- 16 hours ago
In London, after the famous detective Bulldog Drummond is injured in a car accident, he asks an athletic playboy named Jack Pennington to masquerade as him. Jack accepts and sets out to rescue a kidnapped jeweler from the arch-criminal Morelle (Ralph Richardson). The film is celebrated for its thrilling climax aboard a runaway London Underground train.
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Short filmTranscript
00:00:07The
00:02:00Yes, but that's me, sir.
00:02:02Oh, but Captain Gunn, please, you'll come.
00:02:04Oh, all right. I'll leave at once.
00:02:06Give me time for a pint of beer and I'll fill up for the car.
00:02:10It's 9.75 now.
00:02:11Expect me about this night.
00:02:13Oh, thank you.
00:02:14Thank you, Captain Gunn.
00:12:35me down. Surely you don't believe that? Bluff. Bluff. That isn't Bluff. They're on the level.
00:12:40Of course they're nuts. Why do they are? They're the creeps. They're the creeps. They're the creeps.
00:12:44They're the creeps. The creeps. The creeps. The creeps. The creeps. The creeps. The creeps.
00:12:46How was that, sir? Those things that build their net high up in the trees. Yes, sir. Rooks.
00:12:51Well, everything appears to be all right here, sir. If you don't mind, we'll be waiting
00:12:54downstairs in the entrance hall. Oh, won't you have a drink before you go? Oh, you don't
00:12:57mind if I do. Thank you, sir. That's fine. Jenny, bring some drinks. Get inside, gentlemen.
00:13:00Sit down. Make yourself at home. That's good. Jenny, keep them in there while I get the
00:13:04streets. Crooks. I'll look at yourself. Mr. Archie, sir. Yes, sir. If you're right,
00:13:19those letters are real, please. Call me. Archie, we must hit the movement before I've been getting
00:13:24things worse. One to Captain Drummond. Thank you. Yes, sir.
00:13:37Just a minute, sir. Please. Now, listen, Drummond. You see what that says? Well, we
00:13:44saw the old man, and if you is at the end, we'll get you as well. So take my advice
00:13:48and lay
00:13:48off. This is your final warning.
00:14:09Oh, I thought it was a girl. Girl, there's no girl. The whole thing's a claim of it. I just
00:14:16have a quiet two minutes for the faithful postman. Those two men in there are the real police. The
00:14:40man's in hospital. You're afraid? No, sir. He mustn't be disturbed at all. The man's too ill.
00:14:51Major, he's better.
00:14:54Well, is that you, Denny? Yes, Captain Drummond. Aha. Is the girl well? No, sir. She hasn't
00:15:00arrived yet. Of course she hasn't. Look here, Drummond. I'm through with it. There's too much
00:15:04trouble talking. Everybody turns out to be somebody else. Give me that phone, please. I don't
00:15:08trust anybody. Get these more. Well, hello, you. It's reality. After you're through it. It's
00:15:12you, Mr. Denny speaking. Don't believe it. Let's go. Who's that old man who came here,
00:15:17and why didn't he know what he's done? I've heard enough of it. It's too dangerous. I thought
00:15:21you said you wanted excitement. Yes, but I must know why I'm being excited. If I'm going to
00:15:25get shot at the guns, I must know when. I'm not getting a square deal. Who's been threatening
00:15:30you? What old man? Look here, there's something tremendous behind all this. You must stay and get
00:15:35the old story and bring families. Yes. Hello. Hello? Hello. Oh, Captain Drummond. I'm so glad
00:15:51I found you. Okay. Hi. Open the gun. Miss, sir. Yes, ma'am. And then? Yes, ma'am. You
00:16:10this is my old friend Algea.
00:16:12Algea?
00:16:13Yes.
00:16:14Algea, it's my own name, Nick.
00:16:15Yes, how do you do?
00:16:16How do you do?
00:16:19Captain Drummond, I'm not talking to you at once, but I can only talk to you alone.
00:16:26You heard what the plan was said?
00:16:28Oh, that's how to beat it.
00:16:29Oh, well, I thought that Damien and I might show the children right on the clock.
00:16:33Well, that was right at the dining room.
00:16:34That's you.
00:16:36That's a story, sir.
00:16:37Oh, I know it.
00:16:40Oh, of course.
00:16:46Now, Mr.
00:16:49What is your first name?
00:16:51Oh.
00:16:51Of course.
00:16:52You couldn't talk to me with anything else.
00:16:55What is your telephone for, sir?
00:16:56Talking to 9100.
00:16:599100.
00:17:00No more, sir.
00:17:01I hope I won't tell you to visit, because you'd have to spend a lot of time together.
00:17:06Well, you can see the last tablet again.
00:17:09Oh.
00:17:11Excuse me.
00:17:13All right.
00:17:19Now, you can take to tell me everything.
00:17:21Well, it's all about my band, boy.
00:17:23Who's he?
00:17:24He's in Haldin.
00:17:25He's an Italian artist.
00:17:26Can you talk?
00:17:27No, he works in Never in Precious Town.
00:17:29Well, it all started about four weeks ago.
00:17:32We were together in his workshop.
00:17:34It was just beginning to himself.
00:17:37Are you talking?
00:17:40Here.
00:17:46Oh.
00:17:48It's you.
00:17:49Good evening, Mr. Alvin, dear.
00:17:50How are you?
00:17:56How did you have it?
00:17:58Ah, Mrs. Puy, yes.
00:18:02Beautiful.
00:18:03You're my grandfather, Mr. Miranda.
00:18:06How'd you do?
00:18:07How'd you do?
00:18:07What have you got there?
00:18:16Oh, beautiful.
00:18:18Beautiful.
00:18:20Oh.
00:18:22She's going to end it.
00:18:23And if you're touched, there'll be.
00:18:25Oh.
00:18:26You must dare her in mine.
00:18:30Why have you come here?
00:18:34I've another little commission I want you to do.
00:18:37Um, thank you.
00:18:39You see, I'm rather busy.
00:18:43No.
00:18:44I can't say no for an answer.
00:18:48Do you remember the gold Shalini bar you copied from me?
00:18:51I always want to touch these things again.
00:18:55Do you think you're altogether wise, my friend?
00:18:59Yes.
00:19:01Please.
00:19:08Would you sit down here, Mr. Worf?
00:19:13Now look there, sir.
00:19:16I can see you considerably more.
00:19:19I never found out exactly what happened.
00:19:21But from that moment, my grandfather was utterly changed.
00:19:26Several times those men called for him at night and took him away with them.
00:19:30And then...
00:19:30Yes?
00:19:31Five days ago, they caught him again.
00:19:34You never returned.
00:19:37Miss Landers.
00:19:39Julie had no further cause for anxiety.
00:19:41I found him.
00:19:42You have?
00:19:43Yes.
00:19:43Where is he?
00:19:44I don't know.
00:19:46I've been saved for the moment.
00:19:47Oh, has he been here?
00:19:48Yes.
00:19:49But he couldn't stop because he had a perfect engagement with the guys.
00:19:53It won't worry.
00:19:54I'll get it back for you.
00:19:56We'll reconstruct the whole thing.
00:19:58Keep away quietly and you'll split down to the workshop.
00:20:00You can give me my beautiful unwise, sir.
00:20:02What do you think, Miss Landers?
00:20:03Yes, I quite agree.
00:20:04All common walking with the information and...
00:20:09That's exactly what are you talking about.
00:20:12I...
00:20:12I really do know.
00:20:14I got the information, haven't I?
00:20:16Oh, yes.
00:20:18Yes.
00:20:18Yes.
00:20:19I can't believe that the reference you're holding on in our head.
00:20:22You're talking nonsense.
00:20:23This man does perfectly well as every one person who can tackle this job.
00:20:27Oh, that's Bulldog Drummond.
00:20:29Sir.
00:20:30Yes, that's what I mean.
00:20:31You don't mean a thing.
00:20:32Let's make a stop.
00:20:35No, no, you can't do it.
00:20:37Because of the fact that you've served me paper all these years, I will dismiss you on the front.
00:20:40I'll turn.
00:20:41I warn you.
00:20:42I can't come.
00:20:43I don't want you to come.
00:20:44All right, I will come.
00:20:45It's a thing I said there.
00:21:03Hey!
00:21:04Hey!
00:21:05Hey!
00:21:10Hey!
00:21:11Everything looks like a thing.
00:21:13Hey!
00:21:13Hey!
00:21:16You'll be certain nobody's here.
00:21:18Why, are you afraid?
00:21:19Cut them off.
00:21:23I can tell you the point of it.
00:21:24I don't find somebody in there.
00:21:26But it's good to see you.
00:21:28What's up there?
00:21:30Well, you're very small and don't you?
00:21:33Oh, let me know.
00:21:35Oh, do, do, do, do, do, do, do, do, do, do, do, do.
00:21:37All right, you can.
00:21:43I certainly wouldn't love you.
00:21:45Hard of it.
00:21:57I'm so grateful that you found a place in me.
00:21:59Nothing, I assure you.
00:22:01What do you think of a name for the Pitten?
00:22:03For the Goddess of the Hungry Hands.
00:22:06You haven't got a grandmother, have you?
00:22:08No.
00:22:09No.
00:22:12I wonder...
00:22:22There's something written on here.
00:22:24Moon's brain.
00:22:26Oh, it looks like he's writing.
00:22:27I wonder if it's meant to contain anything.
00:22:29This is a job for the expert brain.
00:22:31I'll be it.
00:22:32There's a big gun.
00:22:36I'll be it.
00:22:49You've had ignored my warning.
00:22:51What a pity.
00:22:54Oh, oh, oh, oh, oh.
00:22:59Now you see, what comes of making us not a nuisance.
00:23:06Are you Miss Sanders?
00:23:08Yes.
00:23:09They sent me over to my hospital.
00:23:10I've a message from Mr. Salvini.
00:23:12Hospital?
00:23:13Yes.
00:23:13Please, I hear it.
00:23:14No, miss, only a flight concussion.
00:23:16It appears that two men pretending to be detected
00:23:18were rushing him away in a car when it's getting into a lamp.
00:23:22I'm a therapy, Mr. Salvini.
00:23:23Oh, yes.
00:23:24How did you get in here?
00:23:25Mr. Salvini taking this key.
00:23:29Oh, that's it.
00:23:30That's Miss Jane.
00:23:31Oh.
00:23:32I can drive you over to the hospital
00:23:33if you care to come in the ambulance.
00:23:35Oh, thank you very much.
00:23:36I think I'll have to go at once.
00:23:38Right.
00:23:38I'll come with you.
00:23:40I'll come as well.
00:23:41You go get yourself tied up again.
00:23:44Ah.
00:23:55I'll come as well.
00:24:04If them look.
00:24:05If they have not moved.
00:24:06I've been to them.
00:24:08...
00:24:08I've been to them.
00:24:09Sorry.
00:24:16I'll come to them.
00:24:21Let me just put them.
00:24:21...
00:24:31There must be some way of getting out of this place.
00:24:33Let's tell her who tried to watch this now.
00:24:35How do you suppose he got away?
00:24:36I don't know at all.
00:24:37Well, don't find out.
00:24:38Yes.
00:24:38Why, are you afraid?
00:24:40Yes.
00:24:49Do you like that?
00:24:50No, no.
00:24:51Where's that?
00:24:52Like a couple of reps.
00:24:53One, man.
00:24:59Drummond would shoot the lock away.
00:25:01Have you got a gun?
00:25:02No.
00:25:04That wasn't very good for gesture, was it?
00:25:06No.
00:25:07And what would Drummond do now?
00:25:09To cave up the chimney?
00:25:10He'll burn his way out.
00:25:12That's it.
00:25:13We'll burn our way out.
00:25:16Pickle chains.
00:25:17Yes.
00:25:22Get out.
00:25:24Have you got a chance?
00:25:26No.
00:25:26Stand in.
00:25:27I've got a lifer.
00:25:29That'll do.
00:25:31Who is that?
00:25:32Well, give it to him.
00:25:41Hey, but look, there's a whole room.
00:25:42That's not far.
00:25:43He's going to be better today.
00:25:45We'll put it out.
00:25:47Watch.
00:25:48Watch.
00:26:04Okay.
00:26:06Okay.
00:26:08Okay.
00:26:18Now what?
00:26:19Let's do the job, of course.
00:26:39Have you an ambulance D-L-O-1-3?
00:26:42You haven't.
00:26:46Hello?
00:26:47Is that General Hospital?
00:26:49Have you an ambulance D-L-O-1-3?
00:26:52What?
00:26:53Oh, thank you very much.
00:26:55Are you feeling better now?
00:27:00With you.
00:27:02Yes.
00:27:03I knew it.
00:27:05You took him away.
00:27:07Where is he?
00:27:08You're forcing him to do something like you could recall with a dream bomb.
00:27:14You can go now.
00:27:17Have you got an ambulance D-L-O-1-3?
00:27:20Have you got an ambulance D-L-O-1-3?
00:27:22Have you got an ambulance D-L-O-1-3?
00:27:25Have you got an ambulance D-L-O-1-3?
00:27:25D-L-O-1-3?
00:27:26Have you got an ambulance D-L-O-1-3?
00:27:31Oh, really?
00:27:33Yes.
00:27:34Yes.
00:27:35Oh, I don't know.
00:27:36Yes, yes.
00:27:38Yes.
00:27:39Oh, yes.
00:27:40Yes.
00:27:40No, no.
00:27:41That's fine.
00:27:42Yes.
00:27:42You did?
00:27:43You didn't?
00:27:45I did.
00:27:45No, no.
00:27:46I...
00:27:46Oh, I sent you here.
00:27:48Sorry.
00:27:49Goodbye.
00:27:51It was the zoo.
00:27:53It was the zoo.
00:27:53Oh, look, you're always going to get it anywhere.
00:27:55It ain't going to have to come from somewhere else, and I'm going to find it if I bring up
00:27:58every hospital in London.
00:27:59This is certainly you came from Hampstead.
00:28:00You know what?
00:28:01Get in your apartment.
00:28:07You know what these are?
00:28:10These are stones from the necklace of the goddess of plenty in Asia.
00:28:21it's my piece I've had the religion replaced my face made by
00:28:28it lovely this one remaining pieces so we need to take coffee well valuable now you've got
00:28:41the wall you're going to do that to you know that's where you come in with members
00:28:48I have now you are almost as simple as he is you must take the stairs I've had nothing to
00:28:57do with it I know you're going to find it
00:28:58if you have gone to Drummond I would have had all the time I wanted I lost my mind
00:29:18you've seen your grandfather and talked with him I'm sure you'll realize how necessary it is he should return at
00:29:24once to home in comforts
00:29:27otherwise I can't be responsible for the consequences
00:29:33come on lady
00:29:35come on
00:29:44come on
00:29:48come on
00:29:58All right, here you go.
00:30:07Have you got an ambulance, GLL13?
00:30:11You?
00:30:12No, I don't want one.
00:30:14I'm asking you if you've got an ambulance, GLL13.
00:30:21That's all I want to know.
00:30:29Goodbye.
00:30:31Come on, Mr. Green.
00:30:33I don't think this is a very good idea.
00:30:36No, I told you this wasn't going to get us anywhere.
00:30:40Will that get us anywhere?
00:30:42What's this?
00:30:43A piece of art.
00:30:44I found it in South English workshop.
00:30:47Boonsbury?
00:30:47Yes, but what does it mean?
00:30:51Boonsbury Underground.
00:30:53You see that green round there?
00:30:55Well, that's going to be the underground sign, like, uh,
00:30:59like that.
00:31:02You're right, I'm afraid.
00:31:05Bloonsbury Underground.
00:31:13It must be cold for a long time.
00:31:16It's not very dangerous.
00:31:18There's no way in.
00:31:20No.
00:31:21There's a large gate going right across.
00:31:23It's a catlock.
00:31:24Hello, what's going on here?
00:31:26What do you think you're doing?
00:31:28Good evening, Robert.
00:31:30Good evening?
00:31:32What are you up to?
00:31:34Well, I thought of opening a shop here.
00:31:36And my partner, who's a financier in the city,
00:31:39thought that it would be a very good opportunity for me to inspect the property.
00:31:42Well, why don't you do it in a proper manner?
00:31:44In the daytime.
00:31:45Well, you have to work fast in business.
00:31:48You have some space like it's messed up to tonight.
00:31:50Well, it's been empty now for 12 months.
00:31:54I think we'll take it, don't you, Robert?
00:31:56If I do have it.
00:31:58Sure.
00:31:59Let's find the contact by the way.
00:32:01If I were you, sir, I'd wait until the morn.
00:32:04Good night.
00:32:05Good night.
00:32:06Good night.
00:32:08I've got it.
00:32:09Oh, I can't find the contact out here.
00:32:11Well, of course.
00:32:12Get him down.
00:32:13Good night.
00:32:13What?
00:32:14Yes, right.
00:32:15Good night.
00:32:16Good night.
00:32:17Good night.
00:32:18Good night.
00:32:18Good night.
00:32:18Good night.
00:32:20Well, this train seems to come up for 12 months.
00:32:22I don't know if he's here.
00:32:24I'm certain she is.
00:32:25And we've got to get inside somehow.
00:32:27Well, it obviously seems to go by train.
00:32:29But I'll come too.
00:32:31You'll never come too.
00:32:35I'm going to go on the train.
00:32:42Yes, I'm going to go on the train.
00:32:45Yes, I'm going to go on the train.
00:32:50I'm going to go on the train tonight.
00:33:01And it will be out, isn't it?
00:33:03On, and on, and on, and on
00:33:05And on
00:33:08We'll get the last one around
00:33:09Yeah, of course
00:33:10There will be tonight
00:33:12There will be tonight
00:33:13There will be tonight
00:33:14Yes, this way out
00:33:50Now, what's the matter?
00:33:52I'm...
00:33:53But I'm afraid I'm so nervous
00:33:56I'm going back
00:33:57Try it out
00:34:01But you realize if I can't
00:34:03Can you tell me?
00:34:04I refuse to
00:34:07This has a special train with you
00:34:08Anymore
00:34:09Once and for all
00:34:11The last train
00:34:20Oh
00:34:43Good night
00:34:45Good night
00:34:46Come on
00:35:16I don't think you're going there
00:35:18I'm sure it's private property
00:35:19Yes, somebody's back down
00:35:21Yeah
00:35:30It's very dark
00:35:32If you were ready, Drummond, you'd have a thought
00:35:34And if you were ready, my assistant, you'd have brought one
00:35:38Oh
00:35:39Oh
00:35:40I'm sorry for all the unkind things I've done
00:35:55Thank you anyway
00:36:00This way
00:36:09Thank you
00:36:15I'm not
00:36:16I'm not
00:36:17Don't
00:36:19I
00:36:19Can't
00:36:22What's this?
00:36:26It's not
00:36:27Yes
00:36:28It's not
00:36:30It's not
00:36:32It's not
00:36:33It
00:36:39newly
00:36:40Oh, hello. Are you all right?
00:36:43Yes, I hear you, fine. How did you get there?
00:36:46I think about you. How did you get there?
00:36:49Well, you were right about the goddess.
00:36:54They've been following the copy of the necklace. He's fighting.
00:36:57Oh, he's been sprinting.
00:36:59Oh, no. In desperation, he's got his hands.
00:37:03Badness?
00:37:04No, that's not the shopping list.
00:37:06Why have they brought you here?
00:37:08Because now they don't need to do the job.
00:37:10Where?
00:37:11I don't know. He won't tell me.
00:37:14How did he?
00:37:15He's asleep. He'll probably come for me in a few minutes.
00:37:19The job has to be finished tonight.
00:37:21Good. I just arrived in time.
00:37:23We'll have them dead and bound in half an hour.
00:37:26How did he?
00:37:27At a great edge of shining armor, you will ride forth and teleport right from the hour.
00:37:32Depart.
00:37:33Fort with.
00:37:34Walk down, they're trouble.
00:37:37Down that tunnel.
00:37:39Well, I must go north.
00:37:42Have you a scout art?
00:37:45Yes.
00:37:47Then take it down the tunnel.
00:37:49Yes.
00:37:54You look like a magnificent lioness.
00:37:58I would like to give you a sign.
00:38:02May I do that?
00:38:07What about a little stopper?
00:38:09I'll come up and get a take.
00:38:11How is it?
00:38:11We don't have to expect to go and trust you, Chris.
00:38:13If I do, will you come up with me?
00:38:16I could never wish you as Captain Gunn.
00:38:20Certainly I wasn't Captain Gunn.
00:38:23You wouldn't be infected.
00:38:25Will I?
00:38:26Oh, would you?
00:38:29Would I give you a chance?
00:38:31Say yes, and I'll give you back.
00:38:32No, I won't.
00:38:34All right, then.
00:38:35I shall keep your mark.
00:38:37All right, then, yes.
00:38:46I shall get you out of here at once.
00:38:50Now, it's time for me to break down these gates.
00:38:52Stay very long while I come back.
00:38:53Stay very long while I come back.
00:39:46I'll be out for three weeks, working on.
00:39:48Out in three weeks.
00:39:51Thank you very much indeed.
00:39:58Good evening, sir.
00:40:00My name is Morel.
00:40:01And you look at every inch of it.
00:40:03And your name?
00:40:04Gunn.
00:40:05Bulldog Gunn.
00:40:07What are you going to do about it?
00:40:08Forgive my surprise.
00:40:09I always thought you had dark hair.
00:40:11So I have, but I told you I'm besized as a blonde.
00:40:14Are you sure you're quite a bit covered from your accident?
00:40:16Quite.
00:40:17You seem to know all about it.
00:40:19Oh, yes, I do.
00:40:20You broke your arm.
00:40:23Frankly, I do believe it's better.
00:40:26Much better.
00:40:27Morel.
00:40:28The game's up.
00:40:30You're beaten.
00:40:32You and your game.
00:40:33You're using strong words, Captain Gunn.
00:40:35No, wait to be strong words.
00:40:38Oh, I'm entirely lost.
00:40:41There is.
00:40:42Simple man reading a craft with tired life.
00:40:46So quiet at a time that you take a ditching part of the Underground Railway, you ought to enjoy your
00:40:52early morning walk unseen.
00:40:54What are you doing in that tunnel?
00:40:57What are you doing in that tunnel?
00:40:57Going much rooms?
00:40:58I don't understand.
00:41:00I demand the immediate beliefs of this Henderson Taubini.
00:41:03What do I get?
00:41:04They're your prisoners.
00:41:09What about the Taubini Vars?
00:41:11And a goddess with a hundred hands.
00:41:15You know everything.
00:41:17Everything.
00:41:20Mr. Sterling, I...
00:41:23I shall have to kill you.
00:41:27Don't touch that.
00:41:29If you fail your life, don't touch that.
00:41:35That cat is set.
00:41:36One-fourth step on your butt.
00:41:38Already my assistant is waiting to tell you from the police.
00:41:41Where?
00:41:41That's right back.
00:41:42See?
00:41:44You're never prepared, Braskick.
00:41:46I mean vicious.
00:41:48And unless I arrive there with this Henderson and Taubini within the next twenty minutes, he will go immediately to
00:41:53Stockholm Yard.
00:41:55Are you sure he hasn't gone already?
00:41:57Yes.
00:41:58Pretty certain.
00:42:00Of course, he has a very individual way of working.
00:42:04And there's a slight possibility that we may have misunderstood each other.
00:42:09I gave him his instructions.
00:42:12And possibly he lost his way, so it be.
00:42:18Yet I don't think it's possible.
00:42:21Might I ring him up?
00:42:23Oh, for the way.
00:42:24Stay positive.
00:42:29Hello.
00:42:30Is this wrong working?
00:42:31Oh, how did?
00:42:33You remember that telephone number I gave you?
00:42:35Whitehall 1212.
00:42:38Did you use it?
00:42:41You did.
00:42:47Oh, the number was engaged.
00:42:52That was lucky.
00:42:56What?
00:42:57Do I want you to stand the police here?
00:42:59Certainly not.
00:43:05Hello?
00:43:06Hello?
00:43:07Hello?
00:43:08Hello?
00:43:09Hello?
00:43:10He's gone off.
00:43:18Captain Johnson and I were wondering whether you managed to film the police or not.
00:43:22Yes, I know.
00:43:23How do you know?
00:43:24Well, uh...
00:43:25You gave me up himself.
00:43:27You've got yourself very quickly.
00:43:29Oh, yes, I...
00:43:31Now I never know.
00:43:33I'll give you a copy of Penelish and hang over the candles without me.
00:43:38You've got the girl.
00:43:40I'll come straight, sir.
00:43:43Remember, Penelish.
00:43:46I'm sorry to appear distracted, but I cannot make up my mind whether to kill you now or later.
00:43:58Well, I hope he makes it later.
00:44:03Ah, my dear young lady.
00:44:05Now you've seen your grandfather, I hope you've changed your mind.
00:44:08No.
00:44:10You truly think Petchen Drummond will help you?
00:44:13I know he will.
00:44:14I'm sorry to bet your hopes, but your friend doesn't happen to be Captain Drummond.
00:44:19And anyway, at this moment, he is my prisoner.
00:44:22I know they're saying all this to try to frighten me.
00:44:30I hope he was used to try and escape.
00:44:32I know.
00:44:34Where are you, Penelish?
00:44:36Ah.
00:44:37This man, the devil's got nothing.
00:44:39Ah.
00:44:40Ah.
00:44:41It is Mr. Teller, I'm not fooled or clever.
00:44:45Oh, well, if you fool him so by, so I'm foolish.
00:44:49Well, you must lose that trial staircase.
00:44:51He's the pal.
00:44:52Through that cellar.
00:44:54Oh, you've got a great idea.
00:44:56I'm fooling out.
00:44:57It is from the outside the store.
00:44:59Look.
00:45:00Look.
00:45:01I'm going to disguise myself as a rail.
00:45:04He has his coat.
00:45:04He has his uncle at us.
00:45:05But he has his shorty hat.
00:45:06What about the hair?
00:45:08What about the hair?
00:45:08Who's there?
00:45:09Everybody could use a lot.
00:45:11And now the door.
00:45:13The rails are completely way of looking.
00:45:28Mr. Longworth, had you not entered my house through the roof of my conservatory, I might have been that suspicion.
00:45:35I must apologize for appearing abstracted, but I have decided to kill you now.
00:45:40I defy you, mother old.
00:45:42Nevertheless, I shall have to kill you, and I'm going to be entirely by myself in the puddle.
00:45:47Well, don't you?
00:45:57I have a little tough package, but who are you, Inspector?
00:46:02Rudolph Drummond.
00:46:03Very odd.
00:46:05Mr. Mendel, Rudolph Drummond is in a hospital with a broken arm.
00:46:10Is it true?
00:46:11Certainly not.
00:46:13Mr. Longworth, is it true?
00:46:15Well?
00:46:17Yes.
00:46:18Five weeks' time with this man, Ms. Mendel.
00:46:21You and your grandfather might be free in a few hours if you will do what I want.
00:46:24Don't listen to it.
00:46:26Very well.
00:46:27I'll do it.
00:46:28Linda, you take the table down.
00:46:30You will look after these gentlemen here.
00:46:33Oh, there you do.
00:46:33To lay the spiral staircase.
00:46:35How will you take my will be?
00:46:38I forbid you to do it.
00:46:39I'm not interested.
00:46:40Anne.
00:46:41Then don't call me Anne.
00:46:48Come on.
00:46:50Come on.
00:46:50Down here.
00:46:52Come on.
00:46:53Oh, my God.
00:46:55You're not going out after all, Captain Drummond, but I probably will like two.
00:46:58And two to a hat.
00:47:03Come along.
00:47:04Come on.
00:47:05Come on.
00:47:06Come on.
00:47:07Come on.
00:47:21Come on.
00:47:22How long have you fellows been in this magic?
00:47:24And can anybody join?
00:47:25Who thought me like to?
00:47:28Ah, now, what about a nice little game of find the lady?
00:47:32I think the next one, show that Capito in the train.
00:47:35He's so good, he'll give you a quid every time you find the lady.
00:47:39Go on.
00:47:39Do your stuff.
00:47:51you two stay here
00:47:52come along the candles
00:47:58give a quid
00:48:02there's none sign of off in the blind
00:48:12give another quid
00:48:19at this time I'll make it really difficult
00:48:21this will finally have to do a couple of quid
00:48:29come on
00:48:30come on
00:48:33come to that door
00:48:35come to that door
00:48:44come by boys
00:48:45I'll take your time
00:48:46come on
00:48:48come on
00:48:53come on
00:48:56come on
00:48:57come on
00:49:11come on
00:49:15come on
00:49:26come on
00:49:29come on
00:49:31come on
00:49:34come on
00:49:39come on
00:50:00come on
00:50:03come on
00:50:04come on
00:50:05I'll be on the floor.
00:50:19Harry, you should get on to the top and carry your present yard.
00:50:24This time, hold on to the agenda.
00:50:26This side, y'all, say.
00:50:28For this side, tell you, say, say.
00:50:33Hurry by your people, take them.
00:50:36Back!
00:51:13Where do they take them?
00:51:14The British Museum.
00:51:44Oh
00:51:50Oh
00:52:28Oh
00:52:29Oh
00:52:29Oh
00:52:30Oh
00:52:36Oh
00:52:38Oh
00:52:46Oh
00:52:55Oh
00:52:57Oh
00:52:57Oh
00:52:59Oh
00:53:00Oh
00:53:33I'm seeing this.
00:53:36I'm seeing this.
00:53:39I'm seeing this.
00:53:40I'm seeing this.
00:53:42Look.
00:53:45I can't hear the balloons now.
00:53:49I can't hear the balloons now.
00:53:51And then you wouldn't fear the universal sound of it.
00:53:54Hurry, hurry!
00:53:55I am hurry.
00:53:58Hand a little bit quickly.
00:53:59Before I'm shot.
00:54:07Thank you very much.
00:54:09Don't forget to be working until I come back.
00:54:13Bye.
00:54:14She's a little one for me now.
00:54:17Don't hurry up, don't hurry up.
00:54:18Don't do it.
00:54:21Don't worry, don't come here.
00:54:23Don't get it.
00:54:25She's a little one for me now.
00:54:29She's a little one for me now.
00:54:30Baby.
00:54:32What would she have to bring out power?
00:54:37Don't worry, come back.
00:54:39What?
00:54:39I can't.
00:54:40Can't?
00:54:40I'm a blackberry man.
00:54:40I'm a blackberry man.
00:55:14Oh, what are you doing there?
00:55:18Oh.
00:55:23I, uh, I just buried you.
00:55:28Oh, did you?
00:55:30Well, you'll have to tell that story to somebody else.
00:55:34Come along, miss.
00:55:36You'll just take a little walk with me.
00:55:46Wait a minute.
00:55:47Here he is.
00:55:49You better stand back for else.
00:55:51I've already gathered him down, the man who wears his clothes.
00:55:54You've got the clothes.
00:55:56Search him.
00:56:03Here he is.
00:56:12Here he is.
00:56:13Couldn't.
00:56:13It's all right.
00:56:18I'm going to go.
00:56:20Give me that.
00:56:21I'll be right.
00:56:22I'll be right back.
00:56:24I'll be right back.
01:05:35Yeah.
01:05:51Yeah.
01:08:52Yeah.
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