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film horror in italiano
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00:00:09Grazie a tutti.
00:00:43Grazie a tutti.
00:01:04Grazie a tutti.
00:01:06Grazie a tutti.
00:02:05Grazie a tutti.
00:02:09Grazie a tutti.
00:02:12Grazie a tutti.
00:02:12Grazie a tutti.
00:02:23Grazie a tutti.
00:03:26Grazie a tutti.
00:04:58Grazie a tutti.
00:06:13Grazie a tutti.
00:08:16Grazie a tutti.
00:08:50Grazie a tutti.
00:11:00Grazie a tutti.
00:11:06Grazie a tutti.
00:11:46Grazie a tutti.
00:12:15Grazie a tutti.
00:14:05All right,
00:14:36a tutti.
00:17:41The wireless
00:19:43a tutti.
00:20:17Oh, Mr. Lane, I'm so glad you've come.
00:20:19Gail, how are you?
00:20:20Excuse my not meeting in the boat, but I've been looking for Nancy. I can't find her.
00:20:23She's not with her mother, are you, Anna?
00:20:24No, I can't find Anna.
00:20:26Why, I've seen Nancy a few hours ago.
00:20:28Well, she must be around here someplace.
00:20:31Well, there she is now.
00:20:33Daddy, Daddy!
00:20:34Well, my darling little girl, where have you been?
00:20:37So glad to see you.
00:20:38My darling, I'm so glad to see you.
00:20:41I haven't seen you for a hundred years.
00:20:44Oh, yes, you have. It's only been two weeks and three days.
00:20:47Well, they seem like a hundred years.
00:20:48Tell me, how's Gus?
00:20:50Where is Gus?
00:20:51He's in the house. I'll go get him.
00:20:53All right, you get Gus.
00:20:55Hurry up.
00:20:56Mr. Lane, I must talk to you right away.
00:20:58Perhaps you'll permit me to talk to Mr. Lane first.
00:21:01Since you were so foolish as to endanger all our lives by sending that radiogram,
00:21:05I must assist, Mr. Lane.
00:21:07Here's Gus.
00:21:09Well, Gus hasn't changed a bit, has he?
00:21:12You'll excuse us, Gail?
00:21:13And please, tell Anna not to let the child go out to the garden.
00:21:16Yes.
00:21:17This one's to leave, please.
00:21:22Lay blue, la una.
00:21:24Thank you, my nose.
00:21:26What did you mean that the radiogram endangered our lives?
00:21:29It had to be sent through my native operator.
00:21:31All the blacks on the island know that we're trying to send my niece back to the States.
00:21:35What difference could it make to the natives whether my wife goes or stays?
00:21:45Yes, sir.
00:21:46Yes, sir.
00:21:47The sun is just setting.
00:21:49What is it?
00:21:51Drums.
00:21:52The radar drums.
00:21:53Radar drums.
00:21:54Blood worship.
00:21:55Sacrifice to the black guards.
00:21:57You call it voodoo.
00:21:58What does it mean?
00:21:59Who knows?
00:22:00But this I do know.
00:22:02Never have the drums beat so and sent Christopher without trouble.
00:22:06With the natives?
00:22:13Nobody can listen.
00:22:14Please.
00:22:15Thank you.
00:22:19Something is happening.
00:22:20You ask me what, then I can only say I do not know.
00:22:23I merely consider this.
00:22:25We have five whites.
00:22:26Two of them are women and one is a helpless child.
00:22:28And around us are 2,000 blacks.
00:22:31Fully three-quarters of these are hill bandits.
00:22:34Fugitives from Haiti.
00:22:35If you knew this danger existed, why did you allow Juanita to stay here?
00:22:40Juanita would not leave.
00:22:41Why not?
00:22:42I don't know.
00:22:44But if you love her, persuade her, somehow take her away from here.
00:22:48Stephen!
00:22:51Hello, darling.
00:22:54What are you doing here when you promise not to come?
00:22:57I'm here to take you home.
00:22:59Home?
00:23:00I don't understand.
00:23:02Your uncle says there's danger here.
00:23:03The natives are restless.
00:23:05Oh, you've been listening to Uncle Raymond.
00:23:07He's afraid of ghosts.
00:23:09Of natives he's whipped and killed.
00:23:12There's no danger.
00:23:27I know the natives.
00:23:29Nothing's going to happen.
00:23:34This place is part of me, Steve.
00:23:40Every path of the jungle.
00:23:44Every shadow.
00:23:46There's music you've never heard.
00:23:51For the first time in years.
00:23:55I'm at peace.
00:23:59Oh, pardon me.
00:24:01Where's Dr. Perez?
00:24:01Why, he went out that door just a moment ago.
00:24:04I've got to find him.
00:24:06What's the trouble?
00:24:07I went looking for Anna.
00:24:08Yes?
00:24:08I found her.
00:24:09Something horrible has happened.
00:24:10What?
00:24:12We've got to find Dr. Perez.
00:24:18Look!
00:24:22Anna!
00:24:24How could it have happened?
00:24:25She might have been out walking and fallen in, but...
00:24:27But what?
00:24:28A dozen whites have been found in the edge of this lava pit.
00:24:31They all had interfered in some way or other with the natives.
00:24:38Where's Anna, Mother?
00:24:40She's gone, darling.
00:24:42Rue is your nurse now.
00:24:44Come on.
00:24:45Get in bed.
00:24:46Let me hold it.
00:24:46But I want Anna.
00:24:48Come on, sweet.
00:25:06Come on.
00:25:08Come on.
00:25:09Come on.
00:25:14Hello.
00:25:16Come on.
00:25:17Come on, sweet.immee씩.
00:25:19King's ex! King's ex!
00:25:22Why can't you be my nurse?
00:25:25Until Anna comes back?
00:25:29Where'd she go?
00:25:31On a long trip.
00:25:33New York?
00:25:35Longer than that, darling.
00:25:37I don't like her.
00:25:40Why can't you be my nurse?
00:25:42Well, I'd like to, sweetheart, but...
00:25:44I'm afraid I might not be much good.
00:25:47You see, I'm just only a secretary.
00:25:51What's that?
00:25:53Oh, someone who takes care of things,
00:25:56writes letters and answers the telephone.
00:25:59You're sort of a nurse.
00:26:02Well, yes, sort of.
00:26:04Is the schooner all set to leave?
00:26:06Yes, sir.
00:26:07Of course, I ain't been on her this morning.
00:26:09But when I put her to bed last night,
00:26:10she was the perfect elf.
00:26:12Mr. Lane and his family are sailing in an hour.
00:26:15All of them?
00:26:17Yes, we're all leaving.
00:26:18You go out and take Miss Hamilton's place
00:26:19until I want to see her.
00:26:20And keep your eye on the child.
00:26:22Yes, sir.
00:26:23Of course, I ain't been on nursemaid before.
00:26:25We'll make an exception this time.
00:26:27Oh, exception.
00:26:29Yes, exception.
00:26:30I'll tell my wife we're leaving.
00:26:31Good.
00:26:41Good.
00:26:42Good.
00:26:44Good.
00:26:57Good.
00:27:00Good.
00:27:01Good.
00:27:02All black magic.
00:27:21Oh, Gail.
00:27:22Yes?
00:27:22May I see you a moment?
00:27:26What's happened?
00:27:27Can you be ready to leave in an hour?
00:27:29I was ready to leave the minute I got here.
00:27:32I'd have gone crazy in another week if you hadn't come.
00:27:35Still thinking about quitting when you get back to New York?
00:27:40I'm afraid so.
00:27:41You can't be serious about that.
00:27:43Why, who will balance Mrs. Lane's checkbook?
00:27:46Doesn't my broken heart mean anything to you?
00:27:49Those things always blow over.
00:27:51Yes, and checkbooks always get balanced.
00:27:53That's right.
00:27:58Oh, look.
00:28:00The schooner.
00:28:02Is there no other boat?
00:28:03No, that's the only one.
00:28:13Looks bad, doesn't it?
00:28:35I wonder where she can be.
00:28:37Some of them must probably find her.
00:28:40Mrs. Lane is not in the house.
00:28:42I've looked everywhere.
00:28:43That's funny.
00:28:44I don't understand it.
00:28:45She probably went out for a walk.
00:28:47Alone this time of night?
00:28:48You'll forget that she was brought up in this island.
00:28:50Do you mind if I look?
00:28:51Not at all.
00:28:52Well, Nancy's alone.
00:28:53I'll sit with her until you find Mrs. Lane, if you wish.
00:28:55Thank you.
00:28:57Don't worry.
00:28:58I'm sure you'll find her.
00:28:59Yes, but I just don't understand it, that's all.
00:29:02Good night.
00:29:03Good night.
00:29:23Good night.
00:29:34I'm with you, doctor.
00:29:35There's something at the bottom of this.
00:29:36Something that you haven't told me.
00:29:38My dear friend, what possible reason should I have for hiding anything from you?
00:29:43She's gone out for a walk.
00:29:45She's done it a hundred times.
00:29:46You told me when I first got here that she was in danger, that I had to get her off
00:29:49the island.
00:29:50Perhaps I exaggerate.
00:29:51That doesn't account for Anna's death of the stolen schooner.
00:29:53There have been native uprisings here before.
00:29:56That's why we built this tower.
00:29:59Ah, don't let it worry you.
00:30:01Come on, give her a little more time.
00:30:03Would you like to look inside, eh?
00:30:15This is the only door on the island no native has ever passed.
00:30:42These stairs lead to the tower above.
00:30:45Come over here.
00:30:46I want to show you something.
00:31:02I see you're prepared.
00:31:04We've been prepared for the last hundred years.
00:31:06Six times the blacks have tried to wipe us out.
00:31:09I suppose you're acquainted with a Negro superstition that seven is their lucky number.
00:31:14If life is so cheap down here, both black and white, why do you remain?
00:31:18Our family has been in the saddle in St. Christopher for the last two hundred years.
00:31:23Many have died, but none has ever run away.
00:31:27I see.
00:31:32Well, shall we go back to the house?
00:31:35All right.
00:31:56Close the door.
00:32:02This way.
00:32:15Here we are, back in the library again.
00:32:19And now, if you don't mind, I think I'll go to bed.
00:32:22Make yourself comfortable.
00:32:23Good night.
00:32:24Good night.
00:32:34Good night.
00:32:35Good night.
00:32:39Good night.
00:33:29Gail.
00:33:39What time is it?
00:33:41Two o'clock.
00:33:46The drums have stopped beating.
00:33:47Yes.
00:33:50I think you'd better go to bed now.
00:33:59I'll sit up if you like.
00:34:00Thanks. It isn't necessary.
00:34:11Nothing else I can do?
00:34:13Thank you, no.
00:34:14You'd better get some sleep.
00:34:16All right.
00:34:17Good night.
00:34:18Good night.
00:34:19Good night.
00:34:46Good night.
00:34:47I've been walking.
00:34:49This late?
00:34:50I lost my way.
00:34:53What's wrong?
00:34:54I know that you're in trouble.
00:34:55I know that you're trying to fight something.
00:34:57But I can't help you because you're keeping me in the dark.
00:35:00I understand no matter what it is.
00:35:02But you must tell me.
00:35:05Please, Stephen.
00:35:07I'm tired.
00:35:08Let me go to bed. We'll talk it over in the morning.
00:35:10We'll talk it over now.
00:35:12Oh, please, Stephen.
00:35:30You heard?
00:35:31Yes.
00:35:32I'm taking one meter home.
00:35:34But how?
00:35:34Where's your wireless?
00:35:35In there.
00:35:36I'm sending a message to Port-au-Prince for a boat.
00:35:38But my operator was killed.
00:35:39I'm an operator.
00:35:41You're well.
00:35:45There it is.
00:35:46Can you see me?
00:35:47You see well enough?
00:35:47Yes.
00:35:49Where's the code book?
00:35:49Over there.
00:35:50Leave the door open.
00:35:54I've got it. LQO.
00:35:55Close the door.
00:36:13I got him.
00:36:14Good.
00:36:26We have no choice except to do as the doctor says.
00:36:29But hasn't he any idea of what will happen or how we can get away from this place?
00:36:33None.
00:36:34Our only chance is to act natural.
00:36:36Pretend we're not afraid and wait.
00:36:38Everywhere you go, eyes watching you.
00:36:40No sleep.
00:36:41Drums beating all night long.
00:36:43And Anna, our friend, murdered.
00:36:45Oh, Gato.
00:36:47Come here.
00:36:48Let's play hopscotch.
00:36:55All right.
00:36:57Go ahead.
00:37:03King's egg.
00:37:04King's egg.
00:37:10It's laying, sir.
00:37:12What is it?
00:37:18Where are you, lunch?
00:37:20Over here.
00:37:24What are you hiding for?
00:37:26That's so loud, Mr. Lane.
00:37:27What's the matter?
00:37:28There's trouble over my mind.
00:37:30What kind of trouble?
00:37:32Gal trouble.
00:37:33Oh.
00:37:34Don't laugh, Mr. Lane.
00:37:36My gal then got mixed up with that rider, sir.
00:37:39You mean the voodoo?
00:37:40Them voodoo priests are going to kill her.
00:37:42Killer?
00:37:43Why?
00:37:44One of them tanks.
00:37:47Same thing that's keeping you on this island, sir.
00:37:49What's that?
00:37:51Voodoo.
00:37:54You meet me here 11 o'clock tonight.
00:37:57See for yourself.
00:38:00All right.
00:38:31Well, I'll see you later.
00:38:34All right.
00:38:38All right.
00:38:40All right?
00:38:43A presto.
00:39:20A presto.
00:39:23Ogun pedagli.
00:39:30Power's coming, Mr. Lane.
00:39:34Now you're gonna see something.
00:39:40A presto.
00:39:52A presto.
00:39:55A presto.
00:40:00A presto.
00:40:03A presto.
00:40:06A presto.
00:40:14A presto.
00:40:18A presto.
00:40:22A presto.
00:40:41A presto.
00:40:42A presto.
00:40:43A presto.
00:40:45A presto.
00:40:47A presto.
00:40:49A presto.
00:40:52A presto.
00:40:53A presto.
00:40:55That's a muller.
00:41:02Oh, Lord.
00:41:04They're going to do it.
00:41:07Accepte set sacrifici.
00:41:10O bon bodegre.
00:41:19Come on.
00:41:41Come on.
00:41:43Come on.
00:41:44Come on.
00:41:45Come on.
00:41:47Come on.
00:41:51Leave.
00:41:56Come on.
00:41:57What is it?
00:41:57Has anything happened?
00:41:58No.
00:41:59I was looking for Mr. Lane.
00:42:01Isn't he in his room?
00:42:02No.
00:42:03I thought I heard a shot.
00:42:05I haven't heard a thing.
00:42:08Must be mistaken.
00:42:10Better go to bed and get some sleep.
00:42:11Good night.
00:42:13Good night.
00:42:35Where have you been?
00:42:37I've been in the jungle.
00:42:38I've just seen the voodoo ceremony.
00:42:39I asked you not to leave the house.
00:42:41What happened?
00:42:41I couldn't stand it any longer and I took a shot at that priest.
00:42:46You killed him?
00:42:47Knocked him cold.
00:42:48You've done the one thing that would save our lives.
00:42:50It's just like I told you.
00:42:52Them monkey chasers can't fight without no priests.
00:42:54Why try it?
00:42:55If there are priests' eyes, they believe the gods are angry.
00:42:57There's no more danger with a priest dead.
00:42:59Not with that one.
00:43:00You leave us alone.
00:43:01I want to talk to Mr. Lane.
00:43:02Yes.
00:43:02I'll be right outside, Mr. Lane.
00:43:04All right.
00:43:10You knew this all the time.
00:43:12Yes.
00:43:14I may as well tell you all of it now.
00:43:18Juanita's mother and father were killed by natives when she was two years old.
00:43:23They were trying to escape the natives in the last uprising.
00:43:27I saved Juanita's life and mine by killing the high priest on the window of the tower and that ended
00:43:32the uprising.
00:43:34For years the natives feared me and were at peace.
00:43:38Those years I grew careless.
00:43:41I trusted Juanita to a native nurse, Rova.
00:43:45She taught her the radar of the blacks.
00:43:49At night when I thought she was asleep, she was taken with native children to watch the sacrifice.
00:43:55She tasted blood.
00:43:58For years it went on like this.
00:44:00She was 15 before I found it out.
00:44:03I immediately took her to Haiti and sent her to school in the States.
00:44:17And so, at the end of six years school and traveling, she seemed cured.
00:44:23Particularly when she married and had a child, I was certain that a complete physical and psychological change had taken
00:44:29place.
00:44:30And apparently I was wrong.
00:44:32Why didn't you tell me all of this when I first arrived?
00:44:36Why wait until now?
00:44:38I tried to warn you.
00:44:40With what?
00:44:41With a lot of stupid evasion.
00:44:42I might have been able to do something.
00:44:44Get her off the island by force if necessary.
00:44:47What good is your telling me now?
00:44:48I had hoped it wouldn't be necessary.
00:44:50Do you realize what I saw tonight?
00:44:53Did you have to subject me to that?
00:44:55Do you realize that I saw my wife?
00:44:57Good evening, Stephen.
00:45:06Uncle?
00:45:09Did you hear what happened?
00:45:11Yes.
00:45:12The high priest was killed, wasn't he?
00:45:15Yes.
00:45:16Killed.
00:45:19It was very foolish of you, Uncle.
00:45:22I thought you knew how dangerous it is to tamper with the natives.
00:45:26Yes, I know.
00:45:27I was worried.
00:45:28One of my guns was stolen.
00:45:30I'd just had the boy lunch in here a few moments ago.
00:45:33It wasn't lunch.
00:45:35Took a crack shot to hit him from that distance.
00:45:39Why are you staring at me, Stephen?
00:45:43You look as though you'd seen a ghost.
00:45:45We ought to have some sleep now, all of us.
00:45:48In the morning we'll find out who did it and then...
00:45:51Yes, in the morning.
00:45:53Good night, Uncle.
00:45:54Good night.
00:46:09Goodbye, Stephen.
00:46:29Now, let's go to Sherlock Holmes.
00:46:30Oh, we'll be exactly right to have a better practice.
00:46:30Goodbye, Stephen.
00:46:33That's pretty funny.
00:46:34Good night.
00:46:35друга, Parker Best editor,
00:46:42Are you fine?
00:46:44If you see the subscribe button?
00:46:58Grazie a tutti.
00:47:40Grazie a tutti.
00:47:46Oh, Daddy! Daddy!
00:47:49Oh, Daddy! I'm frightened!
00:47:51Daddy!
00:47:53Daddy's coming.
00:47:54Where are you?
00:47:55I'll be right there.
00:47:57Daddy! Daddy!
00:47:59I'm coming.
00:48:00What is it, darling?
00:48:01I'm afraid.
00:48:02Well, honey, there's nothing to be afraid of.
00:48:05It's dark.
00:48:07Well, how'd you like to come down my room and go to sleep?
00:48:09Oh, I'd love it.
00:48:10Well, that's just what we'll do.
00:48:14Now I'm afraid.
00:48:15Of course you're not afraid.
00:48:35Now Daddy have the pillow, sweetheart.
00:48:37Now, how's that?
00:48:39It's just fine, Daddy.
00:48:41Where are you going to sleep?
00:48:43I'm going to sleep right over there.
00:48:46Oh, goody, goody.
00:48:47Come back here.
00:48:48Come back here, little monkey.
00:48:50Now, is everything all right?
00:48:51Yes, Daddy.
00:48:52Oh, no, it isn't.
00:48:53I'm thirsty.
00:48:54We'll take care of that right away.
00:48:57Where's Mommy's Daddy?
00:48:58Here's your water, sweetheart.
00:49:06You were thirsty, weren't you?
00:49:08I'll say.
00:49:10Now, you get to bed, monkey.
00:49:11And get to sleep.
00:49:16Good night, darling.
00:49:17Good night.
00:49:21Oh, Daddy! Daddy!
00:49:23Daddy!
00:49:24What's the matter, sweetheart?
00:49:25All you've had is a glass of water.
00:49:29What?
00:49:30What is it, sweetheart?
00:49:38Dr. Perez?
00:49:40Dr. Perez?
00:49:42Dr. Perez, look here.
00:49:44I gave a child a glass of water.
00:49:45Now she's in agony.
00:49:46Where'd you get it?
00:49:47Right there.
00:49:51Surda.
00:49:52Poison?
00:49:53No, it's a drug.
00:49:54The natives get the victim
00:49:55before the voodoo sacrifice.
00:49:56Bring her into my study.
00:49:57Come on, darling.
00:49:58Sweetheart.
00:49:59Come here, Daddy.
00:50:00Daddy got you.
00:50:01Daddy's got you.
00:50:02Oh, that's all right.
00:50:07You'll be all right, darling.
00:50:09Just a minute now.
00:50:12Get me a glass.
00:50:13It's over there on the desk.
00:50:16Will this do?
00:50:16Is this all right?
00:50:22You must take this, my girl.
00:50:23Come on.
00:50:24Open your mouth.
00:50:24You must take it.
00:50:25Yeah, come on.
00:50:26We'll do you good.
00:50:27Now, come.
00:50:27Drink this.
00:50:28That's a baby.
00:50:29That's it.
00:50:30Would she be all right, doctor?
00:50:31Yes.
00:50:32This was meant for you.
00:50:34Meant for me?
00:50:35Yes.
00:50:47My goodness, I'm sick.
00:50:49Feel better, honey?
00:50:50I don't taste better.
00:50:52You taste pretty good to me.
00:51:01They're coming.
00:51:02You better keep going.
00:51:03What's wrong?
00:51:04They killed my girl right after we left.
00:51:06I just talked to her mother.
00:51:08And that priest ain't dead.
00:51:09What?
00:51:10The priest's not dead.
00:51:11The tunnel.
00:51:12Gail, take the baby.
00:51:13Yes.
00:51:23Miss Lane, you got your gun?
00:51:28Now is the time.
00:51:50You all right?
00:51:51Yes.
00:51:52Take this.
00:51:53The flashlight.
00:51:53Come upstairs with me.
00:51:55Lane, get yourself a rifle.
00:52:01I hope the flashlight ought to take that window.
00:52:04Where's Mrs. Lane?
00:52:05She's out there with the natives.
00:52:06You and Nancy better stay down here.
00:52:08It's safe.
00:52:08But, Daddy!
00:52:09Do as Daddy says, sweetheart.
00:52:19Where's the enemy, Mr.
00:52:20Dirty, there's plenty of us.
00:52:29Next time, that one moves in our wings.
00:52:48Next time, that one moves in our wings.
00:53:01Next time, Mr. Lane, Mr. Lane, Mr. Lane, Mr. Lane.
00:53:30What is it?
00:53:35What is it?
00:53:35There started a fire in the tunnel.
00:53:37Daddy, Daddy!
00:53:38We better get Nancy out of here.
00:54:09We better get Nancy out there.
00:54:09Come on, Mary.
00:54:09Take it.
00:54:14Bye.
00:54:14Bye.
00:54:14Bye.
00:54:28No, no, no.
00:54:48No, no, no.
00:55:10No, no, no, no.
00:55:29No, no, no, no.
00:55:32Gail!
00:56:04Nancy is home.
00:56:05In her own room now.
00:56:07You can't realize what you're doing.
00:56:10I do realize.
00:56:12I own San Christopher when my uncle dies.
00:56:15It will be when we find him.
00:56:18You kill him?
00:56:19Your own uncle?
00:56:23My poor natives.
00:56:25Be oppressed, then.
00:56:26There is much hatred.
00:56:27I must give way.
00:56:28This is murder.
00:56:31Not murder.
00:56:33Sacrifice.
00:56:35Tonight my people demand blood for blood for their priest whom you tried to kill.
00:56:41If it were my own blood, my child's, I would give it.
00:56:46In the hills the people are crying for death.
00:56:49For my uncle's death.
00:56:51Your death.
00:56:54And yours.
00:57:00I would tell them.
00:57:00A portly blank.
00:57:01A lot of Chambler.
00:57:13Sì, sì.
00:57:34So, I, I might as well tell you why I wanted to quit in New York.
00:57:43I wouldn't have told you in a thousand years, but no.
00:57:49Well, I, I don't care what happens.
00:57:56So long as we go together.
00:58:04Here.
00:58:24Nancy has found the boat.
00:58:25I won't leave without Nancy.
00:58:27If you go back, they'll kill you.
00:58:28I'd rather die than leave the child.
00:58:29La only way to save the child is to come back when they are up in the hills.
00:58:32They leave Nancy behind.
00:58:33I think he's right. It seems like the only thing to do.
00:58:36Come on.
00:58:59Oh, no, no.
00:59:01Passo di un colpo.
00:59:03No, no, no il mio papi.
00:59:06Olla!
00:59:20No, no, no.
00:59:23Nudermo.
00:59:24Non di ma, no, non.
00:59:26Nudermo.
00:59:34No.
00:59:38No.
00:59:44No.
00:59:45No!
00:59:45No demand!
00:59:47No demand!
00:59:51No, mamma.
00:59:52No, darling.
00:59:54It won't hurt you, darling.
00:59:55No, no, no.
01:00:17You should be cautious.
01:00:20Yeah, you're as good.
01:00:29về
01:00:29oh
01:00:31ah
01:00:35o
01:00:37ah
01:00:38ah
01:00:47non
01:00:49non
01:01:16Grazie a tutti.
01:01:31Grazie a tutti.
01:02:09Grazie a tutti.
01:02:36Grazie a tutti.
01:02:57Grazie a tutti.
01:03:00Grazie a tutti.
01:03:03Grazie a tutti.
01:03:46Grazie a tutti.
01:03:47Grazie a tutti.
01:04:31Grazie a tutti.
01:05:02Grazie a tutti.
01:05:26Grazie a tutti.
01:05:55Grazie a tutti.
01:06:18Grazie a tutti.
01:06:50Grazie a tutti.
01:07:07Grazie a tutti.
01:07:24Grazie a tutti.
01:08:28Grazie a tutti.
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