- 8 hours ago
A small-time gangster (Edward G. Robinson) makes his way to the top of the criminal underworld. Directed by Mervyn LeRoy. Oscar nominated for Best Adapted Screenplay.
Category
🎥
Short filmTranscript
00:00:02The End
00:00:36THE END
00:01:36How's that?
00:01:37Gotta hand it to you, Rico.
00:01:38The old bean's working all the time.
00:01:44What'll it be, Gens?
00:01:46Spaghetti and coffee for two.
00:01:47All right, sir.
00:02:00Underworld pays respects to Diamond Pete Montana.
00:02:04What's that got to do with the price of eggs?
00:02:06Ah, plenty.
00:02:08Diamond Pete Montana.
00:02:11He don't have to waste his time on cheap gas stations.
00:02:14He's somebody.
00:02:15He's in the big town doing things in a big way.
00:02:18Yeah, look at us.
00:02:19Just a couple of nobodies.
00:02:21Nothing.
00:02:24Is that what you want, Rico?
00:02:26A party like that for you?
00:02:31Caesar Enrico Bandello.
00:02:33Honored by his friend.
00:02:35I could do all the things that fella does and more.
00:02:38Only I never got my chance.
00:02:40What's there to be afraid of?
00:02:41When I get in a tight spot, I shoot my way out of it.
00:02:44Why, sure.
00:02:45Shoot first and now I get afterwards.
00:02:47You know, this game ain't for guys.
00:02:48Let's saw it.
00:03:06Yeah.
00:03:08There's money in the big town, all right.
00:03:11And the women.
00:03:13Good times.
00:03:14Something doing all the time.
00:03:15Exciting things, you know.
00:03:17Gee.
00:03:19The clothes I could wear.
00:03:23And then I'd quit, Rico.
00:03:25I'd go back to dancing like I used to before I met you.
00:03:29I don't know.
00:03:29I ain't made for this sort of thing.
00:03:32Dancing.
00:03:33That's what I want to do.
00:03:35Dancing.
00:03:37Women.
00:03:38Now, where do they get you?
00:03:40I don't want no dancing.
00:03:41I'll figure I'll make you other people dance.
00:03:44Oh, I ain't forgetting all about the money.
00:03:46Yeah, money's all right, but it ain't everything.
00:03:48Now, be somebody.
00:03:50Look hard at a bunch of guys and know that they'll do anything you tell them.
00:03:52Have your own way or nothing.
00:03:54Be somebody.
00:03:57You'll get there, Rico.
00:03:58Yeah.
00:03:59You'll show them.
00:04:00Joe?
00:04:01This was our last stand in this berg.
00:04:03We're pulling out.
00:04:05Where are we going?
00:04:07East.
00:04:08Where things break big.
00:04:19And so I beat it east, like I told you.
00:04:23That's all there's to it.
00:04:26I want to run with your mouth if you're letting me.
00:04:28What do you say?
00:04:30You won't be sorry for letting me in, Mr. Vittori.
00:04:32I'll shoot square with you.
00:04:33I'll do anything you say.
00:04:34I ain't afraid of nothing.
00:04:35Oh, you think you're a hard guy, huh?
00:04:37Well, there's nothing soft about me, nothing yellow.
00:04:39I don't quit.
00:04:40You got an idea you're good, huh?
00:04:42Well, give me a chance to show you.
00:04:46What do you know about me?
00:04:47Oh, I heard plenty.
00:04:50How you run things, the center town?
00:04:52About this here club, Palermo, how it's your front, I got told enough.
00:04:55I guess you're good with a rod, too, huh?
00:04:57Yeah, quick weather, that's what I am, and sure.
00:04:59Well, I don't go around here.
00:05:01That's old stuff.
00:05:03This ain't the sticks.
00:05:05Yeah, I get you.
00:05:08All right.
00:05:09You stick around.
00:05:10But remember, I'm the boss.
00:05:12And I give all the orders.
00:05:14And when we split, we split my way.
00:05:18And no squawks.
00:05:19You get me?
00:05:19Yeah, sure, Mr. Vittori.
00:05:24All right.
00:05:24Come on in and meet the boys.
00:05:25Sure.
00:05:30Oh, they're 100% all right.
00:05:32Every one of them.
00:05:35There's Tony Passa.
00:05:36Can drive a car better than any mug in the town.
00:05:39Otero.
00:05:40He's little, but he's the goods, all right.
00:05:44Bat Carrillo.
00:05:45Killer Peppy.
00:05:47Kid Bean.
00:05:49And this one here.
00:05:51Scabby.
00:05:52What a smart guy he is.
00:05:54Boys!
00:05:56Come on, Tony.
00:05:57Wake up!
00:05:59I want you to meet a new guy who's going to be with us.
00:06:02This is, uh, uh, Cesar Enrico Bandello.
00:06:08Oh, little Cesar, huh?
00:06:11Yeah, sure.
00:06:30Where did you get the new dancers, Javaz?
00:06:34Olga brought them around a few days ago.
00:06:36Not bad.
00:06:38All right.
00:06:40I'll say he is.
00:06:58Well, I got hold of a real dancer for a partner, didn't I, Mr. DeVos?
00:07:02Oh, he's an elegant dancer.
00:07:03Say we'll panic them after a few more rehearsals.
00:07:05Say you're not trying to sell them to me, are you, Olga?
00:07:09Well, young fellow, I guess a hundred a week ought to buy you.
00:07:12That's more than I generally start them with.
00:07:14That's swell with me, Mr. DeVos, even though I don't buy no limousines.
00:07:18Gee, thanks, Mr. DeVos.
00:07:19Oh, you will never be sorry for this.
00:07:21Come, Joyce.
00:07:26So, it's you and me from now on.
00:07:29Well, I'm glad.
00:07:31You're not ashamed of cleverness.
00:07:34I guess you know by this time how I feel about you.
00:07:38And that's all right with you, isn't it?
00:07:40Or, or have you got another girl?
00:07:43A steady, I mean.
00:07:45Hundreds of them, sure, only.
00:07:49Only, what's the difference?
00:07:51This is going to be real, huh?
00:07:53We'll make it mean something.
00:07:55Yeah, Joey, never.
00:07:58Because I need somebody.
00:08:00Somebody like you.
00:08:02Awful bad.
00:08:03Do you believe me, Olga?
00:08:05I want to believe you.
00:08:14What's that?
00:08:17What you got there, Joe?
00:08:26What are you doing with that?
00:08:34Can't you forget you've seen it?
00:08:37It won't make no difference.
00:08:38Not between us, Olga.
00:08:42Don't worry, baby.
00:08:44It's just a little good luck charm I carry around with me.
00:08:46Is that your racket?
00:08:49Maybe.
00:08:54I suppose I got no right to ask you, Joe.
00:08:59But now, now that we got an understanding,
00:09:04couldn't you leave it?
00:09:11No.
00:09:13I suppose I haven't got the right.
00:09:16What would be the good of you asking, kid?
00:09:19Once in a gang?
00:09:21You know the rest.
00:09:22I don't want to know.
00:09:24Only maybe,
00:09:26maybe it could be different this time.
00:09:29If we try.
00:09:33I've never seen the guy that could get away with it, yet.
00:09:45Good night.
00:09:47Good night.
00:09:48Good night.
00:09:53San Vettori is still waiting for you in your office.
00:09:56All right.
00:09:57I guess I'll have to see him.
00:10:00I wonder what he wants here.
00:10:10There it is.
00:10:16You better stick with me. I'll lead you in there.
00:10:18That's some of the Tories are no good luck.
00:10:21You said it, boss.
00:10:23Better let me go first.
00:10:29Cut that.
00:10:32Hello, Arnie.
00:10:34Surprised to see me in your swell joint?
00:10:38Maybe I won't be after you tell me what you want here.
00:10:42Oh, I'll tell you all right.
00:10:44Diamond Pete asked me to come up.
00:10:46He's coming up, too.
00:10:47Pete Montana?
00:10:49That's who.
00:10:51Well, if Pete wants you here, it's got to be all right with me.
00:10:56Hello, Mr. Whitehammer.
00:10:57Hello.
00:11:08Hello, Arnie.
00:11:12Hello, Pete.
00:11:12How are you?
00:11:13Hello, Mr. Torrey.
00:11:14Hello, boys.
00:11:15Cigar?
00:11:18Thanks.
00:11:22Thanks, Arnie.
00:11:23Sit down, boys.
00:11:24I've got something to tell you.
00:11:27A message from a big boy.
00:11:30Now, listen.
00:11:31Here's the lowdown.
00:11:33The big boy says...
00:11:34Just a minute, boss.
00:11:36Hey, you.
00:11:38Nobody asked you to be brought me in here, did they?
00:11:41Screw, mug.
00:11:42You ain't giving me orders.
00:11:43You're a fresh guy, huh?
00:11:45Take it easy, Rico.
00:11:46Or you go out there and wait for me.
00:11:51Check with me, boss.
00:12:06Now, listen, boys.
00:12:08Watch this guy, McClure.
00:12:09What's head of the new crime commission.
00:12:11He's putting the screws on and make no mistake about it.
00:12:15Now, the big boy wants me to tell you guys to put the chains on your gorillas for the next
00:12:20few months.
00:12:21Because if any of them go too far, it'll be just too bad.
00:12:25Oh.
00:12:26I never seen nobody the big boy couldn't get to.
00:12:29He can fix anything.
00:12:30That's why he's the big boy.
00:12:33This board McClure will be fine for him.
00:12:35He'll twist him around his little finger.
00:12:37Don't kid yourself.
00:12:39Nobody's squaring nothing with McClure.
00:12:41Not even the big boy.
00:12:44Small jobs are stiff.
00:12:46They could spring guys for them.
00:12:48But shooting?
00:12:50No, sir.
00:12:52It's guys like this torpedo of you on that cause all the trouble.
00:12:57Oh, Rico?
00:12:59He's all right.
00:13:00He's a little quick on the trigger, but that's because he's new.
00:13:04Yeah?
00:13:05Well, it's us that'll swing for him.
00:13:08If he shoots at the wrong time.
00:13:11Now, remember what I told you.
00:13:12Come on.
00:13:14Song.
00:13:19You.
00:13:21You take it easy with that cannon of yours.
00:13:25Did you hear me?
00:13:31Yes, Mr. Montana.
00:13:35Good night, fellas.
00:13:36Good night.
00:13:37Good night.
00:13:37Good night.
00:13:37Good night.
00:13:41Do yourself a favor, will you, Rico?
00:13:44Leave your gat home on the piano the next job you pull.
00:13:47Yeah.
00:13:48Park it next to your milk bottle.
00:13:50All right.
00:13:51Run your own mob, Arnie.
00:13:53I'll take care of mine.
00:13:54Yeah, I'll park it.
00:13:56I don't need no cannon to take care of guys like you, Mr. Lortz.
00:14:00Come on.
00:14:23Be careful.
00:14:26Come on, Arnie.
00:14:28Why's the fireup of the contr sip?
00:14:30Oh, they'll never get wise to it.
00:14:32It's gonna be a finch.
00:14:33They're careless, but we've never been tapped.
00:14:35Yeah, but I don't like to hold business.
00:14:37Neither do I, Sam.
00:14:39Honest, I don't.
00:14:40I couldn't sleep last night.
00:14:42I was that worried.
00:14:43I don't want to take any chances.
00:14:45Not now the way they're closing down on us.
00:14:47What's the matter, Tony? Getting yellow?
00:14:49No.
00:14:50Gee, none of us want to hang, do we?
00:14:52You'd like to quit, wouldn't you?
00:14:53You'd like to run out on us, wouldn't you?
00:14:56You're yellow, you dirty.
00:14:57Wait a minute, Rico.
00:14:59Joe, where do you get that yellow stuff?
00:15:02You want to know who's yellow, I'll tell you.
00:15:05Joe Massara, your pal.
00:15:08That's why he didn't show up here tonight.
00:15:10Joe will be here just because he's late.
00:15:11I know all about that stuff.
00:15:13I'm gonna give him ten minutes more, and we'll see.
00:15:16Now listen, Sam, Joe is all right.
00:15:18He's the best front man in the world.
00:15:20Why, he can go to a swell hotel and order a sweet.
00:15:22A sweet, and it's all right.
00:15:24Without Joe, we can't pull this job, and you'll know it.
00:15:27What's that paper?
00:15:30It's this layout I've been figuring out with Scabby.
00:15:32What, this nightclub job?
00:15:33Yeah.
00:15:34Well, let me see it.
00:15:43And until I say different, nobody's gonna plan for this mob but me.
00:15:49You get me?
00:16:05You'll learn.
00:16:06Now, come here, you guys.
00:16:11Now, get this.
00:16:15Hello, Joe.
00:16:19Hello, Rico.
00:16:23Yeah.
00:16:28I told you to be here at 8.30.
00:16:31Oh, well, you see, I...
00:16:32I was busy.
00:16:33I...
00:16:34I was rehearsing, and...
00:16:35Oh, well, you know how it is.
00:16:36Yeah, I know how it is.
00:16:38They've been saying get in there, only I didn't believe them.
00:16:41They're crazy when they call you yellow.
00:16:44Uh, tell them they can go to...
00:16:49Say, what's the big idea of the rush, anyway?
00:16:52It's a little job we need you for.
00:16:55A little job at the bronze peacock.
00:17:01What do you mean?
00:17:03You trying to kid me or something?
00:17:07How can I take the chance?
00:17:09They're all my friends.
00:17:10They all know me.
00:17:11That's why.
00:17:11They'll never suspect you.
00:17:13Now, don't stall, Joe.
00:17:15I ain't stalling.
00:17:16You gotta get me out of this, Rico.
00:17:18You gotta.
00:17:20I don't wanna...
00:17:22Oh, don't...
00:17:22Don't you see?
00:17:23I'm...
00:17:23I'm working steady now, and...
00:17:26Oh, can't a guy ever say he's through?
00:17:28Well, you're gonna be in on this, and you'll like it.
00:17:32The time is to be sharp midnight on New Year's Eve.
00:17:36I won't.
00:17:37I can't.
00:17:38I can't.
00:17:39Don't you see?
00:17:40I...
00:17:41Gee, I...
00:17:41I'll be working New Year's Eve.
00:17:43Now, listen, Joe.
00:17:46This is the joint where you're working.
00:17:48And don't you be forgetting it, either.
00:17:52Come on in.
00:18:00Well, maybe it ain't so hot.
00:18:02Maybe we can't buck little Arnie.
00:18:03I can.
00:18:05Oh, you're too good, that's what.
00:18:08Hello, Joe.
00:18:10You were in a big hurry about getting here, weren't you?
00:18:13Maybe this kind of work ain't your liking, huh?
00:18:16Oh, Joe's all right.
00:18:17He's in with us.
00:18:19Yeah.
00:18:21I'm in with you.
00:18:23Well, let's see now.
00:18:24Here's the way I dope this thing out.
00:18:27I...
00:18:28Sam Vittori.
00:18:29Not you, Rico.
00:18:31And nobody else.
00:18:33That's plain, ain't it?
00:18:35Sure.
00:18:36Only who stands here?
00:18:38You kind of forgot that, didn't you?
00:18:40Hey, I'm bossing this job, not you.
00:18:44Right here.
00:18:46Smart guy, Rico.
00:18:47He's got plenty of brains.
00:18:50And you ain't afraid of that.
00:18:52I'm afraid.
00:18:53Oh, you're crazy.
00:18:55Rico's coming with us.
00:18:57Come on now, buck up.
00:18:59And you, Joe.
00:19:00Don't.
00:19:01You'll be in the lobby and give us the high sign...
00:19:04if everything's on the up and up.
00:19:06You get me?
00:19:08And if we get in that jam, you'll have to take a chance...
00:19:10with the rest of us.
00:19:35Hey.
00:19:36Quiet.
00:19:37Quiet.
00:19:38Holy Moses Lamp McClure.
00:19:41The Crime Commission buzzer.
00:19:44Hey, DeVos.
00:19:46Come here.
00:19:47What is it, Arnie?
00:19:48What is it?
00:19:50Bring McClure over here.
00:19:51I want to buy him a lemonade.
00:19:54Not tonight, Arnie.
00:19:55Some other time.
00:19:56Go on.
00:19:56Do it, you're told.
00:19:58Go on, DeVos.
00:19:59Bring him here.
00:20:00Come on, DeVos.
00:20:00Come on.
00:20:01As you wish.
00:20:10Good evening, Mr. McClure.
00:20:11Good evening, DeVos.
00:20:13Quite a party, eh?
00:20:15Delighted to have you with us, folks.
00:20:17Good evening.
00:20:18Uh, Mr. McClure.
00:20:20Hey, uh...
00:20:21Mr. Lodge.
00:20:22A financial backer of mine would like very much to meet you.
00:20:25May I bring him over to your table?
00:20:26Lodge?
00:20:27Lodge?
00:20:28You mean the man they call Little Arnie?
00:20:31Yes, but...
00:20:32And you say that he's a financial backer of yours?
00:20:35Yes, but...
00:20:36I didn't understand that a man of his type was connected with this place.
00:20:40I'm sorry, DeVos, but you might inform Mr. Lodge that we're leaving.
00:20:45I came to this place under a misapprehension.
00:20:47Now, Mr. McClure...
00:20:48I'm sorry, folks, but we'll have to go somewhere else.
00:20:51Let's go.
00:20:58You like my hair this way, Joey?
00:21:01Sure.
00:21:04I used to wear...
00:21:05Where you going?
00:21:10Just to get a package of cigarettes.
00:21:11Well, hurry back, darling.
00:21:13It's almost 12 o'clock and I want to be with you for New Year's.
00:21:16I'll be back in a minute.
00:21:22Aye...
00:21:28Maho!
00:21:29Come on!
00:21:32Come on!
00:21:34Hey!!
00:21:35Come on!
00:21:37Come on...
00:22:43Hey, what are you on? All of you.
00:22:47Go out! Go out!
00:23:01Open the roof, Rooney. This ain't no picnic.
00:23:05What's the matter, Tony? Losing your nerve?
00:23:08Come on, let's get in. Let's get out of here. Come on, now.
00:23:20Happy New Year!
00:23:24Why, Joey.
00:23:28Joey!
00:23:31What is it? What's the matter?
00:23:36Nothing.
00:23:40It's all right.
00:23:44The joint's been held up, that's all.
00:23:46Held up?
00:23:49They... they shot McClure.
00:23:51Joe.
00:23:52Well, now you know.
00:23:53It was you.
00:23:55No.
00:23:55No, it's a lie.
00:23:56You shot McClure.
00:23:57No.
00:23:58No, I didn't. I swear I didn't. It wasn't me that shot him. It was...
00:24:05I don't know who.
00:24:09But it's our hips for this job, all right.
00:24:17Maybe... maybe everything will be all right, Joey.
00:24:20Maybe he wasn't hurt... badly.
00:24:23But you're through with that bunch.
00:24:25Oh, you don't belong, Joe. You're not that kind.
00:24:28You'll never go near them again.
00:24:33Olga...
00:24:35You can't go back...
00:24:38on a gang.
00:24:44Well, everything come off all right, tell me.
00:24:47Everything was all right.
00:24:49Only I had to take care of a guy.
00:24:51Who was it?
00:24:52McClure.
00:24:56McClure.
00:24:58You shot McClure.
00:25:01A million guys in this town, and you had to pick the crime commissioner.
00:25:08What did I tell you, Rico? Didn't I say to make it clean?
00:25:11Didn't I say no gunplay?
00:25:13You think I'm gonna let a guy pull a gat on me?
00:25:15Any more of these cracks, and this is my last job.
00:25:19The head of the crime commission.
00:25:21The big boy can't do us no good this trip.
00:25:24They'll get it dead sure now.
00:25:27What am I gonna do?
00:25:29Well, why don't you go and give yourself up?
00:25:31You're slipping, Sam.
00:25:33And Tony, what about him? Where is he?
00:25:36Getting rid of the car. Tony got nervous. He's just like a big baby.
00:25:38I'll be married, but he wants to.
00:25:40We'll get it.
00:25:41I'll be married.
00:25:42Arne'setter.
00:25:42Arne'setter.
00:25:43Arne.
00:25:43Arne.
00:25:43Arne.
00:25:43Arne.
00:25:45Arne.
00:25:46Arne.
00:25:46Arne.
00:25:47Arne.
00:25:59Oh, my God.
00:26:22What a fine pick of we're in.
00:26:27You and that rod of yours.
00:26:40Flaherty's downstairs.
00:26:41A couple of dicks with him.
00:26:43They're coming right up.
00:26:45Stand where you are, all of you.
00:26:46They won't know nothing unless they pick Tony up.
00:26:49Give them the sand.
00:26:51I'll be in here listening.
00:27:03Happy New Year, boys.
00:27:07Say, there's a lonesome touring car down the street.
00:27:11I was wondering if you happen to know anything about it.
00:27:14How should I know anything about it?
00:27:17Ain't it got license plates on it?
00:27:18Yes, but they're phony.
00:27:21It was stolen on the north side tonight.
00:27:24Oh, I got a good cafe business.
00:27:26I don't know nothing about automobiles, what's been stolen.
00:27:29Well, you might if some of the bright young men around here
00:27:33had anything to do with it, wouldn't you?
00:27:36Wasn't there anybody in it?
00:27:37Yes, one guy.
00:27:40But not when we got there.
00:27:42He beat it.
00:27:44But we got a good description of him, though.
00:27:48I'm telling you, I don't know nothing about it.
00:27:52Well, come on, fellas.
00:27:54As long as Vittorah doesn't know anything about it.
00:28:01All say, have you heard the news, Vittorah?
00:28:05No, what?
00:28:07Someone knocked off Alvin McClure over at the bronze peatron.
00:28:12McClure?
00:28:14No, that's terrible.
00:28:16Some guys are sure careless with the lead, all right.
00:28:20What a tough break for Arnie.
00:28:22It's gonna be a tough break for a lot of birds.
00:28:26Well, so long.
00:28:33Oh, I forgot to wish you fellas a Merry Christmas.
00:29:07It's Tony.
00:29:08I can't figure him.
00:29:09The kid's a great driver.
00:29:11Oh, he must have lost his nerve.
00:29:13I'll take care of him.
00:29:16Well, let's see the color of that mug.
00:29:17Yeah, just a minute, Sam.
00:29:19I got my own ideas that were split this time.
00:29:21And you can take it my way or leave it.
00:29:22We ain't begging you.
00:29:23Yeah?
00:29:24Well, I bossed this job.
00:29:26And I'm gonna get my split in the regular way or else.
00:29:28Well, how'd you boss this job?
00:29:29By sitting here in your office cheating yourself a solitaire?
00:29:32Well, that don't go no more.
00:29:33Not with me, I don't.
00:29:33We're done.
00:29:35I haven't taken orders from you too long.
00:29:36Yeah, and you'll keep on taking orders, too.
00:29:39Well, you'll get out of here so fast.
00:29:41Yeah, well, maybe it won't be me that gets out.
00:29:43No?
00:29:44Yeah.
00:29:45All the boys have got something to say about that.
00:29:47What about it?
00:30:00So, that's it, huh?
00:30:01Yeah.
00:30:03That's it, all right.
00:30:05Sam, you can dish it out.
00:30:07But you're getting so, you can't take it no more.
00:30:09You're through.
00:30:13Well?
00:30:16Well, the split's okay with me, Rico.
00:30:19How about you, boys?
00:30:24No hard feelings, eh, Sam?
00:30:29We gotta stick together.
00:30:31There's a rope around my neck right now, and they only hang you once.
00:30:35If anybody turns yellow and squeals, my gun's gonna speak its piece.
00:30:52What's the matter, Antonio?
00:30:55Why you don't sleep?
00:30:58You sick, baby?
00:31:00Huh?
00:31:01Yeah.
00:31:01Oh, what?
00:31:02No, what?
00:31:02No, no.
00:31:03Can't a guy get up and he wants to without answering a lot of foolish questions?
00:31:07Stay out late night.
00:31:08You drink a lot of wine.
00:31:09Leave me alone.
00:31:10Oh, listen, Antonio.
00:31:11I...
00:31:15I have some spaghetti for you on this stove.
00:31:19If you feel better, eat it some.
00:31:22Yes?
00:31:23It's doing good.
00:31:27You used to be a good boy, Antonio.
00:31:31Remember when you sing in the church, in the choir with Father McNeil.
00:31:36You, in white.
00:31:39Remember?
00:31:44Father McNeil.
00:31:46The church was beautiful.
00:31:49You little boy with long hair.
00:31:53The tall, big candle.
00:31:56Flower.
00:32:00Remember, Antonio?
00:32:21Don't leave me, Marty.
00:32:23You hear?
00:32:27You don't have to go now, do you?
00:32:30Can't you stay a little while with me?
00:32:31Please don't go away.
00:32:34Please.
00:32:34Oh, caro mio...
00:32:37I say!
00:32:38I don't go....
00:32:39I say!
00:32:41Antonio...
00:32:42Oh, my lord.
00:32:46Oh, my lord.
00:32:48Oh, my lord.
00:32:48Oh, my lord.
00:32:49Oh, my lord.
00:32:49Oh, my lord.
00:32:50Oh, my lord.
00:32:52Oh, my lord.
00:32:54Oh, I'll be all right, Maura.
00:32:57You better run alone, do you hear?
00:33:00You run alone.
00:33:02Take good care of yourself, will you?
00:33:07And give my love to Mrs. Banchier, will you?
00:33:39Father MacNeil.
00:33:41Father MacNeil.
00:33:58Father MacNeil.
00:33:58Hey, Tony, where you been?
00:34:00I'm looking all over for you.
00:34:02Rico wants you to come and get your split.
00:34:05What's the matter, Tony? Don't you want a split?
00:34:09Are you crazy?
00:34:10I'm not crazy.
00:34:12I don't want no split.
00:34:15Listen, Tony.
00:34:17Rico knows you'll lose your nerve.
00:34:19But he wants you to be a man.
00:34:21You better not turn yellow.
00:34:22Well, get away from me, Otero.
00:34:25Leave me alone.
00:34:26Listen, kid, I'm trying to tell you for your own good.
00:34:28Now you come with me and get your split.
00:34:30Hey, Tony.
00:34:32Tony, where you going?
00:34:34I'm going to see Father MacNeil.
00:34:40Rico.
00:34:43I found Tony, but it's too late.
00:34:45He's crazy, crazy.
00:34:47I tell him to be a man, but he just shake his head
00:34:49and go to the priest.
00:34:50Well, I guess that's that.
00:34:52We ain't got any time to lose.
00:34:54Come on, Sam.
00:34:54Get yourself a car and let's go.
00:34:56Not me.
00:34:57Take.
00:34:57Take Scabby.
00:34:58No, Scabby's no good.
00:34:59No, I ain't no good.
00:35:00Can you drive, Otero?
00:35:01Sure.
00:35:01All right, let's go.
00:35:02We'll use the Black Roadster.
00:35:13There he is.
00:35:16Tony!
00:35:38Did you see all that reads?
00:35:40That verse is sure decked out pretty.
00:35:43Well, this was no time to be tight with money.
00:35:46Tony deserved a swell send-off.
00:35:49Poor kid.
00:35:51Yeah, but Rico's wreath beat them all.
00:35:53It was big.
00:35:55And all it had on it was Tony.
00:35:57Not even Rico's name.
00:35:59Yeah, Rico's no biker.
00:36:02Tony looked like he was asleep.
00:36:05Didn't look a bit changed.
00:36:08Beats me how they do it.
00:36:10Got a match.
00:36:18Look, Rico.
00:36:19There's Flaherty, the bull.
00:36:21Huh?
00:36:28Things must be getting pretty hot.
00:36:30What's he want?
00:36:31He's just stalling.
00:36:32He ain't got a thing on me.
00:36:37Gee, we're moving slow.
00:36:39We got plenty of time.
00:36:42The banquet won't start until 8.
00:36:44Yeah.
00:36:48Too bad Tony won't be there.
00:37:02Well, that's the goods all around.
00:37:04That's the fanciest I've ever seen, Sam.
00:37:06It is.
00:37:06Well, look at those little turtle doves down here.
00:37:09Friendship and loyalty, huh?
00:37:12Well, how do you like that, Sam?
00:37:14Pretty good, Rico.
00:37:15You know, Tara was telling me I didn't look good in the derby.
00:37:17What do you think?
00:37:18Well, it's just like you, Rico.
00:37:19Yeah, I thought so, too.
00:37:20I guess I'll stick to him from now on.
00:37:23Compliments to a true pal.
00:37:25Mr. C. Bondela from a true pal, Mr. Sam Batoil.
00:37:29Well, that's nice.
00:37:30I appreciate, Sam.
00:37:31That's swell of you.
00:37:33Remember the...
00:37:34That's clever, sir.
00:37:36Why are you surprised that you give them all the more out of the way?
00:37:39That's a hard one.
00:37:40That's why I want to say.
00:37:41Yeah, that's certainly swell of you, huh?
00:37:43You make it rather than swell of you.
00:37:46How is it?
00:37:47100%.
00:37:47Hey, Joe, if you say.
00:37:51Hey!
00:37:51Hey!
00:37:52Hey!
00:37:54Hey!
00:37:54Hey!
00:37:56What's the matter with you birds?
00:37:58Don't you know how to act at a banquet?
00:38:00What do you think you are, a lot of gas honk yaps?
00:38:03Well, cut that chatter.
00:38:07Gabby's gonna make a speech.
00:38:17Well, folks, you all know what we're here for.
00:38:22So what's the good of me telling you all about it?
00:38:27Rico here is a great guy.
00:38:36Sure.
00:38:37And, uh...
00:38:41Well...
00:38:42I'll say, Rico.
00:38:43I don't know how to talk fancy, but...
00:38:49the...
00:38:49this here watch is for you.
00:38:51See?
00:38:52From the boys!
00:38:54Come on, everybody.
00:38:55Class life.
00:38:56Come on.
00:39:10Oh, well. All right. You boys want me to make a speech? Here goes.
00:39:18I, uh, I want to thank you fellas for this here banquet. It sure is swell.
00:39:26The, uh, the liquor is good, so they tell me. But I, I don't drink it myself. And the food
00:39:34don't leave nothing to be desired. Well, I guess we're all having a swell time. And it
00:39:41sure is good to see all you gents with your miles here. Yeah. Well, I, I guess that's
00:39:50about all. Hooray! Hooray! Yeah, and only I wish you birds wouldn't get drunk and raise
00:39:57a lot of cane, because that's the way a lot of birds get bumped off. Yeah, come on, lay
00:40:01off that stuff. I know what I'm... A couple of newspaper guys out there want to take a picture.
00:40:05What do you say, boss? Well, what do you think of that, huh? Sure, send them in. Only tell
00:40:09them to make it snappy. I'll see you later, Rick. Oh, don't go away, Pete, will you? We're
00:40:13going to have our pictures taken. I haven't had my picture taken in the last 15 years.
00:40:19Well, what do you think of that, 15 years? Come on, boys, make it snappy. We ain't got
00:40:23all evening. There you are. Now, hold it. Hold it still.
00:40:50That was a bad play you made, then, Rico. That flashlight. They might pick you up on
00:40:56that. Oh, what do I care? Don't I want folks to see what the boys think of me? Hey, Rico,
00:41:02what become of that pal of yours, that dancer guy, Joe Massara? He didn't come. He ain't
00:41:13been around in a long time. He didn't quit on you, did he, Rico? Bad business to quit
00:41:20on me, Sam. One guy tried that on me once. Now, you mind your own business and let me tend
00:41:25to my own. What does that bull want in here? I'll show him where he gets off.
00:41:36Careful, Rico. Who invited you here? You're getting up in the world, aren't you, Rico? The
00:41:47downstairs is open to anybody, even cops. But the upstairs is private. Thanks. But I like
00:41:52to keep my eye on you, Rico. You see, I'm your friend. I like to see a young fellow getting
00:41:58up in the world. That's all. So long. Hurry back. I will. Oh, say, somebody threw a brick
00:42:13through Meyer Blum's window last night. You don't happen to know anything about a diamond
00:42:18and platinum watch. It was stolen, do you? If you hear anything about it, let me know,
00:42:25won't you?
00:43:00Let me know.
00:43:01Banquet, eh? Hmm. Rico got far. Too far. So now he's got to stop. I'm saying he's got to stop.
00:43:13Oh, Arnie, are you fellas going to start another scrap? What's the use of my paying heavy dough
00:43:18for protection if there's never any peace? Don't you worry, DeVos. There'll be peace soon enough.
00:43:22What? I'm saying he's got to stop, so he's going to stop. He's been cutting in on my territory,
00:43:28and that's all wet with me. Look. I'm sitting here, see? I'm sitting here quiet, smoking a cigarette, see?
00:43:42For a couple of my boys ain't sitting here. They're out looking for Rico, and they got their guts with
00:43:49him, too. Catch on?
00:43:51And when they find him, it won't be no banquet that Rico gets. It'll be awake.
00:44:00But Arnie, you know best. I've never met Rico.
00:44:09Helps, 2284.
00:44:12Hello, Otero. This is Joe Massara. Listen, I just found out something. This is hot. Tell Rico to look out.
00:44:17Little Arnie's gang's after him. They're going to put one in him.
00:44:20What's the matter?
00:44:23What is Rico? He got me. He ain't showed up yet.
00:44:25Come on, quick. We've got to find him.
00:44:31I want ten of these.
00:44:36Gee, you taking all these papers, Mr. Rico?
00:44:38Why, sure. Ain't I got my picture in them?
00:44:42Here.
00:44:44Thanks. Come again.
00:44:45Come again.
00:45:27Come again.
00:45:28Fine shot, you are!
00:45:29Oh, no! Let go.
00:45:30Come on, wait!
00:45:31Oh, wait!
00:45:31Oh, wait!
00:45:32Oh!
00:45:33What happened?
00:45:34What happened?
00:45:35Be careful.
00:45:37Yeah, get off.
00:45:39Get up!
00:45:39Get up!
00:45:39Get up!
00:45:40Get up!
00:45:41What happened?
00:45:42I don't know.
00:45:43Come on.
00:45:46So, somebody finally put one in you.
00:45:48Yeah, but they just grazed me, though.
00:45:50The old man will be glad to hear it.
00:45:52He takes such an interest in you.
00:45:54You tell them the cops couldn't get me no other way,
00:45:56so they hired a couple of gunmen.
00:45:59If I wasn't on the force, I'd have done the job cheap.
00:46:03Did you ever stop to think how you'd look with a lily in your hand?
00:46:06No, I never did.
00:46:07I've been in this game a good many years,
00:46:09and I put the cuffs on a lot of mugs.
00:46:12Someday, you and I are going to take a ride, Rico.
00:46:15And when we do, I'll have the cuffs on you, too.
00:46:19No buzzer like you will ever put any cuffs on Rico.
00:46:24Come on, boys.
00:46:29I'm going to get that swell-headed mug
00:46:31if it's the last thing I ever do.
00:46:34Want me to phone you?
00:46:35Bullets, I'm sorry. I should have been with you.
00:46:37They thought they hit the target, boss,
00:46:39but bullets just bounce off of you.
00:46:44It was little Arnie, Rico.
00:46:46Joe Massara got the ticket and called up.
00:46:48We couldn't find you in time.
00:46:50Joe, huh?
00:46:52Well, I didn't think he cared enough.
00:46:57Thought I was white of him, all right.
00:47:00Hard to give him a chance on my next job.
00:47:02There.
00:47:03Guess I didn't study medicine for nothing, did I?
00:47:05Thanks, cabbie.
00:47:08I'm going to see little Arnie tonight.
00:47:10If he's looking for trouble, why, that's what we got the most of.
00:47:13I want Killer Pepe, Otero, Kid Bean, and Batta, go with me.
00:47:17Hmm.
00:47:32Listen, handsome, open up.
00:47:33Or you'll tell nobody nothing, no more.
00:47:43Tell him we're all right and don't act nervous.
00:47:58These guys are all right.
00:48:03Come on, stick them up.
00:48:05Lock that door.
00:48:06Where's Arnie?
00:48:07In the office?
00:48:09Matt, you stay outside that door and don't let anybody come in.
00:48:12Kids, you keep them covered.
00:48:13Pepe and Otero, follow me.
00:48:15Come on, you.
00:48:15Give them the knock.
00:48:29Come on, tell her.
00:48:30Come on, get up.
00:48:31Get up.
00:48:31Get up.
00:48:32Get up.
00:48:32Get up.
00:48:32Get up.
00:48:33Get up.
00:48:38Oh, Arnie.
00:48:40How's business?
00:48:41What's the game?
00:48:52I don't know what this is all about, but it's a private row.
00:48:55You guys better beat it.
00:48:57Ain't nobody going to leave this room.
00:48:59You guys are invited to this private party.
00:49:02Suppose we don't want to stay.
00:49:04And I wouldn't stop you for the world.
00:49:07Only these boys of mine have itching fingers.
00:49:10Sit down, gents.
00:49:16Arnie, you ought to have better sense than to hire a couple of outside yaps.
00:49:21Especially bad shots.
00:49:23Come on, what is it?
00:49:25Let's have it.
00:49:28Arnie?
00:49:30You're through.
00:49:31You hire these mugs.
00:49:33They missed.
00:49:33Now you're through.
00:49:34If you ain't out of town by tomorrow morning, you won't never leave it except in a pine box.
00:49:41I'm taking over this territory.
00:49:43From now on, it's mine.
00:49:46You're growing, Enrico.
00:49:48So this is what you've been after all the time, eh?
00:49:51I've seen it in your eyes the first time I met you.
00:49:54You're no good, Enrico.
00:49:56But if you think you can muscle in on me like you did on Sam Vittori, you're off your nut.
00:50:00I suppose you forgot all about Pete Montana, huh?
00:50:06How's Diamond Pete going to stop me?
00:50:08He may be your boss, but he ain't mine.
00:50:10Sam didn't feel that way about him.
00:50:13Sam knew who gave order.
00:50:14Yeah, Sam was too soft.
00:50:15Diamond Pete could scare him, but I ain't no Sam.
00:50:18Sam is through.
00:50:19Now you're through, too.
00:50:25Nice stick pin you got there, Arnie.
00:50:33Nothing funny about my jewelry.
00:50:41Arnie, you better quit this racket.
00:50:44You can dish it out, but you got so that you can't take it no more.
00:50:50And you better take your hats and beat it.
00:50:53The first thing you know, you'll be arrested for finding a rod in the city limit.
00:51:00Well, I guess that's about all.
00:51:09Oh, uh, pleasant trip, gents.
00:51:13Come on, boys.
00:51:20Oh, thanks, boys, for the artillery.
00:51:25Oh, thanks, boys, for the artillery.
00:51:51Oh, thanks, boys.
00:51:51Well, boys, what do you think of it?
00:51:52Great job.
00:51:53Gabby, you're in the wrong racket.
00:51:54It's perfect.
00:51:58That means you have a new partner.
00:52:02Little Caesar.
00:52:17Everybody laugh at Scabby's story.
00:52:21Gee, boys, you give Arnie an awful wallopin'.
00:52:26Rico?
00:52:31Now you're finished.
00:52:34You see, Otero, there ain't no use in bein' scared of any of these big guys.
00:52:40The bigger they come, the harder they fall.
00:52:43Hm, yeah.
00:52:45I ain't doin' so bad in this business so far.
00:52:55I don't know.
00:52:57Ah, you look great, boss.
00:52:59Yeah, but it feels terrible.
00:53:01Ah, you're getting up in the world, Rico.
00:53:04You know, there ain't none of us ever been invited up to eat at the big boys' dump.
00:53:08And nobody ever crashed a gate except Pete Montana.
00:53:10See what I mean?
00:53:12Now, you don't want the big boy to think you ain't got no class.
00:53:16Hey, they rig you up better than this in the stir.
00:53:18If you think I'm goin' out in this harness, you're crazy.
00:53:21Oh, you look fine, boss.
00:53:22Go on, go on, take a peek at yourself.
00:53:24Oh, I don't know.
00:53:27Yeah, all I need is a napkin over my arm.
00:53:32Now, don't you look fine?
00:53:37Hm?
00:53:41Yeah.
00:53:42I guess maybe it don't look so bad after all.
00:53:56Ah, hello.
00:53:58Ah, hello, big boy.
00:54:00Hello, Rico.
00:54:02Huh?
00:54:04Oh, yeah.
00:54:05Yeah, thanks.
00:54:06Thanks very much.
00:54:13Well, you're rather lit up tonight, aren't you?
00:54:15Yeah, I thought I'd better put on the monkey suit.
00:54:19That's right.
00:54:20You may as well learn now.
00:54:22Yeah.
00:54:25Well, some joints you got here.
00:54:27It'll do.
00:54:30Yeah.
00:54:31I bet all this strict furniture set you back plenty, huh?
00:54:34Well, they don't exactly give it away with cigar coupons.
00:54:37I'll tell the world.
00:54:39Boy, it sure looks...
00:54:41Oh, look at that.
00:54:43You like it?
00:54:44Oh, I think it's elegant.
00:54:47That cost me $15,000.
00:54:50Fifteen, sir?
00:54:54Boy, them gold frames sure cost plenty of dough.
00:54:57Well, will you have a cocktail or a dash of brandy?
00:55:00Oh, no, no, no, thanks.
00:55:01I never touched the stuff, never.
00:55:03No?
00:55:03Oh.
00:55:04Cigar, then.
00:55:05Oh, yeah, I'll have one of those.
00:55:08Thanks.
00:55:09Thanks very much.
00:55:13Sit down, Rico.
00:55:14Yeah, thanks.
00:55:18Mmm.
00:55:21Why.
00:55:26Now, listen, Rico.
00:55:29I'm gonna talk to you, but you're not gonna hear a word I say, see?
00:55:33This is inside dope, and if it gets out, it'll be just too bad for somebody.
00:55:38Well, you know me.
00:55:40All right.
00:55:41All right.
00:55:42Get this.
00:55:42Pete Montana's through.
00:55:46Yeah?
00:55:48Well.
00:55:49And I thought he was such a big guy.
00:55:52He's through.
00:55:55Suppose I were to tell you that from now on, you were Pete Montana.
00:56:01That you were to take over his territory in addition to your own.
00:56:04Would you shake on it?
00:56:06Would I?
00:56:09Would I?
00:56:10Yeah.
00:56:14All right.
00:56:14It's set.
00:56:17I'm doing a lot for you, Rico.
00:56:19But when I get you planted, I'll expect plenty of service.
00:56:23Oh, you'll sure get it.
00:56:26Permit me, then, to drink to the new boss of the north side.
00:56:34Heh, heh.
00:56:56I'll get some money on the other side.
00:56:56Oh, Taro.
00:56:57What did I tell you, huh?
00:56:58Heh, heh.
00:57:02I knew it was coming.
00:57:04I knew he had his eyes on me all the time.
00:57:08Now, let me tell you something, Otero.
00:57:10It's not only Pete Montana that's through, but the big boy himself.
00:57:14He ain't what he used to be.
00:57:16Pretty soon he won't be able to take it.
00:57:17And then...
00:57:19watch me.
00:57:21Sure, boss.
00:57:22Pretty soon you'll be running the whole town.
00:57:25Otero, you said a mouthful.
00:57:30There's a guy by the name of Massero out there.
00:57:33He wants to see you, sir.
00:57:35I'll see him in a minute.
00:57:36Yes, sir.
00:57:38What's your one around here?
00:57:39He hasn't been near any of us for months.
00:57:41I sent for him.
00:57:43I heard that somebody in Detroit got to Flaherty
00:57:45and told him to start working on a dancer at the Bronze Peacock.
00:57:48He wanted to find out who shot McClure.
00:57:52Gee, boss, you're wise to everything before it happens.
00:57:55Yeah, I don't miss much.
00:57:56I'll soon find out if Flaherty's been working on Joe
00:57:59after I've had a little talk with him.
00:58:21Well, what do you expect?
00:58:28And I got 20 grand tied up in it?
00:58:31Hello, Otero.
00:58:32How are you, baby?
00:58:33First grade.
00:58:34Sit down, Joe.
00:58:36You sure I'm good enough to sit in such a swell chair?
00:58:38Oh, come on now.
00:58:39Cut the comedy.
00:58:40Sit down.
00:58:42Come on now.
00:58:42Oh, come on now.
00:58:45Screw Otero.
00:58:46I want to talk to Joe Private.
00:58:48Sure.
00:58:49See you later, Joe.
00:58:52Cigar, Joe?
00:58:53No, thanks.
00:58:56Well, will you have a cocktail or a dash of brandy?
00:58:59No.
00:59:02Well, surprise you to hear from me?
00:59:04Kind of.
00:59:06I thought it'd be kind of nice to have a little talk together.
00:59:09Like old times.
00:59:11Certainly is nice to see you, Rico.
00:59:13Especially like this.
00:59:15You're looking good.
00:59:17Yeah, you're looking good, too, Joe.
00:59:19Living easy, kind of, huh?
00:59:21Not that easy.
00:59:22Dancing's no cinch.
00:59:23Yeah, but you ain't complaining.
00:59:26No.
00:59:27No, I ain't complaining.
00:59:29That's good.
00:59:32Yeah.
00:59:33Dancing's all right for a sideline.
00:59:35It gives you a swell front.
00:59:38But it ain't my idea of a man's game.
00:59:41What's the difference, Rico?
00:59:43As long as I ain't kicking, why should you kick?
00:59:46Who's kicking?
00:59:49Well, why should a young guy like you be wasting his time?
00:59:54And I kind of took pride in you, Joe.
00:59:59Brought you into the gang, pushed your head.
01:00:01But now you're getting to be a sissy.
01:00:03We got to go into that again.
01:00:05Can't you just forget about me?
01:00:06No, I don't want to forget, Joe.
01:00:07You're my pal.
01:00:08We started off together, didn't we?
01:00:10Well, we got to keep going along together.
01:00:12Who else have I got to get a hang about?
01:00:14I need you, Joe.
01:00:16I got the biggest chance of my life.
01:00:18The big boy just handed me the whole north side.
01:00:21But it's too much for one man to handle alone.
01:00:23I need somebody.
01:00:23Somebody to work in with me.
01:00:24A guy like you.
01:00:25Somebody I can trust.
01:00:27Can't be me, Rico.
01:00:28I've quit.
01:00:32You didn't quit.
01:00:34Nobody ever quit me.
01:00:36You're still in my gang.
01:00:37Do you get that?
01:00:38I don't care how many fancy skirts you got hanging on to you.
01:00:41That Jane of yours can go hang.
01:00:42It's her that's made a softie out of you.
01:00:44You lay off, Olga, Rico.
01:00:45I lay off her.
01:00:46I'm after her.
01:00:47One of us has got to lose and it ain't gonna be me.
01:00:49There's ways of stopping that game.
01:00:50You're crazy.
01:00:51Leave her out of this.
01:00:52She's through.
01:00:52She's out of the way.
01:00:53That's what she is.
01:00:54You're lying.
01:00:55You wouldn't dare.
01:00:55I wouldn't, would I?
01:00:56I'll show you.
01:00:57Rico, listen.
01:00:59I love her.
01:01:00We're in love with one another.
01:01:01Don't that mean nothing to you?
01:01:02Nothing.
01:01:02Less than nothing.
01:01:03Love.
01:01:05Soft stuff.
01:01:06When she's got you, you ain't no good for anything.
01:01:09We ain't out of this yet.
01:01:10And we don't want no softies spilling things.
01:01:13I ain't gonna spill anything if that's what you're scared of.
01:01:15You think I want my next stretch?
01:01:16Well, you know too much.
01:01:18I ain't gonna take any chances.
01:01:20You're hanging around with me, see?
01:01:22No, I'm not.
01:01:23I'm not.
01:01:25All right.
01:01:27You go back to that dame, and it's suicide.
01:01:31Suicide for both of you.
01:01:36You stick here.
01:01:43All right.
01:01:45Hello?
01:01:47Oh, hello, big boy.
01:01:50No.
01:01:51No, no, no.
01:01:52I don't want that guy.
01:01:53I don't trust him.
01:01:55Yeah, yeah.
01:01:55I got a kid by the name of Joe Massaro would help me.
01:02:01Yeah.
01:02:02All right.
01:02:02Goodbye, big boy.
01:02:07Oh, Joe.
01:02:36Joe.
01:02:37Oh, go.
01:02:38We're gonna go. Come on, now. Hurry.
01:02:39Joe, what is it? What's the matter?
01:02:40What are you standing there for?
01:02:41Did you hear what I said? Hurry! Hurry!
01:02:43Yes, Joe. Oh, you're ill.
01:02:44Oh, I'm all right. We gotta get out of here.
01:02:46Rico.
01:02:46What'd he do to you? Oh, I knew it. I knew it.
01:02:48Didn't. I know it.
01:02:50He... Rico. He said you and me gotta quit.
01:02:52He'd kill you unless I stuck with him.
01:02:54I ran away.
01:02:55Let's see. We gotta get out of here.
01:02:56Anywhere. Anyplace. Out of town as long as we get away.
01:02:59No.
01:03:05No?
01:03:06You're not coming?
01:03:07No. That's not the way.
01:03:10But, Olga. You don't know that guy.
01:03:12Olga, you've got to. Please.
01:03:13No. Sit down, Joe.
01:03:16We've got to think.
01:03:17I don't want to think. I don't want to sit down.
01:03:20You're coming.
01:03:20Don't you see? It would be no use.
01:03:22Where? Where would we go? Where would we run to?
01:03:25There's no place he wouldn't find us.
01:03:28There's only one thing for us to do.
01:03:32Clarity.
01:03:33You're crazy.
01:03:34You think that'll save us?
01:03:37Flaherty?
01:03:38That's worse than suicide.
01:03:39I won't do it.
01:03:40I can't.
01:03:41Well, I can do it.
01:03:43That gang must go.
01:03:44Rico must go.
01:03:45I want my happiness.
01:03:46Joe, I want you.
01:03:47And we'll never have any peace till Rico's gone.
01:03:49And I'm going to do it.
01:03:50Olga.
01:03:51Don't. Please, Olga.
01:03:52Stay here.
01:03:53Olga.
01:03:54Olga, open this door.
01:03:55Olga, please open this door. Hurry.
01:03:57Park 1000.
01:03:58Olga, don't call Flaherty.
01:04:00Please open this door quickly.
01:04:02Rico will kill us both.
01:04:03Headquarters.
01:04:04I want Sergeant Flaherty.
01:04:08Sergeant Flaherty.
01:04:09This is Olga Sethoff.
01:04:11I've got Joe Massaro with me.
01:04:13In my apartment.
01:04:1417 Edgelow Drive.
01:04:16Yes.
01:04:17Yes, he wants to talk to you.
01:04:18Hurry, hurry.
01:04:20Come on, boys.
01:04:22We're going to a party.
01:04:23Who's given the party?
01:04:24Joe Massaro.
01:04:25Formal or informal?
01:04:26I don't know.
01:04:27But we'll find out when we get there.
01:04:32You shouldn't have done it.
01:04:34You shouldn't have.
01:04:35There was no other way.
01:04:36No other right way.
01:04:39The rope for me.
01:04:41No, it isn't.
01:04:42Not if you turn State's evidence.
01:04:43We'll make them promise that everything will be all right.
01:04:55Wait, Olga.
01:04:57Joe!
01:04:58There he is.
01:04:59A dirty yellow double crosser.
01:05:00Give it to him, Rico.
01:05:16No.
01:05:22Shoot.
01:05:24Shoot, Rico.
01:05:26Get it over with.
01:05:48I'm out of here.
01:05:49Come on, girl.
01:05:49Let's go.
01:05:50You're getting soft, too.
01:05:59What's the matter with you?
01:06:00Come on.
01:06:01Joe.
01:06:07Joe.
01:06:08Come on.
01:06:09Joe.
01:06:09Joe.
01:06:10Come on.
01:06:11Come on.
01:06:13Come on.
01:06:13Come on.
01:06:14Come on.
01:06:14Come on.
01:06:14Come on.
01:06:15Come on.
01:06:15Come on.
01:06:15Come on.
01:06:20Who was it?
01:06:20Oh, Carol.
01:06:21He and Rico.
01:06:21There.
01:06:22They're through the window.
01:06:22Come on, boys.
01:06:23Go and get him.
01:06:27Are you ready to talk now, Joe?
01:06:32Well, I'll talk.
01:06:33It was Rico's gang that held up the bronze peacock.
01:06:36It was Rico who shot McClure.
01:06:37That dirty, low-sneaking.
01:06:39Well, Joe, you ask him.
01:06:40He knows it was Rico.
01:06:44Is that right, Joe?
01:06:45What?
01:06:45What?
01:06:45Was it Rico?
01:06:53Where's your phone?
01:06:53In there.
01:06:55Oh, Joe.
01:06:56Here, let me help you.
01:06:59Park 1000.
01:07:01Hello, Dan.
01:07:02This is Faraday.
01:07:04Round up that Palermo gang.
01:07:05I got enough on them to use a mile of rope.
01:07:08Shoot the cars right out.
01:07:09And above all, get Rico.
01:07:24You better watch our step.
01:07:26The cops will shoot to be cruising around this street.
01:07:27Oh, you should have plugged Joe.
01:07:28Yeah, I should have plugged him.
01:07:29And the dame, too.
01:07:30Anything squeal about McClure yet?
01:07:32They'll sure do it now.
01:07:33Yeah.
01:07:33From now on, we're hot.
01:07:34Yeah, this is what I get for liking that guy too much.
01:07:37Come on.
01:07:42Oh!
01:07:45Oh!
01:07:45Oh!
01:08:06Go on, Rico.
01:08:08I'm done for.
01:08:11Go on, Rico.
01:08:12Go on, Rico.
01:08:14I'm done for.
01:08:31Sam!
01:08:32Sam!
01:08:34John Massara!
01:08:35They nabbed him over the McClure business and he squawked.
01:08:37Oh.
01:08:38Rico tried to get him.
01:08:39Now they're after him.
01:08:40They got Otero.
01:08:42Otero?
01:08:42Sam!
01:08:43Don't you get me?
01:08:44What are you sitting there for?
01:08:45What else can I do?
01:08:46I can't run now.
01:08:48They'd get me anyhow.
01:08:49You're out of your head.
01:08:50Come on.
01:08:50Get up.
01:08:50Let's beat it.
01:08:52No you.
01:09:06Put him up.
01:09:06Don't move.
01:09:07Head over your gun.
01:09:08All right.
01:09:09Take him down to the car.
01:09:15You better give up Sam.
01:09:17Drop that gun before we start shooting.
01:09:25Come on in.
01:09:27Get on your feet and put your hands up.
01:09:33Put the cuffs on him.
01:09:39Oh, you ain't got nothing on me.
01:09:40Nothing but the bracelets.
01:09:44And we haven't got a thing on Rico either.
01:09:48He's next.
01:09:57There's nobody in there.
01:09:59No.
01:10:00Well, listen, Mark.
01:10:01If you see Rico, you'd better let us know.
01:10:03Quick.
01:10:04Noìž….
01:10:33All right.
01:10:38Well, got yourself in a nice fix.
01:10:42Yeah.
01:10:43Coffee just here.
01:10:45I got a taro.
01:10:46Ah.
01:10:49Well, I'm gonna stay here a day or two,
01:10:51and then I want a car.
01:10:52Gonna cost you big,
01:10:54cause I'm taking big chances.
01:10:56All right, I got 10 grand planted here.
01:10:58Help yourself.
01:10:59When you're ready to start, I'll give you $150.
01:11:02You'll give me?
01:11:04Say, whose money is this anyway?
01:11:05Who do you think you're talking to?
01:11:07I need plenty.
01:11:08Most of my money's hidden in the apartment,
01:11:09and I can't get to it.
01:11:10I'll give you $150.
01:11:12Take it or leave it.
01:11:14Why, you dirty thieving old hag-o.
01:11:16No, you won't.
01:11:18Cause I'm the only one who'll say the money's here.
01:11:22Kill me, and you won't get a cent.
01:11:28I'll give you $150.
01:11:31If you'll be a good boy.
01:11:38Thanks, man.
01:11:38I'm a good boy, guys.
01:11:50Let me give you $150.
01:11:50I can't forget those $15.
01:11:53If you listen to death in enfermedade,
01:11:53So I can't forget it.
01:11:53I like해� Tobyhattan.
01:11:54I don't know where the body meets.
01:11:55I can't recommend it.
01:12:00Ngo.
01:12:03What are we trying to ignore?
01:12:03John Burberry,
01:12:12He was mean, Sambattori was, so now he's got what was coming to him.
01:12:18What does it say in the papers?
01:12:21Former gang chief faints on scaffold.
01:12:27After a futile battle in the courts,
01:12:30Sambattori, former gang leader, today presented a pitiful figure
01:12:35as the hangman's noose was placed around his neck.
01:12:43Listen, Little Caesar has never been found.
01:12:47According to the statement of Lieutenant Thomas Flaherty of the Homicide Squad,
01:12:52Little Caesar, the once swaggering braggart of the underworld,
01:12:56wilted in the face of real danger and showed the world his cowardice.
01:13:02Flaherty stated further that Little Caesar has contradicted his off-repeated boast
01:13:08that he could dish it out and take it, too.
01:13:11When a real crisis arose, Rico couldn't take it.
01:13:17Flaherty ended his interview by remarking,
01:13:21meteoric as was Rico's rise from the gutter,
01:13:25it was inevitable that he should return there.
01:13:29Well, just the same, he was the real leader of that gang.
01:13:34Don't you believe it. Rico didn't have the nerve,
01:13:38and he didn't have the brains.
01:13:40He was yellow, just like Flaherty said.
01:13:42Huh?
01:13:45That's what Rico...
01:13:46I'm going to give him a last paper.
01:13:47Here, watch it.
01:13:54What's the matter with you?
01:13:56I'm just crazy.
01:14:03There.
01:14:12I know a way to get out.
01:14:14There.
01:14:15Trying to put this kind of stuff up on me in the papers, huh?
01:14:19I'll show them where they get out.
01:14:20Hello?
01:14:21Hello, listen, I want Park 1000.
01:14:22Yeah.
01:14:24Well, I can't take it no more, huh?
01:14:26I'll tell that guy where they...
01:14:28Hello?
01:14:28Park 1000?
01:14:30Give me Flaherty and get him quick.
01:14:31Sure.
01:14:32Just a minute.
01:14:34Tom.
01:14:34Oh, Tom.
01:14:37I may be screwy, but this sounds like Rico.
01:14:39Yeah?
01:14:44Clarity speaking.
01:14:45Yeah, this is Rico speaking.
01:14:48Rico!
01:14:49I see you, Rico.
01:14:50Little Caesar, that's who.
01:14:52Hey, you're a big guy now.
01:14:53Ain't you shooting your mouth off in the papers?
01:14:55So I ran out when it got hot, huh?
01:14:57You think I can't take it no more?
01:14:59Well, listen, you crummy, flat-footed copper.
01:15:01I'll show you whether I lost my nerve and my brains.
01:15:03Thanks, Rico, old boy.
01:15:05The same to you and many of them.
01:15:07Come on, tell me some more.
01:15:08The sound of your voice does my heart good.
01:15:11Trace that call.
01:15:12Find out where he's phoning from quick.
01:15:14Uh-huh.
01:15:16Say, why didn't you come to Sam's next stretching party, Rico?
01:15:19It was a big success.
01:15:22Hmm.
01:15:22Funny guy, ain't you, Flaherty?
01:15:25Well, you ain't got much longer to laugh.
01:15:27I'm coming after you, see, and I'm gonna put one in your dirty hide
01:15:29for every lime crack that you made about me in the paper, see?
01:15:32I'm gonna show you who's gonna finish up in the gutter.
01:15:35I'll show you.
01:15:36We've missed you, Rico.
01:15:38The town has been nice and quiet.
01:15:40I'm putting on weight.
01:15:43River, 6547.
01:15:44It's a flop house down at 4th and Commercial.
01:15:47All right, all right, Big Mouth.
01:15:49Honey, better get your hat and start running, see?
01:15:50Cause you're all through.
01:15:51Call up the papers and tell them that, you rotten, dirty, lying copper.
01:15:55Hmm.
01:15:58I knew we'd hear from that guy if I kept giving it to him in the papers.
01:16:01The conceit of that guy.
01:16:03Yeah, they'll have to build him a special noose
01:16:05to get that swell head of his through.
01:16:06Oh, ho.
01:16:10Well, wish me love.
01:16:45There he is.
01:16:45That's Rico.
01:16:46All right.
01:16:46Put in there, Rick.
01:16:54You better give up, Rico.
01:16:56You haven't got a chance.
01:16:57If you want me, you'll have to come and get me.
01:17:03I'll be with you in a minute.
01:17:06Give me that chopper.
01:17:12This is your last chance, Rico.
01:17:15Are you coming out or do you want to be carried out?
01:17:38Well, Rico, it looks like you and I are going to take that little ride together.
01:17:43You know.
01:17:45You know.
01:17:46You know we ain't.
01:17:48I told you no buzzard like you will ever put any cuffs on me.
01:17:53You should have come out when I told you to, Rico.
01:17:58Ah.
01:18:00Mother of mercy.
01:18:05Is this the end of Rico?
01:18:07No.
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