- 2 days ago
A wrongly accused ex-con (Joan Crawford) falls in with her former cellmate (Marie Prevost) and her partner (Robert Armstrong) to get revenge on her boss through his son (Douglass Montgomery). Directed by Sam Wood.
Category
🎥
Short filmTranscript
00:00:00Oh
00:00:35THE END
00:01:16Oh, thank you.
00:01:17Has Mr. Gilder been in?
00:01:18Not yet, sir.
00:01:23What is, Mr. Carney?
00:01:25This is my first trial, Mr. Demarest.
00:01:27Well, I've lost one or two myself.
00:01:30It's nothing to worry about.
00:01:33This particular case was a lot to worry about.
00:01:35I hope you don't get too many pretty clients in your career, my boy.
00:01:39It apparently goes to your head.
00:01:42No, it goes to my conscience.
00:01:48Oh, Major.
00:01:49How are you?
00:01:50The judge sent for me.
00:01:51I wonder what he wants.
00:01:52Hear ye, hear ye, hear ye.
00:01:53This honorable court is now in session.
00:01:55Judge Lawler presiding.
00:01:56All ye who have business drawn near, give attention and ye shall be heard.
00:02:03Call the Turner girl.
00:02:04Mary Turner for her sentence.
00:02:24You have been found guilty of grand larceny in the second degree.
00:02:31Have you anything to say or any legal cause to show why judgment should not be pronounced?
00:02:43Yes.
00:02:44I've got something to say.
00:02:48Please wait, Mr. Gilda.
00:02:50What for, Your Honor?
00:02:53Is that Mr. Gilda?
00:02:56Why does he want me to go to jail?
00:02:58Why?
00:02:59I've got nothing to do with it.
00:03:01Why does she want to steal?
00:03:02I didn't, I tell you.
00:03:03I didn't.
00:03:04Oh, I've got to talk.
00:03:07I've got to get the slums out of my throat.
00:03:14Gilda, they've asked me to swear to the ever-loving God, and I swear to you now again, I'm never
00:03:20stoned, and you can believe me because I've never died.
00:03:22This isn't getting us anywhere.
00:03:23Oh, there were times when I was tempted.
00:03:26You get ideas standing on your feet nine hours a day, everybody's doormat, hungry most of the time, and at
00:03:32the end of the week, $16 to keep straight home.
00:03:34Now, I must protest, Your Honor.
00:03:37It's not Mr. Gilda who's on trial here.
00:03:39Oh, yes, he is.
00:03:40Oh, we've heard this sob story for the past two weeks.
00:03:42It is, Mr. Truth.
00:03:43It's a very pretty act, but it doesn't quite explain why some of the stuff was found in her locker
00:03:47and the rest of it in her bag.
00:03:49I've told you a thousand times somebody must have put the man.
00:03:51Well, the jury have decided who that somebody was.
00:03:54She's had a fair trial.
00:03:55I haven't.
00:03:56This girl is guilty.
00:03:57I am not guilty.
00:03:57May I remind, Your Honor, you have no alternative except to pass sentence.
00:04:01I, uh, I'd hope, Mr. Gilda, that your recommendation might enable me to temper justice with mercy.
00:04:10You, uh, won't intervene?
00:04:13I might just as well go out of business.
00:04:15Don't the five years of work for me mean anything at all?
00:04:17And how much did she get away with in those five years?
00:04:19Why, please, Mr. Gilda, silence.
00:04:24Mary Turner, you have been found guilty of the crime of grand larceny in the second degree.
00:04:32And for the felony as aforesaid, I order that you be imprisoned in the state prison for women for a
00:04:40term,
00:04:41the minimum of which shall not be less than three years,
00:04:45and the maximum of which shall not be more than five years.
00:04:53Oh, well...
00:04:56I'm sorry.
00:04:57I hope it'll be a lesson to the others.
00:04:59Are you saying that?
00:05:01You who get half a million to churches and let a thousand women go to hell on starvation wages?
00:05:06Why, you smug hypocrite, you white...
00:05:08How dare you?
00:05:08How dare I?
00:05:09You've done all the harm you can to me.
00:05:11I went without any happiness I might have known all the time I've worked for you just to stay straight,
00:05:16and for what to be sent to prison for three years is something I did not do, or I dare
00:05:20not write.
00:05:22He can take me now, but three years isn't forever.
00:05:24When I get out of here, you're going to pay me for every minute of this.
00:05:28There won't be a day or an hour that I won't remember that it was you who sent me to
00:05:31prison,
00:05:32and you're going to pay for that.
00:05:34You're going to pay me for everything I'm losing in life.
00:05:37Wait and see.
00:05:38Wait and see.
00:05:47All right, hold still.
00:05:51Come on, come on.
00:05:52This ain't no beauty contest.
00:05:54Pull ahead up, Mert.
00:05:55I won't.
00:05:56You've no rights.
00:05:58Yeah?
00:05:59Well, this joint is full of dames like you that say we got no rights,
00:06:03but they're here, ain't they?
00:06:05That's right, Mert.
00:06:06Side view.
00:06:12Side view.
00:06:13spin.
00:06:29All right.
00:06:31Pick it.
00:06:36Come on, tonight.
00:06:37All right.
00:06:41Come on, tonight.
00:06:47All right, girls, this rope.
00:06:53I said this rope.
00:06:55Oh, what do you think we're doing?
00:06:56I mean this girl.
00:07:17Let's go.
00:07:20Don't fret, honey, it all goes down the drain.
00:07:27And you smell that terrible stuff they cook in their tanks.
00:07:31Do you ever think of those big steaks, six inches thick with the mushrooms all over them?
00:07:37They used to dish up with the asters.
00:07:39No.
00:07:40I never ate that.
00:07:42In any place else, they'd cost more than six.
00:07:45Well, believe me, when I get out, you and me's going to have a real celebration.
00:07:51Everything from caviar to champagne.
00:07:53To pain.
00:07:57What on? The five bucks they hand you when you get out of here?
00:08:02I told you where you can get all the dough you want from Joe Garson.
00:08:06We'll talk about this when we get out.
00:08:09That's new, ain't it?
00:08:11Yeah.
00:08:13Next month.
00:08:14And then you'll join Aggie and see the world.
00:08:25Hey, lay off that stuff.
00:08:27Yeah?
00:08:28Yeah.
00:08:29I can hear you.
00:08:31At least I think I can.
00:08:32They just fed the animals and it's a bit noisy around here.
00:08:39Say, what's the age of this ambitious old gentleman?
00:08:4576?
00:08:46Almost a century plant.
00:08:48When you want a new fur coat, you hide your false teeth until you get it, huh?
00:08:52Oh, I see.
00:08:53Sure.
00:08:54Yeah.
00:08:55Hmm?
00:08:58I'll meet you at the Everglades at two o'clock.
00:09:00No, I don't eat lunch.
00:09:02Hey, Aggie, you could turn on a couple of dinners, too.
00:09:06Say, Joe.
00:09:07Sit up straight.
00:09:08We're passing through a town.
00:09:09No, no, no, I was talking to Joe Garson.
00:09:12Yeah, he's here.
00:09:14Oh, we're just sitting around Garson.
00:09:16Hmm?
00:09:17So, nighty-night.
00:09:18Yeah, see you, too.
00:09:21Hey, when I transact your little business on that phone, I wish you mugs could learn a few manners.
00:09:27Manners?
00:09:28And me, three years in the same cell with the college professor.
00:09:33Oh, ho, ho, ho, ho.
00:09:33Hey, you've got a bunch of cooks.
00:09:35You've got a lot of nerve calling on a lady and then panning her.
00:09:38Yeah, Red, how'd you ever get in a lady's house in the first place?
00:09:41Officer, the window was open and we couldn't resist it.
00:09:48Expecting anyone?
00:09:49No, but listen, keep up the chatter and I'll peek out the bedroom door.
00:09:54Hey, McGraw's got a new third baseman.
00:09:56Oh, yeah?
00:09:56Yeah, his name is Burns.
00:09:57Comes from the South Atlantic.
00:10:01Hello, Mary.
00:10:03Hello, Ivy.
00:10:03Why have you been keeping yourself?
00:10:05Come on in.
00:10:06Did you get any breaks yet?
00:10:08Yeah.
00:10:10I got kicked out of my room.
00:10:13That's a break.
00:10:14Has it been as bad as all that?
00:10:16Say, you ain't been hungry, have you?
00:10:18Oh, eating's just a habit, Aggie.
00:10:22She is nice and soft.
00:10:25All of us.
00:10:32Aggie, could you, could you lend me a little money?
00:10:37Oh, gee, Mary, the little bit of chicken feet I have wouldn't do you a darn bit of good.
00:10:44I thought what would you do after that was gone?
00:10:47I don't know.
00:10:50Hey, listen, Mary, Joe Garson's in there and he just made a great cleanup.
00:10:54You know, he'd be crazy about you.
00:10:56Come on, huh?
00:10:57Oh, but Aggie, I couldn't do that.
00:11:00I can.
00:11:02Now, listen, Mary, you've got to get some sense.
00:11:04In this world, you don't get anything for nothing.
00:11:07Now, come on.
00:11:09Hey, gang!
00:11:10I want you to meet Mary Turner.
00:11:14Hello.
00:11:22Here we are, baby.
00:11:27Not bad, eh?
00:11:29Nice.
00:11:30Comfy.
00:11:41Like a little shot of booze?
00:11:42I've got some I can swear to.
00:11:44No, thank you.
00:11:45I'm not much given to drinking anything.
00:11:47It's a good idea.
00:11:49A mall that guzzles is a mall that gabs.
00:11:51And I can't have nothing but deaf and dumb gals around me.
00:11:55Say, you look good to me.
00:11:58Do I?
00:11:59That makes it better, doesn't it?
00:12:01Uh-huh.
00:12:03How do I look to you?
00:12:05Well, I'm here, aren't I?
00:12:07And don't I know it?
00:12:14You know, you burn me up.
00:12:17I guess you've known lots of girls, haven't you?
00:12:19Oh, you know, coming and going.
00:12:22But I'm crazy to get one I can hang onto.
00:12:27And I think you're it.
00:12:31What do you think of that, baby?
00:12:39Kind of practice, ain't you?
00:12:41Been up the river so long?
00:12:44Yes.
00:12:45I guess that's it.
00:12:46You like me all right, don't you?
00:12:48Sure, I do.
00:12:49I'm here.
00:12:51I'm going to stay here.
00:12:53Wait a minute.
00:12:54Something wrong here.
00:12:57Are you sore because I told you about the mother dames?
00:13:00No, Joe, I like you.
00:13:02I know I'm going to be crazy about you.
00:13:04Atta, girl.
00:13:27Go on, get out of here.
00:13:31Get out of here.
00:13:34That's what I said.
00:13:35Get out of here.
00:13:37Why, Joe?
00:13:38Why?
00:13:39I'm wise.
00:13:41You ain't a regular.
00:13:43You're only a volunteer.
00:13:44I just got you.
00:13:47But I...
00:13:48I...
00:13:50Well, I don't know what you mean.
00:13:51You ain't never...
00:13:54You know what I mean.
00:13:55That's right, ain't it?
00:14:00Well...
00:14:00Yes.
00:14:01I thought I had you, Peg.
00:14:03Here.
00:14:04Do like I say.
00:14:06Get out.
00:14:14What are you going to do now?
00:14:16I'm going about as far as I could the other way.
00:14:23Hey, wait a minute.
00:14:25I ain't never worked with a dame before.
00:14:30We got a job on now.
00:14:33Say, we got a great racket.
00:14:35Yeah.
00:14:39Who's we?
00:14:40Me and Red.
00:14:41You met him tonight.
00:14:42Oh, yes.
00:14:43Great guy.
00:14:44I've known him ever since we done time together, and Danny Mora.
00:14:47The great racket, and...
00:14:49You've been to dinner, Mora?
00:14:51Well, I wasn't wise then.
00:14:56And now?
00:14:57Wise as a tree full of owls.
00:14:59That's me.
00:15:02Joe.
00:15:04How much time have you served all together?
00:15:08I'd say...
00:15:10Seven years.
00:15:13Almost a fifth of your life.
00:15:16Don't you realize that there must be something wrong with your game
00:15:19if it doesn't work out any better than that?
00:15:21Well, look, I can't be lucky all the time.
00:15:24I know, but why trust to luck?
00:15:27You know, I studied up at that place.
00:15:30Studied what?
00:15:31Basket weaving?
00:15:33No.
00:15:34Something I thought I could use when I got out.
00:15:37The law.
00:15:38The law?
00:15:41That's a laugh.
00:15:42Not the law you find just in books.
00:15:45The law of money.
00:15:47That golden trick of getting rich legally.
00:15:51And it would help me to collect from a man who stood before a judge
00:15:54and refused to save a girl from the pen.
00:15:58How do you figure that out?
00:15:59Listen, Joe.
00:16:01When Aggie shakes down an old man for a thousand dollars, that's blackmail.
00:16:06And she goes to the pen.
00:16:08But if she took that same old man and made him write a few sentimental letters
00:16:14and turned him over to a lawyer for legal action, that's heartbound.
00:16:18And she gets ten thousand dollars.
00:16:21Well, you certainly use your head to think with.
00:16:23Then is it a go?
00:16:24It's a go.
00:16:27And now?
00:16:29And now?
00:16:32Now I'm going to send you home.
00:16:37And Mary, about that other.
00:16:39Well, maybe someday when you get to know me better.
00:16:44Gee, you're white, Joe.
00:16:45Save the flowers for my funeral.
00:16:47I'll call you a taxi.
00:16:49Oh, never mind.
00:16:50I'll just walk around and get a little air.
00:16:54Now, ain't I a dummy?
00:16:55You ain't got a bean, have you, partner?
00:17:01Oh, I'm only loaning it to you.
00:17:05You'll get it back, Joe.
00:17:06I should worry about that.
00:17:12Good night.
00:17:13Good night.
00:17:17Joe, I...
00:17:19I can't tell you what I think of you.
00:17:25Good night.
00:17:36Mary, this is General Harrison's attorney.
00:17:41Uh, Mr...
00:17:42Irwin.
00:17:43Miss Tanner.
00:17:44How do you do, Mr. Irwin?
00:17:46How are you today, General?
00:18:04I'm so frightened.
00:18:05There, there, darling.
00:18:07There's nothing to be afraid of.
00:18:12Never mind the makeup.
00:18:13We're not in court.
00:18:14Now, come on and sit down.
00:18:16And answer all the questions.
00:18:18And you mustn't tell Mr. Irwin anything that is not true.
00:18:21And if the General did not promise to marry you, then you've no case.
00:18:25Go on.
00:18:25We know you're 14.
00:18:27Oh.
00:18:29Now, did he promise to marry you?
00:18:31Oh, yes, yes.
00:18:34And I wish he would.
00:18:35He's such a nice old gentleman.
00:18:39Was that promise made in writing?
00:18:41No.
00:18:43But all his letters were in writing.
00:18:45And, oh, they were such wonderful letters.
00:18:48Weren't they, Cousin Joe?
00:18:49The General writes a very good hand.
00:18:52I dare say.
00:18:54He always signed him the big brown bear.
00:18:58Joe!
00:18:59Joe!
00:19:01We can't afford a scandal.
00:19:03So we're going to settle at your own terms.
00:19:07Here's $20,000 in exchange for the General's letters.
00:19:13You have the letters, of course.
00:19:15Have I?
00:19:16Take a peek down here, big.
00:19:18Some of the time.
00:19:20There's your money.
00:19:22If you'll take that money to my lawyers,
00:19:25Miss Lynch will meet you there in his office at 4 o'clock.
00:19:28And when her suit is legally settled out of court,
00:19:31she'll give you the letters.
00:19:33Very well.
00:19:34Come on, General.
00:19:37Just a moment.
00:19:38You forgot your marked money.
00:19:47Young woman,
00:19:48you should have been a lawyer.
00:19:51Thanks.
00:19:54Don't you guowl.
00:19:56Fool.
00:20:03Well, Mary, you outsmarted them again.
00:20:05How did you know it was marked?
00:20:07Instinct, Joe.
00:20:08I would have took that dough
00:20:09if it had leprosy germs all over it.
00:20:12$20,000.
00:20:14We'll get that money at 4 o'clock.
00:20:17And all according to legal ethics.
00:20:20What a great institution the law is.
00:20:23Do you realize we couldn't make a nickel without it?
00:20:26And we're breathing that good New York air.
00:20:28Instead of being in the pen.
00:20:30Oh, I wonder what the poor people are doing.
00:20:49It doesn't look like a restaurant to me.
00:20:52Well, it is.
00:20:55Good evening.
00:20:58No, thank you.
00:20:59Uh, isn't it a restaurant, Kudo?
00:21:02Yes, sir.
00:21:03Yes, sir.
00:21:04Now, you look in here.
00:21:05You see?
00:21:07A private restaurant.
00:21:09For two.
00:21:11I see.
00:21:13Oh.
00:21:14Well, I suppose we could have gone to Dad's house,
00:21:16but the joint's a mausoleum.
00:21:19You never saw anything like it.
00:21:20I may have to live there,
00:21:22but I do draw the line at eating state dinners
00:21:24with a mounted policeman behind every chair.
00:21:27They cocktails you, yellow peril.
00:21:30Yes, ma'am.
00:21:32Bob, what's the use of all girls?
00:21:34Oh, Mary, don't be the 1890s.
00:21:37That's all.
00:21:37Girls do dine in men's rooms nowadays.
00:21:40Yeah.
00:21:41Smoke cigarettes and everything.
00:21:44Do they?
00:21:45Mm-hmm.
00:21:46I'm not shocked.
00:21:47Only it's so stupid for you to lie to me.
00:21:49Well, I was afraid you wouldn't come.
00:21:51And I hate restaurants.
00:21:53You have to yell, though.
00:21:55And there were so many things I want to say.
00:21:57Oh, don't tell me you're mine.
00:22:02Not terribly.
00:22:07Nice apartment.
00:22:08Like it?
00:22:09Mm-hmm.
00:22:11She had quite a bit of taste.
00:22:13Who's she?
00:22:14Oh, whoever arranged it.
00:22:16Meow.
00:22:17Oh, the couch is the wrong color, though.
00:22:19Why?
00:22:20Girls never look their best against red.
00:22:23Still, she might have been an ash blonde.
00:22:25Oh, cut it, Mary.
00:22:26You're making me feel like a fool.
00:22:28And is it such a novel sensation?
00:22:30Mm-hmm.
00:22:34Oh, how lovely.
00:22:37Only why does a man always choose the most innocent flowers when he's up to the blackest villainy?
00:22:42Wait a minute now.
00:22:44Just what kind of a fellow do you think I am?
00:22:46I know what kind you are, Bob.
00:22:4922, spoiled by a rich father and a lot of easy women.
00:22:53Pretty obvious about what he wants and pretty obvious how he gets it.
00:22:56What do you mean by that?
00:22:58Look at all this.
00:23:01Candlelight, champagne, flowers, and then the worst.
00:23:08Only I'm surprised that you have no incense.
00:23:10That would impress some women.
00:23:12What's the idea, Mary?
00:23:15Will you call a cab?
00:23:16A cab?
00:23:17What for?
00:23:18I was thinking of going home.
00:23:20Why?
00:23:21Just because I lied to you.
00:23:24I've heard about these apartments that men keep on the choir.
00:23:28It's been charming.
00:23:30Mary.
00:23:31Bob, there are so many other girls.
00:23:33But there aren't.
00:23:37I thought there were until just a minute ago.
00:23:42Now here's my excuse.
00:23:44Right from the shoulder.
00:23:46And my apology, too.
00:23:48I lied to you about coming here.
00:23:51And I'd have made love to you if you'd let me.
00:23:54Because you're in my heart and soul.
00:23:57And I don't much care what happens to you, Emily.
00:24:00So long as I'm with you.
00:24:04That comes too easy, Bob.
00:24:10And too late.
00:24:12Oh, that's the trouble with lunatics like me.
00:24:16We say things we don't mean so much that we can't put any real feeling over when we need to
00:24:20most.
00:24:23I know I love you, Mary.
00:24:25When did you find that out, silly?
00:24:27A minute ago, when you were walking out of my life?
00:24:31I'm still going.
00:24:35To dinner.
00:24:36Take me with you.
00:24:38They will eat anywhere you want in a lunch wagon, if you like.
00:24:41I'd love a nice lunch wagon.
00:24:43Take me along.
00:24:44I'll just sit there and write I'm sorry on the menu 500 times.
00:24:48Once would be enough.
00:24:50Do you mean it?
00:24:51Do you really mean it?
00:24:53Oh, sweet.
00:25:01Do you remember the first time I ever saw you?
00:25:03Having lunch with that half-witted Phil Franklin?
00:25:06You had on a blue dress with those funny sleeves, you know?
00:25:09And one cockeyed curl falling over your eye.
00:25:12I said the second I saw you, there goes my future.
00:25:16What a dreadful memory.
00:25:18It's your own fault.
00:25:18You make a vivid impression on her boy.
00:25:22My baby angel.
00:25:30Even angels have to eat, Bob.
00:25:32No, I'm sorry.
00:25:35I will be done.
00:25:37Any thoughts, Kusa?
00:25:38Uh, yes, kudo.
00:25:40Mm-hmm.
00:25:41Close up the place and give yourself a free trip to Japan.
00:25:44Marry some nice little Japanese girl when you get there.
00:25:46And be happy.
00:25:50I've a changed man, kudo.
00:25:52A puritan from now on that I won't need you anymore.
00:25:56It's sad.
00:25:58No, it isn't.
00:26:27I'll cut it, Aggie, will you?
00:26:28I'm as nervous as a witch today.
00:26:31Did you say witch?
00:26:35Oh, all right.
00:26:38You need a shot, Joe.
00:26:39No, I don't.
00:26:40You better lay off that stuff yourself.
00:26:42We'll need our heads today.
00:26:45Don't be a chump.
00:26:46I know the guy that makes this stuff.
00:26:53Miss Turner's apartment.
00:26:57Who?
00:26:59Thanks.
00:27:00Some dick's coming up here.
00:27:01What's he want?
00:27:01I knew that last racket was too hot.
00:27:03I see what we do.
00:27:04Just when you need Marry, she's not here.
00:27:06Didn't she leave a message where you could call her or anything?
00:27:10Put that away.
00:27:12Let him in.
00:27:24Your name, sir?
00:27:29And a butler.
00:27:36Where'd you leave your monocle, Joe?
00:27:38Never mind the jokes, Cassidy.
00:27:39What do you want?
00:27:41Well, they say crime don't pay.
00:27:47I said, what do you want?
00:27:49I'll tell you.
00:27:51I want $30,000 worth of Liberty Bonds
00:27:53that you got in that Mortimer partnership deal.
00:27:56And I want them quick.
00:27:58Oh, yeah?
00:28:00Listen, Cassidy.
00:28:01You haven't got anything on us.
00:28:04Oh, I ain't.
00:28:11Joe Garson.
00:28:12Burglar.
00:28:14First arrest, 1921.
00:28:16Again in 22.
00:28:18Forgery in 25.
00:28:21Well,
00:28:23I don't have to remind you of the bombs law, Joe.
00:28:26Your next trip is for life.
00:28:34Listen, big boy.
00:28:36You ain't got any right crashing in a private home with a lot of threats.
00:28:39This ain't Russia.
00:28:41Come through with the bombs or we open up on you.
00:28:43Now, take your pick.
00:28:44Open up on who?
00:28:45The whole mob.
00:28:47You and you and you.
00:28:49Yeah, and that Turner, Dan.
00:28:51She's evidently trying to put some smart ideas into your head, Joe,
00:28:55judging from your present attitude.
00:28:57But we got her record, too.
00:28:59Three years in the pen.
00:29:01For something she never did.
00:29:03It was a cold-blooded frame-up.
00:29:04She went into prison honest and she came out honest.
00:29:07You mean careful.
00:29:09Oh, she's plenty smart.
00:29:11But the smart one slipped, too.
00:29:13And that little tramp ain't no exception.
00:29:15That little, what did you call her?
00:29:18Oh, you've been playing mom and papa with her?
00:29:21Joe!
00:29:22Stop it!
00:29:33What's going on here?
00:29:35I came up after the bombs he took from J.S. Mortimer.
00:29:38That's what's going on.
00:29:40And since when has the police department become a collection agency?
00:29:43This is the inspector's last offer.
00:29:45Come through with the bombs or take the consequences.
00:29:46The inspector knows, of course, that Mr. Garson is Mortimer's partner.
00:29:50And that under the law, her partner can withdraw any or all of the partnership funds.
00:29:54Besides, this guy Mortimer was trying to take me.
00:29:56He's the crook.
00:29:57Yeah.
00:29:58Why, his name ain't even Mortimer.
00:30:00No.
00:30:02Plenty smart.
00:30:03Plenty smart.
00:30:05But you ain't gonna get away with it, see?
00:30:07Keep that on.
00:30:08You're going with me.
00:30:09What?
00:30:10All of you.
00:30:11Oh, no, we're not.
00:30:13But you're going.
00:30:15You can take that with you.
00:30:17I have other copies.
00:30:18What is it?
00:30:19A temporary restraining order from the Supreme Court ordering the police department to let me alone until they've legal proof
00:30:25that I've broken the law.
00:30:27Until you've broken the law.
00:30:29Right.
00:30:30What do you call that East Coast Bank deal?
00:30:31Covered by paragraph 8, section 324A of the revised code.
00:30:36Look it up.
00:30:36And so are all the rest sergeants.
00:30:38All within the law.
00:30:41Now take that and get out.
00:30:43I have an important engagement.
00:30:46Well, this is a new one on me.
00:30:48Crooks appealing to the law.
00:30:50Stick around, Flattie.
00:30:51And you'll learn a lot of new ideas.
00:30:53And hereafter, if the police want to see me, communicate with my lawyer, Max Hardy.
00:30:58Hardy?
00:31:00Business must be good if you can afford that crook.
00:31:02Yes.
00:31:03Business is good.
00:31:05Well, see you some other time.
00:31:10I'll say you will.
00:31:21Smarter birds than you have tried to cross me.
00:31:24And they're all up in the old home right now wondering how it happened.
00:31:29Oh, Sergeant.
00:31:30Did you bring a walking stick?
00:31:32What?
00:31:37You lost your head again, Joe, with Cassidy.
00:31:40I'm sorry, Murray.
00:31:41But every time I see that big monkey, I want to twist his tail.
00:31:45Bring 6500, please.
00:31:47That's an old gag, Joe.
00:31:48When they haven't anything on you, they'll pick a fight.
00:31:50Then the first thing you know, you're jugged for assault.
00:31:53You didn't hear what he said.
00:31:55Yes, sir, I did.
00:31:56You did?
00:31:56Oh, Mr. Hardy, please.
00:31:59From the horse.
00:32:01Don't ever do it again, Joe.
00:32:03Not even for me.
00:32:04We're playing it safe now.
00:32:06You're going to lose your head once too often, and we're all going for a ride.
00:32:10Listen, anytime anybody makes a crack about you, they're going to get clipped.
00:32:17Oh, no?
00:32:18I have him phone Miss Turner, please.
00:32:22Jonathan, Cassidy to see you, Inspector.
00:32:24All right, Cassidy, bring him up one at a time.
00:32:27Bring who up?
00:32:28Who did I send you out for?
00:32:29That Turner mob.
00:32:31Well, when you ain't so busy, I'll tell you the rest of that.
00:32:36The rest of what?
00:32:38See if you can beat that.
00:32:40I couldn't.
00:32:43Restraining order?
00:32:44Yeah.
00:32:46Judge Congo.
00:32:48Well, that's a nice one.
00:33:06Well, it's my 19th, and never before in the history of this country have the police been up against what
00:33:11they are now.
00:33:11Why, there wasn't a crook in this town 15 years ago.
00:33:13I had a coin enough to hire a lawyer big enough to go to the back for an order like
00:33:16that.
00:33:16Huh.
00:33:18You should have heard him give me the bums rush.
00:33:21Like I was the janitor.
00:33:24Yeah?
00:33:24Yeah.
00:33:25Well, it's their coin that makes them so sassy, Cassidy.
00:33:28And we've got to fight them with what little has left us.
00:33:30Well, the police are supposed to protect the people.
00:33:32All right.
00:33:33That's what we're going to do, no matter who likes it.
00:33:35From now on, you fight fire with fire and don't give them a break of any kind.
00:33:40Yes, sir.
00:33:41No swarm of lice like these are going to crawl all over me and make me like it.
00:33:45The tax payers put us here to get them, and coin or no coin, we're going to get them.
00:33:51That's all, Cassidy.
00:33:52Go out and see if you can grab some poor thief.
00:33:54Huh?
00:33:57I got you, Chief.
00:33:58I got you.
00:34:04Well, how do you like it, you old old good?
00:34:10Good evening, Mr. Roberts.
00:34:12Oh, hello, Arthur.
00:34:14What's going on?
00:34:15Your father's giving a birthday party, sir.
00:34:18For whom?
00:34:19For you, sir.
00:34:23And on my birthday, can you imagine that?
00:34:26Will you dress, sir, or will you go right on?
00:34:28They've been waiting since 8 o'clock.
00:34:32Hustle us up a couple of cocktails, would you?
00:34:35I'll pay you.
00:34:35You wait in here.
00:34:36I'll pay each other to you, sir.
00:34:39So I thought, Mr. Gilder, you ought to know.
00:34:42You mean that my son has been running around with this notorious blackmailer for weeks?
00:34:47I'm sorry, but it was just reported to Inspector Burke today.
00:34:50He came to me immediately.
00:34:52I can't understand it.
00:34:54My son.
00:34:56Why, that girl is just a common little trick.
00:34:59She may have been once, mister.
00:35:01Well, I'll do something.
00:35:03I'll send the boy away.
00:35:05But hasn't the police department some obligation?
00:35:08She's an ex-convict, isn't she?
00:35:09Can't you put her where she belongs?
00:35:11Don't you worry, Mr. Gilder.
00:35:13We'll put her where she belongs, one way or another.
00:35:15When?
00:35:17We don't have to travel for her to violate the man act.
00:35:20Pardon me.
00:35:21Do you wish dinner to be served now, sir?
00:35:23Mr. Robert has arrived.
00:35:25Oh, he has.
00:35:26Well, I'll see him.
00:35:27What is it?
00:35:28Mr. Reundrum, sir.
00:35:30I'll settle this turner, woman, right now.
00:35:34Bob.
00:35:35Bob.
00:35:41Oh, I beg your pardon.
00:35:43I was looking for my son.
00:35:45He'll be back in a minute.
00:35:50You look surprised, Mr. Gilder.
00:35:53I am, a little.
00:35:55I thought I knew everyone here.
00:35:57We've met before.
00:36:00Oh, yes?
00:36:01Only, only it's been a long while.
00:36:04I see.
00:36:12I'm Mary Turner.
00:36:15I thought you'd remember me.
00:36:17What are you doing in this house?
00:36:18I came to meet you.
00:36:20At the invitation of your son.
00:36:22My son.
00:36:23I've heard about that.
00:36:24You're shooting pretty high, young woman.
00:36:26But it just happens that the police are here.
00:36:29And you're going to get out of this town tonight.
00:36:31And if I see your face again,
00:36:33I'll send you away for the rest of your life.
00:36:35If you don't leave my son alone,
00:36:37I'll go after you with every bit of money and influence I've got.
00:36:40And I'll make your life so miserable for you.
00:36:41You'll wish you never left prison.
00:36:43Now get out.
00:36:44There.
00:36:45What are you talking about?
00:36:47What am I?
00:36:48Do you know who she is?
00:36:51Yes.
00:36:54She's my wife.
00:36:56Your what?
00:36:57His wife.
00:36:59We were married this afternoon.
00:37:01Don't you understand?
00:37:03I married your son, Mr. Gilder.
00:37:06Oh, you didn't marry her.
00:37:07She's done time, kid.
00:37:08Don't you know that?
00:37:09It's a lie.
00:37:10It's the truth, son.
00:37:11She's an ex-convict.
00:37:14Mary.
00:37:16That's right, Bob.
00:37:20I've served three years.
00:37:22It was a mistake.
00:37:26Blasphemy.
00:37:26Wasn't it, Mr. Demarest?
00:37:28Do you realize what you're doing to my son?
00:37:31And what's that compared to what you've done to me?
00:37:33I told you when you smashed my life that you owed me for all of it.
00:37:37And I've just begun to collect.
00:37:40And that's why you married my boy?
00:37:43It is?
00:37:43It's not.
00:37:44You keep on with it.
00:37:45And you.
00:37:46This is my affair.
00:37:48You married me because you loved me.
00:37:51I didn't.
00:37:52Look me in the face and say that.
00:38:03I don't love you, Bob.
00:38:08Just the same, you're my wife.
00:38:11I'm going to make you love me.
00:38:12You can't.
00:38:13You're his son.
00:38:14I'll make you love me.
00:38:15Son, stop it.
00:38:16Don't you realize what she is?
00:38:17I don't care what she is.
00:38:21Do you hear?
00:38:22I don't care what you've been.
00:38:25From now on, you'll go straight.
00:38:27You'll put all thoughts of revenge out of your heart.
00:38:30Because I'm going to make you love me.
00:38:36She's no good, I tell you.
00:38:38She's a crook.
00:38:39And if I am, who made me one?
00:38:41You can't send any decent girl to prison and expect her to come out anything else.
00:38:44Why, she didn't even get time off for good behavior.
00:38:46No, and I'm proud of it.
00:38:48Do you realize what goes on behind those stone walls?
00:38:52Do you?
00:38:55And do you, Mr. District Attorney, whose business it is to send people where?
00:38:59Oh, I've served my time.
00:39:01Every minute of it.
00:39:03Three full whole years.
00:39:05One thousand and ninety-five days.
00:39:08Do you wonder I want to get even?
00:39:10How much do you want?
00:39:11How much what, Mr. Gilder?
00:39:13Money.
00:39:13I don't want your money.
00:39:14I've had that.
00:39:15Sixteen dollars a week for five years.
00:39:18I've got what I want.
00:39:20Four years ago, you took away my name and gave me a number.
00:39:24Now I've given up that number and I've got your name.
00:39:33But why can't you get another injunction and keep the police from camping on our doorstep
00:39:37and buttonholing everybody that comes in here?
00:39:39Listen, Mary.
00:39:40I can get injunctions till the cows come home.
00:39:42And the cops will go right on disregarding them.
00:39:44And where are you?
00:39:45In court for the rest of your life.
00:39:47What I'd like to know is, how can they tie up my old day in the bank?
00:39:51On the ground that it's stolen property.
00:39:53Oh, Demarest can't prove that.
00:39:55Of course he can't.
00:39:56But you'll start to death before you get it back.
00:39:58Now, Mary, listen.
00:40:00What are you going to do when the rent comes around, big boy?
00:40:04I've asked you not to call me that a thousand times.
00:40:07We've much more important things to talk about than that.
00:40:10Now, listen, Mary.
00:40:12Why hold me responsible for a situation in which you hold all the cards and refuse to use them?
00:40:19You're married to this boy?
00:40:20Why? He's crazy about you.
00:40:23Listen, Max.
00:40:25It's 14 stories to the street and the window's wide open.
00:40:28Get me?
00:40:29I'm telling you the only way out.
00:40:31Well, forget that way.
00:40:33I don't know why she married the boy.
00:40:35She thought it was her thing to do, I guess.
00:40:37And that's good enough for me.
00:40:39But she ain't going through a thing like this to get me out of a jam or any of us.
00:40:43See?
00:40:47Well, Joe, I got you into this jam and it's up to me to get you out of it somehow.
00:40:53We'll be all right.
00:40:58There's nothing to worry about.
00:41:00No.
00:41:04Gee, I'm kind of lonesome for the old racket anyway.
00:41:09Hello, Eddie.
00:41:12How'd you get by that red line of cops downstairs?
00:41:14Charm, old boy. Pure charm.
00:41:17Oh, Max.
00:41:18You know dapper Eddie Griggs.
00:41:20He pulled that Wells Fargo job.
00:41:23With me.
00:41:24Oh, yes.
00:41:26Out again, eh?
00:41:27Mr. Hardy.
00:41:29Delighted.
00:41:31Well, goodbye.
00:41:34I say, this is a bit of all right, what?
00:41:37Oh, cut out the broad A's. You're among friends.
00:41:39Ain't that rich?
00:41:40And this mug born in South Brooklyn, too.
00:41:43Eddie wasn't born nowhere.
00:41:45His mother caught him in a trap.
00:41:47Hello, Wacky.
00:41:48Hello, Eddie.
00:41:49Can I see you alone, Joe?
00:41:51Why, we got no secrets. Go on, speak your piece.
00:41:58What do you say to $200,000 split?
00:42:02Three ways.
00:42:03What's the catch?
00:42:04It's a cinch, and right in our midst.
00:42:06Only what?
00:42:08Ever hear of a painting called the Mona Lisa?
00:42:11Do you mean the one that was stolen out of the loo?
00:42:14That's the big museum in Paris.
00:42:16Well, I know where I can lay my hands on it in an hour.
00:42:19How can you when they found it and took it back?
00:42:21The French claimed they found it to save their face,
00:42:24but what went back was a fake.
00:42:26The real Mona Lisa's hanging in the library
00:42:28of a certain millionaire right in this town.
00:42:29Well, whatever.
00:42:31I know where I can get $200,000 for it tomorrow.
00:42:34That's one of it.
00:42:36$200,000 for a Daffy painting?
00:42:39Wait a minute, Eddie.
00:42:41Just what is the proposition?
00:42:43Why all this buildup?
00:42:45Well, I guess you'd call it burglary.
00:42:47That's out of our line, and you know it.
00:42:49Wait a minute, Mary.
00:42:50Give them a chance.
00:42:51Yeah, we gotta eat.
00:42:52This is the sweetest proposition I ever heard of.
00:42:54Not only is the picture stolen, but it's smuggled.
00:42:57Besides, this fellow Gilder can't even squawk.
00:42:59Who did you say?
00:43:00Gilder.
00:43:01Sure, the department store check.
00:43:03And look, look at the layout of his house.
00:43:05Never mind that.
00:43:06You're talking about burglary, and we're not interested.
00:43:08Well, I'm interested in Gilder.
00:43:11Here's your chance.
00:43:12And I ain't forgotten who's better than Houdini
00:43:14when it comes to springing a lock.
00:43:16No, Joe.
00:43:18We're safe inside the law, and we're going to stay there.
00:43:21$200,000 is a lot of money, Mary.
00:43:23We could quit on that.
00:43:25I said that we stay within the law.
00:43:31Okay.
00:43:32Mary, on the private line, it's, uh...
00:43:41Aggie, talk to him, will you?
00:43:43What'll I say?
00:43:45I'll listen and tell you.
00:43:54It's a shame.
00:43:56$200,000 is a stake worth playing for.
00:43:58I'll say it is.
00:44:00Look at those nice big windows.
00:44:02Just crying because we won't open them and walk inside.
00:44:04And the burglar alarms, Joe, there.
00:44:06They're 20 years old.
00:44:07Gee, it's like something you dream about, ain't it?
00:44:10But look, supposing you get this, Mona, what's-her-name?
00:44:13How are you going to peddle it?
00:44:15Why, it'd be like trying to sell the Brooklyn Bridge.
00:44:17You suppose I'd meddle with this job
00:44:19if I didn't know where to sell it?
00:44:20I'm telling you, the dough's on the line.
00:44:22Who's the fence?
00:44:23No fence.
00:44:23The biggest art gallery in this town.
00:44:25Got a telephone book?
00:44:26She's out, Bob.
00:44:27Out where?
00:44:28I don't know where.
00:44:30Just out.
00:44:30Well, I've got to see her.
00:44:31Please let me come up.
00:44:33You can't.
00:44:34Um, we're house cleaning.
00:44:36You know how it is.
00:44:37Oh, Aggie, don't lie to me.
00:44:39Well, if you must know, I'm taking a bath, then.
00:44:42Gee whiz.
00:44:44How do you spell it?
00:44:46S-T-E-N-D-A-L-L.
00:44:50You know, the gallery's on Fifth Avenue.
00:44:53Ask them what they'll pay for the Mona Lisa.
00:44:56I don't know.
00:44:57What about Mary?
00:44:58Mary ain't running me.
00:45:00And besides, I've got my future to think about.
00:45:02And a blonde that goes through a hundred dollar bill
00:45:04like a rabbit-eat lettuce.
00:45:06Are you going to let Mary talk you out of that much dough?
00:45:09Say, with that much dough, we could quit.
00:45:11Clean out of here.
00:45:12Mary'd never have to worry again, would she?
00:45:15Go on.
00:45:15Call them up.
00:45:21Murray Hill 6131.
00:45:23Awesome, Mr. Green.
00:45:28Stand a lot, gallery.
00:45:31Mr. Green?
00:45:32Yes.
00:45:33Mr. Green?
00:45:35Yes?
00:45:36Tell him you're with me.
00:45:41Hello, Mr. Green?
00:45:43Uh, I'm with Eddie Griggs.
00:45:45Yeah.
00:45:46Are you interested in a certain painting?
00:45:50Yeah, that's the one.
00:45:53Well, uh, what would you pay for it delivered?
00:45:56What'd he say?
00:45:58Uh, no, I don't like talking over the phone either, but, uh,
00:46:02I just wanted to be sure, see?
00:46:06Okay.
00:46:08Have the dough on the line tomorrow morning.
00:46:16Thanks, Mr. Standal.
00:46:17Uh, of course, uh, treat this confidential.
00:46:20Uh, certainly, Inspector Burke.
00:46:21Anytime I can be of service, you know.
00:46:23Uh, if they should phone again and ask for Green, why,
00:46:26stall them off, do you understand?
00:46:27Uh, surely.
00:46:35Only when I'm talking to your boy,
00:46:36don't be surprised at anything I might say.
00:46:40You sent for me?
00:46:41Come in, son.
00:46:43Inspector Burke wants to talk to you.
00:46:45Well, if it's any more of what Mr. Denver has had to say,
00:46:47I don't want to hear it.
00:46:49No, I'm sorry.
00:46:52But if this girl had married a $30 a week clerk, the entire police force wouldn't be hounding her now.
00:46:58Son, don't you think you've had enough for the night?
00:47:01You know how I...
00:47:02No, there are too many things I want to forget.
00:47:08Things like...
00:47:09Say, whose money's back of all this, anyhow?
00:47:12And while we're on the subject,
00:47:14how many times would I have gone to jail on wild parties and everything if it hadn't been for your
00:47:18money?
00:47:18Son, please.
00:47:19Now you're using your sanctified coin to run this girl out of town, I know.
00:47:23She's already left town.
00:47:26On her own accord.
00:47:27When?
00:47:28Why, she took the 20th century this afternoon.
00:47:30I expect you'll find her in Chicago.
00:47:32Where in Chicago?
00:47:33Well, knowing the ladies are due, you might try the best hotel.
00:47:37She'll be there.
00:47:38Until I tip off the department.
00:47:40Don't do that until tomorrow.
00:47:41What do you mean?
00:47:42I'm going out there tonight.
00:47:44You're doing nothing of the sort.
00:47:45Now, Dad.
00:47:47If this is the end of you and me, all right.
00:47:50I know what Mother was.
00:47:52You never had to believe in her.
00:47:54So you don't know what it's like.
00:47:56If I thought about Mary as you do,
00:47:59why, I might as well be dead.
00:48:01Let him go, Mr. Gilder.
00:48:03Why?
00:48:03The only way you'll find out.
00:48:05I don't need to find out.
00:48:06I know Mary.
00:48:08Goodbye, Dad.
00:48:09Son!
00:48:10Gilder.
00:48:13The girl's right here in town.
00:48:14I sent your boy on a wild goose chase.
00:48:16What for?
00:48:17Well, I want to get him out of the way
00:48:18because tomorrow Mary Turner's going on a long trip.
00:48:21Well, how can you do that?
00:48:23There's a little burglary going on tonight.
00:48:26Right here in this house.
00:48:28Well, how do you know?
00:48:29I fixed it with an informer named Damparetti Griggs.
00:48:32And if my plan works, she'll be here.
00:48:34And when your son comes back from Chicago,
00:48:36she'll have a new address.
00:48:38Things are coming too fast for me, I guess.
00:48:40You mean she's breaking in here tonight?
00:48:43No, but she can't prove that that isn't what she was doing here.
00:48:47What's that?
00:48:48Well, that's a light on the Metabolican Tower.
00:48:50Oh.
00:48:50Now, I want you to help us carry out a plan.
00:48:52First, have this house in complete darkness
00:48:54and you'll be out of the way by 11 o'clock.
00:48:58I know, but if it...
00:49:04Mary!
00:49:05Where are you?
00:49:05Mary!
00:49:06What's the matter?
00:49:06Don't stay here.
00:49:08Oh, Mary, you've got to help me.
00:49:09Eddie's out doing a job with Joe Garson.
00:49:10What?
00:49:11Now, Gilders.
00:49:12Yes, and you've got to be down there and stop me.
00:49:14You're married to that guy and they won't touch you.
00:49:16Ah, let him clip the joint.
00:49:17He's got it coming.
00:49:19Taking a chance like that?
00:49:21Say, Mary, what are you going to do?
00:49:23You stay here.
00:49:25I know, but Joe, I need you for an alibi.
00:49:36That's Gilders' house over there.
00:49:51What are they doing over there?
00:49:53Telephone truck working on a short circuit.
00:49:54Why didn't you shag him out?
00:49:56Can't.
00:49:56It's an emergency case, they said.
00:49:58Oh.
00:50:00Hope it doesn't scare Garson away.
00:50:02I'm beginning to think that Garson had a previous engagement.
00:50:05Eddie Griggs will get him here all right.
00:50:07Why didn't Griggs phone like he said he would?
00:50:09Well, he probably didn't get a chance.
00:50:12Are you sure that Turner game will be with him?
00:50:15Eddie Griggs' wife is attending to that all right.
00:50:20Tell us all the nice good boys and I'll let you take the ropes and bandages home
00:50:23to prove to your wife what kept you out so late.
00:50:36Hey, put those glasses on.
00:50:38I was hot.
00:50:39You'll be hot if we shall must get through with your face.
00:50:46How much longer are you fellas going to be?
00:50:48Well, we're working as fast as we can.
00:50:54East side, west side, all around the town.
00:51:00Hey, what's he trying to do?
00:51:01Wake up the whole neighborhood?
00:51:17Say, what's the idea of going into all this trouble to crash into Gilders?
00:51:20We could walk right in the front door.
00:51:22The light's been hot for an hour.
00:51:23I'm running this racket.
00:51:26Come on, Lou.
00:51:30We're going in.
00:51:44Say, you sure they didn't put anything over on you?
00:51:48Not on me, Chief.
00:51:50Not on me.
00:51:51I've had my eye on every brick in that building.
00:51:54Not even a mouse could get in without me seeing it.
00:51:59Someone's coming.
00:52:04It's a dame.
00:52:12Hello, baby.
00:52:14What are you doing out so late?
00:52:16Millie, what are you doing here?
00:52:18Hi, big boy.
00:52:19How you fixed the steady company?
00:52:22Look at her giving a telephone dump if it works.
00:52:25Take me in there.
00:52:26Oh, no, no, no, no, no.
00:52:28Oh, come on.
00:52:29I, uh, listen.
00:52:30Joe will be so like a devil.
00:52:34Take me in there, I think.
00:52:35I, I got this one.
00:52:37Come on.
00:52:37Listen, Joseph.
00:52:39You know what I can do?
00:52:40I got a whole night's work here.
00:52:42I got a long night down in true.
00:52:45Now, wait, my feet.
00:52:46I got to go clean this.
00:53:04That's it.
00:53:07What became of the dame?
00:53:10Maybe she followed him down the manhole.
00:53:13And that guy will probably charge the company overtime.
00:53:16So he's a widow.
00:53:24What are you doing here?
00:53:26You lied to me.
00:53:27That can be settled later.
00:53:28You'll show us, all of you.
00:53:29I won't let you rob this house.
00:53:31If this goes through, we can both quit, you and I.
00:53:33We can go somewhere.
00:53:34But don't you realize if you're caught, you'll get life?
00:53:36I'll take a chance.
00:53:37Come on, Eddie.
00:53:38Give me that knife.
00:53:40Joe, please.
00:53:41I beg you not to do it.
00:53:43Joe, stop it.
00:53:45Somebody just come in.
00:53:57Joe, stop it.
00:53:58Oh.
00:53:59Larry, that's me.
00:54:01Red, let's go.
00:54:03Stop it, Joe.
00:54:04Get him off the air.
00:54:05Don't go, Red.
00:54:06What do you want him to do?
00:54:07Score?
00:54:07Don't go.
00:54:08Bob.
00:54:09Never mind.
00:54:09I'm all right.
00:54:10Who is this guy?
00:54:11Her husband.
00:54:11Who are you?
00:54:12Don't talk any of you.
00:54:13Don't let him eat your boy.
00:54:14Well, this is hitting below the belt.
00:54:18You think because I love you, I can't make a move against these men,
00:54:21that you can make a fool of me, walk all over me.
00:54:24Ah.
00:54:27Ah.
00:54:31Hmm.
00:54:35How's that, brother?
00:54:36Suppose I call for help.
00:54:37I only call once.
00:54:38Let him alone.
00:54:39Let me give her this chance.
00:54:40I don't want a chance.
00:54:41But let them go.
00:54:42He was pulled into it anyhow.
00:54:44I'm thinking about you.
00:54:45Can't you see...
00:54:45Oh, don't think about me anymore.
00:54:47I'm what I am.
00:54:48And I won't change.
00:54:50Listen.
00:54:51Let them go and tomorrow I'll find anything.
00:54:53I'll do anything that'll wash this wedding up.
00:54:56I was only after your father.
00:54:59I didn't mean to cut you to pieces, too.
00:55:01Let me know.
00:55:03Damn it, Jada.
00:55:04Let's grab this family.
00:55:05That's why I was going to follow you to Chicago.
00:55:07Just to tell you that nothing mattered.
00:55:09To Chicago?
00:55:10Burke said you'd gone there.
00:55:11Burke.
00:55:13Inspector Burke.
00:55:14Yes.
00:55:18When did he say that?
00:55:19Tonight.
00:55:20He was here talking to my father.
00:55:22Joe.
00:55:23Turn on those lights.
00:55:28I want to see the face of every man in this room.
00:55:47That's a Mona Lisa.
00:55:48That's a very bad copy of it.
00:55:51And not worth $200,000.
00:55:54Are you crazy?
00:55:55It isn't worth anything.
00:55:56They had to give you $200,000 to take it away.
00:55:58He's lying to you!
00:55:59You stool pigeon.
00:56:00Did you do this to Burke?
00:56:01I swear I didn't.
00:56:05And you were going to use me to railroad her, then here goes.
00:56:09Joseph, stop it!
00:56:10Hey, give it all.
00:56:11Red the window.
00:56:11Is it gone?
00:56:12I'll fire the first flash.
00:56:13You skunk.
00:56:14I find you where you smell.
00:56:16Somebody's talking.
00:56:17Listen, Joe.
00:56:17I got a wire.
00:56:19Give me a wire.
00:56:21Now, you stool pigeon.
00:56:23Tell that to Burke.
00:56:25Boy, you luckhead.
00:56:26You had your hands on them all night.
00:56:27Hey, now, don't pass the buck to me.
00:56:29Jim, what are you doing here?
00:56:32Here's a dump.
00:56:33Come on, Joe.
00:56:34That's the last one.
00:56:34Wake them all up.
00:56:37Don't look.
00:56:43The boat!
00:56:43The boat's alive!
00:57:04Come on!
00:57:17Come on, custody.
00:57:23Stick him up and wait.
00:57:28Aren't you going pretty far with this, Inspector?
00:57:31Just who do you think you are breaking in here at this hall?
00:57:35What's she doing here?
00:57:36You mean my wife?
00:57:37Why shouldn't I be here?
00:57:40Where's your father?
00:57:42He's in bed, I suppose.
00:57:44What are you doing here at this time of night?
00:57:50Call your father.
00:57:52Well, it's late. I'd rather not disturb him.
00:57:55Well, just the same I'd like to see him.
00:58:02Well, I see, Inspector, I'll have to tell you the truth.
00:58:06You see, my wife has decided, well, we're going away.
00:58:12Together.
00:58:13But naturally, we wanted to talk things over enough.
00:58:15If you want to see Dad, why don't you come back in the morning?
00:58:18Oh, pardon me. I didn't know that.
00:58:52Uh, you see, I had some visions with you, Father, and I want to...
00:58:55I'll be there in the morning.
00:58:57Oh, all right.
00:59:17What's that?
00:59:20Cassidy!
00:59:24Cassidy!
00:59:27Right where you are, both of you.
00:59:28What is it, Chief?
00:59:30They got grigs.
00:59:32Got grigs?
00:59:32Yes, you could drive a hearse through the hole they've made in him.
00:59:38So now it's murder.
00:59:40Where's the gun?
00:59:41Hand it over.
00:59:43Search him.
00:59:44Here it is.
00:59:46What is this?
00:59:47You wait.
00:59:48So you did it, huh?
00:59:50Well, look here, Inspector, you can't do that to my boy.
00:59:53I can and I will.
00:59:54Eddie Griggs was an undercover man for our department.
00:59:56Let this crime go unpunished and you might as well have no police.
00:59:59I'll sweat the truth out of your son the same as I would the poor Strand.
01:00:02Cassidy, you and Townsend, take him both downtown.
01:00:04Enough her. You don't want her. It's all wrong.
01:00:05Bob, Bob, don't talk.
01:00:06Well, certainly. What do you expect?
01:00:07Either you killed Eddie Griggs or she did it.
01:00:09Did she do it? Good God, no.
01:00:11Then it's you.
01:00:11It isn't. It isn't.
01:00:12Now, one of you killed Griggs. Did she do it?
01:00:15I told you, no.
01:00:16Did he kill him?
01:00:17You! I'm talking to you. Did he kill him?
01:00:20Yes.
01:00:20Mary, so that's your revenge.
01:00:23Oh, I don't want revenge.
01:00:25But they'll try my boy for murder.
01:00:27They can't. I tell you, they can't.
01:00:28What's the reason they can't?
01:00:29You can't convict him.
01:00:31They can't. There's the boy and the gun was found on him and you'll swear he killed him.
01:00:34Quite true.
01:00:35But that man was a burglar.
01:00:36And he shot him in defense of his home.
01:00:43Well, you heard the doctor, Red.
01:00:47You're in a bad way.
01:00:49Yeah.
01:00:52Who shot Griggs?
01:00:56Sandy Claus.
01:00:58What?
01:00:59Yeah.
01:01:01Briggs wanted a red wagon for Christmas and Sandy brought him a sled.
01:01:09They had some words and Sandy out with his pop gun and let him have it.
01:01:21Quit your kiddin', Red.
01:01:24You're dyin'.
01:01:26I was there, wasn't I?
01:01:28I heard the argument.
01:01:31It was Joe Garson?
01:01:36Who's Joe Garson?
01:01:40I always said they built these roofs too high in this cockeyed town.
01:01:56Now see here, Inspector Byrd.
01:01:57Yes, Mr. District Attorney.
01:01:58What is it?
01:01:59Well, it's about young Gilder.
01:02:00Well, what about him?
01:02:01Well, this boy's father and I have been friends for 20 years.
01:02:04That friendship's worth something.
01:02:05And I'm wearing stripes on my uniform and say the people of this city have been my friends
01:02:09for 20 years and that's worth something.
01:02:10Oh, come now, Burke.
01:02:11This boy's no common crook.
01:02:13We can admit him on bail.
01:02:14He won't run away.
01:02:15You wouldn't advise that unless he was who he is.
01:02:18But who he is doesn't make any difference to me.
01:02:20He may not be a crook, but he's acting like one.
01:02:22He knows who killed Eddie Grayson.
01:02:24He won't squawk.
01:02:25Do you hear that?
01:02:25He knows.
01:02:27And under the law, I can hold him here for 48 hours and right here he stays for 48 hours.
01:02:31And I don't care who Sonny is.
01:02:32All right, old man.
01:02:33But I think you're making a great mistake.
01:02:35Yeah, well, I've been making them ever since I got this job.
01:02:37Attorney, that boy loses one mistake I won't make.
01:02:39Oh, Gilders had the whole bar association calling me up all last night and today.
01:02:44They're running me ragged.
01:02:45You're like all the others.
01:02:47Squawking your head off because of lawlessness and police inefficiency.
01:02:50And then when we use the only possible means to get results, you squawk even louder.
01:02:54You think we can get the truth from the underworld with a lot of pink teas?
01:02:57Listen, Demarest.
01:02:58I'm after confession and I'm going to sweat those two till I get one.
01:03:01Well, you've worked up enough lather already in this case to shave all of Cincinnati, Ohio.
01:03:06Goodbye.
01:03:07All right.
01:03:11Won't you please take that light out of my eyes?
01:03:14It's driving me crazy.
01:03:16Who killed Griggs?
01:03:17Oh, it's the 10,000th time you've asked me that question.
01:03:21My husband, I told you, and he had every right to...
01:03:23Why did he call the police if he had a right?
01:03:24Why didn't they tell Burke instead of trying to conceal it?
01:03:26He did tell Burke.
01:03:29Yes?
01:03:29Oh, Frank.
01:03:30Any news on Garson yet?
01:03:31Not a thing yet, Inspector.
01:03:32Well, we've got to find Carson today.
01:03:34Right.
01:03:37Here's the dame.
01:03:38Dame?
01:03:39Never mind the Ritz.
01:03:41What were you doing in Mary Turner's apartment?
01:03:43I was visiting Miss Turner.
01:03:46May I ask how they concerned you?
01:03:48Oh, cut out the English accent, will you?
01:03:50Makes me nervous.
01:03:51You'll have occasion to be nervous when my father hears of this outrage.
01:03:55Yeah?
01:03:56Who's your father?
01:03:57A bootlegger?
01:03:59My father is Burton J. West.
01:04:06Are you Helen West?
01:04:08Yes.
01:04:08And if you want to call my father, he's at the bank.
01:04:12Oh, uh, no, he's home.
01:04:14The number is Rylander 4905.
01:04:20Go on.
01:04:22Tell him you dragged his daughter from a private home into a police station.
01:04:25And then make your own plans for the winter.
01:04:29Well, now, uh, just a moment, please, Miss, uh...
01:04:31I said call him.
01:04:35Well, uh...
01:04:36Sit down, Miss West.
01:04:39Now, you can't blame the police department for this.
01:04:42Where did you meet, Mary Turner?
01:04:44Through, uh, Mr. Robert Gilder.
01:04:47Anything wrong in that?
01:04:49Don't you know they're both locked up?
01:04:53No.
01:04:54It's in all the headlines.
01:04:57I never read the newspapers.
01:05:01Hmm.
01:05:07Now, may I phone my father or not?
01:05:09Well, that isn't necessary.
01:05:10If you'll just forget the whole thing, Miss West, uh,
01:05:14I'll send you home in the commissioner's car
01:05:16and give you a motorcycle escort.
01:05:18And that's more than we did with the Queen of Romania.
01:05:21Oh, I like that.
01:05:23Only I have some shopping to do first.
01:05:26Um, could I stop at Gilder's?
01:05:28And a couple of other little places?
01:05:30Why, yes, anywhere you like.
01:05:32Only, please, overlook this unfortunate incident.
01:05:37How can I, when I've met such a charming man?
01:05:48Well, thanks.
01:05:50You know, that's the first kind word
01:05:52that I've heard in three weeks.
01:05:55I hope I have the pleasure of seeing you again.
01:06:07Hello, Aggie.
01:06:10Well, I was sitting pretty
01:06:12till you horned in, old kidney foot.
01:06:19Why ain't you out stealing penis off the push cart?
01:06:22That'll do from you.
01:06:23That'll do.
01:06:25Don't worry, Inspector.
01:06:26She's taking bigger saps than you for a ride.
01:06:28I beg your pardon.
01:06:33Oh, is she?
01:06:36The love interest in the Mary Turner mob.
01:06:39Better known as America's Playground.
01:06:42Well, so long, boys.
01:06:43I see you have something to tell me.
01:06:44Wait a minute, wait a minute.
01:06:45Let me, if you don't mind.
01:06:48Where's Joe Garson?
01:06:50Up in Minnie's room.
01:06:52What's it to you?
01:06:53Save your jokes for the judge.
01:06:56When's the last time you saw Mary Turner?
01:06:59Nine o'clock this morning.
01:07:00What?
01:07:01You see, we sleep in the same room.
01:07:03You're a liar by the clock, Aggie.
01:07:05We picked her up at midnight last night.
01:07:09All right.
01:07:10Call me a liar for a few hours.
01:07:14You know, you're in a pretty tough spot, kid.
01:07:17Why don't you come clean?
01:07:19Save you a lot of grief.
01:07:22Come clean?
01:07:23Yeah.
01:07:24You tell me what you know, and I'll see that you get out of this.
01:07:29Will you?
01:07:30Absolutely.
01:07:33Just for telling you what I know about Mary and Joe?
01:07:35That's all.
01:07:37Now, what do you say?
01:07:38I say you're going to take a running jump at a galloping goose.
01:07:42Say, made you guys think I'd turn stool pigeon.
01:07:48Is it my shape or what?
01:07:51You fool guys, I'm going to take a course in physiognomy.
01:07:55That's the science of reading the human pan.
01:08:00Oh, get her out of here.
01:08:02Yeah, and hurry up.
01:08:04Before he turns my stomach.
01:08:06Come on.
01:08:08All right.
01:08:11Yes?
01:08:13Did that Turner girl spill what she knows?
01:08:15No.
01:08:16Well, tell Cassidy to leave her alone in the witness room with young Gilder.
01:08:19Give him a chance to talk.
01:08:20She may open up when they're together.
01:08:22Okay.
01:08:22Now, what's the lady's tone, Garsten?
01:08:24Nothing yet.
01:08:24Well, put some more men on the job and tell them it's promotion for whoever makes a pinch.
01:08:28All right.
01:08:43I want to know what's happened to my wife.
01:08:45Now, Mr. Gilder, my order died.
01:08:47I don't care what your orders are.
01:08:49If they put her through what they gave me, there's going to be trouble around here and plenty of it.
01:08:54Well, why pick on me?
01:08:55I don't run the police department.
01:08:57Well, I'll find out who does.
01:09:01Mary.
01:09:03Are you all right?
01:09:05Sure I am, Bob.
01:09:07Uh, Cassidy.
01:09:10But what have they been doing to you?
01:09:11Everything.
01:09:12Tell me.
01:09:12Tell me.
01:09:13Did they give you a bad time of it?
01:09:15I'm all right.
01:09:16And you?
01:09:18Gosh, what I've been through the last 12 hours.
01:09:21But the only thing I could think of all that time was you, Mary.
01:09:24That was wonderful of you, Bob.
01:09:26The questions they shot at me.
01:09:28Like machine guns.
01:09:30I didn't say one word they could use.
01:09:32They gave me an awful ride about Garsten.
01:09:35But here's all I said.
01:09:38I suppose you, you told them the truth, of course.
01:09:43That you'd never seen Joe Garsten in your life.
01:09:45What?
01:09:48Poor Joe.
01:09:50Isn't it awful what they do to a man once they start in?
01:09:57They actually believe that Joe shot that burglar.
01:10:01These cops are funny, all right.
01:10:07Bring that Turner dame up here.
01:10:09Yes, sir.
01:10:12Williams, you get behind that window and take down everything that's said.
01:10:15All right.
01:10:16Here.
01:10:54Oh, hello, Mary.
01:10:57I heard they were giving you a rough time.
01:11:00Did you?
01:11:02Well, it's all right now.
01:11:04We're going to turn you loose.
01:11:06Do you mean I can go?
01:11:09Sure.
01:11:14Garsten has confessed.
01:11:16Oh, no, he hasn't.
01:11:17How do you know he hasn't?
01:11:18Because he didn't do it.
01:11:21Well, he said he did.
01:11:24But how could he when he went to?
01:11:26Where did he go?
01:11:27You ought to know that if you've arrested him.
01:11:33Who killed Eddie Griggs?
01:11:35My husband shot a burglar.
01:11:37Was his name Griggs?
01:11:37Now, see here.
01:11:38I can make it a whole lot easier for you if you talk.
01:11:41Come on, now.
01:11:41Who killed Eddie Griggs?
01:11:42That's for you to find out.
01:11:45Dan.
01:11:46Yes, sir?
01:11:47Take her back.
01:11:48Come on.
01:11:49Help.
01:11:49Stay cheap.
01:11:50We've got Garsten.
01:11:51Fine.
01:11:52We've got Garsten's...
01:11:53I know it.
01:12:00Keep him outside and I give you the word and tell him nothing.
01:12:03Let his imagination get going.
01:12:04I got you, Keith.
01:12:05I got you.
01:12:15Now, Mary, I'm going to be your friend.
01:12:20Are you?
01:12:21Yes.
01:12:22Tell me the truth about young Gilder.
01:12:23I know he shot Griggs, but I'm not taking any stock in that burglar story and no court will either.
01:12:29Was your husband jealous of Griggs?
01:12:31Is that why he killed him?
01:12:31No, no, he didn't.
01:12:32He didn't kill him.
01:12:33I thought so.
01:12:34Who did kill him?
01:12:38Mary, I've got the whole gang.
01:12:41They're all crooks.
01:12:42How about don't you begin again?
01:12:45I'll give you every chance in the world.
01:12:47I'm on a level with you this time.
01:12:52Listen, Mary, you're stuck on young Gilder, aren't you?
01:12:55Well, believe me, I'm for it.
01:12:58It's very seldom you see a real romance in this record.
01:13:01What are you leading up to now, Inspector?
01:13:03Only this.
01:13:04It occurs to me that you owe your husband an even break, because there are no bridal suites where you're
01:13:09headed home.
01:13:09Well?
01:13:10Tell the truth, Mary, and you can wipe the slate clean and live happily ever after.
01:13:16Sounds just like a story, Buckbeck.
01:13:19It is like that, in a way.
01:13:33Now, Mary, here's your record.
01:13:36Say the word and it's in the fire as far as we're concerned.
01:13:39Only we might, uh, hold out one item concerning a Helen Morris.
01:13:48Do you know her?
01:13:50Yes.
01:13:51Well, here's her confession for that unpleasant incident that you were sent up for.
01:13:58And?
01:13:59Say the word.
01:14:00I'll see that old man Gilder sees this.
01:14:02Believe me, I got to know him the last few days.
01:14:04And I'm not kidding you, Mary.
01:14:05You could write out your own ticket.
01:14:09Get to the point, Inspector.
01:14:11What do you want?
01:14:11I want the works, Mary.
01:14:13What about Garfield?
01:14:13You expect me to turn on the only friend I've ever had?
01:14:16But listen, Mary, you're stepping out in another class now.
01:14:19You're in the big league.
01:14:22And, besides, whatever you say to me is between ourselves.
01:14:30Did you get it all?
01:14:32No, ma'am.
01:14:33Not quite.
01:14:38All on the level with me, aren't you, Bert?
01:14:41I couldn't reach that high.
01:14:42Take her back.
01:14:43Can't tell Cassidy to come in.
01:14:45Yes, sir.
01:15:05All right, sir.
01:15:05You know we got the rest of the gang?
01:15:06We don't know nothing, these worried green.
01:15:08Well, you'll be worried greener before I get through with him.
01:15:10Bring him in.
01:15:11Wait.
01:15:12Williams.
01:15:12Yes, sir.
01:15:12Take out these chairs.
01:15:14All right, sir.
01:15:14When I rigged a bunch of the first time, you locked Dacey in one of those cells.
01:15:17The second time, walk any lids by this window.
01:15:19Two in the third, young Gilder, and the fourth time, you come in here yourself and take your cue from
01:15:22me.
01:15:23Okay, Bert.
01:15:24No, no, leave that.
01:15:25All right, sir.
01:15:57Here's Garton, Chief.
01:16:03Hello, Joe.
01:16:04Hello.
01:16:13Sit down, won't you?
01:16:33What am I pinched for?
01:16:35Why, who said you were pinched?
01:16:37Well, when 20 cops grab me and start jumping up and down on my stomach, I know they ain't playing
01:16:42marbles.
01:16:43Is that what they did here, Joe?
01:16:44Well, I'll have to speak to them about that.
01:16:49Now, sit down, won't you, Joe?
01:16:57Say, I'd like to send for a lawyer.
01:16:59Oh, no use hollering until you're hurt, Joe.
01:17:02You know you're not under arrest.
01:17:05Maybe never will be.
01:17:07Now, uh, a little of my keeps there, will you, until I finish this?
01:17:28Say, Inspector, if you've got any charge against me, I'd like to know what it is.
01:17:32What's the matter with you, Joe?
01:17:34Told you I only want to ask you a few questions.
01:17:36Now, sit down, will you, and keep still, until I finish this?
01:17:53Say, Inspector, if you've got anything against me, I...
01:17:55Who said there was?
01:17:58What's the matter with you today, Joe?
01:18:00You seem nervous.
01:18:02No, I ain't nervous.
01:18:05Why, what makes you think that?
01:18:08Only, this ain't exactly the kind of a place I'd pick out to spend a pleasant morning.
01:18:19Say, can I ask you a question?
01:18:21What is it?
01:18:23Well, I was gonna say if...
01:18:26If what?
01:18:32If it's anything about Mary Turner,
01:18:38I don't know a thing.
01:18:41Not a thing.
01:18:48What made you think you wanted to know anything about her?
01:18:50Oh, I don't know.
01:18:52You were up at her house.
01:18:54Don't you see?
01:19:06Yes, I did want to see her.
01:19:08That's a fact.
01:19:09But she wasn't home.
01:19:10I guess she must have taken my advice and skipped out.
01:19:15Clever girl, that, Joe.
01:19:17Yeah.
01:19:21I was thinking about going west myself.
01:19:25Well, tell me about as soon as I finish this report.
01:19:29It's about Eddie Griggs.
01:19:33Say, I heard about that.
01:19:36Tough, wasn't it?
01:19:38Very.
01:19:40Know what undertaker is he's at?
01:19:42Why?
01:19:44Well, I'd like to send him some flowers.
01:19:47It's real white here, Joe.
01:19:51Only I don't know whether these florists sell stinkweed.
01:20:03Why did you kill Eddie Griggs?
01:20:07I didn't kill him.
01:20:12I didn't kill him.
01:20:13Oh, yes, you did.
01:20:14You killed him last night and you did it with this.
01:20:16Now, come on, why?
01:20:16I didn't, I tell you.
01:20:17I tell you, you did.
01:20:18I tell you, I didn't.
01:20:19I tell you, I didn't.
01:20:23Why, you got me all wrong, Burke.
01:20:27Well, I wouldn't carry a cannon like that.
01:20:31I'm afraid of a gun.
01:20:33Honest.
01:20:43No, I don't think you did kill him.
01:20:45Come on, I wasn't sure, so I had to take a chance.
01:20:48Now, you understand.
01:20:49Yeah, sure.
01:20:51We've got the right party safe enough.
01:20:55You have?
01:20:56You can bet on that.
01:21:04Well, then, if you don't want me, I...
01:21:12I'll be getting along.
01:21:16What's your heart?
01:21:20Where did you say Mary Turner was last night?
01:21:22I don't know where she was.
01:21:23I'm...
01:21:26She was home.
01:21:28She never left the house last night.
01:21:30You know where young girl it was?
01:21:32No.
01:21:33No.
01:21:37Did Dacey open up?
01:21:38They squawked plenty.
01:21:41Send Mary Turner up.
01:21:42Hey, what are you trying to hand me anyhow?
01:21:43He spilled, all right.
01:21:45Everything he knew.
01:21:51Get ready by the tools, Mary Turner.
01:21:53I'm going to book you for the murder of Eddie Gray.
01:21:54She didn't do it.
01:21:55Keep still, Joe.
01:21:56Take her down and book her.
01:21:56She'll be up the river in a week.
01:21:57You can't do that.
01:21:58I'll tell you it was me to talk.
01:21:59Joe, don't talk.
01:22:00Don't talk.
01:22:00Joe's talk play.
01:22:01He was lying to save me.
01:22:03St. William's up here to get Garson's confession.
01:22:05Joe, don't say a word till you get a lawyer.
01:22:06You better get a lawyer yourself because you're going for a nice long trip.
01:22:09Accessory before and after the fact of murder.
01:22:11If that doesn't draw ten years, I'm crazy.
01:22:13You must be crazy, Burke, if you think he can make that stick.
01:22:15It's nothing, Joe.
01:22:16Yes?
01:22:16Well, I'm asking a chair for him.
01:22:18No.
01:22:19Oh, no, no.
01:22:21And young lady, you're going where you belong.
01:22:28Listen, Burke.
01:22:30I'll make a deal with you.
01:22:31What do you mean, Joe?
01:22:31Get your head shut.
01:22:32That's the only way, Mary, and I can save you a lot of trouble.
01:22:34What's your proposition, Joe?
01:22:35No, Joe.
01:22:35How about letting this kid go if I can't clean?
01:22:37Joe, don't, Joe, don't say another word.
01:22:39It's me you're after, and I swear she didn't know a thing about it.
01:22:41Not a thing.
01:22:41He's lying.
01:22:41I got a full confession.
01:22:42He's lying.
01:22:43No, we're not going to confess anyone.
01:22:44It works.
01:22:46Okay.
01:22:46She ain't even called as a witness.
01:22:48You're wrong.
01:22:49Then here goes.
01:22:50Joe.
01:22:50No, Mary, I'm going through with it.
01:22:53They ain't going to railroad you again.
01:22:58Oh.
01:23:02Oh.
01:23:05Oh.
01:23:09My name's Joe Garson.
01:23:11Idiot.
01:23:11Elias nothing.
01:23:12Garson's my moniker.
01:23:14I shot Eddie Griggs because he was a skunk and a stool pigeon.
01:23:18Well, now, we can't take a confession like that.
01:23:20Because he was a skunk and a stool pigeon.
01:23:24Have you got that?
01:23:29The rat came to me with a scheme to rob the Gilder house.
01:23:34Oh, when I say rat, I mean the late Mr. Griggs.
01:23:40Say, Inspector, I sure put one over on you by covering up with a telephone truck, didn't
01:23:45I?
01:23:46You sure did, Joe.
01:23:53You know, I bumped them off and I'm glad I did it.
01:23:56And this is all true, so help me God.
01:23:58Mary.
01:24:04Say, you want to quit worrying about me?
01:24:08Why, I ain't worrying.
01:24:14Say, you didn't fall for that baloney about the electric chair, did you?
01:24:17Oh.
01:24:17Oh, Joe.
01:24:19Why, Bert was only kidding.
01:24:25Sure, sure, I was.
01:24:27Goodbye, Mary.
01:24:32Oh, Joe.
01:24:33Oh, Joe.
01:24:36I can't say goodbye.
01:24:40It's all right.
01:24:43It's all right.
01:25:00You'll take good care of her, won't you?
01:25:06Well, so long.
01:25:09Oh, by the way, Bert, if the newspapers want some photographs of me, can I have some new ones
01:25:14taken?
01:25:14Those you got in the rogues' gallery are terrible.
01:25:16It's all right.
01:25:17No.
01:25:20Oh!
01:25:24No.
01:25:27Oh.
01:25:37Oh!
01:25:39Oh, God.
01:25:40Oh, oh!
01:25:41Oh, oh.
Comments