- 6 weeks ago
A trapeze artist (Jean Arthur) seeks solace from another man (Charles "Buddy" Rogers) after her jealous partner (Paul Lukas) intentionally botches a routine with the man she loves. Directed and co-written by George Abbott.
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:32I think Nick's over there watching you. Where? Go on and see you looking.
00:01:50Anybody think he's owning me?
00:01:52Joe, I know. He got me in the corner yesterday and gave me a song and dancing about how it wouldn't be very helpful for anybody to cut in on his girl.
00:01:59Well, a funny mirror. Well, Nick, dear boy, how is everything?
00:02:04Oh, Madame Elsie, it's you.
00:02:06Oh, dear, how I hate the thought of leaving this glorious sea air.
00:02:10Well, why don't you stay here? We can't get along without you.
00:02:16You have such a charming way of putting things, Nick. You really have.
00:02:20Well, how about going out to dinner tonight?
00:02:39All right. If it's Dutch, I won't let you pay for it.
00:02:42That's the kind of a girl to have.
00:02:45You watch out now. You'll be getting as bad as Nick. I'm not your girl either.
00:02:48Oh, there's no harm bringing up the idea.
00:02:50Have a nice walk?
00:03:03Sure.
00:03:04You told me you wanted to be alone this morning.
00:03:08Well, I changed my mind.
00:03:12Greta, you make me very miserable.
00:03:14Nick, I told you once I don't like to be part of it.
00:03:17Oh, but I love you, Greta.
00:03:18Oh, you have some swell of ways of showing you.
00:03:21Oh, yes. And this Tony, he has better ways. Is that it?
00:03:24Hello, Greta. Hello, Nick.
00:03:26Hello.
00:03:27Hello.
00:03:28Looks like a pretty good game.
00:03:30Hello, Tommy.
00:03:30Hello, boss.
00:03:32Well, folks, haven't got a whole lot of time. We better be getting ready.
00:03:37I am ready. Are you ready, Tony?
00:03:40Sure.
00:03:41I am ready.
00:03:48Let's go.
00:05:13On one side, you guys.
00:05:15Here's the doctor.
00:05:16Too late now.
00:05:23Hey.
00:05:25Hey.
00:05:25Honey.
00:05:26Honey, hey, something.
00:05:27What's the matter with you?
00:05:28Slide up the band.
00:05:29Come on, boys.
00:05:30Get in your places.
00:05:31Number three.
00:05:32Come on.
00:05:33Come on.
00:05:33Come on.
00:05:36Oh, now.
00:05:37Oh, now.
00:05:38Oh, now.
00:05:39I'll hold you.
00:05:40Oh, don't help me.
00:05:41Don't help me.
00:05:41Get home.
00:05:42Don't help me.
00:05:42Now, darling.
00:05:43Don't be a heavy.
00:05:44Good dear.
00:05:44Stop.
00:05:45Oh, my daddy.
00:05:46Get up with me.
00:05:47Get up with me.
00:05:47Get up with me.
00:05:48Get up with me.
00:05:48What are we going to do?
00:05:49Get her dressed.
00:05:50Now, let's not talk about that now, Dickie.
00:05:52Listen, folks, go and get past.
00:05:54Get out of here.
00:05:56There'll be no performance tonight.
00:05:58Now, don't talk to anybody.
00:06:00Just get left and get on the plane.
00:06:02I'll see you all later.
00:06:04Hey, Sam!
00:06:06Now, Sam!
00:06:08We're gonna cut the night show.
00:06:10Sure, we'll be lucky we open Thursday to stay fair.
00:06:12We've got to.
00:06:14Well, we can try out somebody anyhow.
00:06:16All right, get in touch with the agents right away.
00:06:18There's some gaff that's been writing me a lot of letters that live nearby here.
00:06:22It says he plays the Chautauqua circuit.
00:06:24Get a hold of him and have him down here Wednesday.
00:06:26Now, get on the phone right away, will you?
00:06:28Yep, all right.
00:06:30Well, we open Thursday at the state fair.
00:06:34You'd better come a day early.
00:06:36Yes, sir. I'll be there Wednesday morning.
00:06:38Okay.
00:06:44Okay.
00:06:48Come on, Ned. What in the world are you doing?
00:06:52Mother, at last I've got a break.
00:06:54I know you don't like this acrobat thing,
00:06:56but if I'm going in for it, I might as well be a good one.
00:06:58That's right, Ned.
00:06:59Well, I got an offer.
00:07:00How much?
00:07:01No money.
00:07:02Not yet, I mean.
00:07:03I've got to try out first.
00:07:04But Mother is with a flying distance.
00:07:05Oh, boy, a smart truth.
00:07:06Real high-class stuff.
00:07:07Mother, Mrs. Happel's out there.
00:07:08Do you think she heard us?
00:07:09Well, there's not such a great lot of difference if you did.
00:07:10I know, but we said we'd never tell a phone until I made good.
00:07:11That's stick to it.
00:07:12Well, I haven't told anyone.
00:07:13Mother, aren't you glad I got this chance?
00:07:14Well, Ned, if that's what makes you happy, then I'm glad.
00:07:15You better be happy.
00:07:16You better be happy.
00:07:17You better be happy.
00:07:18You better be happy.
00:07:19You better be happy.
00:07:20You better be happy.
00:07:21Please look out for my chair.
00:07:51Well, you couldn't prove he did it on purpose.
00:08:07I didn't say he did it on purpose.
00:08:09Now, don't get me wrong.
00:08:11Blackie's idea is that it could be done.
00:08:13It has been done.
00:08:14I don't say that anybody was ever pumped off that way in cold blood.
00:08:18But lots of guys have been dropped.
00:08:20And how are you going to know whose fault it is?
00:08:22Well, here she is.
00:08:24Hold everything.
00:08:28There you are, madam.
00:08:29Deal them up, Blackie.
00:08:30Well, it gives me the willies.
00:08:32Hey, Red Mahoney dropped three guys.
00:08:35Why, we had to car and run the job the same as we had today.
00:08:38Nobody ever thought of blaming him.
00:08:48Hey, Nick.
00:08:49The boss wants to see you.
00:08:50Very good.
00:08:51Uh, the vet in her room?
00:08:52What should I know?
00:08:53Sit down, Nick.
00:08:54Sure.
00:08:55It is an awful business, Nick.
00:08:56I am not sure the owner knows what the owner knows.
00:08:57Is there any other owner's room?
00:08:58Do you know what the owner knows?
00:08:59Do you know what the owner knows?
00:09:00What do you know?
00:09:01Is there any other owner's room?
00:09:02What should I know?
00:09:03Sit down, Nick.
00:09:04Sure.
00:09:05It is an awful business, Nick.
00:09:06Sure.
00:09:07Sit down, Nick.
00:09:18Sure.
00:09:23This is an awful business, Nick.
00:09:25Oh, don't you think I feel more sorry than anybody?
00:09:28Sure, I know that.
00:09:31Come in.
00:09:32Move those things over here and sit down, Peter.
00:09:42I want to ask you a couple of questions about the accident.
00:09:46I'll open it.
00:09:47I didn't say it was murder.
00:09:49I don't want to be quoted that way.
00:09:51I'll raise it.
00:09:52Well, you said...
00:09:52I said that Nick and Tony wasn't very good friends, on account of a certain lady.
00:09:57I'll say.
00:09:58That might be why he let them slip.
00:10:00I'll say.
00:10:01Don't try to make anything out of it.
00:10:03But his hand touched yours, Nick.
00:10:05Now, the way I look at it is like in baseball.
00:10:09If a fielder touches a fly, it's his error if he doesn't catch it.
00:10:13But you know he was no good.
00:10:15Oh, I know.
00:10:15He was kind of clumsy.
00:10:17He was terrible.
00:10:19I hate to say anything about the fellow of my dad.
00:10:22He was a tough.
00:10:23He couldn't hold his own way.
00:10:25Half the time he came to me, all off balance.
00:10:29And today he was, what?
00:10:30He seemed like a, oh, what did I catch you?
00:10:33You know, just a few days before this thing happened, Tony came to me and asked me to read the cards for him.
00:10:39I looked into the future and I saw trouble, trouble all through the cards.
00:10:47Anybody that's cutting in on Nick's girl has got trouble, trouble all through the cards.
00:10:52Take it from me.
00:10:53I saw that death was over in the air.
00:10:57You stay in, Madam L.T.?
00:10:58I'm staying in my razor.
00:11:00All right.
00:11:02Now, we've talked it all out.
00:11:03Let's just forget about it.
00:11:05Go ahead and do the best we can to get a new man.
00:11:08Put the act in shape to open set.
00:11:10Sure.
00:11:11It's going to cost me plenty every jack as it is.
00:11:23How it's going?
00:11:30All right, Nick.
00:11:31One side.
00:11:32Hey.
00:11:32One side, babe.
00:11:35Anything wrong, Frank L.T.?
00:11:36Hot box.
00:11:37What did he say?
00:11:38Hot box.
00:11:40Oh, let's go out and make a little constitution.
00:11:43Ain't got a rotten hand on anything.
00:11:44What are you, quitting?
00:11:45Come on, babe.
00:11:46Let's get the air.
00:11:46Sure.
00:11:47See you later.
00:11:51You want to get a little air, Beery?
00:11:53No, thanks.
00:11:56Now, look here, Grandma.
00:11:58Don't you let yourself get too upset.
00:12:00I can't help it.
00:12:02But, Deery, the only thing to do is to forget the whole business.
00:12:08No, I can't.
00:12:09It seems so awful.
00:12:12You know, I have to scream or run or do something.
00:12:14Now, don't you do it, Deery.
00:12:16It won't get you a thing.
00:12:18Now, you just believe my word.
00:12:20Everything is going to turn out all right.
00:12:23I took those high binders for $11.35 just now.
00:12:28What do you know about that?
00:12:29Go away, will you, please?
00:12:46No, no.
00:12:47First, you be nice to me.
00:12:49I told you on my own as a gentleman.
00:12:51I didn't drop him on process.
00:12:53And it hurts me you should think such a thing.
00:12:56I would.
00:12:58Oh, I would if I had to.
00:13:01Because I love you.
00:13:03But I didn't.
00:13:03Oh, I love you so.
00:13:27Listen, the guy gets to get your extra blanket now.
00:13:39You mean to say there's no diner on this thing?
00:13:42There's no diner on this thing.
00:13:43There's no diner on this thing.
00:13:44There's no diner on this thing.
00:13:45There's no diner on this thing.
00:13:46There's no diner on this thing.
00:13:47No, on a level, couldn't I?
00:13:48You must think you're a fast worker or something.
00:13:50Come on, Greta.
00:13:51Say.
00:13:52Don't go far away, miss.
00:14:07You can pull out moves any minute.
00:14:09Hey, Porter.
00:14:10Yes, sir.
00:14:15Help!
00:14:16Help!
00:14:17Help!
00:14:18Help!
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00:14:47Help!
00:14:48Help!
00:14:49It'll bring them other two boxes down in the morning.
00:14:59All right.
00:15:00Excuse me.
00:15:01Could you tell me when the next train goes through?
00:15:04Train?
00:15:05Yes, I guess I did something awfully crazy.
00:15:08I got off the express train down here and it went away without me.
00:15:12Well, for goodness sake, I never heard the beat.
00:15:15Well, there's no train out of here until 11 o'clock tomorrow morning.
00:15:19There isn't.
00:15:20No, ma'am.
00:15:21I've seen the express stop up beyond.
00:15:23Well, perhaps there's a train going the other way.
00:15:26Opposite direction?
00:15:27Yes.
00:15:28Let me see.
00:15:2912.42, noon tomorrow, when she comes through.
00:15:33Well, I guess I'll have to go to the hotel.
00:15:35That's great, Laurie.
00:15:36I don't know where you're going to find a hotel around here.
00:15:39You stopped off at a pretty bad place for a hotel, lady.
00:15:43Well, what am I going to do?
00:15:46There's Mrs. Lee that takes the school teachers in to board with her in the winter.
00:15:51Well, just any place we do, I don't care.
00:15:54Well, you just sit down and I'll go call her up.
00:15:57Okay.
00:16:00Well, I've been through the whole train, boss, and she ain't on it, that's all.
00:16:05Well, that makes everything just dandy.
00:16:07Yeah, Mrs. Lee says she'll take you in.
00:16:13Oh, thanks.
00:16:14Yeah, her boy's coming to fetch you.
00:16:16He's on his way now.
00:16:18I'm certainly awfully obliged to you.
00:16:20Well, you was lucky to find him home, because he generally works up to the city.
00:16:24No, he ain't the city, Henry.
00:16:25He's a traveling man.
00:16:27Well, I never did know just what he worked at, but anyhow, he's home on his vacation.
00:16:31I feel awful in trouble, I'm making.
00:16:35Oh, sure.
00:16:36Now, you'd do as much for somebody else, wouldn't you, miss?
00:16:39Yes, I hope so.
00:16:41Mrs. Lee's good-hearted.
00:16:42She don't mind.
00:16:43That's a nice table, too.
00:16:45You will enjoy it real well there, I expect.
00:16:52That might be Ned now.
00:16:53Yes, it might.
00:16:54He ain't the slowest driver in town.
00:16:56Yeah, I see him.
00:16:57Hello, Ned.
00:16:58Oh.
00:16:59Hello.
00:17:00Yeah, this is the young lady I was telephoning your ma about.
00:17:03How do you do?
00:17:04I'm afraid I'm causing an awful lot of trouble.
00:17:06Well, that's all right.
00:17:07Haven't seen you in a long while, I'm heading.
00:17:09No, sir, I don't get home very often, Mr. Barnes.
00:17:11How's everything going with you?
00:17:12Fine, thanks.
00:17:14How's all your folks?
00:17:16Oh, they're about the same.
00:17:18Yes, well, you're ready, miss.
00:17:20Yes, I'm ready.
00:17:25Thanks, awfully, for being so nice to you.
00:17:28What do you think of that?
00:17:33Oh, swan, I never see the bee.
00:17:46Just missed it.
00:17:48Can I sit practicing now?
00:17:53Oh, shut up.
00:17:54And I hear all the baggage is left on the train.
00:18:07My, that certainly is too bad.
00:18:09Well, we'll take care of you as best we can.
00:18:11Just on this road.
00:18:12Hot dog.
00:18:25What?
00:18:26Say, where'd you get the finest?
00:18:28Freddy's blue.
00:18:29She's quiet.
00:18:31Well, isn't she?
00:18:32She wanted to hear you.
00:18:33Horses.
00:18:35You're too fresh.
00:18:37Horses.
00:18:38You know, I often wonder why more people aren't left when they stop like that.
00:18:52Just a couple of twos of a whistle and they pull right out without a worry.
00:18:56Well, I'm glad I did miss the train because I have something on my mind.
00:19:00But, well, I feel better already.
00:19:03It's so nice, dear.
00:19:05Mother.
00:19:05Yes, ma'am.
00:19:08Mother.
00:19:11I just wondered if miss...
00:19:13I don't really know what your name is.
00:19:14Grandma Nelson.
00:19:17If Miss Nelson would like something to eat.
00:19:19Oh, that's awfully nice of you, but I think I'd just better go to bed.
00:19:23Now, we hope you have a good night's rest.
00:19:25Good night.
00:19:26Good night.
00:19:26Why, you haven't a single thing with you.
00:19:28I wonder if you'd like to borrow one of my nightgums.
00:19:30Or if you're used to pajamas, I guess Ned would lend you one of his.
00:19:33Though I expect they would be a little big.
00:19:37Well, I really think I'd sleep better in pajamas.
00:19:41Sure.
00:19:43I'll get them.
00:19:45Now, the bathroom's right down at the end of the hall.
00:19:47And if there's anything you want, Miss Nelson, you just call out.
00:19:50All right.
00:19:50Good night.
00:19:51Good night.
00:20:04Hey, Ma, she's up.
00:20:09Good morning.
00:20:11Yes, ma'am.
00:20:12Good morning, Miss Nelson.
00:20:14Good morning.
00:20:14I suppose you're just about ready for some breakfast.
00:20:16I hope I'm not late.
00:20:17No, that's all right.
00:20:18We're just getting ready to sit down.
00:20:20Eric, call Ned, will you, dear?
00:20:23Oh, Ned!
00:20:25Is that the way?
00:20:36Hey, can't you hear me?
00:20:38Breakfast ready.
00:20:39All right.
00:20:41Say, what you getting all this up for?
00:20:44Say, will you mind your own business?
00:20:45I know.
00:20:49Gosh.
00:20:50I hope I never get that way.
00:20:56Yes, we think it's quite a nice little town.
00:20:59Oh, it's a dump.
00:21:00What, dear?
00:21:01It's the bummest town I ever heard of.
00:21:04Did you call Ned?
00:21:05Yes, he'll be down in a minute.
00:21:07He's getting all flicked up.
00:21:09Putting on a clean shirt and coat and everything.
00:21:12Ned's cut the lawn already this morning.
00:21:13He's such a good boy, Miss Nelson.
00:21:16Yes, I can see that.
00:21:17Well, I guess he likes his home pretty well, too, even if Eric doesn't.
00:21:21Oh, it's all right.
00:21:22When he's had a lot of trouble in the city, he's always glad to get back here and rest up.
00:21:26Ned worked in the city?
00:21:27Well, yes.
00:21:29He hasn't exactly settled on what he wants to do yet, but he's feeling around.
00:21:34I want to be a baseball player.
00:21:37Good morning.
00:21:38Good morning, dear.
00:21:39Good morning.
00:21:41What did I tell you?
00:21:42It's the first time he's put on a clean shirt for breakfast since I've been born.
00:21:46Might be a good idea if somebody put a clean shirt on you.
00:21:49What do you think I am, a sissy?
00:21:50Oh, I think you're just a little bit fresh.
00:21:54Horaceous.
00:21:56Eric?
00:21:56Yes, ma'am?
00:21:57You want to finish your breakfast on the back porch?
00:22:00He never does any favors for me, does he?
00:22:02Yesterday we asked him to play on our baseball team and he wouldn't do it.
00:22:06We got beat, 29 to 13.
00:22:09Now, just because she's here, I'm sure I got some sense.
00:22:13All right, Eric.
00:22:14That's enough.
00:22:16Horaceous.
00:22:17Now, this is my first visit home this summer.
00:22:29How long are you going to stay?
00:22:31I have to go back tomorrow morning.
00:22:32Oh, you do?
00:22:34Four daylight.
00:22:35Four thirty.
00:22:37I have to be in the city early Wednesday morning.
00:22:39How'd you like to go back with me?
00:22:42Well, I'm going the other way.
00:22:45But the express wasn't, that's the train you got off of.
00:22:48Yes, I know, but I'm going the other way now.
00:22:50That's partly why I got off, you see?
00:22:53Only, I'd rather not talk about it.
00:23:05More romantic this way anyhow.
00:23:08Romantic?
00:23:08Well, I mean, I don't know anything about you and you don't know anything about me.
00:23:15I feel as though I knew a lot about you.
00:23:19I feel the same way about you.
00:23:22I've got a smart idea.
00:23:24What is it?
00:23:24Wait over until tomorrow.
00:23:27How could I?
00:23:28Well, just miss your train again.
00:23:29That's easy.
00:23:30But I ought not to.
00:23:32Why not?
00:23:33Oh, I don't know.
00:23:35I dare you.
00:23:35Get hold of Madam Melty.
00:23:57She's on her way now, boss.
00:23:59Come in.
00:23:59Oh, did you get some words?
00:24:04Nothing, Nick.
00:24:05Oh, I told you we should stop the train.
00:24:07Now, please don't start that all over again.
00:24:09Let me go back after her myself.
00:24:11No, you won't.
00:24:12You stay right here where you are.
00:24:14You should say what to do, eh?
00:24:16How do everybody?
00:24:17Lovely day.
00:24:19Ah, it was a terrible day.
00:24:21Yes, that's what I meant.
00:24:23Now, listen, Alfie.
00:24:24We haven't had any word from Greta.
00:24:25It begins to look a little bit phony.
00:24:28What is this phony?
00:24:30Now, listen.
00:24:31You can handle her, see?
00:24:33She'll listen to you.
00:24:34I'm going to send you and Slim back after her.
00:24:36Well, what about me?
00:24:37I've got a new man coming to rehearse tomorrow.
00:24:39You've got to be here and work with him.
00:24:51Listen.
00:24:53There goes my train.
00:24:54I couldn't catch it now if I wanted to.
00:24:59You're not sorry you let it go, are you?
00:25:01No.
00:25:02I'm not.
00:25:03I'm happy.
00:25:05So am I.
00:25:06I'm so happy I'm liable to jump right up and fly off one of those trees if you don't look out.
00:25:13Look.
00:25:14There we are.
00:25:15There we are.
00:25:15We're all mixed up together now.
00:25:22Here we go.
00:25:52Well, good night, Greta.
00:26:02Good night.
00:26:05It's been wonderful today.
00:26:08I think so, too.
00:26:11I guess there's no use talking about it.
00:26:14Why not?
00:26:16All right.
00:26:18Let's talk about it.
00:26:19You can write me about it.
00:26:23Maybe I'll write and tell you about my new job if I make good.
00:26:26Which you think is the funniest kind of work you've ever heard of.
00:26:32Well, if I wake up at 4.30 in the morning, I'll wait for you out my window when you go.
00:26:38I'll wait at your window whether you're there or not.
00:26:40All right.
00:26:42Good night.
00:26:43Well, you won't forget to answer my letters, will you?
00:26:46Of course I won't.
00:26:49Good night.
00:26:50Good night.
00:27:06Come in.
00:27:07Well, I was just beginning to think it was a little bit late, especially as long as we have to get up so early.
00:27:21You don't have to get up, Mother.
00:27:22Why, you don't think I'd let you go away without your breakfast?
00:27:25Of course I'll get up.
00:27:28She's a nice girl, don't you think so, Mother?
00:27:30Well, I don't know her very well, Nat.
00:27:33But, gee, can't you tell?
00:27:36A mother isn't always the best judge of a girl that her son is falling in love with.
00:27:40Oh, Mother, well, I've only known her a couple of days.
00:27:43Well, you haven't known her that long.
00:27:46You're really not worried about me, are you?
00:27:49No, dear, of course not.
00:27:51I know I'll never have to worry about you.
00:27:54You take after the Malcolms, and they've got character.
00:27:57Maybe I've got character.
00:27:58I don't know.
00:28:00Well, good night, Mother.
00:28:01Good night, dear.
00:28:03Don't forget to set the alarm.
00:28:04All right, I won't.
00:28:05Good night, Father.
00:28:06Good night.
00:28:10Did you know that Ned went away?
00:28:13Sure, I went to the train with him.
00:28:16And I saw you peeking out of the window, too.
00:28:19And I drove the sliver all the way home.
00:28:22Well, aren't you rather young to drive?
00:28:25Well, nobody could stop me, because he wasn't up yet.
00:28:28And I can drive better than most people in this town anyhow.
00:28:31Would you like to go for a ride?
00:28:34Will you?
00:28:35Sure.
00:28:36Oh, I'd love to.
00:28:36All right.
00:28:37Mother will let me, but she won't.
00:28:43Well, perhaps it isn't such a good idea after all, Eric.
00:28:46You know, you might smash up Ned's car.
00:28:48Well, it isn't yours.
00:28:51Not yet, anyhow.
00:28:53Say, would you like to see some kittens that haven't even got their eyes open yet?
00:28:57Yes, I'd like to very much, but bye-bye.
00:29:00All right.
00:29:00I'll be out in bed.
00:29:01All right.
00:29:01All right.
00:29:07You might ask at the station.
00:29:14Oh, Madam Elsie, you'll have me asking the cow's neck.
00:29:17Freda didn't get off at the station.
00:29:19I have a premonition.
00:29:21Well, that's neither here nor there.
00:29:22Oh, do as I tell you beforehand, and don't argue so much.
00:29:25Oh, that's the same old face.
00:29:36Hey, fella.
00:29:38I'm trying to get in touch with a young lady that got off the train up the track about two
00:29:42days ago.
00:29:45Young lady?
00:29:46Yep.
00:29:48Kind of good looking?
00:29:49That's the one.
00:29:51Well, I'll tell you.
00:29:52Of course I'm glad to see you, but I've just made up my mind I'm not going back.
00:30:00But dearly!
00:30:01Oh, now, Madam Elsie, you should understand.
00:30:04Nick probably's been trying to make me ever since the day I joined the troop.
00:30:07You know that.
00:30:08Well, I don't have to stand that sort of thing, and I just won't.
00:30:11Listen, kid, do you think that's fair to the management?
00:30:13Well, I guess I have a right to take a different job if I want to.
00:30:17Who are you signing with?
00:30:18Well, I don't know.
00:30:20I'm going back to Shire and see what's open.
00:30:23Now, dearie, you've just made everything to me.
00:30:25No, Madam Elsie.
00:30:26I've made up my mind, and that's all.
00:30:28Please, I'd just rather not talk about it.
00:30:37Well, what a great success we turned out to be.
00:30:41We?
00:30:42If you had left it to me, everything would have been all right.
00:30:45The trouble with you, Slim, is that you talk too much.
00:30:47Well, why didn't you speak up?
00:30:48I was thinking.
00:30:51Well, I wouldn't want to interrupt that.
00:30:54Mrs. Lee, they're just going to sit out on the porch for a while, if you don't mind.
00:30:59Of course not.
00:31:00I told them to make themselves right at home.
00:31:02Anyhow, when Ned first goes away, the house seems so empty that I like to have folks around.
00:31:07They're relatives of yours?
00:31:09Are they, Miss Nelson?
00:31:10Why, no.
00:31:11They're just some friends.
00:31:12Mr. Eric Lee, the renowned aerialist, doing wonderful tricks.
00:31:30Alley-up, hey!
00:31:42Alley-up, hey!
00:31:44Alley-up, hey!
00:31:46Alley-up, hey!
00:31:47Stand around, boys.
00:31:49Alley-up!
00:31:49What are you doing up here?
00:32:14Well, I heard you giving a show, and I thought I'd take a look.
00:32:22Well, nobody's allowed up here.
00:32:24What are you doing here?
00:32:26Don't tell Ned, will you?
00:32:28Why not?
00:32:29It's a secret.
00:32:32What's it all about?
00:32:34What's it for?
00:32:36Well, you know, for exercise.
00:32:38Oh.
00:32:39Like in a circus.
00:32:40Didn't you ever go to a circus?
00:32:42Yeah.
00:32:43What?
00:32:48Alley-up.
00:32:49Hey!
00:32:53See?
00:32:54Of course, it takes practice.
00:32:56You can't get a thing like that right away.
00:33:00Would it hold me, do you think?
00:33:03Well, it holds men.
00:33:04Oh, that's right.
00:33:06Well, see if you can pull yourself up.
00:33:10Well, you're up.
00:33:15That wasn't so bad.
00:33:16You'd better get down now before you hurt yourself.
00:33:19All right.
00:33:29See, idea!
00:33:31Gee, that's slick.
00:33:34Girls can do this, too.
00:33:36See, where'd you ever learn to do the monkey roll?
00:33:38How'd you know that was the name of it?
00:33:41Well, my brother can do it better than that.
00:33:43He's some flyer.
00:33:45Flyer?
00:33:47Well, that's what they call him.
00:33:49Say, he can do some tricks.
00:33:50You know what he can do?
00:33:51He can swing right up from that trapeze and do a double somerset and catch that bar with
00:33:56his feet.
00:33:58What?
00:33:58Oh, no.
00:34:00Well, he can.
00:34:02I guess I've seen him.
00:34:03He's about the best acrobat I ever saw in my life.
00:34:06Heard?
00:34:08Well, you know, for in a barn, I mean.
00:34:11Yes, Eric.
00:34:12I'm beginning to think I...
00:34:13I do know what you mean.
00:34:15Well, I never said anything.
00:34:17What shall be with?
00:34:18What?
00:34:20So that's his big secret, hmm?
00:34:23He's out with some truth.
00:34:25Why, I never said any such thing.
00:34:27Hey, where you going?
00:34:28Anna, don't be a cheat.
00:34:29If you go and get me in a lot of trouble, I'll get even with you.
00:34:32And I never said anything, any part.
00:34:36You come back here.
00:34:39Oh, ain't that just like a woman.
00:34:46Lee, did Ned go to join the Flying Dixons?
00:34:49Well, for land's sake.
00:34:50That's it, isn't it?
00:34:51Who told you?
00:34:52Nobody.
00:34:53I just guessed it.
00:34:54Now, Ned's awfully particular about anybody finding out.
00:34:57Oh, I won't tell a soul, I promise.
00:35:01I do these things by intuition.
00:35:05Well, we need some of that stuff right now, sister.
00:35:07I said all along that trouble, trouble was in the air.
00:35:12But now I predict that something new is about to develop.
00:35:16That's a safe bet any time.
00:35:18Will you shut up or will I come?
00:35:20Well, you're talking to me, ain't you?
00:35:22No, no, dear boy.
00:35:23I was just thinking out loud.
00:35:26I didn't even know you were there.
00:35:29Well, I've changed my mind.
00:35:31I'm going back with you.
00:35:33What?
00:35:33Yes, I'm going.
00:35:35I'll be with you in a minute.
00:35:37She's going with us.
00:35:40Well, I told you all along that if you just leave everything to me.
00:35:43Oh.
00:35:44Oh.
00:35:53All we need now is a traffic stop.
00:35:59What do you think of the place?
00:36:18Horses.
00:36:20Horses?
00:36:22Sure they've got horses.
00:36:24What's they expecting on a fairground?
00:36:26Oh, I was just thinking of a young brother of a friend of mine.
00:36:31The brother of a...
00:36:33Say, are you nutty?
00:36:35A little.
00:36:37Well, I believe you.
00:36:39You've been acting kind of goofy all the way back.
00:36:42What do you think of them?
00:36:44Horses.
00:36:45You know, right?
00:36:47It all depends on the point of view.
00:36:50I knew you'd come across as some big sort for the day.
00:36:53Hey, you little bird.
00:36:55I'd like to bring the little bird's neck.
00:36:58Better not try it.
00:37:00A little bird might fly away again.
00:37:01Ready to work?
00:37:02Sure.
00:37:03Come in.
00:37:05Good boy!
00:37:08Good boy!
00:37:09I've stepped there and got too much.
00:37:11Good boy!
00:37:18What'd you run away for?
00:37:20You think?
00:37:21Did you?
00:37:22Plenty.
00:37:23But no bad effect here, eh?
00:37:25No, not yet.
00:37:26And then the real trooper came to the front, eh?
00:37:30And you just had to come back.
00:37:32Well, maybe that's it.
00:37:34Greta knows where our real friends are, don't you, dearie?
00:37:37Well, everything is going to be all right.
00:37:39We're going to give our first show this afternoon.
00:37:41Great.
00:37:42Great, sir.
00:37:42Great, sir.
00:37:43Great, sir?
00:37:43Yes?
00:37:44He's been talking to Harry.
00:37:45Over a minute.
00:37:48Sally!
00:37:50Come on, Nick.
00:37:50Oh, I miss you so.
00:37:53I think I go crazy.
00:37:55Just a little vacation, Nick.
00:37:56They tell me you live in a farmhouse, a terrible place where no trains go there, eh, Greta?
00:38:01That's right.
00:38:02Oh, I wanted to come to you so.
00:38:05I couldn't eat.
00:38:06I couldn't sleep.
00:38:07Oh, you're going to marry me pretty soon, Greta.
00:38:10You know that.
00:38:10Well, this is a little sudden, Nick.
00:38:13Pardon me.
00:38:14What?
00:38:15I think you better step outside, Nick.
00:38:16Now, mind your own business, yes?
00:38:18Well, I'm trying to teach you to mind yours.
00:38:20Now, don't you interfere with me, you old...
00:38:22Oh, I'm not so old.
00:38:25Say, when you're as old as I am, you'll be in three kinds of hospitals.
00:38:28And all the doctors will know what's the matter with you, but nobody will be able to do anything about it.
00:38:32I think that'll last them for a long time.
00:38:35Focus your nose in people's business.
00:38:37Now, come on, children, let's forget these personal affairs and get down to business.
00:38:42Greta here is raring to go.
00:38:44That new man needs a lot of workout.
00:38:46Oh, he's fine, Greta.
00:38:48Isn't he?
00:38:48Oh, you will like to walk with him very much.
00:38:50Well, for a kid that's never played anything but the peanut stand, he's the best I've ever seen, Greta.
00:38:55Now, run along and get dressed, and we'll be outside rehearsing, eh?
00:38:58Okay?
00:38:58Sure.
00:39:07When I see you, right, let's go.
00:39:15See?
00:39:27Right?
00:39:28Right?
00:39:37He'll try anything.
00:39:48I tell you, the kid's got nice.
00:39:50He's a very, very competent boy.
00:39:52After I polish off his form...
00:39:54What's he up to now?
00:39:59Hey, there's nerve for you.
00:40:01Does that blind man's leaf stay in?
00:40:03This guy's own idea.
00:40:04I didn't order it.
00:40:07Practice nets up.
00:40:14You can't get hurt.
00:40:16Maybe you'd better leave the net up with that.
00:40:17Lay off that.
00:40:19The trademark of my act is that we do it without a net.
00:40:22That's what the customers expect.
00:40:23There he goes.
00:40:37I'll help you.
00:40:54This boy's all right.
00:40:55We'll work up now some good tricks.
00:40:57Hold up your hand.
00:40:58I'll do the trick better after I've had a little more practice.
00:41:02You see, I've been doing that turn all by myself without a catcher just grabbing the bar and...
00:41:07Well, of all the people in the world...
00:41:27See, what is this, anyway?
00:41:29Oh, we just happened to...
00:41:31Well, she's been at my house.
00:41:38What, this morning?
00:41:39At 4.30, I waved goodbye to her.
00:41:41Well, with all the luck, I didn't know she was a performer.
00:41:44She didn't ever let me know.
00:41:46Why should she let you know?
00:41:47What?
00:41:47Oh, come on.
00:41:48Let's not stand around all day.
00:41:50Let's get to rehearsing.
00:41:51Yes, go to it, folks.
00:41:52Got to give a performance this afternoon.
00:41:54Don't want any mistakes.
00:41:55Now, get all your cues set.
00:41:58What's the matter, Greta?
00:41:59Don't act so friendly to me.
00:42:00What?
00:42:01Oh, I've done a crazy thing.
00:42:02I shouldn't have come back here.
00:42:04I don't know what you mean, Greta.
00:42:07You mustn't let him see you.
00:42:09Go away in here.
00:42:09Don't talk to me.
00:42:10I'll stay later some other time.
00:42:17While I am here, my heart's easing off.
00:42:21You have another one, eh?
00:42:23What?
00:42:23This boy, he's the latest.
00:42:25Is that it?
00:42:26What in the world are you talking about?
00:42:27I am talking about him.
00:42:30That farmer, you mean?
00:42:32What do you call him?
00:42:33Why, he's a hick.
00:42:35Well, I think maybe he act like he's something very different.
00:42:39Nick, you can think of more fool ways to get jealous
00:42:42than anyone I ever knew in my life.
00:42:44Don't be such a sap, will you, please?
00:42:45Don't be always imagining things.
00:42:48Just because I'm similar to this poor, yeah,
00:42:49but then, then you...
00:42:51I suppose I'm just good enough for this small town,
00:43:01is that it?
00:43:04If you'd known you were going to have the bad luck
00:43:05to run into me again,
00:43:06I guess you wouldn't bother talking to me at all.
00:43:08Is that right, Greta?
00:43:10One of the first things you should learn, mister.
00:43:13I think your name is Lee, isn't it?
00:43:15Well, it was the last I knew.
00:43:17Mr. Lee, is to learn your place in the truth.
00:43:21My place?
00:43:22Mr. Paubley and I are the principals
00:43:24and we're accustomed to being treated as such.
00:43:35Any other questions?
00:43:37No, thanks.
00:43:39What's the matter with the appetite, kid?
00:43:41Not hungry.
00:43:42You don't want to let this open performance get your goat.
00:43:45Nothing's going to get my goat.
00:43:46That's the experience.
00:43:47Well, you did all the stuff once.
00:43:49All you're going to do is do it again.
00:43:51You can only die once.
00:43:53And if the boy isn't able to walk the satisfactorily,
00:43:57we can do the act with one less.
00:43:59What are you talking about?
00:44:01Well, if he isn't up to the job,
00:44:03we have to cut down the truth,
00:44:05and Greta and I will do it ourselves.
00:44:08I've rehearsed it all right this morning, didn't I?
00:44:10Say, lay off this guy.
00:44:12He's doing all right.
00:44:14Leave him alone.
00:44:15I'm the one to do the criticizing around here.
00:44:19Now, dearie,
00:44:20if you'd only told me the truth in the first place,
00:44:23I could have fixed things for you.
00:44:25But I didn't think at all.
00:44:27Oh, I know I've been so stupid.
00:44:29I just came back as Ned was here,
00:44:31and suddenly I looked up and saw Nick's face,
00:44:33and I knew I had to do something.
00:44:35If Nick ever gets jealous of him,
00:44:37he'll do something, he'll do anything.
00:44:39He'll kill him.
00:44:40I know he will.
00:44:40Oh, dearie, will you calm yourself,
00:44:43or will I slap you?
00:44:45Now, I have no use at all for high fear.
00:44:48I don't want any murders done around here
00:44:49any more than you do.
00:44:51So if you'll just leave everything to me,
00:44:53I'll...
00:44:54Go on.
00:44:55All I know is I didn't have a chance to perform
00:44:57before I get criticized.
00:44:59Criticized?
00:44:59No, I'm trying to help you,
00:45:01but wanting all you weak, but...
00:45:03I can do the stuff.
00:45:04I don't want anything to go wrong.
00:45:06Well, if anything goes wrong,
00:45:07it won't be my fault.
00:45:08Oh, you admit you're good.
00:45:10Sure, I do.
00:45:11Come on, Nick, leave him be.
00:45:13Well, I...
00:45:13Don't take that.
00:45:14Young man!
00:45:18Me?
00:45:19I would like to have a few moments' conversation with you
00:45:21if you didn't spare me the time.
00:45:27I have had a premonition.
00:45:30I thought I would wait
00:45:39and have a little talk with you.
00:45:42All right, darling.
00:45:44Oh.
00:45:46And darling.
00:45:48You heard me.
00:45:49Sure.
00:45:50I heard you.
00:45:51It must have been very lonesome
00:45:55when you were in this town
00:45:57so far away, eh?
00:45:58Oh.
00:46:00Don't be silly.
00:46:02I see trouble, trouble
00:46:04all through the car.
00:46:07Well, I don't believe in trouble, though.
00:46:08Quiet.
00:46:10Now it's coming to me.
00:46:12I see your mother
00:46:14and little Eric.
00:46:17Eric?
00:46:18Wait.
00:46:20You are walking down a long road.
00:46:23Now there are two roads.
00:46:25On one side I see a little home
00:46:29with your mother waiting.
00:46:32On the other side I see a dark man.
00:46:36He is blocking your way
00:46:37because you wish to reach the queen.
00:46:41Now you are up on a high plate.
00:46:45Why, it's a catteen.
00:46:47And the dark man is there.
00:46:49I see you swinging, swinging.
00:46:52And suddenly plunging downwards through the air.
00:46:57Down, down, down.
00:46:58I know what you said that for.
00:46:59Don't interrupt me.
00:47:00Don't interrupt me.
00:47:00I don't want to hear anymore.
00:47:02My boy, Madame Ocey, is not a cousin.
00:47:03I don't care what you're a cousin to.
00:47:05I know what you said that for.
00:47:07You're trying to scare me out of here.
00:47:08You're trying to get me to quit.
00:47:10But you can't.
00:47:10I'm going to fix thee.
00:47:12So you might as well save your breath.
00:47:18But I get for doing it free.
00:47:22I know what's the matter.
00:47:49You're jealous.
00:47:51The whole bunch of you.
00:47:52You're afraid I can do your stuff better
00:47:53than you can yourselves.
00:47:56Oh, but the worst of it is,
00:47:58I can't believe it yet.
00:48:00Doesn't seem possible that you're the type that...
00:48:02But you are.
00:48:03So I might as well get used to the idea.
00:48:06But I'll never believe in anybody
00:48:09or trust anybody
00:48:10or care about anybody again
00:48:12as long as I live.
00:48:12What, so what, so what...
00:48:32Oh, it's you.
00:48:49I can't let you think I'm that kind of a person.
00:48:52Oh, Ned, I have to act that way.
00:48:54Please believe me.
00:48:55It's for your own sake, so you won't get hurt.
00:48:58Get hurt?
00:48:59Listen, Ned, Nick probably killed one man because he was jealous of him.
00:49:03Because of me.
00:49:04And if he thought that I cared for you...
00:49:09Haven't seen a little span grape anywhere, have you, Clint?
00:49:12Thought I saw you talking to her over by the tree.
00:49:14Yeah, then I stepped away to get a match.
00:49:17We lost each other.
00:49:21Gonna bet on the races this year, Nick?
00:49:23What for?
00:49:25No.
00:49:29If I'd only had sense enough to stay away, everything would have been all right.
00:49:34Everything's all right now.
00:49:36No, Ned, you've got to go away.
00:49:39Give up my chance for a tryout?
00:49:41Give up your chance to be drunk, 50 feet.
00:49:44I couldn't go, Greta.
00:49:44I couldn't give it up.
00:49:46I don't want to.
00:49:47In the first place, I need the money.
00:49:49In the second place, I want to see if I can make good with a real high-class troop like this.
00:49:53In the third place, even if I wanted to go, I'd have to stay to prove to myself that I wasn't jealous.
00:50:01In the fourth place, even if there weren't any other reasons, I'd stay just to be near you.
00:50:05But you mustn't stay near me.
00:50:08Do you care anything about me at all?
00:50:11You see, I don't really know, Greta.
00:50:12I care more about you than anybody else I ever knew in my life.
00:50:20I love you.
00:50:22Oh, Ned, let's run away together.
00:50:25Let's not run, Greta.
00:50:27Let's face it out.
00:50:29Gee, if every time anybody's against us, we have to pull up stakes and hike.
00:50:32Oh, darling, we don't have to be afraid of anybody.
00:50:35We've got a right to live, haven't we?
00:50:37Excuse me.
00:50:42It must have been very lonesome for you in this little town.
00:50:47I can see that.
00:50:51Yes.
00:50:54Indeed.
00:51:12Oh, come on, let's go.
00:51:18No, they'll be here in a minute.
00:51:20I can't see nothing anyhow.
00:51:34Nervous?
00:51:35A little bit.
00:51:36Nick?
00:51:37What?
00:51:37On account of Nick?
00:51:38No.
00:51:39Just because I hope I do well, that's all.
00:51:41Ever worked without a net before?
00:51:43No, sir.
00:51:44Greta seems to think you may be hurt.
00:51:47No, sir, not the slightest danger.
00:51:48I told you it wouldn't do any good to talk to him.
00:51:50He's stubborn.
00:51:50I'll tell you what we'll do.
00:51:51We'll cut out the blindfold act.
00:51:53No.
00:51:53What?
00:51:53Yes.
00:51:54No.
00:51:54Oh, please, Ned.
00:51:55Then have him think I'm scared of him.
00:51:57If you cut that out, I won't go on at all.
00:51:59What are you trying to do, crab my yacht?
00:52:01Gee, leave me alone for a little bit.
00:52:03I can do my stuff.
00:52:04I'll get by all right.
00:52:05I want to go out and do the best I can, and how can I, with all of you nagging at me.
00:52:09At this time, David's�ist, with here,
00:52:12in presenting the World's Greatest Flying Return Act, the Flying Dick节.
00:52:18Hey, that's not you, isn't it?
00:52:20Call Nick.
00:52:20Oh, good.
00:52:21Here's your hands for me.
00:52:21All right.
00:52:22You're falling off.
00:52:23Can I help you?
00:52:25Come on, mate.
00:52:25Now, let's go.
00:52:26Come on, man.
00:52:27Be careful.
00:52:27Come on, boy.
00:52:34Come on.
00:52:36Come on, man.
00:52:36warum?
00:52:37Come on, man.
00:52:37Huh?
00:52:37Hey, come on, man.
00:53:38You don't have to be such a hot fortune teller to premonish that.
00:53:42I could put six and eleven together myself this afternoon.
00:53:45And what would you get?
00:53:46One kid coming down, reaching for something that wasn't there.
00:53:50I don't know what the kid's got up his sleeve.
00:53:53He ain't afraid.
00:53:53He's too dumb to be afraid.
00:53:55It's crazy.
00:53:56So's better.
00:53:57They make a great pair.
00:53:59I predict a bright future for them.
00:54:01Sure, meets at the funeral.
00:54:04Why, that's the safest way to take a guy for a ride that was ever invented.
00:54:08There's no comeback.
00:54:10I know some guys I'd like to have up there.
00:54:12That's the best way to take a guy for a ride that was ever invented.
00:55:50Please don't do it, Ned. I love you. Please don't do it. Don't let him kill you.
00:55:54He can't.
00:55:55But he will.
00:55:56You wait and see.
00:55:58Look, he's putting the sack over his head.
00:56:00Gee, how would you like to be doing that, huh?
00:56:02It's all right if you get used to it.
00:56:04Oh, it's a trick. He knows how to grab all of them. They don't sleep much.
00:56:07Yeah, much. That's rather catchy.
00:56:08Yeah. What do you mean?
00:56:10A long way down.
00:56:11He's burnt. He's got him with his legs.
00:56:38To be that, he's got him with his legs.
00:56:40What a trick.
00:56:48Why, it's a knockout. I tell you, it's a knockout.
00:56:51Listen to him.
00:56:52Oh, he's going to kill him.
00:56:54Who says he was down?
00:57:24Why, tell me what you're going to do.
00:57:42You'd just argue with me, wouldn't you? You said it was impossible.
00:57:46You might miss some time.
00:57:48See?
00:57:48Well, I don't want you to get hurt.
00:57:53I knew I could do it. I just knew it, and so I thought the best thing to do was to have confidence in myself
00:57:58and go ahead and not be frightened by anybody.
00:58:02Have you seen Nick since?
00:58:04No. He went straight to his dressing tent.
00:58:06Come in, come in.
00:58:13Looking for someone, Nick?
00:58:15If you will excuse me, I thought perhaps our young friend, Mr. Lee, might possibly be here.
00:58:21No, I haven't seen him, Nick.
00:58:23Now, look here, dear boy. You're not going to make any trouble, are you?
00:58:26Trouble? No.
00:58:28That's the proper spirit, Nick.
00:58:30Why, he pulled as neat a turn as I've ever seen.
00:58:33So, let's bury the hatchet.
00:58:35Hatchet? I have no hatchet.
00:58:39I mean, let's all be friends.
00:58:42Sure.
00:58:44That's what I wish to talk with him about.
00:58:48And, Greta, you didn't see her either?
00:58:52I haven't seen her so, dear boy.
00:58:54No.
00:58:54No.
00:58:57I thank you.
00:59:02He's taking it pretty good, ain't he?
00:59:05Yeah.
00:59:07Ain't nothing but three on them.
00:59:08All I have dice, he can't make no seven.
00:59:10Ain't no seven on them dice.
00:59:12Make a point. Make a point like that.
00:59:14Make a point.
00:59:14Excuse me for interrupting you.
00:59:17But I wonder, have you seen young Mr. Lee come this way?
00:59:20Mr. Lee?
00:59:21No, sir. I ain't seen him.
00:59:23Come on.
00:59:24Ain't nothing but three on them, guys.
00:59:26Ain't nothing but three on them.
00:59:27That's the atamines.
00:59:28He came back here, Jeff.
00:59:29That's the atamines.
00:59:33Oh, I don't believe it.
00:59:55Like that?
00:59:56Yes.
00:59:58That's the way they wear them back home.
00:59:59Oh, I don't believe you.
01:00:00Yeah.
01:00:01Let's hide.
01:00:13You are very hard to find this evening.
01:00:17Greta, they are looking for you in the manager's tent.
01:00:20For me?
01:00:21Yes.
01:00:22So I will stay here and discuss a few little things with the young man.
01:00:29Fine.
01:00:31I'll call for you down at the tent.
01:00:36All right.
01:00:42Goodbye, dear.
01:00:43Goodbye.
01:00:44Goodbye, dear.
01:00:45Yes?
01:00:46And Greta is my girl.
01:00:47She used to be.
01:00:48Maybe you don't hear good.
01:00:49She is my girl.
01:00:50I didn't like to tell you, Mr. Bodley, but she don't seem to care much about you anymore.
01:00:51She will learn to care for me after you are gone.
01:00:55But I'm not going.
01:00:56Yes, you are.
01:00:57No, sir.
01:00:58Yes, you are.
01:00:59No, sir.
01:01:00I was afraid you didn't hear so.
01:01:01Well, the manager is offering me this time.
01:01:02Goodbye, dear.
01:01:03Goodbye, dear.
01:01:04Yes.
01:01:05And Greta is my girl.
01:01:06And Greta is my girl.
01:01:07She used to be.
01:01:08Maybe you don't hear good.
01:01:09She is my girl.
01:01:10I didn't like to tell you, Mr. Bodley, but she don't seem to care much about you anymore.
01:01:15She will learn to care for me after you are gone.
01:01:19But I'm not going.
01:01:21Yes, you are.
01:01:22No, sir.
01:01:24I was afraid you didn't hear so.
01:01:26Well, the manager is offering me this job.
01:01:28There doesn't happen to be room for both of us in this room.
01:01:33Have you a watch?
01:01:35Yes.
01:01:36Will you set it the same as mine?
01:01:38Ten minutes after six.
01:01:42That's right.
01:01:44Now, they are both the same.
01:01:46And when you'll watch, say, ten minutes after seven, you are to be gone.
01:01:50And if I should find you anywhere around these grounds, I'll break you into small pieces.
01:01:55But I came here to...
01:01:56One hour.
01:01:57You understand?
01:01:58But even if I want to go, it wouldn't be fair to the management.
01:01:59When you'll watch, say, ten minutes after seven, I had better not catch sight of you.
01:02:08What are you doing?
01:02:13I watched that ten minutes after seven.
01:02:16Yes.
01:02:17And I'm not going away, and you might as well find it out now and see whether...
01:02:20Well, anyhow, I'm not going.
01:02:22If you don't go of your own accord, you will be carried out.
01:02:25I suppose you know that.
01:02:26Well, all I know is I came here to take a job and I'm going to stick.
01:02:29Why, this is a free country.
01:02:30You can't order people around like that.
01:02:32And more than that, why, Greta needs somebody to protect you.
01:02:34You're not a good influence for her.
01:02:36And besides that, I don't like you.
01:02:38I'm going to take a job.
01:02:43Hey!
01:02:44Hey, cut it off!
01:02:45What's the matter with you guys?
01:02:47We've got a show tomorrow.
01:02:48I'll get hungry.
01:02:49Hey, stop that fucking up there!
01:02:51I'm going to show them tomorrow.
01:02:52Hey, what are you guys?
01:02:53Put out, back!
01:03:02Hey, cut it out!
01:03:03Hey, cut it off!
01:03:05Hey, cut it off!
01:03:06Come on, buddy!
01:03:07Hit them all!
01:03:08All right!
01:03:09Let's go!
01:03:10Hey!
01:03:11Hey!
01:03:12Hey!
01:03:13Hey!
01:03:14Hey!
01:03:15Get down!
01:03:16Come on, somebody!
01:03:17Hit them all!
01:03:18Come on!
01:03:19Let's go!
01:03:20Let's go!
01:03:21Get!
01:03:22Go early!
01:03:23Get!
01:03:24I'll get you over!
01:03:26Get!
01:03:28Get!
01:03:29Take it!
01:03:30Get!
01:03:31Get!
01:03:32Get!
01:03:34Get!
01:03:35Stop it, boy! Stop it!
01:03:37Here, come on, get over it!
01:03:39Hold it! Hold it on! Stop it!
01:03:41Here, cut it out now!
01:03:43Come on!
01:03:45You had to get help, didn't you?
01:03:47Here, stop it to me!
01:03:49Well, it's 10 after 7 and I'm still here!
01:03:51Stop it! Stop it! Stop it!
01:03:53Crazy lunatic! Well, folks ought to be fined
01:03:55and thrown out of the show business forever!
01:03:57I'm still here. Hey, do you want to do your act tomorrow?
01:03:59Yes, certainly. That's what the argument's about.
01:04:01Oh, you call this an argument, do you?
01:04:03I'm still here. That's all I got to say!
01:04:05The peace descended, all right.
01:04:07Never mind. It's always dark.
01:04:09It's just before the dawn.
01:04:11What's the use of stopping us now?
01:04:13We'll just get together and fight it out later.
01:04:15Never have I been so excited.
01:04:17I will not walk with that...
01:04:19with a thick...
01:04:21No. You bet you won't.
01:04:23Just like what you said.
01:04:25There isn't room enough in this proof for both of us.
01:04:27Let him loose.
01:04:33You got a watch?
01:04:35What?
01:04:37I still got mine.
01:04:39When it says 10 minutes after 8,
01:04:41you better not let me find you around here
01:04:43or I'll break you into small pieces.
01:04:45You don't look like such a wild man, does he?
01:04:47What's that?
01:04:48I didn't say anything.
01:04:49You know, Mr. Pauvin,
01:04:51I don't like to hurt your feelings,
01:04:53but as a tough guy, you're a terrible bust.
01:04:55Must I be here for such a talk?
01:04:59Must I be here for wisecracking?
01:05:01You started it, Nick.
01:05:03Well, I leave.
01:05:05I resign.
01:05:07All right.
01:05:09You can't get along without me,
01:05:11but I will leave you anyhow.
01:05:13I will not stay with the farmers
01:05:15not one night, not one hour.
01:05:17I go. I go now.
01:05:19I knew it. I knew it.
01:05:21I said all along
01:05:23that everything would come out all right in the end.
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