00:06Transcription by ESO. Translation by —
00:19Okay, you have ammunition.
00:21Is there anything you need?
00:23People, I have to quit with a full day.
00:27But it's not your problem.
00:28No, no.
00:29But you have a different problem.
00:31What then?
00:32It's a joke about the Djerp Misfyren,
00:35who lived in the hospital, talking to the police.
00:39Ah, that's not good.
00:43Okay, good talk. We'll see you.
01:06You're welcome.
01:07That's it.
01:09It might be like we have problems here.
02:23The first offer is the murder in a place he knows.
02:31Come on, Tasha.
02:34The classic offer is his own mother.
02:40Rituals are what people always think of when there is a mother.
02:44The murder doesn't fit.
02:45But if there are rituals, it's almost always a murder.
03:20It's something we can use in practice.
03:24The murder takes time.
03:27So that's why it's not the same if it happened on a day, on a weekend, or a holiday.
03:35Because the last thing would mean that the murder had a job.
03:39And that would mean that it's a sociopath.
03:42And that's why we have more to do.
03:44So when our man dies in a family, does it mean that he has a job and is a sociopath?
03:50Maybe.
03:52That's pretty much, Ola.
03:53Yeah.
03:54I think it would be good if you could talk a little bit about what you see with this fall.
03:58It's a little bit specific.
03:59Yeah.
04:00We have three deaths.
04:01Two deaths, Lisbeth Barley.
04:03In the end, we have three deaths.
04:06Absolutely three deaths.
04:08And they are taken with just a few days.
04:12Rituals with the murder and the murder, which has been held all three deaths,
04:19has been held at the time phase and control.
04:22The choice of the offer and the offer.
04:25Yeah.
04:26That's right.
04:27That's right, Ola.
04:29I'll be in the middle of a while and when all of a sudden,
04:33we can go to the first death phase of Camilla Lowen.
04:34How is it?
04:35The first death from Camilla Lowen is in the living room,
04:38which is alone.
04:39It is on and out again.
04:42After that, it's unrighteous it's not being beaten or revised.
04:45The second death, like Elizabeth Barley's cars,
04:48in the middle of an area,
04:49most likely on the road.
04:51And then we have a car.
04:54The second death is a car.
04:56Toilet, toilet i et kontorlokale.
05:00We should be held directly to the hospital.
05:03So, what is the conclusion?
05:05We think we are with a well-advised sociopath.
05:09But we don't know if he is going to go bananas or still in full control.
05:14What should we do?
05:16In the one case, we are with a massacre, but with a chance to take him.
05:21In the other case, there will be more in between the murders and we will catch him.
05:26So, it's a pest or a hole. I don't know what else it is.
05:31Okay. Thank you, Ståle.
05:33I would suggest we start to take all of them we have heard.
05:38And start.
05:40So we will have many eyes on us, even from international talk.
05:44Thank you, Ståle.
05:48So, you were also with ABC Inkasso to talk about hearing aid?
05:53My advocate is old, so I need to do a legal review of an agency.
05:59So, you contacted advocates who were specialists in Inkasso?
06:03Yes, but I knew that first of the meeting, that they were there.
06:06Or a short time before all the study began.
06:10So, if you are looking for a new advocate, I would suggest you have met with more people.
06:14Can you tell me which?
06:16Advocate companies that I contacted, they wouldn't have any meeting after the meeting.
06:20ABC Inkasso and more in the meeting.
06:23Are you thinking about anything?
06:25Yes, all are thinking about it.
06:30Fair enough.
06:32Do you hear a little accent?
06:34Do you hear a little accent?
06:36Yes, it's possible.
06:37I travel a lot in the country, so it's probably something like that.
06:42Where are you?
06:44I have a little house in Thailand.
06:47I'm in Switzerland, with the producer of hearing aids.
06:50But I travel the most in the country, so I visit hospitals and institutions.
06:54Are you married?
06:55Are you a family?
06:57If they look at the arch that your colleague Skarre has noted on, I don't have it.
07:03I live with Truls.
07:06Truls is a sharp eye.
07:11But she...
07:13Great. Can you tell me what happened?
07:17I think that your colleague Skarre has...
07:19He noted it, but can you tell me what happened?
07:26Hello.
07:27What can I help you with?
07:29I have a meeting with Halle, in a minute.
07:32The 5th floor was a bit new for me.
07:35I asked the receptionist...
07:37Barbara Svensson.
07:39Barbara Svensson.
07:40I asked her about a glass of water, and then she was in the corridor.
07:43Yes.
07:44Then she came back, and I went to the corridor to see the Advokat Halle that I had a deal
07:48with.
07:50Hi.
07:51Hi.
07:52Hi.
07:52It's Clairson.
07:53Oh, Clairson.
07:54Ah, yeah.
07:54So no other than Barbara Svensson who went to the bathroom?
07:58No.
07:58I saw no other than the people who worked there.
08:00This has been told me many times now.
08:02Yes, I can see.
08:04But there is nothing about who you worked there.
08:08All of them are mistynt.
08:09Great.
08:11I need room.
08:13You can go.
08:16You can go.
08:17You'll be here.
08:19You'll be here.
08:23We'll be here.
08:25Keep it.
08:27I saw the water bottle, and she was in the corridor.
08:32Yes, I talked about it.
08:33Yes.
08:34Then I saw a guy in dress, who gave a coffee with the coffee machine.
08:42And so he came in on what I think was his house.
08:46And then there was a carcass.
08:49A carcass.
08:50Yes.
08:52A carcass.
08:53A carcass.
08:54A carcass.
08:55A carcass.
08:56A carcass.
08:58A carcass.
08:59A carcass.
09:01A carcass.
09:02You serve him.
09:03are you doing it?
09:04Hei, Tim.
09:05No.
09:06Wait, How are you going to die?
09:07He's the way out of the door.
09:09The way out of the door?
09:11Tjuek.
09:13Tjukk.
09:14Du heter Masin.
09:21Masin.
09:23How fast can you give me an information about the decision you have made for Cykelbud?
09:27Eh, that's pretty fast.
09:29But first...
09:30First, you can call the Cykelbud-firma in the city.
09:32Check if you have a registration or a registration.
09:34It's not you who lead...
09:36Just do it.
09:40What's your name, Klausen?
09:42Yeah, he had a black silk shirt.
09:45Bortbukser.
09:45Cykelsko som lagde klikkelyder.
09:47Eh, he was unsikker på høyde.
09:50Ansiktet var maskert.
09:51Han hadde solbiler og sykkelhjelm.
09:52Men det spesielle her er at man hadde munnen min.
09:55Og det er grunnen til at han kom seg inn noen skammel av loven.
09:58So, klart.
09:58Han ringde de bare på.
10:00Som Cykelbud så han redde han maskeret framfor kamera.
10:02Han sa han kom med blomsterbukett eller en express-pakke.
10:06Fra Klausen kom til han så Cykelbudet gå ut igjen av resepsjonen.
10:09SÃ¥ tok det over fire minutter.
10:11Cykelbud, han løper inn.
10:13Han leverer, og så løper han ut igjen.
10:17Han bruker ikke fire minutter på Sosebund.
10:19Ok.
10:20Jeg setter folk på fråga efter Cykelbud mot platsen over de aktuelle tidpunkterne.
10:23Ja.
10:24Det er en ting til vi må tenke på.
10:27Om vi skal varne folk på Oskjønnes Cykelbud.
10:30Ok.
10:31Jeg tar det med melden.
10:32Ok.
10:33Du, Harry.
10:34Jævlig bra jobb.
10:51En person er bekreftet omkommet etter angrepet på motorsykkelklubben Korps i går.
10:57Og Agnes ...
10:58...
10:58...
10:59We'll see you next time.
11:39We'll see you next time.
11:59We'll see you next time.
12:08Eh, pentagrammet?
12:13Er det noe galt med det?
12:16Neida, jeg bare lurer på hva det betyr.
12:21Pentagrammet er et gammelt religiøst symbol.
12:26Det finnes på gravstener som er over tusen år ganger.
12:31SÃ¥ det er et symbol for det gode.
12:34Ja, vårt er det.
12:38Men, eh, når pentagrammet står andre veien, altså.
12:43Ja, men da to taget peker det opp, da er det over i ting som brukes i demonologi.
12:51Som meg.
12:54Lære noen ondskap.
13:08SÃ¥ sykkelbudget sporet leder ikke noen sted?
13:11Vi har en ved efterlysning i sosiale medier, radio og TV.
13:16Vi har fått innom 24 tips i til som bekrefter det vi mer eller mindre redder vet.
13:21Ja, det er vi må ringe pressen som hadde fotograf på Carl Berner og høre om de har filmradiefremmøte.
13:26Er det talt av denne myten om å vente tilbake til oss stedet?
13:29Hvis det er en sosiopatisk seriemål, så oppfatter han efterforskningen som et spennende spill som han spiller sammen med politiet.
13:37Ersiko.
13:39SÃ¥ hva sier rettsmedisinsk?
13:42At vi er underbemannet og på etterskudd.
13:45Men at vi har lempa gamle lik til side og prioriterer nå disse.
13:48Ikke noe sad, ikke noe hud, hår eller blod.
13:53Og ingen tegn til seksuelt overgrep.
13:56Det eneste fysiske sporet etter en gjerningsmann er i grunnen kulehullene.
14:01Det er interessant.
14:03Hvordan?
14:04At det ikke er noe tegn på seksuelt overgrep.
14:07Nei, det handler vel ikke om seks da?
14:09Nei, nei, seriemål har altid et seksuelt motiv. Altid.
14:15Kanskje vi har en mister chance?
14:18I like to watch.
14:20At han ikke behøver å røre ved henne for å bli seksuelt tilfredsstillet.
14:27At måske er selvedrapet eller synet av livet er nok.
14:32Hva med Lisbeth Barley?
14:34Vi har sett på fingeren hennes, og det vi kan si er kuttflatene.
14:40Det tyder på at den samme kniven eller verktøyet er brukt i alle tre tilfeller.
14:45Hva med våpnene på stedene?
14:48Skytetesterne bekrefter at det er jo de som anvends for morden.
14:51Men serienummerene er bortslippede.
14:53Samme slipmerken som på det meste av det vildslag.
14:56Jeg er håpløst. Det renner jo over av våpnene begynner.
14:58Snart helt Montana.
15:06Maja, Barley saken.
15:08Vi skriver at Toya Harrang tar over efter systerne i Pygmalion.
15:11Jeg räkner med at texten blir klar for lunch.
15:13Okej, har du noen sitat da?
15:14Willy Barley, the show must go on er mer enn en lettvint klisjé.
15:18Det er blod i allvar i vår bransche, og jeg vet at Lisbeth er med oss uansett hva som har
15:22kjedd.
15:23Men det klart situationen präger oss.
15:25Likevel prøver vi å bruke energien positivt.
15:28Stykker blir uansett den hyldest til Lisbeth.
15:30Okej.
15:31Jeg liker å ha filgudvinklinga på den. Vi trenger litt av det også.
15:34Okej, folkens.
15:35Alt handler om sykkelbudmorden.
15:36Det er bare å legge alt mulig annet til Sies.
16:08– Hei. – Hei.
16:12Hei.
16:12– Hei, går det bra? – Jeg er på jobb.
16:15Hei, jeg går.
16:16Hei, la.
16:18Hei.
16:19SÃ¥...
16:20Eh...
16:21Nei, jeg tenkte bare jeg skulle minne deg på at du har sagt at du tar med deg og legger
16:24for noe bad i morgen.
16:27Ja, selvfølgelig. Jeg har pakket badebokser.
16:30Jeg tror aldri jeg sitter i badebokser. Hvordan sa den ut?
16:35Den er svart med en sånn motmerke på.
16:40Ja. Det er en av boksene jeg har kjøpt til deg. Skjønner.
16:43Ja, det fungerer fint å bade mine.
16:45Hva?
16:47Jeg vil nesten gå igjen, da.
16:49Okej.
16:51Okej.
16:51Ja.
16:54Du såg mig lite skickning.
16:57Det var utenfor avstedning, ja.
17:00Maja Ek fra Aftenposten skicka.
17:02Utbyte mot at jeg gjør en intervju eller portrætt.
17:06Det var bra for kåren.
17:09FÃ¥ lite imagelyft.
17:16Takk.
17:45Takk.
17:51Takk.
17:52Har vi fortsatt nøkler til Kamila Lovens leilighet?
17:55Bjørn Halmstedt.
18:11Takk for at du kunne komme med peina.
18:12Ja.
18:15Hva ville du?
18:17Jeg ville varna dig.
18:21Odin og Jermis.
18:22De sagde at de ikke kan gjøre det rett først.
18:23For vapnen de har bestått av mig.
18:25De sagde at du har taget over deres marknad.
18:29SÃ¥...
18:31Jeg planerar dem å klippe dig.
18:35Hvorfor fortæller du mig dette?
18:37For at du betaler. Jeg foredrer betalende kunder.
18:45Hva sa du nå omgår?
18:47NÃ¥r?
18:48Det var nær som helst.
18:54Når du nå luker jeg på akkesjukhus.
19:20NÃ¥te du er dig.
19:26Det var man.
19:26Det var man.
19:32Nåte du fortæller.
19:32Værer dig.
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