- 4 minutes ago
First broadcast 28th February 1989.
Gutrune meets Nick, the charismatic editor of a newspaper, and he seems a perfect choice, but Nick is still in love with his ex-wife.
James Fox - Nick Verney
Lindsay Duncan - Gutrune Day
Ciaran Madden - Catherine
Michael Keating - Charlie
Anthony Dutton - Sgt. Bliss
Tom Knight - Jones
Alex Kingston - Daniella
Nina Cowan - Daisy
Eva Lohman - Susannah
Chloe Salaman - Anita
Charlotte Attenborough - Teasel
Michael Howe - Gustav
Andrew Seear - Arnold
Kate Fahy - Indiana (as Katherine Fahy)
Frannie Parkes - Penelope
Michael Fitzgerald - Jasper
Andrew Barr - Night-Editor
Edmund Dehn - Leader Writer
Russell Brook - Store Assistant
Gutrune meets Nick, the charismatic editor of a newspaper, and he seems a perfect choice, but Nick is still in love with his ex-wife.
James Fox - Nick Verney
Lindsay Duncan - Gutrune Day
Ciaran Madden - Catherine
Michael Keating - Charlie
Anthony Dutton - Sgt. Bliss
Tom Knight - Jones
Alex Kingston - Daniella
Nina Cowan - Daisy
Eva Lohman - Susannah
Chloe Salaman - Anita
Charlotte Attenborough - Teasel
Michael Howe - Gustav
Andrew Seear - Arnold
Kate Fahy - Indiana (as Katherine Fahy)
Frannie Parkes - Penelope
Michael Fitzgerald - Jasper
Andrew Barr - Night-Editor
Edmund Dehn - Leader Writer
Russell Brook - Store Assistant
Category
📺
TVTranscript
00:00:06Oh, will you never let me be? Oh, will you never set me free? The ties that bound us are
00:00:18steel around us. There's no escape that I can see, and yet those foolish things remain.
00:00:30They bring me happiness, or a pain.
00:00:57You must have forgotten to come.
00:01:00Oh, don't be silly. Anyway, it's still early.
00:01:03Uh, ish.
00:01:05Want one? I recommend this salmon pastry thing.
00:01:08Who's that chatting up, Charlie?
00:01:11Oh, it's Guthrie.
00:01:28Oh, dear.
00:01:29Oh, dear.
00:01:29Oh, dear.
00:01:34Did you not lose?
00:01:40Oh, dear.
00:01:41Oh, dear.
00:01:41Oh, dear.
00:01:42Oh, dear.
00:01:42Oh, dear.
00:01:49You're running a bit of a risk, aren't you?
00:01:51What?
00:01:52You're taking a strong line.
00:01:53I may be the first to admit that Cameron Young's an excellent journalist, but his view's on
00:01:58the Middle East.
00:01:59Oh, yes.
00:02:00You don't want good athletes on your back, do you?
00:02:02I won't come to that.
00:02:04Look, there's someone I'd rather like to meet.
00:02:06Catch you later.
00:02:14Aren't you going to look at the paintings?
00:02:18Hello, beautiful.
00:02:20Hello.
00:02:24Plotting, are we?
00:02:25Charlie, really?
00:02:27There's a sort of predatory glint.
00:02:29Who is he?
00:02:31Who is he?
00:02:32Tonight's target.
00:02:38Not Nick, surely.
00:02:40Anyway, he's doing his own fishing.
00:02:43Not a hope.
00:02:45She's far too nice for him.
00:02:47Maybe he likes nice people.
00:02:50Of course he doesn't.
00:02:51Not in the long run.
00:02:53I mean, he may think he does, but he doesn't.
00:02:57I suppose we'd better look at the pictures.
00:02:59Aw.
00:03:01I don't think I like opera.
00:03:03Didn't you?
00:03:04Not even Bohème?
00:03:06Traviata?
00:03:08You must like Mozart.
00:03:10Everybody likes Mozart.
00:03:13Carmen?
00:03:15Well, perhaps you could teach me.
00:03:19Nick.
00:03:20Would you excuse us?
00:03:28How are you?
00:03:29I'm all right.
00:03:31I'm all right.
00:03:31No, you're not.
00:03:32I can see you're not.
00:03:35Gerald and I think...
00:03:38Can't you give it just one more go?
00:03:41It's such a fine step.
00:03:44Oh, Nick.
00:03:46I'm not putting my foot in it, am I?
00:03:51Listen.
00:03:52If you ever need a bed...
00:03:55Gerald's got one of those pull-out things in his study, okay?
00:04:09But, Nick...
00:04:11No word.
00:04:14However painful it is...
00:04:16I do think you and Susannah should try and decide things between you...
00:04:20...before you consult her learned friend.
00:04:25Could save a lot of money.
00:04:28Gudrun, you have to introduce me.
00:04:31I've only just the second met him myself.
00:04:34Oh, I think he's doing fine.
00:04:35What's his name?
00:04:36Nick Verney.
00:04:37No, not Nick.
00:04:39The other one.
00:04:39The one in the pinstripe.
00:04:40I have no idea.
00:04:42You're hopeless.
00:04:43Someone said he's an MP.
00:04:53You never told me where you lived.
00:04:55Strathmore Gardens.
00:04:56Oh, is that the Cherry Blossom Street?
00:04:57No.
00:04:58No.
00:04:59I think you're thinking of Kensington Palace Gardens.
00:05:02Am I?
00:05:02Oh, sorry.
00:05:04Well, don't go away.
00:05:16Ooh, poppy.
00:05:19Mm, poppy.
00:05:35Uh...
00:05:36Eh.
00:05:37It's me.
00:05:41Blue and white bars.
00:05:44Well, how should I know since you took everything?
00:05:48Well, I presume...
00:05:51Well, buy another one.
00:05:58We'll go back to Majorca for your summer holidays if it's so important to you.
00:06:02I'm only trying to be helpful.
00:06:08Enjoying the show?
00:06:09Oh, it's good. It's good.
00:06:12Hello.
00:06:13Where did you buy that hat?
00:06:17Good job.
00:06:19I'll be back.
00:06:24Kissy, kissy.
00:06:26Well, kissy for you, Mara's show.
00:06:28It's true.
00:06:29It was Julia who loved the opera.
00:06:31Me.
00:06:32She had to drag their screaming in the taxi.
00:06:34Gustav, I have to go.
00:06:36I've got a technical rehearsal.
00:06:37May I call you?
00:06:38Yes, if you like.
00:06:39Opera house.
00:06:40Costumes.
00:06:41Congratulations.
00:06:42Now you can make a fresh start.
00:06:44Both of you.
00:06:45Her, too.
00:06:47Forget marriage.
00:06:48Friends are what count.
00:06:50Oh, there you are.
00:06:53Now call me.
00:06:54Promise.
00:06:55Yeah.
00:06:57Nick.
00:06:58You're the last person I expected to see here tonight.
00:07:02I want you to meet a friend of mine.
00:07:06Anita, this is Nick Fernie.
00:07:08How do you do?
00:07:09Hello.
00:07:10Hello.
00:07:14Where are the girls?
00:07:15Oh, they're talking to Mariah.
00:07:18So, the night is young.
00:07:21What?
00:07:22How are you finding it?
00:07:24Finding what?
00:07:25What's the action like?
00:07:26I mean, how many say yes, and how many slap your face?
00:07:30Nick, would you give Anita a lift at home, and it's in the opposite direction to Charlie and I, isn't
00:07:34it?
00:07:35Is it?
00:07:37Charlie, good evening.
00:07:39Charlie.
00:07:42Ciao.
00:07:43Night, sweetheart.
00:07:46Well, don't worry.
00:07:47You're not stuck with me.
00:07:48Oh.
00:08:35You're not stuck with me.
00:09:02You're not stuck with me.
00:09:13Oh, Daniella.
00:09:14Is my wife in?
00:09:16No, she went out.
00:09:18I'm sorry I had to ring the bell, but my key doesn't seem to work.
00:09:21Oh, the man.
00:09:22He came to change the locks this morning.
00:09:26How's the mouse?
00:09:28Asleep.
00:09:31If you don't mind, I'm very tired.
00:09:34Oh, yeah.
00:09:35Of course.
00:09:37All right, good night.
00:09:39Mr. Barney?
00:09:41Yeah?
00:09:41You want to give Mrs. Barney a message?
00:09:44No.
00:09:45No messages.
00:09:47No messages.
00:10:12Thanks, Paul.
00:10:14Thanks, Paul.
00:10:32I'm joining someone.
00:10:43I hope I didn't get you out of bed.
00:10:45No, of course not.
00:10:47I just let second come in, so I thought it'd be great fun to.
00:10:51Come out again.
00:10:53Good evening, Mr. Barney.
00:10:55Madam.
00:10:55Very nice to see you again.
00:11:04Trust everything you're satisfactory, sir?
00:11:06Yes, thank you, Paul.
00:11:16Is that chamard you're wearing?
00:11:19Chamard, yes.
00:11:21I can't stand it.
00:11:24If I sent you some perfume, would you wear it?
00:11:43very good sir yes I'll certainly let mr. Verney know yes and ask him to contact
00:11:52the home office direct how can we get stuck with wet nursing this news because
00:12:00he's important and because threats doesn't make sense it's his reporter
00:12:05that's upsetting the Arabs and he's out there they could grab him you know
00:12:09sometimes I think you're on the wrong side
00:12:33the home office would like a word
00:13:00thank you for the flowers they're beautiful
00:13:04everyone thinks I'm going out with a florist
00:13:10I'm thinking of you too
00:13:14I'd love to you know I adore the cottage
00:13:18who else
00:13:21yes I know them that'd be fun
00:13:40that's gorgeous
00:13:44we put this on look if we put this one on here we could just make this one black and
00:13:48silver
00:13:59are you daddy's special friend yes yes I suppose I am I mean are you daddy's special special friend
00:14:24Nick won't stand for that sort of nonsense
00:14:28what
00:14:29no not for long
00:14:30what
00:14:32well
00:14:34you know how he despises any form
00:14:36what
00:14:38well you know
00:14:41pandering to the body beautiful
00:14:43well
00:14:47Mmm.
00:15:09Do you know what Daisy...
00:15:11Do you feel...
00:15:13Do you feel invisible?
00:15:15I've got...
00:15:17Daniela!
00:15:21I've got this invisible ball, right?
00:15:24That's...
00:15:25Remember what I've been wearing before?
00:15:27Oh.
00:15:32I'm going to...
00:15:34I'm going to...
00:15:36You're going to catch him.
00:15:37I'm going to catch him.
00:15:39That's right. That's right.
00:15:40That's right. That's right.
00:15:41That's right.
00:15:44Ah!
00:15:51Ah!
00:15:52Oh!
00:15:52Oh!
00:15:54It won't last.
00:15:55Woo!
00:15:56Why not?
00:15:59Too soon after the bust-up.
00:16:03Eleven months.
00:16:05You've been counting?
00:16:07Seems long enough to me.
00:16:09It takes two years...
00:16:11It takes two years...
00:16:12And more than one woman.
00:16:15That's just being realistic.
00:16:18Why has he got to screw around to restore his ego?
00:16:21I didn't say he was screwing around.
00:16:25I said...
00:16:27He'd need the love of more than one woman.
00:16:32They're both lonely, attractive and available.
00:16:35Seems pretty good timing to me.
00:16:47It's now 24 minutes past eight.
00:16:50A little later, we shall be discussing renewed Middle East tension,
00:16:54which some authorities are blaming on British newspaper reporting.
00:17:03I think she's got one leg longer than the other.
00:17:07Who has?
00:17:09Daniella.
00:17:12She ought to see a doctor.
00:17:14Who needs to see the doctor?
00:17:16Oh, no one, darling.
00:17:19Who on earth can that be?
00:17:20Tech tips.
00:17:22Well done, Mouse.
00:17:23I thought we'd finish with one here.
00:17:25Part of all his own form.
00:17:27I know what that means.
00:17:34Oh, morning, Sergeant.
00:17:36Oh, morning, sir.
00:17:36If you don't mind, I'm just going down the village for some cigarettes.
00:17:40Yeah, of course.
00:17:41I'm leaving Jones here with the car, sir.
00:17:43It should be all right.
00:17:44Well, why don't you take the car?
00:17:46No, I'd rather the car stay here, sir.
00:17:48It's got the radio farm.
00:17:50I'll just pop down on foot.
00:17:52Well, it's not that near. Why don't I drive you?
00:17:54And with respect, you wouldn't be here to be protected then, sir, would you?
00:17:58If you get my drift.
00:18:07Daniella, is that all your washing?
00:18:09No.
00:18:11Well, then who's?
00:18:12Susanna.
00:18:15Daniella.
00:18:17The wife of Mr. Verney.
00:18:19I know who Susanna is, Daniella.
00:18:21The machine at her house.
00:18:22It isn't working.
00:18:24Did Mr. Verney say she could send her things here?
00:18:26Oh, yes.
00:18:40Oh, yes.
00:18:45So far, the only great tragedy you've managed to come up with is that you're living out of a suitcase,
00:18:50camping out with Fred.
00:18:51Uh-huh.
00:18:52A couple of suits over the back of a chair.
00:18:54So what?
00:18:55What?
00:18:55She almost wouldn't let me take Daisy away for the weekends.
00:18:58Not with Guthrun.
00:19:00He said she'd come on a strange woman, said, and so by her daughter.
00:19:03What about that toad she's living with?
00:19:05Carlo Montenegro.
00:19:07Yes, him.
00:19:08I don't understand what the hell she sees in him.
00:19:10She can't seriously have any objection to Guthrun.
00:19:13Guthrun's smashing.
00:19:13She doesn't trust women with foreign names.
00:19:16Ridiculous, isn't it?
00:19:18Guthrun's as English as you and me.
00:19:20Well, she's half Icelandic.
00:19:21That doesn't really count.
00:19:23It's hardly a country, is it?
00:19:24Still, I can't feel too sorry for you, Nick.
00:19:27When I heard you were shearing a news bag with Guthrun Dei and I, Icelandic...
00:19:32Do you mean rolling in the hay?
00:19:33Come on, sprint.
00:19:41Jack's clean.
00:19:43We'd better do the BMW.
00:19:56You know what happened the moment it was made official?
00:19:59She got Sotheby's in to value the contents.
00:20:02My pictures, family stuff.
00:20:05And I'm paying for everything in that house.
00:20:08And when I ring up that bloody man answers the phone.
00:20:12I was drinking my wine cellar.
00:20:14Come off it, Nick.
00:20:15You should never have married the woman in the first place.
00:20:17It was a mistake.
00:20:19Listen, I believe that when two intelligent people get married,
00:20:21there's no reason why it shouldn't last.
00:20:23Forever.
00:20:29Oh, Guthrun, can you get some ice?
00:20:32And now?
00:20:34The trouble is, she's so unreasonable, you can't have a civilised conversation with her.
00:20:41She starts shouting at me.
00:20:44Or crying.
00:20:46Her latest trick is to withdraw completely.
00:20:48She won't answer, doesn't appear to hear what I say.
00:20:51I keep telling you, you're better off on your own.
00:20:53Like a student.
00:20:55Aren't you forgetting Daisy?
00:20:57Daisy needs more than a student for her father.
00:21:01Nice, isn't it?
00:21:02English.
00:21:0418th century.
00:21:07Susanna found it.
00:21:08She got it for nothing.
00:21:10She picked it up on the sale at Tapri.
00:21:11She's got a good eye.
00:21:12Seen what she's done with the house?
00:21:13No.
00:21:14Hmm.
00:21:16You ought to see it.
00:21:18Drop by sometime, she'd love to see you.
00:21:26You're Ian Botham.
00:21:28What's the matter?
00:21:29I don't like Ian Botham.
00:21:32Well, who do you want to be?
00:21:33Imran Khan.
00:21:35All right, you can be Imran Khan.
00:21:38Daniela?
00:21:39You can be Ian Botham.
00:21:40Botham?
00:21:41Botham.
00:21:41He's a lovely all-rounder.
00:21:43Oh, wow.
00:21:43That's good.
00:21:44Who do you want to be?
00:21:47Okay, Daly.
00:21:48I love watching cricket.
00:21:50Hmm.
00:21:52I think I know what it is.
00:21:54What?
00:21:55A sudden obsession with exercise.
00:21:58It's fear of growing old, brought on by the threat of a younger woman.
00:22:02Oh.
00:22:03He's afraid he's not going to be able to keep up with you.
00:22:06He seems to be doing pretty well so far.
00:22:09You know what I mean.
00:22:10Another department.
00:22:16Oh, let it rain.
00:22:18I'll get it.
00:22:22Hmm.
00:22:23Energy.
00:22:26What worries me is Charlie.
00:22:29He's showing alarming signs of catching the bug.
00:22:33I hope he's not thinking of trading me in for a younger modeler.
00:22:37Oh!
00:22:38Well done!
00:22:53Okay.
00:22:53Who is it?
00:22:54Susanna.
00:22:55We'll wait until Daisy gets out, then we'll come in for tea.
00:22:58Right?
00:23:00Hmm.
00:23:01Tea.
00:23:02Come on, Charlie.
00:23:06Yes!
00:23:06Yes!
00:23:07Well done!
00:23:10Okay?
00:23:14Charlie, come on.
00:23:15Come on!
00:23:15I remember when Geoffrey and I were getting divorced, it was heaven.
00:23:19We'd never been so involved. We'd talk to each other every day.
00:23:22I mean, really, taught, you know?
00:23:25About things that matter, like sex,
00:23:28and who got up to make the first cup of coffee in the morning.
00:23:31Have you ever met her, though?
00:23:33No. Oh, you'd like her?
00:23:36You're supposed to be my friend.
00:23:39I am.
00:23:42Really.
00:23:45Oh, you're out.
00:23:47That's not fair.
00:23:48Tea time.
00:23:50That's not fair.
00:23:51Yes, it is. Cricket's always fair.
00:23:53What does she want?
00:23:56She's coming down tomorrow, after lunch.
00:23:59Nick, that means I have to go.
00:24:01She insisted.
00:24:03Anyway, it's her house.
00:24:05Don't be ridiculous, it's yours.
00:24:07Well, it's hers, on paper.
00:24:09It's complicated, but it's hers until the divorce goes through.
00:24:15Well, what can I do?
00:24:18Well, the things we have to discuss before we see the lawyers.
00:24:24And there's Daisy. She wants to see Daisy.
00:24:27She sees Daisy every day of the week.
00:24:39I'd much rather be with you. You know that.
00:24:48She is not going to make things easy for us.
00:24:53We're going to have to go down into the trenches with our tin hats on.
00:25:00Until it's all over.
00:25:04Look, don't let her spoil things between us.
00:25:14Daddy?
00:25:16Yes, Matt.
00:25:23Charlie and Catherine are driving up directly after lunch.
00:25:26They could give you a lift.
00:25:58Can I borrow some toothpaste, please?
00:26:01Oh, er, of course.
00:26:02Didn't Daniella have any she could give you?
00:26:06Where's Mummy?
00:26:07What have you done with Mummy?
00:26:09There used to be a picture of Mummy, me and Daddy.
00:26:13And then there used to be the one where Daddy said Mummy looked like Mr Universe.
00:26:17Only Daddy said Mummy looked better.
00:26:22Mum?
00:26:25Rum Tum Tugger?
00:26:26No.
00:26:28Skimbleshanks?
00:26:29No.
00:26:31Mr Mistoffelees?
00:26:32No.
00:26:33Daisy, what on earth?
00:26:35It's Mummy's nail varnish.
00:26:37I can see that, but I mean, you're six years old.
00:26:40I know.
00:26:42I like Macavities.
00:26:45Macavities.
00:26:48Macavities, a mystery cat.
00:26:50He's called the hidden...
00:26:51Poor.
00:26:52For he's the master criminal who can defy the...
00:26:56Law.
00:26:57He's the bafflement of...
00:26:59Scotland Yard.
00:27:00The flying squads...
00:27:02Despair.
00:27:03For when they reach the scene of crime, Macavities...
00:27:07Not there.
00:27:11Now, listen, Mouse.
00:27:13We're going to have to have a rule around here
00:27:16that we don't use Mummy's nail polish until you are at least...
00:27:21Seven!
00:27:22Eight years old.
00:27:26Do you think she wants him back?
00:27:29Susanna?
00:27:30You must be joking.
00:27:32As far as she's concerned, he's an insensitive brute on whom she's wasted her precious years of use.
00:27:39She doesn't understand him, does she? That's the problem. She's always trying to compete with him.
00:27:43Well, he's hardly an ideal husband.
00:27:46She didn't give him a chance, did she?
00:27:49I sometimes wonder whether Nick has any idea of what being fond of somebody really means.
00:27:56It's just that he's been through a very rough time.
00:27:59I don't see what he's got to complain about after what he's got. You?
00:28:05Drink, Nick.
00:28:06Got one, thanks.
00:28:16Do you go out with other men?
00:28:19Generally or specifically?
00:28:21Let's just keep it general.
00:28:23Yes, sometimes. Sort of.
00:28:25Does Nick know?
00:28:27Yes, I think so.
00:28:29Nick and I don't...
00:28:30I mean, we only see each other two or three times a week.
00:28:34He's so busy and...
00:28:37He needs time for himself.
00:28:40I think that's the right attitude.
00:28:43Yes.
00:28:45I wouldn't push him if I were you.
00:28:47I don't.
00:28:54Supper!
00:28:55No, he wasn't, poor darling.
00:29:02Oh! How pretty!
00:29:06Oh! How pretty!
00:29:06Large as six.
00:29:07Mmm!
00:29:08Dollar in each.
00:29:09Exactly.
00:29:11Oh, are you talking?
00:29:14We're doing installing here.
00:29:16Yeah, before it goes up.
00:29:17I'm not serious.
00:29:20Darling, what are we eating?
00:29:22Oh!
00:29:23Smoked trout.
00:29:24I'll get it.
00:29:25We'll both get it.
00:29:26Yeah, it's worth more than Hockney.
00:29:28Oh, yeah.
00:29:31Don't give it another thought.
00:29:32Charlie's used to waiting for his supper.
00:29:36I don't know what came home for me.
00:29:39I'll bring the rest.
00:29:43Oh, man, Charlie.
00:29:45You're making that whole thing out.
00:29:47Remains, that's what she said.
00:29:48Remains?
00:29:49Remains of the Sumerian civilization.
00:29:52What a doctor!
00:29:57He's not a bad sort.
00:29:58He's put a little something in the coffee.
00:30:01Yeah, he's a proper gent.
00:30:02He's got a tiny little 12-room country cottage,
00:30:04big house in town.
00:30:05Oh, his wife's in charge of the townhouse.
00:30:08Let him keep his old Jag, though.
00:30:10And the company, BMW.
00:30:11Just to give the bombers a sporting chance.
00:30:15You know, I really like that Katrine.
00:30:17She's a bit of all right.
00:30:18What about the wife?
00:30:20Yeah, she's all right, too.
00:30:22Bit witty-toitty, but nice.
00:30:24You know, you'd think if he gave it a little bit of thought,
00:30:27he'd be smart enough to run both of them.
00:30:31Sorry to you.
00:30:34I'm sorry to you...
00:30:38Oh!
00:30:39Wow, this is Kat...
00:30:40Night and day.
00:30:41This is mine.
00:30:43You are the one, only you, beneath the moon and under the sun, whether near to me or far, it's
00:31:00no matter, darling, where you are, I think of you, night and day, day and night.
00:31:13Why is it so, and it's lovely for you forever I go, in the roaring, laughing blue, in the silence
00:31:32of my lonely room, I think of you, night and day.
00:31:43Why is it so, and it's lovely for you, night and day, day and day, day and day, day and
00:31:50day, day and day, day and day.
00:32:24I'm so tired, darling.
00:32:28Child asleep?
00:32:31Drugged.
00:32:34Our guests?
00:32:37Yeah, they're unconscious.
00:32:42Detectives.
00:32:45And the boozer.
00:32:47I've got to brush my teeth.
00:32:49No, no.
00:32:50No.
00:32:51No, girls will take so long.
00:32:53Ahem.
00:33:02Shh.
00:33:36Can I borrow some more of your toothpaste, please?
00:33:39Yes, of course.
00:33:41You ain't jammers.
00:33:43No, um, this is a dressing gown.
00:33:47Mummy always sleeps with nothing on.
00:34:06Good morning.
00:34:07Just making the returns, Mrs. Hammond.
00:34:09Thanks.
00:34:10Late night last night?
00:34:12Yes.
00:34:13I thought so.
00:34:14Mr. Verney's usually up and about by now.
00:34:17Oh, he is.
00:34:18Up and about.
00:34:21Good morning, then.
00:34:30You weren't even faithful to the woman.
00:34:33I suppose there was a certain amount of sexual compromise over the last few years.
00:34:37Bullshit, Nick.
00:34:38It's called screwing around.
00:34:39Wives are up to have a sense of humor failure over that sort of thing.
00:34:42I agree.
00:34:43It's totally unreasonable of them.
00:34:45Let's face it, Nick.
00:34:46You ignored the woman.
00:34:48And if there's one thing I've learned about women,
00:34:50it's that they can't stand being ignored.
00:34:53She's gone up no end in your estimation since she threw you out.
00:34:56So nobody's perfect.
00:34:59No marriage is perfect.
00:35:01But it is a marriage.
00:35:03And there is a child involved.
00:35:05You see more of the child now than you ever did before.
00:35:07In the way you two were getting on,
00:35:09Daisy would have grown up like Catherine.
00:35:12When she was a kid,
00:35:13she didn't realize that grown-ups spoke to each other.
00:35:15She thought that their main method of communication
00:35:17was some sort of morse code
00:35:19created by the slamming of doors.
00:35:22You know what you're really suffering from?
00:35:24Forget the papers, shall we?
00:35:26Hurt pride and shock.
00:35:28You manage a beer?
00:35:38Here they come.
00:35:53You were 15 minutes late last night, Sergeant.
00:35:56The idea, Mr. Verne,
00:35:57is to keep an eye out for the opposition.
00:35:59We are a bit thinly stretched
00:36:01if you don't play the game.
00:36:03Come on, I'll buy you a drink.
00:36:07Three pints of Best Bitter
00:36:08and a large Pimm's, please.
00:36:21Please, do you promise?
00:36:27Well, think how disappointed, Daisy.
00:36:31No.
00:36:33That's fine.
00:36:35No.
00:36:37Oh, she's going up to London,
00:36:40as it happens.
00:36:42Immediately after lunch.
00:36:46A couple of hours?
00:36:48From where you are now?
00:36:53Don't be silly.
00:36:55They're all gone.
00:36:58Fine.
00:36:59See you then.
00:37:00Bye.
00:37:01Bye.
00:37:12I wish you didn't have to go.
00:37:13Never mind.
00:37:15I'm going to miss you.
00:37:18Daisy is, too.
00:37:25Charlie and Catherine say what time they were leaving.
00:37:36Thank you, Nick.
00:37:38I did ask Charlie to fill up before we left,
00:37:40and it's Sunday.
00:37:42Actually,
00:37:43I wanted to have a word with you before we left
00:37:45about Goodsham.
00:37:47As you know, I'm terribly fond of her.
00:37:50You're not about to tell me how unhappy she is, are you?
00:37:53No.
00:37:53Oh, good.
00:37:55It's just that
00:37:57I'm not absolutely sure
00:37:59that you're really the best thing in the world
00:38:01for each other at the moment.
00:38:03I mean,
00:38:03Gautrin
00:38:05needs a husband, doesn't she?
00:38:07And what you need
00:38:08is somebody who
00:38:08isn't going to make any emotional demands on you.
00:38:11Somebody fun,
00:38:13confident,
00:38:13and equal.
00:38:17What?
00:38:19No, I don't mean me.
00:38:22I'll just put this in the garage.
00:38:26Nick.
00:38:32I'm getting parts of the food.
00:38:35The food!
00:38:36The food!
00:38:39Ah!
00:38:40Ah!
00:38:41Ah!
00:38:42Ah!
00:38:43Ah!
00:38:44Ah!
00:38:45Ah!
00:38:54There's no desperate hurry, is there, Charlie?
00:38:56I shouldn't think the traffic will get heavy
00:38:58until about, what,
00:38:59five, six?
00:39:01It's not that bad from here.
00:39:02Don't forget the roadworks
00:39:03are the second roundabout.
00:39:04Daddy?
00:39:06Miss Darling?
00:39:06What time is Marvin coming?
00:39:08Ah, Daisy,
00:39:09it's time for your rest.
00:39:11Oh, does she still have a rest?
00:39:12Yeah, go on, upstairs.
00:39:13Yes, but for what time is Marvin?
00:39:15Yeah, I don't know.
00:39:16Sometime later.
00:39:17Daniella, will you take this child upstairs, please?
00:39:22Here we are.
00:39:24Right on.
00:39:27Poor Nick.
00:39:28It isn't easy.
00:39:32I went for sole custody.
00:39:34My first wife was only interested
00:39:36in getting her hands on our cottage,
00:39:37not her son.
00:39:39The least maternal woman I've ever seen.
00:39:43Susanna's using Daisy as an excuse
00:39:44not to go back to work.
00:39:46Well, child's place is with its mother.
00:39:49Latest trick is to refuse to sign anything.
00:39:52It's changing the solicitor.
00:39:53Just like my first wife,
00:39:55she's holding you to ransom.
00:39:56The only thing to do is to go to court.
00:39:59Well, it's cheap if you can settle first.
00:40:02She doesn't care.
00:40:03The more it costs me, the better.
00:40:05It isn't logical.
00:40:06She isn't logical.
00:40:07She gets a whacking percentage of your money.
00:40:09So the more you have, the more she gets.
00:40:12Listen, Nick.
00:40:13Whatever it costs, it's cheap for price.
00:40:22Can you clear your car, Nick?
00:40:23It's blocking us.
00:40:50Wish me luck.
00:40:51What for?
00:40:52Coping bravely.
00:40:53In the trenches on my own.
00:40:55Oh, yes.
00:40:56Good luck.
00:40:58Bye.
00:41:00Bye.
00:41:01Give you a call as soon as I get back.
00:41:02Yes.
00:41:04I didn't say goodbye to Daisy.
00:41:06Will you give her my love?
00:41:08Come on, you two.
00:41:19Bye.
00:41:33Right.
00:41:34I know.
00:41:35I know.
00:41:35That's a very annoying habit.
00:41:36I won't forget.
00:41:37This is a country road.
00:41:39Still have to indicate.
00:41:44Isn't that Susanna?
00:41:45Is it?
00:41:46Well, shouldn't we stop?
00:41:48Well, shouldn't we stop?
00:41:49She hasn't.
00:41:50She didn't know it was us.
00:42:04Hello.
00:42:05Hello.
00:42:06Hello.
00:42:08Hello.
00:42:09Hello.
00:42:09You going down quickly?
00:42:10Yes.
00:42:11Look after the birds, Nick.
00:42:13Oh, where do you want them?
00:42:14In my bedroom, of course.
00:42:16Where else?
00:42:17Well, Daisy's gone to be with the ponies.
00:42:19Yes, I caught a glimpse of her when I came in.
00:42:21She's very good, isn't she?
00:42:24And Carla says she'll make a skiff.
00:42:26Except poor Carla.
00:42:27When he's trying to be a teacher, he's his own worst enemy.
00:42:30Not while I'm still living.
00:42:31What's that smell?
00:42:33Oh, don't tell me it's that bloody dog.
00:42:36I can't think why you haven't made me a present on it.
00:42:42Goodsham, are you awake?
00:42:44Yes.
00:42:46That ghastly conversation at lunch.
00:42:49That banter of damaged people.
00:42:53I'm afraid you were terribly out of it.
00:42:58And the rotten thing is that Nick needs to be with people who understand,
00:43:02who've been through it themselves,
00:43:03and you can't understand unless you have.
00:43:08It's not fair on you.
00:43:09You know what I mean?
00:43:11Stop talking, drivel, Catherine.
00:43:13Charlie, can you leave this to me, please?
00:43:15Nick is not in very good shape at the moment.
00:43:20I just wonder if this is what you need.
00:43:23Actually, that's exactly what I want.
00:43:25A battered man.
00:43:26Would Henpeck do?
00:43:27Shut up, Charlie.
00:43:29I don't see what it is that makes you all so special.
00:43:32Don't you think it's just as damaging being single,
00:43:34having a series of relationships that don't last?
00:43:37It's not the same as being married.
00:43:39For ten years.
00:43:40Charlie!
00:43:41No, it's not the same.
00:43:42If you're having an affair, when it's over, you're left with nothing.
00:43:45I can hear the violins.
00:43:48Dirty sock on the bed.
00:43:50A pair of sweaty socks.
00:43:53Some old French letters.
00:43:54Charlie!
00:43:56You seem to imagine you've got this framed divorce certificate
00:43:59saying how damaged you all are.
00:44:01It's like a club, a very exclusive club, strictly limited membership.
00:44:06You're all obsessed with your solicitors, your children,
00:44:09fighting over custody and money in a matrimonial home.
00:44:14But what you have is a chance to work out your grievances.
00:44:18You have status.
00:44:22I don't have a certificate.
00:44:24I feel very left out.
00:44:27That's exactly what I was saying.
00:44:35PHONE RINGS
00:44:38PHONE RINGS
00:44:39PHONE RINGS
00:44:41PHONE RINGS
00:44:42Hello.
00:44:44Guthrie.
00:44:45I'm sorry, I'll see if she's here.
00:44:47Who is it?
00:44:48It's him again.
00:44:50Tell him I'm not here.
00:44:51I'm sorry she's not here at the moment.
00:44:54OK.
00:45:03We're not in a tiz, are we?
00:45:05No, Jasper, we're not in a tiz.
00:45:06We're just not going to be ready for the dress if we don't step on it.
00:45:09Weekend didn't turn out quite the way that Dolly Drop draws it out.
00:45:13What colour's this supposed to be?
00:45:15Bird shit yellow?
00:45:19The thing is, Jasper,
00:45:21married men, they're the worst I should know.
00:45:23Nothing but lies, lies, lies.
00:45:25He's not married, he's separated.
00:45:27Ah, there's no such thing.
00:45:29There's either married
00:45:30or divorced.
00:45:33Now you tell me.
00:45:38Let's get things straight.
00:45:41If that ship was laying mines,
00:45:44again an attack on innocent merchantmen.
00:45:48If that ship was laying mines,
00:45:50the merchantmen are entitled to expect
00:45:53the neighbours of the world to defend the merchantmen.
00:45:56go for the people who are causing the trouble
00:45:59in the first place.
00:46:00Mr. Verley,
00:46:01I think it's fair to say
00:46:03that you could be described
00:46:04as a traditional supporter of Mrs. Thatcher.
00:46:06So how do you feel about the embarrassment
00:46:08caused to the government
00:46:10by your people's stance
00:46:11on the lieutenant women's question?
00:46:13The other one is not to say
00:46:15that you could be
00:46:16The other one is to...
00:46:16Where are you?
00:46:17I had a miserable night.
00:46:19Look, this is no good.
00:46:21It's no good.
00:46:21We must talk.
00:46:23Call me now...
00:46:26No one is denying the sensitivity
00:46:28of the hostage situation.
00:46:30Our duty is to present
00:46:32the facts to our readership.
00:46:34As Mrs. Thatcher herself has said,
00:46:35you cannot give in to blackmail
00:46:37in these circumstances you could like this
00:46:56absolutely mrs. Farnay no problem at all we'd be happy to be
00:47:10good
00:47:19there's your taxi mrs. Farnay
00:47:34good pudding sir you can never resist the pudding no thanks they couldn't not at night
00:47:40so he phones you yes and follows you he follows me bliss and jones follow him it's like a parade
00:47:49he must be mad about you then he should leave me alone not if he's mad about you
00:47:53he's even got me doing it you follow him
00:47:58I saw this woman in a shop I just knew it was her she said I don't know why I
00:48:04did it but I followed
00:48:05her she's a nice lady for a bright boy he's handling this very badly is there a smart way
00:48:11it requires finesse what would he do well I wouldn't hound you pest you on the phone
00:48:17I'd just pop up unexpectedly I'd pick myself a nice well-mannered girl and I'd take her to some
00:48:25of your favorite watering holes and make me jealous does that seem too obvious what do you think
00:48:40would you like to dance these are maybe do you remember that time many years ago you came to stay
00:48:46with us and you fell off my horse black prince I was hoping to have had the opportunity to give
00:48:53you
00:48:53the kiss of life but to my disappointment you made an instantaneous recovery
00:49:05if you let this one sleep through your fingers I'll never forgive you he's divine if I didn't have
00:49:11I never wouldn't hesitate except that it's you who's mad about smitten and who's divorced
00:49:18the host he's a little difficult and you like difficult no I think I'll have the white bait yes madame
00:49:31unless oh crespelini with smoked salmon sauce oh no I know fish cakes I can never resist them
00:49:43madame will have the fish cake yes corn cocktail oh do the fish cakes come with a sauce
00:49:52all you have to do is throw an anchor baby boy if you can manage it
00:50:11it was very hot that day and we all went swimming in the pool before tea time
00:50:17I remember you had on a bathing suit red with white polka dot spots
00:50:23all you have to do is throw an anchor baby boy if you want to do is throw an anchor
00:50:28baby
00:50:28shall we dance
00:50:28hmm
00:50:33there is a deep eye where we can miss
00:50:36listen to me girl
00:50:38feel it rising in the cities
00:50:41feel it sweeping all the land
00:50:44all my borders all my branches
00:50:47nothing will its power
00:51:08is it because you are so healthy or is it because you so much enjoy dancing
00:51:12what your heart is beautiful
00:51:15can you help me see
00:51:21are you alright
00:51:30why won't you see me
00:51:31you know why
00:51:32no I don't
00:51:35what's he doing here
00:51:35don't change the subject
00:51:38pressed up you're a married man
00:51:40well I'm separated
00:51:41there's no such thing
00:51:42well what are you talking about
00:51:44you're either married or divorced
00:51:46well I'm working on it
00:51:48on what
00:51:49keeping your wife on a string
00:51:51let's face it Nick you're just not capable of letting go
00:51:54oh it's not that it's difficult to explain to you Goutrin
00:51:57but it's nothing to do with her and me
00:51:58stop treating me like a fool
00:52:00well if you'd let me explain it to me
00:52:01explain what
00:52:03about that night you spent with her at the cottage
00:52:05against your will
00:52:06what do you mean
00:52:07stop pretending you don't know what I'm talking about
00:52:09Goutrin
00:52:10it's not what you think
00:52:11I promise you
00:52:13nothing happened
00:52:15look if you want to know
00:52:17the dog had been sick on the spare room floor
00:52:20so
00:52:21she insisted on getting to my bed
00:52:23what could I do
00:52:24you bastard
00:52:26are you telling me you slept with Susanna
00:52:28no that's the whole point
00:52:29I'm telling you I didn't
00:52:31when she got into bed
00:52:32I got out the other side
00:52:33I went downstairs
00:52:34and slept on the sofa
00:52:36in a sleeping bag
00:52:38in a sleeping bag
00:52:39yeah only I had to get up at the crack of dawn
00:52:40to get back to my bed
00:52:41because I didn't want Daisy to find me on the sofa
00:52:43in a sleeping bag
00:52:45you don't have a sleeping bag
00:52:47yes I do
00:52:50it must be very reassuring for Daisy
00:52:52to know that Daddy sleeps with whichever female
00:52:54happens to be in the house
00:52:57I want you back
00:53:00give me one good reason
00:53:04I want you to marry me
00:53:08you're already married
00:53:09I want you to marry her
00:53:10I get married
00:53:12I don't even want to marry me
00:53:14that's how I love you
00:53:16I love you
00:53:22you
00:53:22you
00:53:32sort the Virgin
00:53:33you
00:53:36don't even know
00:53:52I missed you.
00:53:54You said that last night.
00:54:00I should never...
00:54:04let you go.
00:54:09You didn't.
00:54:11I left you.
00:54:31All right, sweetheart.
00:54:33I don't see any reason why we should get too concerned. Legalism.
00:54:37Have you seen them outside?
00:54:38Yeah. Just enough of them to give the TV boys a crowd.
00:54:42I mean, why are we running this story? Nobody else is.
00:54:45Because Cameron Young is a good reporter and can be relied upon.
00:54:49Even if his views on the Middle East are just a touch radical.
00:54:52Right. Then there's nothing to worry about.
00:54:55Jenny, are there any messages?
00:54:58Only me.
00:55:02Golden rule.
00:55:03I know. No comment.
00:55:08They're not there.
00:55:10They're not there.
00:55:14They're not there.
00:55:15They're not there.
00:55:19They're not there.
00:55:21They're not there.
00:55:22They're not there.
00:55:24They're not there.
00:55:24Quite a reception party.
00:55:27Well, we've got a nice weekend in the country to look forward to.
00:55:49Swap.
00:55:57You must be losing your touch as the bright boy of Fleet Street.
00:56:01The North Sea's keeping you off the front page.
00:56:04Okay, I've got one, I've got one.
00:56:06Point of order.
00:56:07Can't see from here.
00:56:07All right.
00:56:08Thanks.
00:56:08Thanks.
00:56:09Film.
00:56:10It's a film.
00:56:11Three words?
00:56:12Three words.
00:56:12First word.
00:56:15First word.
00:56:15First word.
00:56:16First word.
00:56:17Ring.
00:56:18Oh, yours.
00:56:19Is she all right?
00:56:20I see, is she trying to tell me something, do you think?
00:56:22She is.
00:56:22Saved by the bell.
00:56:23Go on.
00:56:24Saved by the bell.
00:56:24Gamers are forever.
00:56:26Are a girl's best friend.
00:56:28No?
00:56:29Do this bit.
00:56:30Do this one again.
00:56:33Divorce.
00:56:35Divorce.
00:56:39When's supper, I'm starving.
00:56:41Second word.
00:56:43Third word.
00:56:45Winding us up.
00:56:46Together.
00:56:50Kiss a ground.
00:56:51I'm going to leave for a wedding.
00:56:54I haven't seen this for a while.
00:56:56Oh, yeah.
00:56:56Movie, movie, movie.
00:56:58Um, operatic.
00:56:59Um, it's so obvious.
00:57:01It's a film.
00:57:03She's right.
00:57:04A mustache.
00:57:05Ha, ha, ha.
00:57:06Come on, many of you.
00:57:08La pasta e panthe.
00:57:10Divorce, Italian style.
00:57:12Oh, no.
00:57:13Oh, no.
00:57:13Oh, no.
00:57:14Oh, no.
00:57:15Oh, no.
00:57:17Oh, no.
00:57:19Oh, no.
00:57:20Oh, no.
00:57:20Oh, no.
00:57:20Oh, no.
00:57:21Oh, no.
00:57:21Oh, no.
00:57:21Oh, no.
00:57:24Everything all right?
00:57:29Got the nose bags on, have they?
00:57:35It's a book.
00:57:38And the film.
00:57:40How many words?
00:57:42I'll read about it in the Sunday papers.
00:57:56There's nothing in the world quite like a big rock, is there?
00:58:01Oh, Arnold wants to know if you'd like to spend Christmas with us at home, sir.
00:58:04That's sweet of you.
00:58:05Oh, isn't it?
00:58:07Knowing him, I suppose we'd want to spend it here.
00:58:10You know, opening his own presents under his own tree in his own hand.
00:58:13Oh, that's all right.
00:58:16Only we weren't sure you would be spending Christmas with Nick.
00:58:19Everything's quite different now.
00:58:22Nick's asked me to...
00:58:24Ooh, we lived together for a while and things work out.
00:58:29He's been so sweet, you can't imagine.
00:58:32How's the divorce?
00:58:34Coming along.
00:58:37Daisy, pull the Hogarth here.
00:58:48She acquired the dog shortly after we separated.
00:58:53I think I paid for it.
00:58:55She claimed it was for Daisy.
00:58:58But Daisy doesn't like dogs.
00:59:01She likes cats.
00:59:02Can't blame her.
00:59:03She was probably feeling a bit lonely.
00:59:07And Montenegro came along.
00:59:09She's off jaunting with him.
00:59:12And we get left with the dog.
00:59:16I don't think it's going to rain.
00:59:27So in this way, we managed to keep Tel Aviv sweet without jeopardizing terror.
00:59:32Elegant, isn't it?
00:59:34Mmm.
00:59:35Let's get over for lunch.
00:59:36Daniela, Daisy, lunch.
00:59:40He's one of her favorites.
00:59:42So, of course, she wants him to go to a home where he'll have lots of women.
00:59:46Charlie.
00:59:47You don't want an Appaloozian stallion, do you?
00:59:49A what?
00:59:50Horse with spots.
00:59:52Hate them.
00:59:53Only she doesn't want him gilded.
00:59:56Have you noticed?
00:59:57Spinsters are funny that way.
01:00:02Nick.
01:00:04I want to ask you something.
01:00:06Can you pass the pepper?
01:00:08Charlie's just signed up Robert Matthews to write a book on Middle Eastern antiquities.
01:00:12What do you think?
01:00:13Oh, this is the sort.
01:00:15Well, sorry, but you know what I think.
01:00:19Cameron Young, hmm?
01:00:21Well, there are other people.
01:00:22Darling, the wine.
01:00:26Why now?
01:00:38Any chance of you two coming up to Yorkshire for Christmas?
01:00:42No, sorry.
01:00:42I'm afraid it's the usual bun fight for me.
01:00:44What bun fight?
01:00:46You all tired with the in-laws?
01:00:48You're what?
01:00:50Yes, sir.
01:00:50We're going to Granny and Grandpa in Cornwall, aren't we, Daisy?
01:00:52The lucky little girl I know gets to ride a pony con, Mr. Biscuit.
01:00:56Nick.
01:00:59I suppose it'll be the usual torture for the grown-ups.
01:01:04I don't want to go to Granny and Grandpa.
01:01:08Don't be silly, darling.
01:01:10It'll be lots of fun spending Christmas with Daddy and Mummy.
01:01:13Mummy gets crushed when Daddy's there.
01:01:16I should think that's probably the understatement of the year.
01:01:18Stop it.
01:01:19I want to go skiing with Carlo.
01:01:23Susanna had this crazy idea to take Daisy to some Montenegro chalet.
01:01:27Sounds fun to me, Nick.
01:01:28So can somebody tell me who does want to go to Cornwall for Christmas?
01:01:33Well, it's the least we can do for Mouse.
01:01:35A good traditional family Christmas.
01:01:37Lots of presents and a big tree.
01:01:40Where are you going?
01:01:41Guthrin's coming to us, darling.
01:01:43Didn't I tell you?
01:01:45She'll be such a good company for our young German friend, Gustav.
01:01:49Anyway, Susanna doesn't really care.
01:01:52She's more taken up with the cash flow side of things right now than with the Christmas arrangements.
01:01:57How much she can fleece me for.
01:01:59Feathering the nest, that's par for the course.
01:02:01Well, if she gets her well, I'd be lucky if the Salvation Army take me in.
01:02:08Probably not the right moment, Guthrin.
01:02:10But Gustav's been on the phone three times in the last week.
01:02:14I had to tell him you were away.
01:02:16Don't worry.
01:02:17Nick and I understand each other.
01:02:19I know.
01:02:21But are you sure about these wedding bells?
01:02:23Divorce goes on forever, don't they?
01:02:24No, it doesn't.
01:02:25It just feels like forever.
01:02:27I don't know how you put her.
01:02:33I told you it was making too much noise to be a bomb.
01:02:38I've got him!
01:02:39Good show, Davy.
01:02:40Oh, that damn dog.
01:02:41Daniela!
01:02:43Looking forward to Christmas?
01:02:45Can't wait.
01:03:09Take care of my daughter, will you?
01:03:10We understand each other perfectly, don't we, Daze?
01:03:18Sorry about Christmas.
01:03:21I meant to tell you before.
01:03:23I think it's best for Daisy, don't you?
01:03:25She doesn't want to go to Cornwall.
01:03:26She wants to go skiing.
01:03:28What the hell with what Daisy wants.
01:03:31She's not going on holiday with that man.
01:03:33That's final over my dead body.
01:03:35She's only settled.
01:03:38You've got to make a phone call.
01:03:45Well, it's all arranged.
01:03:51Well, what about Daisy?
01:03:57She's going to stay with your parents in Cornwall.
01:04:01No.
01:04:03No.
01:04:13She doesn't care about that child, does she?
01:04:16My wife's spending Christmas with her lover.
01:04:19They're going skiing together.
01:04:21She's dumping Daisy with me
01:04:23because she says that Daisy's too young
01:04:25to ski down the black runs.
01:04:27Isn't that what you want?
01:04:28Doesn't that mean you can spend Christmas with Daisy?
01:04:32You just don't understand, do you?
01:04:45Why don't you open this?
01:04:47I look brilliant.
01:04:56Oh, yoy, yoy.
01:04:59Oh, yoy, yoy.
01:05:04Cheers.
01:05:06Splash.
01:05:20Do you know what I've been thinking about next summer?
01:05:24The idea of France appealed to me.
01:05:25I thought Daisy might learn some French.
01:05:28Do you know anything about gites?
01:05:30Farmhouses?
01:05:31Yes, you rent them through the tourist board.
01:05:35At least Susanna can't grumble too much.
01:05:38She likes French food.
01:05:41You know, we tried one of those holidays once on a barge.
01:05:46You know, Cunnel du Midi?
01:05:48Susanna kept checking into five-star hotels.
01:05:54Does she know?
01:05:57Know what?
01:05:59That you still love her.
01:06:01Have you told her?
01:06:06Cooch and I don't still love her.
01:06:10There was a moment a few months ago when I thought I might still love her, but it was nothing
01:06:16to do with love, really.
01:06:17It was nostalgia.
01:06:21But after ten years of marriage, you can't just walk away.
01:06:25Not when there's a child involved.
01:06:28An innocent, trusting child.
01:06:30That child is just an excuse for you doing what you want to do.
01:06:34You and your wife.
01:06:37Susanna has to be rich, not for her sake, for the child's.
01:06:40You have to go on holiday with your wife, prize her away from her lover, not for your sake, for
01:06:44the child's.
01:06:45Whoever pays any attention to what the child wants or needs.
01:06:49Darling, Daisy's far too young to have any idea.
01:06:52She must have both her parents.
01:06:54I thought you'd understand that.
01:06:56She must be secure.
01:06:57We can't just let her little world crumble.
01:07:00Your little world.
01:07:02I am sick to death of being understanding,
01:07:06of being reasonable, of being sympathetic and still coming last.
01:07:13My marriage is over.
01:07:15What more can I say?
01:07:17It's over.
01:07:18I don't believe you.
01:07:20Why not?
01:07:21The evidence suggests otherwise.
01:07:25Nick, you're not in the trenches with your tin hat on.
01:07:31I'm down there on my own.
01:07:34I don't know where you are, but you sure as hell are not here with me.
01:07:38I don't know where you are.
01:08:22I don't know where you are.
01:08:24I don't know where you are.
01:08:25I don't know where you are.
01:08:26I don't know where you are.
01:08:28I don't know where you are.
01:08:29I don't know where you are.
01:08:31I don't know where you are.
01:08:32I don't know where you are.
01:08:34I don't know where you are.
01:08:35I don't know where you are.
01:08:35I don't know where you are.
01:08:36I don't know where you are.
01:08:37I don't know where you are.
01:08:37I don't know where you are.
01:08:37Miss Travis, you look marvellous, darling.
01:08:41Positively moving.
01:08:42I'm having such fun.
01:08:44Hello.
01:08:44Great bash for us, darling. Congratulations.
01:08:46Terrific girl.
01:08:47Thank you very much.
01:09:01Hello.
01:09:02Hello.
01:09:17My wife demands to dance with me.
01:09:24I have some good news.
01:09:26A surprise guest for a little lunch.
01:09:28My daughter's coming.
01:09:29Oh, how lovely, darling.
01:09:31Of course, that means my first wife must bring her.
01:09:34After all, she is her mother.
01:09:35That I knew you wouldn't mind.
01:09:38When you did that to me, I knew somehow that this had to be.
01:09:49Winds of marching that make my heart a dancer.
01:09:53A telephone that rings.
01:09:56But who's to answer?
01:09:59Oh, how the ghosts of you cling.
01:10:03These worldly things remind me of you.
01:10:20I don't mind.
01:10:26This is good.
01:10:29And I'm a man.
01:10:30This is not the rock.
01:10:32This is not the rock.
01:10:32I'm comfortable.
01:10:32I don't need it.
01:10:35It's my wallet.
01:10:36It's my family.
01:10:40It's my own family.
01:10:40With all the gulls around it, the beauty that is strange,
01:10:47His oldest things remind me some of you.
01:10:53How strange, how sweet to find you still.
01:10:59These things are dear to me.
01:11:03They seem to bring you so near to me.
01:11:10I've been so near.
01:11:54ORGAN PLAYS
01:12:30ORGAN PLAYS
01:12:42ORGAN PLAYS
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