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00:11The license plate matches a stolen vehicle, the car is stolen.
00:15The car is stolen.
00:16The car is stolen.
00:17The car is stolen.
00:19The car is stolen.
00:22The car is stolen.
00:47The car is stolen.
00:50The car is stolen.
00:51The car is stolen.
00:55The car is stolen.
00:58The car is stolen.
01:03The car is stolen.
01:13Step out of the car
01:14with your hands in the air
01:21So what do we do now?
01:22This is your last warning
01:24Step out of the car
01:27We let both cars reach the middle of the bridge
01:30What?
01:42You're crazy
01:45You'll back down
01:46I will get back down
01:47Because I'm not gonna
01:50Stop the car right now
02:06Now they have to turn around
02:08And those extra seconds will be precious
02:11Unbelievable
02:12I thought I was the crazy one
02:14Clearly you're the nutcase
02:40I don't know
02:55How about we take a walk in the woods under the pale moonlight?
03:00I'd love to.
03:15I'd love to.
04:03Don't you find that we make a romantic couple?
04:06Young lovers on a yacht, preparing a new heist.
04:10The perfect couple.
04:24And we even have a full moon.
04:27Hey, babe, look.
04:30The golden tower's all lit up for us.
04:33Our first kiss was on a boat.
04:35Maybe it's a sign we should get one and live on it.
04:37You know, somewhere like Venice or Amsterdam.
04:41Doesn't it rain too much?
04:43All the better for us.
04:46We'll stay in bed all day.
04:53Come on, answer it.
04:55It's your mother.
04:56She might be sick again.
05:02It's okay, Mom.
05:03Don't worry.
05:04You're not bothering me.
05:06Are you okay?
05:07For the past 17 days, I've been listening to those silly chimes.
05:11Imagine how I feel.
05:13All day I keep looking at my phone, hoping for a message from you.
05:16And when it arrives, I'm afraid to look.
05:20I'm afraid that it might be your last message to me.
05:24But then I think about how beautiful it would be if you felt the same way too.
05:28So I open it.
05:31I've never felt anything like the night I climbed those 14 steps up to the attic with you.
05:36When I read your message, I ran out of my house and I didn't stop running until it was dark.
05:49It was like a dream.
05:52I felt the same.
05:54All I wanted to do was to wait by the door, watch you run back to me hot and your
05:58shirt covered in sweat, and me wrapped in it.
06:02And as I look at the Golden Tower, I'm blind to its beauty because all I can think of is
06:07you.
06:13I got to go now.
06:21I guess you're thinking, wow, what a weird conversation to have with your mother, huh?
06:28Nah, you could have whatever conversation you want.
06:38You don't want to ask me, but I'm still going to tell you.
06:41It's just that Bruce decided to say goodbye to his past life and throw a party.
06:46He was saying goodbye to partying and traveling and sleeping around with thousands of girls.
06:52He was saying goodbye to the life he had before meeting me.
06:58And do you know why he wanted to end all of that?
07:04Because he's in love with me.
07:07And now all he wants to do is snuggle up on the sofa, watching movies and eating popcorn together every
07:14night.
07:18But I've never experienced all these things he's grown tired of.
07:24Is that necessarily a bad thing?
07:27If you're happy.
07:30I was a virgin, Roy.
07:35A 36-year-old virgin who'd only gotten laid through her VR headset.
07:39Okay.
07:40Bruce is the only man I've had sex with.
07:44Not anymore.
07:46Someone new has come into my life.
07:48This guy has swept me off my feet.
07:57It's like an obsession.
08:00It's like an obsession.
08:14I'm sorry.
08:15I was cleaning myself up and I fell asleep.
08:18I should go.
08:19No, stay. I'll go. It's okay.
08:24Bye.
08:43I wanted to open the door.
08:45Or maybe I didn't.
09:14Hey, are you done in there?
09:16some of us have to pee!
09:18How are we going to get out?
09:29It was an irrational attraction.
09:30My brain had stopped working.
09:38And suddenly I didn't care anymore.
09:41I could hear all the noise,
09:42the music, the voices, but
09:43above it all I could hear his heart
09:45beating,
09:48pounding like at a rock concert.
09:50And I can't
09:51explain it, but I didn't feel guilty
09:53or scared, I just wanted to be there,
09:55naked against his skin,
09:57as he carried me through the crowd.
10:00And I would have
10:01gone anywhere with him.
10:02You look from coming
10:04afraid, just watch the city
10:06scares turn to dust.
10:12Filming helicopters
10:14crashing in the ocean
10:17from way above.
10:41I remember
10:42beams of light streaming into the attic.
10:44Like a lighthouse.
10:49And the sound of glass chimes moving in the air.
10:52I was drowning in waves of orgasms
10:54even though he begged me to wait
10:55until we came at the same time.
10:57And I grabbed the carpet with my nails.
10:59Oh, thank you.
10:59Enough. I get the picture.
11:01I know what you mean.
11:02Listen, Kayla.
11:04Usually I would say
11:05it's better to forget about it.
11:07It's just a fling.
11:09But considering what I heard you say
11:11to your mother,
11:13maybe this is something serious.
11:15I didn't think this would lead
11:16to anything either, but
11:19then he said something that changed everything.
11:22I'd really like to see you again.
11:26Are you good with numbers?
11:28I'd say it's my specialty.
11:316-5-5-3-4-7-9-4-9.
11:34And now his number is tattooed
11:35inside my brain
11:36and I'll never forget it
11:37even if I'm old and frail
11:38and dying with Alzheimer's.
11:39The first three days,
11:40I managed not to text him.
11:42But on the fourth day,
11:43in the beginning,
11:44it was just a few messages each day.
11:45But now...
11:47Now we text each other
11:48like 30 times a day
11:49and maybe more.
11:51And once he called me
11:52in front of Bruce.
11:53I saved his number on my phone as mom
11:55so he's not suspicious.
11:56I told him she wasn't well.
11:58I pretended that she had
11:59some kind of kidney problem.
12:02It's driving me crazy, Roy.
12:05I'm in love with Bruce,
12:06but at the same time
12:07I'm hoping Claudio will call me.
12:08And if he doesn't text me,
12:10I repeat in my head
12:10over and over again
12:11the previous messages
12:12that I've learned by heart.
12:15Are you sure you love Bruce?
12:17Yes, of course I do.
12:18That's why I haven't seen Claudio
12:20since the party
12:20and why we only text.
12:24What?
12:25It's much worse.
12:26What do you mean?
12:27Hoping that he'll text you
12:28is worse than screwing
12:29in the bathroom.
12:31Kayla, one night stands
12:32can happen to us all.
12:34And we get over it
12:35and we move on.
12:36But spending all day
12:38waiting for the phone to ring,
12:39hoping it's him
12:40reading his messages,
12:42remembering moments you've shared.
12:48You know you're cheating on Bruce.
12:54You changed the guy's name
12:56to mom on your phone.
12:57That says it all.
12:59He deserves better.
13:09Rise and shine.
13:12Signs up.
13:13Get out of bed.
13:14A new day calls.
13:16Wakey, wakey people.
13:18No rest for the wicked.
13:19A new day has dawned.
13:23I know what you're all thinking.
13:25Hmm?
13:27You're wondering
13:28why he's serving breakfast.
13:29Why he's still wearing
13:30yesterday's dirty clothes
13:32and two bullet holes
13:33in his chest.
13:34What's with that?
13:35To be precise,
13:36they're not real bullets.
13:37They're toy pellets.
13:38Well, let's just say
13:39that I am currently
13:40experiencing things
13:41that I have never experienced
13:43in my life before.
13:44Thanks.
13:47My wallet was stolen.
13:49A master stroke.
13:50An act of pure...
13:54Prestidigitation.
13:56And then I experienced
13:58a magical night together
13:59with this woman.
14:02This is the same woman
14:03who shot me.
14:05And it's not important.
14:07The woman fascinates me.
14:08And that's what's so surprising
14:09because Candela...
14:12Her name's Candela.
14:14Represents just about everything
14:16that I've disapproved of
14:17my entire adult life.
14:18And what are these things
14:19you disapproved of?
14:21I've never had time
14:22for these flamboyant women
14:24the kind that waltz into restaurants.
14:26like they own it.
14:27The kind who grab you by the arm
14:28and drag you all over the place.
14:30The kind that laughs out loud.
14:33The kind of woman
14:33that's constantly managing
14:36and organizing things
14:38with no table manners.
14:39She's laughing to themselves
14:40like they were starving
14:41and had just come off hunger strike.
14:44Slobbering on her fingers,
14:46sucking and biting and licking
14:48and lapping up juices on her lips.
14:50But today,
14:53they have finally perceived the poetry
14:55and the beauty of it all.
14:56Of Candela.
14:59Nobody has fed me
15:00since I was five years old.
15:06When my mother would play that game
15:08of open up, here comes the plane,
15:09I would get anxious.
15:11And yet, with Candela,
15:14everything tasted glorious.
15:17But that's not all.
15:19After breakfast,
15:20we went out for a walk
15:20with a bunny rabbit.
15:23The furry kind.
15:27Magical.
15:29And I was enchanted.
15:32Its name is Pamela.
15:35Isn't that hilarious?
15:36You wanna know something else?
15:38She takes her bunny
15:38for a morning stroll
15:39every morning
15:40on a leash
15:41like it's a German shepherd
15:43to soak up the sun's energy.
15:46Personally,
15:47I've never been a great lover of animals,
15:49especially not rodents.
15:50However,
15:52there I was playing in the grass,
15:54bonding with a bunny.
15:57Everything that I believed
15:58to be vulgar before,
16:00well,
16:01now I feel a magnetic attraction.
16:03What I once thought
16:04to be obnoxious
16:05and ostentatious,
16:06in fact,
16:07turned out to be a hymn to life.
16:12No more shrinking from life.
16:14We must live
16:15our lives fully
16:17and completely to exist.
16:20And to play with rabbits.
16:24I wanted to share this news with you
16:25in case you might be worried
16:26about who I fall in love with
16:28for our new job.
16:29This is nothing like what happened
16:30in Paris
16:31and has nothing to do
16:33with the Duchess's treasure.
16:36Well,
16:37I'm going to use this fork.
16:39You know,
16:40just in case
16:41you get excited
16:42watching me eating my food.
16:45It's true,
16:45quite often opposites attract.
16:47Right?
16:50I'm just wondering
16:51how you got shot.
16:52Does it involve
16:52a bed and a boyfriend?
16:54No,
16:54there is no boyfriend.
16:56And there is no bed
16:57and no kissing either.
16:58There was absolutely nothing
16:59inappropriate between us.
17:01I earned these bullet holes
17:02simply because
17:03she caught me foraging
17:05in her house.
17:06And so,
17:07to celebrate this new philosophy,
17:10we,
17:11we're going to spend
17:12the rest of our day exploring.
17:13there.
17:40I was noticing
17:43there,
17:45The land registry indicates that the estate is made up of 8,300 hectares, and that's the only info I
17:50got.
17:51Google Earth doesn't even show images from inside.
17:53It's like it's a ghost estate.
17:55There are a few photos of the winery. They date back to the 60s.
17:59It was a building with a large glass dome in the middle of the countryside.
18:03There was an underground cellar used for fermenting the wines, but the building was demolished years ago.
18:07Shortly after he built that train line.
18:09We have to find that wine cellar.
18:11How do we do that? Are we supposed to jump the fence or something?
18:14We do it with the newest member of the team.
18:17The Imperial Iberian Eagle.
18:20Today we'll just do a flyover.
18:24Let's do this.
18:27Up, up, and away.
18:33Kala, head west, please. Once we locate the family home, we'll be able to find our bearings.
18:45What's that?
18:47Kala, zoom in.
18:51Dead animals.
18:53There are lots of them.
18:56There's an electric fence.
18:59It would appear this one has much higher voltage than usual fences.
19:04Current above 30 milliamps is enough to cause a heart attack.
19:07Okay.
19:11Look, there's something behind those olive trees over there.
19:15That's the family home.
19:16Cameron, find it on the map.
19:23You gotta be kidding.
19:24He has his own bullring?
19:26Get closer.
19:27Let's see how his highness keeps himself entertained.
19:36Zoom in all the way.
19:44Pull back.
19:45It looks like the train leaves from here.
19:47So the wine cellar must be within a one kilometer radius at most.
19:51And somewhere within that area, there's an air vent.
19:54Every underground construction bylaw has to have a vent.
19:57So if we can locate it, then theoretically, all we have to do is draw a straight line from
20:02it to the family home.
20:03Then we'll find the cellar.
20:09Wait, stop there.
20:11Zoom in.
20:18The ventilation shaft.
20:20Cameron, get the coordinates.
20:22Draw a line from the house to the vent.
20:24And keep going.
20:36Seems to be the same glass dome from the old building.
20:39Minus the building.
20:48Who would hide their treasure under a glass dome?
20:51That would be someone with a passion for art and for poetry who knows that some things
20:55are best appreciated only in natural light.
20:58Such as rare sapphires or a giant blue diamond.
21:02Or just maybe a stupendous, wonderful work of art.
21:07Don't you feel that insatiable desire to discover what's hidden down there?
21:15What's happening?
21:16I don't know.
21:17It's not responding to my commands.
21:19We're losing altitude.
21:20It's dropping fast.
21:21It's gone rogue.
21:23The connection is unstable.
21:27What's going on?
21:27I'm not sure, but we've gone blind.
21:3260 meters and falling.
21:34They most likely have jammers.
21:38The drone frequency is high, but it doesn't seem to be enough.
21:41Kayla, bring it in now.
21:4330 meters.
21:44I'm doing what I can.
21:4520 meters.
21:45The GPS is working.
21:47The drone isn't that far from us.
21:48It's nose diving.
21:4910 meters.
21:51Kayla, it's almost on the ground.
21:53Try to make it land.
22:02The eagle's down.
22:05Do you hear that?
22:07Turn up the volume.
22:16It's the fucking cabin.
22:18They're scratching and sniffing the drone.
22:25We need to get it back immediately.
22:27No.
22:29Going inside that place without a plan would be suicide.
22:32And I'm not talking about the electric fences.
22:34This duke isn't your typical entitled nobleman.
22:36He's a criminal.
22:38Precisely.
22:38So what do you think he'll do when he finds a drone on his property?
22:42Oh, wait.
22:43Maybe this cute drone belongs to the guy who's interested in my art collection and who also has a gang
22:47of thieves.
22:50If that happens, him going to the police will be the least of our worries.
22:55Because his only other option is murder.
22:58I'll go get it.
23:02I'm sure I can locate it pretty fast using the GPS coordinates.
23:05No, no, no, no.
23:06Kayla, no.
23:07If you go, I'm going with you.
23:09That was a sophisticated drone, yet they managed to jam it.
23:13So your earpieces most likely won't function.
23:18Up there you'll be on your own.
23:27We'll keep a close eye on you.
23:29If you see anything unusual, don't take any risks.
23:32You immediately turn back.
23:51Over there.
23:56Over there.
23:58Over there.
24:01Over there.
24:06Over there.
24:11Over there.
24:12Over there.
24:15Over there.
24:18Over there.
24:19Over there.
24:21Over there.
24:22Over there.
24:23Over there.
24:23Over there.
24:24Over there.
24:25Over there.
24:26Over there.
24:27Over there.
24:28Over there.
24:28Over there.
24:28Over there.
24:28Over there.
24:32Careful, slowly.
24:56Can either one of you tell me why I agreed that Kayla would go fetch the lost drone?
25:01I mean, obviously she's the one with the most brains here.
25:07Because if I sent you, or him, chances are that sooner or later, both of you will tear each other
25:14to pieces.
25:15Ever since you got here, it's been nothing but long faces and insults.
25:20What makes you think any of us want to listen and put up with your bullshit?
25:27It's obvious you've broken the rules.
25:30Sure, but to be fair, Bruce and Kayla broke them too.
25:34No, they've managed to stay content.
25:37So I am going to ask you two, two questions.
25:41Firstly, do you want to remain in this gang?
25:45Please answer me now.
25:48Yes.
25:49Yes?
25:50Good.
25:51And for my second question, imagine if you had to infiltrate something like a train.
25:57Yeah.
25:57Like the Orient Express, for example.
25:59And then, imagine you had to pretend to be a couple and spend the night together in the same bed.
26:06Would you do it?
26:10Yes.
26:20I don't know what happened between you, but what I do know is that both of you are 25 years
26:26old.
26:26You have four million euros each.
26:28You're beautiful, healthy, and full of energy.
26:33And even though you have it all, you managed to screw it up.
26:47Over there, you see it?
26:54Bruce.
26:55Okay, listen to me.
26:56You sprained your ankle and it's bad.
26:58It really hurts.
26:59I didn't.
27:20This is private property.
27:22I'm really sorry.
27:23We came here to photograph the bulls and my girlfriend fell and sprained her ankle.
27:35You need to be careful where you walk.
27:38It can be dangerous.
27:39I guess you didn't see all the no trespassing signs around the property.
27:43If I see anything moving here, I pull out my weapon and I shoot to kill.
27:53You wanted to see the bulls?
27:55Yeah, to take some photos in their habitat.
27:59Perfect.
28:00Let me show you.
28:01I feed them every day.
28:28Now's the time to take those photos.
28:31No longer up to it, I guess.
28:40Come on.
28:42Sit down over there.
28:43Let me take a look at your ankle.
28:45I've seen lots of sprains out hunting.
28:49Sit down.
28:51Let me see.
28:55Got a check for swelling.
29:09Does it hurt?
29:10Yes.
29:11A bit, yeah.
29:14How much is a bit?
29:16It's painful when I walk.
29:21I'm sorry, but this looks pretty bad.
29:29It's quite a serious brain.
29:34Lucky for you, I have what it takes.
29:41This is what I do to help all my bitches.
29:54Gently rubbing this in helps relieve the swelling.
30:08It's okay, kid.
30:09Pull out your phone.
30:12See if there's any signal.
30:14Come on.
30:16Make your call.
30:18Fucking do it.
30:26No signal.
30:28This entire area is off-grid.
30:34Let's get you some help.
30:35Come on.
30:36No, there's really no need.
30:37It's much better.
30:38No, no.
30:38Come on.
30:38Look, I can walk now.
30:39Come on, let's go.
30:40It's all good, man.
30:41I got this, okay?
30:41Hey, I'll take care of her now.
30:43Thank you so much.
30:44I can just carry her on my back.
30:45It's easy, see?
30:46Then you must be stupid, kid.
30:50How are you going to carry her?
30:53Shh.
30:57Are you going to jump the electric fence?
31:00And the wall?
31:04Easy, girls.
31:07Get inside.
31:09Go on inside.
31:14And you, in the back.
31:20Forget it.
31:21No way.
31:22Kayla, get out of there.
31:23Come on.
31:23Open the door.
31:24Open the door.
31:26The door, Kayla.
31:27You need a key to open it.
31:28Open the door.
31:30Please, sir.
31:32Open the damn door.
31:35Please, let me out.
31:37Bruce.
31:47I help you, and now you're giving me this shit.
31:50Step away from the truck right now.
31:52Easy.
31:54Keep moving.
31:56Now turn around.
31:59Bruce!
32:01Keep walking.
32:05No.
32:06No.
32:07No.
32:15Tell me what you're doing here.
32:16One or two injured trespassers, it's all the same to me.
32:21Enough of this shit.
32:23Keep walking.
32:24I said keep walking.
32:27Fine.
32:28We broke in.
32:30Happy?
32:31And now we'll leave like nothing happened.
32:35Let me get her.
32:36Don't fucking move.
32:38One more step and I'll shoot you.
32:41Go on, pull the trigger.
32:43But you better not miss, man, because I'll smash your head in.
32:46Oh, yeah.
32:53Ah!
32:54Ah!
32:56Ah!
32:59Next shot, I'll blow your brains out.
33:03So, kid, why are you here?
33:05Tell me now.
33:07We're trying to locate the vent of the Duke's underground cellar.
33:31Don't move, or I'll shoot.
33:51We need to bring him with us.
33:53What are you saying?
33:54We have to go.
33:54We have to get out of here.
33:55Calm down.
33:56We have to take him, because if he dies, that makes me a murderer.
33:58And if he actually survives, he knows exactly why we're here.
34:01But how the fuck would he know?
34:03Because I told him.
34:05Let's go.
34:15How are we going to get out of here?
34:17We'll have to carry him out.
34:19And how do we get him over the main gate?
34:31We'll get out of here.
34:52Let's go.
35:15Let's go.
35:46Let's go.
35:46Let's go.
36:43Let's go.
36:45Let's go.
36:46And we need to get out of Seville.
36:48So, where does that leave us?
36:52Well, that means we have an opportunity.
36:55We have an opportunity for what?
37:01An opportunity to pull off the robbery tonight.
37:06We have an opportunity for what?
37:06Let's go.
37:06Let's go.
37:06Let's go.
37:11Let's go.
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