- hace 12 horas
Larry Stanford un periodista norteamericano viaja a Japón para una entrevista con el Dr. Robert Suzuki, quien vive encima de una montaña volcánica y asegura que ha descubierto un método para producir cambios evolutivos químicamente. Pero lo que Stanford no sabe, es que el maquiavélico doctor ha decidido probar sus teorias evolutivas en él.
Categoría
🎥
CortometrajesTranscripción
00:00:27The End
00:00:39The End
00:01:09The End
00:01:35The End
00:01:43The End
00:01:52The End
00:01:58The End
00:02:03The End
00:02:12The End
00:02:14The End
00:02:15The End
00:02:15The End
00:02:42The End
00:02:45I thought he'd come back. He's like an animal now. He comes back to where he was fed the last
00:02:50time, but he never should have gotten out in the first place. He visited a house in the village last
00:02:55night. It's not easy to keep a thing like that from attracting too much attention. I'm afraid there's only one
00:03:01thing to do with Kenji now.
00:03:26Kenji! Kenji!
00:03:37Kenji!
00:03:39Kenji!
00:03:45Kenji!
00:03:47Kenji!
00:03:47Kenji!
00:03:49Kenji!
00:04:08Kenji!
00:04:10Kenji, get back!
00:04:11You've changed even more, haven't you?
00:04:13Back, Kenji.
00:04:15Back.
00:04:20I don't suppose you understand me now,
00:04:22any more than she does.
00:04:24You were my brother.
00:04:29You're an experiment that didn't work out.
00:04:33I'm sorry, Kenji.
00:04:40Come on, Kenji!
00:05:16Come on, Kenji.
00:05:19I don't know.
00:05:22What?
00:05:23Come on!
00:05:24No!
00:05:25No!
00:05:26No!
00:05:27No!
00:05:29No!
00:05:29No!
00:05:31No!
00:05:32No!
00:05:56ORGAN PLAYS
00:06:12Yes?
00:06:13Seems silly to ask if this is Dr. Robert Suzuki's place.
00:06:16It's the only place around here.
00:06:17I'm afraid you can't see the doctor now.
00:06:19Oh, no, wait a minute.
00:06:21I've come all the way from Tokyo and halfway up the mountainside
00:06:23in the taxi they saved from the Ark
00:06:24and then by making like a mountain goat for the last few hundred yards.
00:06:27Where's the good doctor?
00:06:29Are you the man from World Press?
00:06:30That's right.
00:06:31Larry Stanford, the brilliant and highly underpaid foreign correspondent.
00:06:35Tell you the truth, from what my boss says,
00:06:37I don't think there's much of a story here,
00:06:38but if there is, I want to get it.
00:06:41Perhaps the doctor can give you a few minutes.
00:06:43I'll tell if you're here.
00:06:44Please come in.
00:06:55Mr. Stanford, I'm sorry I kept you waiting.
00:06:58I'd have forgotten about your appointment.
00:07:00As a matter of fact, your chief, Mr. Matthews,
00:07:02more or less pushed me into it over the phone.
00:07:04I'm not sure my work is ready for publicity yet.
00:07:07Well, from what the boss said,
00:07:08I gather you're working on the secrets of evolution or something like that.
00:07:11Sounds great, but will it sell newspapers?
00:07:13I'm a theoretical scientist.
00:07:15Most of my work is done on paper.
00:07:16Have you got anything ready for publication yet, Doc?
00:07:19Not yet.
00:07:19I can only tell you this.
00:07:22Look into the sky at night,
00:07:23and you will see a star maybe one billion light years away.
00:07:27The light that you see started from that star
00:07:29even before this world existed.
00:07:31That's my work, the principles of existence.
00:07:34But sometimes it frightens me.
00:07:36Good.
00:07:37And maybe we've got a story.
00:07:38One more good one before I leave Japan.
00:07:40Oh?
00:07:41Are you leaving?
00:07:41Yeah, after this assignment.
00:07:43This globetrotting is getting me down.
00:07:45Besides, I have a wife in New York
00:07:47that I haven't seen for a long time.
00:07:48Far too long.
00:07:48How old are you, Mr. Stanford?
00:07:5235.
00:07:53Forgive me.
00:07:54I ask personal questions sometimes.
00:07:56It's the scientist in me.
00:07:58I'm interested in the way people develop.
00:08:00The glandular type and so on.
00:08:02May I ask a few more questions?
00:08:03Well, I'm supposed to be the interviewer,
00:08:05but if you want to, go ahead.
00:08:07You look like a strong man.
00:08:09Have you ever had any major illnesses?
00:08:11Well, it sounds like the army all over again.
00:08:13Nothing worse than chickenpox.
00:08:15And in this time you've been separated from your wife,
00:08:19have you been, let's just say,
00:08:24have you had any other kind of companionship?
00:08:26Well, I've been a good boy, if that's what you mean, Doc,
00:08:28but now maybe we are getting just a little personal.
00:08:32I'm sorry.
00:08:33You want to hear about my work, don't you?
00:08:36All right.
00:08:37Could you use a little refreshment while we're talking?
00:08:40As long as it's daytime size.
00:08:47Scotch?
00:08:48A local version of it.
00:08:49I thought it tasted different.
00:08:51Well, Doc, what's the story?
00:08:53Well, Mr. Stanford,
00:08:55are you familiar with the lady thinking about cosmic rays and evolution?
00:08:59Oh, vaguely.
00:09:00The rays come out of space,
00:09:02and every thousand years or so they cause a mutation,
00:09:05cause some animal to give birth to a slightly different species.
00:09:08Is that right?
00:09:08That'll do.
00:09:09Now you can understand what I mean when I tell you
00:09:11that I have a theory as to the cause of this change in species,
00:09:15this mutation.
00:09:15I believe it can be done.
00:09:18Not with radiation, Mr. Stanford, but chemically.
00:09:21I've tried a few experiments with plants and fungus.
00:09:23You got any samples?
00:09:24Unfortunately, nothing I can show,
00:09:26only theoretical records,
00:09:28but I don't think they make sense to you.
00:09:30Well, it sounds great in scientific circles, Doc,
00:09:32but it's not exactly what I'd call front page stuff.
00:09:35Hey, you know,
00:09:37it's kind of stuffy in here.
00:09:41It's the heat from the mountain.
00:09:42I use it sometimes for experiments.
00:09:44Will you excuse me, Mr. Stanford?
00:09:46I'll go down to the lab and bring you up
00:09:48some photos of my fungus experiments.
00:09:49They might prove interesting to you.
00:09:51I'd appreciate that.
00:10:13Robert, are you sure what you're doing is absolutely right?
00:10:18Right?
00:10:19Don't you see him?
00:10:21He's perfect for it.
00:10:22Besides, I've changed the enzyme.
00:10:25It's got to work this time.
00:10:26A physical and a psychological change.
00:10:28We'll keep records on every move he makes.
00:10:30That's not what I mean.
00:10:32Do you have the right to do this to him?
00:10:35After all, the others were different.
00:10:37They volunteered.
00:10:38But Tara, he's exactly the type I need.
00:10:40This is for science,
00:10:42for human knowledge.
00:10:43What happens to one man doesn't make any difference.
00:10:47You didn't seem to care for the others, Tara.
00:10:49I forgot how to care about anybody a long time ago.
00:10:52You ought to know that.
00:10:54Good.
00:10:55Keep it that way.
00:11:05Keep it that way.
00:11:29Keep it that way.
00:12:16Oh, hello, Doc.
00:12:18I'm sorry I didn't mean to be rude.
00:12:20I just couldn't keep my eyes open.
00:12:22I feel that way myself many times up here.
00:12:25Seemed to have collected myself a kink in the neck, too.
00:12:29These are the pictures I thought you might be interested in.
00:12:32Oh.
00:12:34Well, I'll take those back to Tokyo with me, if you don't mind, Doc.
00:12:37Oh, by all means.
00:12:38How about one for the road?
00:12:39That's not a bad idea.
00:12:41Might wake me up.
00:12:43I'll be coming down to Tokyo very shortly.
00:12:45We must get together there.
00:12:47I could use a little vacation for my work.
00:12:49Sure, that'd be fine.
00:12:59Here's the morning report for you.
00:13:01Thanks.
00:13:03I'm forced to agree with you, Larry.
00:13:04Not much to this Dr. Suzuki report.
00:13:07I understand he's independently wealthy.
00:13:09One of these wealthy crackpots.
00:13:11Oh, he's not such a bad guy.
00:13:12He serves lousy whiskey, though.
00:13:14Gave me a hangover on two of them.
00:13:16As a matter of fact, he phoned up this morning,
00:13:17said he was coming to Tokyo.
00:13:18Wants to take me out on some fancy dinner or something.
00:13:21Geisha party?
00:13:22Who knows?
00:13:23Anyway, I'm just filling in time
00:13:24till I head for New York and Linda.
00:13:26This globetrotting almost broke us up.
00:13:28By the way, Larry,
00:13:29you're going to be here a few days.
00:13:31I've got a report here on some smuggling going on
00:13:33down in Hong Kong.
00:13:34I wonder if you could hop a plane and go down there.
00:13:36Uh-uh.
00:13:37No dicey.
00:13:37You pull this one more story routine on me once too often.
00:13:40This time I'm going home.
00:13:42I'll tell you what you can do with that report.
00:13:44What's that?
00:13:44Take a paper airplane out of it
00:13:46and sail it out the window.
00:13:48Matthews?
00:13:48Oh, yes.
00:13:49Just a moment.
00:13:49Larry, it's for you.
00:13:51New York.
00:13:52I can't imagine who it might be.
00:13:54Okay, I'll take it over here.
00:13:55And how about some privacy?
00:13:58Put that call through here.
00:14:03Oh, darling, it's wonderful to hear your voice.
00:14:07What?
00:14:09Oh, everything's all right.
00:14:11I just wanted to hear you.
00:14:13When are you coming home, Larry?
00:14:15Just a few more days, darling.
00:14:17Lots of paperwork and stuff.
00:14:18You know how it is?
00:14:19After that, no more traveling.
00:14:21We can make a real start all over again.
00:14:24Huh?
00:14:26I love you too, darling.
00:14:28But how do you know you love me?
00:14:29I might not be the same person.
00:14:30I'm sure you're the same, darling.
00:14:32I haven't changed either.
00:14:35I've been thinking about you all the time.
00:14:38I've had a picture of you in my mind.
00:14:42It's a nice picture, but it's not the same as the real thing.
00:14:46Well, it won't be long now, darling.
00:14:48I've been thinking of you all the time.
00:14:51We're going to some kind of a party tonight.
00:14:52I'll pretend you're along.
00:14:55Well, have a good time, Larry.
00:15:24It's a good time.
00:15:26Come back.
00:15:27As we say in America, bottoms up.
00:15:34You know, Doc, I don't know which I like better.
00:15:36Japanese sake or Japanese geisha.
00:15:38What's the difference? Plenty of both here.
00:15:41No, seriously, Doc.
00:15:42I've never had time before to do this sort of thing.
00:15:45You have no idea how stuffy these political interviews and press conferences can be.
00:15:50With so little time left, please, let me be your host
00:15:53and let me show you things you have never seen before in Japan.
00:15:57I've been working rather hard myself lately.
00:16:00Larry, I like you.
00:16:02And I'd like to show you more of Japan.
00:16:05Doc, you've got yourself a deal.
00:16:08Kanpai.
00:16:09Bottoms up.
00:16:27Hey, Doc.
00:16:29Tell her it's an old American custom called smooch, hmm?
00:16:34And tell her she smooches good.
00:16:36Oh, I don't have to.
00:16:37Now, I have to finish it.
00:16:39Tell her she smooches good.
00:16:41And tell her I'd like to give her some advanced lessons.
00:16:45And...
00:16:45I don't have to tell her anything, Larry.
00:16:48I think she understands you very well.
00:16:50Maybe, but let's find out.
00:16:53Hey, listen, girl.
00:16:55I think you're all very beautiful.
00:16:58Very beautiful.
00:17:00But I got a special thing.
00:17:28All right, Ian.
00:17:29Yeah, I'm a week overdue in New York, and I've been like this for three days.
00:17:33Let's have the sermon and get it over with.
00:17:34You know me better than that, Larry.
00:17:36Your wife called again.
00:17:38So she called.
00:17:39So what?
00:17:40Look, it's really none of my business, but you were supposed to be home by now.
00:17:44Listen to me, Ian.
00:17:46I've been working very hard for a good many years,
00:17:48and now I'm supposed to go back and change myself to a desk in the New York office.
00:17:52Okay, if that's the way it's got to be, it's got to be.
00:17:54But before I go, I'm going to do some of the things I never had a chance to do before.
00:17:58This guy Suzuki just came into my life in time.
00:18:02Well, that reminds me, I got a train to catch.
00:18:04She's taking me to a hot springs hotel.
00:18:06And, Linda?
00:18:07You already set it, Ian.
00:18:09It's none of your business.
00:18:38How about a little second before our bath?
00:18:40So it's me.
00:19:06The bath is ready now.
00:19:07Larry, you're about to experience one of my country's greatest treasures.
00:19:12Hot mineral water from deep in the earth.
00:19:15It has wonderful effects, and sometimes strange effects.
00:19:19Well, I've had hot baths before, but never in such fancy surroundings.
00:19:23You know, Doc, it's amazing what I never got to see and do in this country all the time I've
00:19:27been here.
00:19:28I didn't realize what fun I was missing.
00:19:30Still, I'll have to leave sometime.
00:19:33Yes, I know.
00:19:34Oh, uh, I have another surprise for you.
00:19:37Oh, what's that?
00:19:38Do you remember my assistant, Tara?
00:19:40You met her at the lab.
00:19:42She happens to be here at the hotel.
00:19:44I think you'll find her especially interesting.
00:19:47Why especially?
00:19:48Her talents.
00:19:50She is, first of all, an exceptionally beautiful woman.
00:19:53She's been to nearly any country you can name.
00:19:56She's intelligent, affectionate, and, uh, how shall I say it?
00:20:01Not unwilling to have a little adventure now and then.
00:20:03Sounds too good to be true.
00:20:06Tell me, when do I meet this lovely mythical creature again?
00:20:08Why not now?
00:20:15I'm sure you two remember each other.
00:20:17Well, hello again.
00:20:19Well, say, I guess we must have your bath here.
00:20:22You go ahead, we'll wait.
00:20:23Why wait?
00:20:24I can see you're not familiar with Japanese customs, Mr. Stanford.
00:20:29You mean everybody?
00:20:30Together?
00:20:31Same bath?
00:20:33Well,
00:20:59Well, now I've seen everything, or I'm about to.
00:21:02There are two baths, Mr. Stanford.
00:21:05One for you, and one for me.
00:21:07I see.
00:21:08What's this, the wall of Jericho?
00:21:10We operate on the honor system here.
00:21:13You mean this is the Japanese equivalent of a bundling bar?
00:21:16Well, it keeps us apart, but, uh, not too far apart.
00:21:28The doctor tells me these are mineral baths and good for me.
00:21:32Hope he's right.
00:21:42How do you like it, Mr. Stanford?
00:21:44My name is Larry.
00:21:45I think it's great having a wonderful time.
00:21:48Wish you were here.
00:21:49Well, I'm not very far.
00:21:52Well, I'm not very far.
00:21:52Tell me more about yourself.
00:21:53Well, there's not very much to tell.
00:21:55I've worked pretty hard all my life, and now I'm just starting to enjoy myself.
00:21:59How about you?
00:22:00Where are you from?
00:22:01You speak English beautifully.
00:22:02I speak many languages.
00:22:05Is the water hot enough for you?
00:22:08They're plenty hot.
00:22:10The real Japanese bath should be as hot as you can take it.
00:22:13That way you get the benefit of the minerals in the water.
00:22:16I seem to be getting some sort of benefit right now.
00:22:57Is anything the matter, Larry?
00:23:01Yeah, I've had enough.
00:23:02I'm getting out.
00:23:31I'm getting out.
00:24:27It's a great little song.
00:24:28a great little country hey now i'm going to show you where i live can you mix a martini what
00:24:33is
00:24:34that that's a musical martini hello larry well this is quite a surprise i think i'd better go
00:24:54i think you'd better stay we've all got some things to talk about anybody mind if i fix
00:24:58myself a drink you know ian there's a name for a guy who'll pull a trick like this ian had
00:25:05nothing to do
00:25:06with it i dragged him here i flew in today larry i couldn't stand it any longer
00:25:12ian wouldn't tell me a thing it wasn't hard to guess that you'd found company sorry larry yeah sure
00:25:21all right let's not draw this one out let's make it front page top banner line now so you found
00:25:25out
00:25:25so what darling i i came here so as i could see you so as you could see me i
00:25:34don't want things to go
00:25:35on this way larry you've got to make a choice right now the girlfriend or me
00:25:54tara i don't think we're wanted here let's go someplace and finish the evening
00:25:59good night mr stanford larry i'll wait here till midnight then i'm leaving
00:26:03the choice is yours the choice is yours i made my choice
00:26:09oh ian ian what am i gonna do what am i gonna do fight that's all you can do i
00:26:16want to fight
00:26:16ian but he's changed he's he's so different there's still hope look i'll wait here till midnight
00:26:24i could talk to him alone if he's not back i'll go to the hotel and then and then i've
00:26:31lost the
00:26:32battle and what else can i do you want me to stay here for a while no no please go
00:26:39i i've got to work
00:26:41this out for myself good luck linda thanks
00:27:27you know tara i figured you'd live in a place like this it fits you it's beautiful larry
00:27:34why did you come with me tonight why did you make that choice
00:27:40i'll tell you the truth tara it's you i want to feel comfortable with you
00:27:45something strange has been happening to me lately i can't explain it you're the only one
00:27:51that seems to understand don't ever leave me no larry not this way
00:27:59what do you mean not this way when i belong to a man no one else does
00:28:03if it can't be that way then i don't want him you're thinking about linda
00:28:07yes she's not going to give up so easily larry i know how a woman thinks if i'm not mistaken
00:28:14she's waiting for you at your apartment right now she said she'd leave if i didn't come back
00:28:17that won't settle it you must go and tell it's finished it would be best that way
00:28:22you wait for me here i'll wait for you to come back if you come back
00:28:47you
00:28:48you
00:28:53you
00:28:57Let's go.
00:29:51Let's go.
00:29:53Let's go, Linda. Go home.
00:29:54Harry, what's the matter? What is it? Can I help you?
00:29:57Nothing's the matter. I don't need any help. I just want you to leave.
00:30:01I know I shouldn't have stayed here, but I couldn't give up that easily.
00:30:04Give up what? What we never had?
00:30:06You could have been here all this time, you know. I've asked you to join me overseas more than once.
00:30:09Larry, what sort of a life is that? Living in hotels, places not even on the map, picking up and
00:30:15moving every time there's a new war or revolution?
00:30:18You married me? You knew I was a foreign correspondent?
00:30:21Yes, I know, but I figured one day you could settle down.
00:30:24Settle down, that's a good way to put it. Settle down like mud in a pool. Bridge on Wednesdays, cocktail
00:30:29Thursdays, PDA Friday.
00:30:30I can't give you this kind of stuff, Linda. Go home and find someone else.
00:30:34Larry, what's happened to you?
00:30:36I don't know, Linda. I just want you to let me alone, that's all. Just leave me alone. Go away.
00:30:40I won't let you alone, Larry. I'm fighting for something that belongs to you and me.
00:30:44I don't know how it happened, but it won't last. This woman, she's got you all mixed up so you
00:30:50can't think straight.
00:30:52I don't know how it started. Maybe a weak moment.
00:30:54Weak? Maybe you...
00:30:55You think I'm weak? You think I covered all those wars and revolutions because I was weak?
00:31:00Or maybe it's because I never put you in your place before, never slapped you down when you needed it.
00:31:03Harry, what's gotten into you?
00:31:04Nothing's gotten into me! I just became a real self for once, that's all.
00:31:08Nobody's going to tie me down anymore. Nobody's going to tell me what to do.
00:31:37Nobody's going to tell me what to do.
00:31:53Don't기를...
00:31:56Nobody's going to tell me...
00:31:59I'm,气 Hilano...
00:32:03Don't worry...
00:32:09Weak.
00:32:10You are awake
00:32:14No
00:32:15You are awake
00:32:16You are awake
00:32:19No
00:32:19You are awake
00:32:39No
00:32:40I'll sing a song for you,
00:32:46I'll sing a song for you.
00:32:55I'll sing a song for you,
00:33:15文本大二十五二 無人に謀雑俗十多岐 変断権が証拠
00:33:30文本大二十三 無人に謀雑俗十多岐 二十五 一 無人に謀愁
00:33:44about maybe that's just as well makes it easier to talk i've got to talk to someone
00:33:53i've got to get it out of me
00:33:58gotta get it out of me
00:34:39i thought you weren't coming back
00:34:41you were a long time i told you after linda left i went out for a walk where did you
00:34:48go i don't know
00:34:52fix me another drink will you
00:34:56it was like a dream sort of nightmare only i don't know where the dream stopped and the real thing
00:35:04began i came to a temple i remember that and then i was walking just walking
00:35:17does your hand hurt
00:35:21those prayer beads where did you get them i don't know picked them up someplace i can't remember
00:35:30i have a feeling i don't want to remember i want to forget that's something i can do help you
00:35:36forget
00:35:52i like everything about this place but the music
00:35:57well maybe i'm getting a little senile you're as young as you ever worry and and is kind
00:36:05it's sweet of you to bring me here you know i was getting a bit lonely
00:36:10it's an understatement he's getting ready to scream
00:36:14then i asked you here because i want to talk to you about larry what the devil's gotten into him
00:36:18lately i don't know maybe it's what you just said the devil's gotten into him he used to be a
00:36:26good
00:36:26reporter linda old reliable now when i want him i can hardly find him and when i do i can't
00:36:31seem to
00:36:31break through to him you say hello and he starts an argument i've never seen anyone change so quickly
00:36:37yeah yeah it doesn't seem the same person what are you gonna do you can't stay here in tokyo
00:36:44forever and watch larry go to pieces like this i don't know exactly what i'm gonna do ian
00:36:50but i'm sure of one thing i still love larry and i'm not gonna run away guess i'll just have
00:36:57to
00:36:57stick around for a while and hope well i knew if i kept looking i'd find you all right you
00:37:13found me
00:37:13now what we've got a pretty big story to cover this morning what's the matter with your hand i burned
00:37:21it
00:37:23when are you coming back to work larry seems to me i got some vacation due
00:37:27yes you have but you're still being carried in my books i think i have a right to know what
00:37:31your
00:37:31plans are plans who has any plans well you can do me a favor if you're not drinking leave me
00:37:38alone
00:37:38will you i was about to i've got an office to take care of you know but i have suggestion
00:37:44how about
00:37:45tonight you and i used to go on some pretty good binges together not tonight
00:37:52look larry confessions good for the soul and all that are you sure there isn't something you'd like
00:37:58to tell me you're pressing your lucky in all right larry all right whatever what's eating you stops eating
00:38:04you've got a job waiting but remember this it can't wait forever
00:38:11where'd you get those get what those oh i don't know picked them up somewhere they're buddhist prayer
00:38:19beads you don't say well i just thought it odd you had them they're common around here but
00:38:26i've never seen you with anything like that before there must be a lot of things you've never seen
00:38:30in the end yes the buddhist prayer beads as a matter of fact i talked to quite a few buddhists
00:38:36recently i found out one very good thing about them what's that they mind their own business all right
00:39:03so
00:39:12so
00:39:19Oh, oh, oh, oh, oh.
00:40:01Look at that terror. There's a definite cycle. That proves another theory of mine. The change doesn't come all at
00:40:07once. Larry Stamford right now is going through the metamorphosis.
00:40:11This is his old self here at the bottom of each curve. And this is his new self. Actually a
00:40:16different species of man at the top. But notice how the waves are rising. Before long, he'll be entirely on
00:40:23the top. Entirely a new being. Robert, I don't like it. That's your privilege. Not everyone's interested in a mutation.
00:40:30That's not what I mean. I don't like what I'm doing. I know you had to keep him in Tokyo
00:40:35and at first I didn't care. Any emotion I ever had was killed in me a long time ago.
00:40:41But maybe I've just a little left. And I don't like watching it happen to him. Are you falling in
00:40:47love with him, Tara?
00:40:49I don't think I'm able to fall in love. You don't have any illusions about us. Do you? You know
00:40:55where you found me. And you know what happens to me if I have to go back there. That's the
00:41:00only reason I stayed with you, Robert. Can I make it any clearer than that?
00:41:12Look at her, Tara. Take another look at Emiko. You knew her, Tara. When she was... Oh, what shall we
00:41:19say?
00:41:19When she was an ordinary woman. Not a bad-looking woman. Remember?
00:41:27Can you hear me, Emiko? Can you understand what I'm saying?
00:41:34You think I'm heartless, don't you, Tara? You like to pretend to be a woman without a soul. But these
00:41:40things really bother you, don't they?
00:41:42I think you forget that Emiko was my first human experiment. That she begged me to try the enzyme out
00:41:48on her.
00:41:49And when I wouldn't, she took it herself. And you forget that my brother, Kenji, volunteered. After I gave him
00:41:57full warning.
00:41:58I know all that.
00:42:01Is that supposed to excuse you?
00:42:03I don't have to make excuses to anyone, Tara. I'm just trying to remind you of something.
00:42:08Your very good friend, Larry Stanford, is going to change completely. Nothing can stop that now.
00:42:12I might be able to separate his new self. But I'm not going to take that chance.
00:42:17Do you know what that means, Tara? It means when he changes, he'll be an alien thing.
00:42:21A species that's never walked this earth before.
00:42:24Do you think there'll let a thing like that live? Do you think anybody will?
00:42:28Think it over, Tara. Ask yourself if you can afford to fall in love with a monster like...
00:42:34Like Emiko. The woman who used to be my wife.
00:42:47Come in.
00:42:51Hello, Larry. I'm glad we found you in.
00:42:53Any reason why you wouldn't?
00:42:54Put out the sputtering fuse, will you? Are you going to ask us in?
00:42:58Right, come in. You know where the drinks are.
00:43:04This is my friend, Dr. Jensen, Larry.
00:43:06I happened to be with him tonight and asked him to come along.
00:43:09Hope you don't mind.
00:43:10Why should I? Hi, Doc.
00:43:12How do you do?
00:43:16Larry, I think you can guess why I want to talk to you.
00:43:19I think you know your behavior lately has not been exactly like your old self.
00:43:23Now, listen to me.
00:43:24Now, wait a minute. Don't blow your cork.
00:43:26I've got a couple of questions I mean to ask whether they're my business or not.
00:43:29All right, go ahead and ask them.
00:43:31First question.
00:43:33Do you remember when I saw you in a bar after that old Buddhist priest was murdered?
00:43:37You had a string of Buddhist prayer beads with you, and you never did say why.
00:43:41Now, I suppose this is far-fetched, but I couldn't help feeling there was a connection.
00:43:46Now, tell me the truth, Larry.
00:43:48Did you accidentally see the murder or something like that?
00:43:51Did it set you off, put you in that rotten mood?
00:43:53Yeah, I'll tell you the truth, Ian. I don't know what you're talking about.
00:43:56All right.
00:43:58Second question.
00:44:01Do you realize that your behavior lately has had every aspect of a man flipping his lid?
00:44:06What are you trying to say, Ian?
00:44:07Larry, Dr. Jensen is a psychiatrist, the best in Tokyo.
00:44:11That's why I brought him.
00:44:13I'd like you to let him talk to you.
00:44:15World Press will pick up the bill.
00:44:17So you're a witch doctor, eh?
00:44:19Well, some people do call us that.
00:44:21I can see right now that your case would be most interesting.
00:44:25Here's my card.
00:44:27What about an appointment tomorrow morning, say, 10 o'clock?
00:44:32Get out of here, both of you.
00:44:33Doc, you go and rattle your bones somewhere else.
00:44:35I don't look after my own problems.
00:44:36No, you, sir!
00:44:37I can get out of here.
00:44:38Just let me alone, that's all.
00:44:39Get out!
00:44:40Just let me alone, that's all!
00:44:42Just let me alone!
00:44:43Let me alone!
00:44:54I can get out of here, both of you.
00:44:55Oh, no!
00:44:57Help!
00:44:59Help!
00:45:01Help!
00:45:06Help!
00:45:10Help!
00:45:12Pissing!
00:45:16Help!
00:45:21Help!
00:45:21Help!
00:45:21Help!
00:45:52Let's go.
00:46:24Hello, police?
00:46:31This is Dr. Jensen, Akasaka 5, show me 132.
00:46:36Please send police here immediately. This is urgent.
00:47:20Please send police.
00:47:34Please send police.
00:47:43All right, fellas. Go in back to the office and write this up.
00:47:45I'll see you in about a half an hour.
00:47:51I'm afraid I've got a personal interest in this one, Superintendent. I knew Dr. Jensen very well.
00:47:56Mr. Matthews, I'm going to ask a favor. I wish you wouldn't print this story just yet.
00:48:01Not print it. Now, wait a minute. Dr. Jensen was internationally known. This is news.
00:48:06Mr. Matthews is a killer loose in Tokyo. The worst known in 30 years. And I've got to stop him.
00:48:11Now, so far we've reported every murder he's committed. This time I want to throw him off guard.
00:48:15Perhaps he'll wonder why it wasn't reported. Perhaps he'll come back.
00:48:19When you say don't print this story, you're asking quite a bit.
00:48:22I have responsibility to my readers, you know.
00:48:25You also have one to your friend, Dr. Jensen.
00:48:28Believe me, Mr. Matthews, I'm determined to catch this murderer.
00:48:31I have to answer to my own superiors. And if I don't catch him, I'll be obliged to resign.
00:48:35Well, I'll hold off for the time being. But you can't keep a thing like this quiet for long.
00:48:38Tomorrow, there'll be a press conference in my office at 5 o'clock.
00:48:42I'll try to have something more definite for you by then.
00:48:44All right. And perhaps by that time, I'll have something for you.
00:49:11Larry? Larry, are you here?
00:49:17Larry?
00:50:04You must be the cleaning woman. Go men and sigh.
00:50:07All right. Tell us all.
00:50:19Gentlemen, the killings have been at these places.
00:50:23Usually, we get a pattern from something like this. But not this time.
00:50:27He seems to strike blindly, without reason.
00:50:30That's a very impressive map, Superintendent.
00:50:32But just exactly, what are you doing about these murders?
00:50:34Well, we've doubled the police on duty, and every officer carries extra arms.
00:50:39And we've deployed our men so that reinforcements are always nearby.
00:50:42I'd like to know, sir, when do you expect to catch the killer?
00:50:45I'm sorry, I don't know.
00:50:47If we could find a pattern, I might be able to estimate.
00:50:50But this killer, well, he doesn't even seem to be human.
00:50:54Any more questions, gentlemen?
00:50:55Is that all you've got for us?
00:50:57That's all I have right now.
00:50:58Well, thanks, Superintendent.
00:51:00The next time you call us in, I hope you've got more of a story.
00:51:09Well, Mr. Matthews, I suppose you're not satisfied either.
00:51:14Superintendent, I've come to a decision.
00:51:16Not an easy one.
00:51:17But I'm thinking of your men out there, and all the others, who may shortly find themselves victims.
00:51:23Yes.
00:51:25I'm afraid I have something very important to tell you.
00:52:27Oh, my God.
00:53:14Oh, my God.
00:53:51Yes, it does look bad, but still, you can never tell about evidence.
00:53:56It can be very deceiving.
00:54:08Well, he's killed someone else, this time one of my policemen.
00:54:12Are you sure it was the same killer?
00:54:15No doubt. He got away again.
00:54:17I just can't believe it was Larry.
00:54:19Well, whether we're sure of it or not, Mr. Matthews, the time has come to take some precautions.
00:54:24Pick up Larry?
00:54:25Yes, if we can find him.
00:54:27Well, he's bound to return to his apartment sooner or later.
00:54:30I suppose you can put a stake out on it.
00:54:31I'm going to handle this personally, and I'd like you to come along.
00:54:34I'll go.
00:54:36I'll go.
00:54:50I'll go.
00:54:50I'll go.
00:55:06Larry?
00:55:20Larry?
00:55:46Larry?
00:55:47Larry?
00:55:47I'll go.
00:55:49I'll go.
00:55:49I'll go.
00:55:51I'll go.
00:55:51I'll go.
00:55:52I'll go.
00:56:05I'll go.
00:56:15I'll go.
00:56:18I'll go.
00:56:24THE END
00:56:59THE END
00:57:29THE END
00:57:42THE END
00:57:44THE END
00:57:45THE END
00:57:45THE END
00:57:46THE END
00:57:47THE END
00:57:47THE END
00:57:48THE END
00:57:49THE END
00:57:49THE END
00:57:49THE END
00:57:50THE END
00:57:50THE END
00:57:50THE END
00:57:51THE END
00:57:52THE END
00:57:52THE END
00:57:53THE END
00:57:53THE END
00:57:53THE END
00:57:54THE END
00:57:54THE END
00:57:54THE END
00:57:55THE END
00:57:56THE END
00:58:26THE END
00:59:16THE END
00:59:19THE END
00:59:51THE END
01:00:26THE END
01:00:56THE END
01:01:19THE END
01:01:49THE END
01:02:23THE END
01:02:49THE END
01:03:18THE END
01:03:53THE END
01:04:01THE END
01:04:03THE END
01:04:11THE END
01:04:34THE END
01:04:34THE END
01:04:34THE END
01:04:34THE END
01:04:48THE END
01:04:48THE END
01:04:49THE END
01:04:58THE END
01:05:01THE END
01:05:04THE END
01:05:05THE END
01:05:07THE END
01:05:13THE END
01:05:15together. We had wonderful plans, didn't we? We were going to be great scientists, like Pierre and Marie Curie, but
01:05:25it didn't work out that way, did it, Enrico? I'm sorry. I don't know why.
01:05:39Maybe I offended the gods. Honey, I didn't used to believe in gods. Forgive me.
01:06:13But did you give him my message? I see. I see.
01:06:41I see.
01:07:05Come on. Don't be afraid. You know me.
01:07:21Give me your hand. Give me your hand.
01:07:31Give me your hand.
01:08:01Give me your hand.
01:08:02Give me your hand.
01:08:06Give me your hand.
01:08:17Give me your hand.
01:08:24Don't be afraid.
01:08:30THE END
01:08:59THE END
01:09:36THE END
01:10:02THE END
01:10:10THE END
01:10:20THE END
01:10:21THE END
01:10:25THE END
01:10:26THE END
01:10:30THE END
01:10:30THE END
01:10:35THE END
01:10:39THE END
01:10:39THE END
01:10:42THE END
01:10:42THE END
01:10:44THE END
01:10:45THE END
01:10:45THE END
01:10:47THE END
01:10:47THE END
01:10:47THE END
01:10:47THE END
01:10:48THE END
01:10:48THE END
01:10:49THE END
01:11:01THE END
01:11:02THE END
01:11:02THE END
01:11:02THE END
01:11:13THE END
01:11:14THE END
01:11:14THE END
01:11:14THE END
01:11:15THE END
01:11:21THE END
01:11:22THE END
01:11:22THE END
01:11:25THE END
01:11:26THE END
01:11:26THE END
01:11:43THE END
01:11:55THE END
01:11:58THE END
01:12:00THE END
01:12:08THE END
01:12:11THE END
01:12:12of us all. How can I say this? There was good in Larry and there was evil. The evil part
01:12:18broke through, took hold. Call it an accident or call it a warning. A warning? I'm a reporter,
01:12:25not a mystic, Linda. But there are things beyond us, things perhaps we're not meant
01:12:29to understand. If what's happened has made this all clear, well then, perhaps it makes
01:12:34sense after all. Have faith, Linda. Have faith in the good that's still in Larry and in all
01:12:40men.
Comentarios