- 11 hours ago
Igra sudbine 1799 epizoda (2/6/2026)
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TVTranscript
00:00The End
00:00The End
00:00The End
00:02The End
00:02The End
00:07The End
00:08The End
00:13Let me give you a drink.
00:15I don't know what you want.
00:18Hello, thank you very much for coming.
00:20I'm sure I'm going to do something exciting.
00:22What do you do?
00:22In general, it is.
00:25You don't have to leave Xenia.
00:27I'm so excited.
00:31I'm so excited.
00:32I'm so excited.
00:34I'm so excited.
00:35Wait, wait, wait.
00:38Just relax.
00:39Tell me everything from the beginning.
00:43So I can help you.
00:47I'm not sure.
00:53A little bit.
00:54I'm so excited.
00:57I'll leave my mother.
00:58I'll never know what to do.
01:00I'll never know what to do.
01:14I don't care about it.
01:16How did you get out of the way?
01:19I thought I was alone.
01:22I was alone.
01:23What are you doing with all of these days?
01:24What are you doing with?
01:25What are you doing with your wife?
01:29He lost Vitomir.
01:31Vitomir?
01:32Yes.
01:33What do you want?
01:34We have to pay him for it.
01:35Yes, in money and in nature.
01:39Okay, what do you want?
01:40I have the idea of how to do it.
01:44Really?
01:44Yes, you will have to help me in this way.
01:49And how do you do it?
01:52So that you will practically serve as a mother.
01:57Of course.
01:59Of course.
01:59I just want to end this agonist.
02:03We will end everything.
02:07Listen to me now.
02:11Now it will be nice to get out of here.
02:15And don't forget to see you here, if it is clear.
02:21That will not be a problem.
02:23And that will be great.
02:24You will be a big star.
02:26A big star?
02:27A young star.
02:28I don't know how to sing.
02:30It's just a smirk.
02:32And this is a big star.
02:33When you have such talents.
02:35You are a diamond.
02:38A diamond.
02:59A diamond?
03:00I don't think of it.
03:03I will not have any answers here.
03:06I will not agree.
03:07I will not have any answers anymore.
03:09I will not have any answers.
03:13Is it lying?
03:15Everything is fine.
03:17Everything is fine.
03:18I am not sure.
03:25I told you that it will be a kid.
03:27But you are surprised.
03:30I'll tell you in some training and I'll tell you.
03:33It's nice to admit.
03:56Mr. Topić, are you ready for your acquaintances?
04:05I'm only going to go to Kintu.
04:09I'll take my hand if I don't want to.
04:12That's what I mean.
04:15What do you mean?
04:17What do you mean?
04:18What do you mean?
04:20I'll tell you a little bit of Kintu.
04:22I'll give you a little bit of Kintu.
04:26I'll give you my hand.
04:27I'll give you my hand.
04:28What happened? Why did you scare me?
04:31That's fine.
04:32Is it possible to be ready until my wife is married?
04:35Yes, yes.
04:36I think it will be a little bit late.
04:38But if you don't care about it, don't care about it.
04:42Great.
04:42When should I get to the first test?
04:46I'll give you a little bit later.
04:52I'll give you a little bit later.
05:09Let's go.
05:10They say that life is written in novels, they say that life is not fair to me.
05:20Sometimes it will be free, but often it will be mine.
05:24And everything is unrighteous, except for my sins.
05:34As from love in the war, there is no law.
05:43You can have one living, but only one chance to become no one.
05:50I'll see you next time.
06:34I'll see you next time.
06:52Why did you find me in Belgrade?
06:54I mean, how did you find me?
06:56What did you find?
06:57Here, look.
06:58A modern designer, Nesta La Panica Belgrade.
07:03What?
07:04A young creatrice of Belgrade,
07:07all traces were lost.
07:08If there was something serious,
07:11we speculate that she was removed.
07:14I didn't know that she was so far away.
07:17That's right.
07:19And you left your accent from Belgrade.
07:24Sorry if I had something to blame you,
07:26I don't think so.
07:29If you have a little time,
07:30let's talk somewhere in peace.
07:32Of course, I have it for you.
07:34Let's go to my hotel, or?
07:35Let's go.
07:46Let's go.
07:50Let's go.
07:52Let's go.
07:53Let's go.
07:56Let's go.
07:57Let's go.
07:59What do you think?
08:00It's wonderful.
08:06Okay.
08:07I'm fine.
08:08Let's go.anned?
08:10You really
08:10just like me? Lots of
08:12fun? Let is
08:14sit down. Should I
08:15turn down the jam. I'll
08:16have to take this moment? I will
08:18draw a ballot bykinson. Fuck off.
08:19But do I
08:20really love it? Whatever. What
08:21should I
08:22drink? I should not
08:23drink anything.
08:25I'll stay short.
08:27Okay, I mean, you're at least on the hand.
08:30We'll start the other way.
08:33Okay, the other way.
08:35Tell me, tell me, tell me all.
08:37How are you doing, what's happening.
08:40We've been doing it for six years.
08:44Six years?
08:44Six years.
08:47Nothing about me.
08:49We've finished my jobs,
08:51I'm paying some debts.
08:54And it's okay, you know how to do it.
08:56It sounds really nice.
08:58Yeah, a man does what I can do.
09:01I don't know.
09:04Thank you, God.
09:06I feel it for a while, I can tell you.
09:09I have to admit that I've found my angel.
09:14He helped me a little,
09:16about everything, about business, about life,
09:18so everything is great.
09:19Okay.
09:21Okay.
09:21And now, your old angel is coming.
09:24Yes.
09:25Let's see how I am.
09:27And he tells you to hear you.
09:29What?
09:38I think you don't need to think about this,
09:40or what's going on.
09:45What about you?
09:48I think you think that you don't need to think about it.
09:50You don't need to think about it.
09:53And you're thinking about it.
09:53Or anything else.
09:54What do you think about it?
09:57You're thinking about it.
09:58What are you talking about?
10:01There is one of the most usual dad.
10:05And what do you want to do tomorrow to talk about?
10:08To get out of the house and take a local so that you've been begging him?
10:12Do you want to listen to that story?
10:15I won't, brother.
10:17Of course not.
10:20What do you want to do?
10:25Let me go.
10:27I will give you a cultural message that I won't forget.
10:35That's it, brother.
10:37That's my brother.
10:40Let's go.
10:42Thank you, brother.
10:44I would have made someone crazy.
10:46I'm hoping to finish you. I believe you know how.
10:49Okay.
11:08Venka, you know that the French people don't know what's happening in Serbia.
11:13But the news that you didn't have to have exploded there.
11:17I think I can't believe that there is a lot of chaos here.
11:21It was a good way.
11:27Sorry, I didn't say that I didn't care about you.
11:31Oh my God, I'm your family.
11:36I know, you're right.
11:38But you see, you're standing here.
11:41There's no need to be a great gungula.
11:43I don't think so.
11:49Lenka, do you remember why I sent you to Serbia?
11:53Of course, of course.
11:55And I'm always grateful for that.
11:58There's no need to be grateful.
12:00We're a family, it's a normal thing.
12:03I know there's no need to be, but I have to.
12:06I know that you asked me to talk to Olga and what you said that she was a good woman
12:10when I came here.
12:12I'm glad for that.
12:13And I have to tell you that Olga is so weird.
12:17She helped me when I came here and you can't believe it.
12:21Are you still in contact?
12:22Well, we didn't.
12:27We didn't.
12:27But...
12:28We didn't.
12:30Let's drink something.
12:31You can.
12:32You're welcome.
12:33You're welcome.
12:35You're welcome.
12:47You're welcome.
12:50You're welcome.
12:52You're welcome.
12:53You're welcome.
12:55You're welcome.
12:56I'm going.
12:58I'm going.
12:59I'm really happy to be a part of my life.
13:03Do you want to tell me or not?
13:07I'm engaged with my wife in a very serious job.
13:12How much will it be?
13:16I'm going.
13:19I'm going.
13:21Let's listen.
13:23I'm not able to get the money.
13:26To put my brand, my image, I was able to pay for Dijenu Erski.
13:31I don't understand why she paid for it.
13:33She wrote the text of the song.
13:37I'm sorry, I'm sorry, I don't think I'm wrong.
13:40But I don't think I'm a big text of the song.
13:44She's totally irrelevant.
13:46I'm telling you that I could make any text of the song.
13:50I could make an arrangement of the song.
13:52I could make a picture of the song.
13:54Okay, I understand everything.
13:56I don't know where you are.
13:59You're again, you're again.
14:01You're again, you're again.
14:02You don't understand anything.
14:04I'm telling you that I'm going to make a lot of money.
14:08Okay, but who is the famous business
14:11with whom you need to make so many money?
14:15Oh, she's a dame.
14:18Why?
14:19Same.
14:21Dame.
14:21Love.
14:26Love.
14:36Love.
14:41Love.
14:42Let's go.
14:44Let's go.
15:08Let's go.
15:11Let's go.
15:40Let's go.
15:42Let's go.
15:43Let's go.
15:43Let's go.
15:45Let's go.
15:55Let's go.
16:10Let's go.
16:40Let's go.
16:42Let's go.
16:48Let's go.
16:50Let's go.
17:34Let's go.
17:37Let's go.
18:02Let's go.
18:34Let's go.
18:34Let's go.
18:34Let's go.
18:38Let's go.
18:42Let's go.
18:44Let's go.
18:54Let's go.
18:56Let's go.
19:01Let's go.
19:06Let's go.
19:07Let's go.
19:08Let's go.
19:08Let's go.
19:09Let's go.
19:09Let's go.
19:09Let's go.
19:09Let's go.
19:11Let's go.
19:11Let's go.
19:12Let's go.
19:13Let's go.
19:26Let's go.
19:32What did you say, girl?
19:34Guda wrote a language?
19:36You, little girl, could you be a protective face?
19:42Me? A protective face?
19:44Yeah, Guda, I don't know.
19:48I guarantee you that I would have a better job.
19:55Are you serious?
19:56No, you won't be serious.
19:58And listen, we don't have only books,
20:00we're going to full campaign billboards, screens, everything.
20:03Let me explain.
20:05I wanted to be a protective face for the whole life,
20:08but there are no good ones.
20:10Good ones, good ones, but slow.
20:13You can hear me, just slow.
20:15I can tell you that there is a pair of shoes,
20:19so that you would have been advertising me,
20:22but I have a suggestion.
20:24So, we can go and take two or three boxes,
20:29and we'll fill it out.
20:30I'm sorry, but he thinks that I'm here, Miss Piggy.
20:33Miss Piggy?
20:34What's wrong?
20:36He's respected in the whole world.
20:39Excuse me.
20:41What about you?
20:42How about you thinking?
20:49You might be talking about your own.
20:50Maybe you should have a friend with me.
20:52Maybe you can come even with a friend with you.
20:52Excuse me, are you coming here, maybe?
20:55Can you drink some beer?
20:56Good, I can tell you I can, maybe you could come and be a friend with a friend.
21:02I didn't answer my question.
21:06I want to see you with your guest.
21:21What did you say?
21:23Mother, I'm dead.
21:26I want to see you with your friend.
21:32Before you, let me explain.
21:36Yes, explain.
21:38Yes, I want to see you with your friend.
21:41I have to forgive you.
21:43I have to find you with your friend.
21:49My friend.
21:51Why are you with your friend?
21:52What?
21:53Because you need to find you with your friend.
21:56What?
21:57What do you think?
21:59What do you think?
22:00Because you are a woman.
22:02I am a woman.
22:04I very well know you people.
22:08It's going to take it away from you and take it away from us.
22:14Tell me about love space.
22:14Your daughter will be allowed and money to come to us.
22:20You will make it, use them, watch it, collect it.
22:23Please put it for the next two hours.
22:23My girlfriend.
22:24My girlfriend is where she培PLAN and YOU ARE UP.
22:26That's whatู for my brother.
22:30Absolutely.
22:30My girlfriend and mom, unity isabled.
22:35Your wife is going to die with your daughter, and I decided to solve the situation,
22:40and when I decided, it must be on my own, and not on your own.
22:45That's right.
22:46See, I'm afraid to tell you that there is a truth about what I'm talking about.
22:51I think...
22:51Don't let me get a lot of truth about it, because you can sleep with a cup of tea.
22:58Okay, my mother, slowly, don't cry, don't cry, don't cry, don't cry.
23:01And I will bring him to the next one.
23:04And then I will bring him to the next one, and we will be able to get together,
23:10but first I have to find him with him, I mean.
23:16I mean, I don't know, I have to see him on my own.
23:18Well, Gorane, I just heard you on the first time.
23:21You see him on my own, but do not have to see me a lot.
23:27If there will be a cup of tea, I don't know if I fly.
23:30All right, let's go. Let's drink a drink.
23:35Let's go.
23:37Let's go.
23:49You've heard me great. I want to see you with the tambour.
23:52I have a personal advice for him.
23:55Why don't you say it again?
23:57Thank you very much for your interest, but we already have the kitchen.
24:00I'm sorry, but now I don't have time to break up with Konobarica.
24:04I pray.
24:05I would have been in a village in Sremčici.
24:08Ivona, wait a minute.
24:10Listen to Gudice.
24:11She's not a happy and not a Konobarica.
24:14She's the manager of this club.
24:17I'm the manager of this club.
24:20Pardon, she's the manager of this club.
24:22She's the manager of this club,
24:25and for your information,
24:26I have the right to get in contact with any of the members.
24:30And you, just to tell me,
24:32didn't you show the best place?
24:35Okay, okay, okay.
24:37I'll give you one advice.
24:40See, when there are serious tasks in question,
24:43then it is talking about the manager.
24:45I'm the manager, I'm the manager, I'm the manager,
24:48I'm the manager,
24:48and the rest is the other story.
24:49The manager is not there.
24:51Sorry, what do you say?
24:54I'll give it to me again.
24:56Okay, I'll come back.
24:57I'll come back again.
24:58You're going to do great things.
25:00Let's do it.
25:00No, no.
25:04You to work for dinner,
25:05you will be happy.
25:11You're ready, sir.
25:12How are you going to do this?
25:14Can it get better?
25:16How are you going to do this?
25:31Yes.
25:36I'm just here to tell you that I'm going to go to the meeting.
25:40Okay, no. No, Brineas. The security will be on the location.
25:44Thank you. But I don't think that there's any point
25:46that there's some gorilla behind me.
25:48No, Brineas. It won't be that security.
25:51It'll be diskret. It'll be there somewhere else.
25:53Thank you. It's a little bit of a mess.
25:56What about the type that will be there,
26:01there's a specificity.
26:06What is the specificity?
26:07What do you think?
26:08That you'll be able to get to know in the case of Frke.
26:13What do you think?
26:15I don't know him, but Grkljan says that he has someone on the door.
26:20What do you think?
26:21I don't know.
26:22I don't know.
26:25I don't know him.
26:25What?
26:27I don't know him.
26:30I don't know him.
26:31I don't know him.
26:44I don't know him.
26:45Where are you at?
26:47You're going to ask?
26:47You're going to ask me.
26:48Look.
26:50I just讀 what the man says and see in the news.
26:53Okay, I don't ask anything.
26:55I ask you.
26:57I ask you.
26:57I ask you, Miele.
26:58How do you ask me?
27:00Your brand, Rendani, is a hit.
27:04Hit.
27:05Yes, it is.
27:06It's a hit, but you know how it is, Mire?
27:09I have a lot of work, I don't have time, I have to work,
27:13but I'll have someone else to do it.
27:15I don't want to do it, I don't want to do it like that.
27:20Let's go, let's go.
27:22Let's go, let's go, let's go, Mire.
27:26You say everything you have to do.
27:28I'll tell you something.
27:29These are my directors, they sent me to say
27:32a little bit of interview with Mire.
27:36They love you, Mire.
27:38I love you, Mire, I believe.
27:40They say, they know that I'm the most experienced,
27:43that I'm the best to write.
27:44And they told me that you are the time to come,
27:48to tell you everything, to write, to film, and to know.
27:52You know, Vitamira, I love you, I love you, I love you,
27:55but I'm now in a phase where I'm coming,
27:57I don't know where I am, I don't know where I am,
27:59I have a turbulent period in my life.
28:01Turbulentno, Mire. Turbulentno.
28:04Evo ga. Turbulentno, to me interesuje.
28:06Sad, kaži ti meni, od nakle te turbulencije dolaze?
28:09Šta se to desi pa su te turbulencije,
28:11pa gore, pa dole, pa gore, pa dole? Šta je to?
28:14Ništa. Nemam šta da kažem.
28:16Nisu to turbulencije, to su problemstici običanog čoveka.
28:21Eto, to je. I ne mogu visi...
28:22Mire, daj mi nešto.
28:26Mire, daj mi molim te.
28:29Ajde, ajde da se dogovorimo, Mire.
28:31Ajde nešto, nešto, da sad kao ti...
28:34To je interesuje, znaš, naše čitalce to je interesuje.
28:37Ama razumem te, Vitomire, ali razumi ti mene.
28:39Ne mogu, nisam raspolođen izvršta.
28:41To. Ja nisam raspolođen trenutno nisam.
28:43To, Mire, Mire, neš kako oni vole ovu rubriku,
28:46na primer, i bogati plaću.
28:47Plaću.
28:48Ti si bogat, Mire.
28:49Jesam bogat.
28:50I plakaću.
28:51Ali ne mogu nisam da pričam sada.
28:54Jauj, Mire.
28:55Mire, molim te, molim te.
28:57A ti, a če, ti mene zezaš.
28:59Ne zezam te, Mire.
29:00Nego šta radiš?
29:01Ne zezam te.
29:02Ja ti garantujem da ćeš imati pravu promociju u Montagu.
29:05Kako promociju?
29:06Promociju rendanog Mire.
29:08Mire, ja sam profesionalka Mire.
29:12Dobar dančić, mile.
29:16Upoznaj se sa gospodinom.
29:19Ovo ovde je moj advokat.
29:21Dobar dan, gospodo.
29:22Da preskočem ove formalnosti.
29:24Kuku, majko.
29:37A odakle ti znaš komarca?
29:39Nije bitno.
29:42Ajde sedi, Nataš.
29:44Sedi, molim te.
29:52Jesam ti ja rekao da ću ti pomoći bez obzira na sve.
29:55Jesi i hvala ti za to.
29:57Ne želim da mi se zahvaljuješ, nema potrebe za tim.
29:59Ali ne mogu da ti pomognem da to ima nekog efekta.
30:03Ako mi ne daš sve delove neke slagalice, razumeš?
30:06Da, razumem, ali...
30:08Šta?
30:10Obećavam da ću ti sve reći.
30:12Dobro, slušam, ajde.
30:13Ali sutra.
30:14Stvarno ne mogu i tebe da upličim u neke stvari koje nemaju vese sa tobom.
30:18Dobro, kako god, šali se.
30:20Dobro, idem sada.
30:23Samo da, nemoj ništa da brineš, ovaj momak, komarac.
30:28On je zatušen za tebe i odgovara lično meni.
30:31Pa tebi ne može ništa da se desi.
30:34Rekla bih ti hvala, ali već si mi rekao da te ne zahvaljam.
30:37Stavno si puno učinio za mene.
30:38Samo se tebe čuva.
30:40Hvalaču.
30:41To je...
30:48F DIĘTTE
31:06I?
31:09What?
31:10What?
31:11What is it?
31:12What is it?
31:14What is it?
31:15How is it?
31:19It's it?
31:23I knew that I would come.
31:25I told you that I would come.
31:28I asked you if I was wondering if I was happy.
31:34How is it?
31:35How is it not?
31:35I am very happy.
31:37I was back with my son.
31:42I am everything is in my son.
31:45You are always right.
31:47It's right, so.
31:51I have to admit that I will say that
31:53I have got this a bit of a cup.
31:56It's all.
31:57Everyone is told.
31:58But that time, the cup is fantastic.
32:01It's okay.
32:02I don't think about it, but I don't think about it, but I don't think about it.
32:07Okay, let's do it. I don't care about it.
32:12The other one is going to hurt me.
32:15I'm going to hurt myself.
32:17And you?
32:18Yes, yes, yes, yes.
32:25Hmm...
32:26Sve to sa onom senkom...
32:29Dobro.
32:31Sve mi je to jako sumnjivo.
32:34Prevesla će ga dodatno Zmijurina, okomila se na njega kao udav.
32:41Jako mi je sve sumnjivo što je vezano za nju.
32:45Jako.
32:49Pa na šta misliš?
32:52Šta ćeš da radiš?
32:54Pa mislim na svašta pravo da ti kažem.
33:00Nikad mene moj instink nije prevario.
33:03I ti to dobro znaš.
33:05Da.
33:06Nikad.
33:09Dobro šta ćeš da radiš po tom pitanju?
33:21Da.
33:35Očekivala sam i očekujem i dalje da budš nepremetan.
33:38Moram.
33:40Znači nisi samo glup, nego si i gluv sada.
33:41Znači, nisi samo glup, nego si i gluv sada.
33:43Alo brej.
33:44Šta je bilo iliš?
33:46I told you to sit behind you to watch the situation.
33:49Listen, you can't be able to talk like that. Is it clear?
33:54I can't. I know you can't. I know you have a chance to find me.
33:59And when do you know that?
34:00It's absolutely not clear.
34:03You can sit behind you and watch me.
34:06It's clear?
34:09And if you can't, I can't believe you.
34:10I can't believe you.
34:29Eh?
34:31Ako?
34:40Ako?
34:57Ako?
34:58What did I say?
35:01It's so sweet.
35:05I don't know how to penetrate it.
35:08I don't know.
35:08I don't know how to penetrate it.
35:08I don't know.
35:10Why don't you change your eyes, Mila?
35:13Because you didn't change your eyes,
35:15when you told me,
35:16you called me 500 times on the phone,
35:18and you called me,
35:18and you called me,
35:20and you can call me,
35:23make a brand with integrity and identity.
35:30...
35:44...
35:45I don't know what the line is.
35:46What?
35:47What?
35:49Why was that woman who was drunk?
35:53What?
35:54What was that?
35:56That's not a hero!
35:56I am the one.
35:58The one.
36:12Interesting.
36:14What is it?
36:16You were young.
36:18What?
36:20I expected some older.
36:22I was a strong man who was so young.
36:38See?
36:40That tree is a very dangerous woman.
36:47I don't have to cry for that.
36:49It's enough that I know
36:51the pieces of her biography
36:53and don't call me for the language.
36:57You don't have to know all of this.
37:03Do you think she's lying?
37:27Do you know what I'm talking about?
37:29Do you know what I'm talking about?
37:31Do you know what I'm talking about?
37:34Do you know what I'm talking about?
37:35Yes, that's right.
37:38Wait.
37:40What do you want?
37:42I have to ask you something else.
37:44I'm sorry.
38:05I have to ask you something else.
38:10I have to ask you something else.
38:11I have to ask you something else.
38:12I can't wait.
38:14Help me.
38:27Just a little bit, then it will be mine.
38:30Well, you're going to get out of the way.
38:33I don't want to say that I'm so nervous.
38:36I totally understand.
38:39It's a lot of fun.
38:40I mean.
38:40But that's how you work for children.
38:56My mother knew Mila.
39:00She wasn't here because she hit the car.
39:05We really want her.
39:08I'm sorry.
39:09I was little when it happened.
39:13I didn't forget it.
39:16I feel like I'm looking at me.
39:38It's real.
39:49They did work for children.
39:55It was so funny.
39:55I still got nobody to do it.
39:55Enjoy.\
39:59It's a beautiful journey.
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