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00:03To understand the journey of Alma Hodge, you first need to know how it started.
00:09It began the day she wed Orson Hodge, a man she had tricked into marriage by getting pregnant.
00:17Alma was confident that as their family grew, Orson's feelings for her would grow as well.
00:24But then something went wrong, and the baby she had been counting on never came.
00:31So Alma found herself married to a man who seemed to despise her.
00:39Still, Alma hoped things would get better.
00:42Mama loves your baby. Does the baby love Mama?
00:46Until the day she discovered Orson was having an affair.
00:51And Alma realized the only way she'd ever get her husband to appreciate her was to leave him.
00:59Immediately.
01:10If you don't get back in your cage right now, I'm going to have to leave you behind! Please!
01:15Please!
01:35Going somewhere?
01:37I'm staying at a motel tonight.
01:41Why?
01:41I don't have time to discuss it. I'm late for the bus.
01:46Alright.
01:55I'm going away because I know you're having an affair!
02:00Ah, I see.
02:02Aren't you even going to deny it?
02:05On the contrary, I want to shout it from the rooftops!
02:09For the first time in my life, I'm actually in love.
02:12How could you say that to me? I'm your wife!
02:15We both know why we got married.
02:18And it had nothing to do with affection.
02:21So you don't care if I go?
02:24No.
02:30Wait!
02:31This isn't what's supposed to happen!
02:33You should be begging me to stay with you!
02:35I deserve to be happy, Alma.
02:36So do you.
02:37And we're clearly not going to find that together.
02:40Orson, no!
02:42It was at that moment Alma realized.
02:45It wasn't enough to leave her husband.
02:48He had to be punished.
02:53Yes.
02:54This was the journey of Alma Hodge.
02:57Free Hodge?
02:59I'm Alma Hodge.
03:00I believe we have someone in common.
03:06And it wasn't over yet.
03:11There is a time of day all housewives look forward to.
03:15It occurs just after the chores have been completed.
03:19And right before the children come home from school.
03:24It's a time for good friends to get together.
03:27Have a cup of coffee.
03:29And exchange gossip.
03:31About the other good friends who couldn't make it that day.
03:35Bree let Orson move back in.
03:37You're kidding when?
03:39Yesterday.
03:40So disappointed in her.
03:42Well, the police did arrest Mike.
03:44I mean, I know you think he's innocent.
03:45But surely you can understand why Bree's feelings have changed.
03:48Well, mine haven't.
03:49And I know something that Bree probably doesn't.
03:56When Orson was 17, he spent time in a mental institution.
04:01How did you find that out?
04:02I snuck into his office and rifled through his things.
04:06Of course you did.
04:07But that doesn't prove he had anything to do with Monique's murder.
04:10No, but it's a piece of the puzzle.
04:12I mean, he did have an affair with her.
04:14And when you combine that with the fact that his first wife went missing.
04:21So you're Alma.
04:23Where have you been all this time?
04:25In Canada.
04:26My aunt lives there.
04:27Well, you should have told someone.
04:29People thought you were dead.
04:30Some even thought that Orson killed you.
04:32Well, that's sort of what I wanted them to think.
04:35That's why I left my bird behind and only took cash.
04:38So they couldn't trace me through my credit cards.
04:40So you deliberately framed Orson?
04:42I'm not saying it was my finest hour.
04:45But you have to understand, Orson hurt me very badly.
04:48He cheated on me.
04:50Yes, I know.
04:51With Monique Poulier.
04:52And I thought if I disappeared, she'd get scared and leave him.
04:57Like he left me.
04:58Isn't jealousy awful?
05:00So why have you come back?
05:01I found this fantastic therapist.
05:04He told me that by holding on to my anger, I was really just hurting myself.
05:08Which is hard to deny.
05:10I mean, hello.
05:10I'm here in Winnipeg with the deaf aunt.
05:12No credit.
05:14So I thought, it's time to make amends.
05:18Marlene?
05:20This is McLean canceled, so free for lunch.
05:25Actually, we have a guest.
05:27Hello, Orson.
05:29Oh, hello.
05:32So, what is it with you and redheads?
05:40I hope you don't mind me springing this picnic on you.
05:43I figured it'd be more fun than some stuffy restaurant.
05:45Are you kidding?
05:47What could be more romantic?
05:49That's off, you son of a bitch.
05:51More wine?
05:53Yes, keep it coming.
05:56Hello?
05:57Hey, who's the dork?
05:59Carlos?
05:59What's with that cap?
06:02Extra, extra, read all about it.
06:04Where the hell are you?
06:12What are you doing at Mike's house?
06:14I live here.
06:15What do you mean you've lived there since when?
06:16Gabby, my car's been in the driveway for three weeks.
06:18Even you can't be that self-absorbed.
06:22Well, as you can see, we have more pleasant things to focus on.
06:27So when are you going to tell Jimmy Olsen there that you hate picnics?
06:30I'm going to hang up now.
06:33So, where were we?
06:35Your ex-husband moved in across the street?
06:39What's that going to be like?
06:43Yeah!
06:44Are you going to kiss him?
06:45That's right, Carlos.
06:47We have had some problems with raccoons getting into the trash.
06:51So, why don't you just put a lid on it?
06:59Okay, they're here. Now listen, stand up.
07:01Kayla has been through a lot, so when she walks in the door, I want you to make her feel
07:05welcome, okay?
07:05Give her a hug and be really nice.
07:07I'm giving her my room.
07:09How much nicer do I have to be?
07:10Well, nicer than that if she's going to get all your toys, too.
07:14Hey, hey, hey!
07:15Look who I found wandering around the airport.
07:18Hi, Kayla. We missed you. We're so glad you're here.
07:26Okay, boys.
07:33Good, yeah. Okay, so, give her some room.
07:37Hey, wow, look! Are those presents for Kayla?
07:40Yes, they are.
07:42Hey, look at that present gave you a harmonic. Isn't that cool?
07:45Oh, you're at the spa? It sounds mysterious.
07:48Thanks.
07:53And what did you get, reporter?
07:54A video game. I get to play it whenever I want.
07:58Porter!
08:02You know what? I got you something, too.
08:06This is Nellie.
08:09My grandma gave her to me when I was little, and I was hoping you could take care of her
08:15for me.
08:17Thanks.
08:21Hey, honey, why don't you take your stuff and go upstairs and get ready for lunch, okay? I'm going to
08:25make some chili.
08:26Okay, Daddy.
08:31Honey, that was so sweet to give her your doll.
08:35Oh, she didn't seem that knocked out by it.
08:37Well, just give her some time. She'll come around. It's a tough adjustment.
08:42All right.
08:53I must say, Bri, I don't know when I've tasted such moist pound cake.
08:58Sour cream.
08:59Mmm.
09:01Ah.
09:06So, whatever happened to my parrot?
09:09I set it free.
09:11Mmm. Orson, they don't fare well in the wild. You should've saw...
09:15For God's sake, Alma, who cares about the damn bird?
09:18You set me up.
09:20Why don't I wrap up a piece of this pound cake for you to enjoy later?
09:26Do you have any idea what you put me through?
09:28You almost ruined my life.
09:30You've rebounded nicely. Bri's lovely.
09:32Don't change the subject.
09:33You put me through a lot, too, Orson.
09:36But I forgave you. Can't we just put this behind us?
09:39And that's all you've come back for? Closure?
09:42Of course. What else?
09:47I'm out of lipstick. Can I borrow yours?
09:49Sure.
09:52Cherry berry.
09:54Austin likes the way it tastes.
09:55Oh, I so did not need to know that.
09:58So, um, where are you going?
09:59Down to the jailhouse to talk to Mike.
10:02But didn't you tell Ian you wouldn't see him anymore?
10:05Yeah. But somebody's gotta tell him about his new lawyer.
10:08Otherwise the guy's gonna show up and he's gonna go,
10:10Who the hell is he? You didn't get that.
10:14Besides,
10:15Why would it be a big deal? Mike and I are over.
10:18I was just wondering, cause...
10:20You know you're putting on lipstick to go to a prison.
10:26Thank you for clearing things up.
10:29It was the least I could do.
10:32Orson, I'm truly sorry for the pain I've caused.
10:35And if there's anything else I can do...
10:40Actually there is.
10:42I'd love it if you could join us for dinner this weekend.
10:44There are some friends that I'm just...
10:47Dying for you to meet.
10:54You got me a lawyer?
10:58Yeah.
10:58And he is fantastic.
11:00You cannot believe the scum he has gotten off.
11:04Not that you're scum.
11:05But you know, if you were, you'd be sitting pretty.
11:08I'm paying you back.
11:10Every penny.
11:11Oh.
11:11Well.
11:12You know, we'll figure that out later.
11:14I can't believe that I just listened to all that stuff Edie told me about you.
11:18And it turns out, you're the only one standing by me.
11:22You're a good friend, Susan.
11:26Um...
11:27Yeah, about that.
11:29It's Ian.
11:30He's not crazy about me spending time with my ex.
11:34Even an ex who doesn't remember dating you?
11:39I remember.
11:40And I guess that's enough for him.
11:43I'm sorry.
11:47Well, I, uh...
11:49Can't say that I blame him.
11:56Take care of yourself, Mike.
11:58You too, Susan.
12:11Dinner's ready!
12:13Kayla, I made your favorite tacos.
12:18Here you go.
12:20Where's my daddy?
12:22Oh, sorry, sweetheart.
12:23He's working late trying to get the restaurant ready.
12:26Oh, lovely, Parker.
12:27Go wash your hands.
12:28Kayla, where are you going?
12:32To watch TV.
12:34Oh, sweetie, we don't watch TV during dinner.
12:36But my show is on.
12:38Oh, I'm sorry.
12:39Those are the rules.
12:41My mommy let me.
12:44Well...
12:47Just this once.
12:57Okay, okay. I know what you're thinking, but...
13:00Kayla's going through a hard time right now.
13:01Come and sit down.
13:02Letting her watch TV is like me.
13:05Letting you eat ice cream when you're sick.
13:07Well, she's not sick.
13:08Well, that's true, but she's sad.
13:11I'm sad I can't watch TV.
13:14Eat your tacos.
13:24Whoa, whoa, whoa.
13:25Sit your butts down.
13:26It's not fair.
13:27I don't care.
13:28We have rules.
13:30Well, she gets to.
13:31She is special now.
13:32Sit down.
13:33Come on.
13:36Is she a dessert, too?
13:38Of course I do.
13:39No.
13:45What an amazing documentary.
13:48You know, I read the director's shot over 400 hours of film.
13:50Really?
13:51I only counted half that.
13:53I get it.
13:55You pick the next one.
13:56Okay.
14:00Look at you.
14:01Who knew you were such a romantic?
14:04Actually, I didn't send them.
14:08You didn't?
14:13So, uh, who's making me look bad?
14:17Uh, there's no signature.
14:20Sorry, this is kind of awkward.
14:22No, I don't care who worships you from afar.
14:27As long as I get to do it up close.
14:30Aw.
14:32It's sweet that you're not jealous.
14:36Carlos would have hit the roof if some guy sent me.
14:44Would you excuse me a minute?
14:55Nice try, Carlos.
14:57Huh?
14:57Oh, don't act innocent.
14:58You know you sent me these flowers.
15:02Why would I get you flowers?
15:04To sabotage my new relationship.
15:08A picnic boy?
15:09Who do I care if you go out with him?
15:10Oh, you care?
15:11First you move across the street, and then earlier today I catch you spying on me.
15:15I was not spying.
15:16I was mocking you.
15:18You need to move on, Carlos.
15:19I have moved on.
15:20You're the one talking to your ex during the middle of a date.
15:23Is he that boring?
15:24Phil is not boring.
15:26He is vibrant.
15:29And sexy.
15:31And yet here you are.
15:34Oh.
15:37Ha, ha, ha, ha!
15:41Oh!
15:53So...
15:59She threw your doll in the trash?
16:02No. First she ripped off its arms, stuffed it with chili, then she threw it in the trash.
16:09So what did you do?
16:11Nothing.
16:13And this is after you let her watch TV during dinner?
16:16Well, I didn't know what else to do.
16:18I'm trying to win over a little girl who clearly doesn't want a new mother.
16:22Well, I guess giving her special treatment isn't going to solve anything.
16:26You know what might solve something?
16:31If you were home once in a while, you're the one she listens to.
16:35I am trying to open up a restaurant. Our life savings is riding on this thing.
16:38I know. I know. I know.
16:40You know what? I don't want you to be afraid to take a firm hand with Kayla.
16:45She's part of our family now.
16:48You know what that means.
16:50Yeah.
16:52I should treat her as badly as I treat my own children.
16:55Exactly.
16:56Love that.
17:05Sorry. Um, I'm not sure I'm ready for that yet.
17:12That's cool.
17:14You can't blame me for trying, though.
17:20Austin, you know I want to. It's just...
17:22Hey, don't sweat it. And if you're not ready, you're not ready.
17:31So I didn't pressure you at all?
17:33You're a great guy.
17:35I know. I'm so lucky. Underneath all that bad boy posturing, he's a real gentleman.
17:40Wow. You're not only a virgin, you think like one.
17:43Beat it, keys dropper.
17:46No, wait. Um, what did you mean by that?
17:49Well, uh, guys need sex.
17:52All right, it's basic science.
17:54So if he's not getting it from you, he'll end up getting it somewhere else.
17:57You're a moron. Not all guys press your girls for sex.
18:01Yeah. Gay guys don't.
18:02But Austin's not gay. Not even after three beers.
18:08Don't ask.
18:10So, what's your point?
18:13If a guy has to wait too long to see you naked, he'll end up seeing you as a friend.
18:19Again, science.
18:22Don't listen to him. You hold on to your virginity.
18:25If Austin won't wait, then he doesn't deserve you.
18:27I just don't want to lose him.
18:29It's better than losing your self-respect.
18:32Take it from a girl who...
18:36I thought you made that up.
18:37Only because it was nicer than the other names they were calling me.
18:47I really appreciate you donating this stuff.
18:50Anything for a good cause.
18:51Everyone at the shelter is going to be so excited.
18:53I mean, to you and me, these are just a bunch of old clothes.
18:56But to a homeless woman?
18:59It's a chance for her to feel pretty again.
19:02You okay?
19:04What?
19:04I asked if you're okay.
19:06You seem kind of distracted.
19:08I am fine.
19:10Yes, I just remembered today's my mother's birthday.
19:14Can we stop by the florist on the way to the shelter?
19:21Detective Ridley, my name is Susan Meyer, and I'm calling to drop a dime on someone.
19:26That's the expression, right?
19:28Yes, ma'am.
19:29You got the lingo down pat.
19:30Good.
19:32His name is Orson Hodge, and he had an affair with the woman that you think Mike Delfino killed.
19:38Monique Paul here.
19:40Are you sure?
19:41Because Mr. Hodge, our body of the morgue, he acted like he didn't know her.
19:45Well, he does.
19:46And so he's pretending he didn't.
19:47That's suspicious, right?
19:49Well, uh...
19:50Oh, uh, can you hold on?
19:53Hello?
19:54Susan, hi.
19:55It's Bree.
19:55Bree?
19:56Uh, hi.
19:58Can you hold on a second?
20:00It's Orson's wife.
20:01She can't know I called you.
20:03Then how about you don't tell her?
20:04Right.
20:05Sorry.
20:06Uh, just new to this whole snitch thing.
20:09Hold on, okay?
20:11Bree, hi.
20:13Sorry about that.
20:14Damn telemarketer.
20:15So, what can I do for you?
20:17I just feel really awful about our fight, and I think it's time for an apology.
20:22Oh.
20:23Bree, I am so relieved.
20:26Would you join Orson and me for dinner tomorrow night?
20:29Oh, uh...
20:32Sure.
20:33Good, I'll see you at eight.
20:35Bree.
20:36I just want you to know that no matter what, your friendship means the world to me.
20:41Oh, Susan, you know I feel exactly the same.
20:44It's me again.
20:46You should also know that Orson spent a year in an asylum.
20:54Hi, can I help you?
20:55Hi, uh, I received some flowers from your shop yesterday, and the card didn't say who they were from.
21:00Um, can you check?
21:01The name is Solis?
21:02Sure, sure.
21:03Just give me a sec here.
21:06Solis?
21:06Yeah.
21:09Solis.
21:10Solis.
21:11Huh.
21:11This is odd.
21:13The buyer asked to remain anonymous.
21:16Really?
21:16Uh, well, the flowers were so beautiful, I'd like to know who to thank.
21:21Sorry.
21:22I have to honor their request.
21:23Why?
21:24They're just flowers.
21:25They're not government secrets.
21:27If you don't mind, I'm busy.
21:30Okay, wait, wait, let me explain.
21:32What's to explain?
21:33A pretty girl gets flowers.
21:35Do you know how many girls never get flowers?
21:37I work in a flower shop.
21:38I've never gotten any freaking flowers.
21:40So stop your whining about who sent them and just be glad he did.
21:52Uh, you're right.
21:53And I am so sorry for taking up so much of your time.
21:57Sorry for doing this.
22:00What the hell are you doing?
22:03I'm going to make it up to you, okay?
22:05Once I'm done, I'll send you flowers.
22:16I'm going to make it up to you, I'm going to make it up to you.
22:26Get in here.
22:28Gabby?
22:30It's totally her fault.
22:32I mean, I simply asked her if Carlos sent me the flowers and she refused to show me the
22:36order slip.
22:36Is she still hung up on that?
22:38For God's sake.
22:39No, no, no, wait, wait, wait.
22:40I just need a couple more minutes.
22:41I need to know the truth.
22:42What truth is that?
22:43Not that you're still obsessed with your ex-husband?
22:46What?
22:46No, he's obsessed with me.
22:49You just imprisoned a florist to find out if he sent you roses.
22:57Okay, I see what you mean.
23:00There, I'm done.
23:03Let's go.
23:04Actually, I think I'm done too.
23:12Oh.
23:17I'm sorry.
23:20It's okay.
23:21I'm probably not ready to date.
23:34And just so you know, I am ready to date.
23:40All right, let's hit it.
23:44Come on, Kayla.
23:45I haven't finished my ice cream.
23:46I'm sorry, but we gotta go.
23:48I have a dinner party I have to get to.
23:49They got to finish their ice cream?
23:52Well, they, you know, wolfed it down like kids are supposed to, so hurry it up.
24:04Kayla, I'm not fooling around.
24:06We're going.
24:10Uh-huh.
24:11Okay.
24:12Boys, go to the car.
24:14I'll be out in a minute.
24:15Go.
24:21Listen, sweetheart, I don't blame you for being angry.
24:24Your mom's gone, and you're stuck with me.
24:29But.
24:35The last thing she said to me was, promise you'll take care of Kayla, and I am going to.
24:42But you're going to have to help me, okay?
24:47We can leave when I'm done.
24:57Okay, let's go.
24:59Hey, whoa, whoa, whoa.
25:01Okay, what's going on?
25:02Stop, stop, stop.
25:03Stop screaming.
25:04Stop.
25:04Leave me alone.
25:05You're not my mommy.
25:11Mommy.
25:25Mommy.
25:34Guys, how would you like to eat dinner in front of the television for a whole week?
25:46What are you guys doing here?
25:51Kayla, stop screaming.
25:53You heard him right here.
25:54Get in the car.
25:56Mom, we're going home.
25:59Get your seatbelt.
26:00Kids, they're always roughhousing.
26:24Why'd you stop?
26:26Well, it's getting late.
26:28I got your blouse unbuttoned.
26:30That's usually when we call it a night.
26:33Do you want to call it a night?
26:36What, do you want to grab a pizza or something?
26:45I want to do what you want to do.
26:50Well, you know what I want to do.
26:54Well, okay.
26:56Are you sure?
26:59Yeah, I'm sure.
27:19You can always spot the new guys by the way they pick through their food.
27:25So what did you do when you thought no one was looking?
27:29Cops say I killed a woman.
27:31But you didn't, right?
27:35Actually, I have no idea.
27:44Well, it's a fresh approach.
27:46I'm not sure the jury's going to swallow it.
27:48It's the truth.
27:50It's the truth.
27:52I believe you.
27:58Okay, Mrs. McCluskey's downstairs, and we will be right across the street if you need us.
28:02Okay, Daddy.
28:05You know, I heard what happened with Lynette today.
28:09Hey, she's doing her best.
28:11Why are you being so hard on her?
28:13Because it's her fault my mommy died.
28:15No, no, no, no, honey, it's not.
28:17Mom only went to that store because Lynette was trying to steal me.
28:20Okay, that is not true.
28:22Look, honey, it is way more complicated than that.
28:27I know you miss your mommy, and she loved you very much.
28:31But guess what?
28:34Lynette loves you too.
28:37That's why you've got to give her a chance.
28:40Can you do that for me?
28:44Okay, I'll be good.
28:47That's my girl.
28:49But I'm never going to love her.
28:52And you can't make me.
29:08Well, you've won.
29:09What did I win?
29:14Bill and I split up.
29:17Can't say I'm surprised.
29:19It wasn't right for you.
29:20I know.
29:23So, just admit you sent the flowers.
29:26I didn't.
29:28Carlos, just tell me.
29:30I won't be mad, I promise.
29:33Gabby, if I was going to send you flowers, I wouldn't send you pink roses.
29:37I'd send you white orchids.
29:38Because I know they're your favorite.
29:42And if I wanted to cheer you up, sunflowers.
29:45And for the flu,
29:48blue irises.
30:00I hate that you know me so well.
30:03It took so long for that to happen.
30:05Now I have to start over again with somebody else.
30:08Yeah.
30:09That's what dating's for.
30:10I know.
30:11And it sucks.
30:13I mean, you saw me.
30:14I went on a picnic and ate pudding out of a can.
30:16It was horrible.
30:19Well, if it makes you feel any better, I got dragged to the ballet the other night.
30:27Well, if you want to bag the big game, you've got to work on the guns.
30:39I'll give you this.
30:42You're going to be a tough act to follow, Carlos.
30:50I got you, babe.
31:08I'm so sorry to keep you waiting, but I don't want to introduce you until all my guests are here.
31:13I don't mind.
31:15By the way, um, when my friends ask you what happened, and they will, I don't think it's necessary to
31:22go into all that unpleasantness about Orson and Monique.
31:26All they need to know is that you're back and we're on good terms.
31:30And Orson didn't kill me.
31:32And Orson didn't kill you.
31:36Oh, okay. Just one minute. That'll be Susan.
32:00Hi.
32:01I brought you a bundt cake.
32:02Don't worry. I didn't make it.
32:04Oh, you didn't have to do that.
32:05I was really touched by your call. It was so big of you.
32:08Well, when you're wrong, you're wrong.
32:13Now that we're all assembled, I'd like to introduce the guest of honor.
32:17I hope you'll all be as delighted to meet her as I was.
32:21You can come in now.
32:27Everyone, this is Alma Hodge, Orson's first wife.
32:35Oh, about that apology. Anytime you're ready.
32:41So you have been in Canada this entire time?
32:44Well, my Aunt Agnes has a place in Winnipeg.
32:46I hadn't planned on staying so long, but I needed the time to find myself.
32:50It would have been nice if someone else could have found you.
32:52There was a whole lot of drama around here.
32:53Yes, I heard.
32:54People actually thought Orson had done away with me?
32:58That's amazing, isn't it?
33:00Where some people's minds will go.
33:04Well, you've got to hand it to her.
33:06Just when you think Bree's thrown every conceivable theme party,
33:09she hosts a shame on you for thinking my husband killed someone dinner.
33:13So Alma's alive, big deal.
33:14We still don't know what went down between Orson and Monique.
33:16Susan, please.
33:17We'll skip it enough for suspecting him.
33:19Just let it go.
33:24It may be a little late for that.
33:27Detective Ridley, can I help you?
33:29Yes, I'd like to speak to your husband.
33:32Oh, well, I'm afraid he's not here,
33:34but I will be happy to tell him that you came by.
33:37Who is it, darling?
33:42Excuse us.
33:46Can't this wait?
33:47We're having a dinner party.
33:50Hello, Dr. Haas.
33:51Detective Ridley.
33:52We need you to come with us.
33:54We have some questions about that Jane Doe we showed you in the morgue.
33:57Why do you think I'd know anything about her?
33:59Well, you were having an affair with him when she died.
34:04Well, where did you hear that?
34:10Susan!
34:11Susan!
34:12I didn't know they were going to come tonight.
34:17I'm happy to answer any questions that you might have.
34:20My apologies.
34:21Please stay.
34:22Enjoy the dessert.
34:27I don't believe this.
34:28You called the police?
34:30Well, obviously you weren't going to.
34:32They needed to know that that dead woman was Orson's mistress.
34:35I told you that in confidence.
34:37Did you seriously think I could sit on information that would exonerate Mike?
34:40If you had seen his face in jail the other day.
34:43The other day?
34:44You saw Mike?
34:46Yeah.
34:47Just to tell him about the lawyer.
34:49I know that Mike is innocent.
34:51Right.
34:52Just like you knew she was dead.
34:54I thought we had an agreement.
34:56We do.
34:57Can we talk about this later?
34:59When?
35:00After your next conjugal visit?
35:03Ian!
35:03Wait!
35:04Boy, when it comes to Mike, there's no one you won't betray.
35:07Excuse me?
35:09Hey, guys.
35:10Please leave my house.
35:12Brie!
35:12You heard me.
35:13Get out!
35:14Okay, Brie, I know you're angry, but for the sake of our friendship...
35:17Oh, make no mistake.
35:18Our friendship is over.
35:26Okay.
35:27Okay.
35:35So, Winnipeg.
35:38Must get pretty cold up there.
35:46I'm just getting my coat.
35:47Ian, please.
35:48I just lost one of my best friends.
35:49I can't lose you, too.
35:50You said that you wouldn't see him again.
35:52But you had to know that I would go one more time to just explain everything.
35:56Actually, no, I didn't.
35:57Well, that's just...
36:00Because you've already left me once for this guy.
36:03Things are different now.
36:04I love you.
36:05You don't have to worry about that anymore.
36:08We're going to make this relationship work, and you have to trust me.
36:12Why are you smiling at me?
36:13You just said that you love me.
36:15Yeah, so?
36:16Well, you've never said that before.
36:18Yes, I have.
36:18No, I would have remembered.
36:20Well, I'm saying it now.
36:21I love you.
36:22Do you have a problem with that?
36:23No, Mom.
36:24You can't kiss me now.
36:26I'm yelling at you.
36:26Well, I'm listening.
36:27Well, don't think that you can get out of this.
36:30You know, if I just...
36:32Oh, God.
36:34Oh, yeah.
36:34Oh, yeah.
36:35Right there.
36:36Oh, right there.
36:36Oh, right there.
36:41Look, I think we should stop doing this.
36:45I know it's my idea, but...
36:46It just doesn't feel right anymore.
36:50So, you slept with Julie.
36:51It's no big deal.
36:53It is to her.
36:54I don't want to see her get hurt.
36:55Me either.
36:58So, let's just not tell her.
37:06There's no place in Fairview that's more peaceful.
37:09All the floors are hardwood.
37:10Oh, there are brand new appliances.
37:12And the gardens are...
37:14Oh, they're beautiful.
37:16So.
37:18What do you think?
37:21I'll take it.
37:23Really?
37:24Oh, that's terrific.
37:25I'll draw up the papers of the morning.
37:32If you don't mind me asking,
37:34why are you so interested in this particular street?
37:37I've been moving around a lot in the last few months.
37:40And I need a place where I can really settle down.
37:42You know what I mean?
37:44I want to live in a place where children know how to behave.
37:47Where people still have some sense of moral value.
37:52And where friendships are good and strong and last forever.
37:58That's what I'm looking for.
38:01Then I think Wisteria Lane is the place for you.
38:05Good.
38:06More than anything, I just want to fit in.
38:11Oh, you will, Alma.
38:13You absolutely will.