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Angelica alias La Poderosa es una prostituta, y Miguel, un sencillo ingeniero agronomo. Tras un accidente, ella descubre que es heredera de un millonario y busca venganza, mientras ambos viven un romance que supera sus mundos opuestos.

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00:02Excuse me.
00:04What happened, Javier?
00:05There is a visitor for Poderosa and the guard is asking if he can allow her entry.
00:09A visitor for me? Who is it?
00:10Mr. Miguel.
00:19Miguel, is he your boyfriend?
00:20No, I don't have a boyfriend.
00:24Just, can you ask him to wait here at the entrance, please?
00:27Perfect, Powerful One. I'll go and let him know.
00:29Okay.
00:30Excuse me.
00:30Thank you.
00:33Hey, Mighty One. Look, let me tell you something.
00:36As far as I'm concerned, I don't care if you receive Miguel here.
00:42Tobias, I wouldn't worry about receiving visitors, whether you mind or not, on the contrary.
00:48I think you need to get used to my presence and that of my people, just as I am also making an effort.
00:54to live with you.
00:55Oh, from the way you're talking, Poderosa, it sounds like you're being rejected from this house.
01:01Yes, it would be unfair if you felt that way.
01:04No, no, wait, calm down, that's not it, relax, quite the contrary.
01:08No, I don't want Tobias to worry about making me feel comfortable receiving visitors, that's all.
01:14Okay, excuse me.
01:19Donatella, do you know that Miguel?
01:21He is Mr. Oxente's best friend, José Antonio's father.
01:24He was the one who saved Poderosa's life and took care of her.
01:26I already know that, Donatella. I want to know what kind of man he is.
01:31Come on, Dad. He's just another farmer.
01:33No, no, no, no, that's not it either, Tobias. He's not a peasant.
01:37From what little I know through José Antonio, he has a good education, he's a businessman, he owns a farm
01:43productive.
01:44He's not exactly a peasant, as you say, Tobias.
01:47Why do you want to know?
01:49When she told me about him, I noticed a certain gleam in her eyes.
01:55And now when Javier came to tell us he was here, I saw the same thing.
01:59She likes that Miguel. I think we should keep a close eye on him.
02:04Oh, what a surprise!
02:08Excuse me for coming like this without warning, I decided at the last minute.
02:13Any problems? Do you need anything?
02:16No, everything's fine with me. I just came to see you because I missed you.
02:25I thought you'd never set foot in this house.
02:30Because?
02:32Because this is the house of evil, of useless people.
02:36Yes, but you're good. I know it.
02:40And I didn't come to visit them, I came to visit you.
02:45So, are we going in, or is this not your house either?
02:49Hey, stop it! No more hints, please.
02:51No, I'm being very direct. In fact, as I always have been.
02:55Did you come to meet me at the door? Why?
02:58Now I ask the questions.
03:02I just don't want you to get involved with these people.
03:05But I don't get involved with those people.
03:08You don't have to worry.
03:11Do you look different?
03:14I cut my hair.
03:20It's a joke.
03:22Well, I don't want to bother you.
03:26It was great to see you.
03:29Hey?
03:31Where are you going?
03:32I'm going home.
03:34But what about the visit?
03:36It's done.
03:42Take good care of yourself, powerful one.
03:44Alright?
03:47Good night.
03:57I don't think Miguel is someone to worry about.
04:01He's in his own world.
04:03Yes, on the other hand, Donatella.
04:06That Miguel seems like a very important and powerful person.
04:10That could be an advantage.
04:12The last thing we need right now is...
04:20What happened, powerful one?
04:21Where is Miguel?
04:24Did he refuse to enter?
04:26No.
04:27He just came to say hello.
04:29He gets up early tomorrow.
04:30Oh, what a shame.
04:32Yeah.
04:33I wanted to meet him so badly.
04:34Yeah.
04:35Who knows?
04:36On my birthday.
04:49Good night.
04:58Good night.
05:00Good evening, Mrs. Berenice.
05:03Who would have thought that one day I would live in wealth?
05:06So, with a guard at my door.
05:09Okay, it's an apartment door.
05:12And it's all Bernardo's fault.
05:15But also, what is the most precious thing I have in this life?
05:18My son and my fiancé are in there, aren't they?
05:23Would you like a latte?
05:24No, thank you very much.
05:25You're sure?
05:26You're going to spend the night here and your stomach is going to start growling, you know?
05:30My shift is ending now and the next guard will come to relieve me.
05:33Yeah?
05:34Well, if you change your mind, knock on the door.
05:37Oh, and if you really need to use the bathroom, just knock on the door, okay?
05:43If I need it, I'll let you know.
05:44Once again, thank you.
05:45Okay, thank you very much.
05:49Hello, my loves.
05:51Hello my love.
05:52All good?
05:53Yeah.
05:54How was the visit?
05:56It was good because I saw my friend, right?
05:58No, but I must admit, it was weird.
06:01Was.
06:01Get up, darling.
06:03Get up.
06:03It was strange to see such a powerful person with those people.
06:09Have you ever noticed when clothes don't match, when they don't look right?
06:13That's powerful, with those people in that mansion, it doesn't match.
06:16Well, money suits anyone who has pockets.
06:19Hey, hey, hey, hey, are you suddenly ambitious now?
06:23Uh, the atmosphere got very tense.
06:25He got very tense because Tobias came to the house for lunch.
06:29Have you ever seen an elastic band when it's taut, like that, about to break?
06:33So, at that level.
06:35What a repulsive individual.
06:37Then it was a hurricane of emotion.
06:39Yes, yes, yes.
06:43But listen, I'll tell you something.
06:45I have never seen such a powerful woman so sad in my entire life.
06:50Oh really.
06:52Furthermore, Leandro called her and threatened her.
06:54I felt very sorry for my friend.
06:56Wait, what?
06:57Has that scoundrel been released yet?
06:59Yes, he has already been released.
07:00And he's dying to jump on my friend's neck.
07:02Now that she's the daughter of a millionaire, nobody else is going to lay a finger on her.
07:06It's not quite like that, Cayo.
07:08There are some problems that money can't solve, honey.
07:12And when it's missing, that's also a problem.
07:14Three problems.
07:21I know that face.
07:23What happened?
07:24Were you unable to pay this month's alliance fee?
07:28I already told you I'll help you pay for it.
07:30The Mademoiselle Olympia at Aid Club is closing.
07:33I'm going to lose my job.
07:36Is it going to close, close?
07:38He will close the doors.
07:39Because?
07:41Mrs. Olympia will go to live in Mr. Ramiro's mansion to help Poderosa behave.
07:48Poor thing, losing his job so quickly.
07:49Hey, Cayo, Cayo, don't get involved, this is serious, okay?
07:52Sit here.
07:52Cayo helped me write my resume.
07:54Do you see it?
07:55I want to send it everywhere to see if I can get a job quickly, because, love, if it takes too long,
07:59I think we'll have to postpone our wedding for a while.
08:02Hey, are you kidding me?
08:04Come on, Duplex, what's with that sexist speech, huh?
08:06Do you see it?
08:07I told him the same thing.
08:08Hey, hey, hey, hey, enough.
08:12Listen, those are things of the past.
08:14That's over.
08:15What I earn at Miguel's stall in the market is enough to pay all the bills, right?
08:20That doesn't matter to me.
08:22You don't care now, Hurricane.
08:25You don't care now.
08:27Soon you'll be throwing it in my face that you're maintaining everything and paying for it all by yourself.
08:30What are you taking about?
08:31I've already lived through that story.
08:32I think you're confused.
08:33Who do you think I am, your ex?
08:36Duplex, look at me.
08:38I am Hurricane, my love.
08:40I'm not like that.
08:41I'm not going to hold anything against anyone, okay?
08:44Only Caius, who is old enough not to depend on others, right?
08:49I'm just letting you know.
08:50What's wrong, Mom?
08:51Don't get involved in this.
08:53I'm serious, love.
08:55I also want to contribute.
08:56I don't think it's fair that we start a life together, with you supporting me.
09:01It's not right.
09:03Are you serious?
09:04Oh really.
09:05Oh really?
09:06Oh really.
09:07Oh dear, I'm going to be single for life.
09:09Because even when I find someone I love and who loves me back, I can't get married.
09:13How lucky I am, get up.
09:18Heavens.
09:27His blood pressure is a little elevated.
09:31Oh, and their glucose too.
09:36Yes, it must be due to the stress of the burial.
09:39Meeting Dolantela earlier and all that.
09:43Yeah.
09:44Are you keeping up with your diet?
09:46All good?
09:47Does he take his medication?
09:49Well, regarding food, yes, Yara doesn't let me eat anything with a high glycemic index.
09:56Regulate my carbohydrates.
09:59And every now and then, a sweet here, a sweet there, but not too much.
10:05A sweet here and a sweet there can be dangerous.
10:10And the remedies?
10:13Mr. Giovanni, it is very important that you maintain a high level of immunity.
10:18Sometimes I forget them, yes.
10:21But in general, I take my medication as prescribed.
10:24I know what I can do to help him.
10:27I'm going to create an alert on your phone to remind you of the correct schedule for your remedies, and I'm going to start.
10:32to control it more.
10:34Hey, kid, I'm not a kid.
10:36And I'm not senile either.
10:38I know very well how to take care of myself.
10:41Okay, Mr. Giovanni, I know, I know.
10:44Don't be offended, Mr. Giovanni, it's just that...
10:49You're used to Donatella doing everything for you, aren't you?
10:54She controlled her medications, she controlled her diet.
10:58She was like... like a personal nurse for you.
11:05But Donatella is no longer here.
11:14Until I regain consciousness, I intend to take very good care of myself.
11:20I'll manage on my own.
11:22We're finished.
11:30Thank you.
11:31You're welcome, Mr. Giovanni.
11:37Of course I'll take care of your grandfather, Donatella.
11:41Listen, I'm going to tell you the truth.
11:43Mr. Giovanni isn't taking care of himself, but whenever I can, I check if he's taking his medication as he should.
11:51And Shiko too.
11:53But I think that when he starts working, he's going to improve a lot.
11:59Yes, he's going to start working.
12:02Mrs. Norma asked Fernanda to hire him in Braz.
12:07Well, look, in my humble opinion, I think you should allow it, Donatella.
12:12Because it's good that Mr. Giovanni has a job.
12:15He loves football and can visit the school too.
12:19Oh, come on, let him work.
12:24Okay, think about it, think about it.
12:27Okay, you're welcome, dear.
12:30Another one for you.
12:35No, no, no, get out.
12:38Salt.
12:41Get out, that's enough.
12:43Don't come near me, get out of here, go away.
12:46Hey, what?
12:48Did you have a nightmare?
12:52Excuse me, Miguel.
12:54Did you have a nightmare, Hugo?
12:57Thank goodness you arrived.
12:58I was having a terrible nightmare.
13:00I was taking a bath and when I bent down to pick up some soap,
13:03The soap was a skunk and smelly too.
13:06A smelly skunk?
13:09My God.
13:10Do you want water?
13:12Yes I want.
13:16Do you want water?
13:19So, how did your powerful visit go?
13:23Ah, it was brief, but everything is fine.
13:30And is the mansion really as they say?
13:34From what I could see from the outside, that's what it looks like.
13:38What do you mean?
13:40Didn't they let you in?
13:44No.
13:48I thought he had only changed direction, not character.
13:51The same person is powerful, Hugo.
13:55He wouldn't let me in because he thought I was protecting him.
13:59Because I didn't want to get involved with all those people, you know?
14:04Yeah.
14:06That's a sign that he knows how toxic that place is.
14:10That's true.
14:12The air in that mansion must be more polluted than that of a nuclear power plant.
14:20That's true, Hugo.
14:22Are you feeling better now?
14:23After seeing it?
14:26Well.
14:28A bit.
14:30A bit.
14:32She and I.
14:34Alright?
14:38Okay, I'm going to sleep, alright?
14:44Good night.
14:45Hey, watch out for that skunk.
14:50Well, in my nightmare I was taking a bath to meet Maria Antonia.
14:54Who knows if I don't dream about her now?
14:56Do you see it?
14:57Just in case, put on some perfume.
15:02Good evening, Miguel.
15:04Good evening, Hugo.
15:05If you need anything, just call me.
15:07Thank you.
15:08The worst part is that I can't be angry with Beto.
15:11Know?
15:12Even knowing that he accepted money from my dad to try to separate me from Beto, Antonio.
15:16Ah, but you know, I do.
15:16It was a great betrayal of you.
15:18Just because he's dead doesn't mean he was good.
15:20I sell my body, but at least when...
15:23No, you were selling your body.
15:25There are different ways to sell yourself, Fernanda.
15:28Beto sold out, including you in the package.
15:30Powerful, I know, it's true, but you know what?
15:32I don't know, I thought that...
15:35I thought I would suffer much less from his death because I felt betrayed, but...
15:40No.
15:42Oh my gosh, it hurts.
15:44Especially when I think that he died because he got involved with my family.
15:48He got involved with me.
15:49No, no, no, Fernanda.
15:49And one thing led to another.
15:51Fernanda, don't even think about blaming yourself for his death, okay?
15:53Every road has its detour.
15:55Every family has its exception, and you are the exception in the Viana family.
16:00And you?
16:04I am...
16:05Half, I'm half exception, I'm your half sister.
16:07You're a fool.
16:10At least you're laughing.
16:12Did you know?
16:14That's the great thing about having a sister.
16:16So that he would do that for me, make me laugh.
16:20It's so strange when you talk like that.
16:22As well as?
16:24So, about that sister, family thing, I don't know.
16:28That's new to me.
16:29But for me, in a way, it's also a discovery to recognize my family.
16:35Yeah.
16:36I can imagine your disappointment with Ramiro and Tobias.
16:40Truly powerful.
16:41If it weren't for you, I would have gone to live with my grandmother a long time ago.
16:46I would have left this house a long time ago.
16:48Fernanda, don't worry about me, okay?
16:49I've been managing on my own since I was a child.
16:51Look, Fernanda, seriously.
16:54Go live your life.
16:55Go be happy.
16:56Don't worry about me.
16:58I chose to be here.
16:59Terrible choice, powerful.
17:01Terrible.
17:03I like your sincerity.
17:04You are very...
17:05Very direct.
17:07In that, we are not like Dad.
17:09We agree.
17:13And so I am as I am.
17:18And so I am as I am.
17:30I miss those blue eyes
17:34How you kiss me at night
17:37I miss the way we sleep
17:44Like there's no sunrise
17:47Like the taste of your smile
17:53Hey, Hugo, wake up.
18:00Hugo, hey, hey.
18:08Ah, wake up, Hugo.
18:10Hugo, wake up.
18:11Look at her now, Hugo.
18:12Hugo.
18:17What? Am I still dreaming or are you waking me up, Maria Antonia?
18:21And then I'm the crazy one.
18:23Of course it's me, Hugo.
18:24Since the rooster's crowing didn't wake you up, I came myself.
18:27Come on, wake up because Juliano has already carried three boxes of vegetables.
18:31Wake up and go to work because I don't want a lazy boyfriend.
18:34I'm going right now.
18:36No, first you're going to brush your teeth and wash your face before breakfast.
18:39Go, go.
18:39Good day, Hugo.
18:40Good morning, Maria Antonia.
18:41Good day.
18:42Good day, Miguel.
18:43I lost track of time and ended up oversleeping.
18:46But I'm going to make up for everything at work.
18:48Alright?
18:48Don't worry, Hugo.
18:49I've slept on that sofa a lot already.
18:51I know how comfortable it is.
18:52Did the skunk return, or were you able to have your encounter?
19:00It was a beautiful dream, really.
19:04I'll be right back.
19:04Go.
19:07Did a skunk get in here last night?
19:09Yes, it seems so.
19:10He was sleeping right there on the sofa.
19:11No, Hugo?
19:12Ah, Hugo uses fruit-flavored toothpaste and that attracts animals.
19:16I'm just kidding.
19:17It was a dream he had.
19:18Hey, Maria Antonia, I need you to iron a shirt for me.
19:23Please.
19:23That's fine, but you're no longer dressed for work.
19:26Yes, yes, that's right.
19:27I need the other black one, the other one with the more elegant buttons that I have.
19:31Do you know which one it is?
19:32Are you going to put it on over that one?
19:33No, no, no.
19:34I'm going to take her to the market because I'm going to have dinner tonight.
19:38With who?
19:39With Fabiana.
19:42Fabiana.
19:44That conceited, upturned nose in that little suit?
20:02Yes, yes, yes.
20:22Yes, yes, yes.
21:05You know, please excuse our family, okay?
21:07Our parents are overprotective and very, very dramatic.
21:12Yes, I noticed.
21:13Doña Serena looked like a lioness protecting her cub.
21:16I know.
21:17You're going to have to be more assertive when I find out you're my girlfriend.
21:21Well, girlfriend as much as girlfriend.
21:28Are you serious?
21:29If you say yes?
21:31Yes, yes, yes, yes.
21:37Yes, yes, yes.
21:59Rose Flower.
22:02How are you, champ?
22:04I missed you so much, you disappeared.
22:06Oh, I had to stay with my mom for a few days, but now she can stay on her own.
22:11Excellent.
22:11And Pepe?
22:14No, I don't know, I wasn't talking to him.
22:18Know?
22:18I thought you were in love with the Italian.
22:21I am.
22:23Of course I want it.
22:25I don't understand anything.
22:27Do you love him, but you don't talk to him?
22:31Listen to me.
22:33The day you grow up,
22:35and find a girlfriend,
22:38You'll understand, and then we'll talk.
22:40Alright?
22:41Yeah.
22:42Now come and help me, because there are things I can't do alone.
22:45Oh, no.
22:46Come on.
22:48Andiamo, Pepe and Viviana.
22:51We're behind schedule!
22:52They look like two turtles!
22:54Ah, Pepe says he's not going.
22:56This...
22:56He doesn't eat.
22:56He is very tired.
22:57He's going to sleep a little longer.
22:58Ah, no, no, no, no, no.
22:59He has to leave the house.
23:00I'll go look for him.
23:01Mom, Mom!
23:02Leave it.
23:02It's just one day.
23:03One day.
23:04So that he can recover from what happened in the cemetery.
23:07That...
23:07That conversation with Mr. Ramiro affected him greatly.
23:10Don't mention that bastard's name.
23:12Ah, please.
23:13Our child must react.
23:15He must do it.
23:16No, Mom!
23:17Come on, imagine.
23:19Imagine if you were to meet the person who took your kidney without your consent.
23:25Imagine it.
23:28Calm down.
23:29That's true, darling.
23:30Yeah.
23:31It's going well.
23:32You, you come here, huh?
23:33Take care of our son.
23:35Anything, just give us a call.
23:37Andiamo.
23:37Ah, yes.
23:38I'm going to ask them to bring you lunch.
23:40Close the door.
23:42Yeah?
23:42Yes, yes.
23:43Come on, Serena.
23:45Goodbye, bambina.
23:46Take care of it, yes.
23:48Kiss.
23:54It's very strange to see the pasta house empty at this hour.
23:59Serena and Luigi didn't even show up here.
24:02Takashi, I think Pepe's problem could escalate.
24:05We have to find a way to help Pepe.
24:08But how?
24:10Are you going to steal a kidney?
24:11No.
24:12Don't steal, are you almost crazy?
24:14Chang isn't into anything.
24:15But talking about donating a kidney.
24:17I have two, you have two.
24:20Would you really do that, my friend?
24:22The truth is, it doesn't make much difference to me.
24:25My life is very simple, calm.
24:27I can live with one kidney.
24:29Now, for Pepe, it makes a big difference to him.
24:32He's an athlete.
24:33Ah, what a lovely gesture.
24:37No, I hadn't thought of that.
24:39Ah, I, I can also donate a kidney.
24:44I am compatible, right?
24:46But now you have a doubt.
24:49If I can donate a kidney for Pepe,
24:52Will he be able to continue playing football?
24:55Donatella is pushing me to my limit.
24:58She thinks she already owns everything,
25:00who can demand anything from me.
25:02Women have their whims, Mr. Ramiro.
25:04Do you want me to ask Fernanda not to hire her grandfather?
25:08If she authorized the hiring of Mr. Giovanni,
25:11I'm not going to overrule her.
25:13Yes, but he probably doesn't like that Mr. Giovanni
25:15I worked in the same place as Tobias.
25:16What I want is for the two of them to kill each other.
25:20I'm not going to get into a conflict with Fernanda.
25:23Does Donatella like it or not?
25:24Listen, Fernanda, I think it's a terrible, terrible idea
25:28that Mr. Giovanni come to work here.
25:30He is not fit for any role in here.
25:33Please.
25:33Tobias, I'm not asking for your approval.
25:35I'm letting you know, okay?
25:36Mr. Giovanni will be joining our payroll.
25:40In fact, it starts tomorrow.
25:42Do you like the news?
25:42Then you will be responsible for any problems
25:44that old man causes trouble in here.
25:46And listen to me carefully.
25:47I don't want to hear a single complaint.
25:49And I don't want to hear a single complaint from him about you either.
25:53Because if I find out that you treated him harshly, Tobias,
25:58You'll see.
25:59You'll see.
26:01Did you notice?
26:03Give me patience, God.
26:08Hey, what do you guys think?
26:10Am I going to work tomorrow in a suit and tie?
26:14Or with a shirt and dress pants?
26:18Ah, a suit is always more elegant.
26:20But the heat affects you a lot.
26:22I think it would be much better to wear a shirt.
26:25No, no, no.
26:25The agency's air conditioning is very strong.
26:28You'd better dress warmly.
26:29Listen, you're confusing me even more.
26:32Carmen, tell me, what do you think?
26:33Well, as long as you're not naked, everything's fine.
26:37Nobody's going to look at you, Giovanni.
26:40He called you old.
26:42Ah, but that's what we are, Bento.
26:44No, you're old.
26:46I have experience.
26:48But I have, I have anxiety.
26:50Like with my first job when I was a teenager.
26:54No, no, no, no.
26:54All that anxiety is unnecessary.
26:56because it can raise your blood pressure.
26:58You already put your remedies in the pillbox I gave you.
27:02Oh, yes, I forgot.
27:04I'm going to do it now.
27:05Do it now, do it.
27:06Oh, one more thing.
27:08What do you think about me dyeing my hair to look younger?
27:15No?
27:16No.
27:17You know, it's really sad to see our brother in this situation.
27:21It seems he learned nothing.
27:23You know, I want to pull him out of that life, but we can't.
27:26He is completely bewitched by that prostitution.
27:28Come on, José, it's not Cindy's fault.
27:30Don't say that.
27:31No, no, that's not it.
27:34Well, I can keep an eye on him in the building.
27:37Although I don't think he's going to want to talk to us.
27:40I think his brother is going to realize what a silly thing he's doing.
27:45Yeah.
27:46But he has to get out of there on his own, do you understand?
27:50He has to find out on his own.
27:51There is no other way.
27:52That's right.
27:52He has to get out of there on his own.
27:55Hey!
27:55Yes, good day, good day.
27:58Listen.
27:58Who will it be? Who will it be?
27:59Good day!
28:00Oh, hello.
28:01What are you doing here, friend?
28:03Hey, friend, I'm talking to you.
28:05Hello.
28:06What are you doing here?
28:08Well, I came to do some shopping with Ceci.
28:10Ceci is Ludmila's sister.
28:12He is replacing her in the mansion.
28:14And I'm helping her.
28:16I'm showing you where to buy delicious things.
28:18Why else would I come?
28:19I thought you missed me because we haven't seen each other for a few hours.
28:24So, I thought you missed me.
28:28You were always a conceited person, weren't you?
28:31Someone's going to have to fill that position.
28:33Excuse me.
28:33Yes, I'm going.
28:34No, stay.
28:35I was told that Mr. Miguel's vegetables are the best in town.
28:39Just Miguel, Ceci.
28:40Don't call me "usted," "sir," or anything like that.
28:43Everything here tastes real, Ceci.
28:46Carrots taste like carrots.
28:48Cucumbers taste like cucumbers.
28:50And nothing tastes weird, right?
28:52And do you know why?
28:53Because everything is organic.
28:57Organic.
28:58They also told me about the Antonios' cheese factory.
29:00Ludmila, my sister, told me.
29:02We're here, right next door.
29:03Ah, here.
29:04The Antonios.
29:05It belongs to my dad.
29:06He is Antonio.
29:06Nice to meet you, Antonio.
29:09Well, Hurricane will choose the best fruits and vegetables for you.
29:12No, no, no.
29:13Nothing of the sort.
29:14Don't even think about it.
29:15I will choose myself because if it depends on Hurricane, I'm going to take green vegetables home.
29:19I'll take care of it.
29:20Hey.
29:21Because that's how they are, I understand you.
29:23But look at how modest.
29:25It's not modesty.
29:26No, I know very well what I'm doing.
29:27Hey, just so you know, Hurricane learned everything, and fast.
29:32He learned very quickly.
29:34I doubt, I doubt I've learned anything.
29:35Go ahead, choose them yourself.
29:37You can choose whatever you want, okay?
29:38Look, we can take this one.
29:40This one is really nice, isn't it?
29:42Yes, it's very nice.
29:42I'm going to take this one too.
29:43It's nice.
29:44A little tomato might be enough.
29:45He's trying to teach me.
29:48Hey Miguel, would you recommend tomatoes today?
29:50The tomato is perfect.
29:51Then we'll take some tomatoes.
29:53Yes, yes, yes.
29:54This is love in the city.
30:16Today you can buy everything on the Internet.
30:18Everything, even a car.
30:19Look at this.
30:19Oh no, don't start with that idea.
30:21We can't even leave the house.
30:22Why a car?
30:23I only saw some cars.
30:28Aren't you waiting for someone?
30:30No.
30:31Careful, careful.
30:32It could be Bernardo.
30:34Who is it?
30:36I am your dad.
30:39It was about time.
30:40Oh, you're in trouble.
30:42I'm coming.
30:48Put all that away, okay?
30:54Hi, Dad.
30:56Come in, absent sir.
30:58Happens.
30:59Excuse me.
31:00Hello, Mr. Absent.
31:01Excuse me for coming.
31:02Make yourself comfortable.
31:02Sit here.
31:04Don't worry.
31:05Sit down.
31:06Excuse me.
31:07Clear.
31:09All good?
31:10How is everything at home?
31:13They're not well.
31:16Your brothers told me that you kicked them out of your house last night.
31:20They came to give me a moral lesson.
31:22Come on, I'm an adult now.
31:23You understand?
31:23I am independent.
31:24I have a girlfriend.
31:25My house wants to treat me like a child.
31:26They came to do what they should have already done, son.
31:30Alert you about...
31:32About...
31:32The dangerous life.
31:35And miserable.
31:37The one you're flirting with, son.
31:39So much drama, Dad.
31:40Come on.
31:41I was just experimenting.
31:42You understand?
31:43There's no problem.
31:44And that's what I told them.
31:45But they don't want to listen to me.
31:46They only hear what they want to hear.
31:47In fact, José Antonio offended Cindy.
31:50Yeah.
31:50He said that I was...
31:53Influencing his son.
31:55Am I going to be influenced?
31:56Of course not.
31:57Come on.
31:57Son.
32:01Why don't you go back home, Antonio Junior?
32:04No way, Dad.
32:05I'm not coming back.
32:06It's only for a while.
32:07So you can put your head in the right place.
32:11Cindy can come too.
32:15Would you receive me at your home?
32:18I have already accepted you, Cindy, into my heart.
32:21You're practically family.
32:24Come on, love.
32:25It might be good, but we'll also be further from seeing more.
32:28No, no, no, no, no.
32:29By no means.
32:30Of course not, no.
32:32I don't plan on going back to the middle of nowhere.
32:35I don't want to.
32:35I don't want to.
32:43I'm sorry, Dad.
32:44I didn't mean to offend you, do you understand?
32:46But it's the truth.
32:47They are in the middle of nowhere.
32:49I'm sorry.
32:52It was that middle of nowhere.
32:55That which gave you everything you have.
33:00I know very well.
33:02What you think of our little life.
33:08But it's okay, son.
33:11Everything is fine, Antonio Junior.
33:15I'd better go.
33:16No, Dad, stay.
33:18They stay with God.
33:21No, Mr. Oksente.
33:22Stay, Dad.
33:23Come on, I'm sorry.
33:23Stay.
33:24They stay with God.
33:25No, I didn't mean to, I didn't mean to speak ill of anyone, do you understand?
33:28Stay, Dad.
33:29Sit down with us.
33:30Stay.
33:30Goodbye, Mr. Oksente.
33:46They stay with God.
34:00Keep going, keep going
34:05Cayuma lasted a long time in recent times
34:07The ball is being passed around more.
34:08He learned to set up plays
34:10Even his colleagues benefit
34:11That's true, he would make a good captain.
34:13Besides being a great attacker
34:15Without a doubt
34:22Go and get some rest.
34:23Go and hydrate.
34:24Because soon we will begin again.
34:26Those who want isotonic drinks or cold water
34:29Come and get them here
34:32Hey
34:33Hey, the training is tough
34:35Old
34:36I'm exhausted
34:38Hey
34:39You're playing Super Santiago
34:41That move you made, old man
34:43It was beautiful.
34:44Thank you
34:44I'm wondering the same
34:46But hey, it's tough
34:51Look who's there
34:52Did Rosa Flor return?
34:54Oh
34:55Let's talk to her
34:58Hey
34:59Give me one
35:00Come on, come on
35:03Hello Rosa Flor
35:04You were missing, weren't you?
35:07Hi Santi
35:09I was away for a few days
35:10Because my mom was sick
35:12But he's better now.
35:13And Pepe?
35:14I'm going to stop by his house today
35:16To see how it is
35:18You disappeared
35:19We thought you were going to support Pepe
35:21Oh, really?
35:23I disappeared because my mom got sick.
35:25And you?
35:25What's your excuse?
35:26Hey?
35:27Why didn't they go to support Pepe?
35:29No, wait
35:29How do you know we didn't go see him?
35:31Did they tell you?
35:33I didn't know
35:34But now you two have confirmed it for me.
35:36You were not
35:38Very good, congratulations!
35:39What great friends they are
35:40Golden Friends
35:42That's what they are
35:42Very good
35:43Golden Friends
35:44Brilliant
35:47That's what they are, yes
36:01To what do I owe this illustrious visit?
36:03You must already know about the shooting that happened at the cemetery
36:08Yes, I read an article online
36:10The best part was the comments from the dead.
36:13Complaining that even they can't rest in peace in this country
36:16And tell me, where were you at the time of the incident?
36:20Do you think I'm involved?
36:24Are we ruling out that possibility?
36:26And am I an elite marksman to disarm two such skilled officers?
36:33You could have easily hired a shooter
36:36Why? To save Bernardo?
36:38I have no doubt about it
36:39If I had met Bernardo, of course I would be in that cemetery.
36:43But buried
36:45Our relationship ended when I took Poderosa to her dad
36:47He wants to get revenge on me
36:49Okay, then the doctor won't mind if we do a...
36:53An inspection of your apartment, isn't that right?
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