- 8 hours ago
Rivals (2024) Season 2 Episode 4
Category
🎥
Short filmTranscript
00:02Whoever it is we're waiting for, it better be bloody worth it.
00:06There's a ton of paparazzi in the car park.
00:12Mr. Farron! Mr. Farron!
00:16Sorry, Daisy, but my mother had a bit of a turn. It was quite a long night.
00:21I think Titania's arriving.
00:26I think perhaps Lorde's gone too far this time.
00:32Who are you playing?
00:34Earlier.
00:35I thought you'd be playing the pretty one.
00:48Nice touch for the photographer.
00:51All no joke.
01:06Another nail in the venture of coffee.
01:23Jesus for fucking Christ.
01:28Your mother's changed sides.
01:30I win my win, I win my win, I win my win, I win.
02:26Hello, my rose.
02:27What are you doing?
02:29The board was exceptional.
02:31Well, I told you she would be.
02:32An entirely authentic performer.
02:35It's as if she's lived it all before.
02:36Thank you for telling me to hire her.
02:39I'd be lost without you, darling.
02:53What are you doing?
02:55Getting into bed.
02:56Sorry, Declan, I'm back for work, not for you.
02:59You're telling me I'm not welcome in my own bed.
03:02Anything else you want to take while you're at it?
03:04I'm not taking anything that wasn't already mine.
03:06It's my house too, remember?
03:08I decorated it.
03:09Yeah, I know.
03:11I'm still paying the bills.
03:16I'm still paying the bills, I'm still paying the bills.
03:16Close the door!
03:24Good morning, Susie.
03:26Hi.
03:27Good morning, Mrs Barriger.
03:28Here you go?
03:30Can you please not broadcast the fact that I forgot my scripts?
03:34OK, well, I have to get back. I'm waiting for the call from Carol.
03:38I'll call back the publishers.
03:41The bidding war on my book.
03:42Where's the pen?
03:43What pen?
03:44My parka, so I can make notes.
03:46This is a rehearsal, Lizzie. I have to make notes about my character.
03:49You say you're a writer. Can you please write things down if you can't remember them?
03:52I don't know why Tony even asked you to do the Mids of Night's Dream, you know what?
03:55Tony asked me to do this because I am the face of Karina.
03:57I mean, Lizzie, for once, could you please at least try and be supportive of my career?
04:04I can't feel sorry for being married to that.
04:14Methinks, mistress, you should have little reason for that.
04:16And yet to say the truth.
04:18Ah, we're rehearsing.
04:20Sorry, I forgot my notes.
04:22Methinks, mistress, you should have little reason for that.
04:25And yet to say the truth.
04:27Costume is saying nipples or no nipples.
04:30Nipples.
04:33Charles says nipples.
04:34It's like fucking Piccadilly Circus in here.
04:35I know. I'm sorry. Please continue.
04:38Well, I've lost it now. I'll try and find him.
04:42I'm the most beautiful creature you ever saw.
04:46There he is.
04:47Methinks, mistress, you should have little reason for that.
04:49And yet, to say the truth, reason and love keep...
04:53Sorry, Charles, but Andrew needs the mattress.
04:55For fuck's sake.
04:57Please.
05:00Brilliant.
05:02Absolutely brilliant.
05:03Sorry.
05:05Sorry.
05:06Sorry, Charles, sorry.
05:07Actually, Charles,
05:09what do you think about going a bit further with this scene, sexually speaking?
05:12Yes.
05:13I think less is more, don't you, Charles?
05:15I think we imply, not do.
05:19Okay, well, I'll leave this in your kickable hands, Charles.
05:22But, um, just say the word.
05:24And I will happily oblige.
05:27Did you drink?
05:32Excellent work, everyone.
05:37Charles, you'll make sure I don't look foolish up there, won't you?
05:41Darling, you've never looked foolish a day in your life.
05:44I'm serious, Charles.
05:46I'm not as...
05:47I'm not as young as I once was.
05:49My darling, your beauty
05:51is like a Shakespearean sonnet.
05:54Perfectly composed
05:55and dictated.
06:00But the big problem is,
06:02does anyone really give a fuck about poetry?
06:05It's not just about poetry, is it?
06:06It's about power and fate.
06:09Patriotism and love.
06:11And sex.
06:12But we wouldn't actually get to see any sex.
06:13No, but it'll be described by the sexiest man in England.
06:17You know, Maude Gawne and Yeats
06:19had an unbridled passion
06:21unlike anything we've ever seen before on television.
06:23Describing all its lurid details.
06:25Every kiss, every fuck,
06:28every tortured moment of unrequited love.
06:33Great.
06:34Well, as long as you keep the tash
06:36and you don't skimp on the sex,
06:38you've got yourselves a Channel 4 commission.
06:40How soon can you deliver?
06:42I mean...
06:42Hello, Clara.
06:44What are these reprobates trying to sell you?
06:46I'm not trying to fob you off with the Beeb's sloppy seconds, are they?
06:48I doubt the Beeb could have handled what these two are selling.
06:51If you need a reference for Cameron,
06:53be sure to let her know.
06:54I'm terribly sorry, Tony,
06:55but we're all booked up.
06:57Oh, no, we aren't staying.
06:58No, I'm just picking up Clara.
06:59We're going to the White Elephant.
07:01Have you booked your seats
07:02to see your lovely wife in the show yet?
07:06Not yet.
07:07Oh, hurry up about it.
07:08You're going like hotcakes.
07:10She's a great talent.
07:11I'm surprised you didn't notice her
07:12when she was under your nose this whole time.
07:15I wish you'd generally on top.
07:20Declan?
07:23Nice to see you, Clara.
07:25We'll send over a budget next week.
07:27How is the boyfriend?
07:29Is it fun being shacked up
07:30with a man who has fucked everyone?
07:33As I say, practice makes perfect.
07:35Great job in business with Clara.
07:41You were a silly boy
07:42letting those two slip through your fingers.
07:44Oh, I didn't let them go.
07:46I pushed them out.
07:48Shall we?
07:51That was a deliberate ploy to sabotage us.
07:53It didn't work, though, did it?
07:54We got the fucking commission.
07:57We did, didn't we?
07:59Turns out we're a pretty good team.
08:01Oh, the fucking A team.
08:03So, Tony Shakespeare, we should go.
08:05We need to go.
08:06What?
08:06No, no, no, no, no.
08:07Where?
08:07Well, you might.
08:08No.
08:09We show Tony that we don't give a shit
08:10about his petty tactics.
08:12We're bigger than that.
08:17Gertrude.
08:18Gertrude.
08:20Gertrude.
08:21Gertrude.
08:27Gertrude.
08:28Come.
08:32Uh...
08:32Is this a good crop this year?
08:35Yeah.
08:36Tons of it.
08:37Just...
08:37We need to get it all in before it rains.
08:41Uh, Mummy's back.
08:46Tony's hired her for a midsummer night's dream.
08:48Oh, Christ.
08:50After all of my mess,
08:51I don't imagine Declan's very happy about that.
08:53No.
08:53No, he's not.
08:55He's horribly worried about Ventura already.
08:58Yeah, well, I should probably, uh...
09:00probably crack on.
09:03Gertrude.
09:04Go on.
09:05Gertrude, come.
09:06Go on.
09:07Come.
09:10Oh, Gertrude, just...
09:14I'm out.
09:15We're not doing that anymore.
09:21I can't believe how well everything can go.
09:24This Shakespeare's gonna be such a hit.
09:27I feel like we should celebrate.
09:29Well done, you.
09:58Well done, I'll be back.
10:01Oh, my God, that was Archie.
10:03He says he's going to pull his sticky
10:05and wants me to come over while his parents are at the play.
10:08It's Mummy's big day.
10:10I know, but I really like him, Dougie.
10:14Do you think she'd mind?
10:18I'll cheer loudly enough for the both of us.
10:20No, Mum!
10:30Oh, well, to what do I have the pleasure?
10:36Um, funny thing, really, I was, um...
10:39I bumped into the chief wit,
10:42who suggested that perhaps I should run for your seat in the by-election.
10:46Congratulations.
10:50That's... that's wonderful.
10:51Ah, you're off?
10:52Yeah, I'm going to head to the Priory first.
10:54I think you should come. I think it'd be good.
10:56Show Tony how little effect he's had on you.
10:58I would rather be eaten alive by red ants
11:00than go to a Shakespeare put on by Tony.
11:03We'd be together.
11:04Sorry, no can do, I'm afraid.
11:06I hope it's a categorical disaster. Enjoy.
11:17She leant against the gate,
11:18her thighs pricked red from the metals.
11:21Angus stepped towards her,
11:23his handful of dock leaves.
11:24It dragged them slowly up her leg and under her skirt.
11:28The wet sap of the leaf joining Cecily's ecstasy.
11:31Right, Fred, Fred, we're off.
11:34I want to get there nice and early, so we can get a good seat.
11:36Good idea, Mousie. You have a lovely time.
11:39I don't understand why I have to go if Daddy doesn't have to.
11:41Because Daddy doesn't want to give Tony badding under-satisfaction.
11:44Daddy is old enough to make his own bad decisions.
11:46Right, come on out.
11:47Bye, Dad.
11:48Bye, son.
11:49I don't want anyone thinking that we're not cultured.
11:51And remember, Fred, Fred, do not take off your trunks.
11:54I'm not having whatever swims in and out the end of your thingy floating up to the top.
11:57I'm too old for another baby.
11:59I don't think it works that way, my love.
12:01I don't care.
12:02Just don't do it.
12:04Right, out.
12:14Do you think he's expecting us, Tina?
12:34Do it.
12:35No, I think you should only do it with someone who really loves you.
12:38And who you love.
12:40And I wish I went to for something special.
12:43I should probably give him a blowjob there, shouldn't I?
12:44Oh, God.
12:46How do you give him a blowjob?
12:47I thought you'd done everything.
12:48No, I've hardly done anything.
12:51Talia said that Toby's come tasted of salty orange juice.
12:58What if he thinks I'm shit?
12:59He doesn't think you're shit.
13:00What if he gets to know me and then realizes I'm shit?
13:03You're not shit.
13:04You're great.
13:04You're amazing.
13:05Just...
13:05You know, be you.
13:07You're the best.
13:09Bye.
13:09Bye.
13:10Bye.
13:21Bye.
14:22If you really want to...
14:34Do you want to?
14:37I'm so sorry, Archie. I'm not sure I'm ready.
14:39Oh, I'm so sorry.
14:40Hey, don't be silly.
14:42It's fine. I'm in no rush.
14:43I love just hanging out with you.
14:48I've got Barbarian, the Ultimate Warrior, if you want to play that.
14:51Yeah.
14:54What are you after?
14:56Come to get my suit for the performance?
14:58I don't think you're coming.
15:00If Tony wants to put on a show for me, I am more than happy to watch.
15:04Ah, you think he only hired me to piss you off?
15:08Your words, not mine.
15:09God, can you not see how petty you're being?
15:13Can you not see how naive you're being?
15:16Came to see you in a play, did he?
15:18Of all the actresses in the world, it was you who had to be his Titania.
15:22He didn't know I was going to be playing Nora.
15:25He was blown away.
15:26He offered you a slice of fame, and you grabbed at it with both hands like a hungry child.
15:31He doesn't give two shits about whether you're good or not.
15:34It works for him either way.
15:35Maud O'Hara, wife of rival Declan O'Hara in Carinium smash hit.
15:40Declan O'Hara's wife bombs in Carinium production.
15:42I'm exposed regardless.
15:44He's destroyed Rupert, now he's coming after me.
15:47You think Tony expects me to fail?
15:49I don't think he cares.
15:52Great.
15:53Well, let's hope I prove both of you wrong.
15:57Now, if you wouldn't mind fucking off, I would like to get ready in peace.
16:02Yeah.
16:23I remember that dress.
16:25I was at a garden party with Melise when the housekeeper called.
16:28Where is she?
16:32Um, she's still asleep.
16:34Is it okay if we live a bit longer?
16:35She was horribly tired, poor thing.
16:37Oh, I suppose.
16:39The place looks good.
16:41I see Cameron has been allowed a vase.
16:44Must have been quite the uphill battle.
16:45Well, she's very persuasive.
16:47Better at it than I was.
16:48Well, I wouldn't say that.
16:50After all, my drawing room is...
16:52pink.
16:55You know Tabitha has been bullied.
16:58No.
16:59She didn't mention it.
17:00She had a fistfight at Pony Club, defending your honour.
17:07That's my girl.
17:08When are you going to learn that your actions have consequences?
17:11I didn't know.
17:12I was being taped.
17:13It wasn't my fault.
17:14But you did sleep with all those women.
17:17I didn't know.
17:17I was expected to live like a monk.
17:19If you remember, we're not married anymore.
17:20No one expects you to be celibate.
17:22I just think acting like an okay guy would have been enough.
17:25I don't have to answer to your strict moral codes anymore, Ellen.
17:28But I still have to answer to yours.
17:32Do you know what the moms at school think of me now?
17:35I am the slut that had a foursome with Rupert Campbell Black and his friends.
17:41Your behaviour bleeds over the rest of us.
17:45Your life contaminates ours.
17:51I have spoken with a lawyer.
17:56I am seeking 100% custody.
17:58Please, please don't.
18:01Don't do this.
18:02I, I, I'll die without them.
18:04You see them once a month, at best.
18:06You'll be fine.
18:07Well, I won't let you take them.
18:08Well, you won't have any choice.
18:10I doubt you'll have much credibility in court with your recent track record.
18:15I am so sorry that your parents never looked after you.
18:19But I won't leave my children to the same fate.
18:23If you can't protect them, I will.
18:28Now, I would appreciate it if you went and got Tabitha.
18:53I saved the store before you.
18:58Thank you, sweetheart.
19:20Charles, Maud's in makeup, but she doesn't seem quite right.
19:27Daisy, okay, I will handle it.
19:30Thank you for letting me know.
19:33She looks okay to you, doesn't she?
19:36If by okay, you mean deranged, as if she could snap at any moment.
19:39Jesus, just stop jabbing at me.
19:43Someone's nervous.
19:45That's me.
19:47No.
19:48I shouldn't have come in.
19:50I have to go.
19:51I can't be here.
19:52What are you talking about?
19:53You can't leave.
19:54You're the lead.
19:54I know why Tony hired me, and I will not be used.
19:58No.
19:58You're amazing.
19:59You're wonderful.
20:00Don't move.
20:01I'll be right back.
20:04Daisy.
20:05Yes, Charles.
20:06Doesn't that sort of look like the sea?
20:07Oh, yeah, it does.
20:09Please, fetch Mrs. O'Hara a whiskey and find Lord Battingham now.
20:13Okay.
20:15Give me five minutes.
20:17Five minutes.
20:18Deep breaths.
20:19Maud, in and out.
20:23You two did it.
20:27Fifteen minutes until curtain call.
20:29Wonderful to see you, Monica.
20:30Yes.
20:30Hello, Monica.
20:31Thank you so much for coming.
20:32I wouldn't miss it for the world.
20:34Oh, such a joy to combine culture and community.
20:37I couldn't agree more.
20:39Reverend Penny, cranium really has gone above and beyond.
20:46Great to see you, Lady Gosling.
20:48Well, you too.
20:50Surprising.
20:51You've come out en masse, it seems.
20:54Are you ready with you tonight?
20:55No, he's not as much into the bard as I am.
20:58He's absolutely cuckoo about the new swimming pool.
21:02Honestly, I can't tear him away.
21:04It makes me skinnish just being in the Carinean bin.
21:08Take the higher ground.
21:09Exactly.
21:11Can we swap?
21:11I've already had two pints and I'm going to need a piss.
21:14Oh, yeah.
21:14Sure.
21:19Apparently, the four men that mow have their shirts off.
21:22They fucking love Shakespeare.
21:24Deglan's in the audience.
21:25He looks extremely uncomfortable.
21:28Very good.
21:28You're Battingham.
21:29You're Battingham.
21:30Mrs. O'Hara is refusing to go on.
21:37Okay, everyone out.
21:38Oh, um, Emmy hasn't been finished yet.
21:40Out!
21:41Yeah, we'll just go.
21:42Okay.
21:49I know why you hired me.
21:51And I won't do it.
21:52I won't be made a laughingstock.
21:54All right, let's sit down.
21:55No.
21:56Come on.
21:58We'll have a talk.
22:05The problem is, she's just not a professional.
22:07We're all here to do a job.
22:09And, uh, as we actors always say, the show must go on.
22:15Isn't that right?
22:16Oh!
22:18Excuse me.
22:18I can't do it.
22:20I can't remember my lines.
22:21I don't know what I'm doing.
22:23You're doing what you were born to do.
22:25You could do this in your sleep.
22:25Declan says you don't care if I'm any good or not, because either way, it reflects badly on him.
22:31Oh, Christ.
22:32What a terrible thing to say to one's wife.
22:34There is no chance in hell you'll be bad.
22:37You're an entirely authentic performer, Maude.
22:40It's as if you've lived it all before.
22:42So this isn't a ploy to get a Declan?
22:45Well, I'll admit that watching your husband squirm is the cherry on top.
22:50But I'm a businessman.
22:51I don't make bad decisions.
22:54I hired you because you are bloody good at what you do.
22:57You were the best person for the job.
22:59It's just...
23:00It's just flattering me.
23:01It's just pandering to my ego.
23:03No, I'm not.
23:04I have no interest in producing anything that isn't exceptional.
23:09I don't fail.
23:11Like, if this is a disaster...
23:13It's not going to be a disaster.
23:14It's going to be brilliant.
23:15If you don't trust yourself, trust me.
23:18I am so confident in your performance.
23:21I want you to come in and audition for me for the lead in the next series of Four Men
23:25Went to Moat.
23:26She's the lady of the manor.
23:28A rich, posh English bitch on heat.
23:31You love all four men's hearts and cocks in the palm of the hand.
23:37If that doesn't prove how confident I am in you, I don't know what does.
23:46The ox has therefore stretched his yoke in vain.
23:50The plowman lost his sweat, and the green corn hath rotted ere his youth attained a beard.
23:56The fold stands empty in the drowned field, and crows are fatted with the murren flock.
24:06The nine men's morris is filled up with mud.
24:10I'll tell you what that means.
24:12And the one who is in the wanton dream for lack of freedom are indistinguishable.
24:18Camera one, push in.
24:21Yeah, you are a carol blessed.
24:24Therefore the moon, the governess of blood's pale in her anger, washes all the air that rheumatic diseases do about.
24:33What's this play about?
24:35It's about the fertility of being in love, how easy it can happen with the wrong person,
24:38but how that same haphazardness makes the triumph of true love all the sweeter.
24:42And I bear virtue's force, her force, doth move me on the first few to say, to swear.
24:53I love thee.
24:58I love thee.
25:26CHOIR SINGS
26:00CHOIR SINGS
26:05James, your bottle was marvellous. Would you like a club?
26:10Give this to her for me, will you?
26:11Come on.
26:40Lizzie, what are you doing here?
26:42I'm so sorry, I know I shouldn't have.
26:48Oh, you're reading my book.
26:51I am.
26:52Went to W.H. Smith's, there you were.
26:54There was a bidding war in my new novel.
26:56Well, the chapters I read about Lettie and Ferdy.
26:58Yes.
26:59They liked it so much they've given me a two-book deal.
27:02Carol, my agent, it's over the moon.
27:04You know, I've made more money today than I've earned in my entire life.
27:08Just wanted to tell you first.
27:10That's bloody brilliant.
27:14You're bloody brilliant.
27:18You're bloody brilliant.
27:45You're bloody brilliant.
27:49I know the taste of victory
27:52Though I went through some nights
27:55And through my shadows
27:57I was crippled emotionally
28:03Somehow I laid it to the heartache
28:06Once I did, I escaped
28:11I found my way out of darkness
28:14I kept my faith, I know the day
28:17I kept my faith, when the river was deep
28:20I didn't fall down
28:23When the mountain was high, I still believe
28:26When the valley was low, it didn't stop me
28:31Ladies and gentlemen, please take your seats
28:33The performance is about to give you
28:36Fuck!
28:41Probably got lost, poor lad
28:44Well, the public must have
28:51And cue curtain
28:54Okay, cue music
28:57I wonder if...
28:59I can't find James
29:00I've looked everywhere
29:01He's not in Studio 2
29:02He said he'd be there
29:03Jesus Christ, we can't carry on without Bottom
29:06What the hell are we going to do?
29:08Here comes my messenger
29:10How now, my spirit
29:13What night moves now
29:15At this heart of the grave
29:17Charles
29:18Charles
29:24Will you just see stuff?
29:26Maybe she's doing a poo
29:28And my feet didn't stop me
29:31Do you wait to...
29:34Do you wait to...
29:35Do you wait to...
29:35Oh, my God
29:42Asper, do you might drown?
29:44What a wonderful way to die
29:50Dad?
29:53Dad?
29:55You all right, my angel?
29:57What are you doing on?
29:59Mummy hates me
30:00Of course she don't hate you
30:01She loves you
30:02How did you get on?
30:03I walked, cut straight across the Frogsmore Field
30:05What, all that way?
30:07Well, you should have called me
30:08I would have picked you up
30:09I did
30:10It just rang and rang
30:12Mum thinks I look awful
30:14She says I'm an embarrassment
30:15You're beautiful, baby
30:17You know that Mummy says silly things
30:19Sometimes
30:19She adores you
30:20She'd kill for you
30:21You know that
30:21Well, if she is right
30:22There was a boy I liked at the stables
30:24But he said I was weird
30:27Well, then he's not for you
30:30Not everyone fancies everyone
30:33Never can be cruel like that
30:36It's about chemistry
30:38And lucky timing
30:40I wish someone loved me
30:41The way you love Mum
30:46It will, baby
30:48It will
30:50I won't tell Mum about your skin, Edithin
30:53And be a little secret, yeah?
30:56Just don't get some ice cream
30:58Come on
31:09Okay
31:18Unkiss thy ears
31:21Monsieur Cobweb
31:23Good, monsieur
31:24That's Charles
31:28I don't think so
31:30I don't think so
31:30Things change there
31:31I can play in bottom
31:32No, that's definitely Charles
31:35Do not fret yourself too much
31:37In action, monsieur
31:38And good monsieur
31:40Have a care
31:41The honey bag break
31:42What the fuck is going on?
31:44I think he's rather good
31:52Bravo, bravo
31:54Bravo
32:05Thank you
32:20Your mum was ace
32:22Well, she was, wasn't she?
32:23So why'd you look like someone just ate your last roll up?
32:26I thought the play was a little depressing
32:27How's it depressing?
32:28It's all about true love
32:31And a love potion that can make you forget everything
32:34And fall in love with the wrong person
32:37You need a tequila and a cock in you right now
32:39Come on, we're going into town
32:40I should probably wait for my mate
32:42Fuck off
32:43Life's short
32:43We're never going to be this hot again
32:50Well done, darling
32:52Well done
32:53You were incredible
32:55Don't be sick
32:56It was a tour de force
32:58Right
32:58Well done, Charles
33:00Thanks, darling
33:01You're a much better botter than James
33:07Don't cry, it went so well
33:12Mummy died this morning
33:15What?
33:16I got a call from the nursing home to say that she died just before dawn
33:19Didn't think Tony would be too impressed if I didn't come in
33:22A lot resting on today, you know
33:26I'm so sorry
33:29An orphan boy at morning
33:41Are you decent?
33:47Oh, Joel, did you tell him our news?
33:50No, what news?
33:51We've set a date for the wedding
33:52March the 5th
34:01Oh, Charles' mother died this morning
34:05Oh, Charles, I am sorry
34:06Poor her
34:08Poor you
34:10End of it
34:11End of it really is frightful
34:13Come on, Jerry
34:14Let's let him dry his eyes
34:15One doesn't want to appear tear-stained in public
34:17We'll see you upstairs at the party
34:20Stiff drinks all round
34:21Doctor's orders
34:45Why, why, you are a lucky sod, Declan
34:47Morty was superb
34:48A fine filly indeed
34:50Rarely was a masterpiece
34:52Who the hell let Declan and his reprobates up here?
34:54Mother Goose, apparently
34:57Oh, you really bought the bard alive tonight, Tony
35:00The Scottish plane is my favourite
35:03But this is proving a close second
35:05Yes, wasn't it good?
35:06Well, I'm sorry my Fred Red couldn't be here
35:09He's absolutely gaga about the new swimming pool
35:12Everything smells of chlorine
35:13Your excuse me
35:15Lady Gosling
35:17Congratulations, Tony
35:18Yes, yes
35:19It was honestly the kind of thing I would have expected to see
35:21At Stratford-upon-Haven
35:23Well, of course, it's exactly what we at the Ministry of Culture
35:25Are looking to promote
35:26I saw the announcement of your new position, Mr. Stratford
35:30Lovely news, isn't it?
35:31We're so proud to be back in government, aren't we, darling?
35:33Indeed
35:33Mrs. Thatcher's been so clever to recognise Paul's talents
35:36Why, don't you think it makes sense to invite Paul to join the board at Carillium?
35:41Ah
35:42You're quite right
35:45Would you like to join Paul?
35:47Well, 1987 is turning into quite the banner year
35:51Here's to hopefully topping it off with a boy in December
35:56Yes, I must just say hello to Lizzie
36:04What happened to James?
36:06Oh, well, he wasn't that bad
36:08No, James didn't come on in the second half
36:11Nobody knows what happened to him
36:12Charlesville did
36:14Oh
36:15Perhaps you ought to go and look for him
36:17And you might think about doweling off your hair first
36:21Smell a little of chlorine
36:26Between you and me
36:27I thought your detainer at school was far more exciting
36:30Well, that was a long time ago
36:33I remember
36:43Um, Daisy, isn't it?
36:45Ah
36:47Lovely to see you're looking so well
36:54Oh, sorry
36:55You OK?
36:56Yep
36:58You don't look OK
36:59It's just been a very long day
37:03James
37:05James, darling
37:06It's me
37:08Oh, God
37:09James
37:12Oh, James
37:13Oh, James
37:14What happened?
37:15Oh
37:16James
37:18James
37:19Oh
37:20Oh
37:21Oh
37:21I think I locked myself up
37:22Oh, darling
37:23Oh
37:24Did they have to cancel the play?
37:26No, darling
37:27So sorry
37:28What?
37:29Oh
37:30What?
37:31They did it without me?
37:32Yes
37:33So sorry
37:33Well, I've never said it's not a fault
37:35You save me like you always do
37:38It's your own saint
37:39I don't deserve you
37:48All right, Kev?
37:49All right
37:49Two shots and a snake bite
37:52What do you want?
37:54Er, yeah, a shot, two, please
37:55Tequila
37:55Best love potion known to me
37:57How was the show, then?
37:58Bunch of posh wankers prancing about
38:00Pretty decent rendition, to be honest
38:02Don't be jealous, Kev
38:03One day your prince will come
38:10One for each of us
38:13What?
38:13What are you doing?
38:14Sticking the music up
38:31I won't work
38:32Walk like an Egyptian
38:45The blonde waitresses
38:46Take their trays
38:48Spin around and they cross the floor
38:50They've got the moves
38:51Oh, hey, oh
38:52You drop your drink
38:53Then they bring you more
38:54All the school kids so sick
38:56They've got books
38:56They're like the punk
38:57And the middle band
38:58When the buzzer rings
39:00Oh, hey, oh
39:01They're walking like an Egyptian
39:02All the kids in the marketplace say
39:05Oh, hey, oh
39:07Hey, oh
39:08Hey, oh
39:24Hey, oh
39:26You were incredible
39:27Oh, you thought so, did you?
39:29Well, how kind
39:30I'll get a drink
39:31You know, it was just like watching with you all days
39:34I want you to come to Ireland with me
39:37Imagine if you, me, and yet
39:39It'd be our homecoming
39:41You want me to go with you?
39:42To do what?
39:44To be by my side
39:45Oh, to be by your side
39:47Because I thought we were done supporting each other, Declan
39:50I mean, didn't you just come tonight to watch me fail?
39:53No, I was angry
39:54I shouldn't have said what I said
39:55All right
39:58You were amazing in there
39:59Please, love
40:03Please come with me
40:03No
40:04I don't think so
40:07I don't want to sit around watching you work
40:11Unfortunately, I'm going to be quite busy
40:12Because Tony, uh
40:14Tony wants me for the new series of Four Men Went to Mow
40:19Are you joking?
40:20No
40:21Because he believes in me
40:23Even though you clearly don't
40:25That is not true
40:25And you know it
40:26Well, you've never done anything to help my career
40:28All you've ever done is held me back
40:33Let's talk about this at home
40:35The cast are going out for a drink
40:37I've booked a room at the Cotchester Hilton's home
40:41Don't bother waiting up
40:48Thank you
41:01Where's my leading lady?
41:17What's going on here? Is it someone's birthday?
41:19I don't think so
41:20Shelly and Taggy keep turning off
41:22Taggy?
41:2499 dreams I have had
41:27Just to prove
41:28The world was here
41:31And here is a red balloon
41:33I think of you
41:35And let it go
41:43Oh, are you alright?
41:45I'm a bit drunk
41:46I think I need to go home
41:48Alright, well, I'll drive you
41:49Okay?
41:52Have you seen Shelly?
41:54No
41:55Have you seen Domi?
41:56No
41:59Where?
42:00I'm heading off, Shelly
42:01Oh, see you, Taggy
42:08It's not like you to drink
42:10Is everything alright?
42:11It's poor Bottom
42:14Everyone else falls and now
42:15And he just goes back to being sad old Bottom
42:19I think I'm Bottom
42:20You are not Bottom
42:23I mean, you have a fabulous Bottom
42:26But you're not Bottom
42:28Anyway, who's to say that Bottom doesn't meet somebody wonderful the day after the play?
42:32Hmm?
42:35There's always tomorrow, Taggy
42:58Where's Mummy?
43:00They had a fight
43:02They're staying in Cochester
43:04Well, then go and get her
43:06Just tell her you love her
43:07Tell her what she wants to hear
43:11Why are all men so bloody useless?
43:36Oh, hello
43:39Hello
43:40Hello
43:40Hello
43:40Hello
43:44Oh, yeah
43:50Oh, my gosh
43:51Gosh
43:52Yes
43:53Oh, sorry
43:56Um, was Sharon okay?
43:59Yeah
43:59She didn't see anything
44:03I felt so guilty
44:04I said I'd buy her this field and build her around stables
44:09Which
44:11Yes, we can't keep doing this
44:15Too many people will get hurt
44:19Yeah
44:22Gosh
44:28I suppose we're lucky we had it even for an instant
44:34Yeah
44:39Goodbye, Freddy
44:43Goodbye, Lizzie
45:03Mother
45:04Mother disappeared gradually with my life
45:05And for that I am grateful
45:10I'm not sure I could have withstood her disappearing all at once
45:17Who will I put the Christmas cards up with now?
45:22Who will I tell when I've got good news?
45:29My friends
45:32Thank you all so much
45:34I can't tell you how much this means to me
45:46Look, Declan
45:48I know I've left you and Venture in an awful mess
45:50But
45:50I'm gonna make it up to you
45:58Sure
46:06Venture
46:09I told you you could do it
46:16Are we waiting for anyone?
46:20No
46:22Just ask
46:25Would you like me to read anything?
46:28I was hoping perhaps
46:30We could improvise
46:34Huh
46:37Would you like me to do the English accent?
46:41Why not?
46:44You know the first rule of improvisation is you can't say no to anything
46:49Is that right?
46:51Would you like to see me do anything in particular?
46:54There are lots of things I want to see you do
46:58You know I actually dreamt of doing some things in front of you the other night
47:02Oh really?
47:03What was that?
47:04There were some very bad things
47:05Ah
47:06I seem to remember
47:08It started
47:12Something
47:14Like this
47:17And then
47:19What was it?
47:23Oh yes
47:24What was it?
47:26What was it?
47:42What was it?
47:45What was it?
47:48What was it?
47:49What was it?
47:51What was it?
47:52What was it?
47:53What was it?
47:54Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:02ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:10ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:10ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:10ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:10ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:11ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:11ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:14ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:14ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:15ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
48:15ha ha ha
48:15Oh, oh, oh, oh, oh, oh, oh, oh.
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