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00:01:54No, no, no.
00:02:23An agent XK120, whom I'd never met.
00:02:28Long live the King.
00:02:36Is that supposed to be a political remark?
00:02:39I don't know anything about politics.
00:02:42Do you play?
00:02:44I never work, if I can help you.
00:02:46I meant chess.
00:02:47It's a very interesting game.
00:02:50So is this one we're playing.
00:02:52Would you like a drink?
00:02:53I wouldn't mind.
00:02:55But later, bring us a bottle of Chateau Marmont, 1907.
00:03:011911 was a better year.
00:03:071911, it is.
00:03:08We don't have any Chateau Marmont,
00:03:10but we have a good Chateau Briand, 1922.
00:03:13Forget it.
00:03:14Make it a couple of rum columns, kilo 58.
00:03:17Be safe.
00:03:17I had to be sure it was you.
00:03:23XK120?
00:03:23Right.
00:03:25XK150?
00:03:25Right.
00:03:27Who's the waiter?
00:03:28One of them.
00:03:30Thinks I'm on their side.
00:03:31She was beautiful.
00:03:39I could have killed myself for wearing this stupid disguise.
00:03:43Now she would never know me as I really am.
00:03:46I'm leaving tonight.
00:03:47We'll keep in touch by radio.
00:03:50You have the code.
00:03:51In point of fact?
00:03:53Yes.
00:03:55In point of fact?
00:03:57Yes.
00:03:58In point of fact, I've got my Dakota ring.
00:04:00Right.
00:04:02Pay no attention to me when I leave.
00:04:04Right.
00:04:04Aren't you going to kiss me goodbye?
00:04:12Right.
00:04:13Right.
00:04:13I'm going to kiss me goodbye.
00:04:43I'm going to kiss you goodbye.
00:05:13I'm going to kiss you goodbye.
00:05:43The 20th century occurred in Havana, Cuba.
00:05:55The revolutionary victors marched in, and the national complexion changed completely.
00:06:00They had been liberated.
00:06:02The survivors of the old regime escaped as best they could, taking with them only a few meager effects,
00:06:10such as the Cuban treasury, and other art objects.
00:06:14It wasn't always easy to smuggle a loot out of Cuba, and so secret meetings were being held all over the island.
00:06:21This story of robbery, double-cross, and murder begins with just such a meeting.
00:06:28Are you Renzo Capetto?
00:06:56I am.
00:06:57I am.
00:06:58Who are you?
00:06:59Never mind who I am.
00:07:00It's the mission that counts.
00:07:03Let's get on with it.
00:07:04As an American gambler and gangster, you're above suspicion.
00:07:09Of course, you know that our government has been overthrown.
00:07:12You know, I heard that.
00:07:13Shut up.
00:07:14But not for long.
00:07:15But not for long.
00:07:16We'll be back.
00:07:17And if you think you're seeing executions now, oh boy.
00:07:21Bravo.
00:07:22Bravissimo.
00:07:23But, uh, but of course, in order to, uh, finance a great counter-revolution, it has been necessary
00:07:30for us to, uh, steal the Cuban treasure.
00:07:34Pull up.
00:07:35Shut up.
00:07:36Let us proceed.
00:07:38You're going to lose your casino, so you'll be leaving Cuba anyway.
00:07:42You have a big yacht, and you can leave anytime you wish, such as immediately.
00:07:47Therefore, I'm going to entrust you a solemn trust.
00:07:51Here we have one-fourth of the Cuban treasure.
00:07:54Your group, General Tostada, Coronel Cabeza Grande, and a squad of men will proceed to Ciudad Trujillo.
00:08:00There you'll wait for us to contact you and relieve you of the money, one fifth of which will be paid to you.
00:08:05Do you understand?
00:08:06I get the whole picture.
00:08:08Now you do the rest.
00:08:09Señores.
00:08:10General Tostada, Coronel Cabeza Grande, Señor Renzo Capetto, and, uh...
00:08:12My name's Happy Jack Monaghan.
00:08:13Glad to meet you again.
00:08:14Mis buenos amigos americanos.
00:08:16Nos cabe el honor de preservar el honor del honor cubano.
00:08:19En un solemne acto de confianza han confiado en nuestras confiables manos ese botín con el cual reconstruiremos todo lo que Castro piensa construir.
00:08:32Yo os saludo.
00:08:33And now to see you.
00:08:34General Tostada, Coronel Cabeza Grande, Señor Renzo Capetto, and, uh...
00:08:37My name's Happy Jack Monaghan.
00:08:38Glad to meet you again.
00:08:39Mis buenos amigos americanos.
00:08:40Nos cabe el honor de preservar el honor del honor cubano.
00:08:43En un solemne acto de confianza han confiado en nuestras confiables manos ese botín con el cual reconstruiremos todo lo que Castro piensa construir.
00:08:48And now...
00:08:49The gold.
00:08:50The gold.
00:09:13You two had better get into the car.
00:09:15The general doesn't know any English, Señor Capetto.
00:09:17I'll be his translator for you.
00:09:20Bueno.
00:09:21Bueno.
00:09:22Bueno.
00:09:23Métanse al auto.
00:09:26Now it's time to go.
00:09:27Adios.
00:09:28Adios.
00:09:29I'll see you later.
00:09:30See you later, huh?
00:09:31Métanse al auto.
00:09:44Grazie a tutti.
00:10:14Grazie a tutti.
00:10:44They thought they were smart.
00:10:46But little did they know that I,
00:10:47Sparks Moran, was an American agent.
00:10:50Luckily, I had been able to work my way
00:10:52into the crew by posing as a notorious
00:10:54gum machine burglar from Chicago.
00:10:56My real name is XK-150.
00:11:00Hey, you.
00:11:01Come on down here and help with this.
00:11:04How'd it go, Booksy?
00:11:06We had a hairy little chase,
00:11:08but we got the stuff.
00:11:09Crazy.
00:11:11Hey, Colonel Grande,
00:11:12you can bring your men aboard.
00:11:13What happens with all that mob?
00:11:16I don't know.
00:11:18I thought we'd just have an officer or two,
00:11:19but it looks like we're going to have
00:11:20a little difficulty.
00:11:23You don't think of a way to remove them
00:11:26and grab that loot.
00:11:27because you're my big, strong, swinging brain.
00:11:32Mm-hmm.
00:11:33You're sweet, baby.
00:11:40Hi, sis.
00:11:42Hi, baby doll.
00:11:43Did they scare you?
00:11:45Ah, just a little.
00:11:46Oh.
00:11:47All right, boys.
00:11:48Get ready to go.
00:11:49Pete, take the wheel.
00:11:51Jack, you and Clark Sparks,
00:11:56get ready to cast off.
00:12:05Well, well, this is a beautiful night for sailing.
00:12:13And so we left Cuba forever,
00:12:17sailing in the most astounding adventure
00:12:19to be inflicted upon man.
00:12:21And what a group we were.
00:12:23The big keys was Renzo Capetto,
00:12:26alias Capo Rosetto,
00:12:28alias Rado Pizzetti,
00:12:30alias Zeppo Staccato,
00:12:33alias Shirley Lamour.
00:12:35At 15, he served his first stretch
00:12:37for rolling a drunk
00:12:38in the lobby of the Waldorf Astoria
00:12:40on New Year's Eve, 1934.
00:12:43In 1940, he was involved
00:12:45in an unsuccessful attempt
00:12:46to nominate Benito Mussolini
00:12:47for the Republican ticket.
00:12:50During the war,
00:12:51he was rejected by the Navy,
00:12:53Marines, and the SS.
00:12:55Now deported,
00:12:56he has retained his contacts
00:12:57with a syndicate
00:12:58and is still regarded
00:12:59as a dangerous character.
00:13:04Mary Bell Monaghan,
00:13:06alias Mary Monaghan Bell,
00:13:08alias Bell Mary Monaghan,
00:13:10alias Monaghan Mary Bell.
00:13:11They say she was at gun mall
00:13:13just because Lucky Luciano
00:13:15gave her a Rolls Royce
00:13:16every Christmas.
00:13:17And they can't really prove
00:13:18that she sneaked into
00:13:19the Hollywood Bowl
00:13:20with a Tommy gun
00:13:20and rubbed out the convention
00:13:21of police chiefs in 1956.
00:13:24Oh, I know that she got
00:13:25nailed cold when she was
00:13:27pushing heroin
00:13:27in the laundry room
00:13:28in Boys Town.
00:13:29But I'm willing to give anyone
00:13:31the benefit of the doubt,
00:13:33especially when she's
00:13:34as crazy looking as Mary Bell.
00:13:35This is Happy Jack Monaghan,
00:13:39so-called because he developed
00:13:41a muscle spasm in his cheeks
00:13:42from watching too many
00:13:43Humphrey Bogart pictures.
00:13:46Happy Jack's record is brief,
00:13:48his only crimes having been
00:13:49committed after his sister,
00:13:51Mary Bell,
00:13:52talked Renzo into giving him
00:13:53a job.
00:13:54Up until that time,
00:13:55Happy Jack had been
00:13:56a tennis bum,
00:13:58sleeping under the bleachers
00:13:59at Forest Hills
00:14:00and mooching nickels
00:14:00in the BMT subway.
00:14:01Since taking up with Renzo,
00:14:04he has become a well-known
00:14:05dice loader and murderer.
00:14:08The most number
00:14:09of the dark quartet
00:14:10is Pete Peterson, Jr.,
00:14:12son of Pete Peterson, Sr.,
00:14:13famed vaudeville bird mimic.
00:14:16Pete, Jr. inherited
00:14:17his father's talent
00:14:18for animal imitations,
00:14:19but unfortunately
00:14:20blew his brain out of whack
00:14:22while imitating
00:14:22a whooping crane
00:14:23at the Elks Convention
00:14:24picnic in Oshkosh
00:14:25in 1942.
00:14:27Since then,
00:14:28anyone has been able
00:14:29to convince Pete of anything.
00:14:30Renzo found him
00:14:31struggling along
00:14:32as a pickpocket
00:14:33at Jones Beach
00:14:34and took him with him
00:14:35in his exile.
00:14:37Since then,
00:14:38he has been Renzo's
00:14:38faithful servant,
00:14:40shining his shoes
00:14:41and rubbing out his enemies.
00:14:43In return,
00:14:44Renzo permits him
00:14:44to imitate any animal
00:14:46that comes into his head.
00:14:53That, for instance,
00:14:54was the mating call
00:14:55of the Himalayan yak.
00:14:58There they are,
00:14:59my shipmates.
00:15:01I didn't know
00:15:02where they were taking
00:15:02those unsuspecting Cubans,
00:15:04but I knew
00:15:05they were taking.
00:15:06And so,
00:15:07with grim faces,
00:15:08we set our helm
00:15:09against the perilous future.
00:15:17Okay,
00:15:18now before I begin,
00:15:20does anyone
00:15:21want anything to say?
00:15:23Pete?
00:15:23How about you, Jack?
00:15:28What do you think
00:15:28we should do?
00:15:30Give up?
00:15:31Oh, now, honey,
00:15:32is that any way
00:15:33for Maribel's big man's talk?
00:15:35Now, look,
00:15:36we've got to get rid
00:15:37of at least half
00:15:38of these Cubans
00:15:39without making
00:15:39the rest of them suspicious.
00:15:41He used to be
00:15:47a Cuban fisherman
00:15:48by the name
00:15:49of Hemingway.
00:15:51He got hooked
00:15:52on a sea monster
00:15:54in these waters
00:15:55a couple of years ago,
00:15:57and he was dragged
00:15:57for miles.
00:15:58He's got a lot
00:15:58of publicity.
00:16:00We're going to show
00:16:01these boys
00:16:02the greatest sea monster
00:16:04they ever saw
00:16:04in their lives.
00:16:05Jack,
00:16:06in my trunk
00:16:07there's some garden rakes
00:16:09used for weeding tomatoes.
00:16:11You get them
00:16:12and sharpen them
00:16:13like scalpers.
00:16:14Pete,
00:16:15you mix up
00:16:16a mess of
00:16:16olive oil
00:16:17and green ink
00:16:19and snag some seaweed
00:16:20from over the side.
00:16:22Now, Jack,
00:16:22what are you going to do?
00:16:25Sharpen up
00:16:25the garden rakes?
00:16:26Good boy.
00:16:27Pete,
00:16:29how about you?
00:16:32Does he have
00:16:34to do that?
00:16:35All right, Jack,
00:16:36do that.
00:16:39We've had a good life
00:17:00together,
00:17:00haven't we, baby?
00:17:02You know it, folks.
00:17:06Winters in Tijuana,
00:17:07Sellers in Cicero.
00:17:12Remember that
00:17:12wonderful trip
00:17:13we took to Monte Carlo?
00:17:15You mean it's time
00:17:16we heisted
00:17:16all those
00:17:17hundred-dollar chips?
00:17:19Sure.
00:17:21I'll admit,
00:17:22I couldn't really
00:17:23hear anything
00:17:23through that door,
00:17:24but I was sure
00:17:25they were up to no good.
00:17:27I knew it was up
00:17:28to me to stop them.
00:17:30Now we're off again
00:17:32to parts unknown.
00:17:35It's like
00:17:36a second honeymoon.
00:17:37You know something?
00:17:40We ought to get married.
00:17:42Now don't be a drag, baby.
00:17:46How much Jack
00:17:47do you think
00:17:47they're not strong,
00:17:48God?
00:17:50There's plenty
00:17:51of Cuban sugar, though.
00:17:52What are we going to do
00:17:53with all of it?
00:17:54I don't know.
00:17:59I always wanted
00:18:02to open up
00:18:02a home
00:18:03for the aged hoodlums.
00:18:06Baby,
00:18:07you got a heart
00:18:08as big as
00:18:08all I thought.
00:18:10A government agent
00:18:21lives in constant peril.
00:18:23I devised
00:18:24my undetectable
00:18:25radio set
00:18:26using simulated
00:18:27hot dogs
00:18:28for knobs
00:18:28and tubes
00:18:29inside of dill pickle
00:18:31while watching
00:18:32a number of sewer
00:18:33workmen
00:18:33during lunch hour.
00:18:35It comes in
00:18:36mighty handy,
00:18:37believe you me.
00:18:37one little slip
00:18:40and I could be
00:18:40headed for
00:18:41Davy Jones'
00:18:41locker.
00:18:42Hello, Havana.
00:18:45This is Agent XK-150.
00:18:48Over.
00:18:51I'm making
00:18:51my first official report.
00:18:54So far,
00:18:55not too much
00:18:56has happened,
00:18:57but I'm anticipating.
00:18:59Renzo Capetto
00:19:00and his gang
00:19:01are on board
00:19:01as suspected.
00:19:02I am with them.
00:19:04I will call you
00:19:05again soon
00:19:05when it will be dead.
00:19:07This is Agent XK-150
00:19:08signing off.
00:19:12What's happening?
00:19:18Just having a bite.
00:19:24Gee, that looks good.
00:19:25Do you mind
00:19:26if I join you?
00:19:36Hmm.
00:19:36Hmm.
00:19:36Hmm.
00:19:36Hmm.
00:19:42Come back, Mama.
00:19:48Crazy.
00:19:57Is this the point?
00:19:59Good morning,
00:20:00encantadora y hermosa criatura.
00:20:02would you ask the general
00:20:11to remove himself
00:20:13from my presence?
00:20:14would you tell the general
00:20:26that I feel
00:20:27that he'd be most at home,
00:20:28barbecuing slowly
00:20:30over a hot spit?
00:20:32Ella dice que mi general
00:20:47es un hombre muy digno
00:20:49y de gran empuje.
00:20:50You must be
00:20:56a glutton
00:20:57for punishment.
00:21:00What do you want?
00:21:09What do you want?
00:21:11You're too good
00:21:12for this life.
00:21:14You're young
00:21:15and you're innocent.
00:21:16You should get out.
00:21:17All they get are you good.
00:21:19are you unwell?
00:21:24The getting is great.
00:21:25You're a victim
00:21:26of circumstance.
00:21:28I try.
00:21:30I do try.
00:21:32You're a crazy
00:21:33mixed up kid.
00:21:34I am perfectly adjusted
00:21:36to my life of crime.
00:21:38Now, what is your story?
00:21:39Oh, well, you see,
00:21:40I'm beyond help.
00:21:41But you're not.
00:21:42You can find
00:21:42a clean young man
00:21:43to marry and...
00:21:44I haven't got the time.
00:21:46But I can help you,
00:21:47Mary Bell.
00:21:48You can turn blue.
00:21:52Don't worry, Mary Bell.
00:21:53I'll save you.
00:21:55I die.
00:21:58That's a comforting
00:21:59alternative.
00:22:00A secret agent
00:22:09should never sleep.
00:22:11But there I was,
00:22:12dreaming of Mom's apple pie
00:22:14while up on deck,
00:22:15Renzo and his cutthroats
00:22:17were taking the first step,
00:22:19killing an innocent Cuban
00:22:20and pretending
00:22:22some imaginary monster
00:22:23did it just so
00:22:24they would be panicked
00:22:25into changing course
00:22:26so that Renzo
00:22:27could steer them
00:22:28to his own
00:22:29picked destination.
00:22:30to her.
00:22:51Wait one minute
00:22:52then give the alarm.
00:22:54ma che nessuno di noi
00:23:01è che il monstero inventato
00:23:03di Renzo
00:23:04ha già stato inventato
00:23:05di qualcuno di qualcuno
00:23:06di alcuni altri monstri
00:23:09non
00:23:39Soltados cubanos. Algo horrible ha sucedido aqui anoche.
00:23:44Dos de vuestros compañeros han sido cobaldemente asesinados.
00:23:48Debemos encontrar al que cometió a este cobalde asesinato para que esto no vuelva a suceder.
00:23:55Why did he say?
00:23:56The general says what happened.
00:23:59Well, I have an idea, if you'd like to hear.
00:24:01Please go ahead.
00:24:04Well, I don't think it was anything human that killed your soldier.
00:24:07You've seen the tracks and the claw wounds on their bodies.
00:24:13Now, in my studied opinion, those soldiers were attacked by some weird creature from the sea.
00:24:20Came in, did your boys in, and vanished again.
00:24:27It was so funny.
00:24:29That creature. How silly. Did you really think it?
00:24:33Well, uh, the general says, uh, you're right.
00:24:38You're right. It is the monster.
00:24:40You're right. It is the monster.
00:24:42You're right. It is the monster.
00:24:44You're right. It is the monster.
00:24:45You're right. It is the monster.
00:24:49You're right. It is the monster.
00:24:51You're right. It is the monster.
00:24:56You're right. It is the monster.
00:24:58You're right. It is the monster.
00:25:03You're right. It is the monster.
00:25:05These waters are very dangerous.
00:25:07You're right. It is the monster.
00:25:08The general says these waters are very dangerous, so we must flood a new course.
00:25:15No, no, no, no, no.
00:25:45No, no, no, no, no.
00:26:15Gentlemen, I think we ought to make our decision.
00:26:19Stop.
00:26:22Now, has anybody got an idea?
00:26:26About what?
00:26:28About where we're going.
00:26:29I thought it was for Ciudad Trujillo we were going.
00:26:32I don't know.
00:26:33That's been changed.
00:26:35Well, General Tostado thinks we ought to change course in order to escape the monster.
00:26:39No, no, no, no.
00:26:44I think we ought to go to...
00:26:46Let's go to India.
00:26:47I've always wanted to see a second car.
00:26:49Actually, I think we ought to go to cons.
00:26:51It's really strange this time of the year.
00:26:53Were you listening?
00:26:54It's so strange, my friend.
00:26:56I always had a secret desire.
00:26:58I always wanted to go to Bali, you know.
00:27:00Bali?
00:27:01Bali!
00:27:01We are not going to Bali.
00:27:16Carapas, Venezuela.
00:27:18No.
00:27:19Please tell the General that I am convinced we ought to go to San Juan, Puerto Rico.
00:27:24He says he's convinced the only place to go to San Juan, Puerto Rico.
00:27:30This is agent XK-150 calling agent XK-120 via 19 ESL.
00:27:39Come in, Nevada.
00:27:41Now, the first thing we've got to think about is to escape this pinky monster.
00:27:45Now, if you take a look at the chart, you'll notice there's a lot of deep water just north of Puerto Rico.
00:27:50Too deep for the monster to live in.
00:27:52Well, how do you know he can't live in deep water?
00:27:56Because of his feet.
00:27:58He's a walker and he's got to stay at the bottom.
00:28:00Now, right, stupid?
00:28:02Right, stupid.
00:28:04Now, when we get to Puerto Rico, we'll take the strong box ashore.
00:28:07Now, as an American, I won't be noticed.
00:28:11I'll take a plane up to see a Doc Trujillo.
00:28:13Take the box with me.
00:28:14I can say unequivocally, without the slightest qualm of doubt, that this gang is heading for Valley.
00:28:23I think the government should watch for us at the Panama Canal.
00:28:29Over.
00:28:29The general says it's all right.
00:28:34We may go to Puerto Rico.
00:28:35But, he wants to keep the strong box out of his sight.
00:28:40Okay, let's see you.
00:28:43Here it is.
00:28:54What do you think of it, Sparks?
00:28:55Looks like a Portuguese fishing vessel to me.
00:29:01Good guess.
00:29:03But you're round.
00:29:05The Cuban Coast Guard.
00:29:08Looks like they're coming this way.
00:29:11Maybe they're looking for the gold.
00:29:14Hey, Pete.
00:29:15Tell the star on this man to stay below.
00:29:18Sparks, see if we can catch a fish.
00:29:22Everybody keep your guns handy.
00:29:24I don't have any guns.
00:29:25Marybill, give them one of your guns.
00:29:29Ow!
00:29:30Give them one of your guns, Marybill.
00:29:41Now, let's appear casual.
00:29:44Marybill, sing a song.
00:29:55Oh, kiss me, baby.
00:30:01Baby, please kiss me, baby.
00:30:04Please, kiss me, cry.
00:30:12I'll make you forget
00:30:17I'll make you forget
00:30:18What you've got on your mind
00:30:25Oh, kiss me, baby.
00:30:26Oh, kiss me, baby.
00:30:33Oh, kiss me, baby.
00:30:35They'll make you forget
00:30:39Sous-titrage ST' 501
00:31:09Sous-titrage ST' 501
00:31:39Sous-titrage ST' 501
00:32:09Sous-titrage ST' 501
00:32:39Sous-titrage ST' 501
00:33:09Sous-titrage ST' 501
00:33:40I figured in this situation I'd better stick with Renzo, so I decided to knock out the leader of the Cubans with a fish I had on the end of my line.
00:33:47Sous-titrage ST' 501
00:33:48Sous-titrage ST' 501
00:33:57Sous-titrage ST' 501
00:33:58Sous-titrage ST' 501
00:33:59Sous-titrage ST' 501
00:34:00Sous-titrage ST' 501
00:34:01Sous-titrage ST' 501
00:34:02Sous-titrage ST' 501
00:34:03Sous-titrage ST' 501
00:34:04Sous-titrage ST' 501
00:34:05Sous-titrage ST' 501
00:34:06Sous-titrage ST' 501
00:34:07Sous-titrage ST' 501
00:34:08Sous-titrage ST' 501
00:34:09Sous-titrage ST' 501
00:34:10Sous-titrage ST' 501
00:34:11Sous-titrage ST' 501
00:34:13Sous-titrage ST' 501
00:34:14Sous-titrage ST' 501
00:34:15Sous-titrage ST' 501
00:34:16Sous-titrage ST' 501
00:34:17Sous-titrage ST' 501
00:34:18Sous-titrage ST' 501
00:34:19Sous-titrage ST' 501
00:34:20a humanity
00:34:21you could be a star
00:34:24the toast of three continents
00:34:27your name and light
00:34:28let me take you away
00:34:29and deliver you
00:34:30I just can't believe
00:34:33that you're real
00:34:34she was madly in love with me
00:34:37only she didn't know it yet
00:34:39I think I smell land
00:34:46are we almost there?
00:34:48oh, about six or eight hours
00:34:50Sì, sì, sì.
00:35:20Sì, sì, sì, sì.
00:35:50We should be deserted by now.
00:35:52We ought to be able to land there, huh?
00:35:56Good.
00:35:57Now, there's a reef around the island
00:36:00and a very narrow opening
00:36:02which we have to go through.
00:36:04I am going to
00:36:06run this yacht on the rocks
00:36:08right at the entrance.
00:36:10Now, during the panic, we'll take the strongbox,
00:36:13load it on a skiff,
00:36:14and head for shore
00:36:15now Pete
00:36:17when we get over 30 feet of water
00:36:20I'll give you a signal
00:36:21and then I want you to
00:36:24capsize
00:36:25the boat
00:36:26you understand
00:36:28later Pete
00:36:31we'll come back and dive for it
00:36:33you understand everything
00:36:35sure
00:36:36we hit the rocks
00:36:38and then we put the box in the skiff
00:36:40and then we dump it over 30 feet of water
00:36:42so we can come back and get it
00:36:44and that's because
00:36:48it's over natural west run
00:36:50that couldn't be on board anyway
00:36:51hello Morocco
00:36:55look at the reef
00:36:57we're starting through
00:37:14we're going to leave you
00:37:27Sì, sì, sì.
00:37:57All right, be calm, everybody.
00:38:02The boat's insured.
00:38:27Everything went according to plan, the Renzos and the Monsters.
00:38:40Roll, roll, roll your boat gently up the creek.
00:38:55You know, this reminds me of one time on Lake Minnetonka, Louise Schmidt and I were paddling along when what do you think happened?
00:39:25General says you have your orders as soon as we can estimate the situation.
00:39:32Well, you can tell our generals.
00:39:34It's gotta be true giving orders around here.
00:39:38Look, you men have no money and you have no guns and you're on US soil.
00:39:43That's all right.
00:39:44I'm on your side.
00:39:45Pete, I want you to search the island and see if anybody lives here.
00:39:50Jack?
00:39:51You take one of the lifeboats and roll to shore.
00:39:53Make your way to San Juan and rent us a fishing boat and plenty of diving gear.
00:39:58Yeah, uh-huh.
00:39:59Come on, brother.
00:40:00Hello, Colonel.
00:40:01Just even get your men to build us a lean-to or something to keep the rain off.
00:40:13Atención.
00:40:14Come on, baby.
00:40:15De frente marches.
00:40:16Stop.
00:40:17One.
00:40:18Two.
00:40:19Uno.
00:40:20Tap.
00:40:21Tap.
00:40:22Tap.
00:40:23Tap.
00:40:24Tap.
00:40:25Tap.
00:40:26Tap.
00:40:27Tap.
00:40:28Tap.
00:40:29Tap.
00:40:30Tap.
00:40:31Tap.
00:40:32Tap.
00:40:33Tap.
00:40:34Tap.
00:40:35Tap.
00:40:37Tap.
00:40:38Tap.
00:40:39Tap.
00:40:40Tap.
00:40:41Stay here forever.
00:40:43That won't be necessary, baby.
00:40:45Why?
00:40:47Well, the way I figure it, these Cubans aren't very much at diving.
00:40:52But Jack, Pete, and I are all pretty good spear fishermen.
00:40:55We'll go down, find the strong box, and hide it in a hole in a reef.
00:41:00After that, we'll tell the Cubans that it's no use and give up.
00:41:06It'll be safe there for months, even years, until we're ready to come back and get it.
00:41:11Do you like it?
00:41:14Booksy, sometimes you are so smart, you make me sick.
00:41:23Get me Havana, Cuba, 652-314.
00:41:31Cuba.
00:41:33Six, cinco, dua, tres, uno, cuatro.
00:41:38Oh, listen, I don't have the right change, so would you mind charging that to my home phone,
00:41:46which is in Washington, D.C., in the U.S.A.?
00:41:50It is 762-691.
00:41:53Uh, Estada, Unida, Washington, uh, seis, uh, seis, uh, duo, seis, nueve, duo, whatever.
00:42:07Um, right, thanks a lot.
00:42:10That service is terrific.
00:42:17Hello, Santa Domingo Barr.
00:42:19Is there a girl there playing chess?
00:42:21You're right, I want to talk to her.
00:42:23I'll give you all my utilities and all my railroads for Park Place.
00:42:34Not a chance.
00:42:35Go directly to jail.
00:42:37Do not pass go.
00:42:38Do not collect your $200.
00:42:41XK-120?
00:42:42Right, XK-150.
00:42:44Right.
00:42:45Listen, I, uh, I can't really talk now.
00:42:47I don't know exactly what's happening or where I am.
00:42:50But I have the feeling that this case is about to bust wide open.
00:42:55I can't talk now.
00:42:56Someone's waiting to use the phone, but I'll keep in touch.
00:42:58Did you get that?
00:42:59Repeat the last part of that message.
00:43:03I'll keep in touch.
00:43:06Did you get that?
00:43:08Right.
00:43:09Which way do I turn this Dakota pin?
00:43:12Left.
00:43:12Left?
00:43:13Right.
00:43:14Right.
00:43:43Right.
00:43:43Right.
00:43:43Oh, oh, oh.
00:44:13Oh, oh, oh, oh.
00:44:43Oh, oh, oh.
00:45:13Oh, oh, oh.
00:45:15Oh, oh.
00:45:17Oh, oh.
00:45:19Oh, oh.
00:45:21Oh, oh.
00:45:23Oh, oh.
00:45:33Oh, oh.
00:45:35Oh, oh.
00:45:37Oh, oh.
00:45:39Oh, oh.
00:45:41Oh, oh.
00:45:43Oh, oh, oh.
00:45:45Oh, oh, oh.
00:45:47Oh, oh.
00:45:49Oh, oh.
00:45:51Oh, oh.
00:45:53Oh, oh.
00:45:55Oh, oh.
00:45:57Oh, oh.
00:45:59Oh, oh.
00:46:01Oh, oh.
00:46:03Oh, oh.
00:46:05Oh, oh.
00:46:07Non ci sono molte ritorno di oggi.
00:46:09Oh, non è una ringa che è wearing?
00:46:11Forcina feris.
00:46:13È una ringa ringa.
00:46:27Allora.
00:46:29Alla 20 botti, 10 regulars.
00:46:32Masks, speerguns, the worst.
00:46:33Oh, we did it, as usual.
00:46:35Well, ok, we're gonna start diving this afternoon.
00:46:38I brought something else on with me, too.
00:46:45Carmelita, I'd like you to meet Renza Capetta,
00:46:49my sister Mary Bell, Mr. Pete Peterson,
00:46:52and, well, I don't know who the large woman with him is.
00:46:55Forcina Perez.
00:46:57Hi.
00:46:58Hello, everybody.
00:46:59You found this woman in San Juan?
00:47:02Well, she was living in a sorta sorority house down by the dock.
00:47:06She's awful friendly.
00:47:08Why don't you come on with me, honey?
00:47:10I'll show you our sorority house.
00:47:12Mr. Capetto, I have the honor to report that my men will be ready in one hour.
00:47:19Ready for what?
00:47:21Dive to the Strambachs.
00:47:23You mean your men are divers?
00:47:25Yes.
00:47:26They are Cuban army frogmen.
00:47:29Olay.
00:47:31I have a situation well on hand.
00:47:36Mary Bell was weakening, as I'm sure you've noticed.
00:47:39Then she came into my life.
00:47:42I didn't see her coming, but somehow I sensed her presence
00:47:45and knew that my life was changed forever.
00:47:48Hello.
00:47:49Who are you?
00:47:50Jerminister Rodriguez.
00:47:51Sparks Moran.
00:47:52As a trained espionage agent, I could tell that she was attracted to me.
00:48:05But I wanted Mary Bell.
00:48:06And Mary Bell wanted Renzo.
00:48:08And Renzo wanted the gold.
00:48:10Hey!
00:48:11Hey!
00:48:12Hey!
00:48:13Hey!
00:48:14Sparks!
00:48:15Idiot!
00:48:16Keep this thing firm.
00:48:17You all right?
00:48:18Oh, yes.
00:48:19All right.
00:48:20We're ready.
00:48:21We're ready.
00:48:22Keep it on.
00:48:23I don't know, but I'm ready.
00:48:24Vamos, soldados cubanos.
00:48:25Asumer ginos.
00:48:26Asumer ginos.
00:48:27Asumer ginos.
00:48:28Uno.
00:48:29Uno.
00:48:30Uno.
00:48:31Uno.
00:48:32Uno.
00:48:33Uno.
00:48:34Uno.
00:48:35Uno.
00:48:36Uno.
00:48:37Uno.
00:48:38Uno.
00:48:39Uno.
00:48:40Uno.
00:48:42Uno.
00:48:44Uno.
00:48:45Uno.
00:48:46Uno.
00:48:47Uno.
00:48:48Uno.
00:48:49Uno.
00:48:50Uno.
00:48:51Uno.
00:48:52Uno.
00:48:53Uno.
00:48:54Uno.
00:48:55Uno.
00:48:56Uno.
00:48:57Uno.
00:48:58Uno.
00:48:59Uno.
00:49:00Uno.
00:49:01Uno.
00:49:02Uno.
00:49:03Uno.
00:49:04Uno.
00:49:05Uno.
00:49:06Uno.
00:49:07Uno.
00:49:08Uno.
00:49:09Uno.
00:49:10Uno.
00:49:11Uno.
00:49:12Uno.
00:49:13Uno.
00:49:14Uno.
00:49:15Grazie a tutti.
00:49:45Grazie a tutti.
00:50:15Grazie a tutti.
00:50:45Grazie a tutti.
00:51:15Grazie a tutti.
00:51:45Grazie a tutti.
00:52:17No, come with me, I'll show you.
00:52:20Come with me to the jungle.
00:52:22You see one jungle, you see them now.
00:52:23You come with me, you see and you like.
00:52:25Hello, I'm very much afraid of this monster.
00:52:32Well, let's pick up and go home.
00:52:34No, I am an officer.
00:52:36We will not stop until we have this trombone.
00:52:40From now on, we'll dive with spearguns.
00:52:43Crazy.
00:52:44Mango.
00:52:45Mango.
00:52:46Mango.
00:52:50Mango.
00:52:52Mango.
00:52:54Mango.
00:53:02Mango.
00:53:03Mango.
00:53:03Maldonado!
00:53:33Signor Happy Jack, this girl is my daughter. Her name is Mango.
00:53:40Mango?
00:53:42Oye, la novia lo dejò ora por un idiota y el pobrecito, tu sabes, quería matarla.
00:53:48Pero yo le dije que no lo hiciera, que él necesitaba una persona que lo alegrara.
00:53:53I was telling her what that no good of Carmelita do to you.
00:53:57I was telling her to cheat you up.
00:53:59Oh, gee, thanks, Porcina, but it really wasn't necessary.
00:54:04Oh, you know I like Mango?
00:54:06Oh, yeah, I like it.
00:54:16She not speak good English, señor.
00:54:19Well, I don't think that's going to matter at all.
00:54:21Okay, uh, I'm going back now.
00:54:26Mr. Peterson Jr., he is waiting for me now.
00:54:30Adios, Porcina.
00:54:31Adios.
00:54:32Adios.
00:54:32No, no, no, no, no, no, no.
00:55:02Are you all right, Porcina?
00:55:17Oh, I'm all right, my hero.
00:55:21Hey, who was happy, Jack?
00:55:24Oh, come on.
00:55:25I'll take you to them.
00:55:27Them?
00:55:27Yes.
00:55:28Oh, I don't know what you said, Mango.
00:55:38But it sure was wonderful.
00:55:41Mi madre quiere que yo sea agradable con los extranjeros.
00:55:44Es como una especie de bienvenida para los turistas.
00:55:47I feel the same way, Mango.
00:55:50Well, I never felt like this in my whole life before.
00:55:53Oh, I know, Mango.
00:56:03I know.
00:56:09Well, here come people, Porcina.
00:56:18Hi, Jack.
00:56:19Who's your friend?
00:56:20Well, this is Mango Perez, Porcina's daughter.
00:56:22Gee, she's on with his pretty as her mother.
00:56:25Yeah, she's wonderful.
00:56:26Yeah, but can't she do imitation?
00:56:28Well, I don't know.
00:56:30And I don't care, because I love her.
00:56:32Gosh, you're going to marry her?
00:56:34Yeah, well, why not?
00:56:36Why not?
00:56:37If you marry Mango, and I marry Porcina,
00:56:39I'll be your father.
00:56:42Woo-hoo!
00:56:44What kind of a boy call is that?
00:56:45Oh, we can not talk here.
00:56:48We can not talk.
00:56:49My mother, you're going to talk to you.
00:56:50He may be struggled.
00:56:53Yeah, I just had a fight with him.
00:56:55You know, Pete,
00:56:56I'm getting tired of all this running around.
00:57:01You know what I'd like to do?
00:57:03I'd like to marry Mango and settle down here.
00:57:07Well, I could start a tennis club.
00:57:09They don't have clubs.
00:57:11They have rack heads.
00:57:13You know, you're right.
00:57:14But you know something, though?
00:57:16I'd like to do the same thing myself.
00:57:19Say, why don't we rub them all out?
00:57:22And this way,
00:57:23we can keep the strong box for ourselves.
00:57:25Oh, yes.
00:57:26Well, even Mary Bell?
00:57:28Oh, gee.
00:57:29I don't know about her.
00:57:31Well, she is my sister.
00:57:33Of course, we could keep her around
00:57:35to do the housekeeping.
00:57:36Sure.
00:57:37And she'll get over losing Renzo.
00:57:39Sure.
00:57:40Well, how about it?
00:57:40Is it a deal?
00:57:41Sure.
00:57:42Besides,
00:57:43they've been cheating on their income tax anyway.
00:57:46Ay, ya yo le estoy cansando de esta jeringonza.
00:57:48¿Dónde está la barqueren?
00:57:49Uh, Mango.
00:57:51She won't go.
00:57:52Swimming.
00:57:52All right.
00:57:52All that's good.
00:57:54Where's Pete and the boys?
00:57:55They know we should be diving this afternoon.
00:57:57I think they're somewhere in the jungle.
00:57:59Señor,
00:58:00usted me está proponiendo una cosa sucia.
00:58:06What's this?
00:58:09What, what is this?
00:58:10This man's wife is playing around with Mr. Pierce.
00:58:14He's very angry.
00:58:15That's tough.
00:58:17Mire, lo único que puedo hacer es venderla.
00:58:19Yo creo que 50 dólares si una caja de caldilla está en orden.
00:58:22This man wants to sell you his wife for $50 and a case of rob.
00:58:26Tell him he's nuts.
00:58:34Carmelita,
00:58:35will you talk to him?
00:58:36We're busy.
00:58:36Oh, sure.
00:58:37I would tell him to cut down to 20 for a fifth of gin.
00:58:42Gin nothing.
00:58:43Who wants to buy his improbable wife?
00:58:47Come on,
00:58:48jell's has got it.
00:58:49Let's get going.
00:58:49All right, baby.
00:59:14Listen, you hold out of these,
00:59:16because I can't use them without Peter Jack to help me.
00:59:18I'll keep it warm for you.
00:59:20Woo-hoo-hoo!
00:59:26Woo-hoo-hoo!
00:59:46No, no, no, no, no.
01:00:16His own partner had found Renzo Capetto.
01:00:46You're right, you're right, you're right.
01:00:58Here it is!
01:01:06Here it is!
01:01:07Here it is!
01:01:08Here it is!
01:01:09Here it is!
01:01:10Here it is!
01:01:15Here it is!
01:01:30No, no, no, no, no, no, no.
01:02:00No, no, no, no, no, no.
01:02:30No, no, no, no, no, no, no.
01:03:00No, no, no, no, no, no, no.
01:03:02No, no, no, no.
01:03:04No, no, no, no.
01:03:06No, no, no, no.
01:03:08No, no, no, no.
01:03:10No, no, no, no.
01:03:12No, no, no, no.
01:03:14No, no, no, no.
01:03:16No, no, no, no.
01:03:18No, no, no, no.
01:03:20No, no, no, no.
01:03:22No, no, no.
01:03:24No, no, no, no.
01:03:26No, no, no, no.
01:03:28No, no, no, no.
01:03:30No, no, no, no.
01:03:32No, no, no, no.
01:03:34No, no, no, no.
01:03:36No, no, no, no, no.
01:03:38No, no, no, no.
01:03:40No, no, no.
01:03:42No, no, no.
01:03:44No, no, no, no.
01:03:46No, no, no.
01:03:47No, no, no.
01:03:48Oh, oh, oh, oh
01:04:06Possible death notwithstanding
01:04:07The courageous general and two of his men
01:04:10Dove once more into the deadly sea
01:04:12But, as usual, they were not alone
01:04:16Renzo waiting for them to separate.
01:04:30One pulled away and then there were two.
01:04:32Tostada went on alone into the forbidding void, with the killers closing in.
01:05:02The giant observer stood watching over a pathetic bit of cloth, all that remained of mango.
01:05:18At last, Tostada had found his gold in his own watery grave.
01:05:32The General died as all General's shirts.
01:06:02His greedy murderers let his body drift away while they congratulated each other.
01:06:13Happy Jack found the scrap of a dress and knew what had happened to his beloved.
01:06:18Suddenly.
01:06:32Don't touch me.
01:06:43Oh, honey.
01:06:44Go ahead, try to talk yourself out of it.
01:06:45Try to talk yourself cool this time.
01:06:47Baby.
01:06:48Boy, tell me the Cubans did it.
01:06:49Only they were on board pulling anything down.
01:06:51Now, who was down there with Jack?
01:06:52No, baby.
01:06:53You've got to believe me.
01:06:54I'm going to have to look at you again.
01:07:03Oh, Renzo.
01:07:04Mary Bell, I saw what he did to you.
01:07:06They killed your brother.
01:07:07And now you've got to leave, Mary Bell, and there's no one to help you but me.
01:07:10Oh, Mary Bell, I love you so much I could split you.
01:07:13Hey, get on up.
01:07:21What do you do to my man?
01:07:22Oh, shut up.
01:07:23Oh, my God.
01:07:24It was dust.
01:07:25I could tell because the sun was going down.
01:07:40All right.
01:07:45You were right, senor.
01:07:47All my army is finished.
01:07:50è finito.
01:07:52I knew when the general was dying.
01:07:54I don't care about the pox and more than the monster.
01:07:58I don't want him to kill any more of my men.
01:08:01Neither do I, colonel.
01:08:03I think we must go to Ciudad Trujillo in the morning.
01:08:07You can go anywhere you like.
01:08:09I'm going home.
01:08:10To America?
01:08:12America?
01:08:15No, I can't go back there anymore.
01:08:17Sicily, Paul.
01:08:22I've got an uncle there who's been after me for years
01:08:25to help him snap grapes.
01:08:28He's beginning to appeal to me.
01:08:34Marybelle hates me.
01:08:36I know.
01:08:38But I love you.
01:08:41It's kind of nice having somebody love you.
01:08:45Why don't you try to love me?
01:08:48You might like it.
01:08:50I guess I can try.
01:08:53She pressed her hot, Latin lips against mine.
01:08:57And I forgot everything but Carmelita.
01:08:59But our silent partner was not going to let me forget.
01:09:04This was it.
01:09:05There was but one thing a responsible, trusted representative
01:09:08of the United States government could do at a time like this.
01:09:11Get out of there.
01:09:13Marybelle.
01:09:14I'd just like one more chance to explain.
01:09:21Please.
01:09:24It's all right, Booksy.
01:09:26It doesn't really matter.
01:09:28No matter where you go or what you do or...
01:09:29We need to kill.
01:09:33I'll love you till the day I die.
01:09:35It's all right.
01:09:37Oh.
01:09:40Mew5o.
01:09:42Mew5o.
01:09:44Oh, help!
01:09:45Oh, help!
01:09:54спас!
01:09:54Nein!
01:09:55Nein!
01:09:56Nein!
01:09:56Nein!
01:09:57Nein!
01:09:58Nein!
01:09:59Nein!
01:10:00Nein!
01:10:01Grazie a tutti.
01:10:31Grazie a tutti.
01:11:01Grazie a tutti.
01:11:31Grazie a tutti.
01:12:31Grazie a tutti.
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