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  • 11 hours ago
The girlfriend of Captain Drummond has been kidnapped by an enemy of Drummond who seeks revenge. But Drummond and his friend Colonel Nielsen at once follow his trail.
Transcript
00:01The End
00:55In two years when we are married
00:57Soon one dear heart ne'er to be
01:00Soon one dear heart ne'er to be
01:06Tenny
01:09Soon one dear heart ne'er to be
01:12Tenny
01:21Coming Captain Drummond
01:24You rang, sir?
01:25Yes, I rang
01:26Now why didn't you come the first time I called?
01:28Because the cook is deaf, sir
01:31Are we playing a game, Tenny?
01:33No, sir
01:33Then riddle me the reason you didn't come
01:35Because cook is deaf
01:36Because if she were not deaf, sir
01:38She would have heard you
01:39And if she had heard you
01:41She would have called me
01:42And if she had called you
01:43You would have heard her
01:44I would have heard her
01:46And I would have come to you, sir
01:48You win, Tenny
01:49What, sir?
01:57Now, where were we?
01:58If you mean where
01:59Miss, uh, Clavery
02:00Wouldn't see them
02:02See them?
02:02The gates, sir
02:03Oh, well, you'll let them, of course
02:04The gates, sir
02:06No, Tenny
02:07The lantern's on the gates
02:08Oh, yes, sir
02:10Well, now that we're out of the fog
02:12Let's see if you can help me
02:17Tenny
02:19I have written a poem
02:21Not really, sir
02:23Yes, really
02:23Here, read this
02:26Very well, sir
02:27The first letters of each line
02:29Taken in order
02:29Spell a young lady's name
02:31P-H-Y-L-L-I-S
02:34Phyllis
02:36Go ahead, read it
02:37I am, sir
02:39Allowed
02:40Perhaps you'll know
02:42When this you see
02:43How much, my dear
02:44You mean to me
02:46You've brought new joy
02:48Into my days
02:49Love has me kept
02:53Cured in its maze
02:55Long seem the hours
02:57Through which I gaze
02:59Into the years
03:00When we are married
03:01Soon one dear heart
03:03Ne'er to be
03:04Blank
03:07Well?
03:09It's a bit on the feathery side
03:10Don't you think so?
03:12The feathery side
03:13Oh, definitely
03:15Oh, Tenny
03:16I want help
03:17Not criticism
03:19Tenny
03:22What rhymes with married?
03:23Married?
03:24Married?
03:25Harried, sir
03:26Oh, no, no, no, Tenny
03:28Harried doesn't go with
03:29Married?
03:30You speak with the voice
03:32Of inexperience, sir
03:33You don't like the idea
03:34Of my getting married
03:35Do you, Tenny?
03:36May I speak freely, sir?
03:37Of course
03:38No, sir
03:39I do not
03:39But why, Tenny?
03:40Why?
03:41I want to be married
03:41There's an old saying
03:43Marry in haste
03:44And repent at leisure, sir
03:46Ah
03:46But Phyllis
03:47A Miss Clavering
03:48Is different, Tenny
03:49She is
03:50Probably at the door
03:51So shall I answer it?
03:52No, Tenny
03:53I shall answer
03:54Here, hold this
04:00Darling
04:00Hugh
04:03Sir
04:03Just a moment
04:04Young fella
04:06Hello, Colonel
04:09I have your favorite
04:10Cheese souffle
04:11Just as you ordered
04:12Good
04:12Try and hold it for me
04:13I've got to meet
04:14The 7 o'clock express
04:15That's an important
04:16Papers from the yard
04:17Now, what's up
04:18At Scotland Yard
04:19A nice juicy murder
04:19No
04:20But now that you're
04:22Back in England
04:22Anything can happen
04:23And probably will
04:24Not this time, Inspector
04:26I hope you're right
04:27And don't call me
04:28Inspector
04:29Right you are, Colonel
04:37Do you like cheese souffle?
04:39Do you?
04:39I hate it
04:40So do I
04:41Thank heaven
04:47Good evening, Tenny
04:49Good evening, Mr. Edring
04:50Shall I destroy this, sir?
04:53No, Tenny
04:55You may take Miss Clavering's wrap
05:00Sit down, Alan
05:06Oh, for me
05:16Why, Hugh, it's an acrostic
05:17I spent the better part
05:18Of two hours on it
05:21Perhaps you'll know
05:22When this you see
05:23How much, my dear
05:24You mean to me
05:26Well, that's sweet
05:27You really like it?
05:29Course I do
05:30You brought new joy
05:32Into my days
05:34Love has me captured
05:35In its maze
05:36Darling, I'm so completely lost
05:38I hope I never find my way out
05:43Long seem the hours
05:45Through which I gazed
05:46Into the years
05:47When we are married
05:48Soon one, dear heart
05:50Near to be
05:52Yes
05:55What rhymes with married
05:58Harried
05:59Oh, that's what Tenny said
06:01Tenny doesn't like me
06:02Oh, you mustn't mind him
06:03But you're very fond of Tenny
06:05And
06:06Pardon me
06:11Hello
06:12Hello, Hugh
06:13Are you there?
06:14I hope so, Alty
06:15Are you?
06:15Somebody must have spilled
06:16A box of tax
06:17On the road
06:17Near Five Oaks Inn
06:18And all my cars
06:19Have gone flat
06:20Drift down for me, will you?
06:23Right you are
06:26Here's your change, sir
06:27Oh, thanks
06:31Here's a bottle for you, my girl
06:32Oh, thank you, sir
06:36I beg your pardon
06:38But you see, I was in a
06:39Hey, Harry
06:40Yes
06:42Michael Valdin
06:43At your service
06:45I could not help but overhear
06:47Your difficulty with the tax
06:49And as my way takes me
06:51To Captain Norman's very gates
06:52May I suggest
06:54That I accommodate you
06:56In that direction
06:57Oh, that's awfully decent of you
06:58And all that
06:59But if I didn't wait for Hugh
07:00Yes, of course
07:01I understand
07:02But you see
07:03I insist
07:06That you permit me
07:07This slight favor
07:09But I say
07:10You can't do this to me
07:11Quiet, quiet
07:12But my baby's being christened
07:14In the morning
07:15And if I don't go
07:16Yes
07:16Smile
07:18For the pretty little barmaid
07:30So you want to come along?
07:31No, I'll try to think of something
07:32To rhyme with marriage
07:33Think about this
07:36Back in a little while
07:40Hauderans?
07:41No, thank you
07:43Oh, Tenny
07:44Yes, Miss
07:46Why don't you want Captain Drummond
07:47To marry me?
07:49You see, Miss
07:51Captain Drummond
07:52Leads an adventuresome sort of life
07:54And I rather doubt
07:55That you would fit in
07:56If you will forgive my saying so
07:58Is that all you have against me, Tenny?
08:00You see, Miss
08:02Captain Drummond
08:02Is rather like a son to me
08:05And I don't want to see him
08:06Make a mistake
08:07And because he proposed marriage
08:08An hour after he met me
08:09You feel he might be making one
08:11Love at first sight
08:13Is rather like a mural, Miss Clevering
08:16It kicks backwards
08:20Suppose I were to tell you
08:21That Captain Drummond
08:23Is the first and only man
08:24I've ever cared for
08:26And that I love him deeply
08:27And with all my heart
08:29Would that make any difference?
08:31I'd rather think it wouldn't, Miss
08:33Then that's the way it is, really
08:34That makes me happier
08:36Good
08:37Tenny
08:38Yes, Miss
08:39Captain Drummond really
08:40Likes this adventuresome life
08:42You mentioned
08:43If I may use the term, Miss
08:44It's the Captain's wine
08:46You like it, too
08:47Well, it sort of runs in the family, Miss
08:49Don't you think there's much
08:50To be said in favor of home
08:52And fireside?
08:54The thought had never occurred to me
08:56But it is an idea
08:57Well, I for one
08:58Hope that after we're married
08:59We can all settle down
09:00To peace and quiet
09:13This is Rockingham Lodge
09:14Captain Drummond's residence
09:16Yes, ma'am
09:19Will you bring my bags, please?
09:26Quiet, please
09:27Pay no attention
09:29Did you hear what the man with the glasses said?
09:31No, sir
09:31But it was ever so nice and friendly-like
09:33Because when your friend went away
09:34He smiled at me
09:35And he gave me a bob
09:37He did
09:37He left no message for me?
09:38No, sir
09:39He just went
09:40Oh, there's another bob for you
09:41Oh, thanks
09:45Rockingham Lodge
09:46Hurry, please
09:57Operator
09:57Operator
10:04Operator
10:05Phyllis
10:06Tenny
10:09Captain Drummond
10:11Who are you?
10:13You are Captain Drummond
10:15Where is Miss Clappering?
10:17May I suggest that you stay where you are, please?
10:20Thank you
10:22I am Michael Valdine
10:24You do not know me
10:26One year ago, my brother-in-law died on the gallows
10:29You were responsible
10:31I could kill you now, Captain Drummond
10:34And settle our score
10:36But I will not let you off with one bullet
10:40No, that would be too easy
10:42Too easy for you and Miss Clappering
10:45Where is she?
10:46Became necessary for her to leave quite suddenly
10:50She wouldn't do that
10:51On the contrary, she went quite willingly
10:54When informed of the conditions
10:57What conditions?
10:59You may find out later, that is if you are clever
11:01I am here only to impress upon you the necessity
11:04Shall we say the most vital necessity
11:07Of doing exactly what you are told
11:10And what am I supposed to do?
11:12Remain here until you are told to leave
11:15Do not notify the police
11:17And I warn you particularly
11:20Not to bring your friend, Colonel Nielsen, into this
11:25If you do
11:27Miss Clappering will be killed immediately
11:31We understand one another, do we not?
11:34Yes
11:35And now, Captain Drummond, until we meet again
11:38You are clever
12:07Colonel, Phyllis is gone
12:08Gone where?
12:12I don't know
12:12You don't know?
12:16I haven't the remotest idea
12:19Confounded Drummond
12:20How is it that whenever I see you
12:22Someone has either been murdered
12:24Or disappears?
12:26Come on
12:27Tell me about it
12:29I can't
12:29What do you mean you can't?
12:31You're Scotland Yard
12:32I can't bring the police into it
12:34I'm more than Scotland Yard, I'm your friend
12:36If there's anything wrong, I want to know it
12:38I can't tell you, Colonel
12:40Thanks just the same
12:47Don't think I'm being rude, but
12:50You want me to leave?
12:51Please
12:53Then I won't leave
12:54But, Colonel
12:55No
12:59Captain Drummond
13:00Captain Drummond
13:03Tell me
13:04Heaven's sake, what's happened?
13:06Here, sit down
13:08Here
13:12Where's Miss Clappering?
13:14I really couldn't say so
13:15Well, what happened?
13:17I don't know exactly
13:19Shortly after you left
13:20There was a knock at the door
13:22I'm hoping it
13:24There stood a lady
13:27Read that, Miss Clappering
13:31It's round and flat and not a hat
13:34But it carries a message for all of that
13:36What is it?
13:37A jingle
13:39But a most important jingle
13:41I don't understand
13:42Perhaps your playful captain will
13:45He's fond of putting his thoughts in rhyme, is he not?
13:48Well, he shall have his fill, I promise you
13:50You want to hurt him through me
13:53I shall
13:54You mean, you intend to
13:57Eliminate him, headling captain?
13:58Yes
14:00Will I see him again?
14:03Perhaps
14:03But do not think you can warn him
14:05To do so would only end the matter quickly
14:08I really couldn't say so
14:09But there was a roaring noise in my head
14:12Like a train emerging from a tunnel
14:15And then?
14:17And then I woke up
14:18Where did you wake up, Tenny?
14:20Where?
14:20In a tulip bed, sir
14:22There was something in my hand
14:24What was it?
14:26An envelope
14:27An envelope?
14:28Yes, sir
14:29Oh, come, Tenny, do we have to search you?
14:31It might help, sir
14:33I think
14:40Someone's playing a joke
14:41It must have backfired
14:49Hello?
14:51Phyllis, darling, are you all right?
14:52Where are you?
14:53Listen carefully, Hugh
14:55I can say what I'm going to
14:56Only once
14:57All right, darling, go ahead
14:59It's round and flat
15:01And not a hat
15:02But it carries a message for all of that
15:04What?
15:06Say that again
15:06Phyllis, Phyllis!
15:09She hung up
15:10What did she say?
15:12It's round and flat
15:13And not a hat
15:14But it carries a message for all of that
15:16Round and flat
15:17Not a hat
15:20There's a message for all of that
15:22What is round and flat
15:24And not a hat
15:24But carries a message?
15:26Might be a gramophone record
15:39Do you recognize the voice, Hugh Drummond?
15:42I am Irena Soldanis
15:44Widow of Karl Soldanis
15:45You are the one person responsible
15:47For sending my husband to the scaffold
15:49And now I am repaying you
15:51For the misery you have caused me
15:53Phyllis Clevering is with me
15:55You have until morning, Drummond, to find her
15:57You can use your friend Longworth
15:59And that putty-faced servant of yours
16:01But keep Colonel Nielsen and Scotland Yard out of it
16:05You like games, don't you, Drummond?
16:08Then my game with you begins
16:09Eight paces ahead, you'll find a clue
16:12It's twisted and hanging plainly in sight
16:17Eight paces ahead
16:26I don't see anything twisted and hanging
16:27Sounds like a rope
16:28Or a piece of cord
16:32Mr. Longworth
16:34Untie him
16:35Let your lap, old man
16:37Exactly forty miles from here
16:38You'll find an inn where fishermen are lying
16:41Perhaps Phyllis will be there
16:42Exactly forty miles from here
16:44You'll find an inn where fishermen are lying
16:46Exactly forty miles
16:48That can't be a new showroom
16:50You, try Drayminster
16:52Drayminster!
16:57Here you are
16:58Drayminster, Sussex, population 2200
17:00Hotel, the Anglers Rest
17:02And fishermen would be lying at an Anglers Rest
17:04It's an inn at Drayminster
17:05Tenny, my gun
17:06Yes, get one for me too, old boy
17:07I'm coming too, sir
17:08Good idea, Tenny
17:10But Hugh, Hugh, Hugh
17:11My baby's being christened tomorrow
17:13You'll need a baby
17:13In the name of her Phyllis
17:15But I can't, she's a boy
17:16What did this fella, uh, Val
17:18Valdine?
17:19What did he look like?
17:20About my height, very dark and with thick spectacles
17:22Thick ones, eh?
17:24Anything like this?
17:30That's Valdine
17:31The gentleman's name is not Valdine
17:33From these reports
17:34Which came down on the express tonight from the yard
17:37It appears to have Mikael Bagoris
17:39And some woman, possibly your friend Irena
17:41Are wanted in Paris
17:42For swindling an American millionaire
17:43And murdering him
17:44Scott and God
17:45Don't handle this
17:46You heard what Irena said about the police
17:48You can't, don't you see?
17:49You really think she'll play the game?
17:50No, as long as it amuses her
17:52You've got to keep out of it
17:54All right, you go ahead
17:55Handle it your own way
17:56Splendid
17:56Your guns, huh?
17:57Goodbye, Colonel
17:58Come on, Alty, let's go
18:04Scott and God
18:06Colonel Nielsen speaking
18:07Colonel Nielsen speaking
18:08Have Sanger meet me yet
18:12You know my dear Sanger?
18:14I really think I should have been an actor
18:15I was very good
18:17At amateur theatricals
18:19Hmm
18:20But I chose a less dangerous profession
18:23Would you know me?
18:24I'd know your voice, Colonel Nielsen
18:25Oh, why give me me belly, Jackie
18:28That's capital, sir
18:29Now remember
18:31Don't you and Grizz will follow me too closely
18:33And don't come into the anglers' rest
18:35Delight that I call you
18:36Or that you see that I'm in trouble
18:38Right, sir
18:44Hey, Evie Jet
18:46Fifth time round, right?
18:47Right here
18:50Oh, thank you
18:53Well
18:55Come on, Tenney
18:55You're one of us
19:01No
19:02Oh, why the devil
19:03Doesn't something happen
19:13Oh, forbid it
19:31No
19:31You're one of us
19:31And give me a chance
19:33Thank you
19:39For now
19:56You've been
19:56Go on, Tenney
19:57Don't you?
20:00You're one of us
20:00You know
20:00I don't know
20:05I'm going outside. If he tries to follow me, you fellas stay here.
20:07But you... Do as I tell you.
20:49Terry, I'm going to follow you.
20:52In here, sir. Captain Drummond told us to stay here.
20:55My mind is made up.
21:00The bar's ailing again.
21:02All right, you are walking.
21:37All right.
21:41All right.
21:41All right.
21:42All right.
21:56Captain Drummond, we meet again.
21:59Yes, I expected we would.
22:01Then you also probably expected another little poem.
22:07Yes, I... Yes. Here it is.
22:12What do I do next?
22:13That depends on your cleverness.
22:23What you've done once, do once again.
22:28What you've done once, do once again.
22:35Loud and bitter.
22:36Bye, Charlie.
22:47All right.
22:50All right.
22:51All right.
22:51All right.
23:24All right.
23:26All right.
23:27All right.
23:29All right.
23:30Yes sir, they're up for a bit of air sir.
23:33They had every bit of ale they was.
23:35Well you better bring me some.
23:36Right, Charter.
23:40If you've done once, do once again.
23:59I had you come to Anglia's rest to make certain that you are keeping Colonel Nielsen out of this.
24:04You have been so clever in finding other people's rum and see if you can find Phyllis.
24:08Pay attention to this. In Limehouse, beneath the setting sun, you'll find what sounds like the number one.
24:16Go inside and the number three will bring you straight to me.
24:21Well now, I never heard that before.
24:24You're going to again.
24:28I had you come to Anglia's rest to make certain you are keeping Colonel Nielsen out of this.
24:38Thank you sir.
24:42Well there you are.
24:44Cherry and I will just.
24:45Never mind that.
24:46Read this.
24:51They be see old fellow.
24:52Oh please Algy be serious.
24:54Right you are.
24:55Limehouse district.
24:56Need what?
24:57Excellent sir.
24:58Pardon me.
25:00I think I can help you sir.
25:01Well, to begin with I have a sister.
25:03Yes, Terry.
25:05And she lives near Limehouse.
25:07Well, and I know the police like a book.
25:25Don't you think you're taking unnecessary risk Colonel Nielsen?
25:28I'd rather like doing this sort of thing, Sanger.
25:31Besides, I've got to watch Hugh Drummond.
25:32Can't Griswold and I take this case?
25:34You don't know Hugh Drummond.
25:36He believes that he alone can save Miss Clavering.
25:38And he may be right.
25:39He's a fearless fool, you know.
25:41He caught Carl Saldanis, one of the most dangerous criminals I've ever known.
25:45And through Drummond, I hope to catch Irena Saldanis and Valdine.
25:49Here.
25:50Put this pillow under my coat, Riff.
25:55Hello.
25:59The Sangilbong's cafe, matey.
26:01I smell troubley.
26:04Beneath the setting sun.
26:10Telling your idea of disguise was a stroke of genius.
26:13I'd rather like it, sir.
26:14Oh.
26:15W-O-N, one.
26:17O-N-E, one.
26:19The similarity of sound resulting from the different spellings of Oriental and Occidental words
26:24suggests material for an interesting thesis, what?
26:26Yes, and if you mix ideas like that with the clothes you're wearing,
26:29you'll get a knife in your gullet down here.
26:30Yes, sir.
26:31Your life wouldn't be worth tuppence.
26:34Don't you think I'll have to phone Gwen?
26:35You know, our baby's being christened tomorrow.
26:37Oh, you'll be there, ousie.
26:39I hope.
26:41Be careful.
26:42Keep your eyes peeled for the number three.
26:45Come on.
26:46Right, Arthur.
26:47Up she rises so right,
26:49and up she rises early in the morning.
26:52What shall we do with a drunken slider?
26:55What shall we do with a drunken slider?
26:57What shall we do with a drunken slider?
27:00Put it in the morning.
27:02Take it easy, Mike, what'll you have?
27:04Mild and bitter.
27:05Same here.
27:05Same for me.
27:07Put him in the longboat till he's over.
27:09Put him in the longboat till he's over.
27:12Put him in the longboat till he's over.
27:13Put him in the longboat till he's over early in the morning.
27:17Oh, right, and up she rises, oh, right, and up.
27:20Violent, mild.
27:24I want it to you all right all right I was just trying to be friendly like and it takes
27:29my
27:29blooming head off and here's luck Mike you might need it
27:46how are we about down here I was right mighty I am a stranger
27:51lonesome too I takes it lonesome ain't the word for it if you know what I mean
27:54come on then unless you want to find her in the river
27:58tell your pals to stay here
28:03I'll meet you at my car don't you think I bet you heard what he said
28:23what I don't think you better follow him sir but that brook looked like a murderer
28:27quite right sir but he said we were to stay here
28:37those two lads mean well but Drummond told him not to follow him and he meant it
28:45Kenny my mind is made up what again sir yes
29:09come on
29:10get them out of here
29:11they ruined my place get them out of here
29:25put him in and never let them out
29:31you will see yourself yes you had the right idea
29:44here take this you may need it
29:46after you my friend well don't you trust me
29:50like a bride
29:51I'll go and cut into the same place
29:51wow
29:53wow
29:56wow
30:10wow
30:11wow
30:12I love you
30:13Wow
30:13wow
30:13people
30:18yeah
30:20cool
30:21answer
30:21here
30:26You are puzzled?
30:29Perhaps I can help you.
30:31You!
30:39Lively, lads.
30:40What did I say, old fellow?
30:41Come on out of it.
30:43And be thankful there's only room in jail for three of you.
30:46And back there, all of them.
30:59You!
31:02You!
31:04You!
31:05You!
31:27How easily you follow orders, Drummond.
31:31What have you done to Phyllis?
31:32Is she all right?
31:32But of course.
31:34Would you like to hear her voice?
31:36Let me talk to her.
31:37Speak to him, my dear.
31:39You?
31:40Keep your chin up, dear.
31:41A pretty speech, Drummond.
31:43If Lady Macbeth isn't double-crossing us, we'll get out of this yet.
31:45But you've a long way to go before you find out whether I am double-crossing you or not.
31:50Then let's get on with it.
31:51The air in this place won't last forever.
31:53Be grateful that this time it is air.
31:56What am I to do next?
31:57I could kill you now or leave you here to die.
32:01But I've not finished with you.
32:03You will suffer just as much as my husband did when his life was taken away from him.
32:08Oh, tell him, please.
32:21You're wasting your time, Drummond.
32:27Below you is the Thames River.
32:31And I will...
32:39You!
33:02Now find the clue which is hidden below the line.
33:11Good, Colonel.
33:13I've been wanting to do that for an hour.
33:17Colonel Nielsen, do you think Irena Saldanis intends to release Miss Clavering?
33:20I'm afraid not.
33:22And if she suspects the police are on her trail, it'll mean the end of Phyllis.
33:25Do you think we can...
33:26I know we can get to Rockingham Lodge before Drummond.
33:30After that, who knows?
33:32One of the words is underscored by the line, but there's nothing below it except what I've just read.
33:35Let me see that again.
33:39Well, confound it, Tenny.
33:40Where did your sister have to go for that ale?
33:42Here I am now, sir.
33:43Ah, it's fine, Effie.
33:44It's because it's so late.
33:46That's right, I was gone so long, sir.
33:49And you know Curlikins?
33:51That's what I used to call Henry when he was a baby, sir.
33:54When I was a-coming up the stairs, there was the most peculiar old man, and he...
34:01A clue which is hidden below the line.
34:06Perhaps this will give you an idea, sir.
34:08Well, I could use one, Tenny.
34:10Oh, I'm stuck, Elsie.
34:10I'm absolutely in the dark.
34:12May I see it, sir?
34:13Here, sir.
34:14Effie, a match.
34:15Here's your match, Curlikins.
34:18Now, you observe, sir.
34:19I like the match.
34:20I placed the flame under the paper, so.
34:23During the war, spies resorted to invisible ink, and I thought...
34:29I thought that this might be one of the times.
34:31What does it say?
34:35Go back to rocking them.
34:39She's giving us the run around, Elsie.
34:40Maybe she isn't.
34:41I mean, we can't be sure until we're certain, can we?
34:45Either way, she's got a slash to the mast.
34:48But we'll beat her, Elsie.
34:49By Christopher, we'll beat her.
34:51Get back.
34:53Get back.
34:53Get back.
34:54Tenny, my clothes.
34:55Yes.
35:14That's where you found me, remember?
35:16Yes, Elsie.
35:17I remember.
35:22Confound it, Drummond.
35:23Why do you have to make so much noise?
35:25Hello, Colonel.
35:26Did anything happen while we were gone?
35:28Not here at any rate.
35:29Why, the disguise.
35:31Chase led the limehouse.
35:32So you're back where you started from.
35:34Yes, confound it.
35:36You think you'll hear from the lady again?
35:38Well, I'm trying to believe I will.
35:40Why doesn't something happen?
35:42Tenny!
35:43Yes.
35:48Hello, hello?
35:51Yes, Gwen.
35:52Yes, he's here.
35:53Elsie!
35:55Elsie!
36:03Sorry, old boy.
36:05But what happened?
36:06Gwen wants to talk to you.
36:07Gwen?
36:08Is she here?
36:12Gwen, darling?
36:14Ah, this is Algie Walgie.
36:17Did you miss me, sweet?
36:18Huh?
36:19Of course I do.
36:23But you think you like being called Algie Walgie?
36:27Now, bunny one, you know he looks just like you.
36:30Let's call him Gwen.
36:32What?
36:33Oh, yes, yes.
36:34That's right.
36:34He is a boy, isn't he?
36:36If you were a girl, we'd call him Gwenny Wenny, wouldn't we?
36:39Pardon me, Gwen, but I'm expecting an important call.
36:41Bye.
36:43Look here, old boy.
36:44You are...
36:45Nothing.
36:51I've blown you something, sir.
36:53And if ever I ride in one of them, they're taxes again.
36:55My name ain't Epict Edison.
36:57I'll have it undone in a moment, sir.
36:58I've tied it up to...
37:00Keep your hands to yourself, will you?
37:01And I told the taxi man to hurry,
37:03but I didn't tell him to break my neck,
37:05which he almost did when he hit a bump.
37:07Oh, there it is, sir.
37:09And the taxi fare come to one pound twelve and sixpence, it is.
37:13Pay him, Tenny.
37:14Oh, he's paid, sir.
37:15But Curlykins can give me the one pound twelve and sixpence.
37:20Where'd you get this?
37:21Why, just after you left, did not come at the door.
37:23And when I opened it, there was a very polite gentleman
37:26what wore heavy spectacles.
37:29Oh!
37:30It's a gramophone record.
37:32Maybe we'll have some pretty music.
37:35Come on.
37:43I am going to let you see Phyllis within the next hour.
37:46She's very brave, Drummond.
37:48You should be proud of her.
37:49And perhaps she will be proud of you
37:51if you find the answer to a line
37:52from a certain volume of Wordsworth's poems.
37:55Go back to Angler's Rest.
37:58That woman's giving me the run around, Hugh.
38:00Let me handle this, won't you?
38:01If the odd came into this, she would kill Phyllis.
38:04Now, Colonel, it's Irina's game
38:06and we've got to play it her way
38:07as long as we know Phyllis is alive.
38:10See you later, Colonel.
38:15What's it all about, sir?
38:18That's what I intend to find out.
38:36Start on the yard, please.
38:52Well, this would have to happen.
38:55Tools, Sonny.
38:59Here, hold this.
39:16Good evening, gentlemen.
39:18May I suggest that you raise your hands, please?
39:23It's your trick, allies.
39:25And you are vulnerable.
39:27What do we do next?
39:28You, Mr. Longworth, take the captain's gun, please.
39:31Oh, but I say, you...
39:32Do as he says, Alty.
39:34It isn't cricket.
39:35Far from it.
39:35Drop it.
39:36Hands up again, please.
39:39This way, Captain Drummond.
39:41See you later, Alty.
39:44Well, you are very optimistic, my friend.
39:48Oh, also, may I warn you
39:50that to fire after my car as you intend to do
39:53will result only in the sudden elimination of Captain Drummond.
39:59Thank you. I see that you understand.
40:02After you, my friend.
40:05I shall have to lower my hands.
40:07Please be certain that is all that you do.
40:28We meet again, what?
40:31That's what?
40:32The night is full of surprises.
40:34Yes.
40:35And the night is still young.
40:37Good evening.
40:39Ah, Lady Macbeth.
40:40With you as ever, Drummond.
40:42But I am not walking in my sleep.
40:44And here is Phyllis, too.
40:48Hello, darling.
40:50Hello, Hugh.
40:51Chin up.
40:52Right.
40:54Face forward, please, Captain.
40:59Hugh.
41:00Yes, darling.
41:01Is Drayminster the fifth or sixth most beautiful village in England?
41:05Does it make much difference?
41:07That depends.
41:08Then I'll remember it.
41:10It's important.
41:12Is that all you can tell me?
41:13If she tries to tell you more, it will be most unfortunate.
41:16Say only what she's told you to, darling.
41:18You catch on quickly, Drummond.
41:20And now, my friend, you better say goodbye to Phyllis.
41:24What again?
41:26You messed up now.
41:34Good hunting, sir.
41:37Bye, darling.
41:38Don't worry.
41:40Here we are, sir.
41:41Tenney.
41:42I came along on the trunk rack just in case.
41:44A brilliant idea, Tenney.
41:45I'd rather like it so.
41:49That should be Mr. Longworth.
41:54What happened?
41:55I thought Phyllis.
41:57Yeah?
41:57Listen up.
41:58All that sort of thing.
41:58Go on.
42:01Have you got a book of Wordsworth poems?
42:03Poems?
42:04Yes, poems.
42:05Rhymes.
42:07Is he all right?
42:08I don't blame you for thinking I'm crazy, but I'm looking for a book of poems by Wordsworth.
42:12Do you understand?
42:13What's your name, sir?
42:14Drummond.
42:15Captain U. C. Drummond.
42:16Then why didn't you say so?
42:20This here was left for you by a gentleman.
42:23The spectacles?
42:24Aye, and everyone's too.
42:33Anything's liable to happen if the boys turned by with a car.
42:36Very well, Colonel Nielsen.
42:38William.
42:40Sitting on the...
42:41No.
42:42I'm coming.
42:46Oh, forbid it.
42:47Right, Joe.
42:48I wonder if there's anything in that basket.
43:01Do you know Wordsworth?
43:03Jose.
43:07What do you got in the basket?
43:09Fish.
43:16I'll give him another bitter.
43:21Bow me if you ask me.
43:25Captain Drummond.
43:26Yes, Tony?
43:27While you were investigating the fish, I found this.
43:31The mirror.
43:32Landlord!
43:36Well, gents, what'll it be?
43:38Is there a place called the mirror?
43:40Aye, there is.
43:41Well, what is it, the pond or what?
43:42No, it's an house, an old house about three miles down the east road.
43:46It's haunted.
43:48Who lives there?
43:49No one lives there now since old farmer Jason were murdered about twelve years ago.
43:54He were a fierce one he were.
43:55Kept them as awful savage dogs he did.
43:57Oh, jolly it was.
43:58Out the east road, eh?
43:59Aye.
44:00There's no other house near.
44:02You been going there?
44:04Yeah.
44:04Oh, much of life.
44:08Come on, Elsie.
44:11I think stay here.
44:12If our friend tries to follow, dart him one.
44:14I shall bash him on the bazooka, sir.
44:32Move, lad.
44:33Take that one.
44:38Go.
44:39Take that one.
44:40Oh, you'll see your eyes are gone.
44:42Come.
44:42Oh, you're going up.
44:42Oh, you're going up.
44:43Now he's a teacher, I'm going down.
44:43Know, sir?
44:44Oh, I have to come up.
44:51Here! Here, where you believe? Here!
44:53Here, here, here!
44:55Here, here, here!
45:14How much farther, Alty?
45:16About half a mile?
45:20Look out!
45:24I've just made it!
45:26Are you sure?
45:31Go on! Go on!
45:33We're doing 50!
45:38Watch out!
45:45Can we get round it?
45:46There's a ditch on this side!
45:47Over here, too!
45:48We could hitch up the tow rope and pull it off!
45:50It would take too long! It's only half a mile further!
45:52Come ahead!
45:55Alty!
45:57What?
45:57Don't forget to call Gwen when we get back!
46:00If we get back...
46:03If we get back...
46:18I don't know.
46:44Well, that must be it!
46:46Hang on!
47:09Phyllis!
47:20It's a chilly old place, isn't it?
47:29Come on, Archie.
47:39Open the door, Archie.
47:41Huh? Open the door.
47:42Oh.
47:46Let's go.
48:17Come on, Alty, open up.
48:31I'll open it.
48:32What again?
48:33Come on, hurry up.
48:53It looks like a ballet torture chamber.
49:01This must have been where the murdered man kept his dogs.
49:12Maybe we'd better go.
49:14Quiet, Alty.
49:26One, two, three, four, five, six rings.
49:31Alty is Drayman's to the fifth or sixth most beautiful village in England.
49:34Do you think this is the right time to be discussing the relative beauty of villages, Hugh?
49:38Phyllis asked me that question in the car.
49:39I can't see what difference it makes.
49:41From what Irena said, it might make quite a lot.
49:43They wrote their little message between the fifth and sixth rings.
49:45Then the rings must have something to do with it.
49:47But wait, Alty.
49:49If we choose the wrong one.
49:51The lady or the tiger, huh?
49:53Or the end of all of us.
49:54Oh.
50:01What are you doing?
50:02What do you mean?
50:02No mind.
50:03Hold that light out.
50:29stand back, Alty.
50:32Look out!
50:39Nearly missed the christening that time, Algy.
50:58Listen.
51:06Gas.
51:14Phyllis!
51:21Phyllis, this is a surprise.
51:24Bella?
51:25I'm Laura.
51:26Good girl.
51:26We've been looking all over the place for you.
51:28Shut up, Algy.
51:29Yes.
51:33Wait here a minute.
51:40Exactly one year ago today, you caused my husband's death.
51:44This is the last act, I take it.
51:46Yes, you are right, Drummond.
51:49I don't suppose I could strike a bargain with you.
51:51A bargain?
51:52It's for Miss Clavering and Mr. Longworth.
51:53After all, they're only innocent bystanders.
51:55It was my plan for the first that you and Miss Clavering should go together.
51:59If Mr. Longworth happens to be with you, that's his affair.
52:07And now I want you to be quiet and listen very, very carefully.
52:26Do you hear it, Drummond?
52:30Yes, I understand.
52:32The climax of your jolly little game is a trip to Kingdom Come when this infernal machine goes off.
52:36That right?
52:37That was Mikael's idea.
52:39You seem to have thought of everything.
52:42We will keep them company if we do not get out of here.
52:45Come on, come.
53:24Let's go.
53:45How much longer do you think it will be?
53:48Until the place is filled with gas, I suppose.
53:51And then it will blow up.
53:54That's it.
54:01Faster!
54:15We are being followed.
54:29Hugh.
54:29Yes, Alfie?
54:31I wish Gwen were here.
54:33I mean, I wish I could call her.
54:36Yeah, let's try wishing that door was open.
54:45Hugh.
54:45Take it away, take it away, take it away.
54:56Motion off the road.
54:57Right there.
54:59Faster!
55:22Dad!
55:23I miss you.
55:23It's a movie.
55:25I miss you.
55:25Black.
55:26I miss you.
55:27It was a great time.
55:28I'm sorry for that.
55:28Just a special scene.
55:28It's a great time.
55:28It's a great time.
55:29I know it's a great time.
55:29You know it.
55:39Where would you have gone for your honeymoon?
55:42Captain Drummond!
55:44Captain Drummond!
55:45Stay here.
55:50Yes, honey, here we are.
55:54Are you there, sir?
55:56Unlock the door.
55:58I can't, sir.
55:59There's no key.
56:01Now listen carefully, Kenny.
56:02Are there pins and hinges?
56:04Oh, yes, sir.
56:06There are pins.
56:08Well, pull them out.
56:11I can't, sir.
56:13They're rusted in.
56:15Kenny, have you got a gun?
56:16Yes, sir.
56:17Now, Kenny, do exactly as I tell you.
56:19Yes, sir.
56:20Put the muzzle of the gun under the top pin.
56:27It's there, sir.
56:28Well, I'll pull the trigger.
56:31It worked, sir.
56:33Good.
56:34Now the bottom one.
56:35Get ready.
56:39Come on.
56:52Kenny!
56:53Yes, sir.
56:54This place is going to blow up any minute.
56:56Get out while you have a chance.
56:58I'm sorry, sibling.
56:59I can't hear you, sir.
57:10You're too late, Nielsen.
57:22You surely wouldn't impair a profile that has endured this long, would you?
57:28I might have known, but you didn't.
57:30Well, Irina got away.
57:32Oh, no, she didn't.
57:33She and Baldin are in my car.
57:35And when I'm through with them, they'll be on my way to Paris to stand trial for murder.
57:40Good work, Colonel.
57:41I think I'll think now.
57:43Oh, don't, darling.
57:44Wait until we're married.
57:46Kenny, I gave you the license, didn't I?
57:47Yes, sir.
57:48I have it here, sir.
58:19Sir, I have it here.
58:20Is that clear?
58:21Yes, sir.
58:22Is that clear?
58:23No, no, no, no, no, no.
58:28I would call me my man, or maybe only an infrared director, it would call me my roozy.
58:29I don't know what we need.
58:29No, no, no, no, no.
58:29You don't know, anybody can ship me with my mails, or I'm yourba, man.
58:29I don't know why, man.
58:29I don't know, I don't know what she's going on.
58:29And, clearly.
58:30I can't see.
58:31Yeah, I wouldn't know, something to be worried.
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