, Don Julio!
00:54:47Not the leg!
00:54:49Let's see!
00:54:50Let's see!
00:54:51Let's see!
00:54:51Let's go see grandpa!
00:54:52Nothing, daughter!
00:54:53Don't worry!
00:54:54The dress is rich, it wrinkles!
00:54:56Careful!
00:54:56Look, Yolanda, how beautiful she is!
00:54:57Your little dress is getting all wrinkled!
00:54:58Go ahead, stick out your tongue!
00:55:01The legs!
00:55:02I can't feel them!
00:55:04Nothing!
00:55:05Forty years in the profession and it's always the same!
00:55:07The patient who wants to know more than you!
00:55:13Invalid!
00:55:13Let's see!
00:55:14Calm!
00:55:15Calm!
00:55:15Calm!
00:55:15You have nothing on your legs!
00:55:17Absolutely nothing!
00:55:19It must have been a fainting spell!
00:55:21Oh my God!
00:55:21A car!
00:55:22Still!
00:55:23What car? What nonsense!
00:55:25You've got the legs of a cyclist!
00:55:27Yes, yes, yes!
00:55:28Allow me!
00:55:28What's wrong with you there?
00:55:30Tell me, darling!
00:55:31You already understand what's happening.
00:55:32Yes, yes!
00:55:33I know what I was going to say.
00:55:34Ah, good, good!
00:55:34Yolanda, go to the kitchen.
00:55:36Oh!
00:55:37Oh!
00:55:38And you too, it sounds.
00:55:39I'll call my mom with something and stay put.
00:55:41Shut up!
00:55:44I'm going to explain what's happening.
00:55:46He's gotten it into his head to buy a broken-down car.
00:55:50He's been bothering me about his legs for a month now.
00:55:53We've even had to borrow a walking stick.
00:55:56Oh!
00:55:57I want the car!
00:55:59Yeah!
00:55:59And he won't move me from the bed until I...
00:56:02Me!
00:56:03Don't be an animal, Anselmo.
00:56:04You'd get stuck in a car.
00:56:06A good purge and that's it.
00:56:08Oh!
00:56:08Seeing is believing!
00:56:09Nothing!
00:56:10Don't worry!
00:56:10To give us this upset!
00:56:11I'm sorry, doctor!
00:56:12These old people are like children!
00:56:14There's no need to rest!
00:56:15Excuse us, Don Julio!
00:56:15Goodbye, Carlitos!
00:56:16And please forgive me for not having lost you.
00:56:18Goodbye, daughter!
00:56:18Goodbye, doctor!
00:56:36Dad!
00:56:37Dad!
00:56:40Dad!
00:56:41Dad!
00:56:42Dad!
00:56:43Dad!
00:56:43Let's do one thing!
00:56:45Dad!
00:56:55Dad!
00:57:04Dad!
00:57:34Dad!
00:57:35Don't cry, my daughter!
00:57:37Don't cry, my daughter!
00:57:49Oh, Don Anselmo!
00:57:50Dad!
00:57:55Don't cry!
00:57:57Alvarito!
00:58:00Have my dad call me.
00:58:03Get your tickets!
00:58:05Don't forget!
00:58:11What viewing hours?
00:58:13At 11, Don Carlos.
00:58:16Has he gotten up yet?
00:58:18Can...?
00:58:18EITHER...
00:58:19Yes you can.
00:58:20He hasn't had breakfast either.
00:58:21If he continues like this, he will get sick.
00:58:22This can't be.
00:58:23Something has to be done.
00:58:24Go to the bathroom.
00:58:25It already has sugar.
00:58:26Go on.
00:58:27Please, the bread.
00:58:29There it is.
00:58:38Remove.
00:58:38You're always eating.
00:58:40According to.
00:58:42Come on?
00:58:45Dad.
00:58:47Can?
00:58:48Dad.
00:58:50Leave me in peace!
00:58:51Don't get up from anyone!
00:58:52Don't make me angry!
00:58:54I don't want it!
00:58:54That I am capable of...
00:58:55I don't want it!
00:58:55Come on, Don Anselmo!
00:58:56Take the 11!
00:58:57Don't be a child!
00:58:58Don't know!
00:58:59Don't know!
00:59:00Come on!
00:59:01The suit!
00:59:02The suit!
00:59:03And at 11 we have a court hearing.
00:59:05Don't worry!
00:59:06Matilda!
00:59:06Hot water!
00:59:07Damn!
00:59:08Get up!
00:59:09I'm not getting up, Dad!
00:59:09I'm not getting up, Dad!
00:59:10The stain is not required to come out!
00:59:12I'm getting up now!
00:59:13But then!
00:59:14This needs to be addressed very strongly, and right away.
00:59:17If something happens to me, you will be me.
00:59:20Oh no, I'm falling.
00:59:21At my age, at my age.
00:59:23Dad.
00:59:24No, it's getting on my nerves, I'm leaving.
00:59:27Regarding the car, I'll manage, as I always have.
00:59:32Dad.
00:59:32I'm going now.
00:59:33I've also stained my shirt.
00:59:35Ah, now I was working and now I'm old like a dog.
00:59:39Worse than a dog, because dogs are more respected.
00:59:54This is all very weak.
00:59:56Very weak.
01:00:00Very weak.
01:00:06And this?
01:00:07They belonged to my wife.
01:00:09This doesn't interest me, I don't interest you, sir.
01:00:13But how much do you want?
01:00:15Five thousand pesetas.
01:00:17How much will it cost to fix it?
01:00:19With five thousand pesetas.
01:00:20That's a lot.
01:00:22Choose what's worthwhile from that and I'll take the rest.
01:00:25That's a lot.
01:00:26That's why it's lazy, cheap...
01:00:31I will give you four five hundred.
01:00:34It is an urgent need.
01:00:35The rest is irrelevant.
01:00:36For a sick person.
01:00:39Leave me the five thousand.
01:00:41I beg you.
01:00:43I beg you.
01:00:45If it's German gold, it's rubbish.
01:00:48In the end.
01:00:50I'll give them to you because I feel sorry for you.
01:00:52Thank you so much.
01:00:54Well.
01:00:55But don't say anything.
01:00:56Don't spread the word.
01:00:57No.
01:00:57Big money.
01:00:59Big money.
01:01:02Let's see.
01:01:05One.
01:01:07Two.
01:01:09Three.
01:01:10It's very difficult for me to give him this money.
01:01:13But...
01:01:14Because, look, that's already paying him.
01:01:16But don't say anything.
01:01:18Don't even think about it, okay?
01:01:19Ma'am, don't say anything.
01:01:21Thank you so much.
01:01:22You are welcome.
01:01:23No, no, no, no.
01:01:24The box no.
01:01:26But didn't you say that you weren't interested in that?
01:01:28I'll give you this personal matter, but this is worthless.
01:01:31What do you want the box for?
01:01:33And that?
01:01:33I also told the gentleman that I was giving him four five hundred and I'm giving him five.
01:01:37So that...
01:01:38Thank you, ma'am.
01:01:39Bye bye.
01:01:40Bye bye.
01:01:42This is slow.
01:01:44Very weak.
01:01:46I don't know where we're going to end up.
01:01:48In the end.
01:01:50In the end.
01:01:51The Esquijiczaééhááaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
01:01:51and white and white, with very white eyes.
01:01:56She is still very young and not ignorant.
01:02:02Every day there are sales events at the church,
01:02:09to shut down the brain.
01:02:11At its point of the brain, the brain is lifted.
01:02:25Dad, where are you going?
01:02:29No, no, come here a moment, come here, let that creature come here.
01:02:32Don't be afraid, nothing will happen to you.
01:02:34Come.
01:02:35Come on.
01:02:38We need to talk man to man.
01:02:40Come on, come into my office, come into my office.
01:02:44Come in.
01:02:48Sit down.
01:03:03Take.
01:03:06I wanted to put some drops in my eyes.
01:03:12Let's stay calm.
01:03:15So, where did they get the car from?
01:03:18Where is there more heart than in this house?
01:03:22From public charity.
01:03:25Hush, hush.
01:03:26Liar.
01:03:27Prodigal.
01:03:30Article.
01:03:32Perfect.
01:03:36Here it is.
01:03:37Here it is.
01:03:38Let's see, Mom's jewelry.
01:03:41Where are Mom's jewels?
01:03:43They're mine.
01:03:44I inherited them.
01:03:45You have committed a crime.
01:03:48Find out.
01:03:49Look.
01:03:50Look at the legal texts.
01:03:51I can't see without glasses.
01:03:52You can't see without glasses.
01:03:53They're mine.
01:03:54Be quiet.
01:03:55Be quiet.
01:03:56Unfortunate.
01:03:57Liar.
01:03:57Prodigal.
01:03:58They arrived.
01:04:00The code says so.
01:04:01I can declare you irresponsible.
01:04:04Dad, for God's sake, the tension.
01:04:06Don't cry, daughter.
01:04:07Don't cry.
01:04:09Don't cry, my daughter.
01:04:11Don't cry.
01:04:13Go on, go back to your mother.
01:04:15Come on, let's go, Yoli.
01:04:16You, Alvarito, stay.
01:04:17We're going to recover those jewels right now.
01:04:20and return that damn car.
01:04:26What a tragedy, my God.
01:04:29What a shame.
01:04:34Such a close-knit family.
01:04:36So happy.
01:04:38And because of the madness of an old man.
01:04:40From a crazy old man.
01:04:42I'm not crazy.
01:04:43Yes, Dad.
01:04:47Go on, you wretch, go on.
01:04:48Return that car.
01:04:49You're mine!
01:04:50It's already turned off.
01:04:51And besides, I have to eat.
01:04:59Do you realize that, Di?
01:05:00Do you realize?
01:05:01Your madness has already cost us three thousand pesetas.
01:05:03The jewelry here.
01:05:04And we did manage to return that in the car.
01:05:05I'm going to report you for mistreatment.
01:05:08Yes, let's go.
01:05:08I don't go to the orthopedics clinic.
01:05:09What do we do with the family jewels?
01:05:11Put them there.
01:05:13Leave that alone.
01:05:14I'll upload it.
01:05:15I'll upload it there.
01:05:17Move.
01:05:17I don't want to take them with me.
01:05:18It's a lot of responsibility.
01:05:19Leave them there, in the car.
01:05:25To the orthopedics department.
01:05:26To the orthopedics department.
01:05:30Don Hilario.
01:05:32Don Hilario, who are bringing the old man's car.
01:05:34It's horrible.
01:05:35Besides dieting, not letting you eat in peace.
01:05:39Come in.
01:05:39Don't pay them any attention, Don Hilario.
01:05:41But what?
01:05:41What's happening?
01:05:42I don't want to.
01:05:42There are no complaint hours, sir.
01:05:44Calm for his land.
01:05:45Are you the owner?
01:05:46Yeah.
01:05:47Doesn't it disgust you to deceive a poor man like that?
01:05:49You have understood me that you are not paralyzed.
01:05:52It's an old man's whim.
01:05:54The car is mine.
01:05:55Just a moment, just a moment.
01:05:57You are apparently the son of the gentleman, aren't you?
01:06:00Yes, unfortunately.
01:06:02Okay, there's no need to raise your voice.
01:06:04Remember that you are in my house.
01:06:06The paralyzed man here is not my client.
01:06:08Clear.
01:06:09Look, I think he abused my father.
01:06:10Allow me, allow me to explain, Don Carlos.
01:06:12Allow me.
01:06:13I believe the best thing is for you to reach an agreement with Don Carlos.
01:06:16And who are you?
01:06:17Besides belonging to the family, I am a lawyer, just like Don Carlos.
01:06:20And for your own good, I advise you to try to come to an amicable solution.
01:06:23I should take that as a threat, shouldn't I?
01:06:27You have abused my father.
01:06:28The money is mine.
01:06:29Okay, okay, calm down.
01:06:30Jewels and pensions.
01:06:32Calm down, calm down, calm down.
01:06:34Calm.
01:06:34Calm down, calm down.
01:06:35Let's do one thing.
01:06:36I am willing to return the promissory notes that Mr. Proaner has signed.
01:06:39No, don't listen to Milario.
01:06:42They are not lawyers.
01:06:43He hasn't finished his race yet.
01:06:45Come on.
01:06:46And this is not a bad prosecutor.
01:06:48Attorney.
01:06:48Perhaps what you need to do is keep quiet.
01:06:51Clear.
01:06:51Why have you come to an honest house?
01:06:53Ah, stop complaining.
01:06:55Don't use violence, okay?
01:06:56You return the bills and the money.
01:06:57I'm not returning the money, sir.
01:07:00This is purely a business transaction.
01:07:03And according to the commercial code, the rights belong to me.
01:07:07And if you are lawyers, as you say, you will understand that there is no basis for any kind of claim.
01:07:10That?
01:07:125 and 3, 8, 8, 8, 8, 8 thousand, 8 thousand pesetas.
01:07:14So you don't want to return the money.
01:07:17Well, be prepared to face the consequences.
01:07:18I will abide by the consequences.
01:07:19The letters are available in my office.
01:07:21It's very nice.
01:07:228 thousand pesetas, 8 thousand pesetas and the worst part is not that.
01:07:24The serious thing is that I have a prodigal father.
01:07:26When will the lyrics be available to us?
01:07:28They are available in my office from nine to one and from four to one.
01:07:31It's the workday.
01:07:33I love them.
01:07:33Allow me, Don Carlos, to get to the point.
01:07:35I am a gentleman.
01:07:36God will repay you.
01:07:37God will repay you.
01:07:37Go away now, gentlemen, let's see if I can eat from a hair.
01:07:39I have very good friends who will not abandon me.
01:07:42Please don't talk to me about that matter anymore; it's a business that leaves me cold.
01:07:46He told me that his profession is a priesthood.
01:07:48Please, Mr. Hilario.
01:07:50Please don't abandon me.
01:07:53Who told me to get to the point where it's done?
01:07:56I beg you.
01:07:57Don Hilario, I have friends who lend me the money.
01:08:02Keep my car for a few days.
01:08:04Don Hilario, the car is mine.
01:08:07It was, it was.
01:08:08Don't forget.
01:08:09I don't have it anymore.
01:08:11Leave me alone, leave me alone.
01:08:12Please.
01:08:12I can't trust you.
01:08:14A week.
01:08:15Just one week.
01:08:17What does it matter to you to wait a few more days, Don Hilario?
01:08:21A week.
01:08:22One week, Don Hilario.
01:08:23No no.
01:08:24I'll pick it up this afternoon.
01:08:25I'm fed up with trouble.
01:08:27Three days.
01:08:27Three days, Don Hilario.
01:08:29And I'll bring him all the money.
01:08:32They will lend it to me.
01:08:33And my son will have to leave.
01:08:36And you will not have the slightest responsibility.
01:08:40Three days, Don Hilario.
01:08:41And I bring it all to him.
01:08:44I assure you.
01:08:45Don Hilario.
01:08:46I swear.
01:08:48Word of honor.
01:08:49You'll see.
01:08:50The car is mine.
01:08:51We'll see with the car.
01:08:52Mine.
01:08:53Leave it there.
01:08:53We will give you three days.
01:08:55They will approve.
01:08:56Thank you very much, Mr. Hilario.
01:09:26What a day.
01:09:27Don Anselmo.
01:09:27That?
01:09:28Do you want to clean me up?
01:09:29Yeah.
01:09:38Don Anselmo has left me.
01:09:40And I went there with good intentions.
01:09:41No, no, no.
01:09:42That's fine with me.
01:09:42He'll be back.
01:09:43He'll be back.
01:09:43What's coming back?
01:10:07I'm telling you, Don Anselmo, that I can't.
01:10:09I have some little dogs, okay?
01:10:11Why would I say no?
01:10:13But one day or another I will retire.
01:10:17I want to go live in Pozuelo with one of my aunts.
01:10:20Honestly, if I could, I would give you that money you need.
01:10:24Trees, trees, my joke, my joke.
01:10:29I'm going to see this poor man, who has fallen ill.
01:10:35We have a farm in Pozuelo.
01:10:37Not much.
01:10:39After struggling so much in life,
01:10:41One feels like resting.
01:10:43And without money, believe me, Don Anselmo,
01:10:45Without rooms, there's no one to rest.
01:10:48Yes, yes, yes.
01:10:49Bye bye.
01:10:50You stay put right here.
01:10:53Don't take off your coat, okay?
01:10:56Why don't you ask Don Lucas?
01:10:59He is an industrialist and he is also his friend.
01:11:02Me, after all...
01:11:04Bye bye.
01:11:08Come on, man, let's see what's wrong with you.
01:11:14This afternoon we're going to send someone to the middle.
01:11:18Monkeys, you want the car, don't you?
01:11:19You're still going out together like before.
01:11:21Don't be useless anymore.
01:11:22Get off.
01:11:23The deadline is tomorrow, Lucas.
01:11:25I wish it had ended for you today.
01:11:27Get down from there, Anselmo.
01:11:28Get down with the legs you have.
01:11:30Help me, Lucas.
01:11:31Take care of your son.
01:11:32Get off.
01:11:33Well, I'll make a cake.
01:11:36Get out and don't get me into trouble.
01:11:38Go and take it home.
01:11:39Don Anselmo, Don Carlos says that you should please come up immediately.
01:11:42That he wants to hit me.
01:11:44Don't talk nonsense.
01:11:45If there's a boss, he doesn't rule.
01:11:46Send, go up to the house.
01:11:47Deliver me.
01:11:48Come on, Don Anselmo.
01:11:48Call me.
01:11:49Call me forever.
01:11:51What do you decide?
01:11:52For God's sake, Lucas.
01:11:53This afternoon.
01:11:55That tomorrow there will be no remedy.
01:11:58The letter, the files.
01:12:00The cape, the baritone.
01:12:01All.
01:12:04I sewed the ribbon for you.
01:12:05Well.
01:12:06What have you put on me?
01:12:08Mystery.
01:12:09You'll see it later.
01:12:12This letter needs to be answered.
01:12:14Goodbye, Apuchi.
01:12:16Goodbye, baby.
01:12:17Don't you want to help me?
01:12:18Fix yourself up a bit.
01:12:20Go on.
01:12:21That's not common.
01:12:22Go on, go with your mom.
01:12:23Go on, go with your mom.
01:12:24I'm coming.
01:12:26Bye bye.
01:12:26Goodbye, Lino.
01:12:30I say, Don Carlos, that this afternoon I wanted to go with my mother to buy me a suit.
01:12:33We're already at five.
01:12:35Five?
01:12:35Yes sir.
01:12:37How do the months go by?
01:12:40I don't know, I don't know.
01:12:43Alvarito, I think I'm doing wrong by paying you.
01:12:47Because with this fixed salary, you don't have to worry about your career.
01:12:52And in life, you have to start a family.
01:12:55And so be it.
01:12:56Yolanda, you see.
01:12:58No, no, I'm already studying, Don Carlos.
01:12:59Yes, yes, of course.
01:13:01How do you want it?
01:13:02I don't care.
01:13:03Hey?
01:13:03Either way, it's all the same to me.
01:13:05Good morning.
01:13:06They are the teachers, since I'm independent.
01:13:08Yes, but you're too old to be going around playing the tambourine.
01:13:18Thank you very much, Don Carlos.
01:13:25Good morning, doctor.
01:13:26Good morning.
01:13:27Mr. Hilario sent me to tell you that if you don't go this afternoon, you will lose your rights.
01:13:34You lose the car.
01:13:34Tell him that I will definitely go tomorrow.
01:13:37Sure.
01:13:38Tomorrow is too late.
01:13:39It has to be today.
01:13:40But here we go again with that story.
01:13:41Tell your boss that this old man is not paralyzed.
01:13:44Don't believe him.
01:13:45This old man is not paralyzed.
01:13:47Don't believe him.
01:13:47Don't believe him.
01:13:47Don't believe him.
01:13:47Don't believe him.
01:13:48Don't believe him.
01:13:48Don't believe him.
01:13:48Don't believe him.
01:13:48Don't believe him.
01:13:48Don't believe him.
01:13:49Don't believe him.
01:13:50Don't believe him.
01:13:51Remember that.
01:13:52Please, Mr. Hilario.
01:13:52Don't believe him.
01:13:53Don't believe him.
01:13:53Don't believe him.
01:13:53Don't believe him.
01:13:54Please, Mr. Hilario.
01:14:00Don't believe him.
01:14:01No, no, don't be a child.
01:14:02Nothing's wrong with you, Dad.
01:14:03Calm down, Carlos.
01:14:04That you can run.
01:14:05That you can walk.
01:14:07Come on, Dad.
01:14:08Nothing's wrong with you.
01:14:09Nothing's wrong with you.
01:14:10Look at that...
01:14:11Go on.
01:14:11And I'll request a certificate tomorrow.
01:14:13For 20 euros.
01:14:14They give it to me.
01:14:14And I'll put you in a nursing home.
01:14:15Can you hear me?
01:14:16Your father has been made to cry.
01:14:19Yes, yes.
01:14:19He's a bad son.
01:14:20Come on, you're crazy, Dad.
01:14:22I'm not crazy.
01:14:22You're crazy.
01:14:23I'm not crazy.
01:14:24Yes, come in.
01:14:25Go in there.
01:14:25But do it.
01:14:26Do it now.
01:14:27You're going to burst through your mouth.
01:14:28Come on, man.
01:14:29It's decided.
01:14:30I commit in an asylum.
01:14:31Of course, Dad!
01:14:31Of course, Dad!
01:14:33Calm down, daughter.
01:14:34Calm down.
01:14:34Go with your son.
01:14:36You're going to be late.
01:14:37See you later.
01:14:38Goodbye, Carlos.
01:14:39What time are you coming to eat?
01:14:40At 3.
01:14:41Okay, see you later.
01:14:41Bye bye.
01:14:46What are you saying?
01:14:47Is Grandpa going to a nursing home?
01:14:48Yes, daughter.
01:14:48That way he won't cause us any more grief or make us look ridiculous anymore.
01:14:51But don't you cry, that's what I do.
01:14:53That your eyes get hit.
01:15:06Mom, is Grandpa leaving?
01:15:07Is the room for me?
01:15:08Yes, daughter, yes.
01:15:09I'm just fed up with sleeping in the dining room.
01:15:10Well, but...
01:15:11Don't be selfish, okay?
01:15:12I don't like it.
01:15:13We removed all the old junk and painted it.
01:15:15Okay, very good.
01:15:16But slowly, okay?
01:15:16Yeah.
01:15:20Go on.
01:15:21Help me.
01:15:22We're going to take out our coats and put on our shirts.
01:15:24We have a house full of wooden beams.
01:15:26No.
01:15:29No.
01:15:30No.
01:15:31No.
01:15:33No.
01:15:34No.
01:15:35No.
01:15:36No.
01:15:45No.
01:15:54Don't touch the dishes, there's nothing to eat.
01:16:21No.
01:16:32No.
01:16:34No.
01:16:36No.
01:16:52Thank you!
01:17:12Amen.
01:17:40Thank you!
01:17:43Thank you!
01:17:45You always have to come and bother me when I have more work.
01:17:49Today, my cow is sick...
01:17:51Look!
01:17:52What do you think?
01:17:53But whose is it?
01:17:55Mine!
01:17:56You and I?
01:17:57Mine!
01:17:58There you go! Did you do it?
01:17:59What a car!
01:17:59Where did you get it from?
01:18:01Who gave you the money?
01:18:02That doesn't matter.
01:18:04What matters is that we can get out of this together.
01:18:08Do you like it?
01:18:09Great!
01:18:10It's better than yours, Don Lucas!
01:18:11Clear!
01:18:12You have three speeds!
01:18:13Hey! You shut up!
01:18:15Lots of presence, but with a powerful engine!
01:18:17Engine?
01:18:18Engine!
01:18:18Nothing!
01:18:19You'll see.
01:18:20Hey?
01:18:20I'm going to leave you nailed.
01:18:22Are you going to leave me high and dry?
01:18:24To you!
01:18:24Come on!
01:18:26Get me in the car!
01:18:27But you don't have the slightest idea about this, kid!
01:18:31Upload it!
01:18:31I don't understand!
01:18:32You'll see what you've done!
01:18:33Agustín, don't be an animal!
01:18:35Hey!
01:18:36Ehhh!
01:18:36Watch your legs!
01:18:38Get ready!
01:18:39Vabula!
01:18:39But I came in third in the race, and I had a terrible day...
01:18:42They're going to have a race!
01:18:43Otherwise, I win!
01:18:44A!
01:18:46Two!
01:18:46ERMA, THREE!!!
01:18:51Leave me a paio just once!
01:18:52Want?
01:19:21She shouldn't be pretty.
01:19:23He'll know what he's doing.
01:19:25If he doesn't want to come, then he doesn't have to come.
01:19:28Let's go.
01:19:28Wow!
01:19:31Come on, let's go.
01:19:33Then you're not coming.
01:19:35No, I'm staying.
01:19:36I know what's been done.
01:19:39Hold on! Let's go!
01:19:41This starts whenever it wants.
01:19:43I see it now.
01:19:45That's it, thank goodness.
01:19:47Wow!
01:19:48Are you staying?
01:19:49Anyway, it's up to you.
01:19:51Bye bye.
01:19:55Julita's situation is beyond repair.
01:19:57No, I've already returned the photos.
01:20:00Let's go now.
01:20:07What's wrong, Mr. Selmo? Are you incapacitated?
01:20:09No, I am not disabled.
01:20:11But that doesn't matter.
01:20:13What matters is that you make peace with Julita.
01:20:18What nonsense!
01:20:18No, it can't be.
01:20:19You're behaving like two little children.
01:20:23Come on, you, kid, pick up the merchandise.
01:20:26That?
01:20:26No.
01:20:27I'll fix this right now.
01:20:42I don't sleep, I wouldn't go to try anything.
01:20:44Oh, ma'am, I'll fix it.
01:20:47I am a specialist in your loving mothers.
01:20:54Goodbye, ma'am.
01:20:58Goodbye, daughter.
01:20:59Watch out for cars.
01:21:00Yes, I bought a car.
01:21:01I'll explain it to you.
01:21:02There you have it.
01:21:05Look at him, look at him, look at him, you've made him suffer quite a bit.
01:21:09You told me that you came alone.
01:21:12I don't want to talk to him.
01:21:13Ah, people can understand each other by talking.
01:21:16You don't understand me, Julita.
01:21:18I want to hug myself.
01:21:19That's what they always say.
01:21:20But then you regret it, and I'm not here to waste my time.
01:21:22I wanted it for you, so as not to sacrifice you.
01:21:25Excuse me, Mr. Anselmo brought you.
01:21:27But this time you won't fool me.
01:21:29You need to focus on your own business.
01:21:30I'll take you to the meadow right now.
01:21:31Yes, with you it's possible, but it's not worth it alone.
01:21:36All good.
01:21:37And right now.
01:21:38Come on, come on, come on.
01:21:39No, no, no, no, no, no.
01:21:41Come on.
01:21:52Come on.
01:22:14No, no, no, no, no, no.
01:22:22Come on, let's go, let's go.
01:22:23Come on, get out of here.
01:22:24Okay, fine, out.
01:22:31Come on.
01:22:36Come on.
01:22:49Get out of here.
01:22:52No, no, no.
01:23:25Wait, the brake's on. Come on, hurry up, it's ready. It's ready, it's ready. Come on, come on. Come on, come on, hurry up, come on.
01:23:41Wait, the machine's moving. Wait. Come on, hurry.
01:24:18Wait, the machine is moving.
01:24:22Anselmo Proarán.
01:24:24Where does it come from?
01:24:25From Madrid.
01:24:26Where is he headed at this hour?
01:24:28To the ram.
01:24:30Let's check.
01:24:34Anselmo Proarán.
01:24:38Very good.
01:24:40Follow us.
01:25:17Follow us.
01:25:26Will they let me have the stroller in jail?
01:25:30Come on, let's go.
01:26:07Come on, let's go.
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