- 12 hours ago
A bank robbery in London prevents - again - the marriage of Bulldog Drummond and his girlfriend. But this time, after the robbers are caught, it will be celebrated at last.
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Short filmTranscript
00:00.
01:30The bank, yes.
01:31That vault popped open like a muffin.
01:33And the police.
01:34They were too fast for me to get clear away, so you proceed with the other plan.
01:38It's all right. Come on. Get away.
01:40It's an outtree.
01:41One loon bandage.
01:43Flash is in and out of here before you know it.
01:55Now, all I want to know is that...
01:57I know, I know. I've had a report.
01:58Join the cordon, officer.
02:00Yes, sir.
02:00I'm Nielsen of the yard.
02:01This is Inspector to Dennis.
02:02We're taking charge.
02:03Well, you're a bit late.
02:05The bandit's gone.
02:06Got away with 10,000 pounds of the bank's money.
02:08Well, he can't get far.
02:09Speed plan completed?
02:10Yes, sir.
02:11One minute after the alarm, our car's established a cordon around the entire district.
02:14Good.
02:14Our man must be inside that line.
02:16The net will close at the rate of one square an hour.
02:19Our fist can't possibly wriggle out of it.
02:21But suppose Mr. Barrows finds you?
02:23He'll know you're not one of his men.
02:24I'll say I'm taking your place because you're ill.
02:26But suppose the police come here?
02:28Suppose...
02:28What if they do?
02:30I'm ready for them.
02:32Mr. Armadish, it's...
02:34It's an education to work with a man like you.
02:37I'll put it in.
02:38Oh, my God.
02:40I think he comes here.
02:46No, you!
02:50You!
02:52No!
02:53Remember what you promised.
02:55You're not going to play cups and bravers ever again.
02:58No, Vera, it's only I should...
02:59Hugh Drummond, when are we going to be married?
03:01On the 10th, sweetheart.
03:02And how long is that?
03:03A day?
03:03Three days, sweetheart.
03:05Well, you don't forget it because if you do...
03:08Oh, Phyllis, you wouldn't marry that flight to Aldergate, would you?
03:10Hugh, I want to marry you more than anything else in the world.
03:13Oh, I knew you were any bluffing about Aldergate.
03:15But I promised to marry Mr. Aldergate on the 11th.
03:17If you don't take me on the 10th,
03:19It's your last chance, Hugh Drummond, so help me.
03:21It's the only chance I'll ever need, darling.
03:24Aye!
03:26Aye!
03:27What are you two after?
03:29Cheap suicide!
03:31Heee!
03:33Heee!
03:36Heee!
03:37Heee!
03:38Heee!
03:39Heee!
03:39Heee!
03:40Heee!
03:41Heee!
03:42First, we'll go and see what the decorators are doing to our new home.
03:45Right.
03:49That's Nielsen's car.
03:50Well, what if it is?
03:51Oh, but didn't you see him wave at me?
03:53He needs me.
03:54Well, he'd never forgive me if I left him in the lurch, Phyllis.
03:56I'll be back in a jiffy.
03:59In half a jiffy.
04:02Don't hurry back on my account.
04:04You.
04:04You.
04:08I'll be back in a jiffy.
04:11I'll be back in a jiffy.
04:12Oh.
04:12Hey!
04:13Fishy, fishy in the brook.
04:14Papa catch him with a hook.
04:16How's fishing, Inspector?
04:18Don't call me Inspector.
04:20Oh, how did you get here?
04:22Well, Colonel, I was having a little look-see at my new flap,
04:24and what did I hear but police cars?
04:25Hey, oh, isn't the bank robbery on my hands enough
04:28without having you in my hair and under my feet and between my teeth?
04:31Well, now, Colonel, after all I've done for Scotland Yard.
04:34After all you've done?
04:35Look here, sir.
04:36What's that?
04:39Army?
04:40Well, that's a new one, but we won't discuss that now.
04:44Hugh, go home, you young scamp.
04:47Please go home.
04:48Go and marry that lovely girl of yours,
04:50and don't please come middling in my affairs.
04:53Why, Colonel, I wouldn't bother with a simple bank robbery, because...
04:56Well, because what?
04:57Well, because it might just possibly be a case,
05:00just possibly, mind you,
05:01a case that you could solve for yourself.
05:04That's all right.
05:05Good luck, Inspector.
05:06You'll need it.
05:42The entrance hall looks very nice, Mr. Barrow.
05:45Ah, but, madam, wait till you see the drawing room.
05:48Such a soft, cream colour.
05:51Everything in the modern mode, madam.
05:53Yes, yes.
05:57Do you see what I see?
06:03What's the meaning of this?
06:05You'll pay for this, my man.
06:08I don't remember you.
06:09Ah, but you will.
06:11The world will remember me as a man who had courage.
06:15Courage to rebel against the everlasting monotony of white walls.
06:20Dead, flat, dull walls.
06:22A man can only go on painting white walls for so long.
06:25And then, psst, something snaps.
06:28Closer.
06:29Come closer.
06:29You see what I'm doing?
06:30I express the human form divine, not in the vulgar terms of flesh and skin and hair,
06:37but as kitchenware.
06:40Notice how a cooking pot represents the essence of a lovely woman's face.
06:45Modern art is dead.
06:47This is the art for tomorrow.
06:50Kitchenware.
06:51That's the secret.
06:53A pot for a face, a skillet for a body,
06:56knives for fingers.
07:02Hello, hello, hello, hello.
07:05Hello, hello, hello, hello.
07:07Oh.
07:09I say, is Phyllis, uh, I mean, Miss Clavering about?
07:14I am Algie Longworth.
07:15And she promised to meet me here.
07:17I'm very happy to meet you, Mr. Longworth.
07:22Miss Clavering.
07:24Is she the pretty girl with the green hair and the purple face?
07:27Yes.
07:28What?
07:28What?
07:29She was here.
07:31She went away.
07:32They all go away!
07:34They won't look at my painting.
07:36Ah, but you...
07:39You are an intelligent man.
07:43You can appreciate real art when you see it.
07:46Look, isn't she lovely?
07:48Notice the delightful curves of the pot face?
07:52By all means, yeah.
07:53You like it?
07:54You really like it?
07:56Terrific!
07:57You're not just saying that.
07:59No, no, no, no.
08:01If you'll pardon me, I'll be popping, old boy.
08:03You don't like my painting!
08:06I should have known that a man would wear that tie with that suit,
08:10would have no color sense at all.
08:16Look at yourself in the mirror.
08:23Now look at yourself in the mirror!
08:30Just a moment, listen!
08:32Now look at yourself in the mirror!
08:34Oh, this is too much!
08:36Too much?
08:37Not enough?
08:38No!
08:40Now look at yourself in the mirror!
08:42A masterpiece!
08:44Oh, so you're still against me!
08:46I'll hold the others!
08:54No!
08:56Help!
08:58Help!
08:59There!
09:00No!
09:04No!
09:05No!
09:06No!
09:07No!
09:11No!
09:19You tell me, he's mad!
09:25Get back!
09:27You wait!
09:27Put me alone!
09:28I'll show you!
09:30Leave me alone!
09:31No!
09:33No!
09:35No!
09:36No!
09:38No!
09:39Get back!
09:42Butchers!
09:43Murderers!
09:44You're killing me!
09:47Quiet!
09:48Quiet!
09:48Quiet!
09:49What is it, Doctor?
09:50Plain case of lid poisoning.
09:52Painters, occupational disease, mania, delusions, followed by spasms and coma.
09:57And then?
09:57Oh, they usually come out of it in time.
09:59It's a good thing you nabbed him before he did any real damage.
10:03What do you mean, before he did any real damage?
10:07What's happened here?
10:08One of the painters went bar me some.
10:14Oh, my sacred aunt, I might have known it.
10:17If there's trouble happening anywhere, you'll be there.
10:20I'm sorry, Colonel.
10:20No, you're not sorry.
10:22You're only sorry when you miss something.
10:23Well, you're going to miss something now.
10:25Get out.
10:26But you can't throw me out, Colonel.
10:27No, really?
10:27Why not?
10:28Because this is my flat.
10:29Our flat, darling.
10:30Yes, our flat, Colonel.
10:32Did you catch the bank robber?
10:33Bank robber?
10:34Hugh, was there a...
10:35Ask the Colonel.
10:36No, we haven't got him yet, but he can't possibly get through our lines.
10:39Every house in the whole area will be searched.
10:41We'll have him before nightfall.
10:42Colonel.
10:43How much did he get from the bank?
10:44Mary said about 10,000 pounds.
10:46Colonel, maybe I can...
10:47Oh, maybe you, Colonel.
10:49You're coming with me, Hugh Drummond.
10:51Do you want me to miss my train?
10:53Are you going to France today, Phyllis?
10:54Yes, I'm joining Aunt Blanche.
10:56Darling, will you do me a favour?
10:57Take him with you.
10:59He'll be over for the wedding on the 10th.
11:01I hope you're coming, Colonel.
11:02Well, if your perfect descent is going to take place, I wouldn't miss it.
11:05If he fails me this time, I'm going to marry Mr. Aldegut.
11:08Serve him right if you did.
11:09Wouldn't it just?
11:10Come on, Hugh.
11:11Oh, just a moment.
11:13You'll need a pass to go through the lines.
11:15I'm afraid you can't get through with that one.
11:17There she goes.
11:17How long has this painter been in your employ, Mr. Barrows?
11:22I'm not quite sure.
11:24Some time, I believe.
11:25Have you ever noticed anything unusual about his conduct?
11:28No, no, I can't say I have.
11:30If there's anything I can do for him, Inspector, I'll be very glad to oblige.
11:33If you'll let me know where he is, I'm sure he'll be grateful.
11:37Thank you, Mr. Barrows.
11:39You'd better have one, too, Phyllis.
11:41There you are, my dear.
11:45Oh, sad case, Captain Dunman.
11:47Very sad.
11:48I assure you, every trace of his ridiculous work will be removed.
11:51Thank you, Mr. Barrows.
11:52Good day, Captain.
11:53Good day.
11:53Oh, Hugh, wait.
11:54Don't leave me like this.
11:56Kill.
12:03Have they caught the bank robber yet, Constable?
12:05Not yet, but he can't get away.
12:11Stand back.
12:12Stand back, please.
12:13Stand back.
12:14Stand back, please.
12:17Stand back.
12:21Stand back.
12:21Stand up for inspection, please.
12:22Everybody must be inspected.
12:28All right.
12:31Beg pardon, sir, but I've had orders to stop all cars from leaving this area.
12:34There's been a bit of a bank robbery, sir.
12:36No.
12:37Oh, I usually.
12:38Oh, but in your case, sir, I know it's just a bit of formality.
12:41But I've had orders to stop everybody.
12:44Absolutely everybody.
12:46I'm sorry, sir, but this pass is just for the young lady.
12:49Would you mind waiting here a few moments, Captain Drummond?
12:58Tenny?
12:59Ah, catch.
13:00Take a good job.
13:03I presume you've got Miss Phyllis to the train on time, sir.
13:06But just, Tenny.
13:07And would you believe at the last minute she didn't want to go,
13:09she didn't think I was fit to be trusted alone in London.
13:11Ahem.
13:12What's the matter, Tenny?
13:13Nothing, sir.
13:14I love the spring because spring loves me.
13:19I forgot to tell you, sir, we have a visitor.
13:22Yes, Mr. Longworth.
13:23Precisely, sir.
13:24War paint and all?
13:24No, sir.
13:26I lent him one of my suits, sir.
13:29Why, Tenny, I didn't know you had another suit.
13:31Oh, for special occasions, sir.
13:32A new grey one.
13:34I see.
13:40Tillie blend, sir.
13:41Ah.
13:48Algy.
13:49Here, old boy.
13:51Oh, what a day, what a day.
13:53Little did I know, little did I dream when I popped in on your new flat.
13:56Keep a stiff upper lip, old boy, because we're popping right back there.
13:58Oh, anything you say, old boy.
14:00What?
14:01Yeah, it's from Phyllis.
14:04Please go to new flat, get portable radio set, and send air express, and make sure you aren't
14:09getting into more trouble.
14:11You're all right.
14:11And I'll do that.
14:11And I'll go back to the door and pass until the tent, love Phyllis.
14:14Well, I don't see why we have to go.
14:16Why can't Tenny go?
14:18I beg your pardon, sir.
14:19I shall be very happy to attend to the meadow.
14:21I see.
14:21This chap Barrows is up to something.
14:23It sticks out like a sore thumb.
14:24And this is a good excuse to have another look at him.
14:25Well, but you know, old boy, I was on my way home, really.
14:27Now, nonsense, Algy.
14:28Don't worry about the hat painter.
14:29He's safe under lock and key.
14:31Tenny, my hat.
14:32Oh, dear, dear, dear, dear, dear.
14:41Well? Not a trace, sir. Absolutely nothing.
14:44No, but hang it, old man. He couldn't get away.
14:46We've tried everything, sir. The basements, attics, even the housetops.
14:49I can't see how any criminal could get through a cordon like that with his loot under his arm.
14:54Well, he's a smart one, and that's a fact.
14:56Yeah.
14:58Home secretary's just had me on the phone.
15:00The usual thing, questions, questions.
15:03Tomorrow the press will be doing the same thing.
15:05Have we any clues? When may we expect an arrest?
15:09What do the police propose to do?
15:10I don't quite know, sir.
15:12Neither do I.
15:15I wonder what young drummer would do.
15:17I beg pardon.
15:19Am I sending?
15:20I don't think so, sir.
15:22All right, will you?
15:40Did you bring some clothes?
15:42Sure, in the car.
15:43Come on.
15:43Not so fast.
15:46You don't want to get anywhere in this business, you must learn not to leave anything behind.
15:50Well, you left the money.
15:52Safely hidden, my boy.
15:53When the police go...
15:54They've gone already.
15:55All right.
15:56Good.
15:56Come on.
16:01Any news?
16:02I thought you should know, sir.
16:03That painter who went mad, he escaped from the hospital.
16:05Oh, he's probably gone straight back to his own home.
16:07We thought he'd do that, sir, but you see, he gave a false address.
16:10He what?
16:10He gave a false address in Peckham.
16:12They've never heard of him out there.
16:14But Dennis, I'm beginning to see daylight.
16:17Oh, what a fool I've been.
16:19What is it?
16:20Why, that painter.
16:21Why couldn't he be the very man we're looking for?
16:23Right out from under our very noses.
16:24But the manager, what's his name?
16:26Barrows.
16:26Barrows.
16:27Yes, I think I'll go and have a talk with Mr. Barrows.
16:29And when I get through with him, I think we'll know a little more about our bank robber.
16:55Well, if it isn't the poor mad painter himself.
16:59Recover quickly, didn't you?
17:01As a matter of fact, I was expecting you, but not quite so soon.
17:07Is this where you hid it?
17:08In the radio?
17:09I don't know what you're talking about.
17:12Oh, yes, you do, Mr. Bank Robber.
17:14No tricks.
17:17Well, why don't you call the police?
17:19Why?
17:20Oh, we really don't need them, do we?
17:23Let me see now.
17:25Ten thousand pounds, wasn't it?
17:27Or didn't you have time to count it?
17:28I see.
17:30The split, huh?
17:31You couldn't stop me if I took all of it.
17:33But I'll be generous.
17:35Fifty-fifty, agreed.
17:38You're a smart man, Mr. Barrows.
17:40Oh, you're pretty smart yourself.
17:43You know, it takes brains to do what you did today.
17:46You better turn off that light.
17:48The police know this flat's not occupied.
17:59Did you blow a tire?
18:00There's no blowout, Elsie.
18:01That was a shot inside somewhere.
18:03Come on, we're going in.
18:04You stay here, Tony.
18:05Very good, sir.
18:08What's up?
18:10Something's up, Elsie.
18:11Come on.
18:19Now, here's some.
18:38Where's the flashlight?
18:39Hmm?
18:40I thought you had it, Hugh.
18:42Oh.
18:43Must be a light switcher on here somewhere.
18:56Nothing here, Hugh.
18:58I don't know.
19:28His leg's up, Algie.
19:30All right, old boy.
19:34Wait a minute.
19:38I got him, old boy.
19:40I got him.
19:44Algie, get him!
19:49He's gone, hasn't he?
19:52Yes, Algie.
19:53Captain Drummond's up.
19:54In here, Tenny.
19:56Tenny, did you see a man escaping?
19:58Yes, sir.
19:59Well, why didn't you do something?
20:01Because he did it first, sir.
20:04Well, you're not the only one, Tenny.
20:08Algie, do you suppose he could have fired that shot we heard?
20:10What would he be firing at?
20:11There was nobody here.
20:13Well, let's have a look.
20:15Do you think he's coming back?
20:18Algie, be sure you tie his ankles this time.
20:43I'm afraid we've made a mistake.
20:48Algie's right, Colonel.
20:49You see, we...
20:50We thought you were somebody else.
20:51Yes.
20:52A natural mistake, sir, under the circumstances.
20:55You see, Colonel, we didn't expect you.
20:56We didn't expect me.
20:57Well, who in blazes did you three hortums expect?
21:00We weren't quite sure.
21:02You see, we heard a pistol shot.
21:03What?
21:04No, no, no, no.
21:05We thought we heard a pistol shot, but it wasn't.
21:08It was a backfire.
21:10I see.
21:10Yes, it was a backfire.
21:12Did you see, Colonel Phyllis wired me and asked me to come up here and get a radio set that
21:15she wanted.
21:15Yeah, and here it is, old boy.
21:18Marvelous invention, the radio.
21:19Great thing for shut-in.
21:21Yes, I'd like to see all three of you shut-in for six months at Harvey Boyd.
21:23Now, Colonel.
21:24Pardon me, sir.
21:25Your hat, sir.
21:30Hugh.
21:31Yes, Colonel.
21:32What's this about a shot?
21:35Shot?
21:35Oh, nothing, nothing.
21:36Something we heard, a tire blowing, perhaps.
21:38You know, sounds at night, you can't tell a thing.
21:39Yes, yes, yes, yes.
21:40But you rushed up here thinking you had a shot, didn't you?
21:42Well, yes.
21:43And when you got here, you found everything quiet and peaceful.
21:47Perfectly quiet, Colonel.
21:48Yeah.
21:49Then what in the name of my sainted aunt, Harriet, is that?
21:54Good heavens.
21:56Well, that's Bellows, the manager.
21:58Hill.
21:58Oh, that car you heard fires bullets through the heart.
22:20Hello, Mr. Turey.
22:22Hello, Mr. Turey.
22:31Hey, bonjour, facteur.
22:33Yes, radio for Miss Phyllis Clabery.
22:35Merci, facteur.
22:36À bientôt, Turey.
22:41Find your man yet, Hugh?
22:43That's it, Colonel.
22:44But if he's here, I will.
22:45I know, I know.
22:46You think the bank robber, the painter, and your burgd
22:49are all one and the same man?
22:51No, so did I last night.
22:52There's an old offender.
22:54He's quite capable of committing both robbery and murder.
22:56Name's Henry Armadies.
22:57He's a dangerous customer.
22:59I'm sorry, inspector.
23:00I don't recognize him.
23:01Well, you couldn't have had more than a glimpse
23:02of the man in your flat last night.
23:03You probably wouldn't recognize his picture.
23:05I'm positive, Colonel.
23:06His ugly mug was within an inch of my nose.
23:08Well, since you didn't see the painter,
23:09except with his face completely covered,
23:11we can't be sure they were the same even now.
23:13Colonel, the people at the hospital said
23:15that a man with lead poisoning couldn't get up for a week,
23:17and yet the painter was able to escape.
23:19He wasn't suffering from lead poisoning.
23:23Hill, they couldn't have been right in both cases,
23:25now could they?
23:26No, they couldn't, Colonel, but I...
23:27Now, we've given your theory a fair trial,
23:29and we've nothing left to go on.
23:31Now, we're going to let...
23:31Will you please go home, Hugh?
23:33Please go home.
23:34I've got work to do.
23:37Good luck, inspector.
23:38Good.
23:41Well, it's not in the bedroom,
23:43so it must be in here.
23:44Suppose Drummond comes home.
23:46We'll take care of him if he does.
23:48How could he hide a radio in there?
23:50The money could have been taken out of the radio,
23:52my friend,
23:53and tacked to the bottom of the drawer.
23:54Well, if Drummond found the money,
23:56wouldn't he turn his end to the police?
23:58Drummond's not such a fool.
24:00He likes money as well as we do.
24:04The main thing to remember in searching a room
24:07is that the unlikely places are the likeliest.
24:10When I was serving my apprenticeship,
24:12as you are now,
24:13I was sent to find a letter,
24:15a very important letter.
24:17I failed,
24:19because I didn't realize
24:20it could have been pinned into the draperies.
24:22Maybe he carries it with him.
24:39Targemont, France.
24:41Darling,
24:42thanks for sending radio.
24:45Don't wait until the 10th.
24:46What are you going to do?
24:48Go to Targemont, of course.
24:56Wait.
24:57Are you leaving that message for Drummond to read?
25:00No, I'll tear it up, of course.
25:03Another thing.
25:04Captain Drummond must not go to Targemont today
25:07or undertake.
25:08He might make trouble for us there.
25:10How can we stop him?
25:12Watch.
25:13On the desk,
25:14there's some fishing line.
25:16Get it.
25:31You will observe, my friend,
25:33that this is train on the door
25:35through which Drummond will enter.
25:36Yes, but
25:38I see.
25:39When Drummond opens the door,
25:41bingo.
25:43But suppose it gets the wrong person.
25:45Another shooting in a Drummond flat
25:47would interest the police, I imagine.
25:50Captain Drummond will be so busy explaining,
25:52he wouldn't give us much trouble for several days.
25:54Crime and...
25:55Hmm.
25:56What's that?
25:57Blake has the fingerprints.
25:58Good. Send him in.
25:59To Dennis, we're in luck.
26:00They've got fingerprints from the bank.
26:02Here are the fingerprints
26:04found in the London and Southminster banks, sir.
26:06Fingerprints from the bank robber?
26:08Definitely.
26:09These prints were taken
26:10from the handle of the paintbrush
26:11in Captain Drummond's flat.
26:13They're the same.
26:14Then Drummond was right.
26:16The bandit did hide it in his flat.
26:17Good work, Blake.
26:18No, it's not all, sir.
26:19Look at these.
26:20Where'd you get these, sir?
26:21From our files.
26:22They're the prints of Henry Armadie's.
26:24They're the same as these others.
26:24Look, line for line.
26:25That's right.
26:26That's all, Blake.
26:29Drummond was right.
26:31He's been right all the time.
26:32Don't forget that you had that idea first, sir.
26:34I know that.
26:35Only I hadn't sense enough to stick to it.
26:38Get me a picture of Armadie's from our files.
26:39I want Drummond to identify it.
26:41We only have one with the beard
26:42and Drummond actually looked at that.
26:43Well, then paint the beard out, man.
26:44He'll recognize it quickly, Loflin.
26:45I'll have him here in half an hour.
26:47Good.
26:57After you, Waltie.
26:59Oh, Mac.
27:18Lights, Tenny.
27:18Yes.
27:21Oh.
27:23Do you think that was meant for a joke?
27:25So, Kelsey, I think it'd be named a few inches lower.
27:27It'd be no joke.
27:28Oh.
27:29He's been here and deliberately ransacked the place, sir,
27:31with a fine tooth comb.
27:32Why, Tenny?
27:33First a new flat and now this.
27:34Who is he?
27:35What's he want?
27:35I don't know, sir.
27:37Let me see that.
27:39Tenny, have we got any cables recently?
27:40No, sir.
27:41Perhaps it blew him through the window.
27:42Oh, nonsense.
27:43Algie, the window's closed.
27:50What's the matter, old boy?
27:51Did you lose something?
27:53Looks like it, Algie.
27:54I thought perhaps they'd torn up the message,
27:55but they were too smart for that.
27:56Might be from Phyllis.
27:58Do you think, sir, that a cable of ours
28:00has been intercepted by the enemy?
28:02Right, Tenny.
28:03Then may I suggest, sir,
28:04that we call up the telegraph office
28:06and have the message repeated?
28:08Brilliant idea, Tenny.
28:09I'd rather like it, though.
28:19Be careful, Algie.
28:23Oh.
28:25Hello.
28:26I want to repeat on a message.
28:27It wasn't quite clear.
28:29Yes, the name's Drummond.
28:30Hugh C. Drummond, number nine, Chesty Mansions.
28:32That's right.
28:34Yes, go ahead.
28:37All right, thank you.
28:39Well?
28:40It's from Phyllis thanking me for the radio.
28:42Oh, it's a good thing it wasn't anything important.
28:44What?
28:45But it was important, Algie.
28:46Tenny!
28:47Yes, sir?
28:47Get in my bags.
28:48I'm leaving town.
28:48Very good, sir.
28:49Well, what did you find out?
28:51Don't you understand, Algie?
28:52Everything checks.
28:53The bank robber, the mad painter.
28:54That's where he hid the money in the radio.
28:55And I sent it to Phyllis.
28:57Oh, where are we going?
28:58We.
28:58Yes, we.
28:59All the way, old boy.
29:00Well, to Tajmo.
29:01I've got to get there before the enemy.
29:02We've just got time to catch the boat train, sir.
29:05No, it's too slow, Tenny.
29:05We wouldn't get there till tomorrow night.
29:07I'm going by air.
29:07The three of us, sir?
29:09Why three?
29:09All for one and one for all, sir, as the saying goes.
29:12Very apt, Tenny.
29:13I rather like it, sir.
29:21I see trouble approaching you, sir.
29:26Hello, Inspector.
29:27Afraid I can't stop to entertain you just now.
29:29That's all right, Captain Drummond.
29:30I'm going to entertain you.
29:32Not arrested again?
29:33No, not exactly.
29:33We want you to look at some photographs.
29:35Oh, delighted, old chap.
29:36Tomorrow or the day after, not today.
29:37You're coming to the yard, Captain Drummond.
29:39Colonel Nielsen's orders.
29:40Well, I was going to take a plane, but...
29:42Ixte Ithwae Ime.
29:44I trae, oh yea.
29:45Do you mind taking my car?
29:46It's quicker than the underground.
29:47Not at all.
29:48You don't drive too fast.
29:50What did he say, sir?
29:51That is pig Latin, Tenny.
29:53He said, stick with me, old man.
30:03What?
30:12What's the matter?
30:13Is the tank empty?
30:14Oh, that's plenty.
30:15Well, Tenny, did you get that new battery?
30:16Yes, sir.
30:17Oh yea, I lay any day.
30:19No, sir.
30:20Well, let's get out and give us a push, will you?
30:24Well, come along.
30:25Aren't you going to give us a hand?
30:26Would you mind, Inspector?
30:27You know, one more shoulder to the wheel?
30:28Oh, very well.
30:41As they say in America, I think he put one over on you, old boy.
30:46Here we have a clear, let's see.
30:54Disguised, Inspector?
30:55Certainly not, and never mind how I look.
30:57Take a cable.
30:58Chief of Police, Targemont, France.
31:01I'll give that Captain Drummond a joke from this office and see how he likes it.
31:04You ready?
31:05Yes, sir.
31:06Please hold young Englishman arriving tonight, about 5 feet 11 inches tall, 170 pounds weight,
31:13small moustache.
31:14We believe him to be George Boyd, alias Henry Jones, a notorious international spy.
31:18This man will undoubtedly claim to be Hugh Drummond.
31:22If you apprehend him, notify Scotland Yard immediately, and hold the criminal until further instructions from us.
31:28Regards.
31:29Give that to the department's signature.
31:31That ought to hold Captain Drummond for a while.
31:59Is that the house?
32:00Yes, but careful now.
32:03Why, this'll be duck soup for me.
32:04Don't be too sure.
32:05The clevering girl would surely recognize me, or I'd do it myself.
32:08Oh, I'll fool them all right.
32:10Yeah.
32:11Just in case you don't, you'd better take this.
32:14Now, first, I'll say to them.
32:24This man says he's a customs inspector.
32:26Something about the radio.
32:27Oh.
32:29Oh.
32:30Voulez-vous explique ce que vous désirez, monsieur?
32:38A thousand pardon, but it is my duty, madame.
32:41Oh, you speak English?
32:42Yes.
32:43Oui, oui, madame.
32:44That is why I am sent.
32:45Well, now, uh, what's this about the radio?
32:48She has not been paid for.
32:50The duty.
32:51I must confiscate.
32:52Oh, stop the nonsense.
32:54How dare you come here at this time of night to serving respectable people?
32:57The duty.
32:58She has not been paid for.
32:59Oh, that's utterly ridiculous.
33:01Now, if there's been any mistake, it's not our fault.
33:03Tell me the amount and end this nonsense.
33:05Impossible.
33:07You know, you don't look like a Frenchman to me.
33:11You look more like an Englishman.
33:13A very low-class Englishman.
33:17I don't believe he understands half we say.
33:21Therese.
33:23Therese.
33:24Therese.
33:24Therese.
33:25Will you please talk to this man?
33:26He says he's from the customs.
33:28Oui, mademoiselle.
33:32Vous êtes envoyée par la douane, mon petit vieux, hein?
33:36Oh, oui, oui, madame.
33:39Alors, peut-être bien que vous connaissez là -bas mon cousin Louis, qui est employée aussi.
33:44Louis, hmm?
33:45Louis?
33:47Oh, Louis.
33:49Oui, oui.
33:50Oh, c'était pas tant.
33:53Merveilleux.
33:54Admirable.
33:55This man is an imposter.
33:58I knew it.
33:59Ah, he cannot even speak French.
34:01He's a thief trying to steal the radio.
34:04Shut up.
34:05Get back against the wall, all of you.
34:07Ah, c'est ça?
34:08Blackguard, I shall call for help.
34:09Then you'll be dead.
34:10Garçon!
34:11Shut up, you.
34:12Allô, parlez.
34:13Strike back, strike back.
34:14Il s'est dit à des heures pareilles, pour déranger des années de gens.
34:16Et pour lui, ma peau...
34:17Keep it as close.
34:18Strike back, or you'll get it.
34:20Oui, oui, oui, oui.
34:23Oui, oui.
34:25Tu veux la gritarre, go, please?
34:26Marche!
34:29Gaston, he's a very old friend of mine, madame.
34:33Sometimes he drops in for a little glass of wine.
34:36Gaston, oui.
34:45Driver, what's the matter?
34:46I'm in a hurry to get to Tarzmoor.
34:47But this is Tarzmoor.
34:49We can go no further.
34:50The street, monsieur.
34:51Oh, I see.
34:52Will you take my bags?
35:06Bonsoir, monsieur.
35:07One moment, monsieur.
35:09Monsieur Dupré.
35:10Listen, gentlemen.
35:11You will answer questions, please.
35:12Who are you and why have you come here?
35:14My name is Hugh Drummond, and I'm pretty subject.
35:17I don't see why I should tell you anything.
35:18George Boyd, alias Henry Jones.
35:20You will have to come with us.
35:22George who?
35:23We have a cave wanting us to look out for you, monsieur.
35:25What for?
35:27Games up, monsieur.
35:28There's a large reward for the capture of spies.
35:31Dead or alive.
35:32Yes, dead or alive.
35:34Now, look here.
35:34This is all nonsense.
35:35I want to see the chief of police.
35:36I am the chief of police, monsieur.
35:37Then I demand to see the mayor.
35:39I am also the mayor.
35:41Now, look here.
35:42My name is Hugh Drummond, and I'm not a spy.
35:44Now, if you'll cable Colonel Eilson of Scotland Yard, why, he'll vouch for me.
35:47There will be no need for further talking.
35:49Take monsieur, by the way, and see that he has accommodations worthy of such an honorate guest.
36:09Hey.
36:11Hey.
36:26he goes in you come out this way monsieur please how you doing mate nicely thank you that's the
36:33ticket keep it chin up right and don't talk no matter what they do to you mate they kept after
36:39me for us but i didn't go who said another englishman like you but a much greater rascal george boyd
36:47international spy he's wanted in every city in europe and they say there is a hundred thousand
36:54francs reward for him dead or alive the great george boyd how about getting a little beauty
37:07sleep dear what oh i think i'll read a little while longer interesting book yes very couldn't be the
37:17late news broadcast from london you're sitting up for could it i'm not worrying about hugh if he gets
37:23himself into trouble he'll have to get himself out oh auntie why hasn't he answered my cable asking him
37:31to come today instead of tomorrow when you said it yesterday he's probably in zanzibar by now chasing
37:36some will-o-the-wisp monsieur you'll have to double up we only have one cell
37:48you sit there mr boyd boyd oh yes of course boyd sure i know all about you word goes around
37:59you
37:59know i'd be a pretty green one not to have heard about you and the big jobs you've pulled
38:04a person like you at the top of the profession could teach a fellow like me a lot of tricks
38:11you think so oh i know how it is you think i'm not worth bothering about well maybe i'm not
38:18mr boyd
38:19but the man i'm with he's a big shot even you'd know his name if i told you
38:24yes i imagine so he won't let me stay in this rock no long he needs me on a little
38:30job we're going
38:31to do just like the one we did in london three days ago uh when did you come to tajmoor
38:37yesterday
38:38we'd be on our way back now only i had some bad luck we'll do the job properly this time
38:47good morning sir morning oh what are you so cheerful about have you caught armadies no sir
38:54not yet but here's a cablegram the french police they hold a suspect in tajmoor
39:00holding george boyd alias henry jones claims name is hugh drummond
39:05please advise immediately how much reward you offer and when you will arrive to extradite him
39:16i thought you'd see the joke on drummond giving me the slip and then getting nabbed
39:20the joke's on your prey imagine anybody offering a reward for drummond now if they'd offer a reward
39:27to keep this must be the house looks sort of drummond-esque don't you think tenny if you say so
39:34sir can you see two chimneys old boy no sir don't you think it'd be better sir if we
39:40ask at the door perhaps you're right
39:46i hope we find the radio before hugh gets here he'll have no heart for the marriage if it's gone
39:50for miss phillis's sake sir we'd better not say a word about captain drummond being in jail
39:55you can trust me tenny i hope so sir
40:01remember sir not a word about captain drummond
40:04oh not a word
40:07i'm blanche it's you
40:13oh
40:14what a trip what a
40:16oh
40:16help
40:17help
40:22tony where's captain drummond
40:24he won't belong
40:26don't you worry phillis he'll be here soon
40:28colonel nielsen will get him out in no time at all
40:30of course it was unexpected but he won't cause any real delay with huh
40:34tenny when you've removed your foot
40:36oh i beg your pardon
40:38would you mind telling me what colonel nielsen is getting him out of
40:41jail if i know hugh drummond
40:43how did you guess
40:45tenny is captain drummond in jail
40:48well look you see there
40:49there has been a little misunderstanding
40:52just a temporary guest
40:55nothing serious
40:57bravo
40:57hugh drummond adds another jail to his collection
41:00poor hugh he needs me
41:02well where are you going
41:03to the jail
41:05oh phillis i forgot the radio where is it
41:08outblast the radio the one that came from london where is it
41:11oh that it is gone
41:13gone
41:14yes my guest on took it to the jail
41:16did they take everything to the jail
41:17he'll fix him
41:18fix it fix it oh he's probably got it all apart operating on it
41:21we go sir we may hit the time down
41:29this english
41:30oh mad
41:34you tell me there is nothing really criminal about this young man this captain drummond
41:39nothing monsieur
41:40in fact he's been of considerable assistance to scotland yard in many cases
41:44then why
41:45because i want to teach him a lesson
41:46in behalf of a beautiful young lady who expects to marry him
41:49ah a lady here monsieur here in your most beautiful village she hopes to marry him tonight
41:56it is not too cruel this lesson of yours to ask me to keep the bride grooming jail
42:02while the young lady waits perhaps whipping
42:08that's just the point monsieur
42:11many of the time he's kept her waiting monsieur
42:15weeping and waiting even at the church
42:18the monster
42:20two monsters monsieur
42:21two monsters monsieur
42:22bless you
42:24why
42:25why
42:26should he
42:26should he see a crime committed
42:29even the last moment
42:30he'll forget all about his fiancée monsieur go chasing her about the criminal
42:34ah
42:36and it is to prevent such a thing this time
42:39that you ask me to keep him a prisoner
42:43you said it
42:44this time i assure you
42:45as mayor of tarjaman i will see that the beautiful lady is not disappointed
42:50this heartless captain drummond will be forced to keep his vows
42:55i jean philippe louis napoleon dupre mayor of tarjaman
42:59i will see that they marry
43:01splendid monsieur le mayor
43:02it will be an honor for both
43:08phyllis
43:08where's hugh
43:10he's perfectly safe my dear
43:11the mayor has promised to see that you're married
43:13ah mademoiselle you have come for captain drummond
43:16he's here in tarjaman's impregnable jail
43:18believe me safe for you
43:20never again shall mademoiselle weep for her truant lover
43:23you shall be married here at once
43:25here in jail
43:27it's the only way you'll ever get him
43:29my face is right my dear
43:30there will be no failure this time
43:32he is my prisoner
43:33i release him only when he is your prisoner for life
43:37this gentleman will act as witness
43:40attention
43:41no the code civil summon the clock of the court order a guard of honor
43:51now look here my men there's been a mistake i've got to get out of here
43:55now you'll you'll paper this all of you do here
43:58don't take it so hard mr boyd
43:59look what's here
44:01didn't i tell you mr armatures wouldn't forget me
44:04well thank you
44:06oh it's a pleasure to share with you mr boyd
44:12hello
44:14oh excuse me
44:22news from home
44:23news
44:32mr armadier says you should always swallow messages
44:34oh yes i believe it's the accepted practice everywhere
44:37we must hurry
44:38we've got to get out of here
44:40we
44:42i wouldn't leave you behind mr boyd
44:43at the risk of disturbing your admiration for my talents
44:46i must confess i don't quite see how
44:48you will
44:50we've got a big job for tonight
44:51we're going to get a fortune and blast every witness
44:54out of this world all at once
44:56a bomb eh
44:56half a dozen bombs
44:58planted where nobody suspects
44:59then
45:00yes but i don't see how you expect to keep your appointment with mr armadier's
45:04i'll show you
45:14isn't that something
45:17set the catch
45:18press this
45:20and bingo
45:21amazing
45:22and that's how i robbed the london and southminster bank eh
45:25right
45:26nobody would think of looking for a bomb in one of these strict wine bottles
45:30i guess those people would be surprised tonight eh
45:33well someone's due for a surprise
45:35tell me
45:36how are you planning to get out of here
45:38just watch
45:40we are both getting out of here
45:42right now
46:01this ought to do it
46:02it looks rather small but it's a strong wall
46:04you wait
46:05right it's made so you can direct the explosion outward
46:38and then we must not keep the lady waiting
46:38it's to set the timer
46:39that'll give us time to pack it between those stones
46:44give me a coat
46:45give me a coat sir
46:55won't this be a joke on the mare
46:57i hope we'll be in a condition to enjoy it
47:20i don't love it
47:22i don't love it
47:23i don't love it
47:29i don't love it
47:30stop him
47:30catch the rascal
47:31don't let him escape
47:32let's cover
47:33let's go
47:34let's go
47:35let's go
47:36let's go
47:52let's go
48:16let's go
48:20Captain Drummond, you cannot escape again.
48:22My mention on you, you are to be married here now, this instant.
48:27Gladly, monsieur, but first...
48:28There's no first, monsieur.
48:29You cannot desert this beautiful young lady again.
48:32For shame, monsieur, to even think of it.
48:34Yes, you're perfectly right, monsieur. I'd be a fiend.
48:36But first, there's a radio of such importance that even...
48:38A little of you, don't you, Arda, that's quite all right.
48:40We're told, sir, the radio is quite safe here in the jail.
48:43What on earth are you talking about?
48:44Phyllis, is that right?
48:46That radio I sent you from London, is it here?
48:47Well, Gaston took it for evidence.
48:49Have enough here, monsieur. I have it. It's in there.
48:53Well, splendid.
48:54Phyllis, in that case, will you be an adorable, sweet, lovely little lady
48:57and let monsieur Dupre marry us?
48:58It's the nearest we've got to it yet.
49:01Carry on, monsieur.
49:02You mean you are prepared to surrender?
49:04Unconditionally. We await your benediction.
49:07Clerk of the court?
49:08Here, monsieur Le.
49:09Prepare to read the marriage act.
49:15In conformity with the law,
49:17I am going to read Chapter 6 of Book 1 of the Civil Code.
49:21While I am reading, everybody is requested to stand up.
49:23Monsieur le maire, everybody is standing up.
49:26Oh, I beg your pardon.
49:29The married couple owe each other fidelity, help, and assistance.
49:34The husband must protect his wife.
49:36The wife must obey her husband.
49:39The husband is obliged to supply all the necessary means of living
49:44according to his possibility.
49:47What was that?
49:50Oh, no, go.
49:51He escapes again. Stop him!
50:02Let's go!
50:03Capture him!
50:03Capture him!
50:08Bring him to my office!
50:09We'll marry him dead or alive!
50:23Hugh, come back! Hugh!
50:39Hugh!
50:40Don't worry, dear. He's enjoying himself.
50:50Hugh! Hugh!
50:52Don't stand there doing nothing. Help him!
50:54He shall not escape. Come with me.
50:55We'll marry him dead or alive!
50:57Please, freeze it, at least!
51:04Hugh!
51:32I've been rummaging!
51:34Oh, Hugh, wait! Don't leave me like this!
51:35Oh, Hugh, wait! Don't leave me like this!
51:36No!
51:37Careful, sir!
51:43Oh, I'm getting!
51:57Help me! Help! Help!
52:01Help! Help!
52:25Help!
52:26You! You!
52:27A monster of a man!
52:29So you tried to escape the bridge, did you?
52:31But the man's a murderer!
52:32And what are you, scoundrel, that you tried to escape a beautiful woman?
52:36I have seen it with my own eyes.
52:38Hold him, mes enfants. We will resume the wedding service.
52:41Do you, you see the ribbon? Take this woman to this place.
52:53Captain Drummond! The radio, sir!
53:01Archer! Stop it!
53:03Archer!
53:04Close your eyes even now!
53:12Hey, old man!
53:14Hey, you all right, sir?
53:16I say, you! You, old boy!
53:19What's this about?
53:20Don't be a fool, you! Stay here and get married!
53:22That's Armides, the bank robber!
53:24What?!
53:24Come on!
53:40Opposition, in the name of the law...
53:41Oh, never mind that now!
53:42All you have men to find Armides!
53:43The service will proceed!
53:45But the man's a robber!
53:46A murderer!
53:47Silence, monsieur!
53:47Do not interfere!
53:49We began this ceremony in the jail, but we'll finish it in your own home.
53:52Come on!
53:53But, madame...
53:54I'm her nearest relative.
53:55Do as I say, or I withdraw my consent to the ceremony.
53:59Very well, madame.
54:01Allons.
54:09Now, monsieur, this time we finish.
54:11Prindin!
54:12Mademoiselle, s'il vous plaît.
54:15Nada!
54:16Les gardes à l'apport!
54:17Monsieur le maire, monsieur le maire, nous allons finir!
54:21Attention!
54:22We proceed!
54:23In the name of the law, I declare you see Drummond and Philly's clevering bound by Murray!
54:30Hooray!
54:31Hooray!
54:32Hooray!
54:32Kenny, they've done it at last!
54:34Splendid!
54:34Thank you, Colonel.
54:36May I remind you, sir?
54:37Oh, yes.
54:39What's that thing?
54:40The end of the trail, Colonel.
54:44Good heavens!
54:45The London and South, Mr. Bank Money!
54:46Exactly!
54:55Now, we are going to dream to the health and happiness of Mr. and Mrs.
54:59What do you call those?
55:00Oh!
55:01Bulldog Drummond!
55:02Too late!
55:04You're married!
55:14Well, darling, you all right?
55:15Yes.
55:16Well, we're rarely married, huh?
55:18A quiet wedding with a few intimate friends.
55:20Won't Aldergett be sunk when he finds out?
55:22Well, there isn't any Aldergett.
55:23I made him up.
55:25You what?
55:26I made him up to make you jealous.
55:28Well, I'll be hanged.
55:30Have a drink, old boy.
56:10Well, have a drink!
56:12I'll be hanged up.
56:12good boy.
56:13Yes.
56:13And now.
56:16Wow!
56:17Good boy.
56:19No, god.
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