- 6 days ago
A young woman (Loretta Young) helps her crook guardians (Raymond Hatton, George Barraud) burglarize her lookalike (Young again), but falls for the other woman's boyfriend (Jack Mulhall). Directed by William Beaudine.
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Short filmTranscript
00:00:09The End
00:00:30The End
00:00:52Hello Jerry.
00:00:53Hello Jim.
00:00:58Is Nick here? He's in there now. Thank you.
00:01:12Hello, Nick. Hello.
00:01:15Do you recall him? What have you been doing?
00:01:17Went to an auction.
00:01:18An auction?
00:01:19Yeah. Picked up a few trickets.
00:01:25Little fool.
00:01:28Oh, I forgot to tell you. Mary's coming down tonight.
00:01:32Mary?
00:01:32Yeah, she phoned.
00:01:36Better let her hear you barking like that.
00:01:39She wanted to put you to bed and nurse you for a couple of weeks.
00:01:42Now listen, Jerry. Don't tell her I was in that hospital.
00:01:45She'll only worry about it.
00:01:47Do you remember how she used to fuss over us when we all lived together?
00:01:51I'll say I do.
00:01:53You know, Nick, we made a rotten job raising that kid.
00:01:56Well, we done the best we could for her, didn't we?
00:01:59We was like a father and mother to her, wasn't we?
00:02:01Yes, but we didn't use the right system.
00:02:05Mary's got a streak of honesty a yard wide that we never got out of her.
00:02:17Oh, but it's good to see you again.
00:02:19Thanks.
00:02:21Say, have Nick and Jerry been around?
00:02:23They're both in that room now.
00:02:25Thanks.
00:02:26I'll be in in a minute.
00:02:29Here's a lady who comes in on the boat.
00:02:31She's going down the gang's length and she's got on the luggage with her.
00:02:35And a couple of guys grab them bags and she starts squawking.
00:02:38And there ain't a cop in sight. Now you can't get that.
00:02:40Hello, boys.
00:02:43Oh, there.
00:02:44Hello, Jerry.
00:02:45Gee, it's good to see you, Mary.
00:02:47It's like a day in the country.
00:02:49Did you really miss me?
00:02:50I hoped I'd tell you.
00:02:52When you left us, you took all our luck with you.
00:02:54Well, it didn't follow me any.
00:02:57No?
00:02:58Oh, here, sit down.
00:02:59Yeah, sit right down, Mary.
00:03:01See you.
00:03:02Well, how do you like working in a department store?
00:03:05Well, I quit three weeks ago.
00:03:07Yeah?
00:03:08Why?
00:03:10Same old thing.
00:03:11Banninger got fresh.
00:03:13He did?
00:03:15Say, listen.
00:03:15Where's that guy's store?
00:03:17What's his name?
00:03:17And where's he working at?
00:03:19Nick, it's not going to do me any good to have you go and take a poke at him.
00:03:22Well, it's going to do me a lot of good, see?
00:03:23But what have you been doing since?
00:03:25Oh, nothing, Jerry.
00:03:26Just answering a lot of wanted.
00:03:28Oh, gee, Mary.
00:03:30You ought to let us know.
00:03:32I just couldn't, Nick.
00:03:33I was ashamed.
00:03:34You know, I brag so much about going to work and everything.
00:03:37I never could understand this hankering for respectability.
00:03:41It always seems to me kind of morbid.
00:03:43Yes.
00:03:46Uh, Donut.
00:03:47It's great to have Mary back again, is it?
00:03:48Oh, you bet.
00:03:50How have you been?
00:03:51I've been just fine, though.
00:03:52I've got to love you.
00:03:57Nick, has that coat been bothering you again?
00:04:01No, no.
00:04:02Well, it ain't been bothering me at all, Mary.
00:04:05It's a cigarette with some smoke got on my throat.
00:04:11You're lying to me.
00:04:13No, I ain't lying to you, Mary.
00:04:15Now, you might as well tell me the truth, because you know I'll find out.
00:04:19Listen, I'm telling you the truth, Mary.
00:04:21I'm perfectly all right.
00:04:23Honest I am.
00:04:25Oh, now, listen.
00:04:26Put that gag away, will you?
00:04:28I'm telling you.
00:04:29I'm all right.
00:04:30I'm all right.
00:04:31Nick, listen to me.
00:04:33Leave me alone, Mary.
00:04:35Jerry, make her lay off of me, will you?
00:04:37Look at me, Nick.
00:04:38I won't do it.
00:04:39Look at me, Nick.
00:04:40I don't want it.
00:04:42Nick.
00:04:43Look at me, Nick.
00:04:59What's she trying to do to me?
00:05:03She's reading his mind.
00:05:05What?
00:05:11You've been in a hospital.
00:05:13You were in a fight, and one of your ribs were broken.
00:05:19Oh, Nick, that's terrible.
00:05:22You should have let me know, and I could have done something.
00:05:24Oh, it's nothing.
00:05:26Why don't you leave me alone?
00:05:29Do you mean to tell me that you got that out of his mind?
00:05:34Yes, Lola.
00:05:35And you didn't know it before?
00:05:38Why, no.
00:05:39Well, I don't see it.
00:05:41I inherited it, I guess.
00:05:44You see, my mother was psychic.
00:05:46She could read letters that she'd never seen,
00:05:48or she could find out anything she wanted to know.
00:05:51But of course, I'm not as clever as that.
00:05:54And that, is that a charm?
00:05:56Well, I don't know how much charm it is,
00:05:58but I've worn it ever since I can remember.
00:06:01When I get in a tight place, I just hold it,
00:06:03and repeat the words that are on it over and over again.
00:06:06Words?
00:06:07What words?
00:06:11Each to each is spirit mate.
00:06:14When in danger, trust to faith.
00:06:20Well, I'm glad that you and me are just mere acquaintances.
00:06:25Why, one wouldn't have the least bit of privacy.
00:06:38There we are.
00:06:42One love.
00:06:47Yeah, have some of that chicken chow mein.
00:06:50That sounds good, chicken chow mein.
00:06:51One chicken chow mein.
00:06:52I'll have the same.
00:06:54You have the same.
00:06:54You make it three.
00:06:55Make it three.
00:06:56And don't put any of them seagulls in it.
00:06:57We know you're sick.
00:06:59Right this way, lady.
00:07:02A few days.
00:07:04You know, I'm quite capable of getting out of my car
00:07:07without your making those ridiculous noises.
00:07:09Sorry, lady.
00:07:10No offense.
00:07:10Let's explain, people.
00:07:15Oh, what a barn salesman he would make.
00:07:17Here we are, Margaret.
00:07:18Oh, isn't this nice, George?
00:07:20Yes, it's quite thrilling, isn't it?
00:07:21Ladies and gents.
00:07:22This is a genuine resort of the underworld.
00:07:25We're crooks, desperanos, gunmen, and dope puddlers.
00:07:29We're shoulders in an atmosphere of pride.
00:07:32Right this way, folks.
00:07:33How you doing?
00:07:34Well, well, well, well.
00:07:37Take it over, folks.
00:07:40There, eh?
00:07:40Oh, what a weird place.
00:07:44Another one of them flummin' parties.
00:07:46You know, they make me sick.
00:07:48They come over here and look the place
00:07:49over as though it was a zoo.
00:07:51But, boy, it cost them plenty.
00:07:54I'm gonna beat it.
00:07:55Well, Lola, close the curtains, will ya?
00:07:57I don't want anybody to watch me while I'm eating.
00:07:59Oh.
00:08:01See, generally, I need to be watched while I eat.
00:08:03Eh, don't make no difference to me.
00:08:05I need a child's wonder if I could get it regular.
00:08:08Oh, yeah.
00:08:09It's quite different tomorrow.
00:08:10Hey, Charlie.
00:08:13I got some more chairs.
00:08:15He had his mom a serpent dance in the street.
00:08:18You know, a Chinese serpent dance?
00:08:21Oh, that wasn't so bad.
00:08:25Gee, you shouldn't eat the best, Jerry.
00:08:26You'll get indigestion before you're 21.
00:08:32Well, it's rather slow here tonight, Manigan, isn't it?
00:08:34Why, we've been here five minutes,
00:08:36and there hasn't been anyone shot yet.
00:08:37A little early, yeah.
00:08:39But you better keep your hand on your wide legs.
00:08:42I will.
00:08:46Say, lady, would you like to do a little twister with me?
00:08:51Twister?
00:08:52Sure.
00:08:53A twirl.
00:08:55Oh, you mean duck?
00:08:57Yeah.
00:08:58Oh, thank you.
00:09:00Well, that's all right.
00:09:01I just thought I'd add.
00:09:02Say, I gotta get some cigarettes.
00:09:04Don't get scared, though.
00:09:05I'll be right back.
00:09:07All right, Jerry.
00:09:08I'll try to take care of them until you get back.
00:09:10Got a cigarette, Dick?
00:09:13No, I'm just fresh out, Jerry.
00:09:14No, don't get some.
00:09:15Get me a package, will you?
00:09:16No, sure.
00:09:17Yeah, I thought it was rather cute the way she took it out of the best box.
00:09:20George, she's a good girl anyway.
00:09:28What kind of hands should do much disgusting things, George.
00:09:32George.
00:09:34Oh, can I help you, Margaret?
00:09:36Yes, George, but don't drop it.
00:09:37All right.
00:09:46What's the matter, Jerry?
00:09:47What are you looking at?
00:09:55Is there anything I can do for you?
00:09:59I beg your pardon.
00:10:09Did you see that girl?
00:10:11What girl?
00:10:12I've been out there without that for you.
00:10:14No, fine.
00:10:15Take a look.
00:10:17Now, then let's talk about something interesting.
00:10:20Margaret here, for instance.
00:10:21Well, that is a charming subject.
00:10:24Well, I think I'll propose again.
00:10:26How about it, Margaret?
00:10:27Oh, please, George.
00:10:28It's so, so public.
00:10:30When we're alone, you never give me a break.
00:10:32Say, for the love of Mike, am I seeing things?
00:10:35Why, she looks more like me than I do myself.
00:10:38I know.
00:10:38It's incredible.
00:10:39I wonder who she is.
00:10:41I don't know.
00:10:42But I'm going to find out.
00:10:45Don't be silly.
00:10:46Why should I make you miserable?
00:10:50Miserable?
00:10:51I think you and I would jog along very nicely together.
00:10:54Mother thinks so, too.
00:10:55Don't you, Mother?
00:10:56Really?
00:10:57I don't blame Margaret for not accepting you.
00:11:00You know, your plea is not exactly impassioned.
00:11:04Let me tell you, George.
00:11:05The trouble with you is, you don't really love me.
00:11:10I've never seen anyone that I liked any better.
00:11:12And Mother likes you, too, don't you, Mother?
00:11:14Well, that's awfully sweet of both of you.
00:11:16But what is it about me that you like so well?
00:11:19I'll tell you.
00:11:21I like your disposition.
00:11:23I like your complexion.
00:11:25I like your eyes.
00:11:27I like your hands.
00:11:29And above all, I'm crazy about the way you wear your hair.
00:11:33Well, that's all very well and good, George.
00:11:36But someday, you're going to meet a girl.
00:11:38You're going to like her disposition, her eyes, her complexion,
00:11:41her pretty hands and her hair just as well as you do mine.
00:11:45But besides all that, there's going to be a wonderful electric something.
00:11:50I don't know how to describe it, but it'll be there.
00:11:53And when you propose to her, you won't say,
00:11:56Oh, we'll jog along very nicely together.
00:11:58No.
00:11:59And it won't make any bit of difference whether your mother likes her or not.
00:12:03You'll marry her just the same.
00:12:05Evidently, Margaret, you mean no again.
00:12:07Yes, George, I mean no.
00:12:14However, you're still wearing my ring, and that's a good sign.
00:12:18Just a habit.
00:12:19If I ever change towards you, I'll take it off.
00:12:22If you ever do, Margaret, I'll propose to you again.
00:12:26Did you see those pearls?
00:12:27Gentiles and them rocks.
00:12:34Was it as thrilling as you expected?
00:12:36Oh, yes.
00:12:37I really enjoyed it.
00:12:38I really enjoyed it.
00:12:39Hey, folks, there's a joint down the block.
00:12:41It's a little tougher than this, but I thought maybe you'd like to take it in.
00:12:44Let's go.
00:12:44How thrilling.
00:12:45Come on, everybody, let's go.
00:12:47Here you are, Margaret.
00:12:50Better step in.
00:12:51It's pretty hard to get a seat down there.
00:12:52Here you are.
00:12:55Hey, go ahead.
00:13:00Who's that girl?
00:13:03Which one?
00:13:04The one who's sitting here in the peach-colored dress.
00:13:07Oh, that's Margaret Waring.
00:13:09The old man died and left her a lot of jack.
00:13:11Got a swell joint up on 82nd Street just off the avenue.
00:13:15You know, lots of cut glass and silver,
00:13:17and the rugs come right up to your knees.
00:13:20Why?
00:13:21Oh, nothing.
00:13:23Thank you, Flanagan.
00:13:23See you soon.
00:13:28Well, what did you find out?
00:13:31Plenty.
00:13:31Yeah?
00:13:32Say, what are you two figuring?
00:13:34Now, Mary, just use your imagination.
00:13:36Here's a girl with a big house and jewels and all kinds of money.
00:13:40Supposing one day when she's out...
00:13:42I just couldn't, Jerry.
00:13:43Oh, she looks so sweet and so nice and...
00:13:46Ah, anybody can look sweet and nice with all kinds of money.
00:13:48Why, you wouldn't look so bad yourself in swell clothes.
00:13:53Gee, that...
00:13:54That sure was a good-looking fellow with her.
00:13:58Believe me, I wouldn't give him the air.
00:14:03You know, Mary, they never did do a good job on me down at that hospital.
00:14:14Good morning, brother.
00:14:14Good morning.
00:14:14Good morning.
00:14:16Good morning.
00:14:32Good morning.
00:14:36Good morning.
00:14:40Good morning, sir.
00:14:48This way, sir.
00:14:56There you are, sir.
00:14:58Is everything on this board?
00:14:59Lights, bells, burglar alarms and so on?
00:15:02We have no burglar alarms.
00:15:04Oh, you should have.
00:15:05They're the great protection.
00:15:08Well, I'll tell you, sir.
00:15:09It was this way.
00:15:10Miss Margaret did think of having one put on the same.
00:15:13But what with one thing or another, she never got around to it.
00:15:16You see, this is a very old-fashioned house.
00:15:19We have old-fashioned ways.
00:15:20Why, I myself have been here for 20 years.
00:15:24Well, I can't imagine anybody staying in one place for 20 years.
00:15:28Except perhaps in jail.
00:15:31Gee, I wish I'd never agreed to this.
00:15:38Well, I'll get cold feet now, Mary.
00:15:41Now, honey, you gave us your word of honey you'd go through with this.
00:15:43Oh, I know, Jerry, but I'm scared.
00:15:46My dear, there's nothing to worry about.
00:15:47You've been wanting to be here, but I'm afraid not.
00:15:51I'll get the mind from the same here.
00:15:54Oh, it's quite impossible, Ivan.
00:15:57I don't know what the word you say.
00:15:59The bear assis, idiot.
00:16:00The bear assis is, and she's always everything.
00:16:05Why don't we understand her at all?
00:16:16What she's trying to tell you is the curling iron doesn't work. There's evidently something wrong with the electricity.
00:16:24Miss Margaret, that can't be. The inspector has been here three times during the past week and has looked over
00:16:30everything most thoroughly.
00:16:32Well, Brewster, there must be something wrong. I wish you'd try to fix it for me.
00:16:35Certainly, Miss Margaret.
00:16:43Oh, I know it's very difficult, Yvonne, because I'm always speaking French to you.
00:16:53From now on, we'll speak nothing but English.
00:16:58Now, what did I say?
00:17:00I speak English so bad.
00:17:02Well, if it's the only way you'll learn. Now, remember, no more French.
00:17:06Oh.
00:17:07Oui, mademoiselle, je t'errais.
00:17:10I mean, I tried.
00:17:11That's better. My rat, please, Yvonne.
00:17:13Oui, mademoiselle.
00:17:18There's the old girl. She's going out with it.
00:17:25Won't be long now.
00:17:27I wish it was all over.
00:17:32Oh, mademoiselle, vous êtes si joli ce soir.
00:17:35Now, say that in English.
00:17:38Mademoiselle, vous êtes très prête cette nuit.
00:17:40No, no, not this night.
00:17:42Two nights.
00:17:43Two nights.
00:17:44Yes, and third.
00:17:47Good night, Yvonne.
00:17:48Bonsoir, mademoiselle.
00:17:51Say, Jerry, I wonder what's holding them up.
00:17:54Oh, gosh, if they don't come pretty soon, I'm just going to pass out.
00:17:57Oh, it's all right, dear. It won't be long.
00:17:59Miss Margaret, I feel it my duty to show you this.
00:18:05Well, what do you think of that?
00:18:11Oh, my.
00:18:12There have been a lot of hold-ups lately, haven't there?
00:18:15Yes, there have.
00:18:16Miss Margaret, if I might suggest, it would be wise to leave your jewels at home tonight.
00:18:22You know, this is right near where we're going, isn't it?
00:18:26Quite.
00:18:28Brewster, for once, I think you're right.
00:18:30Thank you, Miss Margaret.
00:18:31Yvonne, will you help me with these, please?
00:18:42You know, I wonder if those Pagbys are going to be there tonight.
00:18:45I hope not.
00:18:46With all their money, I don't want them in our steps.
00:18:48I beg your pardon, Miss Margaret.
00:18:50Would you open the safe for me, please?
00:18:52Oh, surely, Bristol.
00:19:00Oh, Yvonne, will you want class, please?
00:19:08Thank you, Miss.
00:19:10Oh, Brewster, will you take mine also?
00:19:13Yes, ma'am.
00:19:15You know, it's getting awfully late. Don't you think we'd better hurry?
00:19:18Oh, yes, let's go, dear.
00:19:21Oh, Margaret, I forgot to tell you George is going to stop by from the club with those books for
00:19:26you.
00:19:26I thought you'd want Brewster to know.
00:19:28Oh, surely. Brewster, you'll see that someone's up when Mr. Wells comes, won't you?
00:19:32Certainly, Miss.
00:19:33Good night.
00:19:34Good night.
00:19:34Good night.
00:19:35I'm so sorry that George wasn't able to come.
00:19:48Here they go now.
00:19:53Oh, yeah. Now, brace up. There's nothing to be frightened of.
00:19:56All right, Gerry.
00:20:05Oh, Brewster.
00:20:06What's the matter?
00:20:07Si.
00:20:08Mademoiselle is again most careless.
00:20:10She forget this. What to do?
00:20:14We can't put it in the safe without her.
00:20:17You'd better put it in that center drawer and lock it up.
00:20:19Oui.
00:20:34She's in.
00:20:37Come on, Nick. We'll get up on that door.
00:21:11Hello?
00:21:15No. This is not the maternity hospital.
00:21:32No.
00:21:42No.
00:21:44No.
00:21:45No.
00:21:46No.
00:21:47No.
00:21:48No.
00:22:44All right, I'll keep my appeal.
00:23:16Good evening, Casey.
00:23:18What's on your mind?
00:23:19Say, Brewster, I saw a couple men on the roof.
00:23:22They may be trying to break in, so I think I'll take a look around.
00:23:26If it's by the roof they're coming in, it's upstairs they'll be first, so I think I'll
00:23:32go up there.
00:23:43It'll only take a minute.
00:23:47Well, where are the lights?
00:23:51There's a lot of second-story work going on lately, and you can't be too careful.
00:23:58Where does that lead to?
00:24:00That leads to the balcony, but I don't remember drawing those curtains.
00:24:04You don't, eh?
00:24:05Why, no.
00:24:06I was up here a few moments ago, and everything...
00:24:11Hello, that's funny.
00:24:12I could swear that I drew that picture down.
00:24:21It's still locked.
00:24:22Are you sure you didn't leave that up?
00:24:25I'm positive.
00:24:26That's funny.
00:24:36What's that?
00:24:37I don't know.
00:24:38Where'd that come from?
00:24:40From that room.
00:24:42Well, I'm going to find out.
00:24:49There she is.
00:24:51What?
00:24:54What's she doing in there?
00:24:55I don't know.
00:25:04Miss Margaret.
00:25:05Oh, yes, Brewster?
00:25:11You're surprised to see me, aren't you, Brewster?
00:25:13Why, yes, Miss Margaret.
00:25:14I...
00:25:15You didn't expect me back so soon, did you?
00:25:17No, miss.
00:25:17What happened?
00:25:18Well, I, uh...
00:25:21Would you mind, please...
00:25:22Oh, Casey, do be careful.
00:25:24Yes, certainly.
00:25:25I'm sorry, Miss Waring.
00:25:27Brewster, what is it?
00:25:28What does the officer want?
00:25:29Why, miss, Casey said that he saw two men on the roof.
00:25:32I thought there were burglars trying to break in.
00:25:35Burglars?
00:25:35How thrilling.
00:25:38Did you find them?
00:25:39No, but I'm not done looking for them yet.
00:25:42Come on, Brewster.
00:25:43Let's go out on the balcony.
00:25:50They've gone in the other room.
00:25:57Shh.
00:26:03See, it's as solid as a rock, and no one has a key but myself.
00:26:09Miss Waring is kind of careless and won't trust herself with one.
00:26:21You know, Miss Waring, people that own safes do the funniest things.
00:26:28I knew a woman once who wrote the combination of the safe on the wall right beneath the safe.
00:26:41Oh, Miss Waring, I think I'll take a look around on the balcony.
00:26:45Oh, I don't think I'd bother.
00:26:48Oh, just to make sure.
00:26:51Brewster, unlock that gate.
00:26:53Very well, Casey.
00:27:05Oh, Miss Margaret, it's quite chilly here.
00:27:08I'm afraid you'll catch cold.
00:27:14Oh, my God.
00:27:16Well, very well, Brewster.
00:27:44Brewster, what's going on?
00:27:46Brewster, what's going on?
00:27:47What's going on there?
00:27:48What's going on?
00:27:48Oh, Aunt Kuzelle.
00:27:51Oh, mademoiselle, qu'est-ce qu'il y a?
00:27:52Pourquoi êtes-vous déjà rentrée?
00:27:54Vous n'êtes pas malade?
00:27:55Il n'est pas arrivé d'accident?
00:27:57Oh, mademoiselle, pourquoi vous ne répondez pas?
00:28:03Oh, I know now why you do not speak with me.
00:28:07Do you? Yes.
00:28:09That's good.
00:28:10You know, tonight, when you say you not speak with me in French again,
00:28:13I didn't think you mean it.
00:28:15Oh, yes, I meant every word of it.
00:28:17From now on, let's speak English.
00:28:20Oh, yes, mademoiselle.
00:28:21But why are you back so soon, mademoiselle?
00:28:28Well, Casey, did you find anything?
00:28:30Nary a thing.
00:28:33I told you it would be all right.
00:28:37Officer, did you find anything?
00:28:39Not a thing.
00:28:40And it's after begging your pardon I am for busting in on you.
00:28:43Oh, don't apologize.
00:28:45It's a pleasure to know that you're taking such good care of us.
00:28:48Ah, my dear.
00:28:49But, of course, I wouldn't care to have you burst in again tonight.
00:28:53Don't worry.
00:28:54I'll not be making a fool of myself twice in the same evening.
00:28:58Good night, Miss Warren.
00:28:59Good night.
00:29:01Come on, Brewster.
00:29:02I want to tell you a funny story.
00:29:04Did you ever hear the story of the Irishman that worked on a boat
00:29:07and thought the anchor was a pig?
00:29:09No.
00:29:12He stood there half a day looking at the anchor,
00:29:15and the mate says to him,
00:29:16what are you standing there for?
00:29:18He says, I'm waiting to see the man that can lift that pig.
00:29:25I'm waiting to see the man that was buried in the house.
00:29:25Oh, that's right, ma'am.
00:29:26Yes?
00:29:27The officer, what do you want?
00:29:29Oh, he thought there were burglars in the house.
00:29:31Burglars?
00:29:32Oh, yes.
00:29:32But, of course, there aren't.
00:29:34That is good,
00:29:35because they would have get plenty tonight.
00:29:37Yes?
00:29:38What do you mean?
00:29:39Has ma'am forgotten?
00:29:41Madame Wealth leave her jewelry in her bag in a safe?
00:29:45Oh, I...
00:29:46Yes, I had forgotten.
00:29:47And just a moment.
00:29:53Yes, ma'am'selle is most careless.
00:29:57Where did you get this?
00:29:58She forgot it, in a bedroom.
00:30:01Someday, her jewels will be stolen.
00:30:04It wouldn't surprise me a bit.
00:30:09Here, put it in the safe.
00:30:11Oui, ma'am'selle.
00:30:22What are you waiting for?
00:30:24The safe is last.
00:30:26Well, open it.
00:30:28Oh, but ma'am'selle know I haven't the combination.
00:30:30And Brewster has the key of the inside door.
00:30:34Oh, yes, of course.
00:30:35How silly of me.
00:30:37You know, Yvonne, it would save me a lot of trouble
00:30:40if you knew the combination of that safe.
00:30:42Yes, ma'am'selle, but it is too great responsibility for a servant.
00:30:46Yes.
00:30:47Will you open it?
00:30:48Well, I...
00:30:49Oh, really, it wouldn't do us any good without Brewster's key.
00:30:54No.
00:30:55I'll take this.
00:30:56I'll attend to it later myself.
00:30:58You go to bed.
00:30:59You look so tired.
00:31:01Oh, but, ma'am'selle, I cannot sleep.
00:31:04You know I have an somnia.
00:31:05Oh, yes, that's right.
00:31:08Isn't there something in the house that would put you to sleep?
00:31:12Only the tablet that the doctor ordered for you.
00:31:15That's fine.
00:31:16You go and get those tablets.
00:31:17I want you to have a nice, sound sleep.
00:31:20Oh, thank you, ma'am'selle.
00:31:21I'll enjoy it.
00:31:26Hey, Brewster.
00:31:27Did you hear the one about the Scotchman who invited one of the Siamese twins out to a theater and
00:31:32a dinner?
00:31:32If she could get away from her sister.
00:31:45Good evening, Brewster.
00:31:46Good evening, Mr. Wells.
00:31:49Is there anything wrong?
00:31:50Oh, no, sir.
00:31:51The officer thought he saw someone on the roof.
00:31:54Just a false alarm, sir.
00:31:56Oh, I see.
00:31:57Well, it's a good thing Miss Waring is not at home, or she would be frightened.
00:32:00But Miss Margaret is at home, sir.
00:32:02She's home?
00:32:03So early?
00:32:04Yes, sir.
00:32:05Well, that's fine.
00:32:06I'll just drop in and say hello.
00:32:08Please.
00:32:14I hope this makes me sleep.
00:32:16Oh, yes.
00:32:17I do, too.
00:32:18Good night, Yvonne.
00:32:19Bonne nuit, mademoiselle.
00:32:21If you do happen to wake up, just take another one.
00:32:24Oh, thank you, mademoiselle.
00:32:40Bonne nuit, Yvonne.
00:32:41Is Miss Margaret still up?
00:32:43Yes, mademoiselle, sir.
00:32:44I believe you can go in.
00:32:51Good evening, Margaret.
00:32:53May I come in?
00:32:54You...
00:32:55Well, you are in, aren't you?
00:32:57Yes.
00:32:58Well, then, come in.
00:33:06Brewster's been telling me that you've had quite a scare hair tonight.
00:33:08Oh, yes, I...
00:33:09I certainly have.
00:33:11In fact, I'm still having one.
00:33:14Well, for crying out loud.
00:33:16First to Flatfoot, then to Maid, and now to Boyfriend.
00:33:20I never expected to find you.
00:33:22When I thought you and mother were over to Long Island.
00:33:24Well, we were, but, uh...
00:33:26Well, you see, we came back.
00:33:27Yes, I see.
00:33:29What happened?
00:33:30Oh, well, uh...
00:33:32It was, uh...
00:33:33The same old trouble.
00:33:34Mother's nerves again, I'll bet.
00:33:36That's it.
00:33:37Mm-hmm.
00:33:37Poor darling.
00:33:39I'll just give her a ring.
00:33:41I wouldn't.
00:33:42She may be just falling asleep.
00:33:44Yes, I guess you're right, Margaret.
00:33:46I'll drop in on her in the morning.
00:33:48Oh, by the way, I brought the books over I told you about.
00:33:54Here they are, Margaret.
00:33:55I hope you like them.
00:33:56Oh, yes, I...
00:33:57I'm sure I will.
00:34:05Oh.
00:34:06Oh.
00:34:06What's the matter?
00:34:07Oh, it's back.
00:34:08What?
00:34:09My new route, Jill.
00:34:10Maybe we'd better go home.
00:34:11Oh, no, don't do that.
00:34:12Oh, yes, we'd better.
00:34:13Oh, no, please don't.
00:34:14Go over.
00:34:15Mrs. Wells feels too ill to go on.
00:34:17Turn back.
00:34:18Yes, Miss Margaret.
00:34:21Oh, why did you do that?
00:34:23Well, there's no sense in gunning in place when you don't feel well.
00:34:26Oh, dear.
00:34:29Do you know, Margaret?
00:34:31I think burglars agree with you.
00:34:33Why, I've never seen you look so charming.
00:34:44You know, it's a pity you and I couldn't fall in love with each other.
00:34:48It would have pleased the old governor.
00:34:53Oh, do you think so?
00:34:56Yes, I'm sure of it.
00:34:58He was a grand old gentleman.
00:35:03Yes, he has a wonderful face.
00:35:06You know, one could almost tell by looking at him that he never did a wrong deed in his life.
00:35:10No.
00:35:11No wonder they made him governor.
00:35:13Made him governor?
00:35:15Why, yes.
00:35:17Didn't you know?
00:35:21No.
00:35:23Oh, I see.
00:35:24It must have been in the islands.
00:35:26Oh, yes.
00:35:27That's it, in the islands.
00:35:28Yes.
00:35:40You know, Margaret, somehow or other, you seem changed tonight.
00:35:44Changed?
00:35:45Why, it's just your imagination.
00:35:49I'm just the same.
00:35:51The same hair, and the same eyes, and the same hands, and the same complexion, and everything.
00:36:02It's...
00:36:03Why ring?
00:36:05Where is it?
00:36:06Why, I...
00:36:07I took it all.
00:36:09You did?
00:36:10Well, do you remember what you said?
00:36:12Yes.
00:36:13Yes, of course.
00:36:14Do you?
00:36:15Yes.
00:36:18What are you doing?
00:36:19Don't be an idiot.
00:36:20Listen, are you going to let that guy get fresh with Mary?
00:36:22Get away, you're crazy.
00:36:24Oh, please.
00:36:25You shouldn't have done that.
00:36:26I...
00:36:26I shouldn't have let you.
00:36:28Well, you must go now.
00:36:29Please, Margaret, just let me stay a little longer.
00:36:31Now that I've found the real you...
00:36:33No, I...
00:36:33I'm afraid if you do, the Margaret you knew might come back.
00:36:38Hardly.
00:36:40I've forgotten about her completely.
00:36:43And the real me that you've just discovered, will you forget her too?
00:36:49I'll never forget her, as long as I live.
00:36:53Please, Margaret, get the ring and let me put it on again with a new meaning.
00:36:57Oh, no.
00:36:58No, not tonight.
00:36:59Tomorrow, perhaps.
00:37:02Well, I'm going right home now.
00:37:04Now, wake up Mother and tell her.
00:37:05She'll be tickled pink.
00:37:07Oh, no.
00:37:07No, don't wake her.
00:37:08Promise me?
00:37:11Very well, I'll promise.
00:37:13We'll both tell her tomorrow?
00:37:14Mm-hmm.
00:37:21I'll see you tomorrow, early.
00:37:24Good night.
00:37:25Good night.
00:37:26Good night.
00:37:27Good night.
00:37:31Good night.
00:37:41Good night.
00:37:43Good night.
00:37:48Gee, I thought these nibs would never go.
00:37:50Hurry up, Mary.
00:37:51This work's as cold as a stepmother's kiss.
00:37:55Here.
00:37:56Gee, boys.
00:37:57I don't think we ought to go...
00:37:58Now, now, none of that.
00:37:59Let's go to work.
00:38:00Turn off those lights.
00:38:01Come on, then.
00:38:21You got a combination?
00:38:23No.
00:38:23Nobody's got it but the Waring Girl.
00:38:25Well, there may no use trying to hit them numbers.
00:38:27Let me at it.
00:38:27Come on.
00:38:32Where's Brewster?
00:38:32Sleep?
00:38:33Yeah, I guess so.
00:38:35When the maid?
00:38:36Oh, she won't wake up until morning.
00:38:38Or maybe not then.
00:38:40Right.
00:38:40Then we haven't a thing to worry about.
00:38:50Good night, Mrs. Wells.
00:38:52Good night.
00:39:07Good night.
00:39:08All right.
00:39:10Hurry up, boys, will you?
00:39:11I'm getting nervous.
00:39:12Don't worry, Mary.
00:39:13We'll be through in new time.
00:39:34Jack, don't jump!
00:39:34Jack, hold on.
00:39:41Oh!
00:39:43What do you want to do that for?
00:39:45I don't know.
00:39:46Let me get out of here, quick.
00:39:49Come on, Mary.
00:39:49Come on.
00:39:52Come on.
00:39:53Come on.
00:40:08Come on, Mary.
00:40:09Oh, you poor kid.
00:40:11You poor kid.
00:40:22Mrs. Barnbrook.
00:40:23What's the matter?
00:40:24I heard a shot.
00:40:25Get a doctor, Brewster Craig.
00:40:26Who's that?
00:40:26Never mind.
00:40:27Get a doctor.
00:40:27Yes.
00:40:31Hello.
00:40:32Hello.
00:40:33Hello.
00:40:34Give me...
00:40:35Murray Hill.
00:40:364-8-4-2.
00:40:39Come on, the doctor.
00:40:41No.
00:40:42No, Miss Waring's all right.
00:40:43There's somebody else.
00:40:45Good night.
00:40:47It's all right, Miss.
00:40:48He's coming right away.
00:40:49Is there anything I can...
00:40:50Mr. Get some water and the towel, quick.
00:40:52Yes, Miss.
00:40:53Yes.
00:41:05Hey, Brewster, I just heard a shot.
00:41:07Was it in here?
00:41:07Yes.
00:41:08Yes, I know.
00:41:08It's obsessed.
00:41:09And somebody's been hurt.
00:41:10Who is it?
00:41:10I don't know.
00:41:11I don't know.
00:41:14He's in.
00:41:16Full headquarters.
00:41:17Well, where's the phone?
00:41:18There.
00:41:19Oh.
00:41:23Uh, morning, Sergeant.
00:41:253-100.
00:41:26And be quick about it.
00:41:45Hello.
00:41:46Who is this?
00:41:47Oh, Duke.
00:41:48This is Casey.
00:41:49Say that.
00:41:49There's been a shooting at the Warren home in 80s.
00:41:52Send a couple men around, will you?
00:41:54Right away.
00:42:03Mary.
00:42:04Oh, Jerry.
00:42:05Why did you come back?
00:42:06Why are you staying here?
00:42:07Well, I...
00:42:08I can't leave.
00:42:09Why, she's hurt.
00:42:10Yeah, I'll stay here till they get here.
00:42:12Sure.
00:42:13No, no.
00:42:13I don't know a thing about him.
00:42:14All right.
00:42:18Say, Brewster, where is it?
00:42:20In that room.
00:42:21Come on.
00:42:21Here.
00:42:23Jerry, somebody's coming.
00:42:24Beat it.
00:42:24I can't go out.
00:42:25You don't come.
00:42:29That's the girl that was hurt.
00:42:31They must have gone out there.
00:42:33Take care of her, Brewster.
00:42:38Brewster.
00:42:39Brewster, turn on the light.
00:42:40Yes.
00:42:41We've got to get her off the floor.
00:42:43We'll put her...
00:42:44Put her over there.
00:43:04Well, Miss Margaret, she looks exactly like you.
00:43:08Oh, yes.
00:43:09She looks extraordinary, isn't she?
00:43:11Most.
00:43:11Well, Brewster, get the water in the towel.
00:43:14Yes.
00:43:25It's most extraordinary.
00:43:27Oh, Brewster, will that doctor ever get here?
00:43:30Oh, yes, Miss.
00:43:30He said he was coming right away.
00:43:32He won't be long now.
00:43:33Oh, I do hope he hurries.
00:43:35He'll be here very soon, Miss.
00:43:43Doctor, you're sure she won't die, aren't you?
00:43:46She won't die, Miss Waring.
00:43:48She's not the slightest danger of her.
00:43:50But when she wakes up, she'll have a terrific headache.
00:43:53Please, Miss Margaret, don't worry.
00:43:58Inspector, they didn't get into the safe and nothing was stolen.
00:44:01So why don't we let the whole matter drop?
00:44:04I'm sorry, Miss Waring, but the police department doesn't work that way.
00:44:10You know, this likeness is the funniest thing I ever run up against.
00:44:13I can't tell the difference between you and this little crook.
00:44:17It is extraordinary, isn't it, Inspector?
00:44:30Miss Waring.
00:44:35Please.
00:44:43Would you mind telling me again exactly what happened here tonight?
00:44:49Why, certainly, Inspector.
00:44:51I was in my bedroom and I heard a noise out here.
00:44:54I opened the door and I saw two men and this young woman standing in front of the safe.
00:45:00One of the men raised his gun and just as he fired, the girl screamed and threw herself in front
00:45:04of me.
00:45:05The bullet hit her and she collapsed.
00:45:07The men went out through that window and then Brewster came in.
00:45:12Aside from the resemblance, I can't see why they should shoot at their Confederate.
00:45:17And why should she throw herself in front of you?
00:45:20Why, I...
00:45:21I'm sure I don't know.
00:45:25From the time that Officer Casey left until you heard the shot,
00:45:29you say that no one came into or went out of this house?
00:45:33Mr. Wells came in.
00:45:34Wells?
00:45:35Who is he?
00:45:36He's Miss Margaret's fiancée.
00:45:37Well, get him on the phone. I want to see him.
00:45:39I've already telephoned him, sir.
00:45:41Oh, Brewster, you haven't called Mr. Wells.
00:45:44Why, yes, Miss Margaret.
00:45:45He and his mother are on their way now.
00:45:48A very good idea, Brewster.
00:45:49I want to see everyone who was here tonight.
00:45:52But it's ridiculous to ask Mrs. Wells to come out this hour of the night.
00:45:57Brewster, telephone them and ask them not to come.
00:45:59Yes, Miss Margaret.
00:46:00You are taking your orders from me, Brewster.
00:46:03I'm in charge here.
00:46:10Well, Doc,
00:46:12how long do you figure it'll be before she comes to?
00:46:15Probably a day or two.
00:46:16Possibly longer.
00:46:19Not soon enough to be of any help to me.
00:46:22It gives these crooks too much chance to get away.
00:46:27It's this confounded resemblance that's got me going.
00:46:31Yes, it is a coincidence, isn't it?
00:46:34Coincidence, me I.
00:46:35It's the key to the whole works.
00:46:38Oh, yes.
00:46:40Yes.
00:46:41Can't you see that under the circumstances...
00:46:45What is it, Casey?
00:46:46I was up in the maid's room.
00:46:48Yeah?
00:46:49And I can't get her up.
00:46:50She's sleeping her head off.
00:46:52Oh.
00:46:53Maybe she's been doped.
00:46:55Maybe.
00:46:59Hey, Doc.
00:47:00Run up and give this maid the once over, will you?
00:47:02Casey will show you the way.
00:47:03Certainly.
00:47:05Oh, Doctor.
00:47:06Do you...
00:47:06Do you think it's safe to leave her?
00:47:08It's perfectly safe, Miss Waring.
00:47:12You know, Doc,
00:47:13I shook that woman till her teeth rattled.
00:47:23Brewster, you've been with this family for 20 years.
00:47:26Can't you tell which is Miss Waring?
00:47:28Why, of course.
00:47:30That is Miss Waring.
00:47:32Would you swear to it?
00:47:33Can you prove it?
00:47:35Do you know of any birthmarks?
00:47:37I beg your pardon, Inspector.
00:47:39I'm only the butler.
00:47:41And if there are any birthmarks,
00:47:43I've not been privileged to see them.
00:47:59Don't let anybody in or out, Farley.
00:48:02Very well, sir.
00:48:04The poor young thing.
00:48:06Do you know she's so very like you that I can't think harshly of her.
00:48:10No, I can't either, Brewster.
00:48:13You know, I've never felt quite the same towards anyone before in my life.
00:48:16I feel so, so drawn towards her.
00:48:21It's hard to believe that she came in here to steal.
00:48:24Why, Miss Margaret, her face is just as honest as yours.
00:48:29Oh, yes.
00:48:31You're right, Brewster.
00:48:36How long have you known Miss Welsers?
00:48:38Why, uh, why, uh...
00:48:40For 10 years, Inspector.
00:48:42Miss Margaret and Mr. George used to go to school together.
00:48:44Yes, Inspector, 10 years.
00:48:48Would you mind sitting over here, Miss Waring?
00:48:51Why, certainly.
00:48:56I'm going to try a little experiment.
00:49:05All right, Casey, send them in.
00:49:07Yes, sir.
00:49:09Go on in.
00:49:11Well...
00:49:15Margaret, my dear, my dear.
00:49:17We came just as soon as we could, Margaret.
00:49:19What happened?
00:49:20Why, uh...
00:49:21Uh...
00:49:22There.
00:49:24Oh, is she dead?
00:49:26She's all right.
00:49:27Would you mind answering a few questions?
00:49:29Don't point.
00:49:30You make me so nervous.
00:49:33Why, it must have happened very quickly.
00:49:35It seems no time since I left here.
00:49:37Do you recall the exact time, Mr. Wells?
00:49:39Yes, I think so.
00:49:41Must have been about 12 o'clock.
00:49:43Wasn't it, Margaret?
00:49:43Why, yes, I think so.
00:49:4612 o'clock when you left Margaret here?
00:49:48Yes, Mother.
00:49:50Well, that just shows what a bad memory I have for time.
00:49:53Why, Margaret, I thought it was long after 12 when we came home.
00:49:57Why, I'm sure you must be mistaken.
00:50:00Possibly.
00:50:02Inspector, is the question of time of such great importance?
00:50:05Yes.
00:50:06In this case, it is of the greatest importance.
00:50:08You were here earlier in the evening?
00:50:11Yes.
00:50:12I called for Margaret.
00:50:13We were to go to a ball on Long Island.
00:50:16Why did you return unexpectedly?
00:50:18Because I was ill.
00:50:19I wasn't speaking to you.
00:50:21Inspector, I don't like your attitude.
00:50:24What do you care who answers so long as you get the truth?
00:50:29Why, certainly.
00:50:31What difference could it make?
00:50:32It makes a lot of difference.
00:50:33Inspector.
00:50:34Well?
00:50:35The woman is undoubtedly drugged.
00:50:36Drugged?
00:50:37She probably won't come out of it for the next 24 hours.
00:50:40How long have you known Miss Waring?
00:50:43Oh, I've known her for 10 years.
00:50:45Ever since she was a...
00:50:46You couldn't be mistaken in her identity?
00:50:49Oh, my dear man.
00:50:52Don't be upset.
00:50:54And you?
00:50:54Just what are you driving at, Inspector?
00:50:57Then you are both willing to swear that this is Margaret Waring?
00:51:01Of course we are.
00:51:03Certainly.
00:51:04Then who is...
00:51:08This?
00:51:10The resemblance is remarkable.
00:51:14Why, there's so much alike.
00:51:16I can't tell them apart.
00:51:18Oh, I know.
00:51:20I am going to say...
00:51:22Oh, Mother.
00:51:26You know, Mother is extremely nervous, Doctor.
00:51:29Yes, I see she is.
00:51:30An experience like this is slightly upsetting to her.
00:51:38There, Mother.
00:51:39The excitement is a little bit too much for her.
00:51:42She was lying right here, sir.
00:51:44And Miss Waring was kneeling beside her.
00:51:47Mrs. Wells, better?
00:51:48Yes, she's quite all right now.
00:51:50Miss Waring?
00:51:51I'd like to have a quiet word with Headquarters.
00:51:54Where will I find a phone?
00:51:56Why, uh...
00:51:58You'll find one in the lower hall.
00:52:01You know, after all this excitement, I must stop and think before I answer the simplest question.
00:52:06I've noticed that.
00:52:10You stay here.
00:52:12I have a feeling that Miss Waring should not be left alone.
00:52:15Certainly.
00:52:16I'll be back in a minute.
00:52:19Go ahead, Brewster.
00:52:20Casey, I want to talk to you.
00:52:21Right, Inspector.
00:52:23Finally, close this door.
00:52:25Yes, sir.
00:52:31Why, you're trembling, dear.
00:52:33Now there's nothing to be afraid of.
00:52:35Everything is going to be all right.
00:52:37Come, sit down over here.
00:52:39Why not let it upset you, dear?
00:52:42Now sit right there and relax.
00:52:46That better?
00:52:52Do you know, Margaret, that yesterday, I might have been fooled.
00:52:57But not after tonight.
00:53:00Are you quite sure you could tell us apart?
00:53:03Yes, I could tell by the touch of your hand, dear.
00:53:06Even if it were as dark as Egypt.
00:53:09And yet, it's really remarkable.
00:53:13She has your mouth.
00:53:15Your chin.
00:53:19And the same pretty hands, too.
00:53:40Why?
00:53:42You're not Margaret Waring.
00:53:46Who are you?
00:53:48Well, never mind who I am.
00:53:50Are you going to give me away?
00:53:54Very well, sir.
00:54:07Well, we're getting on.
00:54:09I've located a man who saw you and Mrs. Wells arrive here at half past twelve.
00:54:15What do you say to that?
00:54:17Why, I should say your man should have his watch repaired.
00:54:22Doesn't it strike you as a little strange, Miss Waring,
00:54:25that you should be here entertaining Mr. Wells from 1130 to 12,
00:54:30whereas you were seen arriving with Mrs. Wells at half past twelve?
00:54:36Mr. Updike, if it weren't so ridiculous,
00:54:38I should say you were accusing me of trying to rob my own home.
00:54:41Well, Inspector, what have you found out?
00:54:43Mrs. Wells, when you were here earlier in the evening,
00:54:47did Miss Waring have on the same dress she has on now?
00:54:52Why, it's not.
00:54:53I'm asking you, Mrs. Wells.
00:54:55She was wearing a wrap and I don't remember.
00:54:57This case has resolved itself into a question of identity.
00:55:01Which of these two young women is the real Margaret Waring?
00:55:06Oh, the man's insane.
00:55:08Mrs. Wells, as a lifelong friend of the family,
00:55:12don't you know of some mark of identification which would prove
00:55:16which of these two young women is the real Margaret Waring?
00:55:19Oh, let me see.
00:55:22Oh, there's a little ring that she never takes off her finger.
00:55:25Show it to him, Margaret.
00:55:28Let me see your hands.
00:55:30Is that the ring?
00:55:32No.
00:55:34Where is the ring?
00:55:35I beg your pardon, Inspector.
00:55:37But I have the ring.
00:55:40Is this the ring?
00:55:41Yes.
00:55:43Now, I took this ring off the real Miss Waring's finger tonight.
00:55:47Is this young woman the one who entertained you here earlier in the evening?
00:55:53Why, of course she is.
00:55:59The safe. The safe.
00:56:02No.
00:56:06Her subconscious mind is still fixed on the last impression she received before she was shot.
00:56:10Doesn't that prove...
00:56:11It proves nothing.
00:56:12The thought of the safe would be uppermost in the minds of both of them.
00:56:16I have it, Inspector.
00:56:17The combination.
00:56:19Miss Margaret is the only person who knows it.
00:56:21Have her open the safe.
00:56:23That'll convince you.
00:56:24For once in your life, Brewster, you've made a sensible suggestion.
00:56:33It's all right. They haven't damaged it any.
00:56:36Well, let's have the combination.
00:56:38Now, look here, Inspector.
00:56:39You have no right to ask such proof.
00:56:42And as Miss Waring's fiancée, I refuse to permit her to submit to such a ridiculous procedure.
00:56:48Mr. Wells, I am in charge here.
00:56:52All right, young lady. I'm waiting.
00:56:55To the right, three times to 75.
00:57:01To the right, three times to 75.
00:57:04Once.
00:57:06Twice.
00:57:11All right.
00:57:12To the left, twice to 100.
00:57:17To the left, twice to 100.
00:57:24All right.
00:57:26Back to 38.
00:57:29Back to 38.
00:57:45Well, I hope you're satisfied, Inspector.
00:57:48Just a minute.
00:57:50How do you open this inside door?
00:57:53Brewster, give him the key.
00:57:55The key.
00:58:15Would you mind telling me what's in this bag?
00:58:17Inspector, that...
00:58:18I wasn't speaking to you.
00:58:20Why, I don't know.
00:58:22You don't know?
00:58:23The bag doesn't belong to me.
00:58:24It's Mrs. Wells.
00:58:26That's what I've been trying to tell you.
00:58:28Kindly give me my bag.
00:58:35Miss Waring, I owe you a most humble apology.
00:58:39Oh, that's all right, Mr. Uptake.
00:58:41You're only doing your duty.
00:58:43Thank you, Miss Waring.
00:58:44Well, I do hope you're satisfied now.
00:58:46I am indeed, madam.
00:58:48Good night, all.
00:58:49Good night, Inspector.
00:58:50Good night.
00:58:51Come on, Farley, let's beat it.
00:58:58Good morning, Miss Waring.
00:59:00Good morning.
00:59:01You know you've been awfully good to this young woman, Miss Waring.
00:59:05Letting her have your bed and taking such good care of her.
00:59:09Well, uh...
00:59:10How is she?
00:59:11She's fine.
00:59:12She's been stirring, and I think she'll come too shortly.
00:59:15Well, you'll be sure and let me know just as soon as she does, won't you?
00:59:18Yes, I will.
00:59:36Come in.
00:59:39Good morning.
00:59:40Good morning.
00:59:41I'm glad you're still here.
00:59:45You know, I was afraid you might have gone.
00:59:47Oh, I... I couldn't go and leave her like that.
00:59:50How is Margaret this morning?
00:59:52Well, she's improving.
00:59:53We expect her to regain consciousness any minute.
00:59:56Well, that's good.
00:59:58Will you come and sit down a minute, please?
01:00:00Sure.
01:00:13How did you know the combination of that safe?
01:00:16Well, I... I read it from her mind.
01:00:19From her mind?
01:00:20Mm-hmm.
01:00:21Can you do that?
01:00:22Yes.
01:00:25That's funny.
01:00:27Margaret can too.
01:00:33Good morning, officer.
01:00:35Good morning.
01:00:38Good morning.
01:00:39Nice day, isn't it?
01:00:39Certainly is.
01:00:42I don't know that I can never remember more beautiful weather at this time of the year.
01:00:45Me neither.
01:00:48Is Miss Reddick from?
01:00:49Yes, sir.
01:00:52I'm sorry and ashamed, but last night I tricked you into giving me just for a little while the love
01:00:59that really belonged to her.
01:01:01But it doesn't belong to her.
01:01:04You see, Margaret and I are just great pals.
01:01:08As a matter of fact, she told me that someday I would meet a girl that would show me the
01:01:12difference.
01:01:14And now, I have met her.
01:01:19Oh, but you...
01:01:20You don't know anything about me except what's bad.
01:01:25I know that you've never had a break and that you want to be all that is good.
01:01:34I beg your pardon, Miss Margaret. A gentleman to see you.
01:01:46Oh, Brewster. Where is he?
01:01:48He's in the lower hall, Miss.
01:01:53Well, I'll see him.
01:01:54Yes, Miss Margaret.
01:02:00Is there anything wrong?
01:02:02No.
01:02:04I can't tell you who this person is, but I must see him alone.
01:02:08Why, of course.
01:02:14If you should need me, I'll be down in the hall.
01:02:27Pardon me.
01:02:28It's all right.
01:02:35Good morning, Miss Waring.
01:02:38Good morning, Mr. Jones.
01:02:40Good morning, Miss.
01:02:46Marvelous, um...
01:02:47Marvelous weather we're having.
01:02:49Yes, I...
01:02:49I don't ever remember having seen lovelier weather this time of the year.
01:02:54Oh, Jerry.
01:02:56Then it is you, Mary.
01:02:57For the moment, I thought you were the other girl.
01:02:59Well, what are you doing here?
01:03:01I came to get you.
01:03:02Oh, don't be silly.
01:03:04Don't you know every cop in town is looking for you and Nick?
01:03:06Yes.
01:03:07And where do you think is the last place they'd look?
01:03:10Right here.
01:03:11Where is Nick?
01:03:13I don't know.
01:03:14We got separated and he didn't show up at Lola's.
01:03:17How's the wedding girl? Is she...
01:03:18Oh, she's all right.
01:03:19I haven't time to tell you everything now.
01:03:21But you...
01:03:22You've got to get out of here.
01:03:23Sure.
01:03:24We've both got to get out of here.
01:03:26That's what I came back for.
01:03:28I knew you could fool them for a while, but your luck won't last forever.
01:03:31Come on, Mary. This is where you make your getaway.
01:03:36I beg your pardon, Miss Margaret.
01:03:38Mr. Updike is here.
01:03:43Mr. Updike from headquarters?
01:03:45Yes.
01:03:47Brewster, ask him to wait downstairs.
01:03:49I'll be there in a moment.
01:03:51Not on my account.
01:03:53Send him up.
01:03:54Send him up?
01:03:56That's his specialty, sending people up.
01:03:59I should be termed to meet an inspector at such close quarters.
01:04:02Please see him here.
01:04:04Send him up.
01:04:05Yes, sir.
01:04:10Jerry, you just love to sit on the edge of a volcano, don't you?
01:04:13I'm willing to bet that when I go, he'll say goodbye,
01:04:16wish me a pleasant journey, and...
01:04:18and urge me to take you with me.
01:04:21Jerry, you've been out in the sun again.
01:04:23Bareheaded.
01:04:26Good morning, Miss Waring.
01:04:28Oh, uh, good morning, Inspector.
01:04:37Oh, I'm sorry.
01:04:38Mr. Updike, this is Mr. Jones.
01:04:40How do you do, Mr. Jones?
01:04:42I'm glad to meet you, Inspector.
01:04:43I've met several men in your profession.
01:04:45In England, of course.
01:04:46Oh, yeah?
01:04:55Well, Miss Waring, our young friend in there is Mary Brennan.
01:04:59She works with two crooks.
01:05:01A guy called Nick, and another known as Jerry the Gent.
01:05:06An English cook, by the way.
01:05:08He's been in this country for some time.
01:05:10Really?
01:05:11What a picturesque name.
01:05:14Jerry the Gent.
01:05:16Delightful.
01:05:17Yes, indeed.
01:05:18This is a very interesting situation that we have here, Mr. Jones.
01:05:23Oh, yes, Jones.
01:05:24This is Mary Brennan, and Miss Waring's maid, are both unconscious.
01:05:30A word from either one of them would clear up the whole matter.
01:05:33We expect to get it in about an hour.
01:05:35Did you hear that, dear?
01:05:37Within an hour, the inspector will know the whole truth of this matter.
01:05:41There's a telephoto picture of this Jerry the Gent on the way over here to me now.
01:05:45Well, isn't that interesting?
01:05:47I should like to see it.
01:05:49You know, Inspector, we live in a wonderful, scientific age.
01:05:53We certainly do.
01:05:55Oh, by the way, Miss Waring, you said that you could identify both these men that broke in here last
01:06:00night.
01:06:01I'll never forget them as long as I live.
01:06:05Good.
01:06:07All right, Dugan. Bring them in.
01:06:12Come on here.
01:06:13Oh, listen to what...
01:06:14Shut up!
01:06:19Did you get anything out of him?
01:06:21No, Inspector, not a word.
01:06:23You didn't, eh?
01:06:25Miss Waring, take a look at this man.
01:06:27Is this one of them?
01:06:28Why, no, they were... they were both much taller than he.
01:06:33You're sure you never saw him before?
01:06:36No, never.
01:06:39Mr. Jones, this is a typical underworld character.
01:06:44Really? You don't say.
01:06:46Yes, I do say.
01:06:48You do?
01:06:48Yes.
01:06:49Oh.
01:06:51All right, Dugan. Take him downtown.
01:06:54Tell him to hold him a couple of days.
01:06:56All right, Inspector. Come on, dear.
01:07:04My word is later than I thought it was. I must be getting along.
01:07:08Look, dear, you look... you look pale and tired.
01:07:11Why don't you come with me for a little drive in the park?
01:07:14Yes, that's a good idea. A little fresh air will do you good.
01:07:19No, thank you. I... I think I'll stay here.
01:07:22Are you sure you won't come?
01:07:25Quite sure.
01:07:27Goodbye, dear.
01:07:31Goodbye.
01:07:39Well, Mr. Jones, I'm very glad to have met you.
01:07:42Thanks, Inspector.
01:07:49Good morning, Brewster.
01:07:51Good morning, Casey.
01:07:52I have a picture here for the Inspector.
01:07:55Where is he?
01:07:55He's upstairs. Shall I take it up?
01:07:57No, you shall not. I'll take it up myself.
01:08:00Very well, Casey.
01:08:04Goodbye, Inspector.
01:08:05I don't suppose I shall be seeing you again.
01:08:07You going away?
01:08:08Yes, I'm going for a little trip.
01:08:10For my health.
01:08:11A pleasant journey.
01:08:17Thanks.
01:08:18So long.
01:08:19Goodbye.
01:08:20Goodbye.
01:08:20Goodbye, dear.
01:08:22Goodbye.
01:08:25Inspector, here's the picture you sent for.
01:08:27Good.
01:08:28Let's have it, Casey.
01:08:35Well, cheerio, Inspector.
01:08:36No, no, just a minute.
01:08:37This is the picture you wanted to see.
01:08:39Another time perhaps.
01:08:39I have very little time now.
01:08:41No, but you ought to see this.
01:08:42It's very interesting.
01:08:49It's very interesting.
01:08:50Well, of all the dumbbells.
01:08:54Take a look at that.
01:09:05Look at that, dear.
01:09:07Charming-looking pillow, isn't he?
01:09:09Yes, he...
01:09:10He certainly is.
01:09:12I send for a picture of Jerry the Gent,
01:09:15and they send me Jerry the Greek.
01:09:17Now, isn't that annoying?
01:09:18It certainly is.
01:09:20Tell me, Inspector.
01:09:21Is this another typical underworld character?
01:09:24Oh, yes, indeed.
01:09:25That's very interesting.
01:09:27Thanks.
01:09:29Well, I'll drop you a line, dear.
01:09:32Good-bye, Inspector.
01:09:33Good-bye, Mr. Jones.
01:09:41Good-bye, Inspector.
01:09:43A charming gentleman, not Mr. Jones.
01:09:45Well, if you'll excuse me,
01:09:47I've got a little balling out to do.
01:09:51Come on, Casey.
01:10:02Have you, um...
01:10:04a pillow, Master Lieutenant?
01:10:06Why, sure!
01:10:14Thanks.
01:10:16Another example of police efficiency.
01:10:20Well, it's...
01:10:21a great day to be out.
01:10:22In the fresh air.
01:10:23It sure is.
01:10:30I beg your pardon.
01:10:31I beg you?
01:10:34Well, if it ain't my old friend,
01:10:37Jerry the Gent.
01:10:39I'm afraid you're making a mistake.
01:10:41Wait a minute.
01:10:42Where do you think you're going?
01:10:50What's the matter, Gray?
01:10:51Inspector.
01:10:52Casey brought you the wrong envelope.
01:10:54Yeah, I know he did,
01:10:55but here's the right one.
01:10:57Thanks.
01:11:07Well, I'll be...
01:11:10Take a look at that.
01:11:12I've seen it.
01:11:14Well, Inspector,
01:11:15it looks as if I'll have to postpone my trip.
01:11:18No.
01:11:19You take your trip, all right.
01:11:20But it won't cost you anything.
01:11:22All right, Casey.
01:11:23Come on, O'Brien.
01:11:28Well, au revoir, Inspector.
01:11:32Yeah.
01:11:33Over the river, Jerry.
01:11:42Oh.
01:11:43Hello, George.
01:11:45Good morning, Margaret.
01:11:46How are you feeling?
01:11:48Oh, I don't know.
01:11:49I have sort of a...
01:11:55What?
01:11:56Who are you?
01:11:58I...
01:12:00I...
01:12:02Where did you get that?
01:12:04I...
01:12:05I've always had it.
01:12:08That's funny.
01:12:09I have one just like it.
01:12:10I wonder if it's the same as mine inside.
01:12:13Open it.
01:12:15Open it?
01:12:17I didn't know it opened.
01:12:19Oh, yes.
01:12:20Let me show you.
01:12:28Oh, it's just like mine.
01:12:30Look.
01:12:34Mary and Margaret Waring.
01:12:38Then...
01:12:39Then we must be sisters.
01:12:42Oh, yes.
01:12:44Didn't you know you had a sister?
01:12:47No.
01:12:48Well, I didn't either until about a year ago when father died.
01:12:53He left a sealed envelope telling me about you and instructing me not to say anything about it to anyone
01:12:58until I found you.
01:12:59You see, when he and mother separated, mother took you and father took me.
01:13:04There was some kind of a scandal, but...
01:13:06Oh, we don't care about that now, do we?
01:13:14Now tell me, what is this all about?
01:13:17Well, you...
01:13:18You see, last night I came in here to rob you.
01:13:20But you came home too soon and then...
01:13:22And then you were shot.
01:13:23Do you remember?
01:13:25Oh, yes, I...
01:13:27I do remember now.
01:13:29Oh, but I didn't steal anything.
01:13:31Honestly, I didn't steal anything and then...
01:13:33Now, please, dear.
01:13:34Don't get excited.
01:13:37George.
01:13:38Did I hear you say, dear?
01:13:42Well...
01:13:43Yes, you did, Margaret.
01:13:47Well...
01:13:48Do you remember what you said about that electric something?
01:13:52Mm-hmm.
01:13:54You were right.
01:13:56Tell me, George.
01:13:58Have you...
01:13:59Asked your mother yet?
01:14:02No, I haven't, Margaret.
01:14:03And furthermore, I'm not going to.
01:14:06Ha, ha, ha, ha.
01:14:07I've got bigger...
01:14:12I'll be right away...
01:14:12Oh, no, no, no, no, no.
01:14:17I'll be right away.
01:14:17I'll do it again...
01:14:19Never mind...
01:14:19will he be right away?
01:14:20And even if you really make $1,000.
01:14:20That's no $200,000.
01:14:20That's no $250,000.
01:14:20Is right...
01:14:20I'll be right away...
01:14:20I'll be right back...
01:14:20A $250,000.
01:14:21You
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