- hace 7 horas
Reparto: José Luis López Vázquez, Julieta Serrano, Antonio Ferrandis, Enrique Avila, Lola Gaos, Mónica Randall, Chus Lampreave, Cristina Suriani, Ana Suriani, Manolo Otero, Lola Gálvez, María de la Riva, Luis Barbero
Dirección: Jaime de Armiñán
Sinopsis: Adela Castro, una madura solterona de 43 años que vive en una ciudad provinciana, sabe que no es una mujer normal: se afeita todos los días y se siente atraída por su criada Isabelita. Se ha pasado la vida creyendo que se ha quedado soltera por ser poco agraciada físicamente. Por ello, decide ir a la consulta de un médico.
Dirección: Jaime de Armiñán
Sinopsis: Adela Castro, una madura solterona de 43 años que vive en una ciudad provinciana, sabe que no es una mujer normal: se afeita todos los días y se siente atraída por su criada Isabelita. Se ha pasado la vida creyendo que se ha quedado soltera por ser poco agraciada físicamente. Por ello, decide ir a la consulta de un médico.
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CortometrajesTranscripción
00:00:08Sadness of love
00:00:31Only God knows.
00:00:38Sadness of love
00:00:40Faithful to the cruel
00:00:43It tears me apart.
00:00:48When I think of you
00:00:52To dwell
00:00:55Your phone is in my head
00:00:59But I watch with sadness
00:01:02That's not something easy to forget
00:01:07To dwell
00:01:10In my heart
00:01:12That memory
00:01:17Never again
00:01:20I'll forget it
00:01:42What are you doing, woman?
00:01:44So that she looks prettier
00:01:45Bring
00:01:46I'll wear just one
00:01:51That one's for you
00:01:52Give me the gloves
00:02:04They're going to think I'm crazy.
00:02:06Yes, yes
00:02:06Many would like to
00:02:08Ah, the decoration
00:02:12Should I put it here?
00:02:16No, no, no
00:02:17I don't like to go overboard.
00:02:24The bag
00:02:29You look very good, miss.
00:02:31Leave me alone, creature
00:02:31I'm going to be late
00:02:35No, no, no
00:03:30Thank you!
00:03:33Charo!
00:03:36It's Daddy's chicken!
00:03:53Charo! Charo, sister!
00:03:59What happened? Sit down.
00:04:01A glass of water, please.
00:04:02Yes, ma'am. Return to the table.
00:04:04The table is in good hands.
00:04:05And you give me that piggy bank.
00:04:07Calm down, Adela.
00:04:08You don't need to dress like that to apply.
00:04:10Not really.
00:04:11What happened?
00:04:12That lady has no reflection.
00:04:14They were able to kill her, and they were able to kill themselves because of her.
00:04:17That's what happened.
00:04:19Water.
00:04:19Don't listen to him, Dad. He was coming from the sky.
00:04:21Well, leave it to me.
00:04:23Madam, you tell me.
00:04:27But Adela...
00:04:33Come on, let's go. Come into my office.
00:04:34Well, I have to go to the table.
00:04:35You rest for a moment and then you get up, okay?
00:04:38Yeah.
00:04:39Come on.
00:04:39The director is in charge.
00:04:41Forgive me.
00:04:43It's no big deal.
00:04:45I'm fine.
00:04:46Please come in.
00:04:54It's your car, right?
00:04:55It doesn't matter, the insurance will pay.
00:04:59Take.
00:05:00It will help you get over the scare.
00:05:01I've already gotten over it.
00:05:03Very good.
00:05:03Then it will serve to celebrate the meeting.
00:05:10How long have you been here?
00:05:12A week.
00:05:13As a director, huh?
00:05:15I'm so glad.
00:05:17But sit down.
00:05:28How many years had it been since we last saw each other?
00:05:30Calculate.
00:05:31Since the Mercedes incident.
00:05:32Poor.
00:05:33If you only knew how much I miss her.
00:05:38So those girls were...
00:05:40They are your daughters.
00:05:42You'll have to apologize to the older one on my behalf.
00:05:45I wasn't very nice.
00:05:48He deserves it.
00:05:49Sure.
00:05:51I can't get hold of them.
00:05:54Today's youth are not like those of our time, Adela.
00:05:58Everything has changed.
00:06:00Have you remarried?
00:06:05Well...
00:06:06What have you been doing all this time?
00:06:08To stumble, Adela.
00:06:10Are you leaving already?
00:06:11Yeah.
00:06:16We need to take things slower.
00:06:17Of course.
00:06:18Haven't you gotten married?
00:06:19Nobody loves me.
00:06:21You're the one who doesn't want to complicate your life, that's it.
00:06:23Well, I'm making it complicated for myself, you see.
00:06:25She has been very kind.
00:06:26See you soon, Adela.
00:06:27Goodbye, Santiago, and thank you for everything.
00:06:29You're welcome, woman.
00:06:33Yeah.
00:06:35Hello...
00:06:35Congratulations!
00:06:38Congratulations!
00:06:39Hello, today.
00:06:39Thank you.
00:06:41Congratulations!
00:06:45Congratulations!
00:06:50Congratulations!
00:06:52No, no, no, no, no, no, no, no.
00:07:11You? Oh, well.
00:07:21I've told you a thousand times that you can't go up here.
00:07:23No? What do I do with this? Did I do it under the door?
00:07:26That's not for us.
00:07:27Can you read?
00:07:39Oh, what a habit!
00:07:41Ah, very good. You're going to ask for carnations again...
00:07:43There you have it. What more could you want?
00:07:45And the other one? Did you give it to the old woman?
00:07:47What a scream, huh! What a scream!
00:07:50Here we go!
00:07:50But seriously, do you like me or not? Nobody can understand you.
00:07:53It's because I'm very independent.
00:07:56I'll go as soon as I pick up.
00:07:58Oh!
00:08:02Don't deceive me.
00:08:03No.
00:08:14Take care of yourself and don't do anything stupid, it's not worth it.
00:08:17Get well soon.
00:08:17Thank you, Alicia.
00:08:18Bye bye.
00:08:27Isabelita.
00:08:33Isabelita.
00:08:53Every cloud has a silver lining, Santiago.
00:09:19Every cloud has a silver lining, Santiago.
00:09:34There's no bad one.
00:09:46That?
00:09:47Come on!
00:10:40Miss, is something wrong, miss?
00:10:47For God's sake, miss, don't look at me like that.
00:10:50How do you want me to look at you?
00:10:52Don't you know they almost killed me?
00:10:54No, what would I know?
00:10:56She is injured.
00:10:56Don't come near!
00:10:57What happened?
00:10:59A miracle.
00:11:01That's what it's been like.
00:11:03Have you called the doctor?
00:11:04A wrecked house returns, crawling.
00:11:08And he has to do everything for himself.
00:11:10Just one.
00:11:12Go downstairs for a moment to change.
00:11:13Time for a change.
00:11:15Filth with a degenerate.
00:11:17Are you ever going to bring home what I know?
00:11:19No, miss.
00:11:20I am a decent girl.
00:11:22There's very little decency there at the river.
00:11:24But I haven't done anything.
00:11:27Do you want something?
00:11:28Go away!
00:11:31You are all the same.
00:11:33At first glance, they are incapable of letting me live like a dog.
00:11:45First of all, I want to apologize for my appearance.
00:11:48It would be ridiculous if she had to change her clothes in a few seconds because she first had to talk to them and then judge them.
00:11:54the legality of a goal.
00:11:57Both things are equally respectable.
00:12:00Equally worthy.
00:12:01We are no longer in the Middle Ages, my dear friends.
00:12:04Not even in the forties.
00:12:06And this is precisely the only point I can think of to make to you on the first day of our club.
00:12:12We must put aside prudishness and fear of sin.
00:12:15You can go up to heaven wearing a frock coat or sweatpants.
00:12:20Or, as in the case of the girls, with the two-piece bikini.
00:12:24Come on, come on.
00:12:25Sin, my dear friends, only exists when we commit it.
00:12:29Hello.
00:12:29The body requires so much care.
00:12:31Hello, what are you doing here?
00:12:32You see, I came because...
00:12:35Hopefully, these facilities that we are inaugurating today will contribute to perfecting our bodies, because in this way we will be closer to
00:12:44God.
00:12:50Very good.
00:12:51Now we're going to watch a game.
00:12:53There's a game.
00:12:54We're going to have it.
00:12:55Yes, father, I'm coming.
00:12:57Do you agree with him?
00:12:59And you?
00:13:00I already feel old.
00:13:02What nonsense.
00:13:08Now to the countryside, right?
00:13:10Yeah.
00:13:10Would you mind keeping this for me?
00:13:12Oh no, no, delighted.
00:13:13Thank you.
00:13:16How did you sleep last night, Adela?
00:13:18Well, that's bad.
00:13:18Yeah.
00:13:19I haven't been able to sleep a wink all night.
00:13:21The worries, of course.
00:13:23And what about loneliness?
00:13:25I am alone too.
00:13:26And that's what I wanted to talk to you about.
00:13:29I have a little bit of land, nothing, four fields.
00:13:33You couldn't take me on in the administration.
00:13:36I know you're very busy, but it's such a small thing.
00:13:40And yet, for me...
00:13:41With great pleasure.
00:13:42Come to the office tomorrow and we'll talk.
00:13:44Thank you, Santiago.
00:13:45You're welcome, woman.
00:13:46That's what we're here for.
00:13:47And can you tell me why you didn't sleep last night?
00:13:51The service.
00:13:53Domestic problems.
00:13:54You disappoint me.
00:13:56I thought it had been for the same reason as me.
00:13:58And I liked the idea.
00:14:00Adela.
00:14:02Adela, we're waiting for you to serve.
00:14:04Yes, I'm coming.
00:14:05Sorry, I have to go.
00:14:10Has the newspaper photographer arrived?
00:14:12How important.
00:14:17Are you going to drop the ball?
00:14:19Mrs. Madrid.
00:14:21Sir, Mr. Secretary.
00:14:24Good luck, guys.
00:14:25Come on, Adela.
00:14:25Whenever you want.
00:14:26Now?
00:14:27One moment.
00:14:28I don't know.
00:14:32Nipirri!
00:14:37Dirty mouth.
00:14:38I'd also like to have a female soccer player.
00:14:40And I would like you to be more educated.
00:14:42The package!
00:14:48Do you want something for your grandmother?
00:14:49Nothing.
00:14:50She is very lonely.
00:14:51What are you going to tell me?
00:14:56What are they sending you there for?
00:14:57Muffins.
00:14:57Could you give me one?
00:14:58That's what I'm thinking about.
00:14:59Can I bring you the package?
00:15:00No.
00:15:01Wow, Cardo, you're something else, girl.
00:15:02Better for me.
00:15:19Miss, I'm here.
00:15:23The package has arrived.
00:15:32Shall I make you breakfast?
00:15:34Shall I make you breakfast?
00:15:53Shall I make you breakfast?
00:15:59Do you remember?
00:15:59Would I like to have one?
00:16:05When not?
00:16:06Shall I make you breakfast?
00:16:08Do you remember?
00:16:09Are there any Chinese people?
00:16:10Do you remember?
00:16:12What are they sending you?
00:16:12Do you remember?
00:16:13Do you remember?
00:16:18Do you remember?
00:16:35Thank you!
00:16:50Good morning, miss
00:16:53Hello good
00:17:02That's okay, right?
00:17:04My darling!
00:17:16Miss
00:17:16What's wrong with him?
00:17:20We cannot continue like this.
00:17:22My nerves are shot.
00:17:24I spent the night crying
00:17:26You see?
00:17:29Don't bite your nails
00:17:31I don't want to see them
00:17:32If I can't resist it
00:17:33You are like a mother to me.
00:17:35Even more
00:17:37I don't know
00:17:42Please
00:17:47It's your fault, little one
00:17:50If only you weren't so foolish
00:17:56Do you think I like being angry with you?
00:17:58Go on
00:17:59Get up, creature
00:18:06Sit down
00:18:08We are alone, woman
00:18:17You don't understand that I'm doing this for your own good.
00:18:20That boyfriend
00:18:21I don't like it for you
00:18:23He's a boyfriend
00:18:24What is it then?
00:18:26A boy
00:18:27A friend like any other
00:18:29Like the others?
00:18:34More in my favor
00:18:35Save yourself for marriage with a good and honest man.
00:18:38You are different from the others, Isabelita
00:18:40Oh, no way?
00:18:41Yes, daughter
00:18:43Go on
00:18:44And fasten up
00:18:48His breakfast is going to get cold
00:18:52Are they good?
00:18:53Clear
00:18:53But the package is being sent to you, Isabelita.
00:19:01Again?
00:19:03So
00:19:04She's not angry with me anymore
00:19:07I will never get married
00:19:09I don't want to leave here
00:19:11Don't be crazy
00:19:12I swear
00:19:12It's the way of life, Isabelita
00:19:14How nice, how very nice you are, miss.
00:19:24We're going to change the house a little.
00:19:27Don't you think he's too sad?
00:19:30What are you going to tell me, miss?
00:19:33If I get paid in June, we can paint this.
00:19:36Even knocking down the partition wall
00:19:38And make a living room
00:19:39As they say nowadays
00:19:58Hello
00:19:58Good morning, miss
00:20:00Is Dad there?
00:20:00Yes, she's with a visitor.
00:20:09Here's the power of attorney, the registration card, and everything else.
00:20:12Yeah
00:20:12What's up?
00:20:13Nothing
00:20:14Hello gorgeous
00:20:15I need money
00:20:16Again?
00:20:17We have to pay for electricity and perfume.
00:20:19How much do you want?
00:20:21Two thousand
00:20:22Which school did you go to?
00:20:26Goodbye, ma'am
00:20:32I'm sorry, Adela
00:20:34I don't think he realized it
00:20:35Don't be naive
00:20:36Anyway, I was going to find out.
00:20:40Let's get back to our topic.
00:20:41What do you say to me?
00:20:43It's nonsense.
00:20:44Because?
00:20:45These things
00:20:46At my age
00:20:47Don't talk nonsense
00:20:49Let's not fool ourselves, Santiago
00:20:51I've never had a boyfriend
00:20:54No one has ever loved me
00:20:56Because men are idiots, Adela
00:20:58And I don't exclude myself.
00:21:01We need you
00:21:03The girls
00:21:05Me too
00:21:06You're sure?
00:21:08Youth is the least important thing
00:21:10I've already passed that stage.
00:21:12Oh, and me too, right?
00:21:15Forgive me
00:21:16I meant
00:21:17Well, I don't know
00:21:21Let me think about it
00:21:22You'll understand that something like this
00:21:24Suddenly
00:21:26You have every right in the world
00:21:28When can we meet?
00:21:30Tomorrow?
00:21:31Day after tomorrow?
00:21:32Thursday
00:21:35Now you're in my hands, Adela
00:21:37You can't use your money without me.
00:21:45Do you regret it?
00:21:47On the contrary
00:21:48Thank you
00:21:51Until Thursday, Santiago
00:21:52Goodbye, Adela
00:21:54Bye
00:22:01Bye
00:22:13Do you find it difficult to call?
00:22:15Have you heard what they've told you before?
00:22:16I don't care what that person might say.
00:22:18That
00:22:19It is very possible that she will take your mother's place.
00:22:21Are you hearing it?
00:22:23Do you plan to marry her?
00:22:25If she wants to, yes.
00:22:27He's crazy.
00:22:28Poor
00:22:29Remember that I am your father and I have the right to decide what happens to my life.
00:22:31And don't make me spend the money
00:22:32But don't you realize it's a monstrosity?
00:22:35Enough is enough
00:22:37Don't count on me
00:22:38Not even with me
00:22:41I didn't count
00:22:42I'm leaving home
00:22:43And me too
00:22:44Forever!
00:22:46Well
00:22:48What did you want?
00:22:49Nothing!
00:22:53And I don't plan to continue studying!
00:23:17I am Father
00:23:18Adela Castro
00:23:21Hello, tell me
00:23:24I need advice.
00:23:25If you want, we can talk somewhere else.
00:23:27No no
00:23:28I'll go to confession later
00:23:30What do you think?
00:23:33You'll see
00:23:34I had never been interested in men.
00:23:36I felt a kind of fear towards them
00:23:39Or of aversion
00:23:40I thought it was envy because all my friends were getting married
00:23:43And I was still single.
00:23:45Can you hear me?
00:23:46Yes, yes, of course.
00:23:49But now a man has asked me to marry him
00:23:52Don Santiago
00:23:53How do you know?
00:23:55Why did you tell me that?
00:23:56That seems very good to me
00:23:57It's in your best interest, Adela
00:23:59You will achieve physical and spiritual fulfillment
00:24:02Don't know
00:24:04There's a problem, Father.
00:24:08I shave
00:24:09That?
00:24:10What should I shave?
00:24:12I started when I was 17 and I couldn't stop.
00:24:19I don't know if I'm a woman, Norma
00:24:22Women
00:24:24I don't know how to tell him.
00:24:27I'm ashamed
00:24:29You have nothing to be ashamed of
00:24:33But you understand me, right?
00:24:35Yeah
00:24:35Yeah
00:24:37And it is a sin
00:24:42Have you ever had physical contact with a woman?
00:24:45No
00:24:46No no
00:24:48God forbid
00:24:50God forbid
00:24:53And with a man?
00:24:57Neither
00:25:00How old are you?
00:25:0243
00:25:07It would be best if you consulted a doctor
00:25:10I'll give you a card for a colleague of mine in Zaragoza.
00:25:13And don't worry too much
00:25:16Thank you, Father.
00:25:18Now, I would like to confess
00:25:30What's happening?
00:25:51It's already there
00:25:52It's there, miss.
00:25:53And how does it come?
00:25:54Scary
00:25:56But don't keep him waiting, miss.
00:25:57Men are very difficult.
00:25:59Don't talk nonsense
00:26:00Yes, yes, nonsense.
00:26:01Ah!
00:26:02And she has perfumed herself
00:26:06She should have put on her fur coat
00:26:07Yes, exactly.
00:26:08Good luck, miss
00:26:18Answer
00:26:19Tell me something
00:26:21And what do you want me to say?
00:26:24You are the best man in the world
00:26:27What are you doing?
00:26:29Let's see
00:26:29I want you to carry it
00:26:32It belonged to Mom
00:26:33Then Mercedes had it.
00:26:35By no means
00:26:36Please
00:26:37But...
00:26:38Santiago
00:26:39There is no reason.
00:26:40I beg you
00:26:41Well
00:26:43Provisionally
00:26:44I hope you're wrong
00:27:06What have you seen in me?
00:27:08I don't even have money
00:27:09Don't say that, woman
00:27:12You know my accounts perfectly well
00:27:16I think that...
00:27:17I've always been drawn to you
00:27:20Beauty isn't everything.
00:27:24It is much more important
00:27:26How do you say?
00:27:28He...
00:27:29Sexapille?
00:27:29That
00:27:31The spiritual side
00:27:33It's so important
00:27:35Like the physicist
00:27:37Mercedes always said that...
00:27:39No, please
00:27:39Don't talk to me about Mercedes now.
00:27:44Sorry
00:27:46You're right
00:27:47I feel very lonely
00:27:49In addition, my daughters
00:27:50They are at a very difficult age
00:27:52For that reason alone
00:27:53You have chosen me
00:27:54But...
00:27:55But how can you think
00:27:56That nonsense?
00:27:58No
00:27:58I love you, Adela
00:28:00And we're going to be very happy
00:28:02You'll see
00:28:03Please, Santiago
00:28:04I believe we have the right to live
00:28:06And nobody should interfere.
00:28:07In our affairs
00:28:10Adela
00:28:13Adela!
00:28:20Isabelita
00:28:25Miss
00:28:25What are you doing there?
00:28:32Have you lost your purse?
00:28:34Open
00:28:44You are all the same
00:28:45You're a nobody
00:28:46Where were you?
00:28:47With a pimp like that
00:28:49Isn't he a pimp?
00:28:50Yes, he's a pimp.
00:28:51A pimp
00:28:51And you are...
00:28:52You already know what you are
00:28:54An alpha
00:28:55That's what you are
00:28:56Well, I'm leaving.
00:28:57I'm leaving right now.
00:28:58Because I'm fed up
00:28:59I'm fed up!
00:29:00And me too
00:29:01Better!
00:29:03I don't even allow myself to be bothered by my own mother.
00:29:04Tell me what you told me
00:29:17And you know what I
00:29:18And you know what I
00:29:18Tell me what you're serious about
00:29:34That one that the bag
00:29:35Sacred Ven
00:29:57Thank you!
00:30:10Isabelita
00:30:14Woman, forgive me
00:30:16I've just had a very big upset
00:30:17And I'm very nervous.
00:30:23And then you make me wait for more than an hour on the stairs
00:30:27I take back everything I said
00:30:30Come on, make me a cup of chamomile tea, I'm exhausted.
00:30:32No chamomile tea or anything, miss.
00:30:33Leave
00:30:34I think it's best for both of us.
00:30:38Where are you going?
00:30:40Don't know
00:30:41Do you want some advice?
00:30:42I don't want it.
00:30:44You are very young and inexperienced
00:30:46My duty, I don't know how to tell you
00:30:49Don't bother
00:30:50Some things are beyond repair, miss.
00:30:55Wait, woman
00:30:56I'll owe you something
00:30:58He paid me on Saturday, he doesn't remember.
00:31:01Goodbye, miss
00:31:09Don't know
00:31:15Mike
00:31:45Thank you!
00:32:08Thank you!
00:32:22Thank you!
00:32:28Thank you!
00:32:29Father José María.
00:32:31I am Adela, father.
00:32:34I want you to give me that doctor's address.
00:32:36A friend of his from Zaragoza.
00:32:50Sit down.
00:32:54Miss, may we?
00:33:00Is it serious, doctor?
00:33:02No, no. Not at all.
00:33:05Although intervention will certainly be necessary.
00:33:07Intervene?
00:33:09Yes, but don't be alarmed.
00:33:11It will be very simple.
00:33:12Excuse me, doctor, but I feel very well physically.
00:33:17I don't see the connection...
00:33:19Well, there is.
00:33:21Of course there is.
00:33:23You cannot have a sick mind without your body being sick as well.
00:33:27And it's not exactly a matter of dependence or interrelation,
00:33:31but of a complete and total identity.
00:33:34I would appreciate it if you would speak to me directly.
00:33:37I am a strong and brave woman.
00:33:42I know.
00:33:43And you're right about everything.
00:33:45Except for one thing.
00:33:46Are you...
00:33:49strong...
00:33:49and brave.
00:33:52But you are not a woman.
00:33:54It isn't.
00:33:55It isn't.
00:33:57It isn't.
00:34:00It isn't.
00:34:18It isn't.
00:34:50Come on, sir!
00:34:52Miss?
00:34:53Miss?
00:35:12Affordable prices.
00:35:12I'm interested in a budget hostel, sir.
00:35:15Tenerife Pension.
00:35:16Private house.
00:35:17It's completely trustworthy, you'll see how much you like it, both the price and the service.
00:35:22Thank you very much, sir.
00:35:33Are there rooms available?
00:35:35Just one.
00:35:36I can see her.
00:35:37Happens.
00:35:43Follow me.
00:35:49As you can see, the room is very beautiful.
00:35:52And for cleaning, whatever you want.
00:35:55The only drawback is that it's exclusively a through route.
00:35:59Just passing through!
00:36:00And we have to go in through the clothes in the closets.
00:36:02This part is for the guest.
00:36:05And what about the price?
00:36:06What a bastard!
00:36:08That's my aunt's doing.
00:36:10Aunt!
00:36:24Name?
00:36:27Juan Castro Molina.
00:36:29Sex...
00:36:30male.
00:36:32Age?
00:36:3443.
00:36:36State?
00:36:38Single.
00:36:39What kind of job are you looking for?
00:36:41For now, whoever is available.
00:36:48Does he/she have an education?
00:36:51Well, general knowledge.
00:36:53Oh, and two years of piano lessons.
00:36:58Languages?
00:37:08Sales experience?
00:37:12No.
00:37:13Any trade?
00:37:15No.
00:37:23Have you been in jail?
00:37:24No.
00:37:25No, sir.
00:37:26I swear.
00:37:27No.
00:37:34ID card and sign here.
00:37:39Identity card.
00:37:40The thing is...
00:37:41the thing is...
00:37:41I haven't brought it.
00:37:43I didn't think it was necessary.
00:37:45I'm sorry.
00:37:46Come back when you bring it.
00:37:47The next one.
00:37:48No.
00:37:49No.
00:37:50No.
00:37:58No.
00:37:59No.
00:38:01No.
00:38:03No.
00:38:32Thank you!
00:39:03Thank you!
00:39:24Thank you!
00:39:57Thank you!
00:40:33Thank you!
00:41:03Thank you!
00:41:07Thank you!
00:41:08Thank you!
00:41:09Thank you!
00:41:11Thank you!
00:41:11Thank you!
00:41:13Thank you!
00:41:14Thank you!
00:41:14Thank you!
00:41:15Thank you!
00:41:15Thank you!
00:41:16Thank you!
00:41:18My aunt wants to talk to you.
00:41:20Tomorrow. I'm not feeling well right now.
00:41:25Wait. I have to move the clothes from room 9.
00:41:33One moment!
00:41:34I'm not finished yet.
00:42:08Good night.
00:42:12Excuse me, I've dropped the money.
00:42:13Don't worry.
00:42:15Wait.
00:42:18Mr. Castro, you cannot shut yourself away.
00:42:21The regulations do not prohibit it.
00:42:23The door must always be open.
00:42:25It's just passing through!
00:42:26I'm naked!
00:42:28Oh!
00:42:31Oh!
00:42:32Oh!
00:42:32Well.
00:42:32We'll talk tomorrow.
00:42:34He owes me four weeks!
00:42:39Ignore it.
00:42:41Ignore it.
00:42:41She's a witch.
00:42:44No no.
00:42:45Leave.
00:42:46Thank you.
00:42:47He doesn't have a job.
00:42:49He doesn't have a job.
00:42:51Don't worry.
00:42:52Things always work out in the end.
00:42:54There are good streaks and bad streaks.
00:42:59There's still a penny missing.
00:43:10Miss Feli!
00:43:11You can't stay there!
00:43:14That one's even worse than my aunt.
00:43:17I'll have to call my aunt!
00:43:21If you are ever very depressed, come and see me.
00:43:23I work in a bar.
00:43:24I'll buy you a drink.
00:43:25I don't drink alcohol.
00:43:27Miss Feli!
00:43:31It's forbidden!
00:43:34Open!
00:43:35Open it!
00:43:39Tomorrow!
00:43:56Tomorrow!
00:44:25Tomorrow!
00:44:25Tomorrow!
00:44:29Because it's very much "!"
00:44:36Tomorrow!
00:44:37Tomorrow!
00:44:38Machana!
00:44:39Tomorrow!
00:44:43...
00:44:45In 생각이 de bite!
00:44:46Tomorrow!
00:44:47Tomorrow!
00:44:47Oh no!
00:44:48That's already a great joy.
00:44:48Tomorrow!
00:44:48Tomorrow!
00:45:15Did you make them?
00:45:17No, my sister.
00:45:19They are fantasy.
00:45:20I don't understand much.
00:45:23Are you interested?
00:45:24And why isn't she coming?
00:45:26She is disabled.
00:45:28Already.
00:45:29Loren, Mahón for two.
00:45:31And a model.
00:45:34Here we monkeys mostly work.
00:45:36Will he know how to make a couple of them?
00:45:38Divinely.
00:45:38You will have to leave me your identity card.
00:45:40It's not that I distrust.
00:45:41But there are so many unscrupulous people.
00:45:43Is my sister's the one she's going to make?
00:45:49Are you twins?
00:45:51No no.
00:45:52She is older than me.
00:46:21A long coffee with milk, please.
00:46:23An Americano with milk for the gentleman.
00:46:44And that man?
00:46:49And that man?
00:47:10Hey, handsome, do you want to earn some money?
00:47:14Do you see that coffee shop?
00:47:15Come back on my behalf and order a package that...
00:47:17It's exactly the same!
00:47:18Come here immediately.
00:47:20I've told you a thousand times not to talk to strangers.
00:47:29Viva!
00:47:36Viva!
00:47:49Viva!
00:47:55Please, I've left a package behind.
00:47:57That?
00:47:58One package, one big package.
00:48:00Ah, yes.
00:48:00I was here.
00:48:01Just a moment.
00:48:13Good morning, miss.
00:48:15Hi, Isa.
00:48:16How have you been since yesterday?
00:48:18Well, you see, as always.
00:48:20And the coffee?
00:48:23Did he leave the coffee too?
00:48:24Yes, that too.
00:48:25Should I put another one on?
00:48:26That?
00:48:28Should I make the coffee?
00:48:31Miss Clote, as always, right?
00:48:33Yes, daughter, yes.
00:48:34Short.
00:48:38And you?
00:48:39Like before?
00:48:56Is something wrong?
00:48:58No, no, no.
00:49:00No way, it's just nerves.
00:49:01Then let me take some coffee off your hands.
00:49:03I loved it.
00:49:10Very kind.
00:49:18Thank you.
00:49:21Do you work around here?
00:49:33Now I'll have to pay for two coffees?
00:49:35No, for God's sake.
00:49:36You have taken one and one pays.
00:49:39So, what do I owe him?
00:49:41Eight pesetas.
00:49:49Thank you, sir.
00:49:58The package?
00:50:00That?
00:50:00Ah, thank you very much.
00:50:04What a man.
00:50:15I'm scared of my life, you're a child like I am when I am.
00:50:39Auntie, aunt.
00:50:41What's happening?
00:50:42Shh.
00:50:42Don't shout.
00:50:43Come on.
00:50:45Don't make noise.
00:50:57And she also has a suitcase full of women's dresses.
00:51:04And she also has a suitcase full of women's dresses.
00:51:38A long coffee with milk.
00:51:45Isn't the young lady from yesterday here?
00:51:48I was there yesterday too.
00:51:49But I mean...
00:51:51To Isa.
00:51:52Libra on Thursdays.
00:51:54Libra on Thursdays.
00:51:56Libra on Thursdays.
00:52:04That's my package!
00:52:05Here it goes!
00:52:08What do you give me if I give it to you?
00:52:10I'm in a hurry.
00:52:13What does he send you?
00:52:13That's what you don't care about.
00:52:15Will you invite me?
00:52:17Idiot.
00:52:25Good afternoon.
00:52:27Hello.
00:52:29What are you doing here?
00:52:30Well, I was leaving the office.
00:52:34And does he always leave the office with a package?
00:52:36It's clothes for the dry cleaners, since I live alone.
00:52:39Single and free, huh?
00:52:41Well, Don Juan.
00:52:42How does he know my name?
00:52:43What name?
00:52:44No, nothing.
00:52:46I've just picked up the package my grandmother sent me.
00:52:49Where are you going?
00:52:50I'm somewhere around there, but I'm in no hurry.
00:52:53Well, me neither.
00:52:54Today's book.
00:52:55May I take it?
00:52:56She's not stepping on anything, they're muffins.
00:53:02Are you from Madrid?
00:53:03No.
00:53:04Me neither.
00:53:06I used to work outside.
00:53:08And you see, I don't mind saying it.
00:53:10And why should he care?
00:53:11It is no disgrace.
00:53:13No, of course, but...
00:53:15But I had to quit.
00:53:17That couldn't be happening at all.
00:53:20He earned a thousand pesetas.
00:53:22Do you think they have the right?
00:53:58We seem to be hungry.
00:54:00Well, since I don't usually have a snack.
00:54:07I'm stealing your afternoon.
00:54:09No way?
00:54:10You're at the age to date boys.
00:54:12Does she have a boyfriend?
00:54:13Yeah.
00:54:14I'll be here.
00:54:22I'm going to get angry.
00:54:23Well, the last one.
00:54:28Home!
00:54:29That's enough.
00:54:32There's no reason to waste your time with an old man like me.
00:54:35But what does it say?
00:54:37You're not old, and we're not wasting time, it seems to me.
00:54:43What a beautiful color they are!
00:54:46My grandmother gives them a special touch.
00:54:49They taste delicious.
00:54:50What long teeth you have, grandma!
00:55:00My poor young lady liked them very much too.
00:55:04Why poor?
00:55:05She was a pain and a corny one.
00:55:07And she was half crazy.
00:55:10That kind of young lady is hateful.
00:55:14Not mine.
00:55:15She is the only person in the world who has ever loved me.
00:55:19In their own way, of course.
00:55:28Poor thing, poor thing.
00:55:29Otherwise, man.
00:55:32What a father.
00:55:33Leave it, please.
00:55:40Can I have a muffin, boss?
00:55:43Here you go.
00:55:44Thank you so much.
00:55:47Thank you.
00:55:49Pitas!
00:55:50Pitas!
00:55:51Pitas!
00:55:51Pitas!
00:55:52Pitas!
00:55:53Pitas!
00:55:54Grandma's Magdalena!
00:55:56How expensive!
00:55:59Delicious little muffin!
00:56:02Pitas!
00:56:03Pitas!
00:56:04Nice and hot!
00:56:05Grandma's Magdalena!
00:56:06But don't you think so!
00:56:07Please!
00:56:08This guy is a scoundrel and a rude person!
00:56:10How!
00:56:10Please!
00:56:12Leave it, Manolo.
00:56:13Leave it.
00:56:13No, but he's a wretch.
00:56:14He's got a half-slap on his face, man!
00:56:15He's not even half a slap!
00:56:16Cholo!
00:56:18Ghost!
00:56:20Juan!
00:56:21It's very late!
00:56:22Stop, Manolo!
00:56:23Hold it, man!
00:56:23Stay still, I know you!
00:56:24Sit down, relax!
00:56:25Don't provoke him!
00:56:26Leave him alone, let him go!
00:56:28He doesn't know that Paquita is here!
00:56:54Isabelita, are you angry with me?
00:56:57No, it's just that...
00:56:59No, it's just that...
00:56:59It had been a long time since anyone had called me that.
00:57:26See you tomorrow.
00:57:28I'll come pick you up at the cafeteria.
00:57:30No.
00:57:31I'll wait for you at ten thirty.
00:57:32Right there, on the lamppost.
00:57:54Good night.
00:57:55Hello good.
00:57:55Good night.
00:58:24Forward.
00:58:26Good night.
00:58:28It is very unpleasant for me to have to tell you that you must vacate immediately...
00:58:33Take it.
00:58:35On account.
00:58:37Two hundred pesetas.
00:58:38Alright, alright!
00:58:39Tomorrow I have to get paid for a job, and if I tell you I'm going to pay you, I will pay you.
00:58:43Mister...
00:58:43I'm not starving.
00:58:45You don't know me.
00:58:46That's the bad part.
00:58:47We don't know him.
00:58:48The money thing can wait.
00:58:50But there are certain things, however modern they may seem, with which we do not agree.
00:58:56Come on, come on, come on!
00:58:56That's it!
00:58:57Let go!
00:58:57Let go!
00:58:58They have no right.
00:59:01But how dare they?
00:59:03So you would do us the favor of vacating this room right now.
00:59:09And be thankful we didn't call 091.
00:59:38Excuse me, don't get the wrong idea.
00:59:41I assure you they are antique dresses that a friend of mine...
00:59:46Don't worry about anything.
00:59:48Let each one mind their own business.
00:59:51Cheer up, man.
00:59:56Miss Feli, I need money.
00:59:59Yeah?
01:00:01Could you lend me four hundred pesetas?
01:00:05It would be greatly appreciated.
01:00:17Thank you very much, Miss Feli.
01:00:19I'll return it to you right away.
01:00:21I have a house.
01:00:23And land and a car.
01:00:29It's just that I have to do something that's very difficult for me.
01:00:35But there's no other way.
01:00:37Don't tell me anything.
01:00:38And give it back to me when you can.
01:00:55Don't tell me anything.
01:01:24Good morning.
01:01:28I want to take it out.
01:01:29As?
01:01:30I want to get everything out.
01:01:35Sign here.
01:02:26As you can see, they don't match.
01:02:32Let it in.
01:02:47Hurry, let's go to Bishop Bustelo 9.
01:02:49Come with me.
01:02:50No no.
01:02:50They call him from management.
01:02:51No, thanks.
01:02:52I don't need the money anymore.
01:03:02Come with me.
01:03:06Come with me.
01:03:20Come with me.
01:03:49Come with me.
01:03:52Come with me.
01:03:53Come with me.
01:04:03Come with me.
01:04:09Come with me.
01:04:22Come with me.
01:04:27Thank you.
01:04:46Come with me.
01:04:52Come with me.
01:04:57Come with me.
01:05:00Come with me.
01:05:16Come with me.
01:05:18Come with me.
01:05:20Come with me.
01:05:42Come with me.
01:05:44Come with me.
01:05:45Come with me.
01:05:45Come with me.
01:05:46Come with me.
01:05:58Come with me.
01:05:59Come with me.
01:06:02Come with me.
01:06:03Come with me.
01:06:03Come with me.
01:06:13Come with me.
01:07:14First declension, nominative rosa, genitive rose, dative rose.
01:07:20No, no, rose.
01:07:22Dative singular.
01:07:23But do you know what is unique?
01:07:26Yes, sir, when there is only one.
01:07:28And dative.
01:07:30Rosaru?
01:07:32But what is the dative case?
01:07:34Well, that's precisely the word that expresses...
01:07:39Miss Alvarez?
01:07:40It is the indirect object. It is generally preceded by the prepositions a or para.
01:07:44And what is a direct object, Mr. Castro?
01:07:48Well, it is undoubtedly the one we define as...
01:07:53Don't know.
01:07:55It's the same.
01:07:56What are you going to do when you grow up?
01:07:58The relative pronoun.
01:08:06Hello.
01:08:08What's wrong? Are you angry?
01:08:10You tell me.
01:08:11I've done something wrong.
01:08:13To stand me up.
01:08:14I had to go on a trip, Isabelita.
01:08:16Isabel?
01:08:18And there's no telephone?
01:08:19I don't know the number.
01:08:21Well, you're the one looking for it.
01:08:23Please don't call me "usted" (formal "you").
01:08:25You have to believe me.
01:08:27I've only been thinking about you and I've had a really hard time.
01:08:30I love you.
01:08:34I love you.
01:08:35That's true?
01:08:40Me too.
01:08:42I'm stupid.
01:08:43I thought I would never see you again.
01:08:49I'm studying a lot.
01:08:51I want to do my high school diploma.
01:08:53Does that sound good to you?
01:08:55A little late.
01:09:17But you bought it.
01:09:19I paid the first installment.
01:09:20Then they give ten years.
01:09:21We'll see.
01:09:23The second one, that one.
01:09:25Do you like it?
01:09:27Come on?
01:09:28No.
01:09:29No, I'm not going up.
01:09:31What do you mean, no?
01:09:32Why not.
01:09:33But why?
01:09:36Because it's not right.
01:09:38Come on, don't be silly.
01:09:40If there is no furniture.
01:09:54The kitchen.
01:09:56It's very good.
01:09:57City gas.
01:10:00Central hot water.
01:10:02Already.
01:10:05And this is the living room.
01:10:08Not now, of course.
01:10:10It's very big.
01:10:11Enough.
01:10:14The terrace.
01:10:19The subway is also nearby and the air is not polluted.
01:10:23What do you think?
01:10:24A marvel.
01:10:25That's all green space.
01:10:34Are they going to see us?
01:10:35Who?
01:10:45Are you planning to study all of this?
01:10:46I have to do three courses in one.
01:10:50Excuse me, but I can't stand the sight of an unmade bed.
01:10:56May I help you?
01:10:58If you insist.
01:11:01Sorry.
01:11:04Sorry.
01:11:12Sorry.
01:11:17Sorry.
01:11:28What's happening?
01:11:55Let's undo it.
01:12:04But you love me.
01:12:06A lot.
01:12:07Because?
01:12:09Don't know.
01:12:16You're going to be late.
01:12:18You don't mind that I'm not with you.
01:12:21I have to study.
01:12:34I'll see you tomorrow.
01:12:36At the usual lamppost.
01:12:43Bye bye.
01:12:47See you tomorrow.
01:13:11Hello.
01:13:13Are you looking for someone?
01:13:15Does a young lady named Feli work here?
01:13:17No, not that I know of.
01:13:19Thank you.
01:13:22Is that it?
01:13:23No, that's Patricia.
01:13:24Well.
01:13:31Hello.
01:13:32Hello.
01:13:32What are you doing here?
01:13:35Here you go, and thank you very much.
01:13:37To you, man.
01:13:39Would you like something to drink?
01:13:40My treat.
01:13:41A whisky?
01:13:42No, I don't drink.
01:13:47I've brought him a small souvenir.
01:13:49From your town?
01:13:51Up close.
01:13:52It's very beautiful.
01:13:55Miss Feli, I...
01:13:56This is Patricia.
01:14:00I would like to speak with you.
01:14:03What's wrong with you, man?
01:14:05Have you not solved all your problems yet?
01:14:09No, not all of them.
01:14:19Do you prefer it with music?
01:14:20It's going very well.
01:14:22Go with Don Juan.
01:14:24Who would have thought it?
01:14:30Don't think I do this with just anyone.
01:14:35Get comfortable.
01:14:41When I saw your suitcase.
01:14:44I love fantasy, you know?
01:14:46What fantasy?
01:14:48About your clothes and stuff.
01:14:50It wasn't mine.
01:14:51But I don't care.
01:15:00Are you ashamed to look at me?
01:15:03Come here.
01:15:06Turn off the light.
01:15:11Forgive me.
01:15:12It's just that I don't have much experience.
01:15:15I'm very tired.
01:15:16I would have preferred...
01:15:17Don't you like me?
01:15:19But what are you doing?
01:15:21Forgive me.
01:15:23I'm sorry.
01:15:24Forgive me.
01:15:26Forgive me.
01:15:37Forgive me.
01:15:44Forgive me.
01:15:46Forgive me.
01:15:49Forgive me.
01:15:50Forgive me.
01:15:52Forgive me.
01:15:53Forgive me.
01:16:02He hasn't been to class for three days, he's going to be very late.
01:16:05Tell him if you see that he will not be able to take the exam.
01:16:08I'm sorry, good afternoon.
01:16:35Juan, I know you're there.
01:16:38Open up, Juan! Open up!
01:16:40I won't leave here until you open up! I won't leave!
01:16:43Juan! Open up! Open up!
01:16:46I love you! I love you!
01:17:00Get dressed!
01:17:01I am sick.
01:17:02That's a lie!
01:17:03No! And leave me alone.
01:17:11But what have I done to you?
01:17:16Tell me, what's wrong?
01:17:20Why haven't you called me all these days?
01:17:25Why did you stand me up again and not go to the cafeteria or the academy?
01:17:29Are you not going to be able to take the exam?
01:17:33Me too...
01:17:35I can't go on like this either.
01:17:40What's wrong, Mommy?
01:17:44I'm afraid.
01:17:46Afraid of what?
01:17:48Afraid of what?
01:17:53What are you afraid of?
01:17:57My love, my life.
01:18:01Yes, I am here.
01:18:06I will never leave.
01:18:09Yes, I love you.
01:18:13I can't live without you.
01:18:17Not at all.
01:18:37Co-co-co-co-co-co.
01:19:06Thanks for watching the video!
01:19:35Thanks for watching the video!
01:19:55Thanks for watching the video!
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