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Short filmTranscript
00:08To be continued...
00:43To be continued...
01:07What are you up to?
01:08Watching a movie with Nora.
01:09Change of plans. I'm heading to the house.
01:13Wait up for me and we'll have a drink together.
01:16Okay?
01:16Will you be long?
01:18No, I'll be there soon.
01:21We need to talk to you.
01:23What about?
01:25Something important.
01:27Like what?
01:29I'll tell you in a bit.
01:31Can't you wait?
01:32How about a little hint?
01:35It's not the kind of thing you talk about on the phone, all right?
01:37Okay. Be quick then.
01:39Don't worry. I will.
01:40Bye.
01:59Oh
02:19Yeah
02:21Hey
02:22What are you doing?
02:24Just admiring a pretty girl.
02:26Ah, so there's no danger there, then.
02:29I found the poem you left for me on the wall.
02:30I think an apology would be quicker.
02:33Think about it.
02:55I can't see you in the sky.
03:07I can't see you in the sky.
03:10I can't see you in the sky.
03:30Death, like every ending, has a new beginning.
03:46For every story that ends, another is about to begin.
03:54It's the story of an encounter between two people who think they have nothing in common,
04:00and who later find out that they are very much alike.
04:09Mikkel is one of these two.
04:11He can't imagine that he is soon to meet someone he'll become extremely attached to,
04:15although he seems more like his polar opposite.
04:26Antonia. She's the other part of this story.
04:29This morning, neither she nor Mikkel could have possibly imagined that they would meet one year from now.
04:41I left you some breakfast on the table.
04:46Don't forget that Nora's off today.
04:47She'll be leaving in an hour.
04:52Will you be home for dinner?
04:55Alright, why don't you just text me later today?
04:59Why am I talking at all? You're such a sleepy head.
05:18Nora?
05:19Please have the toast ready when he wakes up.
05:21Yes, ma'am.
05:22Come outside. Let me show you something.
05:30I'm gonna need you to clean the deck, the table, and the lounges before you leave, okay?
05:34Sure thing, ma'am.
05:36Exactly.
05:50You're supposed to pull the deck.
05:51You should be doing something.
05:51Let me show you something.
05:51Oh, my goodness.
05:56Oh, my goodness.
05:57Remembering me.
05:57I have the same day.
05:58Oh, oh.
06:01Oh, I'm gonna need you.
06:03Oh, my goodness.
06:03Oh, my goodness.
06:17How about some meat rolls for a change?
06:20Yes, yes, yes.
06:21You're up early.
06:22Hello.
06:23Good morning.
06:24It's no surprise to find you all here already.
06:26Are we in your way?
06:27Does it bother you?
06:28Who are you to talk?
06:30Because it's not like you're the doorman.
06:31Hey, considering that I live in the doorman's apartment, so...
06:34Did they rent it to you?
06:35They shouldn't have, as it's not legally a house.
06:38It's not supposed to be rented.
06:39Yeah, I investigated.
06:41I'd investigate what your cheating son-in-law gets up to if I were you.
06:45That's a lie.
06:46It's fuck news.
06:47It's fake news.
06:49Wait a minute.
06:50The Turkish lady is right about that.
06:51We all know what he's up to.
06:53Man, oh man, it's the same thing with you, huh?
06:55Thanks to all this bickering with all of you, Sarah's getting more and more gossip.
06:59Hey, you should think you're lucky stars.
07:01At least she's always got something to tell you.
07:03Let's see, who have you got coming for Sunday brunch?
07:05The usual, you know, it's always last minute with me.
07:08In fact, why don't you come join us?
07:09No, no, you know, I have a house and there's nowhere as comfortable.
07:12No, no, I'll come.
07:13There's always good food at your place.
07:15But change the people you hang out with, because I think they're boring friends.
07:19How many maritozos have you already had?
07:21I've got thyroid issues.
07:23Come on, come on, let's go.
07:24See you, bye.
07:25Bye.
07:25Man, they're so good.
07:27Give it a break.
07:28It's not good for you.
07:29The right one.
07:29I think it's easier to see the vein there.
07:31Or would you prefer the left one?
07:33No, it's fine.
07:33Just open and close your hand.
07:35Open and close.
07:36Open and close.
07:38Make a fist.
07:43Open your hand.
07:45If I weren't so obese, you'd find the vein immediately, doctor.
07:48I was able to find it okay.
07:50And you're not obese.
07:52But you keep coming in for a blood test to have a diet prescribed, but you never start one.
07:56Ah.
07:57Lecturing me now, huh?
07:59No, but if you seriously wanted to lose weight...
08:01Suppose I stick with the diet and then lose some weight.
08:04How about you go out with me then?
08:06Are you aware, sir, that I'm very happily married?
08:08You can bring your husband.
08:09Oh, no, my husband is very jealous.
08:12There you go.
08:13I'll make it this time.
08:14I can do it.
08:15I promise you.
08:16No, promise that to yourself.
08:17Come on.
08:19I recommend a new dietitian, though.
08:21Oh, I'm on my third one.
08:23Goodbye, doctor.
08:24Goodbye.
08:25See you.
08:27Still taking blood samples when you have so much work to do?
08:29You won't let anyone else do it.
08:31Okay.
08:32And just think, there are people here who say you're not very sociable.
08:36Hello.
08:37Hello.
08:39Come in, please.
08:53Andrea, good morning.
08:54Hey, good morning, Miguel.
08:59Good morning, Sergio.
09:00Good morning, Miguel.
09:02So, Joe, good morning.
09:04Listen, when we get done today, want to come over to my place after work to organize Sunday brunch?
09:08Uh, no, I've got to go to class today.
09:10It's probably best that I don't skip.
09:11Ask Sarah.
09:13Yeah, but I've already invited her to come over.
09:15Never mind.
09:16I'll figure it out.
09:17Bye.
09:17Bye.
09:20Bye.
09:30Hey.
09:32Did you wake up at dawn?
09:33What, have you come to check on me?
09:35That blue over there needs a bit more blending.
09:37Otherwise, it'll become a harsh color.
09:39I was planning on finishing up today.
09:41Don't worry.
09:42You can always come and give me a hand whenever you want.
09:44Who can cope with standing for eight hours holding a paintbrush?
09:47My back is screaming.
09:49And besides, you've become very good with your paintbrush.
09:53Yes, but, Atilio, the student has not yet surpassed the teacher.
09:56Yeah, but that will never happen, my dear.
10:00I prepared the paint you asked for yesterday.
10:02Thanks.
10:03But what is it that you have to tell us that you've summoned everyone for Sunday brunch?
10:06What is it, Miguel?
10:07Just wait for Sunday.
10:09You're going to give me a little bit of a hymn?
10:10You'll find out with all the others.
10:12What about my right of seniority?
10:14Oh, is that why you got up at the crack of dawn and came straight over here?
10:17You're more curious than a cat.
10:18I'm telling you nothing.
10:33I'm telling you nothing.
10:36Here.
10:39No, but, well, you're just so boring and not interested in life, my dear.
10:43You're a bit more, um, more antisocial.
10:46Are you staying for dinner, Mom?
10:48No, thanks.
10:49I only came over to say hi.
10:51Nora!
10:53I mean, I get it.
10:54That's just how you are.
10:56Yeah.
10:57You're just like your father.
10:59He was a stick-in-the-mud, rest in peace.
11:01But, Antonia, don't get me wrong.
11:03I did love him, though.
11:05I'm saying this for you.
11:06Nora!
11:08There you are.
11:10Pop this on the table there.
11:12Yes, ma'am.
11:12Thanks.
11:14You're always stuck in the house.
11:16You never go out.
11:18You're always waiting for your husband.
11:20You've got more living to do.
11:22Of course I do understand.
11:23I mean, I really do.
11:24He was the best-looking guy in your group of friends.
11:27Oh, all the girls had their crushes.
11:29And you couldn't even believe he'd, out of all of them, pick you.
11:33You were the one who couldn't believe that, not me, you.
11:36Yes, maybe.
11:37There were at times.
11:39I did actually wonder, what does he see in my daughter?
11:42Didn't make much sense.
11:43Mom, that was 15 years ago.
11:45Can we please stop now?
11:46Yes.
11:47So many years have gone by.
11:48And what exactly have you been doing this whole time?
11:51This?
11:51Nothing.
11:52You are stuck here.
11:53You don't move.
11:54You'd rather hide like you're down a sinkhole.
11:57You're just fading gradually, honey.
11:59What do you think I am, a candle?
12:02Mom, I'm exhausted.
12:03I've been working all day.
12:04I don't even know if Massimo's coming home for dinner.
12:06For the love of God.
12:09All right.
12:10I see I'm not welcome here.
12:12I'll be going home now.
12:14Did you want to stay for dinner?
12:15What should I prepare?
12:17What's going on with you?
12:20Nothing.
12:21Why?
12:21What do you mean, nothing?
12:23No, you're wearing makeup.
12:25That's it.
12:25I have a boyfriend, maybe.
12:28Madame Antonia doesn't know.
12:30Is he Filipino?
12:31No, he's from Ghana.
12:33Oh, he's from Ghana.
12:35Nora, be careful.
12:36We don't want any surprises.
12:38I don't know what you mean by that.
12:40You've had sex together?
12:41Mom, come on.
12:42Sure.
12:44All right.
12:44It's fine to have a small amount, but small.
12:47All right?
12:49I have a small amount of people.
12:53I have a small amount of people.
12:56I have a small amount of people who follow.
13:15All right.
13:26So when will you tell us the big important news, huh?
13:31What's up with Virgo?
13:33Hey, guys, shh, shh, guys, shh, shh, shh, shh.
13:41Guys, I've just met him, and I'm already madly in love.
13:44Who is that? Who is he?
13:45I actually just met him in a bookstore.
13:47Porn shop.
13:49Shh, shh.
13:52Well, we were both looking for the exact same book.
13:56Wait, the same book?
13:58A wonderful book of poetry.
14:03So I walked into the bookstore and went straight to the salesman.
14:06You did it with the owner.
14:07Keep him shut.
14:08Stop it.
14:09Stop it.
14:11Come on.
14:12But I told you, we were looking for the same book, so how could it be the salesman?
14:16Just wait.
14:19So I walk up to the salesman, ask for the book.
14:21He enters something, uh, checking in the computer, and goes to look for it.
14:25So you followed him into the back room and did it with him then?
14:32I was leafing through the pages of another book, when all of a sudden I had a strange feeling.
14:41Excuse me, I'm looking for an edition of Hickman's poems, the one with the red cover.
14:45I think it was just recently published.
14:46Guys, he walked up to me with a smile that...
14:51That...
14:52Does he ever finish his sentence?
14:54If you just be patient and let him go in the story, you're really killing the vibe.
14:59So he took me for the sales clerk.
15:02And came to ask me about the same book I was waiting for.
15:06I don't work in the bookstore.
15:07I'm sorry, I saw you leaning on this, I thought...
15:09No, no, he's coming back.
15:11Then we'll ask him for another copy.
15:15Unbelievable.
15:15No, it's not unbelievable.
15:17Mercury was trying with your Venus.
15:18Someone was destined to appear.
15:20If she says so, it's a certainty.
15:22Well, it's a matter of libration.
15:23No, but it's the same book here, okay?
15:25It's all the poems of Hickman's with a new unpublished edition.
15:28How strange, right?
15:30Both of us looking for the same book at the same time.
15:34Hickman is my favorite poet.
15:36Yours too?
15:38Right then, the sales clerk returns with a book in hand.
15:41There it is.
15:43Oh, um, is it possible to get him a copy too?
15:45I'm sorry, that was the last copy.
15:47I could always order it for you.
15:49When would it get here?
15:50Hmm, two to three days, I think.
15:52Too late for me.
15:54Thanks, I'll try somewhere else.
15:56Then I had a genius idea.
15:57No, no, no, you have it.
15:59I can wait for it.
16:00No, I'm sorry, but that's very kind of you.
16:02No, no, no, look, I only want the new ones.
16:06But I can photocopy them and then give you the book.
16:08A stroke of genius.
16:11The same book?
16:12Poems?
16:13You must have met him on a nap, huh?
16:15Will you?
16:16Yeah, huh?
16:19Where are you going?
16:20Now what?
16:21Come on.
16:22Whatever they say.
16:23I have nothing wrong with that.
16:24I do that for dating.
16:25Just don't lie to yourself, okay?
16:27You don't even know how to use them.
16:29Bitches, here it is.
16:31May I hold your book?
16:33Red is your color.
16:34It'll be yours for the entire year.
16:36Because red means joys and sorrows.
16:38Feel this.
16:38Try to feel it.
16:39Try anything.
16:40Please.
16:40I'll feel it.
16:42And these are the copies of the unpublished poems that I'm keeping.
16:46He's getting the book.
16:47When?
16:49Well, I had a second stroke of genius there.
16:53Okay, when?
16:53I don't know when I'm done copying.
16:56Uh, I don't have time now for copying.
17:01Um, later?
17:04I need it by the day after tomorrow at the latest.
17:07That gives me enough time to copy the whole book.
17:09Okay.
17:13I'm Mikael, by the way.
17:14Massimo, nice to meet you.
17:16And then I go, um, give me your number, perhaps I can give you a ring, and...
17:20Yes, okay.
17:21He takes the phone out of my hand.
17:24I'll give you my cell.
17:25Adds in his number and gives it back.
17:30You guys, he dominated me.
17:31Well, all right.
17:32Don't be ridiculous now.
17:33Come on.
17:34Never in my life has that happened to me.
17:36No, it happens to me all the time.
17:37Yeah, well.
17:38No doubt about that.
17:39Then I gave him a ring so he could save my number.
17:42Smart ass, you know.
17:44Smart ass.
17:46Then he takes out his credit card, and I don't...
17:48No, wait, since I'm keeping the book...
17:50Don't worry.
17:51I also need to get something on Mene, if you have it.
17:53No, if the book is mine, I'm paying.
17:56Yes, the art section.
17:57Excuse me.
17:57The art section is over here.
17:58Okay.
17:59This way.
18:00I'll pay you back later.
18:01We'll find out.
18:03We'll speak soon.
18:04Yeah, thanks.
18:05I stood by the cash register as he walked away and followed the sales clerk.
18:11I was standing there, staring him down.
18:16He wasn't paying any attention to the sales clerk.
18:20He was looking back at me.
18:26Guys, it felt like an eternity.
18:30He went to the register, paid, and left.
18:37I couldn't, not for one second, take my eyes off him.
18:43Never.
18:43Not even when he walked away down the street.
18:46And you know what I thought?
18:47If he looks back, it's on.
18:49How do you know that?
18:49It's a classic.
18:51And did he turn around?
18:55Of course.
18:56Ooh.
18:57I kept looking at him, walking away.
19:01And he turned around once more.
19:09Can we have brunch now that you're done?
19:12I'm ready.
19:12I'm ready.
19:27I'm ready.
19:33I'm ready.
19:38I'm ready.
19:47I'm ready.
19:50I'm ready.
20:07Hello.
20:09Are you tired?
20:11No.
20:12What's that?
20:19Why?
20:21I saw this passing by in the window, and I couldn't resist.
20:25Let's see a book.
20:38I remember that day when you said...
20:42Being in our garden in the afternoon is like being in a painting by Manet.
20:55What?
20:58Nothing.
21:00It's beautiful, honey. Beautiful.
21:02What?
21:07Monet. Claude Monet.
21:09I said it was like being in a garden painted by Monet, not Manet.
21:15All right, I'll take it back tomorrow.
21:17No, it's beautiful. It's beautiful. It's a wonderful book.
21:23Manet, Monet, I was off by one vowel.
21:27Mm-hmm.
21:29Will you forgive me?
21:32Mm.
21:34Mm.
21:46Do you have the keys?
21:49Yes, yes, I've got them here.
21:53Hey, you're leaving?
21:55Yes.
21:55Not because that guy's coming in.
21:56And if it was?
21:58Well, this isn't the first time Mikel's brought someone to the house.
22:01He's different, you know? He lights up when he talks about him.
22:04Come on, so what if he does?
22:06It's not his fault. It's me. It's annoying, too.
22:09You and Mikel are not together. You've never been together. You have to deal with it at some point, yeah?
22:14You're such an ignorant bitch.
22:16What did I do, huh?
22:18Exactly. What have you done?
22:19What did I say?
22:19Uh, Sandro, wait a minute, please.
22:22They've been going out for a month. You're being dramatic.
22:24So what? I'm not one of your patients, right?
22:26Yes, so what? But you're a friend.
22:28Don't you know that we all care if you're not here? Or do you only care for Mikel? What is
22:31it?
22:31No, of course not. Sorry. Sorry, Anna Maria. I'm sorry. Enjoy your lunch.
22:37Hey, Sandro, it's Uranus. Just two more weeks and the square comes to an end, yeah?
22:43The aspect is square now. It'll be a month at least.
22:56Where's Sandro going?
22:58Don't know.
23:01Isn't he staying for lunch?
23:03Strange one.
23:03That's strange. He never goes out for lunch.
23:07I think he might be spying on someone.
23:09No.
23:11Something's up, huh?
23:13Oh.
23:14See? That's right.
23:16And now who's this guy? Where's he at?
23:18He's going to do the laundry with champagne.
23:20Why bring laundry into this?
23:21Hey, isn't Mikel's flat the former laundry room?
23:23Who says he's going to Mikel's?
23:25Where else would he be going? He's been hanging around here for almost a month.
23:28No, no, no. I've only seen him a couple of times.
23:31No, I've seen him much more than that. He's here specifically for Mikel.
23:50No, no.
23:51No, no.
23:55No, no.
23:56No, no.
23:56No, no.
23:57They're all on the terrace.
23:58They're all waiting for you. We've got a full house.
24:01I feel like I'm a little boy again.
24:04But you are a little boy.
24:06Hey, what do they know?
24:13Do they know I'm in love with you?
24:17No.
24:19But they know I'm crazy about you.
24:28Are you ready?
24:29No.
24:31Let's go.
24:32Come on.
24:32Let's go.
24:34There they are.
24:37Brace yourself for the madness.
24:45Come on.
24:47Hello.
24:48Hi, everyone.
24:49Hi.
24:50Hello.
24:51Hi.
24:52I'm Luisella.
24:53Don't ask me about my age.
24:55I own a fruit shop.
24:57A little debt.
24:58But yeah, I'll figure it out.
25:00Oh, yeah.
25:01And everyone tells me I look like Bridget.
25:04Bridget Bardot.
25:05Right?
25:06Say yes.
25:07Yes, you do.
25:08Yes, but they exaggerate a little.
25:11Nice to meet you.
25:12I'm Vera.
25:13I run a dry cleaner.
25:15And I live on the third floor with Luisella.
25:18Yes, I'm only passing through.
25:19Passing through the last two years.
25:22I make unbelievably good alcoholic aphrodisiacs.
25:25You're welcome to try them any time.
25:27Just ask, you know?
25:29Anna Maria.
25:30Tarot card reader.
25:31A lesbian for 16 years.
25:33And this is Roberta.
25:34She's a psychiatrist and my wife.
25:36It's a civil union.
25:37I can do your astrological chart.
25:39Sure.
25:39She already finished.
25:40Yeah, Mikkel gave her your details.
25:42By the way, I've always been a lesbian.
25:44I'm really feeling you right now.
25:47I already know you so well.
25:48They live on the second floor.
25:50And I'm Walter.
25:52I don't live here.
25:53I have a small apartment.
25:55It's fine, really.
25:56Yes, I'm an old retired painter, but I taught everything I know to Mikkel.
26:00And now he owes me.
26:01We don't live here either.
26:03Hi, I'm Ricardo.
26:04Hi.
26:04Pleasure, I'm Luciano.
26:05Luciano is my accountant, and Ricardo works at the bank.
26:08Pleasure.
26:09Just like a couple of inseparable parrots, I'm single.
26:13I hope you're not into old people.
26:16By the way, if you need anything, just tell us.
26:20We know all the dirt about everyone.
26:22We're all over.
26:23All over.
26:24Welcome.
26:25We've all been very curious to get to know you.
26:28My name is Sarah.
26:30The only foreigner?
26:31No, I'm Turkish.
26:34I am the Sultana of the building.
26:38This is my main group of friends.
26:40They're always here.
26:43But anyone can bring along whoever they want.
26:45Exactly.
26:46For example, today, Mikkel brought you.
26:48Ah, yeah.
26:49Thanks.
26:49Appreciate it.
26:50Let's get some food then.
26:52Yes, time to eat.
26:53Thanks.
26:56We're ready to sit with them.
26:57Over here.
26:58Sit with them.
26:58You brought it up.
27:00That'll work.
27:00We're crossing your road today.
27:03Ah, look at that.
27:05You just have to open yourself.
27:08You're welcome.
27:09Yeah, that's right.
27:13Look at your room, bro.
27:13I only wanted one.
27:15Sarah.
27:16Babe, I know that you helped put this little ruse together, and it's not finished, huh?
27:20No.
27:20Pass that?
27:20No, no, no, no, no, no, no.
27:22Try it.
27:23No, no, no, no, no, no, no.
27:23Yay!
27:26Na, na, na, na.
27:29Cheers.
27:30Cheers.
27:31I love you.
27:33Guess what, Sandro?
27:34Sandro.
27:35Huh?
27:35Where's Sandro?
27:36He brought some pastries, then he went home.
27:38His mother's not well.
27:40He couldn't, he couldn't deal with it.
27:42You didn't know that, huh?
27:45Sandro has a friend that works with me.
27:46But who we know who he is?
27:47Do you know why you're laughing?
27:48I'm guessing no.
27:50What is that?
27:51No, the one over there.
27:52Na, na, na, na.
27:53Not only that one, that one.
27:55Na, na, na, na.
27:56That's right.
27:56Na, na, na, na.
27:58It's the action.
27:59Na, na, na, na.
28:00That's right.
28:02Me too.
28:02Yeah.
28:03Na, na, na, na.
28:04Na, na, na, na, na.
28:07Your friends are really great.
28:12I thought they'd never leave.
28:17They're a little bit jealous.
28:20Considering they usually totally ignore newcomers.
28:23They usually make them feel like outsiders.
28:30And why not with me?
28:33Is it even possible?
28:36How could anyone ignore you?
28:43Anyway, look on the bright side.
28:47You can come over whenever you want.
28:50Hmm.
28:51No longer the secret lover.
28:54I can come and go whenever I want.
28:56Isn't that something?
28:59Hmm.
29:00Is it an advantage that we're no longer a secret?
29:02Yeah, do you think so?
29:06Don't get too complacent on me.
29:10Hmm.
29:12You neither.
29:22Mossimo?
29:30Nothing.
29:34Are you watching me?
29:36Yes.
29:43Why are you staring at me?
29:46I'm not staring at you.
29:48I'm watching you.
29:49No, you're staring.
29:53Are you embarrassed?
29:55Why would I be embarrassed?
29:58I was just thinking about what I've been missing for some time.
30:05Antonia, we did it yesterday.
30:07Exactly, yesterday evening.
30:20What do you feel when you look at me?
30:31Why?
30:31Why?
30:37Because, um...
30:38Once when we looked at each other, I knew for sure we both felt the same thing.
30:44Now I don't know anymore.
30:47Perhaps it's because of all the time that's passed.
31:07I see you when I look at you, Antonia.
31:10I see you when I look at you, Antonia.
31:13You're still the person I chose.
31:18And I know why I did.
31:23But if you're asking me, it means that you haven't figured it out.
31:27So don't ask me.
31:29Hmm?
31:32Hmm.
31:40You smell that?
31:40What is it?
31:43Can't you smell the odor of mental masturbation?
31:46Silly boy.
31:47I can't smell anything.
31:48The smell is so completely overpowering.
31:55You're such an idiot.
32:03You're such an idiot.
32:11No.
32:18When you're not working, what do you get up to when I'm not here?
32:24If you only knew.
32:32I think about you when you're not here.
32:36I think about you all the time.
32:41No.
32:42No.
32:55I don't care.
32:56You tell me that it doesn't work.
32:58We ourselves now,
33:00we're on a blue planet.
33:02And when the night comes autumn,
33:04you Ń ŠæŠ¾ŃŃŃŠ¾ geil my sphere,
33:06that's not how the son until you feel.
33:09da un po', non sento da un po', i brividi sulla mia pelle, il tuo nome fra le stelle.
33:22Sembra ieri, sembra ieri che la sera ci stringeva quando tu stringevi me.
33:37Ricordo ancora quella sera guardavamo le gode delle navi dalla spiaggia sparire, vedi che son qui che tremo, parla parla
33:48parla parla con me, ma forse ho solo dato tutto per scontato e, e mi ripeto che scema non sa
33:56per fingere, dentro diamo il cuore tremo, come glici nelle notte.
34:07Ora che non posso piĆ¹ tornare, a quando ero bambina e devo salva d'animale, e da te, da te,
34:23da te...
34:28Come on, huh?
34:29My son-in-law certainly screws around now.
34:32A man like him has always been popular with the women.
34:35Too much temptation to resist.
34:37Come on!
34:38Let's be real, shall we?
34:41Huh.
34:43On the other hand,
34:44he doesn't turn them into affairs, but no.
34:49Okay, um...
34:50So, look, Antonia, no.
34:51You shouldn't worry.
34:53Massimo does not have another girl.
34:56Please drop it.
34:58You're unbelievable.
35:00You just can't help it.
35:01No, no, no, no, no.
35:02Don't hold back.
35:03No, sorry.
35:05I'm sorry.
35:06I'm a bit of a bitch, I know.
35:08When I realize it, it's too late.
35:11Hey.
35:13I'm sorry.
35:16I'm sorry.
35:26Come on, Mikael.
35:28It's obvious that Massimo is hiding something from you.
35:31Why do you sound so surprised by it?
35:33Didn't you find out if he's seeing someone else?
35:36The cards sure say he is.
35:37The cards should mind their own damn business.
35:39That goes for you, too.
35:40He almost never comes over and never spends the night.
35:44You often have sex only in the afternoon or later in the mornings.
35:49He returns to someone else at night.
35:51And so what?
35:52He's not my boyfriend.
35:53Oh, no?
35:54No.
35:54So what is he?
35:56Do we have to give it a name?
35:57You get hysterical when he doesn't answer you for an hour.
36:00Look, he's got a lot to do.
36:02He runs a company, he's busy working.
36:04What kind?
36:05Import and export.
36:07Of what?
36:08Diamonds?
36:09Big diamonds?
36:10Can we change the subject, please?
36:12Well, you should change your mood, then.
36:15While you've got that gloomy look, what do you think we'll talk about?
36:18If you'll still be around to cut the cake at Christmas?
36:21Let's talk about the party coming up.
36:23That's way more important, right?
36:24I'm good now.
36:25It's fine.
36:26That's enough.
36:27Yes?
36:28Come on.
36:30That's enough, I swear.
36:31Okay, I'm sending it to you.
36:33There he is.
36:34Here comes the birthday cake.
36:35Happy birthday to you.
36:39Happy birthday to you.
36:44Happy birthday, dear Massimo.
36:50Happy birthday to you.
36:59Hey, come on.
37:00Yeah, get that.
37:01It's hard to stop once you started.
37:02It's so hard, you guys should get it.
37:02Go for it.
37:03It's his birthday, all right?
37:04It's his birthday, all right?
37:04Kiss him.
37:06Happy birthday, Massimo.
37:08Perfect.
37:09You.
37:11I didn't expect it.
37:13All right.
37:14Given that your birthday was actually 10 days ago, in fact.
37:16But he's always traveling for work, coming and going, coming back.
37:20But on these trips, does your wife travel with you?
37:30Excuse me, why did he say your wife?
37:33Yeah, are you actually married?
37:35That's his business, isn't it?
37:36So he hasn't told you yet that he's married?
37:39There was no need to dig around.
37:40You could have asked.
37:41No, Mikael should have asked.
37:42He hasn't asked me because my love for him is enough.
37:44Don't you think?
37:45Real nice.
37:46You had nothing better to do?
37:47Not enough porn to watch on the internet?
37:50It didn't take much to find out.
37:52Name, surname, and you'll find everything.
37:54All right.
37:54Too much, even.
37:58What the hell are you doing?
38:01You get up and you leave now.
38:03Bye, go, go, Sandro.
38:06Go, go, go, go.
38:08And don't come back until I tell you, huh?
38:10Let go, Mikael.
38:11Don't be a drama queen.
38:15We've always been free to do whatever we wanted.
38:18Who cares?
38:19Several years ago, I also had been with a married man.
38:23When he disappeared, I wouldn't see him for a while.
38:26I was mad with happiness.
38:28I found his absence was a turn-on.
38:30You're a masochist.
38:31He's not.
38:31He always goes into freak-out mode when you don't answer his messages.
38:35You shouldn't screw around with people, Massimo.
38:38No.
38:39If I'm no longer welcome, I'll quickly be...
38:41No.
38:42Come on.
38:43Come on, stop it, please.
38:50He's married.
38:51Leave it alone.
38:52Of course.
38:53But he didn't tell us.
38:55I don't believe I have to explain my life to all of you.
38:58I'm sorry.
38:59The only person is Mikael.
39:01I think I should have told you.
39:06But I was afraid I would lose him forever.
39:10Every one of us has secrets of our own.
39:12Don't you have any?
39:14Not me.
39:15Everybody knows everything about me.
39:21Anyway, I don't mind being the lover.
39:23You're right.
39:24There are advantages to being the other woman.
39:28However, Massimo, you now no longer have any right over Mikael.
39:35If you were to find out he's cheating on you,
39:37you would just have to take it.
39:40Sarah is correct.
39:41I'd agree with that.
39:42You're not allowed to be jealous at all.
39:44And you may no longer impose any rules.
39:46All you have to do is respect Mikael and his rules of the house.
39:50Rules of the house!
39:52It's strange when you talk about this house,
39:54it's almost like you're talking about a person.
39:56That's because we are a single person.
39:59Can you not feel the identity of this house?
40:03Can't you hear the beat of one single heart?
40:05It might be a heart.
40:06Maybe it's another part, but one she's not as familiar with.
40:09Ah!
40:11Slice up the cake.
40:12Let's dig in.
40:13Come on.
40:14That's why I have the cake.
40:15My knife has me the knife.
40:17It's Vakai.
40:18Cake!
40:18Cake!
40:19Cake!
40:20Cake!
40:21He's got chocolate.
40:22Would it be wrong to stay here in your arms this way under this starry skull?
40:39If it is wrong, if it is wrong, then why were you sent to me?
40:48Why am I content to be with you forever?
40:55Never!
41:01So, when I need you so much, and I have waited so long, it must be right.
41:18It can't be wrong
42:06If it is wrong
42:10Then why were you sent to me
42:16Why am I content to be
42:21With you forever
42:28Wrong
42:36Hey, since when does he have keys?
42:38He's had them for a while, wake up
42:40Wait, really? I hadn't even noticed that
42:41You're getting old, it's been a year
42:43He's put down his roots here
42:44Oh, hey
42:45He didn't even look at us
42:46Not even a simple good evening
42:48Not even a fuck you
43:00Massimo, I don't want you to do it for me
43:02I didn't ask you
43:03I never made it a problem
43:06I'm such an idiot
43:09I thought you might throw yourself into my arms, screaming with joy
43:13You didn't just say that you want to leave your wife
43:15It was like you were asking for my permission
43:17No, that's not right at all
43:18You want to make sure that I'd still be here
43:20To be sure that you would have a place to stay
43:22All I said was, what if I left my wife?
43:24I didn't say I would do it
43:26If anything, you should have told me after you did it
43:29Massimo, I don't want to be responsible for someone else's pain
43:38Do you hear what you're saying?
43:46Look at yourself
43:49Is this the face of a man who's telling himself the truth?
43:56You know what I'll do?
43:58Instead of telling her that I'm leaving, I'll say
44:02Darling, let's go on a fabulous vacation
44:06Well, fuck you
44:29Hello
44:29What are you doing?
44:32Watching a movie with Nora
44:33Change of plans
44:34I'm heading to the house
44:35Wait up for me and we'll have a drink together
44:38Will you be long?
44:39No, I'll be there soon
44:40I need to talk to you
44:43What about?
44:45Something important
44:46Like what?
44:48I'll tell you in a bit
44:49Can't you wait?
44:50How about a little hint?
44:53Not the kind of thing you talk about on the phone, right?
44:55Okay, be quick then
44:56Don't worry, I will
44:57Bye
44:57Bye
45:43I'll tell you in a little bit of a little bit of a little bit of a little bit of
45:43a little bit of a little bit of a little bit of a little bit of a little bit of
45:43a little bit of a little bit of a little bit of a little bit of a little bit of
45:43a little bit of a little bit of a little bit of a little bit of a little bit of
45:43a little bit of a little bit of a little bit of a little bit of a little bit of
45:43a little bit of a little bit of a little bit of a little bit of a little bit of
45:43a little bit of a little bit of a little bit of a little bit of a little bit of
45:44a little bit of a little bit of a little bit of a little bit of a little bit of
45:44a little bit of a little bit of a little bit of a little bit of a little bit of
45:44a little bit of a little bit of a little bit of a little bit of a little bit of
45:44a little bit of a little bit of a little bit of a little bit of a little bit of
46:22Yeah.
46:25Hey. What are you doing?
46:26Just admiring a pretty girl.
46:28Ah, so no danger there, then.
46:31I found the poem you left for me on the wall.
46:36It's lovely. Thank you.
46:38Not as lovely as this one. I promise you that.
46:41I'm talking about the poem.
46:46Think about it.
47:05Shall I make you a gin and tonic, ma'am?
47:08No. Bring in the wine glasses.
47:12No. Bring in the wine glasses.
47:26No.
47:26No.
47:26No.
47:26No.
47:41Don't worry, ma'am. I'll clean this up for you.
47:45Yeah. I'm gonna go freshen up.
48:23I'm gonna go freshen up.
48:35Death, like every ending, has a new beginning. It's true. For every story that ends, another is about to begin.
49:23Death, like every ending, has a new beginning.
49:26Death, like every ending, has a new beginning.
49:33Death, like every ending, has a new beginning.
50:10Death, like every ending, has a new beginning.
50:24Death, like every ending, has a new beginning.
50:28Death, like every ending.
50:35Death, like every ending.
50:42Death, like every ending.
50:51Death, like every ending.
50:55Death, like every ending.
51:04Death, like every ending.
51:06Death, like every ending.
51:16No te lo tiro
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