- 1 day ago
A bored WWI veteran helps out a young woman whose uncle is being held hostage by embezzlers.
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Short filmTranscript
00:00:00THE END
00:02:34The eternal din in this club is an outrage!
00:02:39I ask you!
00:02:40What?
00:02:45You're perfectly right, Colonel.
00:02:47We ought to complain.
00:02:48Do you know that's the third spoon I've heard dropped this month?
00:02:53Spoon's my hat.
00:02:56I wish somebody would throw a bomb and wake the place up.
00:03:21Dear old boy, people don't do such things.
00:03:24How they do when they're as bored as I am.
00:03:26Bored, Drummond?
00:03:28So bored, my dear Algie, that I believe I'm going mad.
00:03:30Dear old boy!
00:03:32I mean it!
00:03:32Of course you do, of course you do.
00:03:35Just you, just you come into the bar.
00:03:43There.
00:03:44Isn't that better?
00:03:45No, Algie, not a bit.
00:03:47I've been bored too long.
00:03:49I've been bored too long.
00:03:49I can't stand it anymore.
00:03:50I'm too rich to work.
00:03:52Too intelligent to play, much.
00:03:54I tell you, if something doesn't happen within the next few days, I'll explode.
00:03:59I don't know what to suggest, dear old boy.
00:04:01Unless you advertise and you can't very well do that, can you?
00:04:06I don't know, am I?
00:04:09I'd rather think that's an inspiration, Algie.
00:04:10By Jove, I do.
00:04:11I didn't know you had it in you.
00:04:13Say, Bowman, give me a piece of paper and pencil.
00:04:18Now, let's see.
00:04:20To the editor.
00:04:23Personal column.
00:04:25The Times, London, demobilized officer, finding peace unbearably tedious.
00:04:45Dear old boy, you're not serious.
00:05:06You're wrong, Algie.
00:05:08All wrong.
00:05:09That advertisement was the best idea you ever had.
00:05:12Not one of these letters that holds its own promise of excitement, adventure, and who knows, romance.
00:05:21Here's one from a woman whose husband spends all his time raising pedigreed goldfish.
00:05:27She wants you to kill either the husband or the goldfish.
00:05:31I hope you'll draw the line of murder, sir.
00:05:34Oh, I will, Danny.
00:05:35I promise you.
00:05:36Thank you, sir.
00:05:37That's reassuring, sir.
00:05:39Now, you read yours.
00:05:41Right, Joe.
00:05:42Hello.
00:05:42I've got a good one.
00:05:44This is from a girl who signs herself, Phyllis Benton.
00:05:47Nice name, Phyllis.
00:05:48Sounds like a chorus girl.
00:05:50Wants to know if my intentions are serious.
00:05:51If they are, well, I meet her at the Green Bay Inn, four miles from Godalming, on the London Road
00:05:58at midnight tonight.
00:06:00Is she proposing marriage?
00:06:01Well, she's reserved a couple of rooms for me in the name of John Smith.
00:06:05I don't like the sound of that, sir.
00:06:07She says if I'm a gentleman, I won't fail her because...
00:06:12because by Jove, she's in hideous danger.
00:06:15Hooray, hooray.
00:06:16Now I'll choose one.
00:06:17No, no, wait a minute.
00:06:18Wait a minute.
00:06:19I haven't finished with Phyllis yet.
00:06:21She interests me, Algie.
00:06:24I can see her coming into the Green Bay Inn.
00:06:27Dark.
00:06:28Voluptuous.
00:06:30And dramatic.
00:06:31Drummond, you beware of Phyllis.
00:06:33Wouldn't you beware, Danny?
00:06:35Indeed I would, sir.
00:06:37I'd beware within an inch of my lifetime.
00:06:39And why, idiot danger sounds very promising.
00:06:41I believe I'm for Phyllis, Algie.
00:06:44From the Green Bay Inn.
00:06:46By Jove, I am for Phyllis.
00:06:49Dear old boy.
00:06:50Midnight tonight, eh?
00:06:51All right, I'll be there.
00:06:52Danny, pack my bag.
00:06:54Pajamas, toothbrush, and the gun.
00:06:58Please, sir.
00:06:59Don't you really think, sir?
00:07:02Yes, sir.
00:07:04I'm taking thought.
00:07:06Never mind the pajamas.
00:07:08Just the toothbrush and the gun.
00:07:14Danny.
00:07:15Yes, sir.
00:07:21The boots, Danny, the boots.
00:07:23Yes, sir.
00:07:24No, no, not those.
00:07:25The adventure boots.
00:07:26The seven-league boots with nails in them.
00:07:41Danny, how are we going to stop him?
00:07:44That's beyond me, sir.
00:07:46He's ordered the Mercedes Roadster.
00:07:48Great Scott, we must do something.
00:07:50Drummond for the last time, I beg of you.
00:07:53No good, Algie.
00:07:53My mind's made up.
00:07:55Very well, then.
00:07:56Danny, my coat.
00:07:58I'm coming with you to look after you.
00:08:00Wrong again, Algie.
00:08:02I'm the one that's bored with life, not you.
00:08:04I'm the one that's looking for a thrill, not you.
00:08:06This is my adventure, my boy, not yours.
00:08:12Hideous danger.
00:08:13Voluptuous.
00:08:14Dark.
00:08:15Dramatic danger.
00:08:17Unfiltered.
00:08:31Mad, sir, that's what he is.
00:08:34Stark staring mad, sir.
00:08:45Danny, Captain Drummond has other cars, hasn't he?
00:08:50Indeed, yes, sir.
00:08:51Several, sir.
00:08:52I do need one of them.
00:08:54Now you're going mad, sir.
00:08:57Which would you recommend?
00:08:59The Rolls-Royce, sir.
00:09:00The Rolls-Royce.
00:09:01A very nice little car.
00:09:04Have it brought round and get your hat and coat.
00:09:07My hat and coat, sir?
00:09:09What am I to go mad to, sir?
00:09:11Not at all.
00:09:12I'm going to look after Drummond.
00:09:13And you're coming to look after me.
00:09:32The Rolls-Royce.
00:09:47Fill every glass for wine inspires us and fires us with courage, love, and joy.
00:10:00Women and wine should life employ in their hotels on earth's desires.
00:10:07Fill every glass for wine inspires us and fires us with courage, love, and joy.
00:10:13Well, men and wine should life employ in their hotels on earth's desires.
00:10:20Fill every glass for wine inspires us and fires us with courage, love, and joy.
00:10:35Mr. Smith, I suppose?
00:10:37Mr. Smith, I suppose?
00:10:40Oh, yes, yes.
00:10:41How to do now.
00:10:44Keep on.
00:11:06The best rooms we have, sir, the bridal suites, sir, wasted on you without a bride, sir.
00:11:12This is the sitting room. And that's the bedroom beyond?
00:11:17The bedroom is always beyond, sir.
00:11:26Twin beds, sir. So you can use your own judgment, sir.
00:11:32You can turn down one.
00:11:35Oh.
00:11:39And the balcony?
00:11:41Private to this suite, sir.
00:11:51I see.
00:11:53Nothing else, sir?
00:11:54No, nothing else, thanks.
00:11:55Always eager to oblige, sir.
00:11:58Yes, now bear that in mind.
00:12:00I hope you will, sir.
00:12:02By the way, you might oblige me with a whiskey and soda, will you?
00:12:04Yes, sir.
00:12:07I hope you will.
00:12:19Maybe how will you save your teeth?"
00:12:28For example, children.
00:12:29Hello, sir.
00:12:29Thank you, sir.
00:12:29Thank you, sir.
00:12:30Thank you, sir.
00:12:33Well, here's to it.
00:12:48Oh, my ass.
00:12:55Thank heaven, Danny.
00:12:56We're in time.
00:12:57Algy, you are a middlesome joker.
00:13:01Dear old boy, Danny and I have decided that if you will carry on with a voluptuous, blackmailing, breach of
00:13:08promise female,
00:13:09you'd much better do it in London, where you can be near your lawyer.
00:13:15Algy, if I'd wanted a bodyguard, I should have sent for my maiden aunt.
00:13:18Why say?
00:13:19Why not?
00:13:20More of a man than you are.
00:13:22Midnight now, and if you think that I am...
00:13:35It's a lucky thing there's no Mrs. Drummond, sir.
00:13:38The point is an abstract one, but they're well taken, Danny, very well taken.
00:13:46I'm coming.
00:14:02I'm watched.
00:14:05I'm watched.
00:14:10Closed.
00:14:11Close the door.
00:14:14Unlock it.
00:14:18And draw the curtains.
00:14:33Everywhere I go, I'm watched.
00:14:37You mean?
00:14:39Just that.
00:14:42Danny, there's a hole.
00:14:45A peep hole, sir.
00:14:47It's peep.
00:14:52It's peep.
00:15:03Behind me, Joe.
00:15:09Oh, you'll forgive my staring, won't you?
00:15:13Can you see her, sir?
00:15:14Yes.
00:15:16Is she dark?
00:15:18Enough.
00:15:19Dramatic?
00:15:20Rather.
00:15:22Voluptuous?
00:15:29Oh, you must think it's very strange of me.
00:15:31I don't.
00:15:32I think it's very charming of you.
00:15:35Oh, before I explain, you must tell me, on your word of honor, whether that advertisement
00:15:41I saw in the Times was serious, or just a joke.
00:15:45Oh, your word of honor, please.
00:15:51Well, it started as a joke, I must admit, but now, now you can take it as serious.
00:15:59Word of honor.
00:16:00Oh.
00:16:02Oh, I'm so relieved.
00:16:04I'm glad you feel that way about it.
00:16:07Oh, I'll try to explain.
00:16:09No, no, don't.
00:16:10Why not?
00:16:10I'm afraid of waking up.
00:16:15Oh, Mr. Smith, I...
00:16:16And that's another thing.
00:16:17I find somehow that I can't masquerade with you.
00:16:19My name is Drummond.
00:16:21Captain Drummond.
00:16:22Hugh Drummond.
00:16:23Great Scott!
00:16:25He's telling his real name.
00:16:32Please believe that I'm serious, Captain Drummond, and understand that there was no other way
00:16:37for me to see you without your being seen.
00:16:41Even at this hour of night, I can't be entirely sure of giving them the slip.
00:16:49Giving them the slip?
00:16:51You try and explain things quite clearly.
00:16:54Oh, I am trying.
00:16:57I've taken a little house on the edge of Gobelman.
00:17:00Former house from here.
00:17:01Mm-hmm.
00:17:02I took it because it's next door to the hospital, where my uncle is a patient.
00:17:07Only he isn't a patient, and it isn't a hospital.
00:17:11Well, you mean that...
00:17:12Just what I say.
00:17:14It belongs to a Dr. Lakington.
00:17:17And to a man named Peterson.
00:17:19And to Peterson's sister.
00:17:21Only she isn't a sister.
00:17:23He isn't a patient, and it isn't a hospital, and she isn't his sister.
00:17:27Danny, I believe you're right.
00:17:30You see, this Dr. Lakington and Peterson claim to be treating my uncle for a nervous breakdown.
00:17:38But I know they've got him in their power somehow, and are bleeding him.
00:17:42This doctor, what's his name?
00:17:45Is he a real doctor?
00:17:45Oh, yes.
00:17:47Oh, all of that, Captain Drummond.
00:17:49Oh, if you've seen him, he's...
00:17:52Oh, you don't believe me.
00:17:55I do, I do.
00:17:57Only you may be wrong about his motives, you know.
00:18:00And unless you've got some very real evidence to the contrary,
00:18:02this hospital may be all that it claims to be.
00:18:06Oh, now, I don't look offended.
00:18:09I'm only wondering why, if these people are as bad as you think they are,
00:18:14why they should take so much trouble over your uncle.
00:18:18Even in America, where we come from, Captain Drummond,
00:18:21my uncle is considered a wealthy man.
00:18:24Oh.
00:18:24His name is John Travers.
00:18:27Travers?
00:18:28No, not the John Travers.
00:18:29Yes, Captain Drummond.
00:18:31The John Travers.
00:18:33My turn, sir.
00:18:34No good being a hog, sir.
00:18:36Danny!
00:18:38No class distinction, sir.
00:18:40Your own idea, sir.
00:18:42Quite right, Danny, quite right.
00:18:44Would you care to use my Eidloff?
00:18:53What does your uncle say about all this?
00:18:56Oh, I'm not allowed to see him.
00:18:58I've only seen him once.
00:19:00And that was by accident.
00:19:02Had a window.
00:19:03Just for a moment.
00:19:05And then a pair of hands reached out and dragged him back.
00:19:09Such a look as he had.
00:19:11Oh, I know they're keeping him under some drug.
00:19:14And twice.
00:19:15Twice I heard him scream as though they were torturing him.
00:19:18My dear Miss Benton.
00:19:20It seems to me to be a case for the police.
00:19:24Why haven't you been to them?
00:19:27Because I'm not at all sure the toll they have on him.
00:19:30Isn't in some way disgraceful to him?
00:19:33Oh, he's not above disgracing himself.
00:19:36I see.
00:19:38No, you don't.
00:19:40You don't believe a single word I've said.
00:19:42Oh, I do, I do.
00:19:44Only, well, you must admit it.
00:19:46Rather like a penny thriller, isn't it?
00:19:51Well, I dare say it is.
00:19:54Thank you, Captain Drummond.
00:19:56I'm sorry you wasted so much of your time.
00:19:59Now, please.
00:20:01I'm sorry.
00:20:02I didn't mean that.
00:20:03I mean that I want to help you no matter what.
00:20:07Oh, I don't know what will become of me if you don't help me.
00:20:11I have no one to turn to you.
00:20:13I'm alone here.
00:20:15Hadn't we better break in before she gets violent?
00:20:20The door's locked, sir.
00:20:22You poor girl.
00:20:29Now, you tell me what it is you want me to do, and I'll do it.
00:20:35Word of honor.
00:20:38Your word of honor?
00:20:42I'm so afraid of not seeing you again if I don't.
00:20:46Well, then, would it be too much if I asked you to?
00:20:59Don't be frightened, Miss Bendenor.
00:21:12Dear old boy, don't be alarmed.
00:21:14We're still with you.
00:21:15Miss Bendenor.
00:21:16I worry she is.
00:21:18No, you don't.
00:21:19Grab him, Daniel.
00:21:19Dear old boy, control yourself.
00:21:23You ought to be shut for this.
00:21:26Don't you realize what she is?
00:21:28A lunatic, sir.
00:21:29Hasn't been out of a straitjacket for weeks.
00:21:31Her hospital isn't a hospital.
00:21:34That's quite true.
00:21:35It's a lunatic asylum.
00:21:36And this Dr. Lakington's her keeper.
00:21:39It can't be her story.
00:21:40Never heard worse raving in my life.
00:21:43Oh, sir, such things don't happen in the British Isles.
00:21:46Not now.
00:21:47You're perfectly right, Danny.
00:21:48Of course, sir.
00:21:55What the devil's the matter with you?
00:22:04Captain Drummond?
00:22:10Captain Drummond?
00:22:14The lady who was just here left her bag, I think.
00:22:23Oh, no, she didn't, Dr. Lakington.
00:22:28My mistake.
00:22:30I'm sorry.
00:22:32Not at all.
00:22:33You won't forget me the next time you see me, will you?
00:22:42No.
00:22:59A lunatic is she?
00:23:00What do you think of that?
00:23:01Algy, my boy, you get back to London as fast as the rolls can carry you.
00:23:04I'm off to Godalming, four miles from here.
00:23:06You're not.
00:23:07Just try and stop me.
00:23:09You shut up.
00:23:12I'm sorry.
00:23:12I'm out.
00:23:30But I live with you.
00:23:31I live with you, Ma'am.
00:23:31You're not even though you saw me.
00:23:31I live with you.
00:23:31No.
00:23:31All right.
00:23:31I go.
00:23:31Yeah, god's interesting.
00:23:32I love you.
00:23:32You know what?
00:23:32I live with you.
00:23:40I see my soul.
00:23:40The most beautiful Зд members in my life is my郎.
00:25:11And now, my dear, we can talk more comfortably.
00:25:17So, you're coming out in your true colors at last.
00:25:23How dare you spy on me?
00:25:25Spy on you?
00:25:27You're coming to stay with us at our house, where we can really watch you.
00:25:31And protect you from any further indiscreet behavior.
00:25:38What would your uncle think if he knew how you'd compromised yourself tonight?
00:25:46Your poor, sick uncle.
00:25:50And we trust that for Captain Drummond's sake, as well as for your own, you have made no foolish statements
00:25:57which might cause him to meddle in affairs in which he cannot.
00:26:00And had better not concern himself.
00:26:16The point, Miss Phyllis, is this.
00:26:18Are you expecting to see Captain Drummond again?
00:26:21No, Mr. Peterson, I am not.
00:26:24Oh, we're very pleased to hear that, my dear.
00:26:27You're not to communicate with him again.
00:26:30You're not to try anything.
00:26:35Oh, we're very pleased to hear that, my dear.
00:27:05I am not to try anything.
00:27:07Oh, no, Mr. Peterson.
00:27:08Oh, no, Mr. Peterson.
00:27:13Oh, no.
00:27:16Oh, no.
00:27:18Oh, no.
00:27:20Oh, no.
00:27:30Oh, no.
00:27:32Oh, no.
00:28:03Good evening.
00:28:05Miss Benton's still awake?
00:28:06Miss Benton is entertaining friends this evening.
00:28:09Friends?
00:28:10Well, I'm an old friend of her uncle's.
00:28:12I'm sure that she'll see me.
00:28:14Won't you come in?
00:28:15Thanks.
00:28:15I should love to.
00:28:22Forgive my calling at this late hour, Miss Benton,
00:28:24but I wanted news of your uncle's health.
00:28:26I was passing by,
00:28:28I saw the light,
00:28:29and I heard the music.
00:28:30Oh, Phyllis, dear.
00:28:32Aren't you going to introduce her?
00:28:34Miss Peterson, Captain Drummond.
00:28:38Just old-fashioned music lovers,
00:28:40my brother and I, Captain Drummond,
00:28:42trying to cheer dear little Phyllis up.
00:28:45Your brother?
00:28:46Such a big brother.
00:28:49Not that he's any too big for you.
00:28:52And now, how is Mr. Trammons?
00:28:54Oh, nerves are slow things,
00:28:56you know, Captain Drummond.
00:28:57Um, yes?
00:28:59I've never had any trouble with mine.
00:29:01Really?
00:29:02I congratulate you.
00:29:04Mine are steady, too.
00:29:07Good.
00:29:08Are you, are you the doctor in charge of this case?
00:29:11I?
00:29:11Oh, dear, no.
00:29:12Dr. Lakenkin is in charge.
00:29:14I'm so sorry he isn't here to meet you.
00:29:17Yes, so am I.
00:29:21Well, Miss Benton,
00:29:21I shall be in the neighborhood for a few days.
00:29:23If you're in need of cheer,
00:29:25there's racing over at Gatwick tomorrow.
00:29:27Wouldn't you like to come?
00:29:28On the gambling, Captain Drummond?
00:29:29Now and then, the small game.
00:29:31Stay with the small games, Captain.
00:29:34It's the big ones that spell disaster.
00:29:36Exactly what my grandmother always taught me.
00:29:39Never bet, except on a sure thing she said
00:29:41and then put your shirt on it.
00:29:42Oh, I can see her now.
00:29:45With the golden rays of the setting sun,
00:29:48lighting up her sweet old face.
00:29:51Help!
00:29:52Help!
00:29:57Somebody step on the cat's tail.
00:30:00No, no, that's my uncle.
00:30:02Oh, no, no, no, no.
00:30:10Oh, no, no, no, no.
00:30:12Oh, oh, my God.
00:30:14Oh, help!
00:30:15Help!
00:30:16Help!
00:30:17Oh, no, no, no, no, no.
00:30:35Is that Travers you beating up?
00:30:37Beating up, Captain Drummond.
00:30:39Don't you know hospital discipline when you see it?
00:30:42Hospital discipline, eh?
00:30:46Why, of course, how stupid of me.
00:30:48Well, when he recovers, tell him I called, will you?
00:30:51Oh, you're not leaving us?
00:30:53Don't you think I'd better?
00:30:55Perhaps you had.
00:31:04You'll say goodbye to Miss Phyllis for me, too, will you?
00:31:10And au revoir to you.
00:31:50Magovic!
00:31:51Magovic!
00:31:57What are the orders I've given in this house?
00:32:01What sort of a nursing home will people think this is,
00:32:04if they can hear the patients screaming for help?
00:32:09You...
00:32:11Dullwitty scum!
00:32:14Get out!
00:32:20What are you crying for?
00:32:22Murder and torture!
00:32:23Oh, pull yourself together or we shan't let you see your uncle.
00:32:27Oh, you've no intention of letting me see him.
00:32:29You only want to shut me up or I can't interfere with your plans.
00:32:32You know you may be right.
00:32:33Just the same, you'd better come quietly.
00:32:35You can't help your...
00:32:38Drummond!
00:32:41Miss Benson, it just occurred to me this would be a fine time
00:32:44for you to visit my maiden aunt in London.
00:32:46Now, could you get ready in a hurry?
00:32:48No, Captain Drummond.
00:32:49No?
00:32:50Phyllis is not leaving here tonight.
00:32:53At the moment, I'm not sure whether you're leaving yourself.
00:32:55Are you planning to prevent me, Miss Peterson?
00:32:57I shall prevent you, Captain Drummond.
00:32:59I don't wish to seem curious, but would you tell me how?
00:33:01I'd rather show you.
00:33:19I've forgotten the old-fashioned music lovers.
00:33:21Just the same, Miss Benson, I'm going to get you out of this.
00:33:27Come out and put up your hands.
00:33:31Dear old boy, was that you whistling?
00:33:34Was that you answering?
00:33:35Yes.
00:33:36I heard somebody whistle, and I'm fond of whistling.
00:33:40I thought it might be Drummond, because he's fond of whistling too.
00:33:44So I whistle back, like this.
00:33:46...
00:33:52...
00:33:54Bless my soul.
00:33:56Out of here.
00:33:57Right you are.
00:33:58Wait, wait.
00:33:59Wait till I get this blonde's telephone number.
00:34:05Get out of them!
00:34:06Out of them!
00:34:07Get Bulldog Drummond!
00:34:20In the car, quick!
00:34:42Algy! Get Miss Benton to the Green Bay Inn and stay there till I come.
00:34:46Over, Captain Brumman!
00:34:48Now, don't you fret, Miss Benton. I'll bring your uncle with me.
00:34:54I say, if you try to get me that Gordon's telephone number...
00:35:04It's got clean away, and you made no effort to stop.
00:35:08What could I do? Those yellow dogs of yours. You can't blame me, you know.
00:35:13Now, now, we're not blaming you, girlie. Only this game is up.
00:35:17Up? We've got rid of Brumman, haven't we?
00:35:20Yes, but we'd have the police here at any moment now. The only thing for us to do is to
00:35:24clear out, quick.
00:35:25And leave Travers?
00:35:26He's right. The wise crook knows when to quit.
00:35:32You two can quit if you like. I'm going to see this thing through.
00:35:35Sweetheart, it's too risky.
00:35:37Not for me it isn't. Oh, that Brumman's got my blood up.
00:35:42Let Travers go. Not I. Why, he's got everything we want.
00:35:47Just think. One little signature and the works are ours.
00:35:52Where's the risk? Let the police come.
00:35:56Isn't Lakington a real doctor?
00:35:58And who's going to prove this isn't a real hospital?
00:36:02Anyone can prove that Travers isn't a real patient.
00:36:06I'll give him something real the matter with him.
00:36:08Break his legs. Fracture his skull if you must.
00:36:12But don't let him go.
00:36:16What do you say, Lakington?
00:36:18If you work fast, we might try once again for his signature.
00:36:25Can you bring him round enough to sign?
00:36:27It may be fatal.
00:36:29What is it in?
00:36:41Markovitch.
00:36:44Yes, sir.
00:36:46Mr. Travers. To the central chamber.
00:36:49Ah, girlie. I'd go through with anything for you.
00:37:27Take him in there, Markovitch.
00:37:32The sight of the injection makes the lady faint.
00:37:40I don't like drugs.
00:38:03That's right, Markovitch.
00:38:08Now, you'll hold the arm while I administer the prison.
00:38:37That will be all, Markovitch.
00:38:42Hmm.
00:38:45Yes.
00:38:47It won't be long now.
00:38:50You'll have to work quickly, though.
00:38:53I doubt if it holds for more than ten minutes' consciousness.
00:38:57That ought to be enough.
00:38:59You'd better go.
00:39:01Let him find us alone.
00:39:05Your wife.
00:39:21Oh, that Lakington's a swine.
00:39:24I shan't be sorry when we're through with him.
00:39:26You little devil! You'll be leading him on!
00:39:28Oh, won't! Don't be a fool!
00:39:31If I thought that you'd...
00:39:32I'll get out!
00:39:32I wouldn't double-cross you...
00:39:38with anybody!
00:39:49Look!
00:39:51He's coming round.
00:39:54Already.
00:39:56Already?
00:40:08Give me another cigarette.
00:40:18It's you!
00:40:22You two again!
00:40:24Feeling better, Mr. Travers?
00:40:26Oh, you blackguards!
00:40:28You infernal blackguards!
00:40:30Oh!
00:40:31If you're going to use horrid language!
00:40:33Let's come to the point, Mr. Travers.
00:40:35Circumstances.
00:40:36Pressing circumstances have made it necessary for us to talk business again.
00:40:40Oh, my...
00:40:42More money!
00:40:43Oh, come, Mr. Travers.
00:40:44We haven't made expenses out of you yet!
00:40:47Now, here's a letter.
00:40:48Prepared by me.
00:40:50Instructing your London bankers
00:40:51to turn over to me certain securities and jewels
00:40:54which they're holding in their vaults for you.
00:40:56Now,
00:40:56if you'll be good enough to sign
00:40:58on the dotted line...
00:41:02I...
00:41:03I remember now!
00:41:05You...
00:41:06You dope my liquor!
00:41:08You got me into the room with that girl there!
00:41:11You framed me!
00:41:12You dirty blackguards!
00:41:21Mr. Travers.
00:41:23Would you like another of Dr. Lakington's stimulating treatment?
00:41:27Oh, you inhuman devils.
00:41:31You can't do any more than you've done already.
00:41:34Oh, can't we?
00:41:36You know, Mr. Travers.
00:41:38Dr. Lakington is an expert with drugs.
00:41:41He's just been discussing the possibility of an injection
00:41:44which would cause you to be an idiot for the balance of your life.
00:41:48Are the bonds worth that price, do you think?
00:41:53I don't believe you.
00:41:55I won't say anything.
00:41:58In that case, Mr. Travers,
00:42:01perhaps you'd better come with me.
00:42:04No! No!
00:42:06Wait!
00:42:07I'll say...
00:42:08I'll do anything.
00:42:13Where is it?
00:42:14Where is it?
00:42:17Where is it?
00:42:17Where is it?
00:42:19Where is it?
00:42:20That was close.
00:42:23He's gone on that again.
00:42:25Well,
00:42:27I want you both to admit that I was right.
00:42:30You're always right, girly.
00:42:31You were right, Irma.
00:42:35What the...
00:42:37Carl!
00:42:48Turn under!
00:42:54The bracket lights, Irma!
00:42:56The bracket lights!
00:43:02Look!
00:43:03Look!
00:43:03Lakington!
00:43:05Is he dead?
00:43:06No, knocked out.
00:43:07Where's Travers?
00:43:09Gone!
00:43:14And the paper with the signature.
00:43:15That's gone too.
00:43:16Wait!
00:43:16Wait up!
00:43:34Bulldog Drummond!
00:43:36Bulldog Drummond!
00:43:57They're dead!
00:43:58They're dead!
00:44:08Don't go!
00:44:11They're dead!
00:44:14Killed too!
00:44:17They're dead!
00:44:19They're dead!
00:44:24They're dead!
00:44:26I'm full now!
00:44:32The End
00:45:20The End
00:45:49Two o'clock already?
00:45:51How I detest bird life.
00:45:56Hello.
00:45:57Haven't you been asleep?
00:45:58Oh, how could I sleep?
00:46:00Well, if you can't, it isn't very polite for me to indulge.
00:46:05I say, what's wrong?
00:46:06We're both safe, and Drummond will pull your uncle through all right.
00:46:10He never fails.
00:46:11No, it's not my uncle I'm thinking of.
00:46:13It's Captain Drummond, in such danger, and through me.
00:46:18I say, you're not getting a Drummond Digest too, are you?
00:46:24What's Drummond Digest?
00:46:25A complaint most women get soon after they meet Bulldog Drummond.
00:46:29No, I don't know what you mean.
00:46:31Don't you?
00:46:32I'll explain more fully.
00:46:34No, you needn't.
00:46:35Listen, isn't that a car?
00:46:48It's not only a car, it's the car.
00:46:53You're home, Drummond!
00:46:55Here we are, here we are!
00:46:58Daddy, here's Captain Donnebec, and he's got travels with him.
00:47:02Go down and lend a hand.
00:47:03Very good, sir.
00:47:23Mr. Pendleton, here we are again.
00:47:28Oh, Uncle, are you all right?
00:47:31Well, he's just a little wet, that's all.
00:47:34I'm afraid we'd no time for these reunions now.
00:47:37Let Danny take charge of him, Mr. Pendleton.
00:47:39Danny, take him into the bedroom and drive him out.
00:47:46And now, we'll be off to London just as soon as I've had something to eat.
00:47:50Algy, be a good fellow and rustle me up some bread and cheese, will you?
00:47:53Oh!
00:47:55And a pint of beer.
00:47:56Beer?
00:47:56Coffee for the women and children and the poor weak fools who can't curb their passion for...
00:48:01Strong, drink, fart.
00:48:03For the sober, honest man who has worked hard and needs health and strength for the labors to come...
00:48:10Beer!
00:48:18Ha!
00:48:20Ha!
00:48:21Ha!
00:48:22Ha!
00:48:22Ha!
00:48:22Ha!
00:48:23Ha!
00:48:23Ha!
00:48:24Ha!
00:48:25Ha!
00:48:41And now, Miss Benton, how did you get on?
00:48:44Oh, tell me!
00:48:45Tell me, please!
00:48:46What is there to tell?
00:48:47It was too easy, if anything.
00:48:48I got him out, gave him a slip.
00:48:50Let's go.
00:49:27Green Bay in.
00:49:50There's the one, the only one for me.
00:49:57I caught a glimpse of a roguish eye, and I says to myself, says I, says I, there's the one,
00:50:08the only one for me.
00:50:12A poet might speak of the blush in your cheek as the bloom of a rose newly born.
00:50:20Your voice, the refrain of a song of the rain in the light of a bright April morn.
00:50:32I saw an angel from out of the sky, and I says to myself, says I, says I, there's the
00:50:47one, the only one for me.
00:51:18I'll be back in a minute.
00:51:21And so as I said before, here we are again.
00:51:25Oh, I think you're perfectly wonderful.
00:51:31That's very nice of you, but you mustn't say such things.
00:51:36I must be getting drummonditis.
00:51:39Drummonditis?
00:51:41Oh, that's one of Algie's jokes, isn't it?
00:51:45Is it only a joke?
00:51:49Well, if there were any such complaints, I don't mind saying that I wish you'd catch it.
00:51:56Oh, I think I might oblige.
00:51:58Will you?
00:52:00Please.
00:52:02Just like that?
00:52:05Why not?
00:52:10You have your own way of putting things, Captain Drummond.
00:52:14Oh, I don't want to be flippant.
00:52:16Let's forget all this kidding.
00:52:18I came out to look for adventure.
00:52:22I wasn't expecting to find you, Phyllis.
00:52:28But I have found you.
00:52:30And now, please, please, please, take me seriously.
00:52:35A fog is high, and I sense to me self can I, you can I.
00:52:43There's the one, the only one in the room.
00:52:50A void might speak of the blush in your cheek,
00:52:54As the gloom of a cold, beautiful.
00:52:59Your void the refrain of a sound on the rain.
00:53:02We've just closed up. We can't serve anything more tonight, sir.
00:53:07You can serve us.
00:53:14A glass of milk.
00:53:19Milk?
00:53:22Please believe I'm serious.
00:53:27And I...
00:53:30And I can't help you.
00:53:36Dear old boy, I hope I'm not interrupting.
00:53:39No, Algy, not a bit. You're just developing a real genius for popping in.
00:53:43Sorry, but I thought you ought to be told that your friend Lakington is downstairs drinking milk.
00:53:50What? Milk? Not buttermilk, just ordinary cow's milk.
00:54:09I'm afraid I've been a little optimistic.
00:54:14Danny! Danny!
00:54:16Yes, sir?
00:54:17You'd better get Mr. Travers out of the bedroom and take him...
00:54:20take him up to this cubby hall up here.
00:54:22Very good, sir.
00:54:28Now, give him a hand, will you, while I investigate.
00:54:30That's the idea, Danny.
00:54:32You take a feet, sir.
00:54:33Do you mind his head?
00:54:51Is there anyone else in the house?
00:54:55Yes, sir.
00:54:56My father.
00:54:57For sleep?
00:54:59Yes, sir.
00:55:01And that's all?
00:55:07Oh, Mr. Longworth, what do you think?
00:55:09I can't think.
00:55:11Algie, Algie, you call up the police.
00:55:14Tell them to send up a dozen men.
00:55:16Big men, with whiskers.
00:55:22Are you there?
00:55:24Are you there?
00:55:29Hello?
00:55:31Hello?
00:55:33I see Drummond, there's no answer.
00:55:36Don't be silly, let me try.
00:55:40Hello?
00:55:43Algie?
00:55:45You listen at the door.
00:55:51Hello?
00:55:52Hello?
00:55:54Hello?
00:55:59Everything's covered.
00:56:01Will it go up?
00:56:02Watch me.
00:56:03Be quiet about it.
00:56:04Remember, this is an inn.
00:56:06Oh, I'll be quiet.
00:56:07But first...
00:56:10Whiskey, I think.
00:56:16Double whiskey.
00:56:40I'll be quiet.
00:56:40Great.
00:56:47Hello, huh.
00:56:51Oh, gee, you're right.
00:56:53They've cut the wires.
00:56:54Dear old boy.
00:56:55Hey, that's splendid, darling.
00:56:56This is going to be a real lark.
00:56:57Only, Miss Benton, I think that you'd better go upstairs and join your uncle.
00:56:59No, I'd rather not.
00:57:01I beg your pardon?
00:57:02I'd rather not.
00:57:03This is as much my show as it is yours.
00:57:06That's splendid of you.
00:57:07But just the same...
00:57:08Shh, shh.
00:57:10Would you mind stepping out of the line of pop guns?
00:57:17To Lady Irma, if I'm not mistaken.
00:57:20Now then, turn off the lights, Algy.
00:57:23Come in, Miss Peterson.
00:57:27Oh, ho.
00:57:28A dressy wench.
00:57:30Stop it!
00:57:31Stop it!
00:57:32All right.
00:57:32Turn them on again, Algy.
00:57:36I just wanted to make sure that I saw you first.
00:57:40Oh, ho.
00:57:42Sorry as I am to include on your little love nest, Captain Drummond.
00:57:48A patient has disappeared from Dr. Lakington's hospital at Godalmay.
00:57:52I've come to fetch him back.
00:57:53Are you ready to surrender him?
00:57:55Is he supposed to be here?
00:57:57Hmm.
00:57:57You stole him away, Captain Drummond, in your high-powered car.
00:58:00Are you sure of that?
00:58:01Quite.
00:58:05Are you going to apologize?
00:58:07You know, Captain Drummond, a man of your intelligence.
00:58:10She'd find a more respectable amusement than kidnapping patients out of hospitals.
00:58:17The police don't take kindly to such conduct.
00:58:21You didn't bring the police with you?
00:58:23No.
00:58:24I thought you might see the force of my argument without them.
00:58:28Yes, I saw the force of your argument through the window.
00:58:31Are you going to apologize and surrender our patience, then?
00:58:35Well, I suppose I'll have to.
00:58:37Good.
00:58:52I'm sorry, Miss Benton, but what else can I do?
00:58:59nothing I understand you sure while I'm gone I think you'll be more comfortable in the bedroom
00:59:20you're not crossing me no
00:59:26but where are you going just going to drive him back for you
00:59:33oh no you're not I'll take him back myself
00:59:38I have other plans for you oh have you well in that case I'll just get him ready for the
00:59:44ride
00:59:44no trickery bulldog drummond just a fur coat to keep him warm
00:59:49oh Algie give the lady a drink what are your manners what are you thinking of
00:59:52guess guess what I'm thinking of
01:00:04is it animal vegetable or mineral
01:00:10oh look here I'm not playing a game you know
01:00:13not even the old old game of love
01:00:22well since since you speak so frankly
01:00:26oh don't lose your self-control will you
01:00:29oh dear no no no no I I should never do that
01:00:38I don't know though I might a little bit
01:00:41for you oh you mustn't you'd be so dangerous you'd frighten me
01:00:48you you wouldn't like that
01:00:50well I wouldn't want you to get hurt
01:00:52oh thank you
01:00:55anything else
01:00:57no I don't think so
01:00:59now that you've showed me that you understand my romantic nature
01:01:04I think we've got far enough for the moment
01:01:11let me see though there there was something else
01:01:15oh don't tell me you've gone and lost your silver pencil
01:01:20no no no no that's all right
01:01:22oh I'm so glad
01:01:23oh I know your telephone number
01:01:26shh not so loud
01:01:28oh uh what do you want with my telephone number
01:01:33well I I thought I'd just jot it down
01:01:36and give you a buzz one evening
01:01:40oh would you
01:01:41would you like that
01:01:45oh gee
01:01:46dear old girl
01:01:50Captain Dunman says would you bring up the whiskey sir
01:01:54the whiskey
01:01:55oh all right
01:02:09oh
01:02:18is that you charles
01:02:20work the bedroom window
01:02:22she's in there
01:02:28now the muffler
01:02:30goes this way
01:02:32and the hats
01:02:36like that
01:02:37how's the disguise now
01:02:39quite perfect sir
01:02:40good
01:02:41and I'll trouble you for the fur coat and the pair of blanco
01:02:49Dennis
01:02:50Dennis my dear
01:02:52who is it
01:02:53open the door
01:02:54I want to talk to you dear
01:02:55open the door
01:02:56I'll do no such thing
01:02:58I'll open this door only to Captain Dunman
01:03:00you will open this door if you know what's good for you
01:03:03I won't I won't
01:03:05your criminals and murderers are called for help
01:03:23pass it out to the car
01:03:24pass it out to the car
01:03:34pass it out to the car
01:03:47I'll never know you sir. But isn't it whiskey for me? Not a bit, it's Drummond thereafter.
01:03:53Dear old boy.
01:04:06You two stay here until things quiet down. Then take Travers and Miss Benton up to London, take them to
01:04:11some hotel and get them settled. Then bring the whole of Scotland Yard down for me at Dr. Lakington's. I'll
01:04:16have the gang ready to turn over.
01:04:18What if they should turn the tables on you sir?
01:04:20I've got a gun, I'll just have to shoot my way out.
01:04:22But what if they chased me, now?
01:04:24Oh now Algy, do try not to get shot, won't you? Are you ready?
01:04:27Just a minute.
01:04:28Come on, quick.
01:04:37That's right, mind the corner.
01:04:42Steady Mr. Travers, steady now. Here he is Miss Peterson, sorry I can't wait.
01:04:47Get Drummond you fools!
01:05:25Get him, Markovitch. That's Drummond.
01:05:28Get going, mind.
01:05:36Jolly night for the duck.
01:05:38What?
01:05:54Come on.
01:06:07I'd like to get my hands on Plumman's just for a minute.
01:06:11I'd let Blakington poison him.
01:06:49I'd like to get my hands on Plumman's just for a minute.
01:07:16I'd like to get my hands on Plumman's just for a minute.
01:07:17You did a great job, girlie.
01:07:18Just the same.
01:07:19I wish you hadn't lost Plumman's.
01:07:21No more than I do with that young man on the loose.
01:07:23Don't try to quit again.
01:07:24I was about to remark, my dear, to put Plumman on the loose,
01:07:28we might do well to move to some other part of the country.
01:07:31Taking Travers with us, of course.
01:07:32Not a bad idea.
01:07:34Not if Travers comes with us.
01:07:36When would you be starting?
01:07:38At once.
01:07:39Before he can make things too hot for us again.
01:07:42Good.
01:07:43Give me time to get a few drugs together.
01:07:46Well...
01:07:48We shall need those...
01:07:50But where is Travers?
01:07:52Then what do you think you're doing?
01:07:55Travers!
01:07:56Hands up!
01:08:03Nothing.
01:08:04Well, I'll be...
01:08:06Can't you stay away from here?
01:08:08I find it very difficult.
01:08:14You're getting to be a nuisance, Drummond.
01:08:17Where's Travers?
01:08:19Who's Travers?
01:08:20Careful, Drummond.
01:08:22You're not the only one who can shoot straight.
01:08:26Is that the torture chamber?
01:08:28Put those hands up!
01:08:31Absolutely.
01:08:31No deception.
01:08:33I apologize for my slight loss of temper.
01:08:36It's quite all right.
01:08:37Hadn't we better...
01:08:38Yes, perhaps we had.
01:08:40If you have your scraps, Lakington.
01:08:44Always.
01:08:53More of the Wild West Show?
01:08:55Don't shoot till I tell you, my dear.
01:08:58Yes, not until he tells you, my dear.
01:09:01Much as I regret...
01:09:02To submit you to this slight indignity.
01:09:09Don't mention it, please.
01:09:50Would you mind?
01:09:53Delighted.
01:09:58There.
01:10:02Would you mind deflecting that blast in the other direction?
01:10:06What blast?
01:10:09Even your best friends won't tell you.
01:10:18Where's Travers?
01:10:21I wonder.
01:10:23Still at the inn?
01:10:25Possibly.
01:10:25Possibly not.
01:10:26Now look here, my adventurous young friend.
01:10:28Why not leave this to me, Peterson?
01:10:32I think I know how to handle Bulldog Drummond.
01:10:42Why not?
01:10:43Markovich.
01:10:45Bring the girl here.
01:10:49What girl?
01:10:51Not Phyllis.
01:10:52You haven't got Phyllis here.
01:10:53Oh, haven't we?
01:10:55No.
01:10:58No.
01:11:01No.
01:11:03No.
01:11:03No.
01:11:04No.
01:11:06No.
01:11:18Where did you get her?
01:11:20I want her to teach you to answer questions.
01:11:23Just an old Spanish custom.
01:11:25In there, Markovich.
01:11:28Nickington, if you hurt one hair on that girl's head, I'll kill you.
01:11:33I'll take my chances of anything you can do.
01:11:37Now.
01:11:44What are you going to do to her?
01:11:45Phyllis!
01:11:46Phyllis!
01:11:47She doesn't know where Travers is.
01:11:48She doesn't know.
01:11:54Stop that.
01:11:55Stop that.
01:11:56Stop that.
01:11:56I'll tell you anything you want to know.
01:11:57Blakington.
01:12:03Hold up.
01:12:05The trick's turned.
01:12:08Too bad.
01:12:10I hadn't even started.
01:12:19We're waiting.
01:12:22Well, I...
01:12:23I left Travers at the inn.
01:12:25In an attic room up the stairs from my room.
01:12:28Is that the truth?
01:12:29Yes, that's the truth.
01:12:31If it doesn't,
01:12:33you're not going to live to lie to me again.
01:12:41We leave you, Captain Drummond,
01:12:44in Dr. Lakington's loving hands.
01:12:58I wonder if you know, Captain Drummond,
01:13:02how loving my hands can be.
01:13:48I don't know if any other person would be.
01:13:48I know if you need to be here.
01:13:49I know when I think of my I'm going to be,
01:13:49It's crazy.
01:13:50If you want to be a little bit about it,
01:13:50I know what the climate climate is.
01:13:51You're thinking about how this is.
01:13:51I know.
01:14:02How can I be?
01:14:02How can I be?
01:14:02Phyllis. Phyllis, my dear. She'll come round presently.
01:14:13And now we are going to amuse ourselves.
01:14:24An excellent room in which to amuse oneself, Captain Drummond.
01:14:32No fear of interruption.
01:14:38Are you interested in electricity?
01:14:44No.
01:14:47Let me show you an invention of mine.
01:14:52An electric door so perfectly contrived
01:14:57that no one can come in or get out of this room
01:15:04while the current is switched on.
01:15:15Ingenious, isn't it?
01:15:18I've honored you in showing you that, Captain Drummond.
01:15:23Not even Peterson.
01:15:26Curse him.
01:15:28Knows about that door.
01:15:32Of course I...
01:15:34I shouldn't have shown it to you
01:15:36if there was any likelihood of your ever leaving this room alive.
01:15:46No more of that.
01:15:47No more of that now.
01:15:50We are...
01:15:50We are amusing ourselves.
01:15:58Charming.
01:16:02Charming.
01:16:04I really never noticed, Miss Phyllis.
01:16:08Until this evening.
01:16:11Fortunately,
01:16:13there's time
01:16:15to rectify
01:16:17that oversight.
01:16:20Stop that, you...
01:16:22dirty swine!
01:16:24Don't let me get
01:16:26my revenge
01:16:29so easily.
01:16:34Come on!
01:16:36No!
01:16:40No!
01:16:46And now, Captain Drummond,
01:16:49I'm going to put you to sleep.
01:16:53Do you get the idea?
01:16:56You can dream the rest.
01:17:02I...
01:17:04shall be more free.
01:17:10Not all.
01:17:30This is...
01:17:32It is right here.
01:17:35It is not the best to do.
01:17:35but...
01:17:35It is nothing...
01:17:35It is nothing...
01:17:36It is nothing...
01:17:38To pay attention...
01:17:39You'll still have a pillow...
01:17:39To drunk,
01:17:40It's not...
01:18:49It seems I'll have to keep that promise, Dr. Lakington.
01:18:54What promise?
01:18:56To kill you.
01:18:57Oh.
01:18:58Oh.
01:18:59Oh.
01:19:13Oh.
01:19:16Oh.
01:19:23Oh.
01:19:24Oh.
01:19:35Oh, Captain Drummond.
01:19:37You're killing him.
01:19:40Don't say that, my dear.
01:19:41I'm being as gentle as I can.
01:20:08I'm sorry, you had to see it.
01:20:08That wasn't pretty, was it, my dear?
01:20:11I'm sorry, you had to see it.
01:20:18Something tells me that's algae.
01:20:26I'll bet it's algae.
01:20:31Dear old boy.
01:20:33It's algae.
01:20:34I thought I'd just give you a buzz to find out how to work.
01:20:38Have you sucked away algae?
01:20:41Algae, I just had to kill Lakington.
01:20:43So the sooner you bring the police here from Scotland Yard, the better.
01:20:48Of course.
01:20:48I do.
01:20:50Yes, yes.
01:20:51I can go off on the better.
01:20:54Algae, I'll have to ring off now.
01:20:56Peterson has just come in.
01:20:58And he doesn't seem to want me to say any more.
01:21:01Yes, but no.
01:21:04If you move a muscle, I'll shoot.
01:21:06Then I certainly shall not move a muscle.
01:21:10Lakington!
01:21:13Lakington!
01:21:13You'll have to call louder than that.
01:21:30You've killed him.
01:21:31It's an old Spanish custom.
01:21:34I told you I'd kill him.
01:21:36And I told you I'd kill you.
01:21:37I don't think you committed yourself positively on that point.
01:21:40I said if you lied to me.
01:21:41I didn't lie to you.
01:21:42Travers was not at the Green Bay Inn.
01:21:44I never said he was.
01:21:44I said I left him there.
01:21:47Well, wait downstairs, Alba.
01:21:49Come with me.
01:21:52This is no good.
01:21:54I know it isn't.
01:21:56Do what you're told.
01:21:58Please.
01:21:59Do what you're told.
01:22:05Now, you've saved Travers.
01:22:07Don't you wish you could save his niece?
01:22:12What do you mean?
01:22:13I can't afford to have a witness to your death.
01:22:15I shall be forced to kill the pair of you.
01:22:19You think of everything, don't you?
01:22:22But listen, you can't do that.
01:22:23Put your hands up.
01:22:25Why, it'll be cold-blooded murder.
01:22:26I'm not afraid of murder.
01:22:27A man and a woman are found shot at death in the hospital.
01:22:30The doctor's dead, too, with a revolver in his hand.
01:22:32Do you grasp that?
01:22:33Oh, yes.
01:22:34It couldn't be clearer on me.
01:22:36Well, supposing you were found here, too.
01:22:40I shan't be found here.
01:22:41Are you sure of that?
01:22:43Try and get out of this.
01:22:57He's killed both of them.
01:23:03It's all right now.
01:23:07Now, we can wait in comfort for the police.
01:23:11I've got to hand it to you, Drummond.
01:23:13I've lost, and you've won.
01:23:17Will you do me a favor?
01:23:19What's that?
01:23:22I don't want to see my girl locked up.
01:23:29I like you for that, Pete.
01:23:30Let her go, will you?
01:23:32Just let me call her on the phone.
01:23:34Help yourself.
01:23:35Here.
01:23:42Hello?
01:23:44Hello?
01:23:46That you, Elmer?
01:23:48Listen, kid.
01:23:50I've lost.
01:23:52Drummond's won.
01:23:54But he's willing to let you get away.
01:23:58Work the old circus gag.
01:24:02Don't cry.
01:24:04Goodbye.
01:24:05Goodbye, kid.
01:24:08The circus gag.
01:24:11Get out, Elmer.
01:24:13Elmer, boys.
01:24:13If you've never worked fast before in your lives, do it now.
01:24:17Give me my coat, then, Charlie.
01:24:23What's the circus gag?
01:24:26She knows, Summit.
01:24:28Does she? Daddy?
01:24:33I hope the police come soon.
01:24:35They won't belong.
01:24:36Sit down, Miss Benton, won't you?
01:24:39Make yourself comfortable, Pete.
01:24:44I suppose...
01:24:47You wouldn't consider coming into partnership with us?
01:24:52I'm not cut out for crime.
01:24:55You're wrong there.
01:24:57You'd be a wonder at it.
01:25:06We've got to pull this off, boys.
01:25:08So keep your heads.
01:25:12Say, Pete, tell me, why are you a crook?
01:25:16Why did you put that advertisement in the Times?
01:25:18Well, I like adventure.
01:25:20So do I.
01:25:23I call upon you with the name of the law.
01:25:25Coming!
01:25:29All right, Pete.
01:25:33Captain Drummond, sir.
01:25:34Inspector McAndrew of Scotland Yard, sir.
01:25:36You've made a good time, Inspector.
01:25:37Here's your man.
01:25:38Will you take him along?
01:25:44Carl!
01:25:46Don't cry, girlie.
01:25:47So they got the woman after all.
01:25:49Well, Pete, I'm sorry, but I did my best.
01:25:51Let's go.
01:25:55I'm sorry, sir, but you'll have to wait until I get back from locking this pair up.
01:25:58I'll put one of my men on the door to see that you don't leave and that no one enters.
01:26:03So long, Pete.
01:26:04Bye-bye, Irma.
01:26:08We'll see who laughs last, Bulldog Drummond.
01:26:20Your wallet won't be long, Philip.
01:26:34And so here we are.
01:26:36I saved the hangman a job and got all the excitement I was looking for.
01:26:40I'm only sorry to have dragged you into it.
01:26:43But while we're waiting, why can't we go back to what we were talking about last night at the inn,
01:26:48when that jackass, Algie, interrupted us?
01:26:51Dear old boy!
01:26:57How did you get in?
01:27:00I walked in.
01:27:02The man at the door didn't stop you?
01:27:04There's no man at the door.
01:27:06What?
01:27:06There's no one there at all.
01:27:08There was a note pinned to the front door.
01:27:11A note?
01:27:12For you.
01:27:18Dear Drummond.
01:27:20Thanks for the start.
01:27:21The police were my own gang.
01:27:23That was the circus gang.
01:27:25Best wishes to the real police when they get here.
01:27:28Peterson.
01:27:29Pete to you.
01:27:32Good night, and I think I fell for that.
01:27:36Algie.
01:27:37Get down and find out which way they went and look alive about.
01:27:39Rather.
01:27:40Operator.
01:27:41Operator.
01:27:42I've still got to get that blonde's telephone number.
01:27:46Hello, give me Scotland Yard.
01:27:49Police headquarters in London.
01:27:51The police, yes.
01:27:52Well, be quick about it.
01:27:53I'm in a hurry.
01:27:55You idiot.
01:27:56I'm sorry, sorry, sorry.
01:27:58No offense.
01:27:58You.
01:27:59Let them go.
01:28:01London, yes.
01:28:02I want them to get off.
01:28:04Is this London?
01:28:06I think she loves him.
01:28:08Waiting for Scotland Yard, yes.
01:28:10Women do love men.
01:28:12Yes.
01:28:13An old Spanish cut.
01:28:14Hello?
01:28:15Yeah, give me, give me detective headquarters.
01:28:17Yes.
01:28:17Waiting, waiting.
01:28:18I love you.
01:28:20Waiting?
01:28:22Hmm?
01:28:22What was that you said, Phyllis?
01:28:24Just that.
01:28:25I love you.
01:28:28My dear girl, why haven't you said that before?
01:28:40Come here.
01:28:42Come here.
01:28:47You.
01:28:54How are you?
01:28:55I love you.
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