- 1 day ago
After a road accident in Hungary, the American honeymooners Joan and Peter and the enigmatic Dr Werdegast find refuge in the house of the famed architect Hjalmar Poelzig, who shares a dark past with the doctor.
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00:00:05The End
00:00:35The End
00:01:03The End
00:01:53Mr. and Mrs. Allison, car 96, compartment F, Orient Express.
00:02:00Budapest, Vichycroft.
00:02:14Darling.
00:02:17Peter.
00:02:24Aren't you hungry?
00:02:25No, darling.
00:02:28Are you?
00:02:29No, of course not.
00:02:37Are you sure?
00:02:47I'm sorry.
00:02:48So am I.
00:02:49I didn't eat a bite at luncheon.
00:02:50Oh, neither did I.
00:02:51Whoever eats anything at a wedding luncheon.
00:02:53They make the food out of papier-mache.
00:02:55My salad has been used four or five times this week.
00:03:01Shall we dine in, Mrs. Allison?
00:03:03You mean here, in the compartment?
00:03:05Yeah.
00:03:06Elegant.
00:03:09Excuse me, sir.
00:03:11Lady.
00:03:12A terrible mistake has occurred.
00:03:14They have sold space in your compartment to a gentleman.
00:03:18It is terrible.
00:03:19Well, you are going only to these grads, which we raised at two o'clock.
00:03:24Might you, perhaps, make room for these gentlemen?
00:03:28Do please forgive this intrude.
00:03:31It is not necessary to make it so important.
00:03:34You need not disturb, Miss Pig.
00:03:36I can make myself quite comfortable in the passageway.
00:03:39Oh.
00:03:40Oh, we're only going as far as Vichycroft.
00:03:42You're entirely welcome to share this compartment if you wish.
00:03:45Very kind.
00:03:49I'm sorry.
00:03:50That's all right.
00:03:59Thank you, Mr. M.
00:04:06Wait for your machine.
00:04:10Mr. Poole permission.
00:04:17Thank you, Mr. M.
00:04:22Wait for your machine.
00:04:23Mr. Poole permission.
00:04:23Mr. Poole permission.
00:04:35I'll take your irs off, Dr. Poole.
00:04:35Sorry I frightened you, darling.
00:04:36Because after all, better to be frightened than to be crushed.
00:04:42Well, I'm Peter Allison.
00:04:44This is Mrs. Allison.
00:04:45Oh, it is a very great pleasure.
00:04:47I'm Dr. V to Swerdega smartphones.
00:04:52So you are going to Visegrad?
00:04:53Yes, and to Gambish by bus.
00:04:55Gambish is very beautiful.
00:04:57I too am going very near there.
00:04:59For the sport?
00:05:02Perhaps.
00:05:04I go to visit an old friend.
00:05:16May I?
00:05:17Certainly.
00:05:35Let's go.
00:06:07I beg your indulgence, my friend.
00:06:12Eighteen years ago, I left a girl, so like your lovely wife, to go to war.
00:06:23Kaiser and country, you know.
00:06:28She was my wife.
00:06:34Have you ever heard of Kurgal?
00:06:38It is a prison below Ums, Conlieg Baikal.
00:06:44Many men have gone there.
00:06:48Few have returned.
00:06:55I have returned.
00:07:00After fifteen years,
00:07:07I have returned.
00:07:18Go ahead. My servant is coming.
00:07:20Go ahead.
00:07:23Go ahead.
00:07:36Go ahead.
00:07:39Go ahead.
00:07:47I'll take it to engineer Persics house.
00:07:49Service.
00:08:19Go ahead.
00:08:19It is too bad about the rain.
00:08:21It's very unusual.
00:08:23This throne was built by the Austrian army.
00:08:26All of this country was one of the greatest battlefields of the war.
00:08:31Tens of thousands of men died here.
00:08:34The ravine down there was piled twelve deep with dead and wounded men.
00:08:40The little river below was swollen, red, a raging torrent of blood.
00:08:46That high hill yonder, where engineer Bolting now lives, was the site of Fort Marmorosh.
00:08:51He built his home on its very foundation.
00:08:54Marmorosh, the greatest graveyard in the world.
00:09:17The river is dead.
00:09:22The river is dead.
00:09:34Mama.
00:09:45Come on.ите
00:09:52Zoe
00:09:53No way.
00:10:16Engineer Pelsic.
00:10:18Herr Pelsic has retired.
00:10:20Engineer Pelsic will be expecting me.
00:10:22I'm Dr. Verdegust.
00:10:43We've had a bad accident.
00:10:44I've been able to get once and take us somewhere where I can address the lady's injury.
00:10:51The man was killed.
00:10:53Telephoned the gendarmerie at Visegrad and informed them.
00:11:12Dr. Verdegust has arrived.
00:11:30Oh, my love!
00:11:31Oh, my love's how all my supportes came out,
00:11:47and I know that they won't fall in for a long while.
00:12:05There is no need to worry. I'm sure after a good night's sleep she will be quite alright.
00:12:44There is no need to worry about it.
00:13:03It has been a long time, Chalmar. The years have been kind to you. An accident on the road below.
00:13:15We are all very fortunate to be alive. Mr. and Mrs. Allison are going to Gumbush. Mrs. Allison is slightly
00:13:24injured.
00:13:29I took the liberty of bringing them here.
00:13:32Of course.
00:13:38She will sleep now.
00:14:00I am too sleepy.
00:14:04I am too sleepy.
00:14:07I am too sleepy.
00:14:13You are too sleepy!
00:14:14Old Marmurush to the Russians.
00:14:17Scattered away in the night and left us to die.
00:14:20Is it to be wondered that you should choose this place to build your house?
00:14:28The masterpiece of construction...
00:14:33built upon the ruins of the masterpiece of destruction.
00:14:38The masterpiece of murder.
00:14:45The murderer of 10,000 men returns to the place of his crime.
00:14:53Those who died were fortunate.
00:14:56I was taken a prisoner to Kurgal.
00:15:02Kurgal, where the soul is killed slowly.
00:15:11Fifteen years I've rotted in the darkness.
00:15:17Wait.
00:15:20Not to kill you.
00:15:22To kill your soul.
00:15:24Slowly.
00:15:26Where is my wife, Karen, and my daughter?
00:15:29Karen?
00:15:32Why, what do you mean?
00:15:34I mean you told Karen I had been killed.
00:15:36I found out that much in Budapest.
00:15:38I mean you always wanted her.
00:15:40In the days at Salzburg, before the war.
00:15:41Always, from the first time you saw her.
00:15:44I mean that after you've saved your own hide...
00:15:47and left us all to die in Marmurush...
00:15:49you went to Karen and induced her to go to America with you.
00:15:52I traced the two of you there.
00:15:54And to Spain.
00:15:55And to South America.
00:15:57And finally here.
00:16:00Where is she?
00:16:06Fetus, you are mad.
00:16:09Where is she?
00:16:15Sorry if I'm intruding.
00:16:16Not at all.
00:16:18Do come in.
00:16:18Fine.
00:16:19We were just going to have something to drink.
00:16:21Now perhaps you will join us.
00:16:25And what would you like?
00:16:27Oh, er...
00:16:28Whiskey.
00:16:28Whiskey.
00:16:30This is a very interesting house you have here, Perlsig.
00:16:34It has an atmosphere...
00:16:36kind of, er...
00:16:38It is indeed hard to describe.
00:16:41It's hard to describe as life or...
00:16:43or death.
00:16:45It may well be an atmosphere of death.
00:16:48This place was built on the ruins...
00:16:50of that same Fort Marmurush...
00:16:52that our unfortunate friend the driver...
00:16:54described so vividly.
00:16:57A Perlsig commanded Marmurush...
00:17:00during the last years of the war.
00:17:02He is perhaps sentimental about this spot.
00:17:09And as for the house being interesting...
00:17:11and architectural chef d'oeuvre...
00:17:14it could not be otherwise.
00:17:17Engineer Perlsig is one of Austria's greatest architects.
00:17:22Oh.
00:17:23And Dr. Berdigast...
00:17:25is one of Hungary's greatest psychiatrists.
00:17:29And allow me to introduce myself more fully.
00:17:32I'm Peter Allison...
00:17:34one of America's greatest writers...
00:17:36of unimportant books.
00:17:38Oh, you're a novelist.
00:17:39Oh, you're a novelist.
00:17:41What kind of things do you do?
00:17:45Mysteries.
00:17:48To you, my friend.
00:17:50To your chiming wife.
00:17:52And to love.
00:18:28You all right, Joan?
00:18:30I thought you were asleep.
00:18:35You all right, Joan?
00:18:46You are frightened, Doctor?
00:18:54You are our host.
00:18:57At your service, madame.
00:19:04You must be indulgent of Dr. Berdigast's weakness.
00:19:08He is the unfortunate victim...
00:19:11of one of the commoner phobias...
00:19:13but in an extreme form.
00:19:16He has an intense and all-consuming horror...
00:19:20of cats.
00:19:27Come, darling.
00:19:28You must go back to bed.
00:19:29You're not strong enough.
00:19:30He's quite right.
00:19:31You had a severe shock.
00:19:32You must leave.
00:19:47Good night, gentlemen.
00:19:51Good night.
00:19:52Good night.
00:20:08Good night.
00:20:10Good night.
00:20:28Good night.
00:20:28I leave my presumption...
00:20:29that I must emphasize the extreme importance...
00:20:31of Mrs. Allison having complete quiet sleep.
00:20:34I gave her a very powerful narcotic...
00:20:36but I am sure it will be effective soon.
00:20:38Her condition is not sufficiently serious...
00:20:40to be cause for alarm, but...
00:20:43it is decidedly delicate.
00:20:45Rest is the important thing.
00:20:47What curious change has it made in her?
00:20:49You must have noticed it.
00:20:49It is perhaps the narcotic.
00:20:52Hyocene affects certain people very hardly.
00:20:54One cannot be sure.
00:20:56Sometimes these cases take strange forms.
00:20:58The victim becomes, in a sense, mediumistic.
00:21:01A vehicle for all the intangible forces in operation around her.
00:21:05Sounds like a lot of supernatural baloney to me.
00:21:11Supernatural, perhaps.
00:21:14Baloney, perhaps not.
00:21:16There are many things under the sun.
00:21:22I shall show you your rooms.
00:21:27Strange about the cat.
00:21:29Joan seemed so curiously affected when you killed it.
00:21:34That was coincident, I think.
00:21:37However, certain ancient books say that the black cat
00:21:41is the living embodiment of evil.
00:21:44And that's that evil enters into the nearest living thing.
00:21:48It is, the black cat does not die.
00:21:51Those same books, if I am not mistaken,
00:21:55teach that the black cat is deathless.
00:21:59Deathless is evil.
00:22:02It is the origin of the common superstition.
00:22:05Of the cat with nine lives.
00:22:17You will sleep here, Vetus.
00:22:20Night.
00:22:21Good night, gentlemen.
00:22:23Good night, Vetus.
00:22:25Sleep well.
00:22:35An extremely interesting and capable man.
00:22:38Yes.
00:22:41I hope you will be comfortable.
00:22:54My room adjoins Mrs. Allison's.
00:22:56You would like to be near her.
00:22:57Yes.
00:23:33Do you mind if I keep this door open?
00:23:37I'd sleep in a cold sweat if you didn't.
00:23:41You know, this is a very tricky house.
00:23:49The kind of place where I like to have company.
00:23:57So this guy Perlzig's a great architect.
00:24:00Yes.
00:24:01One of the greatest.
00:24:04Well, I suppose we've got to have architects, too.
00:24:09If I wanted to build a nice, cozy, unpretentious, insane asylum,
00:24:15he'd be the man for it.
00:24:18Do you think Mrs. Allison will be well enough to go on to Gerbush in the morning?
00:24:21I think so.
00:24:25That'll be swell.
00:25:05But I think that's dumb.
00:25:06What is a beautiful city for, right?
00:25:06I wouldn't make my favorite, but I wouldn't make my favorite police.
00:25:07I shouldn't be doing another� town somehow.
00:25:08I assume he can be doing a most common tragedy.
00:25:09I wasn't sure.
00:25:09I don't think so.
00:25:09I just, I wouldn't make my favorite figure.
00:25:10Sometimes it's too final.
00:25:10Shadow Robinson.
00:25:14It's a store for 30 years
00:25:21THE END
00:26:09Now, Vitus, we have something to settle, we two.
00:26:18You are seeking me, Chalmar?
00:26:23I beg your pardon.
00:26:35Where is my wife?
00:26:42Very well, Vitus.
00:26:48I shall take you to her.
00:27:10Next time I go to Niagara Falls.
00:27:22You will come alone, Vitus.
00:27:27Wait here.
00:27:51And this was the entrance to the gun turrets.
00:27:55Don't you recognize it?
00:28:00I can still sense death in the air.
00:28:03There is still death in the air.
00:28:05It is just as much undermined today as ever.
00:28:27There is still death in the air.
00:28:42And this is the old chart room for the long range guns.
00:28:46The guns are gone, but the charts are still here.
00:28:50There is still death in the air.
00:29:19You will find her almost as beautiful as when you last saw her.
00:29:24She died.
00:29:26Two years after the war.
00:29:29How?
00:29:31Of pneumonia.
00:29:35She was never very strong, you know.
00:29:38And the child?
00:29:40Our daughter?
00:29:43Dead.
00:29:45And why is she...
00:29:49Why is she like this?
00:29:52Is she not beautiful?
00:29:56I wanted to have her beauty always.
00:30:05I loved her too, Vitus.
00:30:09Lies.
00:30:10All lies, Hjalmar.
00:30:13You killed her.
00:30:15You killed her as I am about to kill you.
00:30:33Come, Vitus.
00:30:39Are we men or are we children?
00:30:43Of what use are all these melodramatic gestures?
00:30:49You say your soul was killed.
00:30:51That you have been dead all these years.
00:30:57And what of me?
00:30:59Did we not both die here in Marmaris fifteen years ago?
00:31:03Are we any the less victims of the war than those whose bodies were torn asunder?
00:31:08Are we not both the living dead?
00:31:11And now you come to me, playing at being an avenging angel.
00:31:17Childishly thirsting for my blood.
00:31:19We understand each other too well.
00:31:22We know too much of life.
00:31:24We shall play a little game, Vitus.
00:31:27A game of death, if you like.
00:31:29But under any circumstances we shall have to wait until these people are gone.
00:31:33Until we are alone.
00:31:46Until tomorrow.
00:32:11What is it, Jalmar?
00:32:13Oh, it's nothing.
00:32:15Only an accident on the road below.
00:32:30I want you to stay in this room all day tomorrow, Karin.
00:32:40You are the very core and meaning of my life.
00:32:47No one shall take you from me.
00:32:49Not even Vitus.
00:32:52Not even your father.
00:33:00Not yet, Tamar.
00:33:04Put that away.
00:33:08We will bide our time.
00:33:10Other lives are involved.
00:33:12And this place is so undermined with dynamite that the slightest mistake by one of us could cause the destruction
00:33:18of all.
00:33:20Until I tell you, dear friend, you are his servant, not mine.
00:33:55Why don't you tell me?
00:33:55Can I never tell me, too.
00:33:55me. What
00:34:02a woman was in a rocky place. How
00:34:03have you taken she... How
00:34:03have you taken your forgive? One
00:34:03sat 시�カッ Wyatt. What time did
00:34:04slip. Your father's father
00:34:12won't be taken. Ready! That is
00:34:21Good morning.
00:34:23Have you slept well?
00:34:26I must examine the dressing.
00:34:28Dressing?
00:34:33I don't remember.
00:34:37The bus.
00:34:38We were in the bus and we fell.
00:34:42I don't remember anything after that.
00:34:45You don't?
00:34:46Where is Peter?
00:34:47Is he all right?
00:34:48He's not in his room.
00:34:50He's perhaps at breakfast.
00:34:52Will you sit down?
00:34:58What happened, Doctor?
00:35:00What is this place?
00:35:01This is the home of my friend, Herr Pulzig.
00:35:13You will forgive this intrusion.
00:35:16I came to inquire after the health of my charming guest.
00:35:22This is Ingrid Pulzig, our host.
00:35:25Where is Peter?
00:35:27Uh, Mr. Allison.
00:35:30I think he is breakfasting.
00:35:33I'll send for him.
00:35:54I'll send him to the war.
00:35:56Not to be near.
00:36:00I'll send him to the nursery.
00:36:04Not to be near.
00:36:11Are you worried, Vitus?
00:36:13About myself? No.
00:36:15The girl?
00:36:16Perhaps.
00:36:17Oh.
00:36:19You're interested.
00:36:21Maybe.
00:36:22I thought so.
00:36:27Well, I'm not.
00:36:29Only spiritually.
00:36:31Spiritually?
00:36:33Tonight is the dark of the moon.
00:36:36And we shall gather and...
00:36:39You had better come, Vitus.
00:36:41The ceremony will interest you.
00:36:43Don't pretend, Hjalmar.
00:36:45There was nothing spiritual in your eyes when you looked at that girl.
00:36:49You plan to keep her here.
00:36:54Perhaps.
00:36:55I intend to let her go.
00:36:58Is that a challenge, Vitus?
00:37:00Yes, if you dare to fight it out alone.
00:37:07Do you dare play chess with me for her?
00:37:11Yes.
00:37:12I will even play you chess for her.
00:37:16Provided if I win, they are free to go.
00:37:20You won't win, Vitus.
00:37:40Won't sure let me touch him.
00:37:42I love you.
00:37:43At first, let him see.
00:37:49I love you.
00:38:00I don'tない.leen
00:38:00встречer. Mark
00:38:03Hurt?
00:38:04Not a bit.
00:38:09What happened last night?
00:38:11Did I do anything silly?
00:38:13Silly?
00:38:14How could you do anything that wasn't entirely lovely?
00:38:24You feel well enough to leave, darling?
00:38:27I'd feel well enough to leave if I didn't feel well enough to leave.
00:38:30I don't like this place.
00:38:32You don't like it?
00:38:33You haven't had breakfast yet.
00:38:36I don't like Mr. Pigslow, whatever his name is.
00:38:41Pearlsick!
00:38:43Pearlsick!
00:38:47Hurry up and get dressed, darling.
00:38:48I'll explain everything to Mr. Pearlsick.
00:38:51All right.
00:38:52Come down when you're ready.
00:38:54Mm-hmm.
00:39:24He wants to know our version of the accident.
00:39:27He wants to know our version of the accident.
00:39:31Well, Mrs. Allison, Dr. Verdergast, and I were on our way to Goombash.
00:39:39Goombash!
00:39:40It's my home!
00:39:41What a beautiful place!
00:39:43What grandeur!
00:39:44What charm!
00:39:46You have chosen very wisely, sir.
00:39:48Goombash is a pearl of the Carpathian Mountains.
00:39:51I beg your pardon, sir.
00:39:53Goombash, it's very nice in its way.
00:39:55But it cannot compare with Pistion.
00:39:59Pistion is my home.
00:40:01There is a place.
00:40:03Sport if you want a sport.
00:40:06Quiet if you want a quiet.
00:40:08Goity if you want a gate.
00:40:10Pistion is God's gift to the young lover.
00:40:14Pistion used to be all right 10, 15 years ago.
00:40:17But now, Goombash is a place.
00:40:21Sir, you're carrying a little bit too far.
00:40:24About the accident, Lieutenant, I think it was due almost entirely to the rain.
00:40:29Part of the road gave away, the bus tipped over and crashed, that's all.
00:40:34Very well.
00:40:35May I have your names?
00:40:36Verdergast.
00:40:36Dr. Vitus Verdergast.
00:40:40Peter Allison.
00:40:44You gentlemen can be reached here.
00:40:46Oh, you've been very kind, Herr Peltzig.
00:40:49But Mrs. Allison and I must get back down to Visegrad.
00:40:52You see, Mrs. Allison must communicate with her parents in Vienna.
00:40:56May we ride back with you to Visegrad?
00:40:58I should be very happy to accommodate you.
00:41:01Unfortunately, we of the gendarmerie go about on bicycles.
00:41:04It would be very inconvenient for Madame.
00:41:09I'm afraid it is impossible to get a train out of Visegrad
00:41:12until the express goes through at 11 o'clock tonight.
00:41:15I shall be most happy to send you down there.
00:41:17Thank you, gentlemen.
00:41:19I shall be very sorry if I had inconvenience you.
00:41:22And I shall be very sorry, too, if you do not decide to go on to Gamberge.
00:41:27Bold Sarenchen, Brian.
00:41:29Bold Sarenchen.
00:41:30Bold Sarenchen.
00:41:32Pristiam.
00:41:32Good luck.
00:41:42Dr. Vertigast, I feel sure that Mrs. Allison is well enough to go on to —
00:41:45I beg your pardon, but do you play chess?
00:41:49No.
00:41:50I used to play a very good hand of poker.
00:41:54Well, if you don't mind, I think we'll go on with our game.
00:42:10Please don't think we don't appreciate your hospitality, Herr Perlsig.
00:42:14Mrs. Allison is still quite shaken up from the accident, you know,
00:42:17and feels she wants to get back to Vienna.
00:42:19Now, if you could send us down to Vietgrad,
00:42:21I'm sure we could hire a car there that would take us on to Budapest,
00:42:24or at least far enough to get a decent train.
00:42:29But, of course,
00:42:31I shall be very happy with you.
00:42:32I'm very sorry to see you go, but if you and Mrs. Allison think best, why...
00:42:41I want you to take Mr. and Mrs. Allison down to Vietgrad.
00:42:53Now, you realize, of course,
00:42:56that this is against the advice of Dr. Verdagast,
00:42:59and you will have to assume the full responsibility.
00:43:01Oh, but I'm quite sure she'll be all right.
00:43:03Then we will go on with our game.
00:43:17I'm sorry, sir. The car is out of commission.
00:43:20It will take some time to repair it.
00:43:24Oh, Mr. Allison.
00:43:26You see, I... I use the car so seldom myself.
00:43:31I'm afraid you'll just have to be patient.
00:43:34Then may I use your telephone?
00:43:36I'll telephone the hotel in Vietgrad and ask them to send a car.
00:43:39Of course. Of course.
00:43:41Take the gentleman to the telephone.
00:43:44Take the gentleman.
00:43:48I'll send you a second.
00:43:48Take the gentleman.
00:43:49I'll send you a second.
00:43:52Then we meet them.
00:43:58Oh, my God.
00:44:13Okay, I'll ask them.
00:44:13No. The phone's dead.
00:44:20You hear that, Petrus?
00:44:23The phone is dead.
00:44:27Even the phone is dead.
00:44:34Come along, Joan. We're getting out of here fast.
00:44:37What's going on?
00:44:39Never mind, darling.
00:44:41Just stay close to me and don't say anything.
00:44:43We're leaving if we have to walk to Vichgrad.
00:44:45Well, never mind about the baggage. We'll send for that later.
00:44:48The main thing is to go and go quickly.
00:44:59Someone's taken my automatic.
00:45:08Checkmate.
00:45:08You lose, Petrus.
00:45:19We're leaving.
00:45:33Open the door.
00:45:38Call me!
00:45:39No!
00:45:40You're in love!
00:45:45You're in love!
00:45:53You're here.
00:45:53You're in love!
00:45:53You're in love!
00:45:58Get to the road!
00:45:58The pass to me!
00:45:58You're in love!
00:46:03And I'm the one!
00:46:03The pass to me!
00:46:03It's a smallir.
00:46:03You're in love!
00:46:10THE END
00:46:42THE END
00:47:21I hope you won't carry this too far, Calmar.
00:47:32THE END
00:47:42THE END
00:47:51THE END
00:48:02THE END
00:48:11THE END
00:48:20THE END
00:48:26THE END
00:48:39THE END
00:48:40THE END
00:48:41THE END
00:48:41THE END
00:48:45THE END
00:48:46THE END
00:48:46THE END
00:48:46THE END
00:48:48THE END
00:48:49THE END
00:48:49THE END
00:48:49THE END
00:48:49THE END
00:48:51THE END
00:48:51THE END
00:48:52THE END
00:48:52THE END
00:48:55THE END
00:49:12THE END
00:49:14THE END
00:49:14THE END
00:49:15THE END
00:49:16THE END
00:49:22THE END
00:49:24THE END
00:49:24THE END
00:49:44THE END
00:49:46THE END
00:49:49THE END
00:49:49THE END
00:49:59THE END
00:50:03THE END
00:50:04THE END
00:50:04THE END
00:50:05THE END
00:50:31THE
00:50:40Be brave.
00:50:42It is your only chance.
00:51:29I've never seen you before.
00:51:30Who are you?
00:51:30I've never seen you before, have I?
00:51:33No, I don't think you have.
00:51:35I am Karin.
00:51:36Madame Peltzig.
00:51:37Karen?
00:51:39Not Karen, Bedligast.
00:51:41Yes.
00:51:41Yes, how did you know my name?
00:51:43Well, I...
00:51:44I know your father.
00:51:45Oh, no.
00:51:46You are mistaken.
00:51:48My father died in prison.
00:51:50Her Peltzig married my mother.
00:51:51She died when I was very young.
00:51:54And he married you?
00:51:55You're his wife?
00:51:57Yes.
00:51:58Karen, listen to me.
00:51:59Your father's not dead.
00:52:01I know.
00:52:02I know he's here in this very house.
00:52:05He's come for you.
00:52:07Karen, do you understand me?
00:52:09Your father has come for you.
00:52:10Your father has come for you.
00:52:33Don't yell at me.
00:52:35Don't yell at me.
00:52:39Don't yell at me.
00:52:40Don't yell at me.
00:52:57Dark of the moon.
00:52:59It is the night.
00:53:02We'd better hurry.
00:53:03The guests will soon be here for the ceremony.
00:55:13Please let me go!
00:55:14Please!
00:55:15Don't!
00:55:16Don't!
00:55:17Please!
00:55:18Don't!
00:55:19Don't!
00:55:20Don't!
00:55:31Don't!
00:55:43Don't!
00:55:44Don't!
00:55:46Don!
00:55:48Don't!
00:55:50Don't!
00:55:51Don't!
00:55:54Don't!
00:55:56Don't!
00:55:58Don't!
00:56:00Don't!
00:56:23Don't!
00:56:25Don't!
00:56:26Don't!
00:56:26Don't!
00:56:29Don't!
00:56:54Don't!
00:56:54Don't!
00:56:55Don't!
00:56:57Don't!
00:57:23Don't!
00:57:36Don't!
00:57:37Don't!
00:57:37Don't!
00:57:37Don't!
00:57:51Don't!
00:57:51Don't!
00:57:52Don't!
00:57:56Don't!
00:58:10Don't!
00:58:19Don't!
00:58:24Don't!
00:58:25Don't!
00:58:25I'm struggling little fool!
00:58:26There's a way out!
00:58:26Come!
00:58:27This way!
00:58:28Peter!
00:58:29Where is he?
00:58:29And you will be dead soon.
00:58:32And Karen!
00:58:33Karen is dead!
00:58:34No!
00:58:35I mean Karen, your daughter!
00:58:37Madame Persick!
00:58:38What do you mean?
00:58:40She's alive!
00:58:41Here in this house!
00:58:42She's Persick's wife!
00:58:49Where is she?
00:58:51That is Karen, my daughter!
00:59:10She's alive!
00:59:11She's alive!
00:59:12No!
00:59:13No!
00:59:44THE END
01:00:03THE END
01:00:06THE END
01:00:07THE END
01:00:08THE END
01:00:09THE END
01:00:10THE END
01:00:10THE END
01:00:11THE END
01:00:11THE END
01:00:16THE END
01:00:25THE END
01:00:26THE END
01:00:28THE END
01:00:29THE END
01:00:30THE END
01:00:31THE END
01:00:33THE END
01:00:33THE END
01:00:38THE END
01:00:39THE END
01:00:39THE END
01:00:42THE END
01:00:43THE END
01:00:51THE END
01:00:52THE END
01:00:52THE END
01:00:53THE END
01:00:58THE END
01:01:00Animal skin, Hjalmar.
01:01:04That's what I'm going to do to you now.
01:01:07Fare the skin from your body.
01:01:10Slowly.
01:01:11Big by big.
01:01:35How does it feel to hang on your own embalming rack, Hjalmar?
01:01:51Joan!
01:01:52The key!
01:01:54The key!
01:02:00Let me help you.
01:02:02Stand back, Verdegast!
01:02:05Stand away, Verdegast!
01:02:16He wanted to help us.
01:02:18You poor fool.
01:02:21I only strive to help you.
01:02:23Now go.
01:02:26Please.
01:02:26Go.
01:02:43It's the red switch.
01:02:46Isn't it, Hjalmar?
01:02:48The red switch ignites the dynamite.
01:02:57Five minutes.
01:03:00Marmorous.
01:03:01You and I.
01:03:04And your rotten color too.
01:03:07We'll be no more.
01:03:19It has been a good game.
01:03:21It has been a good game.
01:03:39One more.
01:03:45We'll be no more.
01:03:47The red light.
01:03:47Wait, stop.
01:03:56That's you, Grand?
01:03:58Budapest.
01:04:06Watch your ears, it's on me.
01:04:19Darling, here's a review of Triple Murder.
01:04:22In Triple Murder, Mr. Allison's latest mystery thriller,
01:04:25he fulfills the promise shown by the 69th crime
01:04:27in the purple spot.
01:04:30We feel, however, that Mr. Allison has, in a sense,
01:04:32overstepped the bounds of the matter of credibility.
01:04:35These things could never by the furthest stretch
01:04:37of the imagination actually happen.
01:04:40We could wish that Mr. Allison would confine himself
01:04:43to the possible instead of letting his melodramatic imagination
01:04:46run away with it.
01:05:05The End
01:05:15The End
01:05:16The End
01:05:16The End
01:05:21The End
01:05:23The End
01:05:27The End
01:05:28The End
01:05:28The End
01:05:29The End
01:05:29The End
01:05:29The End
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